All Items Vinyl 1157 Items

7" | 1969 | UK | Original (Big Shot)

Release: 1965 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a few scratches! Close to VG+!

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The Gaylettes

Son Of A Preacher Man

166,99 €*

Workin' With The Miles Davis Quintet

Release: 1969 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Rare Big Shot 7inch.
Record is in great condition, very close to VG+ with just a few hairlines. Plays with faint surface noise only in the run-ins and is far from overpowering the music.

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The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

150,99 €*

Sonny Boy Williamson & The Yardbirds

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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LP | 1965 | UK | Original (Fontana)

139,99 €*

LP Box | 1969 | US | Reissue (Mobile Fidelity)

Release: 1965 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with creasing

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Elvis Presley

From Elvis In Memphis

119,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

"Live" At The Village Vanguard

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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John Coltrane

LP | 1962 | US | Original (Impulse!)

114,99 €*

LP | 1965 | US | Reissue (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Joe Henderson

In 'N Out

89,99 €*

Curtis Fuller With Red Garland

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Slightly warped vinyl, no skipping, plays VG. Cover has discolouration, tear in bottom spine and slight wear. 1968 reissue.

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LP | 1962 | US | Original (New Jazz)

89,99 €*

LP | 1962 | JP | Reissue (Riverside)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped seams, heavy wear, punchhole.
LP has scratches.

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The Bill Evans Trio

Waltz For Debby

88,99 €*

Dusty In Memphis Atlantic 75 Series

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1993 reissue. OBI is missing. With insert. Stuffed corner. Vinyl is close to NM.

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Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Chicago Transit Authority Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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A classic now cut at 45 RPM!

Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

"Analogue Productions' reissue functions as a case study in what careful remastering and good pressing can achieve-even if the single-jacket package means both 45RPM LPs get crammed into one space. Sonically, it doesn't entirely erase the lack of fill, but adds such a three-dimensional frame to the picture that the holes begin to disappear. Additionally, it creates a much larger soundstage than found on the original, and the improved pitch stability makes it seem you've acquired a better turntable-not just a better pressing." — 4.5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.

LP of the Month - Hi-Fi News
"...this LP proved definitively that Ms. Springfield ranks right up there with Aretha Franklin, Etta James and other soul/R&B queens of the post-WWII era...This edition is the finest I've ever heard." LP of the Month. Sound Quality = 99% - Ken Kessler, Hi-Fi News

"...absolutely stunning double 45rpm issue mastered from the original tape by Kevin Gray...I didn't know what to expect from this but my most optimistic hopes didn't begin to approach this album's reinvention at 45rpm...A classic reinvented. Very highly recommended for the music, for the mastering and for the superbly detailed pressing quality too from Quality Record Pressings." Music = 9/11, Sound = 9/11 - Michael Fremer, musicangle.com, November 2011

"...As with all 45 RPM remasterings, the higher groove velocity has made possible the extended high frequencies and lower noise that make this edition a marvel of sound." Performance = 5/5, Sound = 5/5; Editor's Pick, Recording of the Month — Robert Baird, Stereophile, February 2012

"... Kevin Gray turned in a sparkling re-mastering and the 45-RPM pressing from Chad Kassem's Quality Records could hardly be better. 'The Windmills Of Your Mind' throws a huge soundstage and Dusty on vinyl sets a high barrier for high def digital to aim for." Recording = 10/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 86

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Chicago

2LP | 1969 | US | Reissue (Friday Music)

82,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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7" | 1965 | FR | Original (RCA Victor)

Les Petites Souris

Joue/Ce N'est Pas Triste

79,99 €*

Release: 1965 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | UK | Original (Pye)

Man

Revelation

78,99 €*

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (4 Men With Beards)

Scott Walker

Scott 4

75,99 €*

Blues & Roots Atlantic 75 Series

Release: 1969 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

180gr vinyl. 2008 reissue.

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Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1969 | UK | Reissue (Decca)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Them

The "Angry" Young Them!

72,19 €* 75,99 € -5%

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Album | 1965 | UK | Original (Transatlantic)

Bert Jansch

70,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Dusty In Memphis 45rpm, 200g Vinyl Edition

Dusty Springfield

2LP | 1969 | US | Original (Analogue Productions)

Release: 1969 / US – Original

Genre: Pop

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Alexis Korner's Blues Incorporated

Blues Incorporated

LP | 1965 | UK | Original (Ace Of Clubs)

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

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Tony Bennett

At Carnegie Hall

LP | 1969 | EU | Reissue (Philips)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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Gal Costa

Legal

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tommy James & The Shondells

The Best Of Blue Vinyl

65,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The Artistry Of Helen Merrill

Helen Merrill

LP | 1965 | JP | Reissue (Toyokasei)

63,99 €*

Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Release: 1965 / JP – Reissue

Genre: Organic Grooves

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New York based Jazz singer Helen Merrill moved to Europe after her London debut concert in 1959. as she is living in Italy for 4 years, Helen also performed Japan in 1960 and 1963.

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Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Blakey & The Afro-Drum Ensemble

The African Beat

LP | 1962 | US | Original (Blue Note)

59,99 €*

LP | 1962 | US | Original (ATCO)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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The Coasters

59,99 €*

LP | 1969 | JP | Original (CBS/Sony)

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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Bob Dylan

Nashville Skyline

59,99 €*

LP | 1962 | EU | Reissue (Dialogo)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1969 | US | Reissue (Now-Again)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Hunger

Strictly From Hunger

56,99 €*

The Ornette Coleman Quartet

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

LP | 1965 | BR | Original (Odeon)

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Milton Banana Trio

54,99 €*

Coltrane Hq Ltd 200g Editionmono Numbered

Release: 1965 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Nice copy considering its age, with some yellowing and light ring wear, but artwork still looking good. Clear signs of use and slightly worn grooves, however plays fine, with just minimal surface noise audible only in some quiet sections.

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John Coltrane

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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2LP | 1969 | US | Reissue (Pink Floyd)

Pink Floyd

Ummagumma

53,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Blues In Orbit 200g Vinyl Edition

Duke Ellington

53,99 €*

LP | 1969 | JP | Reissue (Daiei)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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Shintaro Katsu

Sing The Night

51,99 €*

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Original (Tamla)

The Miracles

Going To A Go-Go

50,99 €*

LP | 1969 | US | Reissue (Intervention)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split and storage wear. Vinyl is Close to VG. 1965 reissue.

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The Flying Burrito Bros

The Gilded Palace Of Sin

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Original (Columbia)

Thelonious Monk

Monk.

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Fourth Dimension In Sound

Shorty Rogers

LP | 1962 | JP | Original (Warner)

LP | 1969 | EU | Reissue (Verve)

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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The New Jazz Orchestra

Le Dejeuner Sur L'Herbe

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP+DVD | 1969 | US | Reissue (Lion)

Krokodil

The First Recordings

7" | 1965 | UK | Original (Sue)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Still shrink wrapped, shrink is slightly split but records are UNPLAYED.
Cover corners slighty dented.

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Little Joe Cook

Stormy Monday Blues

LP | 1969 | US | Reissue (Impex)

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Sticker on label.

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The Youngbloods

Elephant Mountain

Release: 1969 / US – Reissue

Genre: Rock & Indie

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2LP | 1969 | UK | Original (Warner)

The Grateful Dead

Live/Dead

LP | 1969 | CA | Original (Blue Horizon)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has scuffs and hairlines.

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Curtis Jones

Now Resident In Europe

Release: 1969 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Davis

My Funny Valentine

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Eric Dolphy & Booker Little

Memorial Album Recorded Live At The Five Spot

LP | 1965 | US | Original (Prestige)

LP | 1965 | US | Original (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Some stains on cover. Original US mono pressing.

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Stanley Turrentine

Joyride

LP | 1960 | JP | Reissue (Liberty)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing. Close to VG+

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Julie London

Around Midnight

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

The Latin Bit Tone Poet Vinyl Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Time Out 200g Vinyl Edition

The Dave Brubeck Quartet

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.

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Eric Dolphy

Outward Bound

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.

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Oliver Nelson

Screamin' The Blues

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Analogue Productions)

Tony Joe White

Black And White

Standard Coltrane 200g Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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John Coltrane

LP | 1962 | US | Reissue (Analogue Productions)

LP | 1965 | GR | Original (Philips)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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Γιάννης Μαρκόπουλος

12 Λαϊκά Σχήματα

LP | 1960 | US | Original (HiFi Jazz)

Release: 1965 / GR – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of marks and scuffs. Cover with yellowing

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The Paul Horn Quintet

Something Blue

2LP | 1969 | DE | Reissue (Zappa)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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Frank Zappa

Uncle Meat

46,54 €* 48,99 € -5%

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Nobuo Hara And Sharps & Flats

Little Giant

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

George Kawaguchi Big Four

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition to their original compositions, the album features unique arrangements of pieces by Oliver Nelson, who had a close connection with Sharps and Flats.

The album's intricate and adventurous arrangements, combined with the band's high-level performance quality, are truly remarkable. You'll be captivated by the hipness of "Little Giant," the strength of "Dark Horse," the cutting-edge sound of "Orbit 8:11," and the sophistication of "Flexibility." This dynamic performance, marked by a perfect balance of tension and relaxation, showcases the full potential and allure of Sharps and Flats. This album is a masterpiece that brings out the best in the band.

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George And Sleepy

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

LP | 1969 | JP | Reissue (Craftman)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.

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Masahiko Togashi

We Now Create

45,99 €*

Best Of Sam & Dave Audiophile Red Vinyl Edition

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)

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Sam & Dave

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Boz Scaggs Gold Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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7" | 1965 | DE | Original (CBS)

Bob Dylan

Positively 4th Street

LP | 1965 | UK | Reissue (Virgin)

Release: 1965 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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The Who

My Generation

Release: 1965 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. 1980 reissue.

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Boz Scaggs Gold Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

Guitar Forms Acoustic Sounds

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

K.B. Burrell Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Kenny Burrell

LP | 1969 | EU | Reissue (Blue Note)

Down With It! Tone Poet Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan (1979) this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

A Charlie Brown Christmas Deluxe Edition

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

Release: 1965 / EU – Reissue

Genre: Organic Grooves, Christmas

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Byrd In Flight Tone Poet Vinyl Edition

Donald Byrd

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Fat Albert Rotunda

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Blue Spirits Tone Poet Vinyl Edition

Freddie Hubbard

LP | 1965 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Tommy James & The Shondells

Best Of Tommy James & The Shondells

Release: 1969 / US – Reissue

Genre: Pop

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Fathers And Sons Vinyl Me, Please Edition

Muddy Waters

2LP | 1969 | US | Reissue (Vinyl Me, Please)

It's So Hard To Tell Who's Going To Love You The Best

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The late '60s were a mixed bag for Muddy Waters. In 1969, Waters needed to pivot, and away from the longhairs. He made ‘Fathers and Sons’.

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

Feelin' The Spirit Tone Poet Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Grant Green

LP | 1962 | EU | Reissue (Blue Note)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Music On Vinyl)

Chicken Shack

100 Ton Chicken

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Doin' Things Black History Month Colored Vinyl Edition

Madeline Bell

LP | 1969 | UK | Reissue (UMR)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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I Got 'Dem Ol' Kozmic Blues

Janis Joplin

LP | 1969 | US | Reissue (Speakers Corner)

Howlin' Wolf 60th Anniversary Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180g

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Howlin' Wolf

LP | 1962 | US | Reissue (Friday Music)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Intermusic)

Ben E. King

Dont Play That Song!

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Reissue (Time)

Booker Little

LP | 1960 | US | Reissue (Friday Music)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. 1975 reissue. OBI is missing. Slightly stained cover. Vinyl is close to NM.

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Bobby Darin

25th Day Of December

Release: 1960 / US – Reissue

Genre: Pop

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LP | 1965 | DE | Original (CBS)

Miles Davis

E.S.P.

LP | 1960 | JP | Reissue (CBS/Sony)

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Tear in spines.

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The J.J. Johnson Sextet

J.J. Inc.

LP | 1969 | BR | Reissue (Polysom)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. 1970 reissue.

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Gal Costa

LP | 1969 | BR | Reissue (Polysom)

Release: 1969 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1969.

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Gal Costa

LP | 1965 | BR | Reissue (Polysom)

Release: 1969 / BR – Reissue

Genre: Organic Grooves

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Heady heady work from the legendary Gal Costa – caught here right at her early best, smack dab in the middle of the Tropicalia years!

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Moacir Santos

Coisas

Release: 1965 / BR – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Polysom)

Brazilian Octopus