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Nina Simone - Little Girl Blue Gatefold Sleeve Edition
Nina Simone
Little Girl Blue Gatefold Sleeve Edition
LP | 2017 | EU | Original (Dol)
15,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Smith & Mudd - Tea With Holger
Smith & Mudd
Tea With Holger
LP | 2019 | EU | Original (Be With)
24,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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It seems KPM have long been fans of Smith and Mudd and, after being introduced to each other by mutual friend Andy Allday, the peerless Balearic maestros were invited to contribute to the library label’s digital-only “Album Shorts” project. The results are predictably wonderful. With past projects under our belt working with everyone involved so far it made perfect sense for Be With to take on the vinyl release of this instant library classic. But why is it called “Tea With Holger”? “Holger” is of course Holger Czukay and the whole LP is dedicated to Smith and Mudd’s time spent with him and Ursa Major at Can’s famous Inner Space Studio in Weilerswist, near Cologne.
V.A. - Reggae Versions Classics Hits Turned Into Reggae Music
V.A.
Reggae Versions Classics Hits Turned Into Reggae Music
LP | 2019 | EU | Original (Wagram)
15,99 €*
Release: 2019 / EU – Original
Genre: Reggae & Dancehall
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Camelphat & Elderbrook - Cola
Camelphat & Elderbrook
Cola
12" | 2017 | EU | Original (Defected)
14,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Undoubtedly one of the most addictive records of 2017, CamelPhat & Elderbrook's 'Cola' has been a defining musical moment of the year. Growing exponentially since its release, the track has captivated tastemakers, DJs and clubbers alike, topping charts and blowing up worldwide to become a true modern anthem. Leading on from the success of the original and some heavyweight remixes, three of which hit the Beatport top ten – for the first time on vinyl, comes a remix package set to continue 'Cola's' dance floor domination.

Rising superstar Franky Rizardo's suitably heavyweight remix comes correct with a club-friendly update that elevates the unmissable vocal hook and bottoms out the breakdown. Dario D'Attis' vinyl exclusive mix continues the club feel with rolling grooves, teasing breakdowns and shuffling hi-hats in a remix which packs a punch, guaranteed to get people moving from the get-go. Mousse T. flips the track completely, bringing those Glitterbox vibes to Defected, taking 'Cola' to the next level and going straight to Traxsource #1 in the process.
V.A. - Dancehall: The Rise Of Jamaican Dancehall Culture 2017 Edition
V.A.
Dancehall: The Rise Of Jamaican Dancehall Culture 2017 Edition
3LP | 2017 | UK | Original (Soul Jazz)
36,99 €*
Release: 2017 / UK – Original
Genre: Reggae & Dancehall
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A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.
Princess Nokia - 1992 Deluxe
Princess Nokia
1992 Deluxe
2LP | 2017 | UK | Original (Rough Trade)
30,99 €*
Release: 2017 / UK – Original
Genre: Hip Hop
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Princess Nokia – aka New York rapper Destiny Frasqueri – has been releasing music via Youtube and Soundcloud since she was in High School, and slowly bubbling up on the internet, garnering a rabid fanbase. Last year, with the self-release of her 1992 mixtape, she catapulted herself to the next level, solidifying her position as one to watch. Since its release, she’s toured the world over, selling out various venues across the globe in mere days, and racked up literally millions of views/listens on her tracks. She is not only a brilliant rapper & lyricist but a feminist icon who is unapologetically herself, and aligns equally with the values of punk rock and riot grrl, ‘90s R&B, and the best of forward-thinking hip-hop. This is powerful, passionate, outspoken, vibrant modern music with deep roots in both NYC and rap history.
1992 Deluxe will be released via Rough Trade and is her first ever physical album; boasting 8 additional brand new songs - her first music since 2016. This expanded version includes the original 1992 tracks fully remastered and comes with a beautiful gatefold package.
Godspeed You Black Emperor! - Luciferian Towers
Godspeed You Black Emperor!
Luciferian Towers
LP | 2017 | CA | Original (Constellation)
26,99 €*
Release: 2017 / CA – Original
Genre: Rock & Indie
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The seventh record by Godspeed You! Black Emperor will be released 22 September 2017 on Constellation.

‘Luciferian Towers‘ was recorded during the winter of 2016/2017 at Montreal’s Hotel2Tango, with Greg Norman once again engineering and co-producing (as he did on the band’s previous album ‘Asunder, Sweet And Other Distress‘).

The music on ‘Luciferian Towers‘ took shape over the past two years, amidst GYBE’s collaborative performances with the Holy Body Tattoo dance company’s monumental, and spurred by the commissioning of new compositions memorializing the 100th anniversary of the WWI Battle of Messines, which premiered at a live concert event on the site of the massacre at Heuvelland, Belgium this past June.

‘Luciferian Towers‘ is Godspeed’s third album since the group’s ‘reunion’ in 2011 and their second consecutive single LP-length record (following three double-album releases in 2000, 2002 and 2012).

this, this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy – we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.

(context as follows:)

1. UNDOING A LUCIFERIAN TOWERS – look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen- the wind is whistling through all 3,000 of its burning window-holes!

2. BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!

3. FAM / FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon they’ll hunt us like wolves.

4. ANTHEM FOR NO STATE – kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn’t give a shit because it knows it’s dying too.

finally and in conclusion;
the “luciferian towers” L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again

much love to all the other lost and wondering ones,
xoxoxox god’s pee / montréal / 4 juillet, 2017

PERSONNEL
Aidan Girt: Drums
David Bryant: Electric guitar, MG-One
Efrim Manuel Menuck: Electric guitar, organ, OP-1
Karl Lemieux: 16mm film projections
Mauro Pezzente: Electric bass
Michael Moya: Electric guitar
Sophie Trudeau: Violins, organ
Thierry Amar: Contrebasse, electric bass
Timothy Herzog: Drums

GUESTS ON TRACK ONE
Bonnie Kane (saxophone, flute, electronics)
Craig Pederson (trumpet)
Folamour - Nights Over You 2024 Repress
Folamour
Nights Over You 2024 Repress
12" | 2017 | EU | Reissue (FHUO)
17,99 €*
Release: 2017 / EU – Reissue
Genre: Electronic & Dance
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2024 Vinyl repress with a new graphic identity, a colourful sticker and a sparkling records.
TLC - CrazySexyCool
TLC
CrazySexyCool
2LP | 2012 | US | Reissue (Sony Music Commercial Music Group)
19,99 €*
Release: 2012 / US – Reissue
Genre: Hip Hop
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Used Vinyl
Medium: VG, Cover: VG
Still shrink wrapped but opened.
Dogeared cover.
Records are slightly warped but still enjoyable.
Johnny Griffin / Eddie Davis Quintet - At Onkel Pö's Carnegie Hall Hamburg '75
Johnny Griffin / Eddie Davis Quintet
At Onkel Pö's Carnegie Hall Hamburg '75
2LP | 2017 | EU | Original (Jazzline)
15,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Haelos - Any Random Kindness
Haelos
Any Random Kindness
2LP | 2019 | EU | Reissue (BMG Rights Management)
24,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Eloy - The Vision, The Sword And The Pyre (Part 2)
Eloy
The Vision, The Sword And The Pyre (Part 2)
2LP | 2019 | Original (MIG)
32,99 €*
Release: 2019 / Original
Genre: Rock & Indie
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Alcest - Spiritual Instinct Black Vinyl Edition
Alcest
Spiritual Instinct Black Vinyl Edition
LP | 2019 | EU | Original (Nuclear Blast)
30,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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For principal songwriter and frontman Neige, Alcest has always been a gateway to the otherworldly, a means of exploring his spirituality. An elemental two-piece, completed by long-serving drummer and creative confidante Winterhalter, their forthcoming sixth album »Spiritual Instinct« finds Neige at his most personal. “This time I had something urgent to put on the table,” he explains. “It is a very cathartic record - something needed to get out of me. It’s darker than usual, and heavier.”
King Crimson - In The Court Of The Crimson King 50th Anniversary Edition
King Crimson
In The Court Of The Crimson King 50th Anniversary Edition
2LP | 2019 | UK | Original (Panegyric)
34,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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50th anniversary edition of one of rock music’s seminal debut albums
2LP set pressed on 200 gram audiophile vinyl
LP1 features all new, 2019 stereo mixes as approved by Robert Fripp
LP2 features all new, 2019 alternate takes & recordings with five pieces mixed by Steven Wilson and two pieces mixed by David Singleton.
artwork derived from the original paintings, as meticulously restored for the limited edition full sized, signed prints
Cut by Jason Mitchell at Loud Mastering from original 24/96 high-resolution source files.
Goldring - E3 MM Cartridge
Goldring
E3 MM Cartridge
119,99 €*
 
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Goldring E3

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E3 cartridge, representing the top of the range features the same aluminium cantilever as the E2, but benefits from a superior, bonded, super-elliptical (0.3 x 0.7 mil) stylus. This gives it better high frequency detail retrieval over ordinary elliptical (0.4 x 0.7 mil) or spherical (0.6 mil) types due to its smaller front-to-back radius. The main effect is the reduction of sibilance, especially in high level vocal recordings

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Violet
• Cantilever: Aluminium
• Stylus profile: Elliptical
• Stylus radius: 0.3 x 0.7 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)
XL Middleton - 2 Minutes Till Midnight
XL Middleton
2 Minutes Till Midnight
LP | 2019 | US | Original (Mofunk)
26,99 €*
Release: 2019 / US – Original
Genre: Hip Hop
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After making serious noise in the modern funk world, XL Middleton makes a return to the g-funk/hip hop sound that marked his earlier work with "2 Minutes Till Midnight." It’s a funked out, synth-heavy excursion with an equal amount of appeal for modern funksters or the underground legions of g-funk fans that put XL on the map originally. Those familiar with his most recent albums, “Tap Water” and “Things Are Happening,” will recognize the signature synth leads and intricate analog bass lines. Those unfamiliar with Middleton as an MC will find that he challenges standards in the worlds of both underground and mainstream rap, eschewing the backpack as much as the Bentley, falling into a space that few can. XL’s lyricism is cerebral and well-read, yet it’s clear that he comes from a part of the world that relishes khakis, Chuck Taylors & Zapp records. "2 Minutes Till Midnight" stands firmly rooted in the funk tradition of Los Angeles, showing reverence for the music that inspired it by bringing g-funk legends Kokane & Domino ("Getto Jam") into the fold as guest artists and by featuring album artwork from Joe Cool, who designed the iconic "Doggystyle" album cover for Snoop Dogg. XL's contemporaries, such as labelmates Zackey Force Funk, Moniquea, & I, Ced, also join in and help to remind us that the album is not just a self-indulgent tribute to a bygone era of music. As modern funk grew largely out of hip hop, XL takes that growth backward, and moves the music forward as a result.
Pinkish Black - Concept Unification
Pinkish Black
Concept Unification
LP | 2019 | EU | Original (Relapse)
21,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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DJ Soopasoul - Soopastole Edits Volume 8
DJ Soopasoul
Soopastole Edits Volume 8
7" | 2017 | EU | Original (Soopastole)
13,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Otis Rush - Right Place Wrong Time
Otis Rush
Right Place Wrong Time
LP | 2012 | UK | Original (Pure Pleasure)
34,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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Mark Lanegan & Band - Blues Funeral
Mark Lanegan & Band
Blues Funeral
2LP | 2012 | UK | Original (4AD)
30,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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V.A. - Seafaring Strangers: Private Yacht
V.A.
Seafaring Strangers: Private Yacht
LP | 2019 | US | Reissue (Numero Group)
30,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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The Numero Group's dive into the deep end of America's private press continues. Having battled the witches and wizards of Darkscorch, the outlaws of Cosmic Americana, and traveled alongside Ladies From the Canyon and their Lonesome Heroes, it's time to take it easy.With pop music's volume knob adjusted for deflation in the early 80s, softness begat smoothness. Crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. A sound that was buoyant, crisp, defined. Sometimes classified as West Coast-and, later, Yacht Rock-the compass points of our Private Yacht expedition are the blue-eyed harmonies of Hall and Oates, the cocaine-dusted Fender Rhodes of Michael McDonald, and the combover strums of James Taylor. Here, at the glassy apex of rock's softer side, 20 strong swimmers are gathered together. An album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.
Joao Donato E Donatinho - Sintetizamor
Joao Donato E Donatinho
Sintetizamor
LP | 2017 | US | Reissue (Far Out)
29,99 €*
Release: 2017 / US – Reissue
Genre: Organic Grooves
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Far Out Recordings proudly presents laid back Brazilian groove maestro Joao Donato's synth-heavy collaboration with his son Donatinho. Sintetizamor sees the father-son duo jovially hurtle through space and time across ten tracks of sparkling pop, Brazilian boogie and club friendly disco-funk.
Mac DeMarco - 2 - 10 Year Anniversary Edition
Mac DeMarco
2 - 10 Year Anniversary Edition
2LP | 2012 | US | Reissue (Captured Tracks)
29,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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10 Year Anniversary restrospective double LP collection including both "2" and "2 Demos" as well as an 8 Page Booklet containing new liner notes written by Mac. Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill." "It's tough to say which DeMarco is preferable: the swooning clear-eyed baritone of the last two songs or the unsettling deep-voiced emoter of the first eight. Really, I'm a fan of both versions -- the goofy creep and the straightforward crooner." - Pitchfork
Porridge Radio - Rice, Pasta And Other Fillers
Porridge Radio
Rice, Pasta And Other Fillers
LP | 2017 | EU | Reissue (Memorials Of Distinction)
25,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie
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Limited edition second pressing on clear vinyl with a reusable plastic sleeve (no cellophane)!Back by popular demand, Memorials of Distinction is rereleasing Porridge Radio's shed-recorded debut album on a limited pressing of clear vinyl (and CD). This comes after a year in which Porridge Radio's Every Bad, their first on Secretly Canadian, led to top reviews in Pitchfork, The Guardian, NME, The Times, The Quietus, Clash, Uncut, Q, The Independent, LOBF, DIY, Stereogum, Paste, Vice, amongst others, and then being shortlisted as one of the Hyundai Mercury Prize's 12 Albums of 2020. Porridge Radio started as Dana Margolin's bedroom project, but grew to a Brighton-based band who, on this debut, inelegantly knotted together tender melodic pop songs with vicious and furious emotional outpour. After a series of home-recorded solo demos and the growing legend of their live shows on the UK DIY scene, they originally released this lofi debut full band LP in 2016. The album documents struggles with life, love and boredom - spelt out with sticky fingers by five idiot savants.
Aesop Rock - Skelethon
Aesop Rock
Skelethon
2LP | 2012 | US | Reissue (Rhymesayers)
27,99 €*
Release: 2012 / US – Reissue
Genre: Hip Hop
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Bilk - Chipped Out
Bilk
Chipped Out
7" | 2019 (Family Spree)
9,99 €*
Release: 2019
Genre: Rock & Indie
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Dead Elvis & His One Man Grave / Hombre Lobo Internacional - Horror Diner Volume 1
Dead Elvis & His One Man Grave / Hombre Lobo Internacional
Horror Diner Volume 1
7" | 2019 (Family Spree)
9,99 €*
Release: 2019
Genre: Rock & Indie
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Anne Müller - Heliopause
Anne Müller
Heliopause
2LP | 2019 | EU | Original (Erased Tapes)
23,99 €*
Release: 2019 / EU – Original
Genre: Pop
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Opolopo - You Can Make It
Opolopo
You Can Make It
12" | 2019 | EU | Original (Local Talk)
11,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Peter Major a.k.a. Opolopo is an extraordinary producer that barely puts a foot wrong.
Salary Boy & Ari Bald - Västkransen Variations 1
Salary Boy & Ari Bald
Västkransen Variations 1
12" | 2019 | EU | Original (Västkransen)
11,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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On the inaugural release of Västkransen Variations, Salary Boy and Ari Bald team up to explore four shades of house. While both these Stockholm producers have been hailed for their tasty sample-based dance tracks, they now reveal a deeper side of themselves. On the A-side, Salary Boy gives us “Newland Court”, whose bassline and jazzy soundscapes might bring a certain Larry Heard to mind. However, the production is a timeless piece of house beauty. On his remix, Ari Bald infuses the track with punchy breakbeats and wild arpeggios. On the AA-side, Ari continues with “Daytrippin’”, a retro-futuristic saga which plays out in a dreamlike, almost druggy, haze. Salary Boy then closes the record with his own interpretation of the track, stripping it down it into a powerful four-on-the-floor spinner.
Daniel Dimbas & La Diferencia - La Diferencia Antal & Palms Trax Edits
Daniel Dimbas & La Diferencia
La Diferencia Antal & Palms Trax Edits
12" | 2019 | US | Original
15,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Heavy Carribean zouk 12", doublesider! Both tracks taken from Daniel Dimbas' 1985 ''La Differencia" album. Officially licensed from Debs Music.. Palms Trax & Antal on edit duties.. TIP!
Rodrigo Y Gabriela - Live In Japan
Rodrigo Y Gabriela
Live In Japan
LP | 2019 | EU | Original (Rubyworks)
27,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Ryan Elliott - The Introduction EP
Ryan Elliott
The Introduction EP
12" | 2019 | EU | Original (Faith Beat)
11,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Ryan Elliott provides the first EP on his new label Faith Beat. An intricate blend of techno, house, and hypnotica.
Dominik Eulberg - Mannigfaltig
Dominik Eulberg
Mannigfaltig
3LP | 2019 | EU | Original (!K7)
26,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Finally. More than eight years after Diorama, Dominik Eulberg releases his long awaited fifth studio album Mannigfaltig. With twelve elaborate pieces of music, he creates a burning plea to preserve the breathtaking biodiversity of nature and at the same time warns of the threat posed to it by humans.
It is a detailed record that demands close listening and showcases Eulberg's considerable synth craft, with drawn out pads and delicate keys laid over undulating rhythms that slowly take you through a wide range of emotions. Elements of ambient, downtempo, electronica, pop and minimal are infused with the sounds of nature, a choral sense of musicality and wistful air of grace across all the majestically composed pieces.
Frozen Crown - Crowned In Frost
Frozen Crown
Crowned In Frost
LP | 2019 | EU | Original (Audioglobe)
29,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Pixies - Beneath The Eyrie
Pixies
Beneath The Eyrie
LP | 2019 | EU | Original (BMG)
28,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Black Midi - Schlagenheim
Black Midi
Schlagenheim
LP | 2019 | EU | Original (Rough Trade)
27,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Mazouni - Un Dandy En Exil - Algerie/France 1969/1983
Mazouni
Un Dandy En Exil - Algerie/France 1969/1983
2LP | 2019 | EU | Original (Born Bad)
26,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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1958, in the middle of the liberation war. While the rattle of machine guns could be heard in the maquis, in the city, the population listened at low volume to Algerian patriotic songs broadcast by the powerful Egyptian radio: “The Voice of the Arabs”. These artists all belonged to a troupe created by the self-proclaimed management of the National Liberation Front (FLN), based in Tunis and claiming to gather a “representative” sample of the Algerian musical movement of the time, among which Ahmed Wahby (who sang Wahran Wahran, a song popularized by Khaled) and Wafia from Oran, Farid Aly the Kabyle, and H’sissen, the champion of Algiers’ Chaâbi. The same year, singer Ben Achour was killed in conditions that have never been elucidated.
Algiers, by a summer evening in 1960. Cafe terraces were crowded and glasses of anisette kept coming with metronomic regularity, despite the alarming music of police sirens heard at intervals and the silhouettes of soldiers marching in the streets. The mood was good, united by a tune escaping from everywhere: balconies, where laundry was finishing drying, windows wide open from apartments or restaurants serving the famous Algiers shrimps along with copious rosé wine. Couples spontaneously joined the party upon hearing “Ya Mustafa“, punctuated by improvised choirs screaming “Chérie je t’aime, chérie je t’adore“. The song, as played by Sétif-born Alberto Staïffi, was a phenomenal success, to the point that even FLN fighters adopted it unanimously. Hence an unfortunate misunderstanding that would trick colonial authorities into believing Mustafa was an ode to the glory of Fellaghas. In 1961, Cheikh Raymond Leyris, a Jewish grand master of ma’luf (one of Algeria’s three Andalusian waves) who was Enrico Macias’ professor, was killed in Constantine, making him the first victim of a terrorist wave that would catch up with Algeria at the dawn of the 1990s by attacking anything that thought, wrote or sang.
Mohamed Mazouni, born January 4, 1940 in Blida – “The City of Roses” both known for its beautiful ‘Blueberry Square’ (saht ettout) in the middle of which a majestic bandstand took center stage, and its brothels – had just turned twenty. He was rather handsome and his memory dragged around a lot of catchy refrains by Rabah Driassa and Abderrahmane Aziz, also natives of Blida, or by ‘asri (modern music) masters Bentir or Lamari. He would make good use of all these influences and many others stemming from the Algerian heritage.
The young Mohamed was certainly aware of his vocal limits, as he used to underline them: “I had a small voice, I came to terms with it!“. But it didn’t lack charm nor authenticity, and it was to improve with age. He began his singing career in those years, chosing bedoui as a style (a Saharan genre popularized among others by the great Khelifi Ahmed).
July 1962. The last French soldiers were preparing their pack. A jubilant crowd was proclaiming its joy of an independent Algeria. Remembering the impact of popular music to galvanize the “working classes”, the new authorities in office rewarded the former members of the FLN troupe by appointing them at the head of national orchestras. In widespread euphoria, the government encouraged odes to the recovered independence, and refrains to the glory of “restored dignity” sprung from everywhere. Abderrahmane Aziz, a star of ‘asri (Algiers’ yé-yé) was a favorite with Mabrouk Alik (“Congratulations, Mohamed / Algeria came back to you“); Blaoui Houari, a precursor of Raï music, praised the courage of Zabana the hero; Kamel Hamadi recalled in Kabyle the experience of Amirouche the chahid (martyr), and even the venerable Remitti had her own song for the Children of Algeria. All this under the benevolent eye (and ear) of the regime led by Ahmed Ben Bella, the herald of the single party and vigilant guardian of the “Arab-Islamic values” established as a code of conduct. Singers were praised the Egyptian model, as well as Andalusian art intended for a nascent petty bourgeoisie and decreed a “national classic”; some did not hesitate to sell out. These Khobzists – an Algerian humorous term mocking those who put “putting-food-on-the-table” reasons forward to justify their allegiance to the system – were to monopolize all programs and stages, while on the fringes, popular music settled for animating wedding or circumcision celebrations. Its absence in the media further strengthened its regionalization: each genre (chaâbi, chaouï, Kabyle, Oranian…) stayed confined within its local boundaries, and its “national representatives” were those whose tunes didn’t bother anyone. The first criticisms would emanate from France, where many Algerian artists went to tackle other styles. During the Kabyle-expression time slot on Radio Paris, Slimane Azem – once accused of “collaboration” – sang, evoking animals, the first political lines denouncing the dictatorship and preconceived thinking prevailing in his country. The reaction was swift: under pressure from the Algerian government, the Kabyle minute was cancelled. Even in Algeria, Ahmed Baghdadi aka Saber, an idol for fans of Raï music (still called “Oranian folklore”), was imprisoned for denouncing the bureaucracy of El Khedma (work).
For his part, Mazouni was to be noticed through a very committed song: Rebtouh Fel Mechnak (“They tied him to the guillotine”). But above all, the general public discovered him through a performance at the Ibn Khaldoun Theater (formerly Pierre Bordes Theater, in the heart of Algiers), broadcast by the Algerian Radio Broadcasting, later renamed ENTV. This would enable him to integrate the Algerian National Theater’s artistic troupe. Then, to pay tribute to independence, he sang “Farewell France, Hello Algeria”.
June 19, 1965: Boumediene’s coup only made matters worse. Algeria adopted a Soviet-style profile where everything was planned, even music. Associations devoted to Arab-Andalusian music proliferated and some sycophantic music movement emerged, in charge of spreading the message about “fundamental options”. Not so far from the real-fake lyricism epitomized by Djamel Amrani, the poet who evoked a “woman as beautiful as a self-managed farm”. The power glorified itself through cultural weeks abroad or official events, summoning troubadours rallied to its cause. On the other hand, popular music kept surviving through wedding, banquets and 45s recorded for private companies, undergoing censorship and increased surveillance from the military.
As for Mazouni, he followed his path, recording a few popular tunes, but he also was in the mood for traveling beyond the Mediterranean: “In 1969 I left Algeria to settle in France. I wanted to get a change of air, to discover new artistic worlds“. He, then, had no idea that he was about to become an idolized star within the immigrant community.
France. During the 1950s and 1960s, when parents were hugging the walls, almost apologizing for existing, a few Maghrebi artists assumed Western names to hide their origins. This was the case of Laïd Hamani, an Algerian from Kabylia, better known as Victor Leed, a rocker from the Golf Drouot’s heyday, or of Moroccan Berber Abdelghafour Mociane, the self-proclaimed “Vigon”, a hack of a r&b voice. Others, far more numerous, made careers in the shadow of cafes run by their compatriots, performing on makeshift stages: a few chairs around a table with two or three microphones on it, with terrible feedback occasionally interfering. Their names were Ahmed Wahby or Dahmane El Harrachi. Between the Bastille, Nation, Saint-Michel, Belleville and Barbès districts, an exclusively communitarian, generally male audience previously informed by a few words written on a slate, came to applaud the announced singers. It happened on Friday and Saturday nights, plus on extra Sunday afternoons.
In a nostalgia-clouded atmosphere heated by draft beers, customers – from this isolated population, a part of the French people nevertheless – hung on the words of these musicians who resembled them so much. Like many of them, they worked hard all week, impatiently waiting for the weekend to get intoxicated with some tunes from the village. Sometimes, they spent Saturday afternoons at movie theaters such as the Delta or the Louxor, with extra mini-concerts during intermissions, dreaming, eyes open, to the sound of Abdel Halim Hafez’ voice whispering melancholic songs or Indian laments made in Bombay on full screen. And the radio or records were also there for people to be touched to the rhythm of Oum Kalsoum’s songs, and scopitones as well to watch one’s favorite star’s videos again and again.
Dumbfounded, Mohamed received this atmosphere of culture of exile and much more in the face. Fully immersed in it, he soaked up the songs of Dahmane El Harrachi (the creator of Ya Rayah), Slimane Azem, Akli Yahiaten or Cheikh El Hasnaoui, but also those from the crazy years of twist and rock’n’roll as embodied by Johnny Hallyday, Les Chaussettes Noires or Les Chats Sauvages, not to mention Elvis Presley and the triumphant beginnings of Anglo-Saxon pop music. Between 1970 and 1990, he had a series of hits such bearing such titles as “Miniskirt”, “Darling Lady”, “20 years in France”, “Faded Blue”, Clichy, Daag Dagui, “Comrade”, “Tell me it’s not true” or “I’m the Chaoui”, some kind of unifying anthem for all regions of Algeria, as he explained: “I sang for people who, like me, experienced exile. I was and have always remained very attached to my country, Algeria. To me, it’s not about people from Constantine, Oran or Algiers, it’s just about Algerians. I sing in classical or dialectal Arabic as much as in French and Kabyle”.
Mazouni, a dandy shattered by his century and always all spruced up who barely performed on stage, had greatly benefited from the impact of scopitones, the ancestors of music videos – those image and sound machines inevitably found in many bars held by immigrants. His strength lay in Arabic lyrics all his compatriots could understand, and catchy melodies accompanied by violin, goblet drum, qanun, tar (a small tambourine with jingles), lute, and sometimes electric guitar on yé-yé compositions. Like a politician, Mazouni drew on all themes knowing that he would nail it each time. This earned him the nickname “Polaroid singer” – let’s add “kaleidoscope” to it. Both a conformist (his lectures on infidelity or mixed-race marriage) and disturbing singer (his lyrics about the agitation upon seeing a mini-skirt or being on the make in high school…), Mohamed Mazouni crossed the 1960s and 1970s with his dark humor and unifying mix of local styles. Besides his trivial topics, he also denounced racism and the appalling condition of immigrant workers. However, his way of telling of high school girls, cars and pleasure places earned him the favors of France’s young migrant zazous.
But by casting his net too wide, he made a mistake in 1991, during the interactive Gulf War, supporting Saddam Hussein’s position through his provocative title Zadam Ya Saddam (“Go Saddam”). He was banned from residing in France for five years, only returning in 2013 for a concert at the Arab World Institute where he appeared dressed as the Bedouin of his beginnings.
At the end of the 1990s, the very wide distribution of Michèle Collery and Anaïs Prosaïc’s documentary on Arabic and Berber scopitones (first on Canal+, then in many theaters with debates following about singing exile), highlighted Mazouni’s important role, giving new impetus to his career. Rachid Taha, who covered Ecoute-moi camarade, Zebda’s Mouss and Hakim with Adieu la France, Bonjour l’Algérie, as well as the Orchestre National de Barbès who played Tu n’es plus comme avant (Les roses), also contributed to the recognition of Mazouni by a new generation.
Living in Algeria, Mohamed Mazouni did not stop singing and even had a few local hits, always driven by a “wide targeting” ambition. This compilation, the first one dedicated to him, includes all of his never-reissued “hits” with, as a bonus, unobtainable songs such as L’amour Maâk, Bleu Délavé or Daag Dagui.1958, in the middle of the liberation war. While the rattle of machine guns could be heard in the maquis, in the city, the population listened at low volume to Algerian patriotic songs broadcast by the powerful Egyptian radio: “The Voice of the Arabs”. These artists all belonged to a troupe created by the self-proclaimed management of the National Liberation Front (FLN), based in Tunis and claiming to gather a “representative” sample of the Algerian musical movement of the time, among which Ahmed Wahby (who sang Wahran Wahran, a song popularized by Khaled) and Wafia from Oran, Farid Aly the Kabyle, and H’sissen, the champion of Algiers’ Chaâbi. The same year, singer Ben Achour was killed in conditions that have never been elucidated.
Algiers, by a summer evening in 1960. Cafe terraces were crowded and glasses of anisette kept coming with metronomic regularity, despite the alarming music of police sirens heard at intervals and the silhouettes of soldiers marching in the streets. The mood was good, united by a tune escaping from everywhere: balconies, where laundry was finishing drying, windows wide open from apartments or restaurants serving the famous Algiers shrimps along with copious rosé wine. Couples spontaneously joined the party upon hearing “Ya Mustafa“, punctuated by improvised choirs screaming “Chérie je t’aime, chérie je t’adore“. The song, as played by Sétif-born Alberto Staïffi, was a phenomenal success, to the point that even FLN fighters adopted it unanimously. Hence an unfortunate misunderstanding that would trick colonial authorities into believing Mustafa was an ode to the glory of Fellaghas. In 1961, Cheikh Raymond Leyris, a Jewish grand master of ma’luf (one of Algeria’s three Andalusian waves) who was Enrico Macias’ professor, was killed in Constantine, making him the first victim of a terrorist wave that would catch up with Algeria at the dawn of the 1990s by attacking anything that thought, wrote or sang.
Mohamed Mazouni, born January 4, 1940 in Blida – “The City of Roses” both known for its beautiful ‘Blueberry Square’ (saht ettout) in the middle of which a majestic bandstand took center stage, and its brothels – had just turned twenty. He was rather handsome and his memory dragged around a lot of catchy refrains by Rabah Driassa and Abderrahmane Aziz, also natives of Blida, or by ‘asri (modern music) masters Bentir or Lamari. He would make good use of all these influences and many others stemming from the Algerian heritage.
The young Mohamed was certainly aware of his vocal limits, as he used to underline them: “I had a small voice, I came to terms with it!“. But it didn’t lack charm nor authenticity, and it was to improve with age. He began his singing career in those years, chosing bedoui as a style (a Saharan genre popularized among others by the great Khelifi Ahmed).
July 1962. The last French soldiers were preparing their pack. A jubilant crowd was proclaiming its joy of an independent Algeria. Remembering the impact of popular music to galvanize the “working classes”, the new authorities in office rewarded the former members of the FLN troupe by appointing them at the head of national orchestras. In widespread euphoria, the government encouraged odes to the recovered independence, and refrains to the glory of “restored dignity” sprung from everywhere. Abderrahmane Aziz, a star of ‘asri (Algiers’ yé-yé) was a favorite with Mabrouk Alik (“Congratulations, Mohamed / Algeria came back to you“); Blaoui Houari, a precursor of Raï music, praised the courage of Zabana the hero; Kamel Hamadi recalled in Kabyle the experience of Amirouche the chahid (martyr), and even the venerable Remitti had her own song for the Children of Algeria. All this under the benevolent eye (and ear) of the regime led by Ahmed Ben Bella, the herald of the single party and vigilant guardian of the “Arab-Islamic values” established as a code of conduct. Singers were praised the Egyptian model, as well as Andalusian art intended for a nascent petty bourgeoisie and decreed a “national classic”; some did not hesitate to sell out. These Khobzists – an Algerian humorous term mocking those who put “putting-food-on-the-table” reasons forward to justify their allegiance to the system – were to monopolize all programs and stages, while on the fringes, popular music settled for animating wedding or circumcision celebrations. Its absence in the media further strengthened its regionalization: each genre (chaâbi, chaouï, Kabyle, Oranian…) stayed confined within its local boundaries, and its “national representatives” were those whose tunes didn’t bother anyone. The first criticisms would emanate from France, where many Algerian artists went to tackle other styles. During the Kabyle-expression time slot on Radio Paris, Slimane Azem – once accused of “collaboration” – sang, evoking animals, the first political lines denouncing the dictatorship and preconceived thinking prevailing in his country. The reaction was swift: under pressure from the Algerian government, the Kabyle minute was cancelled. Even in Algeria, Ahmed Baghdadi aka Saber, an idol for fans of Raï music (still called “Oranian folklore”), was imprisoned for denouncing the bureaucracy of El Khedma (work).
For his part, Mazouni was to be noticed through a very committed song: Rebtouh Fel Mechnak (“They tied him to the guillotine”). But above all, the general public discovered him through a performance at the Ibn Khaldoun Theater (formerly Pierre Bordes Theater, in the heart of Algiers), broadcast by the Algerian Radio Broadcasting, later renamed ENTV. This would enable him to integrate the Algerian National Theater’s artistic troupe. Then, to pay tribute to independence, he sang “Farewell France, Hello Algeria”.
June 19, 1965: Boumediene’s coup only made matters worse. Algeria adopted a Soviet-style profile where everything was planned, even music. Associations devoted to Arab-Andalusian music proliferated and some sycophantic music movement emerged, in charge of spreading the message about “fundamental options”. Not so far from the real-fake lyricism epitomized by Djamel Amrani, the poet who evoked a “woman as beautiful as a self-managed farm”. The power glorified itself through cultural weeks abroad or official events, summoning troubadours rallied to its cause. On the other hand, popular music kept surviving through wedding, banquets and 45s recorded for private companies, undergoing censorship and increased surveillance from the military.
As for Mazouni, he followed his path, recording a few popular tunes, but he also was in the mood for traveling beyond the Mediterranean: “In 1969 I left Algeria to settle in France. I wanted to get a change of air, to discover new artistic worlds“. He, then, had no idea that he was about to become an idolized star within the immigrant community.
France. During the 1950s and 1960s, when parents were hugging the walls, almost apologizing for existing, a few Maghrebi artists assumed Western names to hide their origins. This was the case of Laïd Hamani, an Algerian from Kabylia, better known as Victor Leed, a rocker from the Golf Drouot’s heyday, or of Moroccan Berber Abdelghafour Mociane, the self-proclaimed “Vigon”, a hack of a r&b voice. Others, far more numerous, made careers in the shadow of cafes run by their compatriots, performing on makeshift stages: a few chairs around a table with two or three microphones on it, with terrible feedback occasionally interfering. Their names were Ahmed Wahby or Dahmane El Harrachi. Between the Bastille, Nation, Saint-Michel, Belleville and Barbès districts, an exclusively communitarian, generally male audience previously informed by a few words written on a slate, came to applaud the announced singers. It happened on Friday and Saturday nights, plus on extra Sunday afternoons.
In a nostalgia-clouded atmosphere heated by draft beers, customers – from this isolated population, a part of the French people nevertheless – hung on the words of these musicians who resembled them so much. Like many of them, they worked hard all week, impatiently waiting for the weekend to get intoxicated with some tunes from the village. Sometimes, they spent Saturday afternoons at movie theaters such as the Delta or the Louxor, with extra mini-concerts during intermissions, dreaming, eyes open, to the sound of Abdel Halim Hafez’ voice whispering melancholic songs or Indian laments made in Bombay on full screen. And the radio or records were also there for people to be touched to the rhythm of Oum Kalsoum’s songs, and scopitones as well to watch one’s favorite star’s videos again and again.
Dumbfounded, Mohamed received this atmosphere of culture of exile and much more in the face. Fully immersed in it, he soaked up the songs of Dahmane El Harrachi (the creator of Ya Rayah), Slimane Azem, Akli Yahiaten or Cheikh El Hasnaoui, but also those from the crazy years of twist and rock’n’roll as embodied by Johnny Hallyday, Les Chaussettes Noires or Les Chats Sauvages, not to mention Elvis Presley and the triumphant beginnings of Anglo-Saxon pop music. Between 1970 and 1990, he had a series of hits such bearing such titles as “Miniskirt”, “Darling Lady”, “20 years in France”, “Faded Blue”, Clichy, Daag Dagui, “Comrade”, “Tell me it’s not true” or “I’m the Chaoui”, some kind of unifying anthem for all regions of Algeria, as he explained: “I sang for people who, like me, experienced exile. I was and have always remained very attached to my country, Algeria. To me, it’s not about people from Constantine, Oran or Algiers, it’s just about Algerians. I sing in classical or dialectal Arabic as much as in French and Kabyle”.
Mazouni, a dandy shattered by his century and always all spruced up who barely performed on stage, had greatly benefited from the impact of scopitones, the ancestors of music videos – those image and sound machines inevitably found in many bars held by immigrants. His strength lay in Arabic lyrics all his compatriots could understand, and catchy melodies accompanied by violin, goblet drum, qanun, tar (a small tambourine with jingles), lute, and sometimes electric guitar on yé-yé compositions. Like a politician, Mazouni drew on all themes knowing that he would nail it each time. This earned him the nickname “Polaroid singer” – let’s add “kaleidoscope” to it. Both a conformist (his lectures on infidelity or mixed-race marriage) and disturbing singer (his lyrics about the agitation upon seeing a mini-skirt or being on the make in high school…), Mohamed Mazouni crossed the 1960s and 1970s with his dark humor and unifying mix of local styles. Besides his trivial topics, he also denounced racism and the appalling condition of immigrant workers. However, his way of telling of high school girls, cars and pleasure places earned him the favors of France’s young migrant zazous.
But by casting his net too wide, he made a mistake in 1991, during the interactive Gulf War, supporting Saddam Hussein’s position through his provocative title Zadam Ya Saddam (“Go Saddam”). He was banned from residing in France for five years, only returning in 2013 for a concert at the Arab World Institute where he appeared dressed as the Bedouin of his beginnings.
At the end of the 1990s, the very wide distribution of Michèle Collery and Anaïs Prosaïc’s documentary on Arabic and Berber scopitones (first on Canal+, then in many theaters with debates following about singing exile), highlighted Mazouni’s important role, giving new impetus to his career. Rachid Taha, who covered Ecoute-moi camarade, Zebda’s Mouss and Hakim with Adieu la France, Bonjour l’Algérie, as well as the Orchestre National de Barbès who played Tu n’es plus comme avant (Les roses), also contributed to the recognition of Mazouni by a new generation.
Living in Algeria, Mohamed Mazouni did not stop singing and even had a few local hits, always driven by a “wide targeting” ambition. This compilation, the first one dedicated to him, includes all of his never-reissued “hits” with, as a bonus, unobtainable songs such as L’amour Maâk, Bleu Délavé or Daag Dagui.
V.A. - EP 5
V.A.
EP 5
12" | 2019 | EU | Original (Defected)
14,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Ferreck Dawn, Robosonic & Nikki Ambers, Mat.Joe & Kid Enigma, Offaiah, Cat Connor. The fifth edition of Defected’s vinyl series commits the labels biggest digital releases to wax, delivering upfront packages of house heat previously unavailable on vinyl. This springtime release delivers all the summer stompers you need on your sound system, with the A-Side featuring Ferreck Dawn, Robosonic & Nikki Ambers’ ‘In My Arms’ and Mat.Joe & Kid Enigma’s ‘Get Loose’; two sure-fire party starters. On the flip are two tracks from man of the moment OFFAIAH. First up is his collaboration with vocalist Cat Connors ‘Somewhere Special’, where the Las Vegas based artist delivers a deep, rolling bassline and tension-building drops. Up next is his 2018 smash ‘Push Pull’, another record ready to set the club alight this summer and beyond.
Luis Bacalov - OST Si Puo Fare...Amigo
Luis Bacalov
OST Si Puo Fare...Amigo
LP | 2019 | EU | Original (Digitmovies)
32,99 €*
Release: 2019 / EU – Original
Genre: Soundtracks
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At the time of the film’s release only a 45 rpm single of this OST was issued which contained the song “Can be done”, with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966 Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful western movie “Django”). Only in 1995 Point Records released a CD (PRCD 120) which contained the istrumental score coupled with the OST from “Il grande duello”. For this our very brand new digitally restored and remastered CD, we again had access to the mono master tapes of the recording session that gave us the chance to discover some unreleased takes which we have assembled in a 7:46 suite. In addition a special bonus track (Tr.16) features the very rare stereo-mixed version of the original 45 rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in Titoli di testa in a pop key and with a little Bacharach flavour called “Can be done”, sung by Rocky Roberts and accompanied by a children’s choir (Tr.1). This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini (Tr.2, Tr.3, Tr.4, Tr.5, Tr.9, Tr.11, Tr.14) and alternated with saloon as well as instrumental and choir folk music (Tr.6, Tr.8, Tr.12, Tr.13). This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western and of the music art of the Academy Award winner Luis Bacalov.
Sonny - The System
Sonny
The System
12" | 2019 | EU | Original (Northern Underground)
12,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Scandinavian Dream House
Morrissey - California Son Black Vinyl Edition
Morrissey
California Son Black Vinyl Edition
LP | 2019 | EU | Original (BMG)
25,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Hold Steady - Stay Positive Deluxe Edition
The Hold Steady
Stay Positive Deluxe Edition
3LP | 2019 | EU | Original (BMG)
29,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Hector Oaks, Sugar, Binny & DJ Disrespect - And Chaos Was Created
Hector Oaks, Sugar, Binny & DJ Disrespect
And Chaos Was Created
12" | 2019 | EU | Original (Kaos)
13,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Humans controlling machines or machines controlling humans?. KAOS has born as a form order approaching the machine music to human emotions, from the dance floor for the dance floor. Distinctive techno tools on high energy mode for Disc-jockeys and collectors.
Lodown Magazine - Issue 113 - Youth 2
Lodown Magazine
Issue 113 - Youth 2
Lodown
9,00 €*
 
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Lodown Magazine - Issue 112 - WTF
Lodown Magazine
Issue 112 - WTF
Lodown
9,00 €*
 
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Louis Hayes / Junior Cook Quintet - At Onkel Pö's Carnegie Hall / Hamburg '76
Louis Hayes / Junior Cook Quintet
At Onkel Pö's Carnegie Hall / Hamburg '76
2LP | 2019 | EU | Original (Jazzline)
21,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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James Booker - At Onkel Pö's Carnegie Hall / Hamburg '76
James Booker
At Onkel Pö's Carnegie Hall / Hamburg '76
2LP | 2019 | EU | Original (Jazzline)
28,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Ruz - Broke Dub
Ruz
Broke Dub
7" | 2017 | EU | Original (45Seven)
9,99 €*
Release: 2017 / EU – Original
Genre: Reggae & Dancehall
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Lodown Magazine - Issue 106 - Vandals
Lodown Magazine
Issue 106 - Vandals
Lodown
9,00 €*
 
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“Vandals“ by Lodown Magazine is an artistic exploration of how to do things differently and civil disobedience.

Highlights include…

• JOHN DIVOLA... As he nears 70, the legendary LA-based artist might have quit spraying symbols inside abandoned buildings, but his artistic acts of vandalism still feel irritatingly fresh after forty years.

• DAVE RIMMER... The former British music journalist and Smash Hits! editor talked with us about his forgotten masterpiece “Once Upon A Time In The East“, in which he tells true tales about mischief in West/East-Berlin before the Wall came down - his classic “Eastie Boys“ prank included.

• HARIS NUKEM... The celebrated photographer just had a solo show titled “Humans“ at the NR Project art space London in late summer, proving once again that “good vibes“ is a very flexible expression, as the very majority of his stunning portraits capture individuals consciously on a collision course with society and its established norms.

- plus more elaborate features and visual awesomeness from the likes of: ERIC BRUNETTI, KIDULT, MATIAS AGUAYO, SUPER DARK TIMES, DANIEL BUREN, SpY, GHOST, JELLE KEPPENS, BOBBY HUNDREDS and many others.
Esther Phillips - At Onkel Pö's Carnegie Hall / Hamburg '78
Esther Phillips
At Onkel Pö's Carnegie Hall / Hamburg '78
2LP | 2017 | EU | Original (Jazzline)
28,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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PVS - The Shelter
PVS
The Shelter
12" | 2017 | EU | Original (H.omevvork)
11,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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After 3 years H.omevvork come back with his owner, four energy tracks with a little taste of 90's.
V.A. - Dekmantel 10 Years 07
V.A.
Dekmantel 10 Years 07
12" | 2017 | EU | Original (Dekmantel)
13,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Tidy Line-up including Randomer, Gilb’R, Voiski and Tolouse Low Trax...TIP!

In terms of experimental, techno, very few come close to the impact that this UK producer has had on the scene. With a sound that is rarely classifiable, Randomer’s Dekmantel contribution is a staggered, minimally-twisted, dark, kind-of-two step, awesome thing. Versatile Records’ Gilb’R has found himself an integral part of the Dutch scene since moving to Amsterdam, and brings forth his organic, percussive grooves that have helped define his music, and label to date. Salon Des Amateurs’ Tolouse Low Trax provides a seasoned session of amniotic, grizzled, hypnotic post-everything music, that is eerily discomforting and wonderfully pleasurable at the same time. And on the EP’s fourth track, Parisian techno wizard, Voiski adds layered organic, futuristic loops that work to stale the progress of time, and space.

To date the 10-year anniversary series has seen new releases by the likes of The Egyptian Lover, Levon Vincent, Gigi Masin, Fatima Yamaha, Burnt Friedman, and many more. Each record is held together by stylistic glue, touching upon the varying facets that come to define Dekmantel as a label, and event series. Along the way, many pioneering artists have been brought under the Dekmantel umbrella, making their debuts on the label – and this, the seventh EP is of no exception, with Gilb’R, and Tolouse Low Trax all releasing their first full tracks with the Dutch imprint, while Randomer and Voiski, having previously released on Dekmantel’s UFO techno side imprint, are also brought into the main fold.
Running Wild - Under Jolly Roger Remastered Edition
Running Wild
Under Jolly Roger Remastered Edition
LP | 2017 | EU | Original (Noise)
25,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Dritte Wahl - 10 Special Edition
Dritte Wahl
10 Special Edition
2LP+CD+DVD | 2017 | EU | Original (Dritte Wahl)
29,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Pablo Valentino - My Son's Smile EP Ge-ology Remix
Pablo Valentino
My Son's Smile EP Ge-ology Remix
12" | 2017 | EU | Original (MCDE)
11,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Finally a fresh MCDE is announced! New one from long time deep house/broken producer, Pablo Valentino...
Its been four years since label co-founder Pablo Valentino became a daddy, and almost as old is the idea of him releasing a record on our imprint. So what makes more sense than to dedicate this record to Hugo-João, his son? On "My Son's Smile" we can hear a recording of Hugo-João's laughter over a mellow, summery house track that has been a big favorite of Danilo over the years.
With a little help from Lyon producer Patchworks, who played bass on the track, Valentino pulls off one of his most sophisticated productions yet.
GE-OLOGY, legendary Hip Hop and House producer from New York, flips it into a more of a peaktime thing, replacing the Fender Rhodes from the original with layers of thick synthesizer chords and a very vibrant, musical vibe reminiscent of his earlier release on Sound Signature. "Atlantic’s Calling" is one of those signature, late night House tracks that Pablo Valentino has been championing both as a producer and Dj throughout the years.
Danilo and Pablo met in the late 90s through their mutual love for obscure Jazz, sampled based House and all things soulful, and 20 years later this sounds like the kind of track that sums it all up, a testament of their musical backbone. Pablo has, like his partner Danilo, started out producing Hip Hop instrumentals back in the 90s, and he continues to do so up until this day. While "Good Ol' Days" is of course a Hommage to that era, it still sounds fresh to our ears.
At MCDE, we have always believed in this sound, the rough-and-ready, smoked-out esthetic of 90s sampler based music, and whether its Hip Hop, House, Techno or anything in between, we are proud to carry that Torch.
All tracks written & produced by Pablo Valentino.
V.A. - Wanted Reggae
V.A.
Wanted Reggae
LP | 2017 | EU | Original (Wagram)
20,99 €*
Release: 2017 / EU – Original
Genre: Reggae & Dancehall
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Yair Elazar Glotman & Mats Erlandsson - Negative Chambers
Yair Elazar Glotman & Mats Erlandsson
Negative Chambers
LP | 2017 | EU | Original (Miasmah)
18,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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This collaborative project between Mats Erlandsson and Yair Elazar Glotman draws on their respective musical backgrounds to create an imaginary, dislocated "folk" music for the current dark ages. The project brings together instruments out of their historical or national contexts and focuses on local sounds that have lost any connection to locality or folk and transforming them through current production techniques.
V.A. - Rocksteady - The Roots Of Reggae
V.A.
Rocksteady - The Roots Of Reggae
2LP | 2017 | EU | Original (Moll-Selekta)
23,99 €*
Release: 2017 / EU – Original
Genre: Reggae & Dancehall
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Brand New 2017 Recut - finally available on Vinyl for the First time. 2LP+Mp3 in full Original Coverart. The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid’s employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.
Ertlif - Relics From The Past
Ertlif
Relics From The Past
LP | 2017 | EU | Original (Sommor)
21,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Previously unreleased ’74–75 homemade recordings by Swiss prog /psych legends Ertlif.

Raw, in–your–face hard–progressive sound with ultra–loud fuzz–wah guitar plus Hammond, Mellotron, synths, powerful (English) vocals...

A great find for anyone into underground psychedelia.
Red Pig Flower - Space Jazz EP
Red Pig Flower
Space Jazz EP
12" | 2017 | EU | Original (Sound Of Vast)
10,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Acknowledged of Red Pig Flower's obsession for the RED color, the 10th cat by Sound Of Vast could not be a different choice. Red Pig Flower, known not only as a musician but also as an artist, prepared a special concept for each track in the box.
Rainforest - Jungle Is Our Dub
Rainforest
Jungle Is Our Dub
7" | 2017 | EU | Original (45Seven)
9,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Elbee Bad - The Prince Of Dance Music: The True Story Of House Music
Elbee Bad
The Prince Of Dance Music: The True Story Of House Music
CD | 2012 | EU | Original (Rush Hour)
14,99 €*
Release: 2012 / EU – Original
Genre: Electronic & Dance
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Elbee Bad is another great underground house pioneer from the formative days of NYC house in the late eighties. The True Story Of House Music finally gets told!
Bobby Thurston - Just Ask Me
Bobby Thurston
Just Ask Me
7" | 2012 | UK | Original (Expansion)
17,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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Para One - Passion
Para One
Passion
LP+CD | 2012 | EU | Original (Because)
19,99 €*
Release: 2012 / EU – Original
Genre: Electronic & Dance
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Jean-Baptiste de Laubier, aka Para One, has always been an hyperactive guy. He first started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap artists. His recording studio was actually his one-room apartment in Southern Paris, where MCs were coming on a daily basis, crammed around a mic, an MPC and a battered convertible.

At the turn of the century, he began producing his own instrumental tracks and soon got in touch with the TTC people, then at the core of the burgeoning French indie rap scene. This was the beginning of a new exploration in sound for him : from traditional rap, Para One switched to IDM and techno-infused beats, fizzing with 8-bits FX and deconstructed grooves.

After TTC’s first LP Ceci n’est pas un disque, in 2002, for Ninja Tune’s rap sublabel Big Dada, Para produced L’Atelier’s (an indie rap supergroup) album for seminal Parisian label Institubes, with his boy Tacteel, whom with he also started a live electronic project named FuckALoop.
In 2003 came the massive « Beatdown EP », and then TTC’s 2nd album in 2004, Bâtards Sensibles, two records that definitely proved how rap attitude and electronic wizardry could be melt into one single sound – an idea many people didn’t quite buy at the time. In 2005, Laubier graduated from the FEMIS film school, and found the time to start working on his first solo LP, the critically acclaimed Epiphanie, that came out in 2006 on Institubes.
The Brian Jonestown Massacre - Aufheben
The Brian Jonestown Massacre
Aufheben
LP | 2012 | EU | Original (A)
32,99 €*
Release: 2012 / EU – Original
Genre: Rock & Indie
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Drab Majesty - Modern Mirror Clear Red & Black Splatter Vinyl Edition
Drab Majesty
Modern Mirror Clear Red & Black Splatter Vinyl Edition
LP | 2019 | US | Reissue (Dais)
26,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment. The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).
V.A. - Spirit Of Blues
V.A.
Spirit Of Blues
LP | 2017 | EU | Original (Wagram)
15,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Wolfgang Amadeus Mozart - The Masterpieces Of...
Wolfgang Amadeus Mozart
The Masterpieces Of...
LP | 2017 | EU | Original (Wagram)
15,99 €*
Release: 2017 / EU – Original
Genre: Classical Music
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Ludwig van Beethoven - The Masterpieces Of...
Ludwig van Beethoven
The Masterpieces Of...
LP | 2017 | EU | Original (Wagram)
15,99 €*
Release: 2017 / EU – Original
Genre: Classical Music
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Tommi Stumpff - Ultra Grünes Vinyl
Tommi Stumpff
Ultra Grünes Vinyl
LP | 2019 | EU | Original (Danse Macabre)
15,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Neufundland - Scham
Neufundland
Scham
LP | 2019 | EU | Original (Unter Schafen)
17,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Not On Tour - Growing Pains Colored Vinyl Edition
Not On Tour
Growing Pains Colored Vinyl Edition
LP | 2019 | EU | Reissue (Sbaem)
30,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Sean Mcgowan - Graft & Grief
Sean Mcgowan
Graft & Grief
10" | 2017 | EU | Original (Xtra Mile)
17,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Jason And The 400 Unit Isbell - Nashville Sound
Jason And The 400 Unit Isbell
Nashville Sound
LP | 2017 | EU | Original (Southeastern)
25,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Indian Summer - Giving Birth To Thunder Opaque Violet Vinyl Edition
Indian Summer
Giving Birth To Thunder Opaque Violet Vinyl Edition
LP | 2019 | US | Reissue (Numero Group)
27,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Opaque Violet VinylThe fourth leg on the early emo table of Rites of Spring, Moss Icon, and Cap'n Jazz, Indian Summer's Giving Birth To Thunder compiles their complete discography. Emo's second wave crashed into the Bay Area in the summer of 1994 in a rage-filled capsule of quiet and loud, octave chords, angry sons, Spock haircuts, and screaming. At the eye of this pissed-for-the-hell-of-it storm were Indian Summer. In the quartet's 12-month existence they wrote ten songs, appeared on a dozen singles and comps, and played over 100 gigs across the U.S. and Canada before burning out, passing out, and moving out of their Blue House in Oakland. Their hand-screened aesthetic is replicated in alarming detail in the accompanying by 24-page book with detailed liner notes, flyers, and miscellaneous propaganda.
Pharoah Sanders - Live At Antibes Jazz Festival In Juan-Les-Pins 1968
Pharoah Sanders
Live At Antibes Jazz Festival In Juan-Les-Pins 1968
LP | 2019 | EU (Alternative Fox)
16,99 €*
Release: 2019 / EU
Genre: Organic Grooves
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Pharoah Sanders: Live at the Antibes Jazz Festival in Juan-les-Pins July 21, 1968 Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 he moved to Oakland, California, where he played with rhythm and blues bands and befriended John Coltrane. Moving to New York in 1961, he drifted into Sun Ra’s Arkestra after experiencing a difficult period of homelessness. His status began to rise upon joining Coltrane’s band in 1965, where his discordant solos formed a strong contrast to Trane’s more melodious sound, though each player had a strong impact on the other’s subsequent work. Following Coltrane’s untimely death in 1967, Sanders formed a quartet of his own with former Jazz Messengers pianist Lonnie Liston Smith, bassist Norman ‘Sirone’ Jones of the Untraditional Jazz Improvisational Team, and drummer Majeed Shabazz. For this blistering performance, given at the Antibes Jazz Festival of 1968 and broadcast on French radio station WDR3, the quartet moves through various Sanders free-jazz workouts, taking in “Venus” from the Tauhid album and “The Creator Has A Master Plan” from Karma along the way, with the rhythm section holding down the fort as Sanders blows himself into the stratosphere.
Orville Peck - Pony
Orville Peck
Pony
LP | 2019 | US | Original (Sub Pop)
19,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Open Mike Eagle - What Happens When I Try To Relax
Open Mike Eagle
What Happens When I Try To Relax
LP | 2019 | US | Original (Auto Reverse)
7,99 €*
Release: 2019 / US – Original
Genre: Hip Hop
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Used Vinyl
Medium: G+, Cover: VG+
Limited Edition.
Record hashairlines and a few superficial scratches.
Georgia Anne Muldrow & Madlib - Seeds
Georgia Anne Muldrow & Madlib
Seeds
LP | 2012 | US | Reissue (Someothaship)
24,99 €*
Release: 2012 / US – Reissue
Genre: Hip Hop, Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Record is close to VG+.
Worakls - Orchestra
Worakls
Orchestra
2LP | 2019 | EU | Reissue (Hungry Music)
34,99 €*
Release: 2019 / EU – Reissue
Genre: Electronic & Dance
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Multi-faceted musician and co-founder of the Hungry Music label, Worakls, has unveiled the full tracklist for his stunning production ‘Orchestra’, an ambitious project filled with 10 brand-new productions, including recent single ‘Cloches.’More than a first album, more than a show, 'Orchestra' is the culmination of an inimitable artist whose inspirations touch all generations of music lover.
Orville Peck - Pony
Orville Peck
Pony
LP | 2019 | US | Original (Sub Pop)
16,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Floating Points - Crush
Floating Points
Crush
LP | 2019 | UK | Original (Ninja Tune)
41,99 €*
Release: 2019 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Amenra - Mass V
Amenra
Mass V
2LP | 2012 | EU | Original (Consouling Sounds)
37,99 €*
Release: 2012 / EU – Original
Genre: Rock & Indie
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Robert Plant - Fate Of Nations
Robert Plant
Fate Of Nations
LP | 2019 | EU | Reissue (Es Paranza)
74,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Near Mint
Reissue of 1993 album. 180g, Remastered. Vinyl with a couple of superficial hairlines, close to VG+.
Royal Trux - Quantum Entanglement
Royal Trux
Quantum Entanglement
LP | 2019 | US | Original (Fat Possum)
17,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Ben Buitendijk - Transcended Being EP
Ben Buitendijk
Transcended Being EP
12" | 2017 | EU | Reissue (Oblique Music)
13,99 €*
Release: 2017 / EU – Reissue
Genre: Electronic & Dance
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2022 repress
Herbie Hancock - Takin' Off
Herbie Hancock
Takin' Off
LP | 2019 | US | Reissue (Blue Note)
26,99 €*
Release: 2019 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Sealed, Cover: Sealed
Sealed copy!
Earl Sweatshirt - Some Rap Songs
Earl Sweatshirt
Some Rap Songs
LP | 2019 | EU | Original (Tan Cressida)
22,99 €*
Release: 2019 / EU – Original
Genre: Hip Hop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker.
Hodge - Mind Games / Flashback
Hodge
Mind Games / Flashback
12" | 2017 | UK | Reissue (Hotline)
5,99 €*
Release: 2017 / UK – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
2017 Repress!
Cat Power - The Greatest
Cat Power
The Greatest
LP | 2012 | US | Reissue (Matador)
22,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Santana with Friends - Live At Civic Auditorium San Francisco February 25th 1989
Santana with Friends
Live At Civic Auditorium San Francisco February 25th 1989
LP | 2017 | EU (Dol)
11,99 €*
Release: 2017 / EU
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed with hype sticker. Cover has a bent corner.
Bobby Jackson - Desiree Song
Bobby Jackson
Desiree Song
LP | 2017 | FR | Reissue (Superfly)
39,99 €*
Release: 2017 / FR – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Limited edition of 1000 copies with OBI. French reissue from 2017.
Vera Sola - Shades Colored Vinyl Edition
Vera Sola
Shades Colored Vinyl Edition
LP | 2019 | EU (Spectraphonic)
23,99 €*
Release: 2019 / EU
Genre: Rock & Indie
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Amelie Lens - Little Robot EP Transparent Vinyl Edition
Amelie Lens
Little Robot EP Transparent Vinyl Edition
12" | 2019 | EU | Original (Lenske)
12,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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This is transparent vinyl in custom transparent sleeve. All set to push the dance floor forward Amelie Lens returns to drop her second solo release on Lenske following 2018's 'Basiel' EP. True to her reliable productions of pumping kicks,nasty acid lines and spiralling groove dynamics, energetic 4/4 winds blow fiercely across the four cuts of 'Little Robot', offering a much compelling arsenal of powerhouse techno to top the summer off in the most epic way.
Saint Paul - Escape From Dimension
Saint Paul
Escape From Dimension
12" | 2019 | EU | Original (Moonrise Hill Material)
11,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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"Escape from dimension" is the 2nd EP of Saint Paul on his own imprint Moonrise Hill Material. Lyon based artist takes you on a musical journey through his diverse influences. This 5 tracker is a strong blend of funk, jazz, soul, hip-hop and house music, right on point for the summertime.
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