All Items 13118 Items

12" | 2021 | EU | Original (Room In The Sky)

Dinner Time EP

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Directions In Music 1969 To 1973 (Miles Davis, His Musicians And The Birth Of A New Age Of Jazz)

2LP | 2021 | UK | Original (BGP)

22,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2021 | EU | Original (Banoffee Pies)

Disc Service 01

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Label: Banoffee Pies Records
Artist: Jeigo, Max Casebolt, DJ Chupacabra, Frankel & Harper
Title: Disc Service 01
Catalogue Number: Bpds01
Genre: Tech House / Garage
Release: November 2021

Tracklist:
A1 Jeigo - Bloom
A2 Max Casebolt - INOu
B1 DJ Chupacabra - Lowrider
B2 Frankel & Harper - Madness Of Life
Disc Service 01.

Politely served dance music for clubs and mornings.
No words.
BPR x

Mastered: Optimum
Distributed by: Kudos Records
Pressed: MPO

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12" | 2021 | EU | Original (Disco)

Disco Records 3

Release: 2021 / EU – Original

Genre: Organic Grooves

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Several years ago, the Disco Records DJ Crew members got their hands on a couple of original 70s obscurities, while these standout records shone brightly in their own right, the team finally decided to put them out as those obscure old records fetch eye-wateringly high prices on the second-hand market. Due to popular request & lovingly mastered to the highest possible standards, they are now available to play and share in very special moments at parties around the world. This will surely be one of the most keenly anticipated disco release of the year. For our first release, we are extremely proud to bring you at last, three very hard to find disco anthems on sides A & B in their glorious full extended versions.

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DJ Athome Presents Spaced Out Black Vinyl Edition

2LP | 2021 | EU | Original (Musique Pour La Danse)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Included are an insert with illustrations & liner notes. Spaced OUT!, a compilation curated by Belgian artist and producer DJ Athome (Front de Cadeaux) which focuses on psychedelic dub, space rock, and early electronica created in the UK's festival scene between 1986 and 1996. Includes a riso print with foreword by acclaimed philosopher Timothy Morton, along with liner notes by David Borsu, one of the key players of Liège's musical collectives in the 90s and illustrations by designer Andrew Beltran.

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DJ Harvey Is The Sound Of Mercury Rising Volumen Tres

2x12" | 2021 | EU | Original (Pikes)

26,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In The face of adverse clubbing conditions the irrepressible deejay harvey releases volume three of the mercury rising compilation triptych. Representing what could’ve been and what shall be in the hallowed hall which is Freddys nightclub pikes Ibiza in the future. Put it on, turn it up, feel the magic till we meet again.

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12" | 2011 | EU | Original (Big Bait)

DJ Killed 90 People

Release: 2011 / EU – Original

Genre: Electronic & Dance

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12" | 2011 | DE | Original (Big Bait)

DJ Killed 90 People

8,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Do Not Fuck With Us Red Vinyl Edition

12" | 2021 | EU | Original (Corrosive)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Another classic EP of cutting edge new-school Acid Techno from Corrosive featuring the driving beats and relentless acid rhythms of Punky Junx, Chris Liberator & Sam DFL, Austin Corrosive, and TikTok (in his Ektik guise, joined by Aggie Acid Line and Bassline Ben). Super- ferocious and 'avin it!!

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12" | 2021 | EU | Original (Durch BLN / TLV)

Dogged Boldness

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Durch Bln/tlv is a queer collective with a clear vision of solidarity and community building. Durch operates in Tel Aviv and Berlin trying to bring queer people together, building a culture of inclusion, diversity and tolerance. In the tradition of original raves Durch organizes solidarity events ranging from parties, to art and community events, with the strong belief that raves are a much needed place for people to come together, celebrate their diversity and learn to respect each other. Musically Durch is eclectic inspired by hardcore, straight forward techno, ghetto and scouse house and 90s acid.

We proudly announce the release of our first vinyl record "dogged boldness". This is a long held dream by the entire crew. With Femanyst, Hybral, Marsch and Fluid we are happy to showcase four artists that are close and dear to Durch Bln/tlv. The record is a compilation of four hard-hitting, inciting techno tracks. Rough, bold and aggravating, just the way we like it. We are proud that we are able to continuously work with queer artists and to be a platform to further queer artists visibility.

Disclaimer: The world needs more queer artist, more queer music, more queer techno, more queer perspectives, more queer love and more queer intimacy. No place for any racist, sexist, trans- or homophobic shit.

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Don't Lose Your Smile Compilation Yellow Vinyl Edition

2x12" | 2021 | EU | Original (Dlys)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music unites and thanks to this vinyl I have had proved this. What Stefano has achieved will live on forever because the good he gave remains indelible in the soul of the people who have had the opportunity to know him. I simply asked these artists to think of Stefano and create music with their hearts. Listening to their soul, their heart, letting themselves be overwhelmed by the passion of music. These artists have chosen to bring to light the most intimate and profound side of a memory linked to Stefano.

The result is the Dlys vinyl, the first of a long series in which friends and artists will be able to engrave feelings and memories that Stefano left in each of them. Even those Artists who have not had the good fortune to know him and who are equally moved by his own overwhelming passion for music will be able to find space in this project.

The common thread that will unite Stefano and these Artists will be of beneficial support as part of the proceeds will be donated for research on brain tumors. Dlys01 is a tribute to life that aims to remind each of us how important it is, despite everything, not to lose your smile. Never.

When listening to these tracks you may feel less alone, that you can place trust in your efforts, in your commitment, in the unyielding answers and determined to succeed.

Keep believing in that potential, that feeling that tells you that you could do so much more, more and more. Willpower shapes the universe.

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Don't Lose Your Smile Compilation Yellow Vinyl Edition

2x12" | 2021 | EU | Original (Dlys)

19,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Downtownsounds Classics Volume 5

12" | 2021 | EU | Original (Fatty Fatty Phonographics)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples. "Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor. We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer. On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980. A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going. Check those lyrics!

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12" | 2021 | US | Original (Dailysession)

Dsr House Ep 1

Release: 2021 / US – Original

Genre: Electronic & Dance

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12" | 2021 | US | Original (Dailysession)

Dsr House Ep 2

Release: 2021 / US – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Duploc)

Duploc Selects X

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Third and final record to complete the Duploc Selects - Best OF album sampler.

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2LP | 2021 | EU | Original (Sofa Movements)

DVA

20,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sofa Movements Records, a Slovak-Irish label, returns with its second Various Artists compilation named DVA (meaning "two"). Four countries, twelve producers. House, Deep House, LoFi House, Techno, Minimal. Filters, vocals, synths, raw beats and everything danceable from 115 to 127 bpm. Keep your eyes and ears peeled for this one!

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Dynam'hit Europop Version Française 1990-1995

LP | 2021 | EU | Original (Born Bad)

21,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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12" | 2021 | EU | Original (Noodles Label)

E Festa, E Rythme EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Proud to announce the first vinyl-only release of Rythmē, the Turin queer party made with the effort of all of his lovers and dancers. The A-side opens with “Tomorrowasteland”, an open question about the dancefloor of tomorrow – a dystopic stomper with ready-made and punk attitude. Hard Ton served a luscious waterfall of synths on their original take of Fabrizio Modonese Palumbo’s song while Matteo Coffetti “Kelakitun’s Pipe” explore an exotic imaginary with an Indian touch. Last but not least, an original track of Barabbah closes this heavyweight vinyl with a sunny and techy stomper. And yes, inside the sleeve there’s also a download code for a Rythmē exclusive and digital only edit.

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12" | 2011 | US | Original (Soul People Music)

Earth Tones 2

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Purple marbled vinyl is Close to VG+.

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12" | 2021 | EU | Original (Edito Amore)

Edito Amore 05

Release: 2021 / EU – Original

Genre: Electronic & Dance

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What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

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Edo Funk Explosion Volume 1

2LP+Book | 2021 | EU | Original (Analog Africa)

Release: 2021 / EU – Original

Genre: Organic Grooves

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It was in Benin City, in the heart of Nigeria, that a new hybrid of
intoxicating highlife music known as Edo Funk was born.
It first emerged in the late 1970s when a group of musicians began
to experiment with different ways of integrating elements from their
native Edo culture and fusing them with new sound effects coming
from West Africa ́s night-clubs. Unlike the rather polished 1980 ́s
Nigerian disco productions coming out of the international
metropolis of Lagos Edo Funk was raw and reduced to its bare
minimum.

Someone was needed to channel this energy into a distinctive sound
and Sir Victor Uwaifo appeared like a mad professor with his Joromi
studio. Uwaifo took the skeletal structure of Edo music and
relentless began fusing them with synthesizers, electric guitars and
80 ́s effect racks which resulted in some of the most outstanding Edo
recordings ever made. An explosive spiced up brew with an odd
psychedelic note dubbed "Edo Funk".

That's the sound you'll be discovering in the first volume of the
Edo Funk Explosion series which focusses on the genre’s greatest
originators; Osayomore Joseph, Akaba Man, and Sir Victor Uwaifo:

Osayomore Joseph was one of the first musicians to bring the sound
of the flute into the horn-dominated world of highlife, and his
skills as a performer made him a fixture on the Lagos scene. When he
returned to settle in Benin City in the mid 1970s – at the
invitation of the royal family – he devoted himself to the
modernisation and electrification of Edo music, using funk and Afro-
beat as the building blocks for songs that weren’t afraid to call
out government corruption or confront the dark legacy of Nigeria’s
colonial past.

Akaba Man was the philosopher king of Edo funk. Less overtly
political than Osayomore Joseph and less psychedelic than Victor
Uwaifo, he found the perfect medium for his message in the trance-
like grooves of Edo funk. With pulsating rhythms awash in cosmic
synth-fields and lyrics that express a deep personal vision, he
found great success at the dawn of the 1980s as one of Benin City’s
most persuasive ambassadors of funky highlife.

Victor Uwaifo was already a star in Nigeria when he built the
legendary Joromi studios in his hometown of Benin City in 1978.
Using his unique guitar style as the mediating force between West-
African highlife and the traditional rhythms and melodies of Edo
music, he had scored several hits in the early seventies, but once
he had his own sixteen-track facility he was able to pursue his
obsession with the synesthetic possibilities of pure sound, adding
squelchy synths, swirling organs and studio effects to hypnotic
basslines and raw grooves. Between his own records and his
production for other musicians, he quickly established himself as
the godfather of Edo funk.

What unites these diverse musicians is their ability to strip funk
down to its primal essence and use it as the foundation for their
own excursions inward to the heart of Edo culture and outward to the
furthest limits of sonic alchemy. The twelve tracks on Edo Funk
Explosion Volume 1 pulse with raw inspiration, mixing highlife
horns, driving rhythms, day-glo keyboards and tripped-out guitars
into a funk experience unlike any other.
Double LP pressed on 140g virgin vinyl comes with a full color 20-pages booklet

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Eins Und Zwei Und Drei Und Vier - Deutsche Experimentelle Musik

2LP | 2021 | EU | Original (Bureau B)

34,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Electronic Emergencies Reconstructed By I-Robots

2x12" | 2021 | EU | Original (Electronic Emergencies)

23,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Some smooth remix action going on here!! Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. Move Like Rays by Machinegewehr was injected with a high-energy vibe, while Das Ding's Want Need was transformed into an electro classic. Skeleton Head's queer anthem Beaten, Bloody, Bruised was given the percussion treatment, Danza Obscura by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/a/n/o/s had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label's frontier electronic underground reputation.

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Electronic Jugoton Volume 1 - Synthetic Music From Yugoslavia 1964-1989

2LP | 2021 | EU | Original (Everland Yu)

29,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Elephant Stomp - 12 Instrumental Freaky Stomper Rock Gems From 70s

LP | 2021 | EU | Original (Naughty Rhythm)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Here the Cosmic Discotheque team temporarily gives up with the pure 70s Disco mark of the previous releases and, while remaining in the same decade, the spotlight will move on the Rock scene. Those who have followed the series, know that the Cosmic-compilations are based on great selections of European singles (often B-sides) and lots of bizarre productions, mostly unknown and sometimes rare; and so it will be for Elephant Stomp too! Killer Drum Breaks, Tribal Freak Rock, Stomper Junkshop Glam, Instrumental psych rock, proto-Disco... those are the explosive ingredients of this unique compilation. So no long and useless solos or empty virtuosity here, just lots of groove and rousing tracks, in other words the best food for you party animals and digging maniacs!

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LP | 2021 (Diggers Factory)

Elles Chantent Brassens

18,99 €*

Release: 2021

Genre: Pop

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Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)

2LP | 2021 | EU | Original (Radio Martiko)

34,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!

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12" | 2021 | DE | Original (Enchanted Rhythms)

Enchanted Rhythms 002

8,99 €*

Release: 2021 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2021 | EU | Original (EPM Music)

EPM20 EP 3

8,39 €* 13,99 € -40%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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To mark EPM’s 20th anniversary we’ve been releasing a series of EPs, each one focussing on a different genre. In May we brought you a taste of Techno with Robert Hood, Ben Sims, James Ruskin and Mark Broom each delivering their distinct production skills, whilst this September sees the release of our second EP bringing together cuts by some of Electro’s leading lights - The Advent & Zein Ferreira, Carl Finlow, Detroit’s Filthiest and Modulator (a.k.a. Freddie Fresh). For the third and final EP in the series we turn our attention to House music, and once again we’ve commissioned four brand new and exclusive tracks from artists who we’ve had the pleasure to work with over the years. First up is none other than a Detroit Techno founding father and the TechnoSoul innovator himself Eddie Fowlkes, who delivers a classy opener in ‘1-2-3’ that’s deep yet vibrant and showcases his legendary status. Next is a fellow Motor City modernizer, Jon Dixon whose musicianship and productive talent takes him from jazz to techno which he skilfully brings to ‘Mack & Bewick’. Motech Records’ founder DJ 3000 brings us the spirit of ‘Summer 1995’ as he briefly steps away from techno to give us this uplifting sun-drenched stunner. Final track ‘The Beat’ comes from Rico & Sonny, the pseudonym of Chicago based DJ duo and production team of Adam Stolz and the talented Tim Baker, recorded before his devastating and untimely passing. His music lives on and we’d like to dedicate this EP to him. The ‘epm20’ compilation which features all the tracks from the EPs plus additional cuts from a host of other artists and EPM friends will follow this autumn.

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12" | 2021 | EU | Original (EPM Music)

EPM20 EP2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Epm20 – EP 2’ turns the spotlight on electro. For this special EP, we’ve gathered brand new tracks by The Advent & Zein Ferreira, Carl Finlow, Detroit’s Filthiest and Modulator a.k.a. Freddie Fresh. As all good electro-heads will know, The Advent (Cisco Ferreira) is as renowned for electro as he is for techno. On ‘Strangeform’ he works alongside his son and rising talent, Zein to turn in pure electro-funk that’s blistering to the last beat. Another absolute master of the scene is Carl Finlow who brings deep bass notes, carefully crafted melody and his meticulous production skills to ‘Optogenetic’. Detroit’s Filthiest has been wowing listeners with his work for labels like Casa Voyager, Bass Agenda, Philthtrax and his own Mcec. His track ‘Werewolf’ is the electro monster the title suggests – dark and tough Detroit-electro book-ended with a playful vocal. The EP closes with the legendary, Freddie Fresh who after three decades is a genuine virtuoso. Under his Modulator guise he layers beautiful retro synth stylings and sci-fi atmospherics on ‘ProMars’. The third EP featuring four house tracks will follow in July, with the ‘Epm20’ compilation after the summer.

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12" | 2021 | EU | Original (Oblique Music)

Essence EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Essential Memories EP Part III

2x12" | 2021 | EU | Original (Emerald)

24,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The VA series is facing it's 3th landmark with 12 tracks featured on Essential Memories EP Part III. A return trip for some, a debut for others, keeping the electronic banner alive with cuts destined to nightlife.

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Essiebons Special 1973-1984

2LP | 2021 | EU | Original (Analog Africa)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Dick Essilfie-Bondzie was all ready for his 90th birthday party when the Covid pandemic hit. The legendary producer, businessman and founder of Ghana’s mighty Essiebons label had invited all his family and friends to the event and it was the disappointment at having to postpone that prompted Analog Africa founder Samy Ben Redjeb to propose a new compilation celebrating his contributions to the world of West African music.

For most of the 1970s Essilfie-Bondzie’s Dix and Essiebons labels were synonymous with the best in modern highlife, and his roster was a who’s-who of highlife legends. C.K. Mann, Gyedu Blay Ambolley, Kofi Papa Yankson, Ernest Honny, Rob ‘Roy’ Raindorf and Ebo Taylor all released some of their greatest music under the Essiebons banner.

Yet Essilfie-Bondzie had been destined for a very different career. Born in Apam and raised in Accra, he was sent to business school in London at the age of 20, and returned to the security of a government job in Ghana. But his passion for music, inspired by the sounds of Accra’s highlife scene, had never left him, and in 1967 he figured out a way of combining music and business by opening West Africa’s first record pressing plant.

The venture, a partnership with the Philips label, was a huge success, attracting business from all over the continent. By the early 1970s Essilfie-Bondzie had left his government job to concentrate on his labels, and by the mid-seventies he was on a hot streak injecting album after album of restless highlife into the bloodstream of the Ghanaian music scene.

Essiebons Special features a selection of obscure workouts from some of the label’s heaviest hitters. But in the course of digitising his vast archive of master tapes, Essilfie-Bondzie found a number of Afrobeat and Instrumental maszterpieces tracks from the label’s mid-70s golden age that, for one reason or another, had never been released. Those songs are included here for the first time.

Sadly Essilfie-Bondzie passed away before the compilation was finished. But his legacy lives on in the extraordinary music that he gave to the world in his lifetime.

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Essiebons Special 1973-1984

2LP | 2021 | EU | Original (Analog Africa)

30,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

10" | 2021 | EU | Original (Misbits)

Eternal Poet EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The new V.A. on Misbits Recordings, suitably titled "Eternal Poet," is the label's second excursion through the sound-art and experimental ambient realms. Familiar guests Boris Hagenbart and David Moss return for another otherworldly sonic transmission of visceral, syncopated samples, followed by Japanese duo Ohanami in an emotionally charged post-jazz exercise drenched in peaceful nostalgia. The flip-side features ten locked-grooves signed by Ohanami, Shoen, Shcaa, Smooth Operators, and REV, capturing diverse musical moments with transformative potential. "Eternal Poet" further expands the vision that ambient music can be a mode of transport rather than a simple backdrop — a sophisticated world of endless possibilities. The artwork is yet another puzzle piece of this utopian, peculiar ecosystem envisioned by Glitch Shop."

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2x12" | 2021 | EU | Original (Partout)

Everywhere

22,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Partout begins a new series dedicated to Various: Everywhere. The first release features European artists. Only 200 copies available.

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12" | 2021 | EU | Original (Exhale)

Exhale VA002 Part 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Part 2/3 featuring Sept, Raven, Frazi.er & Trym. Amelie Lens' Exhale Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.

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12" | 2021 | EU | Original (Exhale)

Exhale VA002 Part 3

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Part 3/3 featuring Charlie Sparks, Under Black Helmet, Xiorro & Ahl Iver. Amelie Lens' Exhale Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.

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12" | 2021 | UK | Original (20/20 Vision)

Exit Planet Earth: Radon

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The 7th edition in the Exit Planet Earth vinyl series features another serving of electronic cuts designed for space travel with 20/20 Vision debuts from The Exaltics & Paris The Black Fu, Alex Jann, Lost Souls of Saturn and Kim Cosmik. Opening with an interstellar serving of classic electro funk from the pivotal figurehead of Germany's electro-tipped underground 'The Exaltics' of 'SolarOneMusic' and 'Paris The Black Fu' from the mighty 'Detroit Grand Puhbas'. This heavy weight collaboration comes in the form of 'wea poni zedin form ation' a masterclass in acid-influenced and undoubtably charismatic electro, complete with distinctive Kraftwerk-esque vocals. Alex Jann follows up on the A side with 'Android Memory' combining bleep techno elements with futuristic electro in an expertly crafted high paced does of sci-fi funk peppered with chaotic glitches, driving grooves and punchy kicks. On the flip side we're joined by Seth Troxler and Phil Moffa under their inter dimensional moniker 'Lost Souls Of Saturn'. L.S.O.F offer up a mind altering hybrid of sci-fi inspired electronica, techno, electro, acid, free-jazz and more, blurring genre lines and pushing boundaries deep into the cosmos. Under-pinned by a predominately break beat groove 'Rave is Back' incorporates a plethora of un expected elements, from orchestral drones and harmonic melodies to unidentifiable machine glitches. Wrapping up the 7th outing in the Exit Planet Earth vinyl series, we're joined by long-time purveyor of UK Electro - Cybersoul's 'Kim Cosmik', firing on all cylinders with a tripped out assault on the senses. Her track 'Moonrise' hammers home with a fast paced, glitch heavy groove, serving up complex patterns across an ominous soundscape littered with ghost like echoes.

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Exit Planet Earth: Silicon

12" | 2021 | UK | Original (20/20 Vision)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Flee Project)

Extra Muros - Italy

Release: 2021 / EU – Original

Genre: Electronic & Dance

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« Extra Muros - Italy », is a 10-track vinyl compilation produced fully during last years edition of the residency program Extra Muros in the norman castle of Sannicandro di Bari in Puglia (it) and with the help of our trusted partners Ableton, Smem and Bastl Instruments. During two weeks, the musicians were able to experiment in a unique setup resulting in this limited run vinyl compilation (300 copies only).

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Extreme Mutilation VIP / Killing Machine VIP

12" | 2011 | UK | Original (Algorythm)

5,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2x12" | 2011 | DE | Original (Kann)

Family Horror

26,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Family Jubilee III Part 1

12" | 2021 | EU | Original (Meander)

10,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Christopher Ledger & Pressure Point, Pirvu , Sublee . A fabulous overview into Meanders momentum.

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12" | 2021 | EU | Original (Good 2 Go Dmr)

Feeling Elevated EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Beer)

Felipe Gordon Reworks

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Felipe Gordon dives deep into the Local Talk vault and selected his favourite tracks for a proper rework. First up we got two stalwarts of the house scene, Kyodai and Fish Go Deep. Kyodai's 'Breaking' needs little introduction, the track is an anthem and got massive support from Kerri Chandler to Laurent Garnier and is still played to this day in clubs. Felipe puts his spin on the track, a Latin Jazz Rework that is destined to become a classic in its own right. Fish Go Deep made their debut on Local Talk with 'Off Script' back in 2016, it's a pure goosebumps track, dubby techno-soul at its finest. Felipe adds his twist with plenty of swing and clever drum programming.

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4LP | 2021 | EU | Original (Polystar)

Fetenhits - 25 Years

42,99 €*

Release: 2021 / EU – Original

Genre: Pop

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LP | 2021 | EU | Original (River Lea)

Fire Draw Near

32,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (FatKidOnFire)

FKOFV006 Feat. Riko Dan

9,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The next Fkof Records release sees us welcome four artists back into the Fkof fold with our first VIP record in the imprint’s history. It’s great seeing artists remix other artists’ work and putting a new spin on it, but there’s something special about producers revisiting their own work to put an extra spicy flip on solo material. So that’s what we’ve done with Fkofv006.

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12" | 2021 | EU | Original (Flatliners)

Flatliners #1

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Flatliners is a series of hardcore releases by extended Straight Up Breakbeat family.

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12" | 2021 | EU | Original (Fokuz)

Fokuz All Stars Part 3

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The third part of the quadruple Fokuz All Stars compilations series. Featuring the classic "Sweet Magnolia" by Seba ft. Jenna G and "Second Path" by Second Path & JR Vallo.

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12" | 2021 | EU | Original (Fokuz)

Fokuz All Stars Part 5

Release: 2021 / EU – Original

Genre: Electronic & Dance

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More evergreens on this new Fokuz All Stars record.

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12" | 2021 | EU | Original (Fokuz)

Fokuz All Stars Part 6

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Part 6 of the Fokuz All Stars series. Classics only!

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CD | 2021 | UK | Original (Chopped Herring)

Foundation Entertainment

15,99 €*

Release: 2021 / UK – Original

Genre: Hip Hop

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So Joe City aka Third Eye Ent hits me up and says B, hook up with my man Strez, he might have some ish you are looking for. So outta Norfolk, Virginia, this is the Foundation Entertainment EP. Most of these tracks appeared on an extremely rare couple of cds from 97 & 99 as well as one off a demo tape and one unreleased from the House of Reps unreleased stash!!! Peep this short interview with DJ Strez for some background info:

Where did you grow up? “I grew up in the Park Place/Villa Heights section of Norfolk Virginia born & raised.”

What are your earliest memories of the culture? “My earliest moments of the culture are begging my mom to go to the record store to buy The Fatboys first album, LL Cool J “Radio”, Run-D.M.C. “Raising Hell” & Beastie Boys “Licensed To Ill” albums. When I got home that day I played these albums non stop. That’s when I knew I was in love with Hip Hop.”

Who were your fav beatmakers coming up? “My Favorite Beat Makers/Producers coming up was Marley Marl, Pete Rock, The Bomb Squad, DJ Premier, Large Professor, Diamond D & Joe City (VA Native)”

What was the VA scene like? “The VA Scene Between 1991-2001 was a great time to be involved with music.A lot of local artists that were coming out started making tapes and selling them at shows or in the clubs.We had so many outlets back then and the major artists were also coming down checking the scene out as well. We definitely had hidden gems as far as talent.”

When did you start making beats? “I started making beats when I was around 16 years old. I was always fascinated with making music and always wanted to learn. The music that was made between “87-99″ was always mind blowing to me. Once i realized that they were taking loops from old records,sampling and making beats out of them i knew that that is what i wanted to do”

What were your first bits of gear? “My first bits of gear was a Casio Sk-1, a Gemini Sampler Ds-1224, a Korg M1, a Boss Dr-5 & a Pair of technics belt drive turntables.”

When did you set up Foundation Ent? “Foundation Ent was formed around 93-95 through my partner Carlton Barnard and he was also my manager. We met at a mall out here in VA called Military Circle in 1996 and we chopped it up and immediately clicked. It all started and developed when he said he had equipment that wasn’t really being used and i asked him if i could use it and eventually it led to us getting a building for a studio and signing artists.”

How did you hook up with all the mcs? “Before Foundation Ent, I was in a group with a friend of mine named Stratagee Real which later became an artist on Foundation Ent so we were already connected. Carlton did beats and had the group Coalition & a female artist named Bad News already so we started teaming up and recording music together in the studio. The other artists that were on the roster were mostly people that we came across that rap and sing.”

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12" | 2021 | EU | Original (Jam)

Four On Jam 04

9,89 €* 10,99 € -10%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The fourth Various Artists release on JAM, 'Four JAM on 04' feature Frankyeffe, Shabaam, Tauchen, and Alex Fain

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12" | 2021 | EU | Original (Lunatic)

Fracht 01

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Heavyweight cargo, wrong shipping adress, delivered without demand. Frachtø1 is the very various artists EP on Lunatic, ticking all the boxes that lead through the past releases. Tracks that represent the numerous ways of todays saturated society’s struggle expecting a dark future‘s prophecy. Roberto Auser allows no introduction time with his dystopian “Neturality” system. CVBOX‘s air cargo sets a hard contrast with as lightly bleeping as confusing “Wingwalking”. Walk on with Credit 00 who shows who you really “Wanna B”, just before all dark matter fuse on the ipside of reality: Hayter’s voice is the oracle for the street: “Sooner Or Later” all pain ows together “In Den Hochofen Des Schmerzes” of the Iron Ore.

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Frank Music Vol. I - Let's Be Frank!

12" | 2011 | DE | Original (Frank Music)

7,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Handstamped inner sleeve.

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French Women

Release: 2021 / EU – Original

Genre: Pop

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Friends, Lovers And Family

12" | 2011 | BE | Original (Lany)

5,99 €*

Release: 2011 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Friends, Lovers And Family

12" | 2011 | BE | Original (Lany)

6,99 €*

Release: 2011 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Luv Jam, Maxim Lany, Katorski, Scott Ferguson are the peeps doing good here!

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12" | 2021 | EU | Original (Avinit)

Fuck The Superclubs

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Acid Steve's Avinit label was founded to celebrate the concept of free parties and the culture of acid techno. This release continues the theme in typical brain-melting ribcage-rattling style. We're talking pounding kickdrums, frenzied 303s and standout synths, all surging throughout. A 4-tracker for playing in dark warehouses, sweaty raves, or when driving past VIP nightclubs.

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Fuera De Atracción. 60s Psychedelic Garage From El Salvador

LP | 2021 | EU | Original (El Tigre)

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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El Salvador, the last frontier... the psychedelic revolution also reached this small country from Central America in the 60s, resulting in the formation of many teen garage bands. Until now, little was known about this amazing local music scene that took place in the late 60s and early 70s... a true musical revolution. Due to the lack of resources, musicians often had to build their own fuzz and effects pedals and in studio recordings, primitive tape experimentation and echo were often used... the result was a very unique sound, 100% raw & wild. Hear tremendous fuzzed-out covers of Doors, Blue Cheer, Country Joe & The Fish or Alan Bown along with cool self-penned songs. All tracks taken from very hard to find 45s, most of them unknown outside of El Salvador until now. Feat: Kiriaps, Los Saltos, San Miguel, Los Vikings, Los Rebeldes, Los Junior’s, Los Intocables… Includes color insert with detailed liner notes in English/Spanish and cool photos.

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12" | 2021 | EU | Original (Fukuinn)

Fukuinn 02

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The 2nd release of "fukuinn" label has brought together 4 groups of cutting-edge artists who are active in Europe.Do_1 & Gggg is the first. His details will not be disclosed, but it is a destructive sound by French nice guys who have been active in the electro and braindance scenes of the last few years.A2 is Weith. He presides over Brainwaves and has released tracks on many labels. Italian producer Caramel Chameleon who is also active in 030303 Records. The moving IDM sound is a must listen. Featured newcomer Tadan offers a clear electro track that is unique to him. This release is packed with variety of electro and acid tracks. Vinyl only!!

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2LP | 2021 | UK | Original (Cncpt Collective)

Full House

33,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Funk & Cinema

Release: 2021 / EU – Original

Genre: Organic Grooves

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Funk Diggers

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Funk Men - Groovy Anthems By The Kings Of Funk

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Addiksion Music)

Funk Yourself EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For our 6th release, we have artists like Andre Salmon, Paul Johnson, Sex On Decks, Suspence, Encebolladoman , Jorge Andrade and Damn

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Futur Antérieur : Bongo Joe's 5 Years Anniversary

2LP | 2021 | EU | Original (Les Disques Bongo Joe)

19,49 €* 25,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gainsbourg In Jazz

17,84 €* 20,99 € -15%

Release: 2021 / EU – Original

Genre: Organic Grooves

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CD | 2021 | EU | Original (All City Dublin)

Gangster Music Volume 2

18,99 €*

Release: 2021 / EU – Original

Genre: Hip Hop

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Gangster Music Volume 2 Blueberry Vinyl Edition

2LP | 2021 | EU | Reissue (All City Dublin)

22,09 €* 25,99 € -15%

Release: 2021 / EU – Reissue

Genre: Hip Hop

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Limited to 500 copies!

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world? That’s what artist and illustrator Gangster Doodles set out to do with the first Gangster Music comp back in 2018. This second volume follows the first with an all-star line-up which features everyone from hotly-tipped emerging Producers and MCs like Ovrkast, Shungu, Woodie Smalls, Big Baby Scumbag next to underground perennials like Teebs, Ohbliv and Knxwlege all the way up to top flight producer Dam Funk and established vets like M.E.D, Black Milk, Lil B and Open Mike Eagle.

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Garden Of Eden Colored Vinyl Edition

2LP | 2021 | EU | Original (Radio Juicy)

Release: 2021 / EU – Original

Genre: Hip Hop

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Radio Juicy presents “Garden of Eden”, a complete collection of all the essential singles we’ve released from 2020 and 2021. Previously, these singles were all only available via digital streaming, and with “Garden of Eden'' we brought them all together in an exclusive, cohesive experience. It’s available now streaming on all DSPs, for digital purchase on our website / Bandcamp, and as a limited physical pressing on white vinyl as a part of a double LP gatefold package, illustrated and designed by modern artist Sandro Rybak.

Garden of Eden brings together all of the artists that have been contributing to what we refer to as the new Radio Juicy sound, and the compilation marks a significant chapter in our musical adventure; one that’s as jazzy, electronic and organic, expanding from our lofi roots and replacing sample-based loops with extended original compositions.

This compilation will take you back over the last couple of years of Radio Juicy releases in style, where you can (re)experience the music as if it was new, while also giving you a chance to own all of the songs for your collection and further more with this incredible physical collector's edition.

As the album marks a completed chapter for Radio Juicy as a label, it is also the beginning, or “genesis”, of our next adventure, and this body of work lays the foundation of what’s to come next.

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Gemstones Emerald Black Vinyl Edition

12" | 2021 | EU | Original (Raw)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"A shield against death, Blood, fire and power. The purity of feelings, For an eternal youth." After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few. Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

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Gemstones Ruby Black Vinyl Edition

12" | 2021 | EU | Original (Raw)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Georges Brassens In Jazz

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | UK | Original (Ghost Phone)

Ghost Phone 005

9,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Glitterbox - Where Love Lives 2 Red Artwork Edition

3LP | 2021 | UK | Original (Defected / Glitterbox)

35,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Golden Gate Groove: The Sound Of Philadelphia Live In San Francisco (P.I.R.) Record Store Day 2021 Edition

2LP | 2021 | EU | Original (Epic)

29,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Store Day 2021 Release.
Limitation: 2100 copies.

On vinyl for the first time, Golden Gate Groove: The Sound Of Philadelphia-- Live in San Francisco 1973 captures the first and only time the stars of Philadelphia International Records (P.I.R.) -- including The O’Jays, Harold Melvin & The Blue Notes, The Three Degrees, and Billy Paul -- performed in concert with the label's house band, MFSB (Mother, Father, Sister, Brother). The concert, showcasing what would become the Sound of Philadelphia -- affectionately known as T.S.O.P. -- took place in San Francisco during the annual CBS Records convention at the Fairmont Hotel in September 1973.

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Greg Belson's Divine Funk: Rare American Gospel Funk & Soul

LP | 2021 | US | Original (Cultures Of Soul)

26,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Following on from the success of ‘Greg Belson’s Divine Disco’ series Greg Belson and Cultures of Soul team up again to explore the world of Gospel Funk. Belson is one of the world's leading collectors and DJs of gospel music. You hold in your hands a collection of some of the rarest Gospel funk records from Belson’s amazing collection featuring everything from the laid back breakbeat laced “I Don’t Want to Be Alone" by Allen Gauff Jr to the high octane and socially-on-point take of the Gospel classic ‘This Little Light Of Mine’ by the Gospel Ambassadors to drum break funk of the Wearyland Singers ‘If You See Me Doing Wrong” to the sublime soulfulness of Zella Jackson’s “Days Are Just Like People." Without a doubt though, all of the artists included in this compilation, believed in themselves, the message, and the direction of the Gospel Funk intensity you hear within these grooves. Gettin’ on the Good Foot for God? Listen and decide for yourselves!

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Gregor Tresher Presents Break New Soil Volume 11

12" | 2021 | EU | Original (Break New Soil)

10,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For the 11th installment of our ongoing Breaking New Soil series, we have an all-star compilation for you! First up is Patrick Siech, a core member of the BNS family from the beginning: „Basscamp“ has it all - it´s one of those late-night jams that locks the dancers into its irresistible groove after seconds and won´t ever let them go - we think it´s a timeless piece of classic, yet modern Techno. Next up is Petar Dundov, who really needs no introduction: „Feed“ is unmistakeably a classic Dundov production, yet it is more dark and hypnotizing than you would expect from the melody wizard. Oliver Deutschmann, who just remixed one of our recent releases, handed in "Physics", a relentless piece of raw Techno showcasing his signature production style! Next up, we have our friend Marco Effe returning to Break New Soil with a massive Warehouse Techno anthem! Then, P-Ben from France, one of our favorite artists of the moment, who continuously delivers one killer track after the other: We are more than happy to have his debut for BNS: „Wookit“! Enjoy „Breaking New Soil Vol. 11“!

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10" | 2021 | EU | Original (Stag-O-Lee)

Gunsmoke 07

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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Harcourt Chanson Francaise

34,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Hardbop - The Time When Jazz Became Funky

2CD | 2011 | EU | Original (BHM Productions)

3,49 €* 4,99 € -30%

Release: 2011 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2021 | EU | Original (Kaos)

Heartcore Essentials

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Heaven On Fire- Compiled By Jane Weaver

LP | 2021 | UK | Original (Fire)

29,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Featuring music from Okkyung Lee, Virginia Wing and an upfront track from Vanishing Twin's forthcoming album.

In the age of the playlist, in times where the recommender is royalty, Jane Weaver threads together the spookily hauntological strains of recent Fire releases; sub-navigating styles and genres to create a soundtrack of neo-folk futurism that nods to psychedelia, dream-pop and electronica.

`Heaven On Fire' is a chilled-out coming of age, made by a new set of visionaries, lovingly assembled by Jane Weaver; a state-of-the-label address that gathers Vanishing Twin (upfront exclusive from the new album `Ookii Gekkou'), Marina Allen, Mega Bog (courtesy of Paradise Of Bachelors), Virginia Wing, Islet, Faten Kanaan, Brigid Mae Power and Okkyung Lee (courtesy of Shelter Press).

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Heisei No Oto - Japanese Left-Field Pop From The CD Age (1989-1996)

2CD | 2021 | EU | Original (Music From Memory)

20,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored. VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th.

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Heisei No Oto - Japanese Left-Field Pop From The CD Age 1989-1996 2024 Repress

2LP | 2021 | EU | Reissue (Music From Memory)

28,99 €*

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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NO OBI VERSION

Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.

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4x12" | 2021 | EU | Original (Mord)

Herdersmat Part 30-33

41,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Mord. Morderstwo. Rotterdam. Herdersmat.

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Here Comes Santa Claus-14 Swingin' Chestnuts

LP | 2021 | EU | Original (Bear Family Productions)

23,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Reminder)

Heroes Of The Night

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Het)

Het 006

Release: 2021 / EU – Original

Genre: Electronic & Dance

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HET returns with a Various Artists EP. Featuring tracks from talented Berlin-based artists, this release offers a wide range of sounds, that fit different dancefloor situations perfectly. With ‘’Sleeping Paralysis’’ Tigerhead is delivering a driving and dynamic sound. Her uncompromising track reaches the future post-pandemic floor at peak time. Justine Perry’s ‘’All of a Sudden’’ is her very first solo track release.Through a deep bassline and intense rhythmicexplores a more hypnotic side of the Techno genre. Jay Quentin returns after his highly anticipated track ‘’Information Superhighway’’ for the :// about blank004 EP. Here, his track ‘’Fatal Accident in Suicide Forest’’ takes ravers and listeners on a deep musical journey. The last track of the EP, ’’F.O.R.’’ by Hagen Richter, rounds up this first VA with a tooly acidic approach. Distributed by ready made distribution – Mastering by scape mastering‘s Stefan Betke – Artwork: o_0_weazl_0_o

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LP | 2021 | EU | Original (Hfmn Crew)

HFMN Crew - 20 Years

Release: 2021 / EU – Original

Genre: Rock & Indie

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20 years of HFMN CREW_Back in 2001, a group of kids from Manresa got together to organize concerts. Born out of pure fun and devotion to the scene, they organized hardcore concerts with their favorite bands under the name HFMN, a name they created to identify themselves. Who could have foretold that they would end up as one of the most productive and fruitful agencies within the punk rock and hardcore scene in the entire state and European continent...The compilation they proudly bring us celebrates these 20 years. A glorious 20 years full of concerts, tours, laughter, trips, madness, and above all, friendships for life. Although we're celebrating two decades, this compilation chiefly represents the last 5 years of the agency. During this period, apart from concert production, the agency has focused on management, working with groups from all over the European continent, initiating a new era for HFMN.The fundamental idea is to project and display the bands currently part of the HFMN management roster. These bands are from several countries, and perfectly embody HFMN's adventuring, curious character. They show a hungry appetite for growth in the scene and expansion towards all territories possible.All the bands the agency has, have different musical styles, but they all have a clear common denominator: their spirit, and punk rock character. These bands always have something to say and don't want to fall into typical clichés. They have attitude and clear social commitment and want to play, travel, and show their music around the globe, while at the same time making friends and having a great time (which by the way is pretty much what we've come to do, at least when we talk about HFMN).In this 20 years compilation, there are various bands from different musical styles that all share their passion for punk rock: ANAL HARD and PROUDZ both perfectly represent the most classic hardcore. They have accompanied HFMN from day one. Notably, the first concert signed by HFMN was by Madrid's PROUDZ....

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High Communications 2022 Repress

12" | 2021 | UK | Reissue (K S R)