All Items 179278 Items

EP | 2021 | US | Original (Sentient Ruin Laboratorie)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Now it‘s finally here: The debut album «Time To Recover» by Feiertag. The Multi-faceted artist & producer has established himself as a leading name within the electronic music sphere since making his debut in 2015. He defies convention in ways many cannot, from his immersive productions on Last Night On Earth, Boogie Angst, Majestic Casual and Kitsuné.

After two successful EPs and even more singles, Feiertag took his time for this debut album. This can be heard on each of the sixteen tracks: Extraordinary attention to detail, sophisticated arrangements and a sound aesthetic that couldn‘t sound more modern are probably the first impressions you take away from «Time To Recover». On second or third listen through, however, you realize that almost every one of these songs has hit potential somehow.

After the dubby head-nodding opener «Stranger To One» follows «Yearn» with Oli Hannaford from London and Tessa Rose Jackson from Amsterdam, revealing a melancholic and shimmering musical soundscape. Majestic vocals combine with lush percussive elements and smooth drums, whilst rich chords work atop of resonant strings. A song destined for eternity!

Tessa is also featured on «Follow» and «Riptide». Then there‘s the collaboration with Gosto, «Stronger,» a song that gains in punch and impact with each successive listen. And with every rewind, you turn up the volume a little more. As loud as enough that you can also enjoy «It‘s Alright» with James Alexander Bright in its full glory and exuberant optimism. Similarly good-humored is the instrumental «Saccharine» tasting full of sweet summer, unbridled exuberance and outdoor parties. With «Panorama» Feiertag shows his calmer, more ambient side towards the end of the album to finally set an absolutely dignified closing point together with Pete Josef on «Where Are We Now».

«Time To Recover» is an almost furious ride through current musical styles and genres - all from the artful and almost grandiose orchestrated point of view of Feiertag. credits

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Aberration

I've Seen All I Need To See Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Obfuscating And Abysmal Ambient Dark Death Metal From Members Of Void Rot, Suffering Hour, Tvaer, And Nothingness. Fifteen Minutes Of Oppressive And Abhorrent Death Metal Chaos Spiraling Down Into Aphotic Hell. Debut Ep - For Fans Of Altarage, Immolation, Impetuous Ritual, Abyssal Etc..

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The Body

LP | 2021 | US | Original (Thrill Jockey)

31,99 €*

7" | 2020 | US | Original (Colemine)

Release: 2021 / US – Original

Genre: Rock & Indie

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Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.

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Bubaza

Ice Breaker

10,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Bubaza Is A Side Project Featuring Members Of Jungle Fire And The Sure Fire Soul Ensemble. Covering Ground That Each Of Their Respective Bands Live In: Latin Jazz, Instrumental Soul, Funk, Etc., But While Also Extending This A Little More Into B-Boy And DJ Culture With Fiery Drum Breaks And Crafting Tunes Meant For The Funk Dance Floor.

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LP | 2020 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 07

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Pjotr Iljitsch Tschaikowski

The Masterpiece Of

LP | 2020 | EU | Original (Wagram)

2LP | 2020 | EU | Original (Bureau B)

Release: 2020 / EU – Original

Genre: Classical Music

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We no longer present Piotr Ilitch Tchaïkovski and his music. However, we offer you here to rediscover his work in a easy way with its greatest classics played by the greatest orchestras.

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Jimi Tenor

NY, Hel, Barca

Gentle Grip Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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"NY, Hel, Barca" is a compilation of Jimi Tenor's early works from the legendary Warp and Sähkö days (1994-2001).

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Practice

LP | 2020 | US | Original (Wharf Cat)

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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On their debut full length, Gentle Grip, Public Practice reanimate the spirit of late `70s New York with their playfully angular brand of no wave-meets-funk and dark disco. While magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland (who both played together as members of the meteoric yet shortlived NYC post-punk outfit WALL) take an almost anarchic approach to songwriting, Drew Citron, on synth and bass, and drummer/producer Scott Rosenthal (both previously of Brooklyn indie-pop favorites Beverly) bring a more traditional, pop sensibility to the table. These contrasting styles challenge and complement each other, resulting in a sound that is full of spiraling and exhilarating tensions. Lyrically, York explores the complexities and contradictions of modern life overtop grooves and choruses that disarmingly open up the doors to self-reflection. "You don't want to live a lie / But it's easy / Your house is important / Your car is important / Your shoes are important / Dinner's important" she sings on "Compromised," begging the question: how does one balance material desires with the desire to be seen as a good person? Changing pace, the supremely groovy "My Head" is about tuning out the influx of external noise and staying true to your inner creative force. But whether they are poking holes in commonly held ideas centered around relationships, creativity, or capitalism, Public Practice never lose sight of the fact that they want to have fun, and they want you to have fun too. After all, who needs a soapbox when there's a dark, sweaty dancefloor out there with room on it for all of us?

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Bill Fay

Countless Branches

Release: 2020 / US – Original

Genre: Rock & Indie

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Crown Jewels Volume 1 Fools Gold Vinyl Edition

LP | 2019 | US | Original (Big Crown)

Of All The Things Deluxe Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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Big Crown is proud to present our first compilation on the label, Crown Jewels Vol. 1. This is something of a highlight reel for what we have released in the three years that we've been around.Some of our artists are world famous at this point while some of them are still under the radar. It's been extremely satisfying for us when the fans of one Big Crown artist discover another one because they are label mates. We are putting out this comp with the hope that it will continue that process, and, this is a damn good listen. Even though not all BC artists can be found in the same aisle of the record store, after listening to Crown Jewels Vol. 1, it should be clear how they all fit on the same record label. When we started Big Crown we wanted to have a label that's only boundaries were defined by our taste, not by genre. We think that this is a perfect example of that; and this is only volume one. Thank you to everyone who has supported us thus far and please stay tuned as we have plans to continue pushing the envelope and putting out tunes we believe in.

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Jazzanova

3LP | 2019 | EU | Original (Sonar Kollektiv)

30,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Very few albums manage to unveil their roots so honestly and at the same time succeed in creating something utterly distinct. ‚Of All The Things‘ from Jazzanova is one of these albums. Originally released in 2008 on Universal, it now gets a luxurious reissue on Sonar Kollektiv as a 3LP with pop-up gatefold cover including previously unreleased instrumentals. This format corresponds perfectly with the elegant opulence of the music that shines even brighter eleven years after its initial release. At no time is it unclear that this album is a deep bow to soul from the 1960s and 70s as well as genres like jazz, brazil and pop music in the vein of the early Beatles. Along these lines, ‚Of All The Things‘ is meant to be perceived as a tribute to the music that Jazzanova has been honoring affectionately in their DJ sets and which has always had a decisive influence on their own productions. At the same time, the Jazzanova guys have been successful in casually creating elaborate musical pieces which convey a deeply contemporary vibe – not least because of the multifarious references to electronic productions.
The path to this sophomore long player, which features the contribution of over 50 studio musicians, had been laid out beginning with Jazzanova‘s first album ‚In Between‘ from 2002.

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LP | 2019 | EU | Original (Stag-O-Lee)

Buzzsaw Joint Cut 05

18,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Wagram)

Spirit Of Salsa

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Wagram)

Girls Rock

Release: 2019 / EU – Original

Genre: Pop

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LP | 2019 | EU | Original (Wagram)

Chanson Francaise

Release: 2019 / EU – Original

Genre: Rock & Indie

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Emotional Detox Black Edition

Camera

LP | 2018 | EU | Original (Bureau B)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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LP | 2018 | EU | Original (Wagram)

Wanted Disco

20,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Piaptk)

Sugar Candy Mountain

Do Right

19,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Do Right is the followup to Sugar Candy Mountain's critically acclaimed 2016 album,
"666". Part travelogue, part response to the current, turbulent climate, Do Right
gives voice to the deeply nested anxiety of modern times and attempts to offer a
balm. Nature, it seems, is where the band often goes to calibrate its' moral compass
so frequently upended by the daily news-cycle. Sugar Candy Mountain invites you to
join them on this journey singing "There's a quiet place I go when I need to fifind my
way/ There's a quiet place inside/ Come on in just knock and a door will open".
Musically, the band remains rooted in 60's and 70's rock, with their signature honey
sweet vocals. "Do Right" leans more heavily on synthesizer than the band's previous
records, lending the album a more modern feel. The album pairs the ephemeral
orchestral arrangements of The Beach Boys with the pop sensibility of George
Harrison on "All Things Must Pass". Oscillating between the hazy psychedelic pop of
Mild High Club, the driving energy of Dungen and the danceable familiarity of The
Supremes Do Right is a perfect cocktail of old and new, imploring the listener to
take a ride into the sunset with Sugar Candy Mountain.

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Dusty Ballroom 01-In Dust We Trust

LP | 2018 | EU | Original (Stag-O-Lee)

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Undercover Mixtape Black Vinyl Edition Edition

Orgone

2LP | 2018 | US | Original (Colemine)

33,99 €*

The Days Of Never Coming Back And Never Getting Nowhere

Release: 2018 / US – Original

Genre: Organic Grooves

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Orgone takes on 13 funk and soul classics! Otis Redding, Funkadelic, The Meters, Aretha Franklin, Betty Wright, and Booker T are just a few of the artists Orgone cover on this mixtape collection with some help from friends as well! Expertly recorded and performed, you could make an argument for some of these being better than the originals, but we'll suffice it to say that it's a simply killer set from beginning to end!

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Textor & Renz

LP+CD | 2017 | EU | Original (Trikont)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Ben Lukas Boysen /Sebastian Plano

Everything Black Vinyl Edition

LP | 2017 | EU | Original (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 1979 | EU | Reissue (Wagram)

Dave Brubeck

Take Five

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 2017 | US | Original (Captured Tracks)

B Boys

Dada

Release: 2017 / US – Original

Genre: Rock & Indie

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Ethio Stars, Tukul Band & Mulatu Astatke

Addis 1988

LP | 1992 | EU | Reissue (Piranha)

22,99 €*

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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The Lost Queen Of New Orleans Soul

Betty Harris

2LP | 2016 | UK | Original (Soul Jazz)

28,99 €*

2LP | 2016 | EU | Original (Anti)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Betty Harris’ The Lost Queen of New Orleans Soul collects together the steady stream of amazing soul and funk singles issued by Betty Harris from 1964 to 1969, under the musical guidance of legendary composer, musician and producer extraordinaire Allen Toussaint, a collection which truly captures the heart and soul of the city of New Orleans during this era.
Betty Harris’s powerful, fiery soulful vocals found a perfect accompaniment with the New Orleans’ players that Toussaint put together to back her, which by the time of her funk classic ‘There’s A Break In The Road’ were the legendary super-tight, super-funk New Orleans group The Meters.
With the extraordinary song-writing skills of Allen Toussaint alongside the powerful, soaring, confident and emotive singer and the groove of The Meters, you have an unbeatable combination. That Harris never in fact lived in New Orleans (she flew in from Florida for all her sessions with Toussaint’s local in-house players) seems almost an irrelevance, a geographical aside to the defining New Orleans sound captured on the recordings featured here.
All of these singles featured here were released on Allen Toussaint and his business partner Marshal Sehorn’s local New Orleans label Sansu, widely distributed in the southern city but in only limited quantities elsewhere. As a consequence, Betty Harris’ music failed to achieve the commercial success of other New Orleans artists such as Lee Dorsey (who she recorded with) and The Meters (who backed her). And so at the end of the decade she stopped recording, retired from the music business to raise her family in Florida.

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Cass McCombs

Mangy Love

Release: 2016 / EU – Original

Genre: Rock & Indie

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Spells Black Vinyl Edition

Ben Lukas Boysen

LP | 2016 | EU | Original (Erased Tapes)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Sub Opus 36 e.V.

SO36 - 1978 bis heute

Ventil

33,99 €*

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3LP | 2016 | EU | Original (!K7)

Moodymann

DJ-Kicks

31,99 €*

The Fun EP: Happy Clown Bad Dub Eight Picture Disc Edition

Release: 2016 / EU – Original

Genre: Electronic & Dance

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With DJ Koze’s epic mix taking the #1 slot on year-end lists from Resident Advisor, Mixmag and DJ Mag, 2015 may look like a tough year to top for the DJ-Kicks series. We’ve got a few aces up our sleeves though… Like the fact that the outspoken and enigmatic Detroit legend Moodymann is mixing the first DJ-Kicks of 2016!

Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. DJ-Kicks will be Dixon’s first ever official multi-artist DJ mix. Across 75 minutes and 30 tracks, Moodymann creates a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house.

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Atmosphere

LP | 2015 | US | Original (Rhymesayers)

Directors Of Photography Clear Vinyl Edition

Release: 2015 / US – Original

Genre: Hip Hop

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The Sad Clown Bad Dub series is back, except this time happy... Originally released as a limited promo CD only, Atmosphere's The Fun EP (Happy Clown Bad Dub 8) is re-packaged and reformatted on vinyl for the first time ever in this 12'' smiley face picture disc. Featuring 8 tracks from Slug and Ant, including bonus track ''Pretty Broad'' as well as alternate versions of ''Say Hey There'' and ''Panic Attack'' off of the critically acclaimed 2005 release You Can't Imagine How Much Fun We're Having. Packaging includes plastic LP jacket, custom obi-insert, and a free digital download card.

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Dilated Peoples

2LP | 2014 | US | Original (Rhymesayers)

2LP | 2013 | EU | Original (Matador)

Release: 2014 / US – Original

Genre: Hip Hop

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Back in.
Custom printed gatefold jacket with spot gloss finish, double transparent clear vinyl, 2-panel insert containing full album lyrics, custom printed labels and free digital download card, yeah! New Dilated Peoples album feat. Aloe Blacc & Vince Staples!

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Queens Of The Stone Age

Like Clockwork

30,99 €*

LP | 2009 | UK | Original (XL)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Standard 2LP on 150 gram vinyl with download code.

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Vampire Weekend

Contra

Wenn Die Nacht Am Tiefsten ...

Release: 2009 / UK – Original

Genre: Rock & Indie

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After surviving the inevitable backlash, Ezra Koenig and his mates return with their second album. More mature, more refined, more diverse - "Contra" is everything the debut wanted to be but couldn't quite nail yet. Oh and they sampled M.I.A.!

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Ton Steine Scherben

2LP | 1975 | DE | Reissue (David Volksmund)

25,99 €*

Release: 1975 / DE – Reissue

Genre: Rock & Indie

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I Häxa (Part I, II, III & IV)

I Häxa

LP | 2024 | EU | Original (Pelagic)

33,99 €*

The Men They Couldn't Hang

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mysterious, multifaceted collective i Häxa have unveiled their epic self-titled, full length debut; a ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology_Released as four distinct Parts over the course of the year, `i Häxa' now comes together as a singular vision that weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies from singer-songwriter and visual artist Rebecca Need-Menear (also of electronic alt-rock duo Anavae) and forward-thinking producer Peter Miles (Architects, Dodie, Fizz). i Häxa is a ritualistic dissection of the world as we know it, a forceful separation of the monotony of modernity from the rites and rituals that for centuries formed the foundations for who we are, how we came to be and where we claim to belong. Disjointed fragments of time collide. Two sides, one of logic and one of chaos, seeking unity and balance through an expression of freedom. This is i Häxa. Whilst the album is composed of four distinct movements, each consisting of four distinct tracks themselves; pulling them apart into easily digestible, standalone singles isn't an easy feat and, as is now clear from the project's sprawling cyclic nature, was never the intention. In an age of fast fun and instant gratification, the ties that bind these works together are intended to transcend tracklisting. With aural, visual and lyrical themes freely intertwining, i Häxa is something to be consumed whole; just as it will, in time, consume you. Charting an existential journey to the very depths of what makes us who we are, with every dark corner illuminated in glitched out, discordant glory; i Häxa is a project years in the making that draws simultaneously from rituals for old gods and the modern day deification of data. i Häxa is both heartwarming and horrifying; i Häxa is ancient history and hyper-real; i Häxa is everybody and no one at all.Check out if you like Radiohead, Julie Christmas, Agnes Obel, Bjork,...

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The Magnificent 40 Vol. 2

2LP | 2024 | Original (Vinyl Star)

49,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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The Men They Couldn't Hang

The Magnificent 40 Vol. 1

LP | 2024 | Original (Vinyl Star)

49,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1995 | EU | Reissue (Glitterhouse)

Chris & Carla

Life Full Of Holes

32,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Numero 95 Clear Vinyl Edition

LP | 2021 | US | Original (Numero Group)

30,99 €*

Anne Imhof, Eliza Douglas, Billy Bultheel

Release: 2021 / US – Original

Genre: Organic Grooves

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As escapism from corporate banality turned the corner in the `90s, a new generation of vibrant, software generated soundscapes emerged. Communal access to the internet propagated the new hive mind of ideas online, giving way to smoother, stress-free textures. The PC revolution opened the gateway to ray-traced playgrounds of color and light, allowing for visions of utopic proportions to manifest themselves on screensavers far and wide. Boot up your machine, load the software on this floppy diskette, and drop out of a reality bounded by the physical laws of the universe. Numero 95 is the soundtrack to the screen saver fever dream we're all trying to climb back into. Eight droplets of proto-vaporwave, synthesized in vinyl (or digital) form, fresh from Numero's archive of forgotten sounds. Are you looking for that half way point between smooth jazz and new age? Mac and PC? Quantum Leap and the X-Files? This software is for you. Housed in a replica floppy diskette, Numero 95 explores an early computer music unbound by scene or region. Eight solo pioneers vibing out at home in their headphones, traveling as far as the sound card would allow. This is music that barely escaped the hard drive and yet percolates at the edges of the algorithm 30 years later. Welcome to Numero 95.

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Sex

LP | 2021 | UK | Original (Pan)

Rue Des Cascades/ Cascade Street

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sex Was Composed During The Formation Of Imhof's Art Show Of The Same Name, Previously Exhibited At Tate Modern, London, The Art Institute Of Chicago And Forthcoming At Castello Di Rivoli, Italy, This September. Imhof, Douglas And Bultheel, Reworked The Songs From How They Appeared In The Exhibition `Sex'. The Result Is A Compelling Record That Acts As An Imaginative Accompaniment To The `Sex' Performances, As Well As Standing Alone As A Progressive Collection Of Contemporary Compositions.Sex References Punk, Industrial And Grunge, And Boldly Juxtaposes These Forms With Music Of The Classical And Baroque Period. The Album Combines Classical Formals And Orchestration With Vocals That Are Rooted In Subcultural Traditions, Thus Beautifully Overdrawing And Overwriting These Forms With The Composer's Own. Harpsichord And Oboe Are Combined With Distorted Electric Guitar, Or Exuberant String Ensembles With Heavy Industrial Drums.The Amalgamation Of Genres Contained In The Album Was Also Integral To The Choreography Of Sex, Where Walzes And Tangos Were Contrasted With Stage Diving, Slam Dancing And Moshpits. What Resulted Was A Surreal Ballroom, Loaded With Desire And Aggression. In The Same Vein, The Record Fearlessly Shapeshifts, Blends Genres And Styles Evoking An Impressive Array Of Moods. Oscillating Between Fragility And Flamboyance, Imhof And Douglas' Versatile Voices Reinvent Themselves From One Song To The Next, While Singing Songs Of Love And Hate.The Last Song On Sex Is Ended By A Quote Of The Band Low, `All You Pretty People, You`Re All Gonna Die`. This Ambiguous Moment, A Prophecy Sung In Douglas' Vibrating Baritone Voice, Rattles The Listener Despite The Mundane Truth Of The Statement. This Complexity Is Reflected In The Album Itself, Allowing For An Unusual Multiplicity Of Emotions And Interpretations With Impressive Depth And Dynamism.The Album Is Mixed & Engineered By Ville Haimala And Mastered By Rashad Becker, Featuring Design By Zak Group And Photography By Nadine Fraczcowski. All Tr...

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Yann Tiersen

LP | 2013 | EU | Original (Ici D'Ailleurs)

22,99 €*

LP | 2020 | EU | Original (Too Pure)

Release: 2013 / EU – Original

Genre: Rock & Indie

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People Ask Repeatedly If They Can Purchase These Records And The Answer Until Now Has Been No. Until Now. We Are Delighted To Announce The Re-Issue Of These Four Incredible Albums With Updated Artwork. Lp Are Re-Mastered, And For The First Time Ever Available In English (English Versions For Cds Will Come Later) . When The Albums Were Originally Released They Were Predominantly Sold In France But Subsequently Yann Has Become Known All Over The World. For That Wider Audience The He Has Painstakingly Translated The Titles Into English, Doing It Himself To Ensure The Original Meanings And Sentiment Are Kept. Where Oc...

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P.J. Harvey

Dry

20,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Joyful Noise)

Tropical Fuck Storm

Braindrops (Hot Magenta)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Tropical Fuck Storm were formed around 2017 in the city of Melbourne, Victoria along Australia's south-eastern coast. The band released their debut long-player A Laughing Death in Meatspace on Joyful Noise Recordings in 2018. Each of the band's four members bring considerable experience to the group. Liddiard and Fiona Kitschin were part of the long-running and critically-acclaimed act The Drones, while Erica Dunn and Lauren Hammel have performed in a variety of well-received projects. "Everything we do, we try to do it in a weird way. The whole album is full of weird beats, and just weird shit everywhere," Liddiard explains. He cites Doc at the Radar Station-era Captain Beefheart as a key sonic touchstone, and Braindrops certainly shares the Captain's penchant for pounding abstract grooves. Tropical Fuck Storm have achieved a uniquely off-kilter sound on Braindrops. Liddiard partly credits this to the group's use of unconventional equipment, "We use lots of techno gear to make rock and roll because rock and roll gear is boring, and all sounds like Led Zeppelin."

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Studio One Freedom Sounds - Studio One In The 60s

2LP | 2018 | UK | Original (Soul Jazz)

28,99 €*

LP | 2009 | EU | Original (Bureau B)

Release: 2018 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

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Cluster

Grosses Wasser

LP | 2024 | EU | Original (TAL)

Release: 2009 / EU – Original

Genre: Organic Grooves, Rock & Indie

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recorded 1979 in Berlin

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So Sner

The Well

28,99 €*

LP | 2024 | EU | Original (Karaoke Kalk)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Well is the second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics). Recorded over nearly two years in various studios and spaces, the album reflects So Sner"s extensive touring across Europe. The final mixing took place in Vienna at the studio of Martin Siewert, who served as both co-producer and mastering engineer. Known for his meticulous attention to sonic detail, Siewert brings his unique techniques and distinctive sound enhancements to the album, resulting in a work that is both stylistically cohesive and daringly uncompromising.

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Dyl & Senking

Diving Saucer Attack

Byard Lancaster, Keno Speller

Release: 2024 / EU – Original

Genre: Organic Grooves

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Senking and DYL team up again after first collaborating for a track on 2020"s "Uniformity Of Nature" EP that also featured different solo productions by the two producers. "Diving Saucer Attack" is the first full-length record by the German artist and his Romanian collaborator, released through the Berlin-based Karaoke Kalk label, home to the former"s work for more than a quarter of a century. The six pieces, two of which were produced individually, both showcase the duo"s shared interests for dub-heavy, adventurous electronic music while also emphasising the productive friction generated by the subtle differences between their respective approaches.

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Exactement

2CD | 2024 | EU | Original (Souffle Continu)

19,99 €*

Byard Lancaster, Clint Jackson Iii

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

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Mother Africa

CD | 2024 | EU | Original (Souffle Continu)

Byard Lancaster, Steve Mccall, Sylvin Marc

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.

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CD | 2024 | EU | Original (Souffle Continu)

2LP | 2024 | UK | Original (Discrepant)

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is great Black music.

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Goncalo F. Cardoso

Exotic Immensity

39,99 €*

LP | 2023 | EU | Original (Morr Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.

Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau or 50's pop-science books, the music on 'Exotic Immensity' transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of 'Réplica(s)' until the closing moments with the touching chord progression and mangled voices of 'Pó Nuno'. In-between, the foghorn meets bass clarinet melody of 'Ossos' recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of 'Desumanização (I & Ii)' until tape orchestral swells carry us into the aether. 'Aquário Novo Mundo' brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. Are we still here? Somewhere? The muffled looped rhythmic sequence of 'Imagem/Miragem', cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.

'Exotic Immensity' exists on the perpetual outside. Blessed be Cardoso for showing us a way in.

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Spirit Fest

Bear In Town

Works For Abattoir Ferme 2007 - 2011

Release: 2023 / EU – Original

Genre: Rock & Indie

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For their fourth album, »Bear In Town«, indie avant-pop supergroup Spirit Fest made a virtue of distance, with group members split across Europe, and recording sessions taking place after a brief 2021 tour of Europe. It’s an object lesson in perseverance and commitment, as the music here is some of Spirit Fest’s most moving yet. The six songs on this album illuminate different aspects of the transnational quintet’s character – lovely, heart-rending pop songs; melancholy chants; the joys of simple repetition – with the group’s guitar pop tended by gentle flourishes of piano and electronics.

Some of those flourishes were spirited onto »Bear In Town« across the waves, with Mat Fowler (Bons, Jam Money) contributing from Britain, while the body of the music was recorded in a small apartment studio in Munich by the other members of Spirit Fest: Saya and Ueno (Tenniscoats), Markus Acher (The Notwist) and Cico Beck (Joasinho, Aloa Input). »Bear In Town« is concise and powerful, the infectious joy of the spirit communicated, beautifully, by melodies that balance the heartfelt with the melancholy. Reflecting on those sessions, Acher says, »I think the album captures how well we played together at that time.« It’s all the more impressive given this material was put down live in the studio, with a few vocal overdubs. The depth of feeling at the core of Spirit Fest’s music is evident from the opening notes of »Bear In Town«.

»Kou-Kou Land«, the first song on the album, recalls several earlier Tenniscoats songs, like »Baibaba Bimba«, in the way the musicians weave gentle complexity around a simple, repeated chant; the stop-start structure of »Kou-Kou Land« builds anticipation, while Saya’s simple melody is lovely, delivered in an absent-minded hum that’s deeply affecting. »Lost & Found« revolves around a delightful descending chord change that breaks up the swaying, folksy verses, gorgeous electronic whirrs and purring winds floating through the song. The following »In Our House« possesses such sweet sadness, it’s one of Spirit Fest’s most moving songs yet.

»Like A Plane« repurposes a song that Markus Acher originally wrote and recorded for his solo EP of the same title, released on a 2022 10-inch single on Morr Music. The original was a gentle, introverted lament, but the version on »Bear In Town« has a widescreen tenderness, its melancholy framed by raindrop piano. The album concludes with two moments of playful splendour, the bossa-inflected »Hill Blo«, and the driving title track, both led by Saya, who is in stunning voice on this album; on »Bear In Town«, her awestruck wonder perfectly captures the sense of possibility in the song’s capacious chords. Like the rest of the album, it’s full of kindness, rich with psych-pop splendour… a balm for troubled times.

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Kreng

4LP | 2012 | UK | Reissue (Miasmah)

73,99 €*

Beispiel (Frank Bretschneider & Jan Jelinek)

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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10 year anniversary edition of Kreng's massive »Works for Abattoir Férme 2007 - 2011”« 4 LPs worth of slow, skin crawling cinematic ambience made for the Belgian theatre group Abattoir Fermé.

It could hardly be a better time to again dive deep into Kreng and Abattoir Fermé's disturbingly beautiful underground worlds. Through 8 full- length vinyl sides we are transported through the most terrifying, shadow- filled, down-right bizarre moments of the subconscious. What could be the sound of your darkest dreams or most surreal fantasies gradually unfolds throughout the three and a half hour duration. Exactly this is what Abattoir Fermé specialises in, and Pepijn Caudron's scores perfectly reflect and accompanies both this theatricality as well as our own fears and desires in a masterful way.

Each extended side is crafted from an arsenal of samples, disintegrating vinyl and corroded tape, and Pepijn Caudron manipulates these sounds in a way that belies the sources. Rather than allow the sounds to emerge, they stay trapped beneath swathes of noise, tape delay and oppressive bass giving us a compositions that emerge like a cross between William Basinski, Jerry Goldsmith (circa Alien) and Henryk Górecki.’ »Works for Abattoir Fermé« is not for the faint of heart, but for the rest of us it might be just what the Doctor ordered...

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Muster

LP | 2022 | EU | Original (Faitiche)

Alex Maas Of The Black Angels

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Faitiche presents Beispiel (German for "example", also suggests playing together), a joint project by Frank Bretschneider and Jan Jelinek. »Muster« is their first album. Free electronic music, the result of spontaneous improvisations. “Meaning” is a concept that is overused in connection with music. Muster does not call for the same kind of air quotes. With its title, German for patterns/exemplars, Beispiel’s album frees itself from the ballast of teleological semantics. Muster is an exemplary work. Nine suggestions for what can be. Nine ideas for possibilities of listening.

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Luca

LP | 2020 | EU | Original (Basin Rock)

22,99 €*

CD | 2024 | EU | Original (Souffle Continu)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The music of Alex Maas has always mesmerised. Now, on his soul-baring solo debut Luca, the Texan and Black Angels singer's journey is taking an equally hypnotic detour along the wild trails of his indigenous homestead. Driven by the force of nature, each phase of life is celebrated through songs of love, hope, human connection whilst navigating perils of modern society and tentatively facing the darkness. “I’m trying to find balance in the insane world we live in,” reveals Alex. “Is shit scary? Yes. Is life beautiful and filled with hope and inspiration? Yes. You have to go into the dark to appreciate the light and vice versa. Everything isn't always peachy, one day you are walking through a beautiful field and get bit by a rattlesnake because you are blinded by the colourful flowers. It’s ok to be afraid, sad and fearful because you need it to appreciate all the beauty the world has to offer.” Like the echoes of nature that Alex grew up around Luca dances like dandelions on a breeze but is spiked with a squint of suspicion as its percussion shimmers like that cautionary rattlesnake. His album crackles with the vintage warmth of Grace Slick or smoky melodies of Nico, rising like a campfire’s embers whilst taking cues from Beth Gibbons, Sam Cooke, Lee Hazlewood, Vashti Bunyan, Mississippi John Hurt, and Huun-Huur-Tu. “I like music that makes me feel like I’m entering a magical place. I’m drawn to those whose voice sounds like it’s coming from the forest,” he says. Recorded at Space Flight Studios in Austin Luca was an evolutionary project with some early songs worked up from their acoustic origins whilst others were written more recently. Co-produced with long-time collaborator Brett Orrison, the record began its transformation from loner folk leanings to a worldlier embrace. Calling upon members of The Black Angels, Wide Spread Panic, Mien, the Sword, Jack White’s band the Eels. Stepping out on his own Maas is walking along his own untrodden path, offering an honest and true account of what has passed and what may yet come. Luca sings from the soul, is believable and could well be everything the world needs right now.

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Byard Lancaster

Funny Funky Rib Crib

LP | 2023 | FR | Reissue (Souffle Continu)

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib

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Hal Singer

Blues & News

Reverberations: Tape & Electronic Music From The 1960's

Release: 2023 / FR – Reissue

Genre: Organic Grooves

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“I get something out of listening to Coltrane, Shepp and Coleman; I’m really pleased that young players are trying to change things. If they go back the roots and come up with something new, that’s fantastic.” This comment was made by saxophonist Hal Singer to Gérard Terronès for the magazine Jazz Hot in 1968. Two years later Terronès would issue Singer’s album Blues And News, on his label Futura Records.

Though born in 1919 Hal Singer claims, just like the precursors of free jazz, “to always be looking for something else”. When he started out he played in numerous swing bands, then worked in bop with Don Byas, Roy Eldridge or Red Allen, before joining Duke Ellington’s band. In 1948, he recorded a successful single, Cornbread under his own name, which allowed him to travel to the four corners of the earth with his own group.

Then, in 1965, Hal Singer came to live in France: in Paris, he played at clubs like the C’hat qui pêche’ or ‘Riverbop’; in the studio, he multiplied his experiments and experience. It was one such session that gave us Blues And News: joined by Jacques Bolognési (trombone), Jean-Claude André (guitar), Siegfried Kessler (keyboards and flute), Patrice Caratini (double bass), Art Taylor (drums) et Alain Charlery (percussion), the saxophonist himself goes “back to the roots”, to also “come up with something new”.

Things kick off with “It’s My Thing”, a soul jazz number reminiscent of Cannonball Adderley or Lou Donaldson. After the pretty balled “Lina”, comes “Malcolm X ”, a luminous homage which resists the storm whipped up by Kessler on piano. Getting back to swing, Singer makes music with his communicative ’joie de vivre’ (“Du Bois”, “Pour Stéphanie”) before signing off with a flamboyant blues dedicated to him by Kessler for the occasion: “Blues For Hal”. But was another title possible?... Blues For All!!!'

Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Heavyweight 180 gr. LP. 425 gsm brownboard outer sleeve. Licensed from Futura records.

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Pauline Oliveros

11CD | 2022 | US | Original (Important)

79,99 €*

2LP | 2001 | EU | Reissue (Keplar)

Release: 2022 / US – Original

Genre: Electronic & Dance

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This dense 11 disc retrospective of Pauline Oliveros’ early and unreleased electronic work includes her very first piece made for tape in 1959. Organized chronologically, this set not only documents Pauline's earliest electronic music but it also functions as an early history of electronic music itself. Follow as she participates in the establishment of the legendary San Francisco Tape Music Center and then moves to University Of Toronto Electronic Music Studio, Mills Tape Music Center and University of California San Diego Electronic Music Center.

This 10th anniversary edition is packaged in a clamshell-style box containing all the tracks from the 2012 edition spread out over 11 CDs each housed in single pocket sleeves. A 36 page booklet includes extensive liner notes and essays from Pauline Oliveros, Alex Chechile, Ramon Sender, David Bernstein, Corey Arcangel.

Pauline Oliveros was a composer, performer, humanitarian and an important pioneer in American Music. Acclaimed internationally, she forged new ground for herself and others. Through improvisation, electronic music, sonic philosophy, teaching and meditation she created a body of work with such breadth of vision that it profoundly affects those who experience it and eludes many who try to write about it.

"On some level, music, sound consciousness and religion are all one, and she would seem to be very close to that level." John Rockwell

Pauline Oliveros built a loyal following through her concerts, recordings, publications and musical compositions written for soloists and ensembles in music, dance, theater and inter-arts companies. She provided leadership within the music community from her early years as the first Director of the Center for Contemporary Music (formerly the Tape Music Center at Mills), director of the Center for Music Experiment during her 14 year tenure as professor of music at the University of California at San Diego to acting in an advisory capacity for organizations such as The National Endowment for the Arts, The New York State Council for the Arts, and many private foundations. She served as Distinguished Research Professor of Music at Rensselaer Polytechnic Institute and Darius Milhaud Composer in Residence at Mills College. Oliveros was vocal about representing the needs of individual artists, about the need for diversity and experimentation in the arts, and promoting cooperation and good will among people.

She was honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment went unchanged.

Oliveros passed away peacefully on November 24, 2016 but her sonic legacy and philosophy continues to grow and inspire.

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Vladislav Delay

Anima

24,99 €*

Warm Evenings, Pale Mornings: Beside You Then

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predetermined outcome but rather engage with each other freely in a constant sonic flow, forming constellations in one moment before moving on to connect with other elements in the next one. »Anima« marked the first time Ripatti was using a DAW in his working process, creating a piece constantly in motion that subtly evolves over time. This vinyl reissue on the German Keplar label follows up on the 20th anniversary edition of 2000’s »Multila« and will be complemented by a ten-minute long version of the original piece, previously only available on the CD version released by the artist on his own Huume label in 2008.

After the release of his »Ele« and »Entain« albums in 1999 and 2000, respectively, Ripatti took the 1998 independent movie »Hurlyburly« as a conceptual starting point to experiment with different gear and production methods. »Until then I had worked with an old Msq-700 Midi sequencer and an Ensonic Eps16 sampler/sequencer that had one or two MB of sampling memory and mixed the music live on a Mackie, which was very limiting arrangement-wise,« says Ripatti. Loading a slightly shortened version of the film into his DAW however allowed him to play along to it with the DrumKAT Midi controller, triggering and playing all the sounds that can be heard on »Anima« while also contributing synths, bass and other sounds during repeated playthroughs before mixing a total of six stereo tracks together. »This way, after I had edited out most of the few parts that had music in them, I was in the movie; almost like an extra character playing music,« explains Ripatti. »This was certainly the most organic way in which I have ever made music, and I have never again approached another record like this.«

While »Anima« sounded like an unusual Vladislav Delay record at the time of its release, it also prefigured many of the developments Ripatti would go through in the course of his long career. Combining visceral immediacy with a sense of abstraction, it is far more than a mere missing link in his discography but rather a conceptually and musically outstanding piece of work that remains as engaging as it was 21 years ago.

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Caleb Dailey

LP | 2022 | EU | Original (Alien Transistor)

4LP | 2021 | EU | Original (Mecanica)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Growing up in the Californian sprawl and the vast suburbs of Phoenix, Arizona, Caleb Dailey largely dismissed the country and western music that surrounded him. Instead, he was drawn to independent rock, experimental zones, and other genre-defying forms, which led him to create skewed rock music with Bear State and establish the “minimal art label” Moone Records with his brother Micah Dailey in 2013. But in the early half of the 2010s, Dailey began to hear things differently. Drawn into the left-of-center works of artists like Gram Parsons and Blaze Foley, a more idiosyncratic take on country, folk, and roots music began to swirl in his imagination.

Wandering into the form’s cowboy chords and lonesome scenes, Dailey found himself wondering what his own country album might sound like. The result is his debut solo album, a collection of covers called Warm Evenings, Pale Mornings; Beside You Then. Produced by John Dieterich of Deerhoof, Keiko Beers, and Dailey himself, it’s a melancholy charmer, rooted in traditional ideas but free roaming in its scope. Laced with synths, pedal steel, acoustic guitars, and commanded by Dailey’s full and woozy voice, it owes as much to the busted waltzes of Lambchop and the homespun lo-fi folk of Little Wings (whose Kyle Field appears on the album via a spoken intermission) as it does to the songwriters and performers who provide its source material, which include Parsons, Foley, Elvis Presley associate Chips Moman, steel guitarist Buddy Emmons, and others.

“The subversive nature of country music isn’t as much at the surface as some other genres,” Dailey says. “But the deeper down the ‘country hole’ I went, the more I wanted to be part of it. It is truly a strange world.”

The hands of Dailey and his collaborators, which includes a wide roster of DIY experimentalists like James Fella of art punks Soft Shoulder, Jay Hufman (Gene Tripp), Lonna Kelley of Giant Sand, Japanese DIY hero’s Koji Shibuya and Tori Kudo, Nicholas Krgovich, Markus Acher of The Notwist, and more, that strangeness is accentuated. Dailey doesn't aspire to retro Nashville fetishism or sanctioned notions of “realness” so much as a genuine outsider authenticity. Take his version of Gordon Lightfoot’s “If You Could Read My Mind” for example: a highlight of the record, it pairs familiar genre signifiers like pedal steel and guitar strums with warbled synths. Then there’s his read of “Dreaming My Dreams,” originally made famous by Waylon Jennings (who also did time in the Arizona desert), which morphs from a mournful ballad into a wash of far-off sonic noise.

The attention here is on the songcraft itself, with Dailey inhabiting these songs and turning them inside out to reveal unexpected tenderness and playfulness.

Recorded at home with an acoustic guitar and 4-track, Dailey began open correspondences with his collaborators, who fleshed out ideas and added touches, often working with skeletal frames before Dieterich and Dailey shaped it into a cohesive whole. “John is the reason this album exists,” Dailey says. “He sculpted all these parts together in such an otherworldly way. He is truly a magician.” Deeply allergic to insincerity, Dailey avoids any trace of irony. He’s created a cohesive gem out of disparate parts, uniting Americana songcraft with experimental disassemblage. From this bric-à-brac, he’s made something touching and beautifully strange.

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Absolute Body Control

Lost / Found

99,99 €*

LP | 2021 | EU | Original (Alien Transistor)

Release: 2021 / EU – Original

Genre: Pop

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Absolute Body Control was formed by Dirk Ivens in 1980 influenced by the sound produced by the likes of Suicide, D.A.F. and the UK electronic scene. Eric Van Wonterghem joined the project next year just after the release of the debut 7" "Is There An Exit?". They released together just some cassettes during its brief initial run, but this was enough to gain a following in and outside Belgium. A compilation of tracks entitled "Eat This" was eventually done in 1993 and a first edition of the collection "Lost / Found" was issued on CD in 2005.

Dirk and Eric took the project back on stage in 2006 and decided to re-activate it. They first re-recorded some of their classic songs for the album "Wind[Re]Wind" and then continued releasing new material and touring all Europe and beyond.

"Lost / Found" is the definitive collection of this minimal-synth-wave act and is now available for the first time on vinyl record with a total of 52 songs including 8 previously unreleased.

Limited edition of 1,000 copies with 4 records on individual sleeves, insert and numbered certificate.

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Fehler Kuti

Professional People

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Mecanica)

Pailhead

Trait

The Elbow Is Taboo / Elbonus

Release: 2019 / EU – Original

Genre: Rock & Indie

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Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.

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Renaldo & The Loaf

2LP | 2019 | EU | Original (Editions Mego)

24,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Elbow is Taboo was Renaldo & The Loaf's fourth and last album of their initial phase prior to their return in 2010. Released by Ralph in America and Some Bizzare in the UK in 1987 this work represents a development in the overall sound as they utilize an 8 track recorder along with early digital effects. A large arsenal of acoustic instrumentation gives the record an additional unsettling atmosphere. Recorded over a 3 year period this remains the definitive statement by the group in this early period.

As clarified by Brian from the band, the themes remain as obtuse and alluring as ever with each song containing it’s own story. “be it a child's desire to control (A Street Called Straight), the ridiculous purdah of an innocent part of the body (The Elbow is Taboo), a call for help in times of angst (Here's To the Oblong Boys), the rigours of a bread fetish (The Bread Song), the anger of a dance teacher to the terminally inept (Critical/Dance) or a ritual call to prayer, somewhere (Extracting the Re-re)”.

Disorientating and delightful this is a must for all fans of the Loaf and for those tickled by the more deranged spectrum of song.

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The North Face

Fleeski Y2K Jacket

144,45 €* 169,95 € -15%

Contrast Tape Track Jacket

Available Sizes: XL

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The North Face Fleeski Y2K Jacket is equipped with the following features:
• high-necked collar with interior tape
• front zipper with custom pull
• Napoleon pockets with hidden zippers at left and right chest
• 2 side-entry zip pockets at lower front
• stretch cuffs
• The North Face logo embroidery at left chest and upper right back
• relaxed fit
• main fabric: 100% polyester fleece with PFC-free, durably water-repellent DWR coating, 255 g/m²
• overlays: 100% nylon taffeta with PFC-free, durably water-repellent DWR coating, 75 g/m²
• lining: 100% recycled polyester mesh, 50 g/m²

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Fred Perry

123,45 €* 129,95 € -5%

New Amsterdam Surf Association

Available Sizes: 2XL

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Straight from the Fred Perry archives, the Contrast Tape Track Jacket is a classic sports top that made its first appearance in the late 1970 when it was sported by tennis players. A couple of years later, the Fred Perry Contrast Tape Track Jacket design was adopted by ringleaders of different subcultures, before it became a favorite track top of the Brit Pop audience in the 1990s.

Fred Perry Contrast Tape Track Jacket - features:

• high-necked collar
• enamel-coated front zipper with custom pull
• raglan sleeves with laurel wreath repeat branding on contrast stripe appliqués
• 2 slit pockets on lower front
• stretch rib cuffs and bottom band
• Fred Perry's laurel wreath logo embroidery at left chest
• regular fit
• 54% recycled polyester, 46% BCI cotton
• recycled polyester Tipping
• recycled polyester sewing threads
• made in Portugal

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Na Fluid Shirt

149,95 €*

Available Sizes: S, M, L, XL

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New Amsterdam Surf Association Na Fluid Shirt - features:
• woven plaid pattern, yarn dyed
• turn-down collar
• button front closure
• NA cut-outs with self-fabric underlays at chest
• straight bottom hem
• button cuffs
• back yoke
• loose fit
• 100% cotton poplin with peach effect

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thisisneverthat

DSN Striped Shirt

99,71 €* 132,95 € -25%

Available Sizes: M

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thisisneverthat DSN Striped Shirt - features:
• woven stripe pattern, yarn dyed
• button-down collar
• button front closure
• thisisneverthat Design branding embroidered at left chest
• curved bottom hem
• button cuffs
• back yoke with centered loop & centered knife pleat beneath back yoke
• interior thisisneverthat International woven label at lower button facing
• relaxed fit
• 60's Oxford weave made from 100% cotton (garment washed)

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adidas

Originals Adibreak

59,96 €* 74,95 € -20%

Available Sizes: S, M, L, XL

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The timeless silhouette of the adidas Originals Track Pants meets a very special feature: Thanks to the full-length snap button closure at both legs, you will be able to save time for undressing. This garment is made from a yarn that is largely made of recycled plastic waste - so the adidas Originals Classics Adibreak Track Pants help reduce plastic waste, contributing to a better future.

adidas Originals Classics Adibreak Track Pants - features:

• stretch waistband with drawstring adjustment
• 2 front pockets with hidden zip closure
• 3 Stripes tapes plus full-length snap button closure at outseams
• lateral adidas Adibreak labels at lower legs
• relaxed fit
• 100% recycled polyester tricot

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Levi's®

Stay Loose Denim

113,95 €* 119,95 € -5%

Available Sizes: 34/32

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With the Stay Loose Denim Pants, Levi's® goes back to the classic baggy fit silhouette that was a signature design for skateboarding and hip hop subcultures during the glory 90s. These Levi's® pants have been finished with Water<Less™ technology which uses 96% less water compared to conventional technologies.

The Levi's® Stay Loose Denim Pants are equipped with the following features:

• 5-pocket denim construction
• branded front center button
• zip fly
• 2 front pockets plus coin pocket at wearer's right
• branded metal rivets at front pockets
• Levi's two horses leather label on the rear of the waistband
• 2 self-fabric patch pockets with tonal signature stitching at the rear
• Levi's woven red tab label at right back pocket
• bar-tack stitching at vital stress points
• contrast stitching
• regular waist, low crotch
• loose fit
• 100% cotton
• finished with Water<Less™ technology (uses 96% less water compared to conventional technologies)

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Calder Pant "Dothan" Poplin, 5.5 oz

71,46 €* 109,95 € -35%

Available Sizes: 28, 29, 32, 34, 36, 40

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Carhartt WIP Calder Pants "Dothan" - features:
• sturdy self-fabric belt loops at the waistband
• tonal front center button
• zip fly
• reinforced waistband with contrast lining
• 2 large front pockets
• 2 signature chino-style welt pockets with button closure at the rear
• Carhartt woven square label above right back pocket
• relaxed fit, regular waist, tapered legs
• 100% cotton Dothan poplin, 5.5 oz

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Butter Goods x Blue Note

Chicken Shack S/S Shirt

124,95 €*

Flames Of Love Colored Vinyl Edition

Available Sizes: S, M, L, XL, 2XL

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We are pleased to present the long-awaited Butter Goods x Blue Note collection, which includes updated Butter silhouettes featuring the iconic logos and graphics of the seminal jazz label. Founded in 1939 by Alfred Lion and Francis Wolff, Blue Note Records is an iconic US company that was an outlet for lots of legendary jazz musicians. Over its 85-year history, it has been a catalyst for jazz innovation, recording legends such as Miles Davis, John Coltrane, Art Blakey, and Herbie Hancock, among many others. Also known for its distinctive graphics created by Francis Wolff and Reid Miles, Blue Note represents the perfect fusion of groundbreaking sound and graphic sophistication that ultimately created the visual identity of modern jazz. With a commitment to quality and a consistently championed artistic vision, Blue Note has played a vital role in shaping the course of jazz history, leaving an enduring impact on the global music landscape. Recently, Butter Goods joined forces with Blue Note Records on a collaborative apparel line celebrating the prolific musical catalog and iconic design.

The Butter Goods x Blue Note Chicken Shack S/S Shirt is equipped with the following features:

• Chicken Shack photo artwork digitally printed all over
• lapel collar
• button front closure
• straight bottom hem
• relaxed fit
• 100% cotton

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Fancy

12" | 1988 | DE | Reissue (ZYX Music)

16,99 €*

Release: 1988 / DE – Reissue

Genre: Electronic & Dance

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Wax Harrington (Made in England)

Fred Perry

359,95 €* 399,95 € -10%

Available Sizes: S, M, L, 2XL

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Made in Leicester, England, UK, the Fred Perry Harrington Jacket is an authentic remake of the legendary Harrington jacket that was celebrated for being worn by Ryan O'Neal's character Rodney Harrington in the mid-60s. All main characteristics are still on the spot, plus the shell is equipped with a smart finish. The Fred Perry Harrington Jacket's features include a stand-up collar with dual button closure, a semi-hidden 2-way metal front zipper with custom pulls, two flap pockets with button closure at lower front, stretch rib cuffs and bottom band, the signature umbrella back yoke for venting, yarn dyed tartan lining at the body, an interior chest pocket with zip closure at wearer's left as well as Fred Perry Laurel Wreath logo embroidery at left chest, not to forget the water-repellent wax finish. Regular fit. Exterior fabric: 100% cotton with wax finish; body lining: 100% cotton; sleeve lining: 100% polyester. Made in England.

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Sid Pant "Lamar" Stretch Twill, 8.6 oz

89,95 €* 99,95 € -10%

Jerry Ropero, Denis The Menace, Sabor

Available Sizes: 32/32, 32/34, 38/32, 38/34

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Maybe the Carhartt WIP Sid Pants are less vicious than the Pistols, but at least they're as sexy as the punk rock icons. Lamar is the name of Carhartt WIP's custom stretch twill equipped with high-end T400® fibers.

The Carhartt WIP Sid Pants Lamar's features include:

• classic 4-pocket chino construction
• branded front center button
• zip fly
• 2 large front pockets
• 2 signature chino-style welt pockets with button closure at left pocket
• woven Carhartt WIP square label above right back pocket
• bartack stitching at vital stress points
• tonal stitching
• slim fit, low waistline
• tapered leg
• "Lamar" stretch twill made of 46% cotton, 38% T400®, 16% polyester, 8.6 oz

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Coracao Black Vinyl Edition

12" | 2024 | Original (Blanco Y Negro)

24,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2024 | DE | Original (ZYX Music)

Mauro Picotto

Pulsar

16,99 €*

Release: 2024 / DE – Original

Genre: Electronic & Dance

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LP | 2009 | EU | Original (ZYX)

Lou Reed

Live In New York 1972

Release: 2009 / EU – Original

Genre: Rock & Indie

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Barbour

Bedale Wax Jacket

379,95 €*

LP | 2024 | DE | Original (ZYX Music)

Available Sizes: 42

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With the Bedale Wax Jacket, Barbour takes the classic outdoor parka design to add a few extra details for a unique signature twist.

Barbour Bedale Wax Jacket - features:

• contrast corduroy collar
• hidden 2-way metal front zipper with custom pull
• branded metal snap button closure at zipper cover/storm flap
• raglan sleeves
• 2 symmetric lower chest pockets
• 2 flap pockets with snap button closure at lower front
• semi-hidden rib cuffs
• walking slits with branded snap button closure at side seams
• metal eyelets at armpit vent holes
• vertical back yoke
• tartan lining
• Barbour branding at snap buttons
• Barbour branding at lower left front pocket
• regular fit
• shell: 100% cotton with water-repellant wax finish
• lining: 100% cotton

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Love Command0

Integration

Release: 2024 / DE – Original

Genre: Electronic & Dance

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The Dark Side Of Italo Disco 3

LP | 2023 | EU | Original (ZYX Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2016 | EU | Original (ZYX)

Mina

Best Of

Release: 2016 / EU – Original

Genre: Pop

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3LP | 2018 | EU | Original (BHM)

WDR Big Band Köln

Plays Duke Ellington

39,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Dark Side Of Italo Disco 2

LP | 2022 | EU | Original (ZYX)

Release: 2022 / EU – Original

Genre: Pop

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2LP | 2020 | EU | Original (ZYX)

Savage

Love And Rain

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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12" | 1986 | EU | Reissue (ZYX)

Off

Electrica Salsa

14,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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12" | 2019 | EU | Original (ZYX)

Kel-Air & Band Band

Tuareg

14,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Re-issue of this Italo disco rarity from the year 1986. Side A contains the two rare original versions and as a highlight we present on side B two new and exclusive remixes by the Italo Disco legends Flemming Dalum and George Hysteric

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50s & 60s Country & Western Hits Vol. 1

LP | 2024 | DE | Original (ZYX Music)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Butter Goods

Upside Down Tee

47,95 €*

Available Sizes: S, M, L, XL, 2XL

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Discover the stylish and relaxed Butter Goods Upside Down Tee, which stands out with its unique print. The simple design ensures that the shirt is versatile and perfect for a casual everyday look. An absolute must-have for all streetwear fans who value quality and style.

Butter Goods / Upside Down Tee - Features:
• Classic crew neck
• High-quality print on the front
• Regular fit
• 100% cotton

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Nudie Jeans

Steady Eddie II

249,95 €*

HHV Click Clique x Philipp Gladsome

Available Sizes: 30/30, 30/32, 31/30, 31/32, 31/34, 33/30, 33/32, 36/32

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This one's Nudie Jeans heritage, the 13.75 oz. Kaihara selvage that has been with the brand since 2001 - a fabric with the potential to become the greatest looking denim you ever put on. The Kaihara selvage denim is tightly woven and has a right-hand construction with slubby yarns. It's also equipped with an orange selvage ID line, a feature made exclusively for Nudie Jeans. We recommend 6 months of hard, every day, wear before the first wash, if not even longer. This way you will end up with a beautiful pair of worn-in jeans. It sure is a long time, however, it's only a recommendation. As long as you give them love, the result will be great.

The Nudie Jeans Steady Eddie II denim pants are equipped with the following features:

• 5-pocket denim construction
• branded button fly
• 2 front pockets plus coin pocket at wearer's right
• branded metal rivets at front pockets
• Nudie Jeans jacron faux leather label on the rear of the waistband
• 2 self-fabric patch pockets with signature wavy stitching at the rear
• Nudie Jeans woven mini label on right rear pocket
• bar-tack stitching at vital stress points
• contrast stitching
• mid waist, tapered legs with slim leg openings
• regular fit
• 100% organic cotton dry rigid Kaihara selvage denim, 13.75 oz
• made in Italy

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Xapà Motif T-Shirt

39,95 €*

Available Sizes: S, M, L, XL

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Click Clique is a camera collective created by HHV as a platform to share our love for film photography. The collective is an open community for creative exchange, welcoming everyone who shares this fascination with us. For our third collaboration, we teamed up with photographer and videographer Philipp Gladsome.

Dubbed "Xapà", Philipp has selected three photographs for us, which are exclusively available at HHV as printed artworks on GOTS-certified crew neck tees and hoodies as well as framed photo prints.

HHV Click Clique x Philipp Gladsome Xapà Motif T-Shirt - features:

• rib crew neck with interior tape
• HHV Click Clique x Philipp Gladsome branding printed on left chest
• Xapà Motif photo artwork printed on the rear
• HHV woven flag label at left side seam
• relaxed fit
• 100% cotton single jersey

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Signature Sweater

139,95 €*

Available Sizes: S, M, L, XL, 2XL

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The Carhartt WIP Signature Sweater is a smart knitted sweatshirt design made from a lambswool blend, equipped with rib-knit crew neck, cuffs and bottom band, an eye-catching cable-knit texture as well as Carhartt WIP lettering embroidered on left chest. Another highlight in the Detroit brand's knitwear range! Regular fit; 80% lambswool, 20% nylon, 3 gauge.

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Patagonia

Tres 3-in-1 Parka

559,96 €* 699,95 € -20%

Available Sizes: XL, 2XL

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With the Tres 3-in-1 Parka, Patagonia offers one jacket with three options: Either you sport the Patagonia Tres 3-in-1 with the quilted lining as a winter jacket or you use it unlined or you just wear the removable quilted liner as a solo parka. Thanks to the H2No™ Performance Standard 2-layer stretch twill shell with a DWR (durable water repellent) finish, the Patagonia Tres 3-in-1 Parka is waterproof and windproof, yet breathable, while the 700-fill-power 100% recycled duck and goose down fill makes sure to keep the body warm, so it's the perfect design to block the elements during the cold months. We really dig this smart Patagonia design.

The Patagonia Tres 3-in-1 Parka's features include:

• high-necked, drawstring-adjustable hood
• hidden metal front zipper
• snap button closure at the storm flap
• 2 hip pockets with hidden zip closure
• removable quilted jacket liner with hidden metal front zipper plus interior zip pocket
• Patagonia branding printed on left sleeve
• relaxed fit
• 100% recycled polyester H2No® Performance Standard shell (2-layer herringbone twill with DWR finish), 196 g/m²
• lining: 100% recycled polyester Quantum rip-stop, 47 g/m², with PFC-free DWR finish
• padding: 700-fill-power 100% recycled down (duck and goose down reclaimed from down products)
• liner jacket: 100% recycled polyester rip-stop with DWR finish (shell: 41 g/m²/lining: 71 g/m²)
• weight: 1,341 g
• insulation and shell of the outer jacket as well as shell and lining of the inner jacket are bluesign™ certified
• Fair Trade Certified™

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Brandon Pant "Smith" Denim, 13.5 oz

99,95 €*

Available Sizes: M, L, XL, 2XL

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The Carhartt WIP Brandon Pants are equipped with the following features:
• 5-pocket denim construction
• branded front center button
• zip fly
• 2 front pockets plus coin pocket at wearer's right
• V-shaped back yoke
• 2 self-fabric patch pockets at the rear
• bar-tack stitching at vital stress points
• contrast stitching
• Carhartt woven square label on right back pocket
• lower waistline, low crotch, straight leg
• loose fit
• 100% cotton Smith denim, 13.5 oz

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G-Shock

GMA-S120GS-3AER

139,95 €*

Available Sizes: One Size

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The G-Shock GMA-S120GS-3AER shines in metallic gloss with modern elements and is slightly smaller for an optimal fit on slimmer wrists. This compact design, based on the popular GA-110 and GA-120 watches, gives the popular analog-digital G-Shock a metallic translucency. The transparent strap and case in a subtle color tone with the two-tone components on the dial in gold and silver tones create a balanced, fluid and contemporary style.

G-Shock GMA-S120GS-3AER - Features/Specifications:

• Case size (L x W x H): 49 × 45.9 × 15.8 mm
• Weight: 55 g
• Case, bezel material & strap: Resin
• Shock resistant
• Water resistant up to 20 bar
• Approximate battery life: 3 years with CR1220
• Glass: Mineral glass
• World time: 29 time zones (48 cities + coordinated world time), summer time on/off, switch between home city/world time city
• Stopwatch: 1/1000-second stopwatch > Measuring capacity: 99:59'59.999'' / Measuring modes: Elapsed time, lap time, split time / speed (0 to 1998 units/hour), distance input (0.0 to 99.9)
• Countdown timer > Measuring unit: 1 second / Countdown range: 24 hours / Countdown start time input range: 1 minute to 24 hours (steps at intervals of 1 minute and 1 hour) / Auto repeat
• Alarm/hourly time signal: 5 daily alarms (with one alarm with snooze function)
Hourly time signal
• LED illumination / switch for auto illumination, selectable illumination duration (1.5 seconds or 3 seconds), afterglow
• Light color: LED yellow
• Fully automatic calendar (up to 2099)
• Accuracy: ±15 seconds per month
• 12/24 hour format
• Regular timekeeping: Analog: 2 hands (hours, minutes (hand moves every 20 seconds)), 1 dial (speed) / Digital: hours, minutes, seconds, 12 hours (pm), month, date, day

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Patagonia

Pine Bank 3-in-1 Parka

439,96 €* 549,95 € -20%

2LP | 2024 | Original (Tde Music Llc)

Available Sizes: GIRLS XS

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With the Pine Bank 3-in-1 Parka, Patagonia offers one jacket with three options: Either you sport the Patagonia Pine Bank 3-in-1 with the quilted lining as a winter jacket or you use it unlined or you just wear the removable quilted liner as a solo parka. Thanks to the H2No™ Performance Standard 2-layer shell with a DWR (durable water repellent) finish, the Patagonia Pine Bank 3-in-1 Parka is waterproof and windproof, yet breathable, while the Thermogreen™ insulation makes sure to keep the body warm, so it's the perfect design to block the elements during the cold months. We really dig this smart Patagonia design.

The Patagonia Pine Bank 3-in-1 Parka's features include:

• high-necked, drawstring-adjustable hood
• hidden metal front zipper
• snap button closure at the storm flap
• 2 chest pockets with hidden zip closure
• 2 large flap pockets with snap button closure at lower front
• removable quilted jacket liner with metal front zipper plus 2 zip pockets
• Patagonia woven labels on left chest of shell and liner jacket
• relaxed fit
• 100% recycled polyester H2No® Performance Standard shell (2-layer plain weave with DWR finish), 183 g/m²
• lining: 100% recycled polyester Quantum rip-stop, 47 g/m², with PFC-free DWR finish
• insulation: Thermogreen™ made from 100% recycled polyester, 100 g/m²
• liner jacket: 100% recycled polyester rip-stop with PFC-free HeiQ® Eco Dry DWR finish (shell: 41 g/m²/lining: 71 g/m²)
• weight: 1,216 g
• shell and lining of the outer jacket as well as liner jacket are bluesign™ certified
• Fair Trade Certified™

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SiR

Heavy

34,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Extreme Pile 2 Full Zip Jacket

The North Face

169,95 €*

Available Sizes: M, XL, 2XL

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The Extreme Pile Full Zip Fleece Jacket by The North Face is your perfect companion for cold days. Made from heavy high-pile fleece, this TNF jacket offers exceptional comfort and maximum warmth. Crafted partially from recycled materials, it reduces environmental impact. The relaxed fit of the The North Face Extreme Pile 2 Full Zip Jacket ensures added comfort, while the zippered pockets warm your hands and store small essentials. A functional all-rounder, ideal for urban adventures and outdoor activities.

The North Face Extreme Pile 2 Full Zip Jacket - features:

• high-necked collar
• front zipper with custom pull and internal wind guard
• vertical zip pocket at left chest
• 2 welt pockets with hidden zip closure at lower front
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• stretch cuffs
• The North Face logo embroidery at chest pocket
• relaxed fit
• main fabric: 70% recycled polyester, 30% polyester extreme high-pile fleece, 346 g/m²
• reinforcement: 100% recycled nylon with PFC-free DWR finish
• lining: 100% recycled polyester

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Carhartt Sweat

85,45 €* 89,95 € -5%