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HHV Records 1645 Vinyl, CD & Tape 1645 Used Vinyl 728
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Reset all Filters 1960 1966 1967 1968 1969 Stocked Items Only
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Velvet Underground - White light / white heat
Velvet Underground
White light / white heat
LP | 1967 | EU | Reissue (Vinyl Lovers)
20,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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reissue on 180g vinyl with three bonus tracks
Velvet Underground - The Velvet Underground & Nico
Velvet Underground
The Velvet Underground & Nico
LP | 1967 | EU | Reissue (Vinyl Lovers)
29,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'
Ramsey Lewis Trio - Another voyage
Ramsey Lewis Trio
Another voyage
LP | 1969 | US | Reissue (Cadet)
15,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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The Temptations - Puzzle People (Limited Edition)
The Temptations
Puzzle People (Limited Edition)
LP | 1969 | EU | Reissue (Elemental)
32,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Produced entirely by Norman Whitfield, The Temptations’s "Puzzle People" takes the next step along the path that Cloud Nine started, and takes the Detroit band further away from a classic soul sound, and more towards the realm of psychedelic soul. Although a few ballads, including “Running Away (Ain’t Gonna Help You),” are still present, the album is primarily composed of Sly & the Family Stone/James Brownderived proto-funk tracks such as the lead single “Don’t Let the Joneses Get You Down,” and the number-one Billboard Pop hit “I Can’t Get Next to You.” Also included are psychedelic-styled covers (recorded with distorted guitars, clavinets, and spacy reverb and sound effects) of contemporary songs such as The Isley Brothers’ “It’s Your Thing,” The Beatles’ “Hey Jude,” and Roger Miller’s “Little Green Apples.” "Puzzle People" was released on the same day (September 23, 1969) as "Together", a duets album of covers by The Temptations and label mates Diana Ross & the Supremes. It peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R&B Albums chart.
Bill Evans - Further Conversations With Myself
Bill Evans
Further Conversations With Myself
LP | 1967 | EU | Reissue (Elemental)
37,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”
Wes Montgomery - A Day In The Life
Wes Montgomery
A Day In The Life
LP | 1967 | EU | Reissue (Elemental)
31,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.
Richie Havens - Mixed Bag
Richie Havens
Mixed Bag
LP | 1966 | EU | Reissue (Elemental)
30,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Mixed Bag is the debut studio album by Richie Havens, released in 1966. Mixed Bag is frequently cited as the singer's best work,[1] and was his first album to appear on Billboard's charts (appearing on both the jazz and pop charts). The recording was the first to introduce a wider audience to Havens's rich baritone vocals and the full-sound of Havens's distinct guitar style (thumb-chorded and played in open E tuning).[1] Electric Havens and Mixed Bag were two of the records reported among the personal collection of Havens' one-time Greenwich Village buddy, Jimi Hendrix.
Ray Charles - Ray Charles In Person Vinyl Me, Please Edition
Ray Charles
Ray Charles In Person Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Creating harmony out of unlikely combinations was integral to Charles’ genius, and that’s evident with how effortlessly he navigates multiple genres on In Person, oftentimes on the same song. It’s an album that’s a testament to him as a versatile musical pioneer: someone who was unafraid to explore different ideas and sounds throughout his career, becoming a seminal figure in American music in the process.
Tammy Wynette - Stand By Your Man Vinyl Me, Please Edition
Tammy Wynette
Stand By Your Man Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”
Charlie Rich - Lonely Weekends Vinyl Me, Please Edition
Charlie Rich
Lonely Weekends Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
After recording demos with Sam Phillips that he considered "too jazzy" Charlie Rich was given a stack of Jerry Lee Lewis records to study and "come back when [he got] that bad". The single "Lonely Weekends" hit Top 30 and earned a gold record for selling one million copies. The album features classics such as "C.C. Rider," "You're Gonna Be Waiting" and "Apple Blossom Time."

Limited to 1000 copies, the VMP exclusive edition of Charlie Rich's Lonely Weekends is pressed on Sky Blue vinyl at Softwax Record Pressing. The AAA 1LP will arrive in a single, direct-to-board jacket.
Buck Owens And His Buckaroos - Carnegie Hall Concert Vinyl Me, Please Edition
Buck Owens And His Buckaroos
Carnegie Hall Concert Vinyl Me, Please Edition
LP | 1966 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“In the first 75 years of Carnegie Hall being in operation, country music was an intermittent guest in the hallowed hall. In March 1966, however, a country band from Bakersfield, California, took to Carnegie Hall’s stages at the peak of their powers, as only the second country band to headline a show there, and ultimately released — outside of At Folsom Prison — the most important live country album ever. An album that proved many things between its two sides: that country music had an audience around the world already, and that the artist behind the album’s gamble on himself and his sound proved that you didn’t need to go to Nashville and sell out to sell big. With Carnegie Hall Concert, Buck Owens and His Buckaroos entered the pantheon of country music, becoming part of its very fiber, and altered the way it was considered in big cities and at record labels.”
Jim Sullivan - U.F.O. Vinyl Me, Please Edition
Jim Sullivan
U.F.O. Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.
The Free Spirits - Out Of Sight And Sound
The Free Spirits
Out Of Sight And Sound
LP | 1967 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Possibly one of the first crossover jazz-rock album ever, ‘Out of Sight and Sound’ was released in 1967 by ABC Records. The album was recorded by Rudy Van Gelder and produced by Bob Thiele. Featuring a stellar line up comprised of young talented guitar player Larry Coryell (soon to be a proficient solo artist on Vanguard) the record was a true expression of the musicians lifestyle and artist heritage. With drummer Bob Moses (Compost, Steve Kuhn) on board, second guitarist Columbus "Chip" Baker, saxophonist Jim Pepper (a native American who’s debut on Herbie Mann Embryo is still regarded as a masterpiece) and bassist Chris Hills, Free Spirits were possible the first fusion group around !
Tim Hollier - Message To A Harlequin
Tim Hollier
Message To A Harlequin
LP | 1968 | EU | Reissue (Wiseraven)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.
Nancy Sinatra - Nancy In London
Nancy Sinatra
Nancy In London
CD | 1966 | US | Reissue (Light In The Attic)
22,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
Nancy Sinatra - Nancy In London Black Vinyl Edition
Nancy Sinatra
Nancy In London Black Vinyl Edition
LP | 1966 | US | Reissue (Light In The Attic)
37,99 €* 39,99 € -5%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”
Stan Getz - Sweet Rain Acoustic Sounds Edition
Stan Getz
Sweet Rain Acoustic Sounds Edition
LP | 1967 | US | Reissue (Verve)
38,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Dalida - T'aimer Follement
Dalida
T'aimer Follement
LP | 1960 | EU | Reissue (All Time Records)
20,99 €*
Release: 1960 / EU – Reissue
Genre: Pop
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Margo Guryan - Take A Picture Opaque Sun Gold Vinyl Edition
Margo Guryan
Take A Picture Opaque Sun Gold Vinyl Edition
LP | 1968 | US | Reissue (Numero Group)
27,99 €*
Release: 1968 / US – Reissue
Genre: Pop
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Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.
Tamba 4 - Samba Blim
Tamba 4
Samba Blim
LP | 1968 | EU | Reissue (Endless Happiness)
29,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI sound of the 70s, but a bit more sophisticated than the style Creed Taylor had been using earlier at Verve. Tracks are short, breezy, and often very lively – bossa grooving warmed in the California sun.
Nobuo Hara Meets Hozan Yamamoto - New Jazz In Japan
Nobuo Hara Meets Hozan Yamamoto
New Jazz In Japan
LP | 1968 | EU | Reissue (Le Très Jazz Club)
33,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.
Terumasa Hino Quintet - Hi-Nology
Terumasa Hino Quintet
Hi-Nology
LP | 1969 | EU | Reissue (Le Très Jazz Club)
33,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.
Lightnin' Hopkins - Lightnin' And The Blues
Lightnin' Hopkins
Lightnin' And The Blues
LP | 1960 | JP | Reissue (P-Vine)
33,24 €* 34,99 € -5%
Release: 1960 / JP – Reissue
Genre: Organic Grooves
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Originally recorded in 1954 for the short-lived Herald record label and released over the years as 7” singles, these 12 songs were finally collected as an LP in 1960. With the support of a rhythm section, Lightnin’s electric blues has never run as wild, with dirty licks and riffs plentiful throughout. With reverse printing and coating, we’ve completely replicated the original jacket - but now with an obi-strip! Don’t miss the mastepiece of blues from P-vine Records!
Don Cherry - Mu. First Part
Don Cherry
Mu. First Part
LP | 1969 | UK | Reissue (Charly)
29,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Wendy & Bonnie - Genesis Black Vinyl Edition
Wendy & Bonnie
Genesis Black Vinyl Edition
LP | 1969 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.
Jimmy Smith - Jimmy & Wes (The Dynamic Duo)
Jimmy Smith
Jimmy & Wes (The Dynamic Duo)
LP | 1966 | EU | Reissue (Elemental)
31,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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The first and best out of just two collaborative albums by organist Jimmy Smith and guitarist Wes Montgomery, Jimmy & Wes: The Dynamic Duo was recorded in 1966 and features arrangements by Oliver Nelson. It is frequently listed among Jimmy Smith's best albums. The duo's follow-up record, Further Adventures of Jimmy and Wes, was taped during the same sessions and released in 1968. Al/Music critic Richard S. Ginell gave The Dynamic Duo the maximum * * * * * rating, stating that "Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary- a near-ideal meeting of yin a.nd yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that still convey much heat. They are an amazing pair."
Wes Montgomery - California Dreaming
Wes Montgomery
California Dreaming
LP | 1967 | EU | Reissue (Elemental)
30,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.
The 13th Floor Elevators - Easter Everywhere Half Speed Master Edition
The 13th Floor Elevators
Easter Everywhere Half Speed Master Edition
LP | 1967 | UK | Reissue (International Artists)
29,99 €*
Release: 1967 / UK – Reissue
Genre: Rock & Indie
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Sam Jones - The Soul Society
Sam Jones
The Soul Society
LP | 1960 | EU | Reissue (Jazz Workshop)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Jeremy Harmer - Idiosyncratics And Swallows Wings Black Vinyl Edition
Jeremy Harmer
Idiosyncratics And Swallows Wings Black Vinyl Edition
LP | 1969 | EU | Reissue (Sommor)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…
Far Cry - Far Cry
Far Cry
Far Cry
LP | 1968 | EU | Reissue (Life Goes On)
18,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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"Their music reaches from blues to jazz into space", proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and r&b, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintain a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.
Ars Nova - Sunshine & Shadows Pink Vinyl Edition
Ars Nova
Sunshine & Shadows Pink Vinyl Edition
LP | 1969 | US | Reissue (Sundazed)
30,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.
Johnny Cash - At Folsom Prison
Johnny Cash
At Folsom Prison
2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Les Marquis - Fire Horses / Silence On The Shore
Les Marquis
Fire Horses / Silence On The Shore
7" | 1967 | EU | Reissue (You Are The Cosmos)
12,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.
Skip James - Today (Bluesville Acoustic Sounds Series)
Skip James
Today (Bluesville Acoustic Sounds Series)
LP | 1966 | US | Reissue (Craft)
36,99 €*
Release: 1966 / US – Reissue
Genre: Organic Grooves
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Simon & Garfunkel - Wednesday Morning, 3 A. M.
Simon & Garfunkel
Wednesday Morning, 3 A. M.
LP | 1969 | JP | Reissue (CBS/Sony)
12,99 €*
Release: 1969 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
Bobby Hutcherson - Total Eclipse Tone Poet Vinyl Edition
Bobby Hutcherson
Total Eclipse Tone Poet Vinyl Edition
LP | 1968 | Reissue (Blue Note)
43,99 €*
Release: 1968 / Reissue
Genre: Organic Grooves
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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.



BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
The Sérgio Mendes Trio - In The Brazilian Bag
The Sérgio Mendes Trio
In The Brazilian Bag
LP | 1966 | EU | Reissue (Jazz Samba)
20,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Janis Joplin - I got dem ol kozmic blues again mama !
Janis Joplin
I got dem ol kozmic blues again mama !
LP | 1969 | EU | Reissue (Columbia)
34,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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180 gram high quality pressing vinyl!
Derrick Harriott - Sings Jamaica Reggae
Derrick Harriott
Sings Jamaica Reggae
LP | 1969 | JP | Reissue (Dub Store)
27,99 €*
Release: 1969 / JP – Reissue
Genre: Reggae & Dancehall
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Ewa Demarczyk - Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
Ewa Demarczyk
Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
LP | 1967 | EU | Reissue (Warner)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Johnnie Mae Matthews - I Have No Choice / That's When It Hurts Record Store Day 2024 Edition
Johnnie Mae Matthews
I Have No Choice / That's When It Hurts Record Store Day 2024 Edition
7" | 1969 | UK | Reissue (Big Hit)
15,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Johnnie Mae Mathews is fondly referred to as being 'The Godmother Of Detroit Soul' as she was responsible for creating at least 8 different Detroit record labels and for discovering and nurturing many future Motown artists in their early years. In fact she was a major source of inspiration for the young Berry Gordy, founder of Motown. We are delighted to finally be releasing what many people consider to be the pinnacle of independent Detroit Soul music, the impeccable and gut-wrenching 'I Have No Choice', the defining record of Johnnie Mae Mathews many recordings with the equally impressive 'That’s When It Hurts' on the flip. 'I Have No Choice' is a record that has finally hit the heights it always deserved after being a cult record for almost 50 years and is now commanding a staggering £1200-1500 for a decent original copy for those lucky enough to be in that league. This will be a historic RSD release with comprehensive notes and photos from Johnnie Mae Mathews expert Richard Gilbert. If you’re a Soul music fan, then this record is indispensable. Full picture sleeve featuring Johnny herself in full swing, with liner notes, and fully remastered, heavyweight vinyl 45.
George Harrison - Electronic Sound Record Store Day 2024 Vinyl Edition
George Harrison
Electronic Sound Record Store Day 2024 Vinyl Edition
12" | 1969 | Reissue (Dark Horse)
25,19 €* 35,99 € -30%
Release: 1969 / Reissue
Genre: Rock & Indie
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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.
Marianne Faithfull - Faithfull Forever Record Store Day 2024 Clear Vinyl Edition
Marianne Faithfull
Faithfull Forever Record Store Day 2024 Clear Vinyl Edition
LP | 1966 | Reissue (UMC)
36,99 €*
Release: 1966 / Reissue
Genre: Rock & Indie
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‘Faithfull Forever…’ is a 1966 studio album by Marianne that was only issued in the United States. This RSD pressing marks its first U.K release and it has not been re-issued on vinyl in the U.S. In 2024 Marianne celebrates her 60th anniversary in music, and for fans of her Decca catalogue ‘Faithfull Forever…’ is a must. All tracks have been remastered from the original tapes by Andrew Batt, and this special RSD release comes with detailed sleeve notes featuring exclusive commentary by Marianne herself and new artwork based on the original sleeve shot by the master French photographer Jean-Marie Perier.
The Eddie Fisher Quintet - The Third Cup
The Eddie Fisher Quintet
The Third Cup
LP | 1969 | EU | Reissue (Verve)
35,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Karen Dalton - It's So Hard To Tell Who's Going To Love You The Best
Karen Dalton
It's So Hard To Tell Who's Going To Love You The Best
LP | 1969 | EU | Reissue (Light In The Attic)
41,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.
Miles Davis - Sorcerer
Miles Davis
Sorcerer
LP | 1967 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Fabrizio De Andre' - Volume 1 Black Vinyl Edition
Fabrizio De Andre'
Volume 1 Black Vinyl Edition
LP | 1967 | EU | Reissue (RCA)
37,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Apryl Fool - Apryl Fool
Apryl Fool
Apryl Fool
LP | 1968 | EU (Survival Research)
16,14 €* 18,99 € -15%
Release: 1968 / EU
Genre: Rock & Indie
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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.
Sam & Dave - Best Of Sam & Dave Audiophile Red Vinyl Edition
Sam & Dave
Best Of Sam & Dave Audiophile Red Vinyl Edition
LP | 1969 | US | Reissue (Friday Music)
44,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Scott Fagan - South Atlantic Blues
Scott Fagan
South Atlantic Blues
LP | 1968 | US | Reissue (Earth)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC
Miles Davis - Sorcerer Crystal Clear Vinyl Edition
Miles Davis
Sorcerer Crystal Clear Vinyl Edition
LP | 1967 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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The Artwoods - Art Gallery Turquoise Vinyl Edition
The Artwoods
Art Gallery Turquoise Vinyl Edition
LP | 1966 | EU | Reissue (Guerssen)
30,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.
Ella Washington - Ella Washington Remastered Edition
Ella Washington
Ella Washington Remastered Edition
LP | 1969 | US | Reissue (On High)
34,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Wes Montgomery - Incredible Jazz Guitar
Wes Montgomery
Incredible Jazz Guitar
LP | 1960 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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The Belles - Melvin Blue White Marble Vinyl Edition
The Belles
Melvin Blue White Marble Vinyl Edition
7" | 1966 | US | Reissue (Numero Group)
12,99 €*
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Blue White Marble.
Pulse - Pulse
Pulse
Pulse
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.
McCoy Tyner - Extensions Tone Poet Vinyl Edition
McCoy Tyner
Extensions Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
43,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Eric Dolphy - Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
Eric Dolphy
Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
LP | 1968 | EU | Reissue (Culture Factory)
33,14 €* 38,99 € -15%
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.
Yusef Lateef & Doug Watkins - Imagination! Clear Vinyl Edition
Yusef Lateef & Doug Watkins
Imagination! Clear Vinyl Edition
LP | 1960 | EU | Reissue (Sowing)
24,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello - and oboe on some numbers - makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.
Jesus Gomez Y Su Grupo - Jesús Gómez Y Su Grupo
Jesus Gomez Y Su Grupo
Jesús Gómez Y Su Grupo
LP | 1967 | EU | Reissue (El Palmas Music)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.
Booker T. And The Mg's - Hip Hug-Her Pink Vinyl Edition
Booker T. And The Mg's
Hip Hug-Her Pink Vinyl Edition
LP | 1967 | US | Reissue (Jackpot)
35,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"
The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
The Rolling Stones - Big Hits High Tide & Green Grass Us Edition
The Rolling Stones
Big Hits High Tide & Green Grass Us Edition
LP | 1966 | EU | Reissue (Universal)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Big Hits (High Tide And Green Grass)[LP] [US Version] by The Rolling Stones - Released in 1966, Big Hits (High Tide and Green Grass) was the first hits compilation album from the Rolling Stones. The US Edition contains 12 of their hits, including the #1 singles "(I Can't Get No) Satisfaction" and "Get Off Of My Cloud." 180-gram vinyl LP in a gatefold jacket with tip-in.
The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | EU | Reissue (Universal)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.
The Meters - The Meters Red Vinyl Edtion
The Meters
The Meters Red Vinyl Edtion
LP | 1969 | US | Reissue (Jackpot)
35,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.
Crosby, Stills & Nash - Crosby, Stills & Nash
Crosby, Stills & Nash
Crosby, Stills & Nash
LP | 1969 | EU | Reissue (Rhino)
36,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Cecil Taylor - Unit Structures
Cecil Taylor
Unit Structures
LP | 1966 | EU | Reissue (Blue Note)
22,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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First official reissue of this Soul classic originally released in 1969 by Spark label.
The Supremes - The Supremes A' Go-Go
The Supremes
The Supremes A' Go-Go
LP | 1966 | EU | Reissue (Motown)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
The Beatles - Revolver Picture Disc Edition
The Beatles
Revolver Picture Disc Edition
LP | 1966 | EU | Reissue (Apple)
27,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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The Horace Silver Quintet - Horace-Scope
The Horace Silver Quintet
Horace-Scope
LP | 1960 | EU | Reissue (L.M.L.R.)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-29
Dantalian's Chariot - Chariot Rising Black Vinyl Edition
Dantalian's Chariot
Chariot Rising Black Vinyl Edition
LP | 1967 | EU | Reissue (Guerssen)
27,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Complete 1967 recordings - including the cult psychedelic classic 45 “Madman Running Through the Fields” - by Dantalian’s Chariot, Zoot Money’s psychedelic incarnation featuring a young Andy Somers on guitar & sitar (later known as Andy Summers in The Police). Performing frequently at Middle Earth and UFO displaying a wild light show, the band cut just one 45 but laid down more tracks for an unreleased album. Here it is in its full sonic glory. Top notch UK psychedelia with West Coast and Eastern influences.
Harry Nilsson - Nilsson Sings Newman
Harry Nilsson
Nilsson Sings Newman
LP | 1969 | Reissue (Sony)
28,99 €*
Release: 1969 / Reissue
Genre: Rock & Indie
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Baden Powell - Tristeza On Guitar
Baden Powell
Tristeza On Guitar
LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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Buddy Rich And Alla Rakha - Rich A La Rakha Gren Vinyl Edition
Buddy Rich And Alla Rakha
Rich A La Rakha Gren Vinyl Edition
LP | 1968 | US | Reissue (Moder Harmonic)
30,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-08
Jazz snare & ride cymbal meet classical Indian tabla & pakhawaj!

What happens when one of the best jazz drummers of all time combines efforts with one of India’s most renowned tabla players? Voilà! Rich À La Rakha. Calypso-flavored compositions, spontaneous jams, and a genuine instrumental dialogue between the two greats truly makes this a one-of-a-kind listen. Cut all analog and pressed on colored vinyl!
The Lebron Brothers Orchestra - Psychedelic Goes Latin
The Lebron Brothers Orchestra
Psychedelic Goes Latin
LP | 1967 | EU (Get On Down)
20,99 €*
Release: 1967 / EU
Genre: Organic Grooves
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Otis Redding - The Soul Album
Otis Redding
The Soul Album
LP | 1966 | EU (Endless Happiness)
22,99 €*
Release: 1966 / EU
Genre: Organic Grooves
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The Soul Album is the fourth studio album by American soul singer-songwriter Otis Redding, released in 1966. It features Redding performing songs that he co-wrote, as well as covers of songs by such musicians as Sam Cooke, Eddie Floyd, Roy Head, and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album and is also credited as the co-author of three tracks. The Soul Album shows Otis Redding moving from strength to strength in a string of high-energy, sweaty soul performances, interspersing his own songs with work by Sam Cooke ("Chain Gang"), Roy Head ("Treat Her Right"), Eddie Floyd ("Everybody Makes a Mistake"), and Smokey Robinson ("It's Growing") and recasting them in his own style, so that they're not "covers" so much as reinterpretations.
John Mayall And The Bluesbreakers - A Hard Road
John Mayall And The Bluesbreakers
A Hard Road
LP | 1967 | EU (Decca)
16,99 €*
Release: 1967 / EU
Genre: Organic Grooves, Rock & Indie
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Wigwam - Hard N' Horny Black Vinyl Edition
Wigwam
Hard N' Horny Black Vinyl Edition
LP | 1969 | EU | Original (Svart)
29,99 €*
Release: 1969 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2025-02-07
Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.
Buffalo Springfield - Last Time Around
Buffalo Springfield
Last Time Around
LP | 1969 | US | Reissue (ATCO)
14,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Procol Harum - A Whiter Shade Of Pale
Procol Harum
A Whiter Shade Of Pale
7" | 1967 | DE | Original (Deram)
11,99 €*
Release: 1967 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
The Turtles - Sound Asleep
The Turtles
Sound Asleep
7" | 1968 | US | Original (White Whale)
8,99 €*
Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Dantalian's Chariot - Chariot Rising Splattered Vinyl Edition
Dantalian's Chariot
Chariot Rising Splattered Vinyl Edition
LP | 1967 | EU | Reissue (Guerssen)
31,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Complete 1967 recordings - including the cult psychedelic classic 45 “Madman Running Through the Fields” - by Dantalian’s Chariot, Zoot Money’s psychedelic incarnation featuring a young Andy Somers on guitar & sitar (later known as Andy Summers in The Police). Performing frequently at Middle Earth and UFO displaying a wild light show, the band cut just one 45 but laid down more tracks for an unreleased album. Here it is in its full sonic glory. Top notch UK psychedelia with West Coast and Eastern influences.
Stefan Gnys - Horizoning
Stefan Gnys
Horizoning
LP | 1969 | Reissue (We Are Busy Bodies)
26,99 €*
Release: 1969 / Reissue
Genre: Rock & Indie
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Chicago - Chicago Transit Authority Red Vinyl Edition
Chicago
Chicago Transit Authority Red Vinyl Edition
2LP | 1969 | US | Reissue (Friday Music)
82,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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The Turtles - She'd Rather Be With Me
The Turtles
She'd Rather Be With Me
7" | 1967 | DE | Original (London)
8,99 €*
Release: 1967 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
cover variation
Picture
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Lightnin' Hopkins
California Mudslide (And Earthquake) Clear Yellow Vinyl Edition
LP | 1969 | UK | Reissue (Vault)
36,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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The Crazy World Of Arthur Brown - The Crazy World Of Arthur Brown
The Crazy World Of Arthur Brown
The Crazy World Of Arthur Brown
LP | 1968 | US | Original (Track)
74,99 €*
Release: 1968 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
US first pressing. Strong VG copy!
Sérgio Mendes & Brasil '66 - Equinox
Sérgio Mendes & Brasil '66
Equinox
LP | 1967 | US | Original (A&M)
14,99 €*
Release: 1967 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Close to VG+
Faron Young - All-Time Greatest Hits
Faron Young
All-Time Greatest Hits
LP | 1968 | US | Reissue (Curb)
25,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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The Horace Silver Quintet - Horace-Scope
The Horace Silver Quintet
Horace-Scope
LP | 1960 | EU | Reissue (Danger Grooves)
23,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Willie Tee - Please Don't Go / My Heart Remembers Record Store Day 2023 Edition
Willie Tee
Please Don't Go / My Heart Remembers Record Store Day 2023 Edition
7" | 1967 | UK | Reissue (Nola)
14,99 €*
Release: 1967 / UK – Reissue
Genre: Organic Grooves
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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.
Procol Harum = Procol Harum - A Whiter Shade Of Pale = 青い影
Procol Harum = Procol Harum
A Whiter Shade Of Pale = 青い影
7" | 1968 | JP | Reissue (Deram)
7,99 €*
Release: 1968 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
The Serpent Power - The Serpent Power
The Serpent Power
The Serpent Power
LP | 1967 | EU | Reissue (Akarma)
25,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.
Aretha Franklin - Lady Soul Clear Vinyl Edition
Aretha Franklin
Lady Soul Clear Vinyl Edition
LP | 1968 | EU | Reissue (Rhino)
36,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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La Monte Young / Marian Zazeela - 31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
La Monte Young / Marian Zazeela
31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
LP | 1969 | US | Reissue (Superior Viaduct)
22,79 €* 23,99 € -5%
Release: 1969 / US – Reissue
Genre: Electronic & Dance, Classical Music
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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.
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