All Items Vinyl 2183 Items

2LP | 1964 | US | Reissue (Analogue Productions)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue. Gatefold cover.

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Bill Evans

Waltz For Debby

210,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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Ballads UHQR (Ultra High Quality Record) 2LP 200g 45rpm Vinyl Deluxe Limited Edition Box Set

2LP | 1963 | US | Reissue (Analogue Productions)

201,99 €*

Revolver Special Edition Super Deluxe Vinyl Box Set Edition

Release: 1963 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — Ballads
Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release limited to 5,000 copies
Mastered from the original tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings using Clarity Vinyl®
Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.

You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.

The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety."

While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.

Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.

"It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more." — The Jazz Record

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The Beatles

4LP+7" | 1966 | EU | Reissue (Apple)

193,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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Chris Farlowe & The Thunderbirds

Buzz With The Fuzz

7" | 1965 | UK | Original (Columbia)

189,99 €* 199,99 € -5%

7" | 1969 | UK | Original (Big Shot)

Release: 1965 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a few scratches! Close to VG+!

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The Gaylettes

Son Of A Preacher Man

166,99 €*

7" | 1966 | UK | Original (Island)

Release: 1969 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Rare Big Shot 7inch.
Record is in great condition, very close to VG+ with just a few hairlines. Plays with faint surface noise only in the run-ins and is far from overpowering the music.

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Chris Farlowe

Stormy Monday

161,49 €* 169,99 € -5%

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Mobile Fidelity)

Muddy Waters

Folk Singer

158,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Workin' With The Miles Davis Quintet

The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

150,99 €*

Sonny Boy Williamson & The Yardbirds

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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LP | 1965 | UK | Original (Fontana)

139,99 €*

LP Box | 1969 | US | Reissue (Mobile Fidelity)

Release: 1965 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with creasing

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Elvis Presley

From Elvis In Memphis

119,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Lee Morgan

The Sidewinder

103,99 €*

Earthquake / Opportunity Street

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs and hairlines, cover with yellowing and open seam split on top and bottom spine.

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Bobbi Lynn

7" | 1968 | UK | Original (Stateside)

99,99 €*

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record has just a few hairlines and is close to VG+.

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LP | 1968 | US | Original (Columbia)

Nefertiti

93,99 €*

LP | 1965 | US | Reissue (Blue Note)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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Joe Henderson

In 'N Out

Laissez Briller Le Soleil

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Slightly warped vinyl, no skipping, plays VG. Cover has discolouration, tear in bottom spine and slight wear. 1968 reissue.

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Les Boots

7" | 1966 | FR | Original (Polydor)

Joya Landis / Alton Ellis, Phyllis Dillon

Release: 1966 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.

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Angel Of The Morning / Love Letters

7" | 1968 | UK | Original (Trojan)

Curtis Fuller With Red Garland

Release: 1968 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.

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LP | 1962 | US | Original (New Jazz)

LP | 1964 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped seams, heavy wear, punchhole.
LP has scratches.

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Lee Morgan

The Sidewinder

LP | 1962 | JP | Reissue (Riverside)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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The Bill Evans Trio

Waltz For Debby

88,99 €*

Dusty In Memphis Atlantic 75 Series

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1993 reissue. OBI is missing. With insert. Stuffed corner. Vinyl is close to NM.

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Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Chicago Transit Authority Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

A classic now cut at 45 RPM!

Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

"Analogue Productions' reissue functions as a case study in what careful remastering and good pressing can achieve-even if the single-jacket package means both 45RPM LPs get crammed into one space. Sonically, it doesn't entirely erase the lack of fill, but adds such a three-dimensional frame to the picture that the holes begin to disappear. Additionally, it creates a much larger soundstage than found on the original, and the improved pitch stability makes it seem you've acquired a better turntable-not just a better pressing." — 4.5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.

LP of the Month - Hi-Fi News
"...this LP proved definitively that Ms. Springfield ranks right up there with Aretha Franklin, Etta James and other soul/R&B queens of the post-WWII era...This edition is the finest I've ever heard." LP of the Month. Sound Quality = 99% - Ken Kessler, Hi-Fi News

"...absolutely stunning double 45rpm issue mastered from the original tape by Kevin Gray...I didn't know what to expect from this but my most optimistic hopes didn't begin to approach this album's reinvention at 45rpm...A classic reinvented. Very highly recommended for the music, for the mastering and for the superbly detailed pressing quality too from Quality Record Pressings." Music = 9/11, Sound = 9/11 - Michael Fremer, musicangle.com, November 2011

"...As with all 45 RPM remasterings, the higher groove velocity has made possible the extended high frequencies and lower noise that make this edition a marvel of sound." Performance = 5/5, Sound = 5/5; Editor's Pick, Recording of the Month — Robert Baird, Stereophile, February 2012

"... Kevin Gray turned in a sparkling re-mastering and the 45-RPM pressing from Chad Kassem's Quality Records could hardly be better. 'The Windmills Of Your Mind' throws a huge soundstage and Dusty on vinyl sets a high barrier for high def digital to aim for." Recording = 10/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 86

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Chicago

2LP | 1969 | US | Reissue (Friday Music)

82,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

John Mayall & The Bluesbreakers

Bare Wires

LP | 1968 | UK | Original (Decca)

80,99 €*

Carlos Lyra E Dulce Nunes Com Moacir Santos / Catulo De Paula / Thelma Soares

Release: 1968 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on front cover. Mono, gatefold.

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Pobre Menina Rica

LP | 1964 | BR | Original (CBS)

79,99 €*

7" | 1965 | FR | Original (RCA Victor)

Release: 1964 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear

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Les Petites Souris

Joue/Ce N'est Pas Triste

79,99 €*

Release: 1965 / FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | UK | Original (Pye)

Man

Revelation

78,99 €*

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | BE | Reissue (Elektra)

Nico

The Marble Index

LP | 1969 | US | Reissue (4 Men With Beards)

Release: 1968 / BE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue.

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Scott Walker

Scott 4

Release: 1969 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

180gr vinyl. 2008 reissue.

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Seven Steps To Heaven 45 Rpm 180g Edition

2LP | 1963 | US | Reissue (Analogue Productions)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Blues & Roots Atlantic 75 Series

Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Crazy World Of Arthur Brown

LP | 1968 | US | Original (Track)

74,99 €*

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US first pressing. Strong VG copy!

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Filles De Kilimanjaro

73,99 €*

Live At The Sands (Before Frank)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Seven Steps To Heaven

73,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Decca)

Them

The "Angry" Young Them!

72,19 €* 75,99 € -5%

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Big Brother & The Holding Company

Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

Album | 1965 | UK | Original (Transatlantic)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Bert Jansch

70,99 €*

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | UK | Original (Transatlantic)

John Renbourn

70,99 €*

Dusty In Memphis 45rpm, 200g Vinyl Edition

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Dusty Springfield

2LP | 1969 | US | Original (Analogue Productions)

Release: 1969 / US – Original

Genre: Pop

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LP | 1969 | EU | Reissue (Philips)

Gal Costa

Legal

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Alexis Korner's Blues Incorporated

Blues Incorporated

LP | 1965 | UK | Original (Ace Of Clubs)

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original UK Mono pressing.
Writing on label.
Small light scuff on side 2.
Record is close to VG+.
Yellowed cover with faint ring wear on the back.

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Tony Bennett

At Carnegie Hall

Tommy James & The Shondells

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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The Best Of Blue Vinyl

LP | 1969 | US | Reissue (Friday Music)

65,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The Artistry Of Helen Merrill

Helen Merrill

LP | 1965 | JP | Reissue (Toyokasei)

63,99 €*

Kenny Burrell & John Coltrane

Release: 1965 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

New York based Jazz singer Helen Merrill moved to Europe after her London debut concert in 1959. as she is living in Italy for 4 years, Helen also performed Japan in 1960 and 1963.

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Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

60,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | JP | Reissue (London)

The Rolling Stones

Beggars Banquet

60,99 €*

Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1962 | US | Original (ATCO)

The Coasters

LP | 1969 | JP | Original (CBS/Sony)

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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Bob Dylan

Nashville Skyline

LP | 1966 | US | Original (Cameo)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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? & The Mysterians

96 Tears

Art Blakey & The Afro-Drum Ensemble

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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The African Beat

LP | 1962 | US | Original (Blue Note)

LP | 1962 | EU | Reissue (Dialogo)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1968 | WW | Reissue (Mobile Fidelity Sound Lab)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Simon & Garfunkel

Bookends

The Thelonious Monk Quartet

Release: 1968 / WW – Reissue

Genre: Pop

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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

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Monk's Dream

LP | 1963 | US | Reissue (Impex)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | DE | Original (Star-Club)

V.A.

Sweet Beat

Duke Ellington / Coleman Hawkins

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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Ellington Meets Coleman Hawkins Acoustic Sounds Vinyl Edition

LP | 1963 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Now-Again)

Hunger

Strictly From Hunger

56,99 €*

The Ornette Coleman Quartet

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

2LP | 1963 | EU | Reissue (Speakers Corner)

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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The Dave Brubeck Quartet

At Carnegie Hall

55,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | BR | Original (Odeon)

Milton Banana Trio

54,99 €*

2LP | 1963 | EU | Reissue (Ubatuqui)

Release: 1965 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Nice copy considering its age, with some yellowing and light ring wear, but artwork still looking good. Clear signs of use and slightly worn grooves, however plays fine, with just minimal surface noise audible only in some quiet sections.

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Joao Gilberto

Warm World Of

54,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Analogue Productions)

Booker Ervin

Song Book 180g Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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2LP | 1969 | US | Reissue (Pink Floyd)

Pink Floyd

Ummagumma

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Blues In Orbit 200g Vinyl Edition

Duke Ellington

LP | 1960 | US | Reissue (Analogue Productions)

LP | 1969 | JP | Reissue (Daiei)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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Shintaro Katsu

Sing The Night

51,99 €*

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Verve)

Ed Thigpen

Out Of The Storm

50,99 €*

LP | 1963 | US | Original (Okeh)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl is slightly warped. Deep groove pressing. Drill hole and torn spines.

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Champion Jack Dupree

Cabbage Greens

50,99 €*

LP | 1965 | US | Original (Tamla)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

taped spines. original mono pressing

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The Miracles

Going To A Go-Go

50,99 €*

2LP | 1966 | US | Reissue (Zappa)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split and storage wear. Vinyl is Close to VG. 1965 reissue.

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Frank Zappa

It's Freak Out

The Fourth Dimension In Sound

Release: 1966 / US – Reissue

Genre: Rock & Indie

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180 Gramm Reissue of the original 1966 stereo mix!

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Shorty Rogers

LP | 1962 | JP | Original (Warner)

The Horace Silver Quintet

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Silver's Serenade

LP | 1963 | US | Reissue (Blue Note)

Quinteto Real En Japon Vol. 1

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.
Backcover with minor stains from prior waterdamage.

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Quinteto Real

LP | 1964 | JP | Original (CBS)

LP | 1969 | EU | Reissue (Verve)

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included.
Cover slightly yellowed but close to VG+

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The New Jazz Orchestra

Le Dejeuner Sur L'Herbe

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1966 | DE | Original (Capitol)

The Shacklefords

LP+DVD | 1969 | US | Reissue (Lion)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve has wear and scuffs.
LP has surface marks.

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Krokodil

The First Recordings

Little Darling (I Need You)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Still shrink wrapped, shrink is slightly split but records are UNPLAYED.
Cover corners slighty dented.

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Marvin Gaye

7" | 1966 | UK | Original (Tamla Motown)

7" | 1965 | UK | Original (Sue)

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve with small tear at the centre.

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Little Joe Cook

Stormy Monday Blues

LP | 1969 | US | Reissue (Impex)

Release: 1965 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record has some hairlines and a few superficial scratches.
Sticker on label.

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The Youngbloods

Elephant Mountain

Release: 1969 / US – Reissue

Genre: Rock & Indie

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2LP | 1969 | UK | Original (Warner)

The Grateful Dead

Live/Dead

LP | 1969 | CA | Original (Blue Horizon)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has scuffs and hairlines.

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Curtis Jones

Now Resident In Europe

Release: 1969 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original Music From The Score "Alfie"

Sonny Rollins

LP | 1966 | US | Original (Impulse!)

LP | 1969 | US | Reissue (Intervention)

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

US original.

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The Flying Burrito Bros

The Gilded Palace Of Sin

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1965 | US | Original (Columbia)

Thelonious Monk

Monk.

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (Blue Note)

Wayne Shorter

The All Seeing Eye

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

My Funny Valentine

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Eric Dolphy & Booker Little

Memorial Album Recorded Live At The Five Spot

LP | 1965 | US | Original (Prestige)

LP | 1965 | US | Original (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Some stains on cover. Original US mono pressing.

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Stanley Turrentine

Joyride

LP | 1960 | JP | Reissue (Liberty)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing. Close to VG+

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Julie London

Around Midnight

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

2LP | 1968 | EU | Reissue (Polydor)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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Cream

Wheels Of Fire

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Latin Bit Tone Poet Vinyl Edition

Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Time Out 200g Vinyl Edition

The Dave Brubeck Quartet

LP | 1960 | US | Reissue (Analogue Productions)

46,99 €*

LP | 1960 | US | Reissue (Analogue Productions)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.

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Eric Dolphy

Outward Bound

46,99 €*