All Items 26732 Items

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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12" | 2022 | UK | Original (All Day I Dream)

Bantwanas

Ixesha Ep

14,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2022 | UK | Original (Intergalactic Research Institute For Sound)

Banu

Transsoundscapes Lp

11,39 €* 18,99 € -40%

7" | 2022 | EU | Original (Baodub Music)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.

Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.

Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got signifi cantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.

Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dancefl oor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.

All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.

The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebriedze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebriedze‘s analogue photos of Bianka as the album‘s cover art.

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Baodub

Kunta Kinte Refix

10,99 €*

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Aff Un Zo

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bap Vinyl Edition Box Volume 2 1990-1999

Box | 2022 | EU | Original (Vertigo Berlin)

196,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bap Vinyl Edition Box Volume 3 2001-2011

Box | 2022 | EU | Original (Vertigo Berlin)

196,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Halv Su Wild

Release: 2022 / EU – Original

Genre: Rock & Indie

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2CD | 2014 | UK | Original (Proper)

Bap Kennedy

Let's Start Again

8,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Radio Pandora

Release: 2022 / EU – Original

Genre: Rock & Indie

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Radio Pandora-Unplugged

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sonx

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP+CD | 2014 | EU | Original (Italic)

Bar

Welcome To BAR

12" | 2020 | EU | Original (Shamandrum)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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The Düsseldorf duo BAR, consisting of Stabil Elite musician Lucas Croon and Christina Irrgang, debuts with a musical hybrid between New Wave, Balearic, Shoegaze, Dream Pop and Noir Songwriting. Lucas Croon sings as if he had studied with Nick Cave, Brian Ferry and Chris Isaac. The lady at his side, Christina Irrgang, is no less elegant: Her timbre seems completely absorbed in the music, and yet it somehow floats above it, bold and cool. The effect is reminiscent of Claudia Brücken from the Düsseldorf synthpop band Propaganda, whose magical coldness was simply an extremely fascinating form of white soul.

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Barac & Marina Verdi

Metanoia

11,99 €*

12" | 2022 | EU | Original (Kniteforce)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Shamandrum is back with a fourth release by the shaman himself Barac along with Marina Verdi. Side A is an hypnotic edit of Verdi's well named "Shamanwoman" followed by the original track on B side. "Who Says Imagniation Isn't Reality" closes the EP with a spooky touch ideal for early mornings.

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Baraka

A Million And One EP

16,99 €*

LP | 2022 | EU | Original (Wagram)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Boogie Beat Records and Kniteforce bring you the “other” classic Baraka release – A Million And One. Almost as sought after as Nutty Bass, this classic remaster featured the original track plus a previously unreleased version. Both of which come with the expected weight and class of a Jonny L produced track!

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Barbara

Liberté - Best Of

15,99 €*

Release: 2022 / EU – Original

Genre: Pop

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7" | 2022 | UK | Original (Soul Brother)

Barbara Lynn

Mellow Feeling

Release: 2022 / UK – Original

Genre: Organic Grooves

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Unloved, Unwanted Me / Soul Deep

Barbara Lynn

7" | 2022 | EU | Original (Soul 4 Real)

LP | 2022 | UK | Original (Selector Series)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Spooner Oldham produced six recordings by Barbara Lynn for Atlantic in mid-1968, but session information had previously been scant. Spooner

recently confirmed that these tracks were "recorded at American in Memphis" and when the late Red Kelly (Soul Detective) digitised guitarist Reggie Young's session diaries, his endeavours presented further clarity. Reggie's 1968 diary indicates two American sessions on June 14th and 15th. Four songs were recorded, with "Unloved, Unwanted Me" being shelved. No songwriting credit was documented, but its sorrowful yearning is perfectly executed by Barbara. A third session the following month yielded two more songs, including the first known recording of "Soul Deep" (its writer Wayne Carson and The Box Tops each recorded the song in 1969). Reggie's diary documents a fortnight's holiday in July, but the distinct lack of guitar and the audible presence of other American Studio musicians further suggests Barbara Lynn's version was possibly recorded in Memphis too. Both songs make their 7" vinyl debut here. Enjoy!

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Barbara Mason

The Lost 80s Sessions

12,74 €* 14,99 € -15%

LP | 2022 | UK | Original (Selector Series)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Sealed copy with bumped corners and a small seam split!

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Barbara Mason

The Lost 80s Sessions

The Lost 80s Sessions Record Store Day 2022 Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

beginning seam split

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Barbara Mason

LP | 2022 | UK | Original (Selector Series)

20,99 €*

LP | 2022 | EU | Original (Diggers Factory / Inasound)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Equally renowned for her song writing as much as her amazingly sultry soul vocals, Barbara Mason was widely known for her early solo ‘60s hits as well as her ‘70s collabs with the likes of Curtis Mayfield before her late ‘70s/early ‘80s disco/boogie dancefloor phase…but the heads at Selector series have unearthed a never released LP of classic cover gems from this evergreen diva of Soul. Limited press.

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Barbara

Premiers Micros

23,24 €* 30,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Love Injection)

Barbie Bertisch

Prelude

37,99 €*

12" | 2022 | US | Original (Love Injection)

Release: 2022 / US – Original

Genre: Electronic & Dance

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“I’m closing a chapter in my life,” Barbie Bertisch says to me from a park bench in Greenpoint, “I spent the last four years working towards gaining confidence around my ideas and my creative perspective. This feels like a culmination of that process” The “this,” in question is Bertisch’s debut record Prelude, a collection of eleven songs that chronicle 5 years of Bertisch’s life. The legendary musician Anna Domino describes the record best: “[Prelude is a record of] layers and depths. The melting phases and soaring distances.”

Raised in Buenos Aires and Miami, Bertisch has called New York home for most of her adult life. When she started piecing together Prelude, she was in her Brooklyn kitchen. It was early quarantine. Stuck at home instead of DJing at clubs, she found the space to parse through the archives. What she previously considered unworthy of attention in the era of distractions, finally made sense as a whole once all the noise was turned down. Compiling a list of songs in various states of completion, Bertisch dreamed up an album, a chronicle in growth and healing frustrations of the past, an honest account of someone trying to find her own voice. That in and of itself was a journey. It took years for Bertisch to accept that she was an artist. “I felt like I was surrounded by men who ruled every space. I constantly felt like I had to ask permission to enter, always around bands but never the girl in the band” she says.

Prelude is an introspective record. It explores all of the valences of being and feeling. Some songs are chaotic and choppy. Others are soft and searching. There is rage and innocence, and moments of forced stillness, like capturing the aftermath of panic attacks, as in “After The Storm”. Bertisch also focuses on rhythm, bass guitar being her main instrument, and no stranger to the power of the beat. The record also draws on influences as varied as Kaitlyn Aurelia Smith, Cocteau Twins, Berlin School, and pioneering producer François Kevorkian. Both sonically and conceptually, Prelude is a portrait of who Bertisch is as a person.“Is This What You Wanted?” is fiery, a pointed provocation to domineering figures from her past. It’s full of strobing, strident synths, and heady lines of bass. It gives off the same vibe as a fire alarm, as a big room dance track that subverts your expectations of what it means to dance in a sea of bodies. “28,” the record’s opening track is more peaceful. It’s all languid keyboard arpeggios with the occasional flourish of a cascading synth effect.

Since most of the songs already existed in some form or another, Bertisch’s job on Prelude was to refine and reimagine music that had previously been private. She spent time rearranging, rewriting, adding elements newly available to her, such as the saxophone, and pushing the limits of the rough mixes to mold the universe she envisioned. Along the way, Bertisch grew more excited about her abilities as a musician. The resulting record is one that is inherently confident.

Prelude is also a homespun release. It’s coming out on Bertisch’s own label, Love Injection Records, which she runs with her partner Paul Raffaele. The two also DJ and make zines under the name, which started in 2015. Love Injection is a love letter to New York. Prelude is a word of encouragement to those struggling with self-actualization. The record was mixed by Justin Van Der Volgen and mastered by Walter Coelho. Love Injection Records holds the remix tradition in high regard, and they’ve enlisted reworks by some of Barbie’s favorite producers. It’s all a labor of love for Bertisch. Prelude is her: Barbie the musician.

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Barbie Bertisch

Prelude Remixes EP

Bardo & Sementales Salvajes & Rivers Of Gore

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Following the release of Barbie Bertisch’s debut album Prelude in June 2022, Love Injection is thrilled to announce Prelude Remixes via Love Injection Records, which features six artists new to the label, kicking off with a two-track 12” single followed by a full digital release. Love Injection is the label and fanzine Bertisch runs with her partner, Paul Raffaele. The duo are romantic about remixes as an artform and always intended to have reinterpretations be the next phase after Prelude. Often reduced to ways to extend a hype cycle, or disjointed add-ons, Love injection’s remixes exist in dialogue with the artist’s songs.

The 12 inch single will inaugurate the project, with Montreal’s Gene Tellem on the A side, and Panorama Bar residents Lakuti and Tama Sumo on the flipside. On the “GT Remix”, Bertisch gushes that “[Gene is] very good at creating and sculpting atmospherics in her productions. She really grabbed the song and took it to a different place.” Tellem's version of “After The Storm” is faster, elastic and pulsing with an almost primordial intensity.

Creative and life partners Lakuti and Tama Sumo take on “Fertile Garden (Emerge)”. Lakuti, originally from South Africa, got her start DJing in the Johannesburg house scene of the ‘90s. She is now based in Berlin and often DJs with Tama Sumo, who grew up in Bavaria and moved to Berlin in 199x and has been a staple in the scene there since. The duo, both residents of Berlin's Panorama Bar, turn “Fertile Garden” into an ecstatic, unrelenting beat-down, best fit for peak time.

Side A: Remixed by Gene Tellem, Mixe by Fran Cathcart, Mastered by Walter Coelho Side B: Mixed by Tama Sumo & Lakuti, Pre-mastered by Gal Aner, Mastered by Walter Coelho Songs taken from the LP, "Prelude" Barbie Bertisch (ascap)

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Sanctasanctórum Black & Gold Vinyl Edition

LP | 2022 | EU | Original (Interstellar Smoke)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bardo Todol & Robert Millis

A Magnetic Road To Hell

Tape | 2022 | EU | Original (Sucata Tapes)

Barenboim, Mederos & Console

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“A Magnetic Road to Hell” is Robert Millis and Bardo Todol’s first release as a duo. Recorded transcontinentally throughout 2021 and 2022 they traded sounds and ideas between Cordoba, Argentina and Seattle, USA with a stop in Mexico along the way: screamings, rivers, kids, radios, mellotron, records, 78rpm shellac, wax cylinders, field recordings, birds, electronics, guitars, percussion, haze, static, a destroyed Indian piano, talkative violins, talkative people from the 1920s, talkative black and white dreams, tin cans from the streets, Argentinian children's tales about cows being teachers, and more. You’re riding on an unspooling reel of tape, through sounds real and imagined, the tape flapping dangerously, shredding; we are all of us magnetized, attracting together, pushing apart, unwinding onto the floor, stumbling along the road to hell. Robert Millis and Bardo Todol have each released music on many different labels: Sublime Frequencies, Dinzu Artefacts, The Helen Scardale Agency, Discrepant, Abduction Records, Dust-to-Digital, Fire Breathing Turtle, Sub Pop, and Ikuisuus.

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Tangos From Buenos Aires

LP | 2022 | EU | Original (Parlophone Label Group)

Release: 2022 / EU – Original

Genre: Classical Music

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El Amor No Es Para Los Debiles

Bareto

LP | 2022 | EU | Original (Agogo)

24,99 €*

12" | 2022 | EU | Original (Live At Robert Johnson)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Praised as heirs of amazonic psychedelia and chicha traditions, as well as sound innovators, peruvian band Bareto mixes exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others.

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Baris K

Valhalla

14,99 €*

Rambler Of Aeons Translucent Blue

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Please welcome Barış Karademir, Istanbul's edit master, DJ, and musician with Insanlar on Live At Robert Johnson!

If you're a person that likes to get up late, Barış's first track »Noon« is the one for you. It sort of sets the mood for the whole EP with a groove that is deep and hypnotic and above all psychedelic. There's tremolo en masse plus these in and out fading voices that suck you into Mr. K's world - all kept together by this steady forward marching Barış beat. Pleasure, joy, and happiness - all in on groove - and not only effective at noon.

»La Dame Noir«'s most prominent feature is a mean bass line - plus more of those otherworldly sounds that Barış manages to pull out of his magician's hat while creating a superb shuffling riddim for all you dancers to shuffle along to, throwing in that oh so subtle triangle now and then.

With the last track »Valhalla«, Barış enters the mythological place of Asgard, where Valhalla, Odin's hall of the slain can be found in his Glaðsheimr castle. That kinda sounds a bit archaic and dark but don't be afraid: where there is shadow there is also light - light which can be heard in the first opening lines, lines that do sound a bit like played by our favorite shoegazer band "My Bloody Valentine". To get to Valhalla, Barış accelerates the tempo by a couple of beats, yet throws in all trademark ingredients to cook up a tune for peak time dancing in Valhalla … erm … I mean in the club.

So yes, please let us invite you to Barış K's wonderful world of sound - you won't regret it.

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Bark

LP | 2022 | EU | Original (Listenable)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (Brokntoys)

Barking

12" | 2020 | EU | Original (Open The Next)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Across 6 tracks the Noods Radio resident Gareth Psaltis AKA Barking merges dub, ambient and menacing downtempo.

Having released on Deep Seeded and OpenTheNext, the Berlin-based producer returns to the label after his appearance on the A Call Too Close compilation.

Mastered by Alden Tyrell. Edition of 200 copies.

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Barking

Moirai EP

9,74 €* 12,99 € -25%

LP | 2022 | US | Original (Sige)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Barking's productions are expressive live sets stem from his background in live instrumentation and improvisation. The Berlin-based Australian artist delivers on Openthenext label a forward thinking EP that is equally suited for advanced dance floors and home listening sessions. The music is slow, enveloping, immersive and will surely delight the acid lines and slow techno beats lovers out there. Moirai EP. can trigger a bunch of different emotions: between the magnetic intensity of ‘Scylla’, the melancholic and hypnotic vision of ‘Khasma“, the haunting voice of “Dionysia” will take you to another uplifting & rhythmic path. This #neodancefloor EP, as the Spanish label defines it, also includes a tripping remix of ‘Scylla’ s from Heap, the man behind Neubau & Discus Throwers. A must for the finest jewelry seekers.

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Barnett & Coloccia

Third Wilderness

12" | 2020 | EU | Original (Cashminus Music)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Barnett & Coloccia is: Alex Barnett who has operated under his own name, as Champange Mirrors as well as part of the group Oakeater; and Faith Coloccia who has released music under her own name, as Mara, in collaboration with Philip Jeck, and as the founder/director of the group Mamiffer. This is their fourth album after two previous full lengths on Blackest Ever Black and one on Sige Records. Third Wilderness marks another engaging continuation of the uncanny, chimerical constructs from Barnett & Coloccia. Their sparse arrangements for restrained rhythm and softened noise often center on an economic use of electronic syncopation. The two weave various loops and interjections from clandestine tape recordings, environmental textures, shortwave radio confessionals, therapeutic visualizations, and Coloccia's own ethereal voice. The compositions push and pull against the fixed, minimalist templates marked by prismatic flashes of decontextualized / disembodied sound, developing as structurally angular rhizomes. Third Wilderness was produced and mixed by the duo with additional mixing/production by Randall Dunn (producer for Candyman OST, Oren Ambarchi, Sunn o))), etc).

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Barney In The Tunnel

Barney Wilen / Alain Jean-Marie

Release: 2020 / EU – Original

Genre: Electronic & Dance

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From the magical mountains of Sydney Barney In The Tunnel (Barney Kato and Tunnel Signs) spew forth an EP of day to dark dancefloor moods over 4 luxurious tracks drawing from the friendship of the party, the synthesizer, the shroom, the drum machine and the science of fiction.

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Montreal Duets

LP | 2020 | US | Original (Anagram Music)

Release: 2020 / US – Original

Genre: Organic Grooves

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Barney Wilen & Tete Montoliu

Grenoble '88 Black Friday Record Store Day 2020 Release

LP | 2020 | EU | Original (Elemental)

12" | 2014 | UK | Original (Hinge Finger)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1000 copies. Elemental Music presents a never-before-heard complete concert which constitutes the only recorded testimony of the reunion of two jazz giants: French tenor and soprano saxophonist Barney Wilen and Spanish pianist Tete Montoliu. All tracks from this concert, which took place in Grenoble, France on February 12, 1988 are previously unreleased and boast excellent sound quality. The group is completed by the Italian bassist Riccardo del Fra (who frequently played and recorded with Chet Baker) and Chicago drummer Aaron Scott (who the year following this Grenoble concert would start a 14-year association and tenure with pianist McCoy Tyner as part of the McCoy Tyner Trio, winning three Grammy Awards and performing worldwide). This release includes specially prepared liner notes as well as never before published photos from the actual performance.

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Barnt

His Name EP

24,99 €*

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Prometal Fan Decor Only Product

Barnt

12" | 2022 | EU | Original (Kompakt)

Live At Maida Vaile Bbc Volume II

Release: 2022 / EU – Original

Genre: Electronic & Dance

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You might know Barnt as one of the people behind the idiosyncratic imprints Magazine and Schalen, through which he released his most of his EPs and the incomparable 2014 debut album, Magazine 13.; or maybe you know the thread of beautiful, unpredictable club hits he’s woven with labels like Cómeme and Hinge Finger.

Despite living in Cologne, and being friends with the label, Barnt has not put out anything on Kompakt yet, apart from an one-off appearance on Pop Ambient 11 over a decade ago. An EP had been in the air for several years, but it took Barnt a bit of time to get into the right state of mind, because he wanted to make sure the music paid tribute to “the ceremonial, emotional, grand sprit” that he connects with Kompakt.

Typical to the producer’s modus operandi, ProMetal Fan Decor Only Product spins out a surprising narrative, catching the listener unawares, while remaining fundamentally Barnt. After the elegiac opener “Fan”, stately in its melancholic, epic flourish, “You Know What’s Gone” stomps into earshot, the pounding thud of the drums pinning clanging patterns to the dancefloor, a Sturm Und Drang symphony, the tones all clashing metals and silvers.

After that, there’s release – the hypnotic psychedelic reels of “This Is For Decor Only” are Barnt gone trance, a sensual glide of a track that pirouettes out an eternity of sizzling hi-hats and strip light melodies. While you might want to be alone when listeniing to “Fan”, you might have the time of your life dancing to “This Is For Decor Only”, played by your favourite DJ at your favourite festival this Summer.

With ProMetal Fan Decor Only Product, wrapped in a sleeve by artist Lukas Heerich, Barnt and Kompakt finally come together, equal parts refined elegance and sweaty fervour.

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Baroness

12" | 2020 | US | Original (ADA)

Take A Backseat / Create The Myth

Release: 2020 / US – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 3500 copies.

Live at Maida Vale BBC - Vol. II is a limited edition RSD exclusive splatter EP that capture's the band's BBC Maida Vale session from September 2019. It contains four live ver

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Baronski & Andy Cooper

7" | 2020 | EU | Original (We Keep Shit Dope)

11,99 €*

Baronski & WOX & Czientist

Release: 2020 / EU – Original

Genre: Hip Hop

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Baronski and Andy Cooper from Ugly Duckling teamed up under the wings of We Keep Shit Dope Records to bring you back that simple recipe:

Beats & Rhymes & Cuts

The story behind this 7 inch is quite simple. Take one of Germanys talented producers on the MPC hook him up with a master of ceremony from Long Beach, shake and whirl everything and get dancefloor banger on side A and some mystic vibes on the flip side.

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Great Minds Connect

10" | 2022 | EU | Original (Dezi-Belle)

Baronski, Wox , Czientist

Release: 2022 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies

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Great Minds Connect

10" | 2022 | DE | Original (Dezi Belle)

19,99 €*

Release: 2022 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (La Vida Es Un Mus)

Barrera

Visiones Nocturnas

Barbara Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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BARRERA follows up the NUEVO SONIDO BALEAR path started by ORDEN MUNDIAL, POU and PENA MAXIMA with a debut release filled to the rim with lust, sex, power and distortion. Their songs are slow and acidic, with a tortured tone that would make GLOOM or BRAINBOMBS cry. The seven songs on "Visiones Nocturnas" are themed around the death of romantic love and are not afraid to look at the darkest side of life with a nihilistic conviction. Musically the record follows the path laid by STICKMEN WITH RAYGUNS or FLIPPER but are firmly rooted in Spanish Punk with DESECHABLES as a clear point of reference, both aesthetically and sonically. Although BARRERA occupy their own space with a sound that is clearly their own nightmare. Recorded and mixed by Chano Morales at Impala Uno Studio, Mallorca. Mastered by Shigenori Kobayashi at Noise Room, Tokyo. Artwork by Barrera.

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Barrie

LP | 2022 | EU | Original (Winspear)

LP | 2022 | EU | Original (Vacancy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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On Barbara, the sophomore album from Brooklyn-based songwriter and producer Barrie, she battles the loss of a parent, the start of a new relationship, and the impulse to separate herself from her music. This result is a beautifully peculiar, and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willingness to let listeners into her world. Two events redefined Barrie Lindsay's life and shaped the direction of Barbara. In the summer of 2019, she met her now-wife, the musician Gabby Smith. Simultaneously, Lindsay's father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and begin work on her album. Three months became nine, thanks to the pandemic. Lindsay wrote Barbara while quarantining with Smith in Maine, while her father was dying, and while she was falling in love. Lindsay finds catharsis from the ambivalent desperation of losing a parent on the album's centerpiece, "Dig." You can hear her newfound boldness as she wails the song's central refrain, giving herself over to emotion: "I can't get enough of you / Where did you come from?" Despite the grief, personal and collective on Lindsay's mind while making Barbara, she often pauses to embrace joy. "Jenny," is a simple, acoustic guitar ode to meeting Smith. Similarly, her fantasy of a romantic but bloodied afternoon, "Quarry," sounds eerie and aqueous, before erupting into a euphoric geyser of synth and drums. "Barbara isn't an album specifically about grief or love. It's just an album where I let myself actually feel my emotions," Lindsay says. "That was something I'd never done before in music." Barbara is out March 25, 2022 via Winspear.

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Barrie-James

Strange Desire

LP | 2022 | EU | Original (Shika Shika)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Barrio Lindo

Espuma De Mar

20,99 €*

LP | 2022 | AR | Original (Shika Shika)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In 2019, whilst touring Japan, Barrio Lindo found himself moving away from the dance floor, instead getting lost in his headphones while listening to music that dismissed genre, oscillating between jazz, chamber orchestras and electronica. As a producer at the forefront of Latin America’s folktronica scene over the last 10 years, Agustín Rivaldo, to give Barrio Lindo his given name, has proven himself more than adept at crafting soundscapes that can transport listeners, full of detail and nuance, but they always had to pander to the club and its duty to keep revellers energised. The epiphany in Japan necessitated a change in direction, to make music that people could get lost in,and which also meant he could revert to his younger self, that guy in his twenties playing guitar with his friends, just for fun. So he booked a studio on the outskirts of Buenos Aires in early 2020 and invited some friends over; the idea was simple, let’s play some music and see where it takes us.
Espuma de Mar is the result, those initial sessions refined over the intervening years, new collaborators brought in where necessary, the production crafted in the same manner as his previous electronic-focused output, but the feel here, the ambience, is completely different. Like the espuma de mar, the sea foam that gives the album its name, this music has a fleeting quality, it arrives, imperfectly, and never stops transforming; it replenishes, it diminishes, it breathes.

The biggest difference between this album and Rivaldo’s previous works is the increased tension, and the sense of space; whereas beats and sequencers, as per their design, propel constant rhythm, here every note has intent, only played if necessary to the composition. This is felt on “Llegada”, a minimal groove soothed by kalimba thumb piano and fidgety synths while layers of trumpet take the lead until a surprisingly sombre piano motif brings the song to a close. The title track has a similar feel, whereby the music sounds improvised, each instrument free to roam, yet each note hits you in the stomach; here, we get an ominous opener, spare notes of trumpet, charango, snare drum and heavily-reverbed piano taking their turn until a rhythm begins to develop, albeit a rhythm that refuses to retain its form, flutes, synths, bass and detached vocals all playing their part as the song refuses to stand still.
Rivaldo has stated that it was the sounds of German-Senegalese group Mark Ernestus' Ndagga Rhythm Force and the UK-based project Hidden Orchestra that had the biggest impact on the album’s sound, and it is certainly possible to see the affect of the latter in the mixture of field recordings and percussive symphonic jazz. For this record, Rivaldo has worked with a small ensemble of Nicolás Lapíne on trumpet, Ignus and drums and Federico Estévez on percussion, as well as invitees such as flautist Mariana Iturri and violinist Alex Musatov. With Rivaldo himself adding guitar, synth, bass and piano, the effect is of a modern chamber orchestra and the drama that can bring. Opening track “Seguí” is a great example with its crashing piano chords and pulsating violin, and there’s no denying the euphoria of a track like “Oasis”, whose woozy trumpets can’t help but recall prime Beirut.
But there’s a reason Rivaldo is thought of so highly within the folktronica scene, and it’s for his attention to detail. No two tracks on the album are the same, it goes from the percussion-heavy “Migrante”, whose breakbeat and jerky synths show a love for hip-hop and 80s funk, to a beguiling track like “Azufre” that has a vaguely-Caribbean cadence until a tenor sax solo from Camila Nebbia takes it into more overtly-jazz territory. Then there’s a track like “Periferia” whose use of close- mic’d percussion makes it feel like the speaker is literally shaking with rhythm, alongside “Tac Tac Tac” that is full of warm, reverberant bass notes, albeit offset by hand claps and the only-discernible vocal on the album. With this in mind, it should be no surprise that Rivaldo is also a luthier, using some of the instruments he’s created on the album; there is a meticulous mind at work. Espuma de Mar is that rare beast, an example of an artist reinventing themselves, yet somehow sounding completely like they’ve always sounded. As Bandcamp once said in a feature on Barrio Lindo, his music is “carefully composed, revealing an underlying sense of wonder and joy”, and this continues on his latest, an album that is destined to provide someone else with an epiphany as they get lost in the music on their headphones, whether that be in Japan or elsewhere.

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Barrio Lindo

Espuma De Mar

Release: 2022 / AR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Original inner sleeve

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LP | 2022 | EU | Original (Mute)

Back To The Cat

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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I Will Set You Free Colored Vinyl Edition

LP | 2022 | UK | Original (Mute)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Know Where To Run Colored Vinyl Edition

LP | 2022 | UK | Original (Mute)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Steal Away Colored Vinyl Edition

12" | 2022 | UK | Original (Mute)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Mute)

Stranger On The Sofa

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Very Best Of - Storybook Revisited

Barry Biggs

LP | 2022 | UK | Original (Burning Sounds)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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You're Welcome / Welcome Rock

Barry Biggs

10" | 2022 | EU | Original (Afrik)

LP | 2020 | EU | Original (Morning Trip)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Barry Bigg, killer roots tune from the 70's with King Tubby's Dub. On the flip, Robbie Lyn previously unreleased keyboard version.

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Barry Cleveland

Stones Of Precious Water

OST Paradise Killer (Original Game Soundtrack) Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The title of guitarist Barry Cleveland’s 1986 album - Stones of Precious Water - conjures images of incandescent gems, harvested from hallowed streams and held aloft to glimmer and catch the light in their many facets. And perhaps this is the truest analogue for the music contained therein. Recorded between 1981 and 1983, in mostly improvised recording sessions, the disparate nature of Stones’ creation is alluded to only by the breadth and variety of sounds it encompasses. Stones of Precious Water is a revelatory collection that maps its way through textural fourthworld ambience, shimmering New Age, gently propulsive kosmiche, and jazzinflected prog. These sounds are sewn together with a deftness of performance and sonic character which reveals them as branches of the same tree, or perhaps more appropriately, a handful of glittering stones. Six of the ten tracks contain contributions from Kat Epple and her late husband Bob Stohl (a.k.a the epoch-defining New Age duo, Emerald Web), adding flute, synthesizers, and bells. Between the years of 1981 and 1983, Cleveland worked with this duo and alone, allowing serendipity to play a significant creative role in their music. Many of the pieces began as improvisations, or simple structures that served as springboards for deeper exploration. Making his first forays into multi-track recording, Cleveland used a basic Teac 4-track cassette recorder, and this rudimentary piece of equipment proved to be a useful tool for compositional exploration. By flipping and reversing the tape, slowing the pitch, and altering and layering different performances, Cleveland stretched the sound of his guitar across the expanse of the tonal canvas. Stones of Precious Water stands as a remarkable document of experimental selfrecording, improvisational collaboration, and restless creative expression. Morning Trip is exceedingly happy to release it on Vinyl LP for the first time.

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Barry "Epoch" Topping

2LP | 2022 | EU | Original (Black Screen)

36,99 €*

OST The Secret Service Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Soundtracks

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Third pressing on translucent blood red vinyl.Black Screen Records and Kaizen Game Works have teamed up to release Barry "Epoch" Topping's vibrant funky synth/vaporwave soundtrack to the open world adventure game Paradise Killer on limited edition vinyl early next year. Barry's incredible soundtrack will be available on 180g blood crystal red vinyl and comes in a beautiful 80s anime & city pop-inspired artwork by Mizucat with additional art and layout by Kaizen Game Works, Barry Topping and Dane Baudoin includes an A2 Crimson Acid poster and a Bandcamp code for the digital album. The sounds of Paradise. The music of a cosmic...

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Barry Gray

LP | 2022 | UK | Original (Silva Screen)

Release: 2022 / UK – Original

Genre: Soundtracks

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LP | 2020 | EU | Original (NoBusiness)

Barry Guy

Irvin's Comet

10" | 2020 | EU | Original (Reggae On Top)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Recorded 29th October, 2019 during „Improdimensija” (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania All music by Barry Guy (prs/ Mcps/ppl) Sound Engineer - Arūnas Zujus Mixed and mastered by Arūnas Zujus at MAMAstudios Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London Design by Oskaras Anosovas

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Barry Issac

Herb Street

16,99 €*

7" | 2022 | UK | Original (Room In The Sky)

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Barry Issac- Herb Street / Chazbo - Herb Melodica / Dave Crispy Horns - Herb Horns / Herb Street Dub

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Barry Issacs & Deemus J

Revolution Deh Yah

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Barry White And The Atlantics

Tracy (All I Have Is You)

7" | 2014 | UK | Original (Outta Sight)

7,99 €*

Release: 2014 / UK – Original

Genre: Organic Grooves

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Barry White And The Atlantics

Tracy (All I Have Is You) / It Hurts Me

7" | 2014 | UK | Reissue (Outta Sight)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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LP | 2022 | EU | Original (Tapete)

Bart Davenport

Episodes

23,79 €* 27,99 € -15%

Release: 2022 / EU – Original

Genre: Pop

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12" | 2014 | EU | Original (Drumcode)

Bart Skils

Shadowprint EP Part 1

15,99 €*

7" | 2022 | UK | Original (Lovemonk)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Bart Skils returns to Drumcode with his third solo release, "Shadowprint". Consisting of Bart's famous rolling drums and bass rhythms he has crafted an EP that is exceptionally functional. With each track Bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting. The EP is made up of 3 peak time tracks that are eloquently put together. "My Part Of Town" is a bit deeper from Bart and contrast's well to the rest of the EP with it's melodic bass line.

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Bart & The Bedazzled

People Person

Farm To Table Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bart & THE Bedazzled: People Person + Carboard MAN (7") Bart & The Bedazzled return with a sensational AA-side 45 with the highlife-vibed-plaintive pop of 'People Person' and the layered 'Cardboard Man', featuring the gorgeous guest vocals of Earth Girl Helen Brown. "World dance pop meets '80s indie" LA's northeast side is home to a dizzying number of independent artists and bands. One of the scene's most distinctive sounds emanates from Bart & The Bedazzled, a collaborative group led by talented songwriter Bart Davenport. After debuting in 2018 with the Blue Motel album Bart reconnects with the stellar musicians that make up the Bedazzled for two exclusive new songs of, what he terms, "world dance pop meets 80s indie". Consisting of Los Angeles' highly respected players, the collective are undoubtedly a "musicians' band" playing for joy, performing for and with other artists that inhabit underground haunts such as Zebulon or Permanent Records Roadhouse. This is their sound! With these new tracks The Bedazzled usher in a new phase, adding a small dose of drum machinery to the mix, resulting in an uplifting, danceable endeavour. On top of this, hand played congas and shakers blend with ultra clean guitars to form a rich context for Bart Davenport's patented, smooth vocal. Newcomer band member and producer Nic Hessler (Catwalk, Captured Tracks) fits these pieces together in seamless mixes. People Person celebrates the collective human experience, while subtly acknowledging that people often are "the worst". It's an upbeat ode to a beautiful world that sadly may never be saved. Meanwhile, the semi-fictional Cardboard Man critiques a society desperate for truth and a way out of dark times only to find omnipresent, puppet-like heroes offering nothing real. Featuring guest singer Heidi Alexander aka Earth Girl Helen Brown her distinctive tone and phrasing add a much needed weirdo energy to a decidedly consonant pop track. It comes as no surprise the group have gravitated towards world-dance-ish sounds. Andrés Renteria is an accomplished crate-digger and DJ, as is bassist Jessica Espeleta. She kicks off People Person with a dubby bass line, setting the stage for Wayne Faler's African highlife inspired guitars. It's still Bart & The Bedazzled, but this time they come with a sound somewhat reminiscent of '80s bands that also incorporated international flavors, such as the post Young Marble Giants project Weekend or French electro-obscuros Antena. Like those bands, Bart & The Bedazzled have a wide range of influences and the artistic intention to make something contemporary with them. Above all, they're a group of friends who enjoy the creative process together. For them the journey is as important as the finished work.

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Bartees Strange

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Farm To Table Yellow Vinyl Edition

Bartees Strange

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Live At Studio 4 Orange Brown & Yellow Vinyl Edition

Bartees Strange

LP | 2022 | EU | Original (Memory Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2014 | UK | Original (City Fly)

Bartellow

Humming Birds EP

LP | 2022 | US | Original (Suxeed Music)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM

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Barton Hartshorn

Manchester Sun

28,49 €* 37,99 € -25%

LP | 2022 | EU | Original (Monotreme)

Release: 2022 / US – Original

Genre: Organic Grooves

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Ever the storyteller, Barton weaves tales of first kisses, of soldiers trying in vain to remember their hometown, of missed opportunities and unreliable childhood memories. He casts Orson Wells as a modern day dictator, perched on high in a carousel, and tells the story of the spray-painted marriage proposal that appeared overnight on a motorway bridge 50 miles from London.

Manchester Sun was recorded in England with Barton playing most of the instruments himself, moving through guitar, bass, drums, percussion and Hammond organ during an intensive week-long session in the peaceful, rural setting of Echo Studios. The album places Barton and his acoustic guitar centerstage, with additional contributions from long time collaborators Vincent Guibert, David Lewis, Melissa Cox and Nicki Ross on Piano, trumpet, violin and vocals.

Manchester Sun will be released worldwide in October 2022, with the first single
“Starter Kiss” and its accompanying stop-motion video appearing in May.

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Barzin

Voyeurs In The Dark

33,99 €*

12" | 2020 | EU | Original (Metroplex)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Four years in making, Voyeurs In the Dark is Toronto artist Barzin's fifth studio album. That the album is more cinematic in its scope and conceptual in feel than his previous studio albums can be attributed to the time he spent over the past several years composing the soundtrack for the independent film, Viewfinder. Voyeurs In the Dark retains that cinematic quality, and at the same time infuses the music with elements taken from Jazz, electronica, rock and pop. Having primarily explored the quiet side pop and folk in his previous four albums, Barzin has expanded his musical palate, broadening his sound towards a more an experimental direction, while still retaining his preoccupation with exploring the internal landscape. The uniformity of sound that characterized the previous albums has been abandoned for the expression of differing aspects of the self that at times hold opposing views and desires. This is best represented in the image chosen for the cover of the album, which depicts three figures in one body. The album seems to be the expression of not one unified self, but the various aspects of the self. Voyeurs In the Dark sees the artist plot a seductive, contemplative route through city haze, shuttling between graceful glimmering interludes, with wonderfully atmospheric songs at every stop. From opener Voyeurs In the Dark's first guitar strums and the fizz of its drum machine, the record envelopes itself in a glorious shadow, as shown in the slow waltz of I Don't Want To Sober Up, dancing around its own swirling guitar chords. On Watching, Barzin plunges himself deeper into a wash of cyclic bass, guitar and synth riffs, as the gloom grooves into light. It's Never Too Late To Lose Your Life has a much more affirming and urgent tone, shade turning into shapes and motion, while To Be Missed In the End builds its own smoke in a cloud of saxophone and sparse guitar notes, closing out a record full to the brim with scatterbrain beauty and eclectic dusk. Voyeurs In the Dark will be released worldwide on Monotreme Records on May 6th on CD and limited edition180 g black vinyl LP with printed inner discobag and digital download card.

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Bas Grossfeldt

Lost In Sensation

7,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Baby U Know Red Vinyl Edition

Bas Jan

LP | 2022 | US | Reissue (Fire)

22,99 €*

2LP | 2022 | EU | Original (Secret City)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Limited edition of 500 on red vinyl reissue with DL card of the agit pop four-piece’s second album, Baby U Know. A heady collision of Raincoats-esque indie and ESG-paced rhythms fed through a kaleidoscopic pagan folk filter. The follow up to their critically acclaimed 2018 debut Yes I Jan, this release is a wordy slice of state-of-the-art social commentary wrapped in a perfectly-balanced soundscape that veers from funky minimalism to baroque dream pop. With a hint of Ari Up styled vocals backed by a harmonious chorus of concern touching on everything from incantations, essential causes and systematic shopping, all underpinned by a raking violin and bewitching electronic hum. Mixed by Capitol K at Total Refreshment Centre, ‘Baby U Know’ is a lyrical miasma examining the collapse of modern Britain from a group who have served time with Jarv Is, Meilyr Jones, The Elysian Quartet, Trash Kit and Rozi Plain among others. Bas Jan is the vehicle for well-established musicians Serafina Steer, Emma Smith, Charlie Stock and percussionist Rachel Horwood.

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Basia Bulat

The Garden

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Intramuros)

Basic & Cabasa

Young Blood

12" | 2022 | EU | Original (R.A.N.D. Muzik)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After the brilliant E-Unity’s Cd-rom-1, Intramuros invite 2 new artists on a perfect split EP for eclectic DJ’s. 4 different vibes & tempos.

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Basic Mind

RM12019

12" | 2020 | EU | Original (Raw Basics)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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R.A.N.D. Muzik Recordings welcomes an old friend to the label, Basic Mind from Perth, Australia - an Artist that has always taught us that groove, feeling and precise production is often more important than maximalism.

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Basic Rhythm & Parris

Raw Basics Volume 1

10,99 €*

12" | 2022 | EU | Original (Hypercolour)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The debut release on Raw Basics is a split single from Basic Rhythm and Parris that reworks tracks from Basic Rhythms first LP, Raw Trax.

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Basic Rhythm

Pepper

Release: 2022 / EU – Original

Genre: Electronic & Dance

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12" | 2022 | UK | Original (Planet Mu)

Basic Rhytm

Cool Down The Dance

23,99 €*

2LP | 2022 | US | Reissue (Milan)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Basic Rhythm returns to his Jungle roots for his final release with Planet Mu. Harking back to the golden era of the mid 90s, but with a contemporary slant, Basic Rhythm hands in three dance floor killers, with a remix from the grim reaper himself, Loxy. The titular track, Cool Down The Dance, opens with a jittery fragmented drum pattern and wooshing stereo effects, lending a slightly disorienting feel to the intro before the well known vocal refrain leads into a monster amen drop. Deep subs, amen breaks and steely stabs roll out this dance floor banger. This is followed up with an absolute behemoth of a track. Horse Mout' utilises an infamous vocal sample in a fresh way, building upon the intro with waves of dubwise effects before launching into a devastating onslaught. The third track is a remix of Cool Down The Dance by Loxy, bringing his inimitable cool production style to the fore, stripping away the amen layers to reveal something for the darker corners of the dance. One for the head noders and the eyes down crew. The final track, Satta, is a nod to the dub of Augustus Pablo, King Tubby, and On U Sound. A slow boiling minimal intro that drops into the extreme minimalism of just a kick drum and sub bass line belies the swagger of the eventual drop. Swinging drums in an almost military pattern tumble and stagger around the core line of kick drum and sub bass, lending this an almost drunken air.

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Basil Poledouris

OST Robocop

59,99 €*

Back To The Deep Water (Sharkive: 1981-1987)

Release: 2022 / US – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear with black & white splatter.

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Basking Sharks

LP | 2020 | EU | Original (Mental Experience)

12" | 2020 | UK | Original (The Trilogy Tapes)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Basking Sharks are one of the unsung heroes of the original minimal / synth-pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home-made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played “live” without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performance. Their music merged electronic pop with European influences and experimentation. During their existence, they toured extensively throughout the UK, did a session with John Peel and produced a single, an EP and an LP plus numerous videos, and live recordings. Here’s their first ever vinyl retrospective, including a selection of tracks from their sought-after album, “Shark Island” - originally released in 1983 – the complete “Diamond Age” / “Thrill Of The Game” singles plus fantastic previously unreleased recordings. Master tape sound and insert with detailed liner notes & rare photos. File under: electro-pulp-mega-pop-fizz-bang-boom-flip-crash

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Bass Clef

Celescalating

14,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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12" | 2014 | UK | Original (Schmorgasbord)

Bass Clef Vs Frak

Bad Trip / Strange Gait

6,99 €*

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2014 | US | Original (Innovative Leisure)

Bass Drum Of Death

Rip This

19,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Rawax)

Bassa Clan

River Of No Return

10,99 €*

Moon Shadow / Moon Light (10th Anniversary Mixes)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Rawax proudly welcomes Fabrizio Maurizi & Dino Angioletti aka Bassa Clan to the Family! Finally we can present you the teaser of this great debut for us!

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Bassfort

12" | 2022 | EU | Original (Local Talk)

20,99 €*

Unlimited Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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From the very beginning in 2011 the concept was simple and crystal clear. Mad Mats & Tooli's new label Local Talk had two main focus points. First, the actual music was to be inspired around those magical 4/4 house rhythms...and beyond. Second, the logo! The idea was that a simple and direct visual point together with a strong dance Music message would make the label stand out among other labels in their northern neck of the woods. In Scandinavia, the main theme is electronic 4/4 rhythms (techno, tech-house etc) and with Local Talk being more inspired by black dance music this has made them the black sheep in the hometown of Stockholm.

To set the musical direction straight from the very start they released Bassfort's 'Moon Shadow' which got instant attraction from both house heads and the more open-minded clubbing community. With its warm, melodic chords, infectious piano theme and big strings it's always been the label's fave jam from their now +150(ish) releases. When they decided to choose a track that would define the label for their 10-year anniversary, the choice was simple.

Mats & Tooli thought long and hard about who they wanted to interpret 'Moon Shadow' and after months of discussing options they decided that the only one they could trust to give the track a quality boost was NYC legend Joe Claussell. Back in the late 90's, Mats used to book Joe for his legendary Raw Fusion parties in Stockholm so the connection and mutual respect were already in place. The result is a +11 minute long musical house journey that builds and builds until those characteristic piano chords make an entrance and transform the dynamics into a rainbow of sounds. Epic is not a word big enough to explain this grand musical production !

But the goodness does not end there, we're only halfway in on this anniversary release. The blood brothers Javi & Luis aka Kyodai (and 2/3 of Bassfort) made their own mix on the B side track from the original release, Moonlight. As schooled jazz musicians they diverted from the electronic soundscape and went for a live jazz-funk production. The final product is a warm and musical version with live drums, bass, piano, strings and even vocals from the brothers themselves. The track almost comes across as something 4 Hero would put out back in the day.

All we can say, enjoy the dance!

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Bassnectar

2LP | 2020 | US | Original (Amorphous)

35,99 €*

Basso Valdambrini Quintet

Release: 2020 / US – Original

Genre: Electronic & Dance

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Released in 2016 on double splatter color vinyl (one is yellow and the other is light blue), this 15-song album is full of dubstep, EDM, & larger than life electronic beats. Includes "paracosm" with THE Glitch MOB. Stock due in 1-2 weeks.

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Fonit H602 - H603

2LP+CD | 2014 | EU | Original (Rearward)

35,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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Basso Valdambrini Quintet

Fonit H602 - H603 (With Slightly Damaged Cover)

2LP+CD | 2014 | EU | Original (Rearward)

Dove Sono Finiti Tutti? Red Vinyl Edtion

Release: 2014 / EU – Original

Genre: Organic Grooves

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Unfortunaley the last batch of these arrived with ceased corners and therefore we sell it a bit cheaper.

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Bastard Sons Of Dioniso

LP | 2022 | EU | Original (Fiaba Music)

23,24 €* 30,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Eastwood Music Group)

Corners

Release: 2022 / US – Original

Genre: Organic Grooves

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Due in stock next week. The sophomore album from the Texas soul/r&b band. Unfortunately the last featuring frontman Chadwick Murray who passed away near the end of 2021. 9 tracks harking back to the sounds of Memphis and the album is described as more ambitious than their debut "spinnin'". Don't miss it.

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If These Walls Could Talk

7" | 2020 | US | Original (Eastwood Music Group)

Release: 2020 / US – Original

Genre: Organic Grooves

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"IF These Walls Could Talk" is the second single of deep soul from the Dallas crew. Produced by Josh Block (leon Bridges' fame) and taken from their debut album "spinnin'". The previously unreleased funk instrumental "bbq IN Paris" is on the flipside. Big dinked hole 45rpm

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LP | 2020 | US | Original (Eastwood Music Group)

Spinnin'

Release: 2020 / US – Original

Genre: Organic Grooves

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The debut full length from the East Dallas classic R&B disciples. Recorded at Niles City Sound in Fort Worth in the spring of 2019 with JOSH BLOCK (of LEON BRIDGES' fame) engineering and producing. The album resonates with the pulse of the southern R&B of the past and creates a joyous vibe with original soul joints rooted in a vintage sound. Fans of their 7" single will not be disappointed with the 10 original soul joints included here.

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The Way It Should Be Red Vinyl Edition

7" | 2020 | US | Original (Eastwood Music Group)