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Vinyl, CD & Tape 797 Organic Grooves 429 Rock & Indie 295 Electronic & Dance 9 Reggae & Dancehall 13 Pop 50 Classical Music 2 Soundtracks 27 Christmas 1
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13th Floor Elevators
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Reset all Filters No Used Vinyl 1962 1964 1966 1967 1969 Stocked Items Only
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Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
Yusef Lateef - Psychicemotus Verve By Request Edition
Yusef Lateef
Psychicemotus Verve By Request Edition
LP | 1966 | EU | Reissue (Impulse)
35,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Yusef Lateef - Jazz Mood
Yusef Lateef
Jazz Mood
LP | 1967 | EU | Reissue (Survival Research)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.
Yusef Lateef - Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition
Yusef Lateef
Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition
LP | 1969 | UK | Reissue (Arc Records)
43,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."
Yes - Yes Cobalt Vinyl Edition
Yes
Yes Cobalt Vinyl Edition
LP | 1969 | EU | Reissue (Atlantic)
36,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"
Yardbirds - Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition
Yardbirds
Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition
LP | 1964 | US | Reissue (Culture Factory)
39,99 €*
Release: 1964 / US – Reissue
Genre: Rock & Indie
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Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.
Wynder K. Frog - Sunshine Super Frog
Wynder K. Frog
Sunshine Super Frog
LP | 1967 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve
Wilson Pickett - The Exciting Wilson Pickett Crystal Clear Vinyl Edition
Wilson Pickett
The Exciting Wilson Pickett Crystal Clear Vinyl Edition
LP | 1966 | UK | Reissue (Rhino Atlantic)
38,99 €*
Release: 1966 / UK – Reissue
Genre: Organic Grooves
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Wilson Pickett - The Exciting Wilson Pickett
Wilson Pickett
The Exciting Wilson Pickett
LP | 1966 | EU | Reissue (Rhino)
31,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Wilson Pickett - Hey Jude Vinyl Me, Please Edition
Wilson Pickett
Hey Jude Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.
Wilson Pickett - Best Of Wilson Pickett Volume Two
Wilson Pickett
Best Of Wilson Pickett Volume Two
LP | 1967 | US | Reissue (Friday Music)
43,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Willie Tee - Please Don't Go / My Heart Remembers Record Store Day 2023 Edition
Willie Tee
Please Don't Go / My Heart Remembers Record Store Day 2023 Edition
7" | 1967 | UK | Reissue (Nola)
14,99 €*
Release: 1967 / UK – Reissue
Genre: Organic Grooves
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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.
Willie Tee - First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
Willie Tee
First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
7" | 1969 | UK | Reissue (Gatur)
13,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.
William Penn Fyve - Swami / Blow My Mind
William Penn Fyve
Swami / Blow My Mind
7" | 1967 | EU | Reissue (Guerssen)
14,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.
Wigwam - Hard N' Horny Turquoise Vinyl Edition
Wigwam
Hard N' Horny Turquoise Vinyl Edition
LP | 1969 | EU | Original (Svart)
31,99 €*
Release: 1969 / EU – Original
Genre: Rock & Indie
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Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.
Wigwam - Hard N' Horny Black Vinyl Edition
Wigwam
Hard N' Horny Black Vinyl Edition
LP | 1969 | EU | Original (Svart)
29,99 €*
Release: 1969 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2025-02-07
Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.
White Noise - An Electric Storm
White Noise
An Electric Storm
LP | 1969 | EU | Reissue (Proper)
33,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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White Noise - An Electric Storm
White Noise
An Electric Storm
LP | 1969 | UK | Reissue (Island)
30,99 €*
Release: 1969 / UK – Reissue
Genre: Electronic & Dance, Pop
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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.
Whispers - Planets Of Life
Whispers
Planets Of Life
LP | 1969 | EU | Reissue (Soulgramma)
20,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.
West Coast Pop Art Experimental Band - Volume 2 Mono Edition Colored Vinyl Edition
West Coast Pop Art Experimental Band
Volume 2 Mono Edition Colored Vinyl Edition
LP | 1967 | US | Reissue (Jackpot)
32,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.
West Coast Pop Art Experimental Band - Part One Mono Edition
West Coast Pop Art Experimental Band
Part One Mono Edition
LP | 1967 | US | Reissue (Jackpot)
31,99 €*
Release: 1967 / US – Reissue
Genre: Pop
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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.
West Coast Pop Art Experimental Band - Part One Mono Edition Colored Vinyl Edition
West Coast Pop Art Experimental Band
Part One Mono Edition Colored Vinyl Edition
LP | 1967 | US | Reissue (Jackpot)
29,99 €*
Release: 1967 / US – Reissue
Genre: Pop
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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.
Wes Montgomery - California Dreaming
Wes Montgomery
California Dreaming
LP | 1967 | EU | Reissue (Elemental)
30,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.
Wes Montgomery - A Day In The Life
Wes Montgomery
A Day In The Life
LP | 1967 | EU | Reissue (Elemental)
31,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.
Wendy & Bonnie - Genesis HHV Exclusive Green Vinyl Edition
Wendy & Bonnie
Genesis HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
Wendy & Bonnie - Genesis Black Vinyl Edition
Wendy & Bonnie
Genesis Black Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
Wayne Shorter - Speak No Evil Blue Vinyl Edition
Wayne Shorter
Speak No Evil Blue Vinyl Edition
LP | 1964 | EU | Reissue (Blue Note)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”
Wayne Shorter - Juju
Wayne Shorter
Juju
LP | 1964 | Reissue (Blue Note)
28,99 €*
Release: 1964 / Reissue
Genre: Organic Grooves
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Velvett Fogg - Velvett Fogg Green & White Marbled Vinyl Edition
Velvett Fogg
Velvett Fogg Green & White Marbled Vinyl Edition
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Pop
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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL
Velvett Fogg - Velvett Fogg
Velvett Fogg
Velvett Fogg
LP | 1969 | EU | Reissue (Music On Vinyl)
36,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.
Velvet Underground - White light / white heat Purple Vinyl Edition
Velvet Underground
White light / white heat Purple Vinyl Edition
LP | 1967 | EU | Reissue (Vinyl Lovers)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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140 gram clear purple vinyl reissue!
Velvet Underground - White light / white heat
Velvet Underground
White light / white heat
LP | 1967 | EU | Reissue (Vinyl Lovers)
20,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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reissue on 180g vinyl with three bonus tracks
Velvet Underground - White Light / White Heat
Velvet Underground
White Light / White Heat
2LP | 1967 | US | Reissue (Polydor)
48,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Velvet Underground - The Velvet Underground & Nico
Velvet Underground
The Velvet Underground & Nico
LP | 1967 | EU | Reissue (Vinyl Lovers)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'
V.A. - Riot On Sunset Strip
V.A.
Riot On Sunset Strip
LP | 1967 | EU (Sparton)
17,99 €*
Release: 1967 / EU
Genre: Rock & Indie, Soundtracks
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V.A. - Passaporto Per L'italia
V.A.
Passaporto Per L'italia
LP | 1962 | EU | Reissue (Dialogo)
58,19 €* 96,99 € -40%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.
V.A. - OST Russ Meyer's Vixen
V.A.
OST Russ Meyer's Vixen
LP | 1969 | US | Reissue (Real Gone Music)
31,99 €*
Release: 1969 / US – Reissue
Genre: Soundtracks
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Unfolding - How To Blow Your Mind And Have A Freak-Out Party
Unfolding
How To Blow Your Mind And Have A Freak-Out Party
LP | 1967 | Reissue (Real Gone Music)
38,99 €*
Release: 1967 / Reissue
Genre: Rock & Indie
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Tropicalia - Ou Panis Et Circencis
Tropicalia
Ou Panis Et Circencis
LP+CD | 1969 | EU | Reissue (Lilith)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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180 Gram vinyl!
Trevor Lucas - Overlander Orange Vinyl Edition
Trevor Lucas
Overlander Orange Vinyl Edition
LP | 1966 | US | Reissue (Fire)
32,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.
Traffic - Mr Fantasy
Traffic
Mr Fantasy
LP | 1967 | UK | Reissue (Island)
25,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.
Traffic - Mr.Fantasy
Traffic
Mr.Fantasy
LP | 1967 | EU | Reissue (Vinyl Lovers)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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180 gram gatefold cover vinyl reissue incl. various bonus tracks!
Touch - Touch
Touch
Touch
LP | 1969 | EU | Reissue (Long Hair)
30,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Toots & The Maytals / Roland Alphonso - Hold On / On The Move
Toots & The Maytals / Roland Alphonso
Hold On / On The Move
7" | 1969 | JM | Reissue (Pyramid)
12,99 €*
Release: 1969 / JM – Reissue
Genre: Reggae & Dancehall
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Toots & The Maytals - Pee Pee Cluck Cluck
Toots & The Maytals
Pee Pee Cluck Cluck
7" | 1969 | JM | Reissue (Pyramid)
12,99 €*
Release: 1969 / JM – Reissue
Genre: Reggae & Dancehall
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Toots And The Maytals - Sweet And Dandy
Toots And The Maytals
Sweet And Dandy
LP | 1969 | UK | Reissue (Beverley's)
27,99 €*
Release: 1969 / UK – Reissue
Genre: Reggae & Dancehall
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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.
Tony Joe White - Black And White
Tony Joe White
Black And White
LP | 1969 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!
Tony Bennett - I Left My Heart In San Francisco
Tony Bennett
I Left My Heart In San Francisco
LP | 1962 | EU | Reissue (Vinyl Passion)
17,99 €*
Release: 1962 / EU – Reissue
Genre: Pop
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Tony Bennett - At Carnegie Hall
Tony Bennett
At Carnegie Hall
2LP | 1962 | US | Reissue (Analogue Productions)
69,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!
Tommy James & The Shondells - The Best Of Blue Vinyl
Tommy James & The Shondells
The Best Of Blue Vinyl
LP | 1969 | US | Reissue (Friday Music)
65,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Tommy James & The Shondells - Best Of Tommy James & The Shondells
Tommy James & The Shondells
Best Of Tommy James & The Shondells
LP | 1969 | US | Reissue (Friday Music)
42,99 €*
Release: 1969 / US – Reissue
Genre: Pop
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Tim Hardin - Tim Hardin 2
Tim Hardin
Tim Hardin 2
LP | 1967 | UK | Reissue (Elemental)
28,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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Thunder And Roses - King Of The Black Sunrise Black Vinyl Edition
Thunder And Roses
King Of The Black Sunrise Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.
Three Man Army - Two
Three Man Army
Two
LP | 1964 | Reissue (Real Gone Music)
38,99 €*
Release: 1964 / Reissue
Genre: Rock & Indie
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Thelonious Monk - Underground
Thelonious Monk
Underground
LP | 1967 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Thelonious Monk - Straight, No Chaser
Thelonious Monk
Straight, No Chaser
2LP | 1967 | US | Reissue (Impex)
62,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Thelonious Monk - It's Monk's Time Translucent Vinyl Edition
Thelonious Monk
It's Monk's Time Translucent Vinyl Edition
LP | 1964 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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180 GRAM AUDIOPHILE VINYL
HIS 1964 ALBUM FEATURING “STUFFY TURKEY”
RECORDED WITH BUTCH WARREN, BEN RILEY, CHARLIE ROUSE,
AND TEO MACERO

60TH ANNIVERSARY EDITION OF 1500 INDIVIDUALLY NUMBERED
COPIES ON TRANSLUCENT RED COLOURED VINYL
Thelonious Monk - It's Monk's Time
Thelonious Monk
It's Monk's Time
LP | 1964 | US | Reissue (Columbia)
30,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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180 Gram Vinyl
The Youngbloods - Elephant Mountain
The Youngbloods
Elephant Mountain
LP | 1969 | US | Reissue (Impex)
49,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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The Who - Tommy Deluxe Edition
The Who
Tommy Deluxe Edition
2LP | 1969 | EU | Reissue (Polydor)
37,04 €* 38,99 € -5%
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Who - The Who Sell Out
The Who
The Who Sell Out
2CD | 1967 | EU | Reissue (Polydor)
12,79 €* 15,99 € -20%
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
The Who - The Who Sell Out
The Who
The Who Sell Out
LP | 1967 | US | Reissue (Geffen)
37,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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The Who - A Quick One
The Who
A Quick One
2LP | 1966 | US | Reissue (Geffen)
28,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The Ugly Ducklings - Somewhere Outside
The Ugly Ducklings
Somewhere Outside
LP | 1967 | US | Reissue (Yorktown)
19,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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The Tiffany Shade - The Tiffany Shade Lavender Vinyl Edition
The Tiffany Shade
The Tiffany Shade Lavender Vinyl Edition
LP | 1969 | US | Reissue (Sundazed)
31,99 €*
Release: 1969 / US – Reissue
Genre: Pop
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Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.
The Three Out - Sittin' In
The Three Out
Sittin' In
LP | 1969 | UK | Reissue (Be! Jazz)
25,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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The Temptations - Puzzle People (Limited Edition)
The Temptations
Puzzle People (Limited Edition)
LP | 1969 | EU | Reissue (Elemental)
32,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Produced entirely by Norman Whitfield, The Temptations’s "Puzzle People" takes the next step along the path that Cloud Nine started, and takes the Detroit band further away from a classic soul sound, and more towards the realm of psychedelic soul. Although a few ballads, including “Running Away (Ain’t Gonna Help You),” are still present, the album is primarily composed of Sly & the Family Stone/James Brownderived proto-funk tracks such as the lead single “Don’t Let the Joneses Get You Down,” and the number-one Billboard Pop hit “I Can’t Get Next to You.” Also included are psychedelic-styled covers (recorded with distorted guitars, clavinets, and spacy reverb and sound effects) of contemporary songs such as The Isley Brothers’ “It’s Your Thing,” The Beatles’ “Hey Jude,” and Roger Miller’s “Little Green Apples.” "Puzzle People" was released on the same day (September 23, 1969) as "Together", a duets album of covers by The Temptations and label mates Diana Ross & the Supremes. It peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R&B Albums chart.
The Supremes - The Supremes A' Go-Go
The Supremes
The Supremes A' Go-Go
LP | 1966 | EU | Reissue (Motown)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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The Superfine Dandelion - The Superfine Dandelion Blue Vinyl Edition
The Superfine Dandelion
The Superfine Dandelion Blue Vinyl Edition
LP | 1967 | US | Reissue (Sundazed)
31,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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Flower power psych pop that’ll blow you away! Exploring the jangly folk and garage sounds of the late ‘60s, the Superfine Dandelion picks a wide variety of colorful folk, country and jug band influences and puts a psychedelic tint on their all-original compositions. Our favored stereo mix, pressed on blue vinyl! Formed in 1967, this Phoenix, AZ band would only last for a year before parting ways, leaving behind just one album – a fate many Mainstream artists ultimately faced, no matter how quality their style and sound was. The Superfine Dandelion features Mike McFadden (formerly of the garage rockin’ Mile Ends) and Rick Anderson (founding member of the Tubes) showcasing the sound of the Summer of Love – kaleidoscopic, sunny & groovy! “While the cheeriest cuts have the sunny folk-pop/rock feel of, say, some of the L.A. folk-rock issued by the Dunhill label (‘Don't Try to Call Me’ recalls P.F. Sloan) or the Monkees, their self-titled LP had a good deal of sub-Jefferson Airplane folk-psych-rock, with plenty of minor chords, harmonies, and wistful lyrics. Then ‘Janie's Tomb’ and ‘It's Raining’ have a jokey jug band vibe, like a cross between the Charlatans and the Lovin' Spoonful.” – Richie Unterberger (AllMusic)
The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | NL | Reissue (Elektra)
25,99 €*
Release: 1969 / NL – Reissue
Genre: Rock & Indie
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The Staple Singers - The Twenty Fifth Day Of December
The Staple Singers
The Twenty Fifth Day Of December
LP | 1962 | Reissue (Gm & Publishing)
28,99 €*
Release: 1962 / Reissue
Genre: Pop
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The Staple Singers - The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition
The Staple Singers
The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition
LP | 1962 | EU | Reissue (Concord)
24,64 €* 28,99 € -15%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.
The (St. Thomas) Pepper Smelter - Soul & Pepper
The (St. Thomas) Pepper Smelter
Soul & Pepper
LP | 1969 | EU | Reissue (Discos Monterey)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!
The Sonics - Boom
The Sonics
Boom
LP | 1966 | UK | Reissue (Big Beat)
24,99 €*
Release: 1966 / UK – Reissue
Genre: Rock & Indie
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The Smoke - It's Smoke Time
The Smoke
It's Smoke Time
LP | 1967 | EU | Reissue (Dream Catcher)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Pop
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The Silver Apples - Contact Colored Vinyl Edition
The Silver Apples
Contact Colored Vinyl Edition
LP | 1969 | EU | Reissue (Jackpot)
29,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.
The Sheppards - Stubborn Heart / How Do You Like It
The Sheppards
Stubborn Heart / How Do You Like It
7" | 1967 | UK | Reissue (Mirwood)
11,99 €*
Release: 1967 / UK – Reissue
Genre: Pop
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“You can’t beat the classics” and in the Northern Soul world, no label is more renowned than Mirwood. The Sheppards ‘Stubborn Heart’ has been played since the early days of the scene but is still a guaranteed floor-filler.

Its flip ‘How Do You Like It’ has also picked up many spins in more recent years. As is our habit, to distinguish from the originals, we have changed the label colour - this time we’ve gone for a fetching purple and gold.
The Serpent Power - The Serpent Power
The Serpent Power
The Serpent Power
LP | 1967 | EU | Reissue (Akarma)
25,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.
The Sérgio Mendes Trio - In The Brazilian Bag
The Sérgio Mendes Trio
In The Brazilian Bag
LP | 1966 | EU | Reissue (Jazz Samba)
20,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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The Seeds - The Seeds Deluxe Edition
The Seeds
The Seeds Deluxe Edition
2LP | 1966 | UK | Reissue (Crescendo)
31,99 €*
Release: 1966 / UK – Reissue
Genre: Rock & Indie
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Legendary US garage band best known for their evergreen classics ‘Pushin’ Too Hard’ and ‘Can’t Seem To Make You Mine’ that detonated in the US charts in late 1966 and early 1967. Whilst ‘Pushin’ Too Hard’ was their only top 40 hit, this song has been discovered by every new generation that hear it from punk rockers of the 70s to those who are glued to their mobile phones today.

Their debut LP “The Seeds” released in 1966 contains both these tracks and is rightly feted as a garage classic. It is an essential album. As our very own Alec Palao stated, “Like the first Ramones long-player, it is one of rock’s great debuts; an album where, in spite of some obvious influences, a signature sign was sharply defined.”

Ace are delighted to serve up the deluxe edition of “The Seeds” that was lovingly curated by Palao and released by GNP Crescendo some years back. Not only do you get “The Seeds” with 12 pulsating tracks but also a bonus LP of alternate versions and a couple of unheard tracks like ‘The Other Place’ and ‘Out Of The Question’. The extended version of ‘Evil Hoodoo’ is a stone cold treat.

Both albums are housed in a gatefold sleeve with an 8-page full colour booklet with Palao’s brilliant liner notes and sensational photos and memorabilia.

There is no ‘Excuse Excuse’ not to pick up or stock this one.
The Seeds - Future
The Seeds
Future
2LP | 1967 | UK | Reissue (GNP Crescendo)
31,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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The ensuing album, “Future”, seemed at once both calculated and confused. For some, it represents the Seeds’ grand psychedelic statement, a mind-blowing articulation of the flower power movement of which they had been proclaimed torchbearers. To others, “Future” is Sky Saxon’s folly: an over-egged, acid-damaged pudding that submerged the true power of the band with meaningless grandeur. The truth lies somewhere between. A narcissistic over-confidence made Sky feel the need to now augment Daryl, Jan and Rick in the studio with numerous overdubs – strings, harp, tuba – on hastily cobbled material that brimmed with bizarre lyrical concepts. On certain tracks the combination worked fine, on others it seemed almost like a parody of psychedelia. Nevertheless, “Future” contains many fan favourites such as ‘Painted Doll’, ‘Flower Lady’, ‘Two Fingers’ and ‘A Thousand Shadows’.
The Seeds - A Web Of Sound
The Seeds
A Web Of Sound
2LP | 1966 | UK | Reissue (GNP Crescendo)
37,99 €*
Release: 1966 / UK – Reissue
Genre: Rock & Indie
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The Seeds’ second album released in 1966 is a pop-art garage rock classic. ‘Mr Farmer’ was to become a Billboard Hot 100 single in 1967 and the second side of the album features the 14-minute epic ‘Up In Her Room’. This deluxe gatefold edition features the original stereo mix along with an 8-page insert. “Web Of Sound” deluxe comes with a second LP stuffed with mono versions, outtakes and more.
The Sahib Shihab Quintet - Seeds
The Sahib Shihab Quintet
Seeds
LP | 1969 | JP | Reissue (P-Vine)
34,99 €*
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.
The Sahib Shihab Quintet - Seeds
The Sahib Shihab Quintet
Seeds
LP | 1969 | EU | Reissue (Rearward)
21,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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The Rolling Stones - Their Satanic Majesties Request
The Rolling Stones
Their Satanic Majesties Request
LP | 1967 | EU | Reissue (Decca)
28,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
The Rolling Stones
Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition
LP | 1964 | Reissue (ABKCO)
30,99 €*
Release: 1964 / Reissue
Genre: Rock & Indie
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To celebrate 60 years since its original release, The Rolling Stones, ‘uk’ edition, is being released in a special bespoke package for RSD 2024.The band’s debut studio album, was released in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England’s Newest Hit Makers, which later became its official title. The remarkable, ground-breaking album arrives like a jet-fueled rush of white hot R&B. Pressed on stunning 180gm blue + black swirl vinyl / includes lithograph print with images by renowned photographer Terry O’Neill / limited edition stamp-numbering on outer sleeves
The Rolling Stones - Let It Bleed 50th Anniversary
The Rolling Stones
Let It Bleed 50th Anniversary
LP | 1969 | EU | Reissue (Universal)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Remastered
The Rolling Stones - Big Hits High Tide & Green Grass Us Edition
The Rolling Stones
Big Hits High Tide & Green Grass Us Edition
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Big Hits (High Tide And Green Grass)[LP] [US Version] by The Rolling Stones - Released in 1966, Big Hits (High Tide and Green Grass) was the first hits compilation album from the Rolling Stones. The US Edition contains 12 of their hits, including the #1 singles "(I Can't Get No) Satisfaction" and "Get Off Of My Cloud." 180-gram vinyl LP in a gatefold jacket with tip-in.
The Rolling Stones - Big Hits High Tide & Green Grass Uk Edition
The Rolling Stones
Big Hits High Tide & Green Grass Uk Edition
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Originally released in 1966, Big Hits (High Tide And Green Grass) was the first hits compilation from the Rolling Stones. The UK Edition contains four #1 singles, including "(I Can't Get No) Satisfaction," and "Get Off Of My Cloud." The original "fisheye" artwork has been restored for this version and is pressed on 180-gram vinyl in a gatefold jacket.
The Psychedelic Furs - Book Of Days
The Psychedelic Furs
Book Of Days
LP | 1969 | EU | Reissue (Sony)
29,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Paragons / Tommy Mccook & The Supersonics - I'm Worried Man / Soul Style
The Paragons / Tommy Mccook & The Supersonics
I'm Worried Man / Soul Style
7" | 1967 | JP | Reissue (Duke Reid Classics)
20,99 €*
Release: 1967 / JP – Reissue
Genre: Reggae & Dancehall
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A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.
The Paragons - Abba / Better Man Than I
The Paragons
Abba / Better Man Than I
7" | 1967 | EU | Reissue (Altercat)
12,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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"Let me hear you say YEAH!!!". We’re proud to bring you the first official reissue of this essential 60s garage classic, after several bootlegs hitting the market in recent times and its appearance in countless compilations in the last 20 years. Done in cooperation with surviving band members Pat Walters and Danny Huntley, the single receives the usual deluxe treatment at Altercat and comes housed in a brand new picture sleeve, with a 12-page booklet with the band’s story written by Mike Stax (Ugly Things magazine) and previously unseen pictures. Sound mastered by Tim Warren (Crypt Records / Back From The Grave). We aim to get these to you Asap so they are available for the Christmas period. Read on below
The Orient Express - The Orient Express
The Orient Express
The Orient Express
LP | 1969 | EU | Reissue (Endless Happiness)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.
The New Jazz Orchestra - Le Dejeuner Sur L'herbe
The New Jazz Orchestra
Le Dejeuner Sur L'herbe
LP | 1969 | EU | Reissue (Decca)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.
The Mugwumps - The Mugwumps Orange Vinyl Edition
The Mugwumps
The Mugwumps Orange Vinyl Edition
LP | 1967 | US | Reissue (Sundazed)
30,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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The Monkees - The Monkees
The Monkees
The Monkees
LP | 1966 | US | Reissue (Friday Music)
44,99 €*
Release: 1966 / US – Reissue
Genre: Pop
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The Monkees - Headquarters
The Monkees
Headquarters
2LP | 1967 | Reissue (Rhino)
47,99 €*
Release: 1967 / Reissue
Genre: Rock & Indie
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The Meters - The Meters Red Vinyl Edtion
The Meters
The Meters Red Vinyl Edtion
LP | 1969 | US | Reissue (Jackpot)
35,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.
The Mar-Keys / Booker T. & The M.G.'S - Back To Back Vinyl Me, Please Edition
The Mar-Keys / Booker T. & The M.G.'S
Back To Back Vinyl Me, Please Edition
LP | 1967 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Back to Back captures the instrumental aspect of the ’67 Stax-Volt European tour (“Volt” is the name of Stax’s subsidiary label). Immediately apparent is that the live versions of these songs are played much faster than the recorded ones. Exuberant? Definitely! These folks were racing across unfamiliar cultures and landscapes, reimagining their place in this world, looking down at the clouds for the first time. The pace was faster because their lives were — quickly — getting so much larger. In these recordings, you can hear all of that emotional exhilaration, all of that savoring of personal respect, that thrill of the new. Many of these songs were several years old, but they shine on Back to Back like they’re being performed for the first time. Over and over, you hear the musicians throwing in something extra, curlicues and tangents that express their excitement.
The Mam'selles - It's A Bubble Gum World White Vinyl Edition
The Mam'selles
It's A Bubble Gum World White Vinyl Edition
LP | 1969 | US | Reissue (Beatrocket)
28,99 €*
Release: 1969 / US – Reissue
Genre: Pop
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Cavity-causing Cordovox-driven 1969 girl-group garage! A delightful romp through 'Oye Como Va,' 'Proud Mary,' 'Walkin' The Dog,' 'Son Of A Preacher Man,' their chicle sticky original title track, and so much more! Cordovox organ, trumpet, bass, drums, congas, and tambourine! Not a guitar in sight! Out of sight! Pressed on cloud white vinyl!
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