All Items 8694 Items

LP | 2016 | EU | Reissue (Jazzhaus)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Recorded under the name of Michael Head & The Red Elastic Band, 'Adiós Señor Pussycat' was released on Violette Records on Friday 20th October 2017.

Beautiful and evocative and recorded in his home-town of Liverpool between March 2016 and June 2017, the album is the culmination of four years of hard work. Equal to his finest moments, Adiós Señor Pussycat will undoubtedly only further cement his reputation as one of this generation's greatest songwriters.

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Ina Forsman

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Young Blindness Colored Vinyl Edition

The Murlocs

LP | 2016 | UK | Reissue (Ato Uk)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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The Blind Boys Of Alabama

I'll Find A Way

LP | 2013 | EU | Original (Masterworks)

The Great American Songbook: The Standards Bob San

Release: 2013 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear 180gr vinyl seems unplayed. Tiny corner wear. Limited edition. With insert

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Frank Sinatra

2LP | 2017 | EU | Reissue (Vinyl Passion)

Release: 2017 / EU – Reissue

Genre: Pop

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12" | 2013 | UK | Original (Blind Jacks Journey)

V.A.

Dream House Volume 1.3

LP | 2013 | Reissue (Lionboy)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Blue vinyl. Stamped white label Limited edition.

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Lissie

Back To Forever

Release: 2013 / Reissue

Genre: Organic Grooves

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LP | 2016 | Original (Reptilian)

UXO

Uxo

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2016 | Original (Reptilian)

Power Take Off

Cacophony

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (Midnight Confessions)

Howl Baby Howl

Heavy On The Tongue

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2016 | IT | Original (Stella)

Detto Mariano

Striker (Film Sonoro)

Christmas With My Friends V

Release: 2016 / IT – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl.

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Nils Landgren

LP | 2016 | EU | Original (Act Music)

Release: 2016 / EU – Original

Genre: Organic Grooves, Christmas

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LP | 2017 | US | Original (Tiny Engines)

Wild Pink

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Tiny Engines)

Strange Ranger

Daymoon

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Tiny Engines)

Strange Ranger

Daymoon

Release: 2017 / US – Original

Genre: Rock & Indie

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Kingslayer Gold Vinyl Edition

Almanac

2LP | 2017 | EU | Original (Nuclear Blast)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Vinilisssimo)

Village Callers

Live

Release: 2017 / EU – Original

Genre: Hip Hop

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Modern Jazz Group Freiburg

European Jazz Sounds

LP | 2016 | UK | Reissue (Be! Jazz)

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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LP | 2016 | UK | Original (Be! Jazz)

Berndt Trio Egerbladh

Schizo

Release: 2016 / UK – Original

Genre: Organic Grooves

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LP | 2016 | UK | Original (Be! Jazz)

Screamin' Jay Hawkins

Release: 2016 / UK – Original

Genre: Organic Grooves

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3LP | 2016 | EU | Original (BMG Rights Management)

Albert Hammond

In Symphony

Release: 2016 / EU – Original

Genre: Pop

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Fire On The Floor Transparent Vinyl Edition

Beth Hart

LP | 2016 | EU | Reissue (Mascot Label Group)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Darkest Darks, Lightest Lights

The White Buffalo

LP | 2017 | EU | Original (Earache)

Reptile Brain Music Red Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original inner sleeve. Vinyl is close to NM.

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Imperial State Electric

LP | 2013 | UK | Reissue (Sound Pollution / Psychout)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Black Water)

Syndrome 81

Beton Nostalgie

Sgt.Pepper's Lonely Hearts Club Band Deluxe Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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This LP is a collection of songs released on various EP and split records. France’s Syndrome 81 started gaining momentum in the punk scene with their 2013 demo tape, drawing comparisons to the plethora of great bands that defined the French Oi sound of the 1980s with a heavy stomp culled from classic Ushc. The band has progressed since then, and the sound is more diverse but also more defined, having filed off some of the American influences and moved in a darker, distinctly French direction that is both melancholy and anthemic, with lyrics being influenced by growing up in Brest, France. The band comes from this dark place and write songs about their personal struggles growing up and growing old. These are songs about watching your friends lose sight and move on while you question why you are still here, haunted by your past and having to look your former self in the eye while you apologize for who you’ve become. These are songs about trudging through a desert you built yourself. 18 songs in all.

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The Beatles

2CD | 2017 | EU (Universal)

Release: 2017 / EU

Genre: Rock & Indie

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LP | 2017 | EU | Original (Pop Stock)

Guadalupe Plata

Guadalupe Plata 2017

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Ex Voto)

Duke Spirit

Sky Is Mine

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Psychonaut Sounds)

Rails

Other People

Release: 2017 / EU – Original

Genre: Pop

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LP | 2017 | EU | Original (Nude)

Juanita Stein

America

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Blood And Biscuits)

Gallops

Bronze Mystic

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Cleopatra)

Glen Campbell

Rhinestone Cowboy Live

Release: 2017 / EU – Original

Genre: Pop

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LP | 2016 | EU | Original (Cleopatra)

Little Richard

Tutti Frutti-Greatest H

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Big Legal Mess)

Bette Smith

Jetlagger

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Six Shooter)

Whitehorse

Panther In The Dollhouse

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Six Shooter)

Whitney Rose

Rule 62

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Six Shooter)

Deep Dark Woods

Yarrow

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (More Doug)

Darlingside

Birds Say

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Gndwire)

Dead Man Winter

Furnace

Release: 2017 / EU – Original

Genre: Rock & Indie

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A Long Way From Your Heart

Turnpike Troubadours

LP | 2017 | US | Original (Bossier City /Thirty Ti)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Sweetworld)

David Ramirez

We're Not Going Anywhere

Release: 2017 / EU – Original

Genre: Pop

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LP | 2017 | EU | Original (Monomundo)

Mavericks

Brand New Day

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Deathwish)

Burn

Do Or Die

Release: 2017 / EU – Original

Genre: Rock & Indie

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Sunset Blvd. Instrumentals

Yancey Boys

2LP | 2013 | UK | Reissue (KingUnderground)

Major Arcana 10th Anniversary Colored Vinyl Edition

Release: 2013 / UK – Reissue

Genre: Hip Hop

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KingUnderground & Delicious Vinyl present a lovingly re-issued version of this sought after & seminal hip-hop record, with all beats by J Dilla, featuring Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson, and the first time re-issued on vinyl since 2013.

Back in 2008, just two years after James Yancey aka J Dilla’s passing, Mike Ross, founder of Delicious Vinyl, presented J Dilla’s mother Maureen Yancey (aka Ma Dukes), with a vault of unreleased beats from her late son. Following Dilla’s childhood friend (and longtime collaborator) Frank Nitty (Of Frank N’ Dank) was a part of a group of confidants, who lovingly went through the treasure chest of music, formulating a tribute to their departed friend the best way they knew how. With hundreds upon hundreds of instrumentals to choose from, Nitty and Dilla’s brother Illa J narrowed the pile down to a collection of about 50 tracks, some of which would become the building blocks of their debut 2013 Yancey Boys album, ‘Sunset Blvd’. Upon its release in 2013, the LP (which featured appearances from Hip-Hop royalty including Common, Talib Kweli, Posdnuos, T-3 & Guilty Simpson) became an instant classic, gaining recognition from tastemakers across the world.

Even without J Dilla’s presence during the record’s creation, Frank & Illa J were able to harness Dilla’s omniscient creative energy during the production process of making Sunset Blvd. His contributions and spirit couldn't help but permeate the beats, the undeniable foundation for the tracks on the record. “Beyond the beats, his fingerprints were all over the record, in the guest artists we chose to ask for a feature, to the guys mixing and mastering. Most of whom he (J Dilla) worked with before he passed”, said Frank.

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Speedy Ortiz

12" | 2013 | UK | Reissue (Carpark)

LP | 2016 | EU | Reissue (BMG Rights Management)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Limited 'The Star's Sky' coloured LP.

Gatefold jacket with lyrics and inner sleeve with photos from the original recording session..

Bathed in a green haze, the crowd oozed to the mutant rock and roll roaring from the basement's dusty depths — everything and everyone was sweaty and sticky. But as Speedy Ortiz crammed into the back corner, their grins just inches away from ours, D.C.’s Dougout became a moshed-and-sloshed sauna of 20-somethings delirious on rock euphoria.

After spending much of the new millennium bored out of my skull by network soap indie, Speedy Ortiz — not to mention its pals in Pile, Ovlov, Grass is Green and the rest of New England’s burgeoning basement scene — was rock's wild howl. The songs were unpredictable, yet weirdly memorable, swaggering with a winky and wry sense of self. Riffs would twist with a topsy tenderness, then slam a ruptured discord. Sadie Dupuis' sphinxian-yet-sensitive lyrics were not only matched but accentuated by her coil-sprung vibrato. How could Speedy Ortiz not immediately become my new favorite band?

What began as a short-lived solo project recorded in Dupuis' off-hours as a rock camp counselor became a four-piece band in Northampton, Mass., by the end of 2011: Dupuis on guitar and vocals with drummer Mike Falcone, bassist Darl Ferm and guitarist Matt Robidoux. They made cool mixtapes, cracked inside jokes and gushed about teenagers that opened for them on tour. They freaked out (via LiveJournal) when they met the bassist from Polvo or Helium's Mary Timony, but also rolled their eyes at '90s indie-rock comparisons. The band's first single — the gender-bending got-laid grunge yowler "Taylor Swift'' — elicited that rare response of the simultaneous giggle and headbang. The Sports EP amped up the taut yet rubbery riffery.

Released July 9, 2013, Major Arcana is filled with wedding chapel exorcisms, oiled-down attractants and criminally twisted puny little villains — this is Dupuis' haunted lexicon as she scales the toxic Aggro Crag of a breakup. And while Dupuis wrote these songs, the band's convulsing arrangements and diverse influences sprawled the squigglier edges of feedbacked fuzz to mete out matters of the heart. Falcone — who, it's worth noting, has a knack for vocal harmony — swung as much as he smashed the drums. In easily tipoverable songs, Ferm's burly bass and percussive overdubs gave the unruly glee its momentum. Robidoux ripped skronky guitar solos and countered Dupuis' riffs with decorative splatter. Over a four-day marathon session at Sonelab in Easthampton, recording engineer Justin Pizzoferrato sparked the studio imagination of Speedy Ortiz — not only leaning into gritty tones but layer-caking dense dynamics that made these songs pop and pulverize.

For all her sweet-toothed seething, Dupuis was not easy on herself. Everyone's allowed the idiot growing pains of your 20s and the misery that follows, but I can only imagine the emotional exhaustion that playing these songs on the road, night after night, must have wrought. "But you left something on my lips: a mark so sick," she repeats over the doomy destruction that ends the album. Thinking back to the many Speedy Ortiz shows I caught in those early years, including an unofficial after-after party for my own wedding, "mkvi" often served as the noisy down-and-out closer — heads would bang in solidarity as the crowd became co-authors in the chaos, the biting phrase now a hex, Speedy Ortiz forever our coven. —Lars Gotrich

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Lester Young

Blue Lester

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Across The Line White Vinyl Edition

Air Raid

LP | 2017 | EU | Reissue (High Roller)

LP | 2016 | UK | Original (Big Beat)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023

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The Wild Oats

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Music On Vinyl)

Taj Mahal

Natch'l Blues

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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LP | 2016 | DE | Reissue (Tubareckorz)

Knorkator

Ich Bin Der Boss

Release: 2016 / DE – Reissue

Genre: Pop

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LP | 2016 | US | Original (Ceremonial)

Brutality

Sea Of Ignorance

Release: 2016 / US – Original

Genre: Rock & Indie

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1514 Oliver Avenue Black Vinyl Basement Edition

Mind & Matter

LP | 2013 | US | Reissue (Numero Group)

Axe To Grind Splatter Vinyl Edition

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Jimmy Jam Harris was just 16 when he began writing and arranging for Minneapolis 11-piece Mind & Matter. Boasting a perfectly calibrated vocal quartet, an aggressive rhythm section, and stacks of Rhodes, Rolands, and Hammonds, the danceable act failed to win favor with frigid Midwest audiences. Tracked in 1977, this bundle of never-before-released basement demos throw Harris' beloved Philadelphia Sound into an unfinished root cellar, pelting it with Clavinet attacks, disco skats, and infectious hooks. Named for the street address of its underground uptown genesis, 1514 Oliver Avenue (Basement) is James "Jimmy Jam" Harris' first foray into songcraft and an organic Minneapolis-vintage alternative to a late '70s Prince songbook gone increasingly synthetic.

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Witch Cross

LP | 2013 | EU | Reissue (High Roller)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Golden Core)

Manilla Road

To Kill A King

Release: 2017 / EU – Original

Genre: Rock & Indie

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The Future Sound Of London

Environments Volume 6

LP | 2016 | UK | Original (Jumpin & Pumpin)

25,59 €* 31,99 € -20%

Release: 2016 / UK – Original

Genre: Electronic & Dance

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2LP | 2013 | EU | Reissue (Music On Vinyl)

Say Anything

In Defense Of The Genre

25,49 €* 33,99 € -25%

Sonoran Depravation Custom Marble Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Limited edition of 1500 individually numbered copies on smoke coloured 180-gram audiophile vinyl in a gatefold sleeve. Features guest appearances by members of Taking Back Sunday, Paramore, My Chemical Romance, Alkaline Trio, Underoath and cover art by Jeff Smith, creator of the multiple award-winning comic series "Bones." In 2000, Max Bernis formed the American rock band Say Anything together with some friends. Up until 2018, when the band went on a hiatus, they released eight studio albums. In 2007 they released their third studio album In Defense of the Genre. Bernis mentioned on the album that "musically, it's different, more mature and somewhat more cohesive and poppy, but darker in a whole different way".

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Gatecreeper

LP | 2016 | Reissue (Relapse)

25,19 €* 27,99 € -10%

Release: 2016 / Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Clouds Hill)

Omar Rodriguez-Lopez

Corazones

25,19 €* 27,99 € -10%

Als Die Welt Noch Unterging - Von Punk Zu Ndw

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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A quiet and gentle recording, probably the most personal record he ever did.

Pressed on recycled vinyl.

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Frank Apunkt Schneider

Ventil

25,00 €*

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Joaquim Paulo & Julius Wiedemann

Jazz Covers 40th Anniversary Edition

Taschen

25,00 €*

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2LP | 2017 | EU | Reissue (Roche Musique)

FKJ

French Kiwi Juice

LP | 2013 | UK | Original (Domino)

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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This is a repress. Multi - instrumentalist with rare elegance, FKJ unveils its first album French Kiwi Juice, and invites us in his world.

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Arctic Monkeys

Wish You Were Here 2016 Edition

Release: 2013 / UK – Original

Genre: Rock & Indie

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Produced by James Ford and co-produced by Ross Orton at Sage & Sound Recording, LA and Rancho De La Luna, Joshua Tree. Josh Homme, Pete Thomas and Bill Ryder-Jones all make guest appearances.

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Pink Floyd

LP | 2016 | UK | Original (Parlophone)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Run The Jewels Blue Aqua Swirled Vinyl Edition

Run The Jewels

LP | 2013 | EU | Reissue (Seeker Music Group)

2LP | 2013 | EU | Reissue (Erased Tapes)

Release: 2013 / EU – Reissue

Genre: Hip Hop

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Limited to 1,000 copies on blue vinyl with aqua swirls.

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Nils Frahm

Spaces

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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8 Miles To Moenart (10th Anniversary Edition)

Tall Black Guy

LP | 2013 | UK | Reissue (First Word)

LP | 2013 | EU | Reissue (Stoned In Paradise)

Release: 2013 / UK – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-01

First Word Records is very proud to bring you the 10th anniversary edition of Tall Black Guy's debut LP '8 Miles to Moenart'!

It includes two brand new jazz interpretations ('From Home To Work, And Back' and 'Running The Motor'), recorded with a live band, as well as a new intro cut ('Black Detroit'), and an alternative mix of the single 'Mon Amie De'troit', previously only available on 7" vinyl.

The original vinyl LP release was a one-time limited edition pressing; this being the first time this project has been available on wax since then, and also includes entirely new artwork and photography.

From humble origins in Detroit, raised on a healthy diet of Motown, jazz and hip hop, Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the hip hop beats scene. Through a steady stream of soulful productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson, Benji B, Don Letts, Lefto, Tom Ravenscroft, Lord Finesse, Huey Morgan, Anthony Valadez and countless others, along with sessions for Boiler Room and more.

'8 Miles To Moenart' literally brought Tall Black Guy full circle, and proceeds to do so once again. Detroit was where he started making music, and it's to his hometown he took inspiration for this debut album. Taking in low-slung hip hop, downtempo house and jazz-tinged street soul, it's a record of rare focus. It encapsulated the musical heritage of Detroit, through the looking glass of Tall Black Guy's own signature sound.

Follow up releases included his sophomore First Word album 'Let's Take A Trip' (which also featured the likes of Masego, Daniel Crawford, Miles Bonny and Moonchild), and records on Ubiquity, Bastard Jazz and Street Corner Music, to name a few, along with a steady slew of limited self-released edits amd productions, most recently with his #7DayVaults series.

He's worked with a number of formidable artists worldwide, including recent extensive work with Zo! (Little Brother), Ozay Moore, Deborah Bond and Dee Jackson (80's Babies), as well as collaborations with 14kt and First Word label-mate Allysha Joy, to name just a few. He is also an integral player for DJ Jazzy Jeff's infamous PLAYlist Retreat sessions, along with more First Word family, Kaidi Tatham and Eric Lau, as well as artists like James Poyser, Ali Shaheed Muhammad and Questlove, and he was a core contributor to First Word's 'Nothing Leaves The House' series, along with Eric, Mr Thing and kidkanevil.

Tall Black Guy has firmly established himself to be one of the most influential producers working today.

Terrel says "I made the bulk of this album back in Detroit around 2012/2013, before I relocated to the UK. I've been back living and working in the States for a while now, and it's great to look back on this project. But while it's nice to reminisce, it's important to look forwards, so I wanted to include something new here to represent my progression as an artist, so there's some new versions included, that I created with the help of some jazz musician friends of mine."

'8 Miles to Moenart' (10th Anniversary Edition) will be released on digital & vinyl on October 18th 2024.

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Milky Chance

Sadnecessary

Release: 2013 / EU – Reissue

Genre: Pop

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French Disco Boogie Sounds Volume 3: 1977-1987

V.A.

2LP | 2017 | EU | Original (Favorite)

Moderat (Apparat & Modeselektor)

Release: 2017 / EU – Original

Genre: Organic Grooves

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They say that good things come in threes… it must be true and Favorite Recordings also proudly presents the third edition of its acclaimed French Disco Boogie Sounds compilation series.
Like on prior volumes, the complete tracklist is selected by label head honcho, Charles Maurice (aka Pascal Rioux), who’s unearthed 13 more forgotten and hidden tracks, all produced whether in France, in French, or by French artists between 1977 and 1987.
With most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any Disco-Boogie-Funk music lover and collector.
Fully remastered from originals at The Carvery Cut (UK), French Disco Boogie Sounds Vol.3 (1977-1987, selected by Charles Maurice) is presented by Favorite Recordings in a gatefold vinyl double LP and as CD.

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II Deluxe Version

2LP | 2013 | EU | Original (Monkeytown)

Sweet Reggae Music: Reggae Anthology

Release: 2013 / EU – Original

Genre: Electronic & Dance

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4 years after the debut album Modeselektor and Apparat have come together once again: more mature, but not worldly-wise, wiser but not unquestioning, more experienced but without having sacrificed any of their pioneer spirit.

Deluxe version with 11 tracks incl. 3 extra long club versions!

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Barrington Levy

LP | 2013 | US | Original (17 North Parade)

LP | 2016 | EU | Reissue (Atlantic)

Release: 2013 / US – Original

Genre: Reggae & Dancehall

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Cut loud and proud with tracks carefully selected "Sweet Reggae Music" includes first time on LP appearances for the much sought after sound-system favorites "Whom Shall I Be Afraid Of", "Praise His Name" & "Pon Your Toe" alongside the broader than Broadway hits "Here I Come", "Mary Long Tongue", "Mini Bus" etc. - During this golden age of Jamaican music Barrington Levy was the undisputed lord of the dancehall - "Sweet Reggae Music" is 100% black vinyl proof!

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Paramore

Riot!

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Emahoy Gebru Tsege Mariam

Spielt Eigene Kompositionen

LP | 2013 | US | Reissue (Mississippi)

LP | 2016 | EU | Original (Underdog)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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A most unusual & stunning album. Tsege Mariam Gebru is an Ethiopian nun who has dedicated her life to helping others. She has been composing & playing music on the piano since the 1960's. Her music is a unique mix of Western classical music in the vein of Erik Satie, Ethiopian music & Religious Christian meditation music. On this reissue of her first LP, originally released in Germany in a very small pressing, we find Tsege Mariam Gebru playing her own compositions solo on piano. She plays with restrained grace & purity. The record invites repeated listening well and is filled with spiritual warmth.

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The Bongo Hop

Satingarona Part 1

LP | 2016 | EU | Original (Roadrunner)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The Bongo Hop is the new afro Caribbean project presented by french trumpetist Etienne Sevet. On Satingarona Pt.1, friends from his Colombian years, like vocalist Nidia Gongora (Ondatropica, Quantic) rapper Maikcel (Zalama crew), but also famous producer multinstrumentalist Patchworks (Voilaaa, Dynamics, Taggy Matcher, Uptown Funk Empire,…) among others, join in for his first musical travel diary, inspired by 8 years as a Cali resident. In this first project, you can hear his personal take on tropical tempos, as he launches a storm of infectious grooves – ranging from highlife, to vallenato-meets-dub, dance hall, afrobeat, or kompa, combined with warm horns.

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Gojira

Magma

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Stix)

V.A.

Disco Reggae Volume 3

Suicide Art Of The Album Edition

Release: 2017 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Following 2 acclaimed first editions, Stix Records presents the 3rd volume of its Disco Reggae compilation series.

Like previous one, the 9 tracks comp is made both from productions of the home labels now sold-out as vinyl, and from brand new exclusive music by the like of Taggy Matcher, Mato or newcomer Rosemary Martins, taking over classics titles from Donna Summer, Stephen Encinas, Roberta Flack, Herbie Hancock, Steve Parks, or Inner City.

The perfect soundtrack to extend the summer!!

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Suicide

LP | 2017 | EU | Original (Mute)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Bis Das Leben Applaudiert

AzudemSK

2LP | 2016 | DE | Original (HHV Records)

Release: 2016 / DE – Original

Genre: Hip Hop

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LP | 2013 | EU | Original (Anachron Sounds)

VNV Nation

Transnational

Release: 2013 / EU – Original

Genre: Pop

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LP | 2016 | UK | Reissue (Finders Keepers)

Suzanne Ciani

Buchhla Concerts 1975

LP | 2016 | EU | Reissue (Greensleeves)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Alborosie

Freedom & Fyah

LP | 2017 | US | Reissue (Dais)

Release: 2016 / EU – Reissue

Genre: Reggae & Dancehall

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Jetzt neu aufgelegt und wieder auf Lager! - "Freedom & Fyah" ist das Studioalbum, das ursprünglich im Sommer 2016 veröffentlicht wurde. Zu den Gästen gehören Protoje, Ky-mani Marley, Sugus, Sandy Smith und Pupa Avril. Aufgenommen, abgemischt und produziert wurde der Longplayer von Alborosie mit zusätzlichen Arbeiten von James "Bonzai" Caruso, Errol "Flabba" Holt, Phillip "Winta" James und mehr. Holen Sie sich jetzt Ihr Exemplar!

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Martial Canterel

Lost At Sea

2LP | 2017 | EU | Original ([Pias] Le Label)

Release: 2017 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

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Angus & Julia Stone

Snow

Release: 2017 / EU – Original

Genre: Pop

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Misplaced Childhood 2017 Remaster

Marillion

LP | 2017 | EU | Reissue (Parlophone Label Group)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | UK | Reissue (Incienso)

DJ Python

Dulce Compañia

LP | 2013 | US | Reissue (Joyful Noise)

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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From the creator of Deep Reggaeton and the hit record "¡Estéreo Bomba! Vol. 1", DJ Python, returns with the first masterful full length album "Dulce Compañia". Comprised of eight ethe-real, banging hits of the most unique and thought provoking calibre - mixing Deep House, Shoegaze, Trance, and of course, Reggaeton - these songs-not-tracks slide over the Dembow in the unique way only Python can dream up. Rated E for Everyone.

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Son Lux

Lanterns

Release: 2013 / US – Reissue

Genre: Rock & Indie

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World Eater Clear With Red Splatter Vinyl Edition

Blanck Mass

LP | 2017 | CA | Reissue (Sacred Bones)

Nxworries (Anderson.Paak & Knxwledge)

Release: 2017 / CA – Reissue

Genre: Organic Grooves

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As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassionate species. Unfortunately, this is not the case. Recent global eve...

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Link Up & Suede EP

12" | 2016 | US | Reissue (Stones Throw)

2LP | 2017 | UK | Original (Lea Porcelain)

Release: 2016 / US – Reissue

Genre: Hip Hop

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This was the first release from Anderson .Paak & Knxwledge as Nxworries: "Suede" and "Link Up" were their first two tracks. "Droogs" is a Knx remake of an Anderson .Paak single. Instrumentals and bonus beats around out the EP.

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Lea Porcelain

Hymns To The Night

Release: 2017 / UK – Original

Genre: Rock & Indie

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LP | 2017 | UK | Original (Domino)

Sandy Alex G

Rocket

LP | 2017 | EU | Original (Habibi Funk)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Rocket is Philadelphia-based artist Alex G’s eighth full-length release—an assured statement that follows a slate of humble masterpieces, many of them self-recorded and self-released, stretching from 2010’s RACE to his 2015 Domino debut, Beach Music.

Amid the Rocket recording process, Alex made headlines for catching the attention of Frank Ocean, who asked him to play guitar on his two 2016 albums, Endless and Blonde. More than any stylistic cues, what Alex took from the experience was a newfound confidence in collaboration. Rocket wears this collaborative spirit proudly, and in its numerous contributors presents a restless sense of musical experimentation - effortlessly jumping from distorted sound collage to dreamy folk music to bouncing Americana.

Rocket illustrates a cohesive vision of contemporary American experience; the cast of characters that Alex G inhabits have fun, fall in love, develop obsessions, get in trouble, and—much like rockets themselves—ultimately they burn out. Alex, though, in a collection of songs that’s both his tightest and most adventurous, is poised only for the ascent.

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Al Massrieen

Modern Music

in.ter a.li.a Colored Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn’t heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

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At The Drive-In

LP | 2017 | EU | Original (BMG)

LP | 2017 | EU | Original (BMG)

Release: 2017 / EU – Original

Genre: Rock & Indie

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With praise still reverberating from December's unveiling of 'Governed By Contagions', At The Drive In has issued another clarion call from its first album in 17 years: 'Incurably Innocent' is the second track to be released in advance of that record, titled in
• ter a
• li
• a, now available for pre-order and confirmed for release May 5th on Rise Records.Pitting spacey phaser and thrash-y riffing against a sidewinder hook and siren wail, "Incurably Innocent," described by vocalist Cedric Bixler-Zavala as "a song about sexual abuse and being able to finally speak out," reveals additional facets of the kaleidoscopic in
• ter a
• li
• a (Latin for "among other things"). Produced by Omar Rodriguez-Lopez and Rich Costey at Hollywood's Sound Factory, the 11-song 41-minute in
• ter a
• li
• a picks up where 2000's Relationship of Command left off... and rockets off into myriad other trajectories as unpredictable as they are intense.

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Texas

Jump Onboard

Release: 2017 / EU – Original

Genre: Pop

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LP | 2017 | UK | Original (Domino)

Real Estate

In Mind