All Items 5760 Items

Release: 1973 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1973 | US | Reissue (Perception)

Tyrone Washington

Roots

14,99 €*

LP | 1973 | EU | Reissue (Elektra)

Release: 1973 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

used by Krs One for 'sound of the police'

Go to Item

The Doors

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thick As A Brick (50th Anniversary Edition)

Jethro Tull

LP | 1972 | EU | Reissue (Parlophone Label Group)

41,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chakachas Black Vinyl Edition

Chakachas

LP | 1972 | EU | Reissue (Soulgramma)

LP | 1972 | EU | Reissue (Everland Psych)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fully licensed !180 gr. vinyl ltd edition. Gaston Bogaert aka Tito Madinez (percussion) was the leader of this Belgian band often mistaken for an Afro-american combo, due to their music and unmistakable aesthetics. Released in 1972 on local Blue Elephant imprint, their self-titled album is still regarded as a rare groove bonafide bin, able to make it even in the States. Featuring the talents of Kari Kenton (vocals) from Cuba; Victor Ingeveldt (saxophone) a Dutchman from Liege, Charlie Lots (trumpet), Christian Marc (piano), Henri Breyre (guitar and backing vocals) and Bill Raymond (bass guitar) Chakachas were soon labeled as the continental answer to US Latin funk champions. Full of exciting dance parts and dj friendly breaks, Chakachas is still worth your feverish attention.

Go to Item

Niagara

S.U.B.

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. Niagara aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

Go to Item

Allen Toussaint

Life, Love And Faith

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Allen Toussaint had it all around him – the voices and spirits of black music, rhythm ’n’ blues, funk and soul. He was born in New Orleans and grew up there, the birthplace of jazz. As from 1960, he worked as a record producer and an A&R man at Minit Records, an independent label, which was closely associated with the transformation of the New Orleans Sound. His compositions for fellow musicians landed them in the charts, he frequently participated by performing with them on the piano, and so became a connoisseur and master of all possible sounds. "Life, Love And Faith" marks his launch into his solo career, and quite rightly so. In the songs, Toussaint amalgamates all he had mastered with a rocking R&B, funky rhythms and expressive soul to create his highly personal sound. Although it is a soul album through and through, one has the feeling that one is listening to an album from Reprise’s stable of singers/songwriters – including such artists as Randy Newman, Bonnie Raitt, Little Feat and Joni Mitchell – rather than what usually came out of New Orleans in the early Seventies. And also because "Life, Love And Faith" captures an eccentric genius who pursues his own idiosyncratic vision. It is a structured, multi-layered album, which does not show Toussaint in his purest form, but it is his only album that shows just how widely ranged and profound his many talents were.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1972 at Jazz City Studios, New Orleans, by Cosimo Matassa and Skip Godwin Production: Allen Toussaint

Go to Item

Lou Reed

Transformer

Araca Azul Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

Go to Item

Caetano Veloso

LP | 1972 | EU | Reissue (Lilith)

Geraldo Pino & The Heartbeats

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Apparently when this album was originally released in 1972, confused and bewildered fans, expecting more of the same found on Transa, released earlier that year, returned the album to the shop, demanding a refund. Meanwhile, critics raved, and many now consider Araçá Azul known as CAETANO VELOSO’s “experimental album” to be one of his great creative moments. To be fair to his many fans, it was a stark departure from his previous releases, which were decidedly more pop, but Veloso had been through a lot recently, having just returned from political exile in the UK, so it is no wonder that the artist was feeling a bit like he needed to fly in the face of conformity. In Veloso‚s own words, “I made this album without thinking, without taking the time to stop to think.” He refers to the album’s “insolent experimentalism” and calls it a kind of “last stand.” Color vinyl version.

Go to Item

Afro Soco Soul Live

LP | 1972 | EU | Reissue (Oom Dooby Dochas)

19,99 €*

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

He was born in Sierra Leone in the 1930s. Fact is that Gerald Pine was son to a lawyer working in Nigeria, lost his mother and sister at a very young age and found relief in music. He played social clubs by the early 60s with his newly founded band THE HEARTBEATS delivering cover-versions of American hits and Congolese rumba tunes that were then utterly popular in the West Africa area. Due to the influence of Congolese popular musicians Franco and Dr. Nico he adopted the more exotic sounding stage name of Geraldo Pino and he moved on from there. THE HEARTBEATS literally played until their fingers bled in popular night clubs in Sierra Leone, became one of the highest earning bands of Western Africa and were even able to put up their own television show after television had been introduced in Sierra Leone in 1962. All those developments put Geraldo Pino and his band in the position as leading figures in the African popular music that even a legend such as Nigerian cult musician Fela Kuti, who is often credited with originally creating the so called “Afro Beat” style stated Geraldo Pino and THE HEARTBEATS as major influence which even made him setting sail to the USA to introduce his musical vision over there for he could not match with Geraldo Pino concerning popularity in Africa. This of course is a whole different story. Geraldo Pino lived and played in his area, Sierra Leone, Ghana, Nigeria and created some of the hottest funky sounds with sophisticated sound gear, outstanding clothing and songs that made your blood boil. After a few 7” releases throughout the 1960s the first real album of GERALDO PINO & THE HEARTBEATS hit the scene in 1972. “Afro soco soul live” is as the title suggests an album that has been recorded at a concert and Geraldo Pino often communicates with the utterly enthusiastic audience, gives longer announcements between the songs or introduces his lead guitarist before he starts a simmering solo. All songs here have an average length of six minutes and despite their composed parts they show this free jammy flow. The basic style is funk with soulful vocals which gets mixed up with traditional African percussion grooves. This album swallows you with its mesmerizing rhythms. It's afro funk at best with a frantic atmosphere whirling up from the ever flashing percussive arrangements. The funky Hammond B – 3 organ is omnipresent on all the tracks and duels with the wild and completely unleashed lead guitar from time to time. Repetative chord progressions and harmonies decorate the solid rhythmmical base and deprive you of your senses while you get deeper and deeper into a trance like state moving and floating along on the dancefloor. Due to the crisp and clear sound this record gives you the feeling of being right at the scene, everything sounds and feels so vivid, even after more than four decades. So it is no wonder that this record is a popular gem in Western Africa but how is the reception from the European and American fans of furious funk music? Well, Geraldo Pino has become a legend in his home area but just a short time before his death in 2008 people from the Western World really discovered him and his amazing band. Original copies of this album go for several hundred USD if they ever turn up. So a reissue of this sacred gem of African funk music from the early 70s has been long overdue. A record that is made to let dancefloors smoke and tremble and the musicianship is sheer amazing!

Go to Item

Herbie Hancock

Crossings

Dr. John's Gumbo 200g Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

Go to Item

Dr. John

LP | 1972 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1972 | EU | Reissue (Underdog)

Release: 1972 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Dr. John's Gumbo" is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.
"Dr John's Gumbo" was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").
Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.
This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 200-gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results!

Go to Item

Janko Nilovic

Pop Impressions

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Remastered for the 2014 season!

Go to Item

Miles Davis

On The Corner

There's A Riot Goin' On Vinyl Me, Please Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

Go to Item

Sly And The Family Stone

LP | 1971 | US | Reissue (Vinyl Me, Please)

The Taker/Tulsa Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
With the ’60s coming to an end, the revolutionary spirit of the times was so ubiquitous that it simply demanded more from its artists. We started to see this shift in rock ’n’ roll (The Beatles, The Rolling Stones) and in jazz (Lee Morgan, Miles Davis, Herbie Hancock); it was time that pop and soul music followed suit. Marvin Gaye would release the seminal What’s Going On in May 1971, and while What’s Going On was pivotal in allowing Black artists to deliver popular music with a message that spoke to the times, There’s a Riot Goin’ On followed Gaye’s lead, but pushed the boundaries further. Sly Stone challenged what was possible for a Black artist in popular music, both lyrically and sonically.

Sly & The Family Stone’s There’s a Riot Goin’ On was synonymous with the anxiety felt by all alive at that time — how to navigate this new decade, after all the turmoil experienced in the last one. It’s a bit of a “purple haze,” really. Artistically, Sly managed to harness the confusion that not only he felt, but that most people were feeling then.

Go to Item

Waylon Jennings

LP | 1971 | US | Reissue (Vinyl Me, Please)

Black Moses Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.

Go to Item

Isaac Hayes

2LP | 1971 | US | Reissue (Vinyl Me, Please)

43,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | US | Reissue (Rhino)

T.Rex

Electric Warrior

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Remastered, 180 Gram Vinyl

Go to Item

Trio Ternura

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Split Golden Vinyl Edition

The Groundhogs

LP | 1971 | US | Reissue (Fire)

LP | 1971 | EU | Reissue (Rhino)

Release: 1971 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 500 copies on gold vinyl, contains download also. The second of three groundbreaking albums by the ultimate power trio
who morphed blues into hard rock and spawned punk. A much-loved opus with a side-long concept piece. A bona fide inspirational
rock classic. “Tony McPhee has turned to anarchic paranoid battlegrounds of the mind for inspiration,” Melody Maker. And a second
side that delivers the mighty ‘Cherry Red’, McPhee’s take on The Beatles’ ‘A Day In the Life’, a sideswipe at junk food and a glorious
interpretation of John Lee Hooker’s ‘Groundhogs Blues’. “Both musically and lyrically, ’Split’ speaks for a lost time, a nomad time when
ideals took to the hoof and musicians stayed on the road rather than confront the fact that the '60s 'war' had been lost.” Julian Cope //
“Murky, fuzzy, and wisely esoteric.” AllMusic. // “Supercharged, fractured and raging.” MOJO // Remastered and packaged with bonus
tracks on the download (out-takes from the original sessions that spawned this spontaneous monster).

Go to Item

MC5

High Time

36,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Die Grüne Reise - The Green Journey

A.R. & Machines

LP | 1971 | EU | Reissue (Life Goes On)

2LP | 1971 | US | Reissue (Craft)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A.R. & Machines is the solo project of one Achim Reichel. Released in 1971 the album still retains a magical touch. Ranked between the most original kraut albums of all the time, Die Grune Reise (aka The Green Journey) really is a trip. Turning his back to the original beat movement, Reichel embraced the infinity of a multi-layered sound, experiencing the most prolific path of prog rock while joining the obscure meanders of the lysergic renaissance.

Go to Item

Woody Shaw

Blackstone Legacy

49,99 €*

LP | 1971 | EU | Reissue (Wewantsounds)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

Go to Item

Abdel Halim Hafez

Mawood

33,99 €*

LP | 1971 | EU | Reissue (Soulgramma)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Born in Lower Egypt in 1929, Abdel Halim Hafez became, during a relatively short career that ended with his death in 1977 aged 48, one of the giants of Egyptian Music and his legend has never stopped growing since. Alongside Oum Kalthoum, Warda, Farid el Atrache and Mohammed Abdel Wahab, Hafez revolutionised Egyptian music and became a hugely popular star across the whole Arab world. Blessed with stricking good looks, Abdel Halim Hafez started his career in the early 50s and quickly attracted the attention of one of the Egyptian radio's A&Rs who took him under his wing and invited him to perform on the radio. His career went from strength to strength and from 1953, he was associated with the Egyptian revolution led by Nasser. His music mixing tradition and modernity made him one of the most loved singers of the 1950s as he developed a romantic edge that became his signature style (he was dubbed "the dark-skinned nightingale"). In the mid 50s, hot on the heels of his success in music, he launched his acting career in the thriving Egyptian film industry and also became a hugely popular actor. Hafez worked with the greatest composers of their time including Mohammed Abdel Wahab and Baligh Hamdy who composed ‘Mawood’ ("Promised.") Recorded live in 1971 (as it was the norm at the time. Singer would rarely record studio albums), 'Mawood' is one of the singer's most recognisable standards. The song stretches over the two sides of the album and consists of several sections alternating instrumental parts and sung ones. The song, written by Egyptian poet Mohamed Hamza, sees Hafez talking to his heart, apologizing for driving it from failure to failure and concluding that, to find solace, one must keep love at bay. He's backed by his full orchestra featuring traditional instrumentation and those powerful strings that influenced the likes of Jean-Claude Vannier, together with modern instrumentation including organ and electric guitar by Omar Khorshid adding his unmissable twang to the ensemble. 'Mawood' mixes tradition and modernity and develops into a hypnotic epic full of groove with a superb soulful performance by one of the greatest singers of the 20th century. An undisputed Arabic Music classic which Wewantsounds it delighted to reissue on vinyl for the first time since the 1970s.

Go to Item

Carol Woods

Out Of The Woods

22,99 €*

LP | 1971 | EU | Reissue (Sony)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fully licensed ! 180 gr. vinyl Carol Woods was born in Jamaica, New York in 1943. She was deeply influenced by her grandfather, a Pentecostal minister, and her mother Marion Jones, which led her to become lead singer with the local church choir. A necessary soulful album long out of print. Recorded in London and published on Ember (british label formed in the early 1960s by club owner and promoter Jeffrey S. Kruger, owner of the Flamingo Club, London) in 1971, ‘Out Of the Woods’ is still a shiny gem on its own. The four tracks on her singles were included and the rhythm section backing tracks for the remainder were put down by Beau Ray Fleming (well known for his studio work with Mandrill) in New York. Ember s producer, Mike Berry, then added Carol s vocals and the horn section. Woods‘ vocals are full and rich and the record has a sort of post-Supremes vibe with an obvious seventies approach. Since that time Carol has found success in stage musicals, such as One Mo Time where she took over the role of Big Bertha Williams, the hard drinking Vaudeville star. She has also appeared in movies, including Eddie Murphy ‘Raw’ where she played Eddie s aunt.

Go to Item

Carole King

Tapestry

Release: 1971 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | EU | Reissue (Rhino)

John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

OST Gli Occhi Freddi Della Paura

Ennio Morricone

LP | 1971 | EU | Reissue (Tiger Bay)

15,99 €*

Release: 1971 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fela Kuti & The Africa 70

London Scene

LP | 1971 | UK | Reissue (Knitting Factory)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hunky Dory 2015 Remastered Edition

David Bowie

LP | 1971 | EU | Reissue (Parlophone)

Release: 1971 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | UK | Reissue (Pure Pleasure)

Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | BR | Reissue (Polysom)

Erasmo Carlos

Carlos, Erasmo

39,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / BR – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Polysom Brazil vinyl LP repress import, released in 1971. Erasmo Carlos sounds even cooler here than usual – still working with tunes penned with his brother Roberto – but also taking on music by Caetano Veloso, Jorge Ben, and Marcos Valle too!

Go to Item

Nina Simone

Here Comes The Sun

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g vinyl.

Go to Item

America

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | EU | Reissue (BGP)

Bernard Purdie

Purdie good !

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

T. Rex Vinyl Me, Please Edition

T. Rex

LP | 1970 | US | Reissue (Vinyl Me, Please)

LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
This album, a pair of gorgeous, androgynous longhairs with incredible cheekbones on its cover, showed up first. Its songs talked of girls with jewels on their lips riding zebras and a chance encounter with a wizard. The sound was a strange brew concocted from different strains of earlier rock ’n’ roll: some folk, some rock, and an undeniable debt to Eddie Cochran. Marc Bolan’s music, persona, and look were strange, beautiful, and whimsical enough that if you tried to explain his massive popularity to somebody born after the century Bolan lived in, for just shy of 30 years, it would probably sound like a story from eons ago. We know glam came after T. Rex, but it’s also just a skip to the Sex Pistols, Ramones, and more punk from there; it’s also not far from the “post” sounds that came out of New York and London around 1977 or the darkness and decadence of Siouxsie Sioux and Bauhaus either. The tarted-up heavy metal of Hanoi Rocks and Poison in the 1980s followed, and into this newer century, you can hear Bolan’s direction heeded and reimagined by Alison Goldfrapp or Devendra Banhart. All of that is because of this album, the sound of Marc Bolan turning the key to unlock his true potential. His magically strange vision took shape here, and nothing has been the same since.

Go to Item

Joe Pass

Intercontinental

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thank Christ For The Bomb Golden Vinyl Edition

The Groundhogs

LP | 1970 | US | Reissue (Fire)

Black Sabbath Marbled Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 500 copies on gold vinyl, contains download also. A hugely influential album cited as the embryo for punk, grunge and
beyond. Featuring epic 1970 concepts from this far reaching trio much praised by Underworld’s Karl Hyde, Captain Sensible, Stephen
Malkmus and a host of others. ‘Thank Christ For The Bomb’ is a visionary tale of cold war fear, alienation and everyday drama. “This is
a masterpiece!” NME // A thinking man’s rumination on alienation, the album is a game of two halves; side one tackling the thermo
nuclear threat while side two traces riches to rags alienation in everyday London. First of a trio of ground-breaking albums that steered
the band from the Blues into a heavier, more prog-based sound and a true reflection of their much-praised live sound.

Go to Item

Black Sabbath

LP | 1970 | EU | Reissue (AR)

39,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Rhino)

The Stooges

Fun House

44,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Music On Vinyl)

Atomic Rooster

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Blue Note)

Grant Green

Green Is Beautiful

22,99 €*

LP | 1970 | Reissue (Mute)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Grant Green’s musical style evolved to embrace jazz-funk as the decade turned to 1970. The guitarist’s vibrant album Green Is Beautiful is a highlight of the era with his distinctive tone shining on a set that included covers of James Brown (“Ain’t It Funky Now”), The Beatles (“A Day In The Life”) & Burt Bacharach (“I’ll Never Fall In Love Again”).

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Go to Item

Can

Soundtracks

22,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Mean To Shine Record Store Day 2022 Vinyl Edition

Linda Hoover

LP | 1970 | US | Reissue (Omnivore)

Black Merda Clear Beer Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 2000 copies. A shelved album from 1970. 1) I Mean To Shine 2) Turn 3) Roaring Of The Lamb 4) Roll Back 5) Autumn 6) Jones

Side B 1) In A Station 2) Mama Tears 3) City Mug 4) 4 + 20 5) The Dove

Go to Item

Black Merda

LP | 1970 | EU | Reissue (Lilith)

Tumbleweed Connection (2017 Remaster)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

Go to Item

Elton John

LP | 1970 | EU | Reissue (Mercury)

LP | 1970 | EU | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Tumbleweed Connection” is the third studio album by English singer-songwriter Elton John. It is a concept album based on country and western/Americana themes.

Remastered from the original analogue tapes and pressed on 180-gram vinyl!

Go to Item

Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blues Obituary Golden Vinyl Edition

The Groundhogs

LP | 1969 | UK | Reissue (Fire)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Acid Vinyl Me, Please Edition

Ray Barretto

LP | 1969 | US | Reissue (Vinyl Me, Please)

LP | 1969 | Reissue (Sony)

Release: 1969 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (''Ritmo Sabroso'') and Oliver Stone’s JFK (''El Watusi'') to Lee Daniels’ Precious (''Teacher of Love'') to Tom McCarthy’s Spotlight (''Cocinando Suave''), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into ‘’Acid'' before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.

Go to Item

Harry Nilsson

Nilsson Sings Newman

Release: 1969 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Proper)

White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Rhino)

The Stooges

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Verve)

The Eddie Fisher Quintet

The Third Cup

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Rhino)

Crosby, Stills & Nash

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Meters Red Vinyl Edtion

The Meters

LP | 1969 | US | Reissue (Jackpot)

Speed And Space - The Concept Of Space In Music

Release: 1969 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

Go to Item

Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1969 | UK | Reissue (Be With)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

Go to Item

Willie Hutch

Soul Portrait

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

Go to Item

Reuben Wilson

Love Bug

15,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Decca)

The New Jazz Orchestra

Le Dejeuner Sur L'herbe

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.

Go to Item

Tony Joe White

Black And White

46,99 €*

LP | 1969 | EU | Reissue (Sony)

Release: 1969 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

Go to Item

The Psychedelic Furs

Book Of Days

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Fat Albert Rotunda

Escalator Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is
centered around the music Hancock wrote the Fat Albert cartoon show. It’s one of the records which
appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic
Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock’s long and diverse catalog, with
funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The
sextet which is backing Hancock consists of some of the most prominent musicians of that time, like
Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

Go to Item

Sam Gopal

LP+7" | 1969 | UK | Reissue (Morgan Blue Town)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Contact Colored Vinyl Edition

The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

LP | 1969 | EU | Reissue (Columbia)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

Go to Item

The Byrds

Sweetheart Of The Rodeo

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Epic)

Sly & The Family Stone

Stand

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | US | Reissue (Stax)

William Bell

Bound To Happen

32,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

OST More Remastered Edition

Pink Floyd

LP | 1969 | EU | Reissue (Parlophone)

Release: 1969 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Legacy)

Leonard Cohen

Songs From A Room

Release: 1969 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | EU | Reissue (Sony)

Miles Davis

In A Silent Way

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1969 | EU | Reissue (Elektra)

The Stooges

18,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For The Sake Of The Song Vinyl Me, Please Edition

Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

Nuff Said! Vinyl Me, Please Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

Go to Item

Nina Simone

LP | 1968 | US | Reissue (Vinyl Me, Please)

Release: 1968 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | EU | Reissue (Music On Vinyl)

Thelonious Monk

Monk's Blues

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | US | Reissue (Legacy)

Jeff Beck

Truth

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The classic debut album, originally released in 1968. Features Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. Shapes Of Things 2. Let Me Love You 3. Morning Dew 4. You Shook Me 5. Ol' Man River Side B: 6. Greensleeves 7. Rock My Plimsoul 8. Beck's Bolero 9. Blues De Luxe 10. I Ain't Superstitious

Go to Item

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

10,99 €*

It's A Long Way Down Red Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

31,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

Go to Item

Janis Joplin

Cheap Thrills

LP | 1968 | US | Reissue (Third Man)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.

Go to Item

France Gall

1968

37,99 €*

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1968 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

Go to Item

Lalo Schifrin

OST Bullitt

At Folsom Prison Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Go to Item

Johnny Cash

LP | 1968 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Never Loved A Man Vinyl Me, Please Edition

Aretha Franklin

LP | 1967 | US | Reissue (Vinyl Me, Please)

Release: 1967 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."

Go to Item

Duke Ellington

Far East Suite

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Volume 1 Black Vinyl Edition

Fabrizio De Andre'

LP | 1967 | EU | Reissue (RCA)

37,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sorcerer Crystal Clear Vinyl Edition

Miles Davis

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dexter Wansel

Life On Mars

Release: 1967 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Sorcerer Verve By Request Edition

Gabor Szabo

LP | 1967 | EU | Reissue (Impulse)

LP | 1967 | DE | Reissue (Blue Note)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

Go to Item

George Braith

Extension

14,99 €*

Release: 1967 / DE – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

West Coast Pop Art Experimental Band

Part One Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

LP | 1967 | EU | Reissue (RCA)

Release: 1967 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.

Go to Item

Jefferson Airplane

Surrealistic Pillow

West Coast Pop Art Experimental Band

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The release comes on 180g Vinyl.

Go to Item

Part One Mono Edition

LP | 1967 | US | Reissue (Jackpot)

31,99 €*

Release: 1967 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Procol Harum

LP | 1967 | EU | Reissue (Legacy)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Procol Harum is the eponymous debut studio album by the English rock band Procol Harum. Originally released in 1967 it now celebrates its 50th year anniversary.

Go to Item

Leonard Cohen

Songs Of Leonard Cohen

Release: 1967 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Jefferson Airplane

Surrealistic Pillow

73,99 €*

Axis Bold As Love EU Stereo Version

Release: 1967 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

Go to Item

Jimi Hendrix

LP | 1967 | EU | Reissue (Sony)

Blue Train 180g Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Stereo version, freshly pressed on 180 gram vinyl!

Go to Item

John Coltrane

LP | 1967 | EU | Reissue (Dol)

15,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Never Loved A Man the Way I Love You

Aretha Franklin

LP | 1967 | EU | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1967 | EU | Reissue (RCA)

Nina Simone

Sings the blues

Blonde On Blonde Vinyl Me, Please Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram high quality pressing vinyl!

Go to Item

Bob Dylan

2LP | 1966 | US | Reissue (Vinyl Me, Please)

43,99 €*