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HHV Records 20124 Vinyl, CD & Tape 19360 Used Vinyl 2890 Merchandise 398 DJ Equipment 198 Print & Design 168
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Between The Buried And Me - The Parallax II: Future Sequence
Between The Buried And Me
The Parallax II: Future Sequence
2LP | 2021 | EU | Reissue (Metal Blade)
44,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Blue, white vinyl version!
Bev Lee Harling - Little Anchor
Bev Lee Harling
Little Anchor
LP | 2021 | Original (Wah Wah 45s)
24,99 €*
Release: 2021 / Original
Genre: Organic Grooves
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Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.

Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn.

The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.

Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy.

Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…

"Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin."

The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.
Beverly Glenn-Copeland - At Last!
Beverly Glenn-Copeland
At Last!
12" | 2021 | Reissue (Atlast Records)
18,99 €*
Release: 2021 / Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Mint, Cover: Sealed
Beverly Glenn-Copeland - At Last! Record Store Day 2021 Edition
Beverly Glenn-Copeland
At Last! Record Store Day 2021 Edition
12" | 2021 (Transgressive)
18,19 €* 25,99 € -30%
Release: 2021
Genre: Rock & Indie
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Record Store Day 2021 Release.
Beverly Glenn-Copeland - Keyboard Fantasies
Beverly Glenn-Copeland
Keyboard Fantasies
LP | 2021 | UK | Original (Transgressive)
27,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Beverly Glenn-Copeland - Keyboard Fantasies Reimagined
Beverly Glenn-Copeland
Keyboard Fantasies Reimagined
LP | 2021 | Original (Transgressive)
25,99 €*
Release: 2021 / Original
Genre: Rock & Indie
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Keyboard Fantasies Reimagined is a collection of songs from the now legendary album, Keyboard Fantasies, re-worked and re-imagined by a collection of creative kindred spirits. Shared so far from this collection is “Ever New (Kelsey Lu’s Transportation)” and Sunset Village (Blood Orange Remix) with more to come.
Bewwip - Eigengrau EP
Bewwip
Eigengrau EP
12" | 2021 | EU | Original (Analogical Force)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Braindance Alert. Welcome back 4rd. Instant classic.
Beyond Grace - Our Kingdom Undone
Beyond Grace
Our Kingdom Undone
LP | 2021 | EU | Original (Prosthetic)
17,04 €* 30,99 € -45%
Release: 2021 / EU – Original
Genre: Rock & Indie
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Following their critically well received debut album, Seekers, in 2017 - Our Kingdom Undone sees Beyond Grace refining and redefining their sound into something that’s simultaneously more intricate and more intense than ever before, combining conceptually ambitious songwriting and high octane heaviness in equal measure.
Beyond - No Longer At Ease Green Vinyl Edition
Beyond
No Longer At Ease Green Vinyl Edition
LP | 2021 | US | Original (Revelation)
24,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Beyond, though short-lived in the Nyhc scene (1988–1989), made an impact with their personal brand of Long Island metal-tinged hardcore with intricate riffage and members going on to other influential hardcore bands on both coasts. No Longer At Ease was originally released in 1989 by Combined Effort Records and later reissued in 1997 on CD by Some Records. This 2016 Revelation Records reissue of their fulllength LP No Longer At Ease
Bhed - Somni EP
Bhed
Somni EP
12" | 2021 | EU | Original (Row)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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With this new release Row Records goes deep and dubby with Bhed for a trippy summer. Including a stunning remix by Melbourne's bass-pioneer Pugilist!
Bhed - Somni EP
Bhed
Somni EP
12" | 2021 | EU | Original (Row)
9,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
tiny wear
Bhi Bhiman - Peace Of Mind
Bhi Bhiman
Peace Of Mind
LP | 2019 | US | Original (Boocoo Music)
13,19 €* 23,99 € -45%
Release: 2019 / US – Original
Genre: Rock & Indie
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Bibi Ahmed - Adghah
Bibi Ahmed
Adghah
LP | 2019 | EU | Original (Sounds Of Subterrania)
23,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Bibi Ahmed, Kopf und Bandleader von Group Inerane, stammt aus Agadez (Niger), eine der unbändigsten, unbeständigsten und gefährlichsten Gegenden dieser Erde. Früh wurde Bibi mit der Unterdrückung und Ausgrenzung der Tuareg durch die nationalen Regierungen von Mali und Niger konfrontiert. Ebenso früh erwachte seine Liebe zur Musik. Als Kind brachte sich Bibi Ahmed das Gitarre spielen selbst bei, bevor er seine Ausbildung von dem großen Meister und Vater des Tuareg-Blues, Abdallah Ag Oumbadougou, erhielt. Geprägt durch die Erlebnisse in den lybischen Flüchlingscamps während des Tuareg Aufstandes, verlieh Bibi Ahmed, während viele andere Künstler das Land in Richtung Amerika und Europa verließen, mit seiner Band Group Inerane der Rebellion eine eigene, musikalische Stimme und öffnete gleichzeitig die reiche Tradition der Tamachek-Gitarrensänge einer neue Generation Zuhörern. In Zusammenarbeit mit Sounds of Subterrania und den Lotte Lindenberg Studio entstand Februar 2019 sein erstes Soloalbum, bei welchem er alle Instrumente selbst einspielte. Diese Reduktion eröffnen einen völlig neuen Blick auf diesen sehr spezielle Mix aus Tuareg Blues, elektrifizierte Tamachek Folk und Psychedelic Sahara-Rock. Man spürt förmlich das Flirren der Hitze und begibt man sich auf den Pfad des Hörens , verschwimmen die Unterschiede zwischen spirituellen Trance und hypnotischem Psychedelic-Blues. Für Fans von Mdou Moctar, Tinawiren, Imarhan LP mit DLC in wertiger Aufmachung, CD als Digipack. Bibi Ahmed, head and bandleader of Group Inerane, is from Agadez, Niger, which is one of the most volatile, unbridled and dangerous parts of the world. Bibi was soon confronted with the oppression and marginalization of the Tuareg by the national governments of Mali and Niger. Just as early awakened his love for music. As a child, Bibi Ahmed taught himself to play the guitar before receiving his education from the great master and father of the Tuareg blues, Abdallah ag Oumbadougou. Marked by the experiences in the Libyan refugee camps during the Tuareg uprising, Bibi Ahmed and his band Group Inerane gave the rebellion its own musical voice, while at the same time making the rich tradition of Tamachek guitar singing accessible to a new generation of listeners. In February 2019 and in collaboration with Sounds of Subterrania and Lotte Lindenberg Studio, Bibi recorded his first solo album on which he played all of the instruments himself. This reduction opened up a whole new view on this quite extraordinary mix of Tuareg blues, electrified Tamachek folk and psychedelic Sahara rock. The listener literally feels the shimmer of the heat and, once one embarks on the path of listening, the differences between spiritual trance and hypnotic psychedelic blues become indistinct. For fans of Mdou Moctar, Tinawiren, Imarhan Vinyl in hi-end sleeve with dlc, CD as digipack!
Bibio - Vidiconia
Bibio
Vidiconia
12" | 2021 | UK | Reissue (Warp)
15,99 €*
Release: 2021 / UK – Reissue
Genre: Electronic & Dance
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Brand new EP from Bibio featuring four beautiful haunting ambient pieces, reminiscent of his acclaimed Phantom Brickworks album.
Bicep / Ejeca / Omar Odyssey - You / Don't EP
Bicep / Ejeca / Omar Odyssey
You / Don't EP
12" | 2012 | UK | Original (Aus Music)
22,99 €*
Release: 2012 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Bicep - Isles
Bicep
Isles
3LP | 2021 | EU | Original (Ninja Tune)
39,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Mint, Cover: VG+
Still sealed, but cover has light ring wear.
Bicep - Isles
Bicep
Isles
3LP | 2021 | EU | Original (Ninja Tune)
46,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Orange vinyl. Still sealed with hype sticker. Tiny corner wear.
Bicep - Isles
Bicep
Isles
2LP | 2021 | UK | Original (Ninja Tune)
27,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Bicep - Isles Black Vinyl Edition
Bicep
Isles Black Vinyl Edition
2LP | 2021 | UK | Original (Ninja Tune)
28,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Bicep have become synonymous with a particularly emotive brand of electronic dance music down the years, and on the Belfast-born, London-based duo’s new LP Isles we find that sound in good nick once more. The album’s shimmering synths and buoyant beats transport you to the last dance of the night, or perhaps to the sun setting over a festival skyline, even as you enjoy them through headphones or hi-fi speakers.

Isles finds Bicep incorporating influences which range from old-school rave tunes to the tender, R&B-indebted sounds of post-dubstep. A single like ‘Apricots’ is an expert demonstration of how Bicep’s style is in dialogue with so many important eras of dance music’s history yet also remains distinctly their own. ‘Apricots’ features shuffling broken-beat drums which push the tune forward, the gently insistent groove providing a base from which the synths and vocal loops can build. It makes for hugely stirring listening, particularly when the ever-climbing synths reach their apex at the track’s climax. Other entries here may deliver some harder timbres - there are electro and trance influences lurking towards the back-end of Isles - but Bicep still find the emotional sweet-spot time and again across the course of the album.

With the Isles LP, Bicep have delivered some of their most moving electronic dance music productions to date.
Biesmans - Trains, Planes & Automobiles Black & Yellow Vinyl Edition
Biesmans
Trains, Planes & Automobiles Black & Yellow Vinyl Edition
2LP | 2021 | EU | Original (Watergate)
24,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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What began as a challenge to fight creative stagnation, soon grew into a fully-fledged audio-visual project for Belgian DJ, producer and live artist, Biesmans. Setting himself the goal of making three tracks per week for a month, he re-scored ‘80s pop culture moments – including films, TV shows and games, resulting in a brilliant 12-track work encompassing new wave, indie, dark wave, electro and disco. Moving his modular-heavy studio to Berlin in 2014, the ensuring years saw Joris Biesmans drop heat on Correspondent, Disco Halal, Aeon, 17 Steps and Future Disco. He’s been a core member of Watergate family since his arrival in the capital, working as the club’s sound technician. He made his debut on Watergate Records in 2020 with the well-received ‘Electric Love’ EP. The ‘Planes, Trains & Automobiles’ album took shape in April last year as the lockdown was starting to take grip and Biesmans needed a positive distraction. Ensconced in the music of his childhood and ‘80s pop cultural fodder, he locked himself in his studio and set about creating, later digging through archival footage to match the music. Biesmans, who previously undertook work scoring films, was so absorbed by the process, he’d sometimes do it in reverse; allowing the vintage media be the guide. Throughout the period, the clips were shared each Monday, Wednesday and Friday on his Instagram, building up a firm following from fans, friends and colleagues. And thus, the project found its wings, developing into an album.
Bifannah - Danªas Liquidas
Bifannah
Danªas Liquidas
LP | 2019 | EU (The John Colby Sect)
18,74 €* 24,99 € -25%
Release: 2019 / EU
Genre: Rock & Indie
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Biffy Clyro - Blackened Sky
Biffy Clyro
Blackened Sky
LP+LP+All Media | 2012 | EU | Reissue (Beggars Banquet)
30,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Purple vinyl.
Biffy Clyro - Blackened Sky
Biffy Clyro
Blackened Sky
LP+LP+All Media | 2012 | EU | Reissue (Beggars Banquet)
29,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Biffy Clyro - Errors In The History Of God / Unknown Male 01
Biffy Clyro
Errors In The History Of God / Unknown Male 01
10" | 2021 | EU | Original (Warner Music International)
16,19 €* 17,99 € -10%
Release: 2021 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Reissue (Warner)
40,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Original (Warner)
40,99 €*
Release: 2012 / EU – Original
Genre: Rock & Indie
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Biffy Clyro - Opposites
Biffy Clyro
Opposites
2LP | 2012 | EU | Reissue (Warner)
39,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Biffy Clyro - The Vertigo Of Bliss: Expanded Edition
Biffy Clyro
The Vertigo Of Bliss: Expanded Edition
2LP | 2012 | UK | Original (Beggars Banquet)
33,99 €*
Release: 2012 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
2LP reissue on orange vinyl in gatefold sleeve.
Big Band Katowice - Music For My Friends
Big Band Katowice
Music For My Friends
LP | 2019 | EU | Reissue (Polskie Nagrania)
26,99 €*
Release: 2019 / EU – Reissue
Genre: Organic Grooves
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Big Bite - Trinity
Big Bite
Trinity
LP | 2019 | EU | Original (Pop Wig)
26,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Big Boss Man - Full English Beat Breakfast White Vinyl Edition
Big Boss Man
Full English Beat Breakfast White Vinyl Edition
LP | 2019 | EU | Original (Blow Up)
24,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Big Brother And The Holding Company - Live At The Carousel Ballroom
Big Brother And The Holding Company
Live At The Carousel Ballroom
2LP | 2012 | Reissue (Music On Vinyl)
33,99 €*
Release: 2012 / Reissue
Genre: Rock & Indie
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Big D And The Kids Table - Do Your Art
Big D And The Kids Table
Do Your Art
LP | 2021 | US | Original (Side One Dummy)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"
Big Daddy Kane - Half Steppin' T-Shirt
Big Daddy Kane
Half Steppin' T-Shirt
19,99 €*
Available Sizes: S, M, XL, 2XL
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The Big Daddy Kane Half Steppin' Tee is equipped with the following features:
• rib crew neck with interior tape
• Half Steppin' artwork printed on front
• regular fit
• 100% cotton single jersey
Big Daddy Kane - Ropes T-Shirt
Big Daddy Kane
Ropes T-Shirt
19,99 €*
Available Sizes: S, M, L, XL, 2XL
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The Big Daddy Kane Ropes Tee is equipped with the following features:
• rib crew neck with interior tape
• Ropes artwork printed on front
• regular fit
• 100% cotton single jersey
Big Ever - Otto
Big Ever
Otto
12" | 2021 | US | Original (Incienso)
19,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Big Ghost Ltd. - The Black Album Revisited
Big Ghost Ltd.
The Black Album Revisited
LP | 2019 | EU | Original (De Rap Winkel)
33,99 €*
Release: 2019 / EU – Original
Genre: Hip Hop
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Big K.R.I.T. - K.R.I.T. Iz Here
Big K.R.I.T.
K.R.I.T. Iz Here
LP | 2019 | EU | Original (BMG)
36,99 €*
Release: 2019 / EU – Original
Genre: Hip Hop
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Big K.R.I.T. - K.R.I.T. Iz Here
Big K.R.I.T.
K.R.I.T. Iz Here
LP+LP+All Media | 2019 | US | Original (Multi Alumni Studios)
24,99 €*
Release: 2019 / US – Original
Genre: Hip Hop
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Used Vinyl
Medium: Sealed, Cover: VG
Cover with seam split all along the spine
Big K.R.I.T. - Style Not Quite Free
Big K.R.I.T.
Style Not Quite Free
2LP | 2021 | US | Reissue (BMG Rights Management)
37,99 €*
Release: 2021 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.
Big Nothing - Chris
Big Nothing
Chris
LP | 2019 | US | Original (Salinas)
17,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Big Paul Ferguson - Virtual Control Red Vinyl Edition
Big Paul Ferguson
Virtual Control Red Vinyl Edition
LP | 2021 | US | Original (Cleopatra)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last?
Big Red Machine
How Long Do You Think It´S Gonna Last?
Tape | 2021 | US | Original (Jagjaguwar)
16,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Black Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Black Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Red Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Red Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (G.O.O.D. Music)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (Def Jam)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Shug - The Diamond Report
Big Shug
The Diamond Report
CD | 2019 | US | Original (Brick)
17,99 €*
Release: 2019 / US – Original
Genre: Hip Hop
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After the release of debut record Gris-Gris, Dr. John found himself in a strange and awkward position. The US was deep into the Vietnam War, and the assassinations of Martin Luther King Jr. and Bobby Kennedy were fresh in the public memory. On top of that, Dr. John was being pursued by various Los Angeles authorities for a handful of criminal offenses. It was, in his own words: "a heavy time for me." Much like Sly & The Family Stone's There's A Riot Goin' On, Dr. John's follow-up album Babylon would be a reflection of the chaotic and tumultuous time that he was living in. He and band dove deeper into the voodoo-inflected psychedelic rock and R&B of Gris-Gris, while touching upon elements of free jazz and Captain Beefheart-style avant garde. As with his debut record, production was handled by the legendary Harold Battiste, and much of the same session personnel who performed on it returned for Babylon, including Plas Johnson on saxophone, Alvin Robinson on guitar, and backing vocals from Jessie Hill, Shirley Goodman, and Tami Lynn. Babylon stands out as one of Dr. John's most overtly political albums, and is a singularly murky and darkly entrancing record in his discography. A psychedelic swamp of apocalyptic lyrical content, drunk, disorienting experimentation, and a fascinating entry into Dr. John's catalogue well-worthy of his expansive legacy. Get On Down is all too eager to reissue this unique record for Record Store Day Black Friday, which has not been repressed on vinyl in over 40 years. In keeping with the album's hallucinogenic sound, it is presented on trippy splattercolored vinyl, and housed in a deluxe gatefold jacket.Shuggie Diamonds is my ‘singing’ and ‘more soulful’ alter ego, so the title The Diamond Report is based off that. The nickname was given to me by my brother, the late, great Guru. My music is also a form of me dropping jewels; I have always been a diamond in the rough.” - Big Shug on his new album, The Diamond Report Boston rap stalwart Big Shug blends equal parts raw soul and grimy street rap on The Diamond Report, an album that’s bursting with life and character from an emcee who exudes longevity. With decades in the game, the Gang Starr Foundation co-founder continues to sound hungry and passionate with his art, and it’s led to one of his strongest album showings yet. After delivering smooth vocals on the opening track, Shug hits your ear like a freight train on the bombastic “EMF” that’s produced by longtime collaborator DJ Premier. A lyrical middle-finger to “every motherf*cker” who’s ever doubted or crossed him, the single also received the video treatment from director Myster DL. It puts the focus directly on Shug and his rhymes, and it actually sets the tone for the remainder of The Diamond Report. At 20 tracks deep, the album plays like a highlight reel of all of Shug’s artistic strengths. On “Doing My Sh*t,” he kicks back and oozes confidence as he croons over the Thir(13)teen-produced instrumental. And then on the Lil Fame-produced “Keep It Cool,” he’s back in bruiser mode alongside M-Dot, B.A.M and International Dreez. Shug also embodies the wise hip-hop sage on several cuts, including standouts “Old Man Rapper” and closer “You Ain’t About It.” But it’s on the lyrically charged “Stay The Course” that everything hits hardest. With Elevated Music’s snarling beat as his canvas, Shug takes aim at Trump, big ups Colin Kaepernick, and spits rewind-worthy bars like: “I still hustle, that’s how I was raised/ When I started out they said rap was a phase/ 20 years later, I still get paid/ While some of y’all clowns, still get played.” It’s a powerful reminder of exactly who Shug is, where he comes from, why he’s still here, and why everyone needs to be paying attention. To paraphrase the man himself, it may be 20 years later, but Shug’s pen is as sharp and necessary as ever.
Big Strick Featuring Generation Next - Alpha & Omega / Origin / Bloodline
Big Strick Featuring Generation Next
Alpha & Omega / Origin / Bloodline
12" | 2012 | US | Original (7 Days Ent.)
8,54 €* 8,99 € -5%
Release: 2012 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Big Thief - Two Hands
Big Thief
Two Hands
LP | 2019 | EU | Original (4AD)
26,59 €* 27,99 € -5%
Release: 2019 / EU – Original
Genre: Rock & Indie
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Big Thief - Two Hands
Big Thief
Two Hands
LP | 2019 | EU | Reissue (4AD)
26,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker. 2022 reissue.
Big Thief - U.F.O.F. Black Vinyl Edition
Big Thief
U.F.O.F. Black Vinyl Edition
LP | 2019 | UK | Original (4AD)
27,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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Big Turks - Big Turks Redux
Big Turks
Big Turks Redux
CD | 2021 | US | Original (Air Vinyl)
17,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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BIG Turks is Rome Streets, Jamal Gasol, Lord Juco, Ro Data, Jordan Commandeur, and Jonny Botsch. The group's self-titled concept album dropped almost exactly a year ago and was praised as Album of the Year by many. "big Turks Redux" collects remixes that were exclusive to the CD release of "big Turks" and the "Director's Cut" vinyl, as well as new remixes by Mr. Green, Hobgoblin, Observe Since 98, and MichaelAngelo. To reinforce the Turkish theme, the group invited Turk producer Smek to remix "Leave It To The Turks," while Oberseve Since 98 and Halal Cool J (aka Don Leisure) both used Turkish samples for their respective remixes.
Big Twins - Hood Stories
Big Twins
Hood Stories
CD | 2021 | EU | Original (Tuff Kong)
19,99 €*
Release: 2021 / EU – Original
Genre: Hip Hop
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Infamous Mobb representative Big Twins, one of the most representatives names from the streets of Queensbridge is back with his brand new album "Hood Stories". Gritty and grimy street rap as his trademark, he delivers 8 new joints featuring productions by Cuns and EL Rojo and guest appearances by Beanz and Blaq Poet.
Big Twins - Hood Stories Brown Vinyl Edition
Big Twins
Hood Stories Brown Vinyl Edition
LP | 2021 | EU | Original (Tuff Kong)
30,59 €* 33,99 € -10%
Release: 2021 / EU – Original
Genre: Hip Hop
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Big Yawn - No! Remixes
Big Yawn
No! Remixes
12" | 2021 | UK | Original (Research)
12,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2CD | 2021 | EU | Original (Inzec)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2LP | 2021 | EU | Original (Inzec)
30,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigfire - Deathcotheque The Album
Bigfire
Deathcotheque The Album
12" | 2021 | JP | Original (Bigfire)
11,99 €*
Release: 2021 / JP – Original
Genre: Electronic & Dance
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Bigger Better Sun - Adjust To Wellness
Bigger Better Sun
Adjust To Wellness
LP | 2021 | UK | Original (Counter)
16,89 €* 25,99 € -35%
Release: 2021 / UK – Original
Genre: Rock & Indie
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Bike Age - Steps I Take - Images I Fake
Bike Age
Steps I Take - Images I Fake
LP | 2019 | DE | Original (Twisted Chords)
16,99 €*
Release: 2019 / DE – Original
Genre: Rock & Indie
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Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain Productions)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM.
Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash
Bilderbuch - Mea Culpa
Bilderbuch
Mea Culpa
LP | 2019 | EU | Original (Maschin)
30,99 €*
Release: 2019 / EU – Original
Genre: Pop
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Bilderbuch - Vernissage My Heart
Bilderbuch
Vernissage My Heart
LP | 2019 | EU | Original (Maschin)
30,99 €*
Release: 2019 / EU – Original
Genre: Pop
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Bilk - Chipped Out
Bilk
Chipped Out
7" | 2019 (Family Spree)
9,99 €*
Release: 2019
Genre: Rock & Indie
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Bill Brown And The Soul Injection - Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
LP | 2021 | JP | Original (P-Vine)
31,99 €*
Release: 2021 / JP – Original
Genre: Organic Grooves
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Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2LP | 2021 | US | Original (Drag City)
42,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2Tape | 2021 | US | Original (Drag City)
21,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan - Shepherd In A Sheepskin Vest
Bill Callahan
Shepherd In A Sheepskin Vest
2LP | 2019 | US | Original (Drag City)
40,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Bill Evans - Autumn Leaves - In Concert
Bill Evans
Autumn Leaves - In Concert
LP | 2019 | EU | Reissue (Vinyl Passion)
17,99 €*
Release: 2019 / EU – Reissue
Genre: Organic Grooves
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Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 2012 | UK | Original (Pure Pleasure)
37,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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Bill Evans, W. Haffner, E. Mbappé & WDR Big Band - The East End
Bill Evans, W. Haffner, E. Mbappé & WDR Big Band
The East End
2LP | 2019 | EU | Original (Jazzline)
15,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Bill Fox - Shelter From The Smoke
Bill Fox
Shelter From The Smoke
2LP | 2021 | US | Original (Scat)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.
Bill Fox - Transit Byzantium
Bill Fox
Transit Byzantium
2LP | 2021 | US | Original (Scat)
29,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.
Bill Gage & Cheater Slicks - Piano Tunnels
Bill Gage & Cheater Slicks
Piano Tunnels
LP | 2021 | US | Original (In The Red)
24,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.
Bill Laurance Of Snarky Puppy - Cables
Bill Laurance Of Snarky Puppy
Cables
LP | 2019 | EU | Original (Flint Music)
25,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Bill Mackay And Nathan Bowles - Keys
Bill Mackay And Nathan Bowles
Keys
LP | 2021 | US | Original (Drag City)
19,19 €* 31,99 € -40%
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Stone - Stone
Bill Stone
Stone
LP | 2021 | US | Original (Drag City)
34,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Thompson - Black Earth Tongue
Bill Thompson
Black Earth Tongue
Tape | 2021 | EU | Original (The Tapeworm)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.
Although trained as a guitarist, Thompson has worked primarily with live electronics for 20 years. In 2016, he returned to guitar (by Moog) combined with miscellaneous tabletop devices, found objects, flashing lights and the occasional vibrator.
His work has been released on Ash International, Burning Harpsichord Records, Mikroton Records, State Sanctioned Records, and/Oar, Autumn Leaves, Phonography and several compilations. Notable recent performances and installations include the Venice Biennal (2020/21), Pauline Oliveros Tribute (Café Oto 2018), Intraspect Concert 2018, Edinburgh Fringe (2016-2018), Nawr 2017, Sonic Atlas 2017, Organ Reframed 2016 (Installation), What Remains Festival 2016, Sound Festival 2016.
"Black Earth Tongue" is based on material composed when working on the project Mushroom! with the contemporary dance group In the Making for the Edinburgh Fringe Festival 2016. Track titles are taken from (mis)translations of Japanese or Latin names for various fungi.
Billain - Total Darkness / Fiber Twist
Billain
Total Darkness / Fiber Twist
12" | 2012 | UK | Original (Rise Audio)
11,99 €*
Release: 2012 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Label cover. Writing on label sticker.
Billie Eilish - Hands Face T-Shirt
Billie Eilish
Hands Face T-Shirt
17,99 €* 19,99 € -10%
Available Sizes: S, M, 2XL
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The Billie Eilish Hands Face Tee is equipped with the following features:
• rib crew neck with interior tape
• Hands Face artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
29,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
CD | 2021 | EU | Original (Darkroom / Interscope)
17,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
24,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Records with just a few paper scuffs are close to VG+.
Includes original inner sleeves.
Billie Eilish - Press Photo T-Shirt
Billie Eilish
Press Photo T-Shirt
14,99 €* 19,99 € -25%
Available Sizes: M, L, XL, 2XL
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The Billie Eilish Press Photo Tee is equipped with the following features:
• rib crew neck with interior tape
• Press Photo artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Eilish - When We All Fall Asleep, Where Do We Go?
Billie Eilish
When We All Fall Asleep, Where Do We Go?
LP | 2019 | CZ | Original (Interscope)
28,99 €*
Release: 2019 / CZ – Original
Genre: Rock & Indie
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Billie Holiday - All Or Nothing At All 45rpm, 200g Vinyl Edition
Billie Holiday
All Or Nothing At All 45rpm, 200g Vinyl Edition
2LP | 2012 | US | Original (Analogue Productions)
69,99 €*
Release: 2012 / US – Original
Genre: Organic Grooves
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Billie Marten - Flora Fauna
Billie Marten
Flora Fauna
LP | 2021 | EU | Original (Caroline)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billion Ft. Code:breaker & Sense MC - Defence
Billion Ft. Code:breaker & Sense MC
Defence
12" | 2012 | Original (Alignment)
7,99 €*
Release: 2012 / Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Generic label cover
Billy Bragg - A Million Things That Never Happened Black Vinyl Edition
Billy Bragg
A Million Things That Never Happened Black Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
24,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - A Million Things That Never Happened Blue Vinyl Edition
Billy Bragg
A Million Things That Never Happened Blue Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
26,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - Best Of Billy Bragg At The BBC 1983-2019
Billy Bragg
Best Of Billy Bragg At The BBC 1983-2019
2CD | 2019 | UK | Original (Cooking Vinyl)
14,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Billy Bragg - The Million Things That Never Happened
Billy Bragg
The Million Things That Never Happened
LP | 2021 | UK | Original (Cooking Vinyl)
18,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Billy Bragg & Wilco - Mermaid Avenue (The Complete Sessions)
Billy Bragg & Wilco
Mermaid Avenue (The Complete Sessions)
| 2012 | EU | Reissue (Nonesuch)
74,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Billy Childish - Punk Rock Ist Nicht Tot
Billy Childish
Punk Rock Ist Nicht Tot
3LP | 2019 | EU | Original (Damaged Goods)
34,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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