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HHV Records 146939 Vinyl, CD & Tape 146939 Used Vinyl 35929
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Hives - Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition
Hives
Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition
2LP | 2012 | US | Reissue (Disques Hives)
37,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Undisputed icons of rock and roll The Hives serve up a garage-rock masterpiece for this year’s Record Store Day, reissuing the undeniable Lex Hives. Originally released in 2012, this new and remastered version boasts previously unreleased bonus tracks “High School Shuffle” and “Insane”, alongside all-time classics such as “Come On!”. In addition, this incredibly special package comes with the live album A Midsummer Hives Dream, capturing the band in red-hot form as they tear through an iconic performance at New York’s Terminal 5. For the first-time ever, this essential piece of Hives history is available to own on 12-inch.
Alanis Morissette - Jagged Little Live '96
Alanis Morissette
Jagged Little Live '96
LP | EU | Original (Cult Legends)
16,99 €*
Release: EU – Original
Genre: Rock & Indie
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Catherine Russell - Alone Together
Catherine Russell
Alone Together
LP | 2020 | Original (Dot Time)
41,99 €*
Release: 2020 / Original
Genre: Organic Grooves
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Emilio - Blessings
Emilio
Blessings
LP | 2024 | US | Original (Jive)
30,99 €*
Release: 2024 / US – Original
Genre: Pop
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Weather Report - Tale Spinnin'
Weather Report
Tale Spinnin'
LP | 1975 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Doris - Did You Give The World Some Love Today Baby?
Doris
Did You Give The World Some Love Today Baby?
LP | 2022 | Original (Mr Bongo)
23,99 €*
Release: 2022 / Original
Genre: Pop
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Orphaned Land - The Road To Or-Shalem Transparent Highlighter Yellow Vinyl
Orphaned Land
The Road To Or-Shalem Transparent Highlighter Yellow Vinyl
2LP | 2016 | EU | Reissue (Black Sleeves)
14,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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Eriko Tanabe - I Like To Wear My Tanga
Eriko Tanabe
I Like To Wear My Tanga
12" | 2004 | CH | Original (Morris / Audio)
4,99 €*
Release: 2004 / CH – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Generic label cover
Red Inf X Rob Viktum - Duffle Bag Dinner
Red Inf X Rob Viktum
Duffle Bag Dinner
LP | 2023 | UK | Original (Tape Kingz)
19,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Eraldo Bernocchi And Hoshiko Yamane - Sabi Transparent Orange Cloudy Vinyl Editoin
Eraldo Bernocchi And Hoshiko Yamane
Sabi Transparent Orange Cloudy Vinyl Editoin
LP | 2024 | EU | Original (Denovali)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Denovali is pleased to present the second cooperation album of the Italian composer, arranger, producer and guitarist Eraldo Bernocchi with the Berlin-based Japanese violinist, composer, electronic producer and Tangerine Dream member Hoshiko Yamane. Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving together to create a captivating and emotional sonic landscape. "Sabi" is a Japanese aesthetic that celebrates the beauty of impermanence and decay. It is often associated with the simplicity, austerity, and solitude found in nature, and is said to evoke a sense of melancholy, nostalgia, and reverence for the passage of time. Bernocchi and Yamane's "Sabi" explores these themes through a collection of minimalist compositions that combine electronic and acoustic instruments immersing the listener in a deeply cinematic experience. The album takes the listener on a journey through a series of atmospheric tracks, sometimes melancholic pieces that evokes the sense of solitude and simplicity often associated with the concept, other times more energetic and uplifting, optimistic ones that celebrates the beauty of transience. The artwork again was created by the renowned designer Petulia Mattioli.
Atix - Turn Up The Beat EP
Atix
Turn Up The Beat EP
12" | 2023 | EU | Original (Barro)
14,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Desirée Falessi - Obscuro Femenino
Desirée Falessi
Obscuro Femenino
12" | 2023 | EU | Original (Influencia)
16,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Let's welcome the first release of Influencia Records, a label focused on highlighting the strong personal identity of each artist transmitted though music : here is Obscuro Femenino !
Dorian Paic & Felipe Valenzuela - Varia EP
Dorian Paic & Felipe Valenzuela
Varia EP
12" | 2023 | EU | Original (Onysia)
14,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Felipe Valenzuela and Dorian Paic link up for the seventh release of Onysia Records. Banger !
Equinox presents - Counter Future – A Sound Exposure Volume 3
Equinox presents
Counter Future – A Sound Exposure Volume 3
3LP | 2013 | EU | Original (Equinox)
8,99 €*
Release: 2013 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover is really close to NM.
Denzel Curry / Kenny Beats - Unlocked Amethyst Vinyl Edition
Denzel Curry / Kenny Beats
Unlocked Amethyst Vinyl Edition
LP | 2021 | US | Reissue (Loma Vista)
29,99 €*
Release: 2021 / US – Reissue
Genre: Hip Hop
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Liv East - Lve1
Liv East
Lve1
10" | 2023 | EU | Original (Emk)
16,99 €*
Release: 2023 / EU – Original
Genre: Pop
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Manufacture - As The End Draws Near / Passion For The Future (Extended Remixes)
Manufacture
As The End Draws Near / Passion For The Future (Extended Remixes)
12" | 1988 | NL | Original (Nettwerk Europe)
13,99 €*
Release: 1988 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Copy closer to VG+
Danko Jones - Never Too Loud
Danko Jones
Never Too Loud
LP | 2007 | UK | Reissue (Sound Pollution / Bad Taste)
24,99 €*
Release: 2007 / UK – Reissue
Genre: Rock & Indie
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Ray Charles - Ray Charles Atlantic 75 Series
Ray Charles
Ray Charles Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
75,99 €*
Release: 2023 / US – Reissue
Genre: Organic Grooves
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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Iconic musician and singer Ray Charles' classic 1957 album!

Includes the hits "Hallelujah I Love Her So," "Ain't That Love" and "I Got a Woman"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Bernie Grundman

Pressed at Quality Record Pressings and RTI

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.

Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears," which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output.

The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions — the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around," an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
John Prine - John Prine Atlantic 75 Series
John Prine
John Prine Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
75,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm
Charles Mingus - Blues & Roots Atlantic 75 Series
Charles Mingus
Blues & Roots Atlantic 75 Series
2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)
75,99 €*
Release: 1960 / US – Reissue
Genre: Organic Grooves
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180g 2LP 45rpm
Mousse T. - Is It 'Cos' I'm Cool?
Mousse T.
Is It 'Cos' I'm Cool?
12" | 2004 | DE | Original (Peppermint Jam)
3,99 €*
Release: 2004 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Afro Saxon Project - Full Flava EP
Afro Saxon Project
Full Flava EP
12" | 1998 | US | Original (Velocity)
4,99 €*
Release: 1998 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
John Coltrane - My Favorite Things
John Coltrane
My Favorite Things
LP | 1961 | US | Original (Atlantic)
90,99 €*
Release: 1961 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US mono MGM pressing.
Polito - Collapse Phase
Polito
Collapse Phase
LP | 2023 | UK | Original (Butter Sessions)
17,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep.
Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.
Djebali - Reworks 05
Djebali
Reworks 05
12" | 2016 | FR | Original (Djebali)
4,99 €*
Release: 2016 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Record has a couple superficial marks.
LB aka Labat - Hangout With Lb Aka Labat & Friends
LB aka Labat
Hangout With Lb Aka Labat & Friends
3LP | 2023 | EU | Original (Poumpet)
45,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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LB aka Labat reflects on the back catalogue of his Poumpet Records imprint with a special gatefold 3x12’’ release.

Since the launch of Poumpet Records back in February of 2022 French producer, DJ and live act LB aka Labat has steadily unveiled a series of singles from himself and remixes from the likes of KiNK, X Club, Partiboi69, Sally C and Kettama, all of which feature on this special vinyl issue spread out across three records in a gatefold package.

The vinyl release also coincides with LB aka Labat’s All Night Long tour which sees him travelling across Europe with dates in France, Belgium, Portugal, Switzerland, the UK and Scotland.
Ali Demir - VAM08
Ali Demir
VAM08
12" | 2023 | EU | Original (Afterme)
14,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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12inch craft from Ali Demir and Ki.Mi.. Mastering by Kashatskikh Studio. Design by Kirill Kashatskikh. Vinyl Only
Wilie Draper - Name It You Got It
Wilie Draper
Name It You Got It
7" | 2023
15,99 €*
Release: 2023
Genre: Organic Grooves
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Sidney Barnes - Standing On Solid Ground
Sidney Barnes
Standing On Solid Ground
7" | 2013 | US | Reissue (Burnetts Of Detroit)
15,99 €*
Release: 2013 / US – Reissue
Genre: Organic Grooves
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Bob Marley & The Wailers - Kaya Original Jamaican Version Limited Numbered Edition
Bob Marley & The Wailers
Kaya Original Jamaican Version Limited Numbered Edition
LP | US (Tuff Gong)
47,99 €*
Release: US
Genre: Reggae & Dancehall
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Bob Marley & The Wailers - Babylon By Bus Original Jamaican Version, Limited Numbered Edition Chet Atkins - Mister Guitar
Chet Atkins
Mister Guitar
LP | US (Speakers Corner)
41,99 €*
Release: US
Genre: Organic Grooves
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180g
Jaubi - Nafs At Peace 6th Press
Jaubi
Nafs At Peace 6th Press
LP | 2021 | EU | Reissue (Astigmatic)
23,99 €*
Release: 2021 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.
Laura Pausini - Inedito Red Vinyl Edition
Laura Pausini
Inedito Red Vinyl Edition
LP | 2011 | EU | Reissue (Warner Music International)
28,99 €*
Release: 2011 / EU – Reissue
Genre: Organic Grooves
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Ooze - Can Take It Up
Ooze
Can Take It Up
12" | 1996 | NL | Original (Work)
5,99 €*
Release: 1996 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Duan Wasi - Sun City
Duan Wasi
Sun City
LP | 2023 | EU | Original (Mutombo)
26,99 €*
Release: 2023 / EU – Original
Genre: Hip Hop
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Limited edition of just 100 (hand numbered) copies worldwide

Step into the world of "Sun City" by Duan Wasi, where jazzy summer vibes meet a playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

The album title refers to a well-known graffiti piece by the french street artist Victor Ash from 1986, and musically ties in with the current discourse on how the modern polis of the future must be designed and constructed. As a living space, as a dynamic system, a creative center of an open society. Duan Wasi gives a musical suggestion for this idea.
The central metaphor here is the sun as the main element by evoking wide open spaces and room for light and carefree feelings, akin to lay back on jazzy summer vibes meeting playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

Playful notes dance effortlessly, imbuing the composition with a delightful sense of joy and ease. Soft melody weaves on their way through the tracks, intertwining with subtle jazz elements, infusing the beat with a sophisticated and laid-back ambiance.

"Sun City" embraces the essence of a sun-soaked vibe, where worries melt away, and a lightness of being takes over. It paints a vivid sonic picture of welcomeness. It's an invitation to relish the easy way of life.
Slipknot - Live At MSG, 2009
Slipknot
Live At MSG, 2009
2LP | 2023 | EU | Original (Roadrunner)
38,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Legss - Fester
Legss
Fester
12" | 2023 | UK | Original (The state51 Conspiracy)
13,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Merging a dynamic curio of melodic guitars, disconcerting monologues and a rhythm section both technical and unruly, London’s Legss create a wholly unique and mesmerising sound. New EP Fester is a literary and disarmingly lyrical collection of art-rock songs laden with ideas and sun-licked beneath the bus smog of anxious skies.

Even when leaning into more melodic territory, there’s a pervasive uneasiness that underpins both the vocals and instrumentation. Just as you drift into the relaxing arpeggio flow, vocalist Ned Green’s soft soliloquy accelerates to an exasperated yelp and we’re jolted by discordant noise-rock stabs dragging us into Legss’ deliciously feverish and poetic world.
Dave Dub - Dubble Sided EP
Dave Dub
Dubble Sided EP
12" | 2023 | EU | Original (Enchanted Rhythms)
13,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Enchanted Rhythms is back with a collection of heavyweight tracks from the legendary Dave Dub.
Kurt Harris - Emperor Of My Baby's Heart
Kurt Harris
Emperor Of My Baby's Heart
7" | UK | Original (Diamond)
15,99 €*
Release: UK – Original
Genre: Organic Grooves
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Death Valley Girls - Islands In The Sky Grimace Purple / Silver Vinyl Edition
Death Valley Girls
Islands In The Sky Grimace Purple / Silver Vinyl Edition
LP | 2023 | EU | Reissue (Suicide Squeeze)
26,99 €*
Release: 2023 / EU – Reissue
Genre: Rock & Indie
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For the better part of a decade, LA's scrappy rock n' roll mystics Death Valley Girls have used theirmusic as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark(2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged thesoul-crushing banality of modern society and celebrated "true magical innite potential" through acollage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliaryinstrumentation. But on their latest album Islands in the Sky, Death Valley Girls' songwritingmastermind Bonnie Bloomgarden uses the band's anthemic revelries as a guidebook to spiritualhealing and a roadmap for future incarnations of the self. And while these may be the loftiest aimsof Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.
Trickster (CMV's) - Stomp
Trickster (CMV's)
Stomp
12" | 1999 | DE | Original (Kontor)
3,99 €*
Release: 1999 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Laura Pausini - From The Inside Orange Vinyl Edition
Laura Pausini
From The Inside Orange Vinyl Edition
LP | 2023 | EU | Reissue (Warner Music International)
28,99 €*
Release: 2023 / EU – Reissue
Genre: Organic Grooves
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Pynewood - Vafter07
Pynewood
Vafter07
12" | 2023 | EU | Original (Afterme)
14,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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12inch craft from Pynewood and Dan Goul. Mastering by Kashatskikh Studio.Design by Kirill Kashatskikh.Vinyl Only
Signs Of The Swarm - Amongst The Low & Empty
Signs Of The Swarm
Amongst The Low & Empty
LP | 2023 | EU | Original (Century Media)
24,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Refreshers - Bugged
Refreshers
Bugged
12" | 2023 | UK | Original (Refreshers)
14,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Refreshers is a sudonym of London's Luke Blair, also known as Lukid and one half of Rezzett.
This is the 4th offering from Refreshers, following 3 highly sought after EPs of jungle music.
Jerome.C & Dubfluss - Friendship Connection Part.3
Jerome.C & Dubfluss
Friendship Connection Part.3
12" | 2017 | DE | Original (Sleepless Musik)
7,99 €*
Release: 2017 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Black Stone Cherry - Screamin' At The Sky Limited Solid White Vinyl Edition
Black Stone Cherry
Screamin' At The Sky Limited Solid White Vinyl Edition
LP | 2023 | EU | Original (Mascot Label Group)
23,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Demolition Hammer - Epidemic Of Violence Re-Issue 2023
Demolition Hammer
Epidemic Of Violence Re-Issue 2023
LP | 2023 | UK | Reissue (Sony Music)
27,99 €*
Release: 2023 / UK – Reissue
Genre: Rock & Indie
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Kid Alex - Fame
Kid Alex
Fame
12" | 2003 | DE | Original (Milk & Sugar)
4,99 €*
Release: 2003 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Mehdi M - Sketches EP
Mehdi M
Sketches EP
12" | 2023 | EU | Original (Sonic Expressions)
13,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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The first release on Mehdi M’s own label Sonic Expressions offers a warm, nostalgic sound that harkens back to the golden age of electronic music.
Beharie - Are You There, Boy ?
Beharie
Are You There, Boy ?
LP | 2023 | UK | Original (V2)
20,99 €*
Release: 2023 / UK – Original
Genre: Pop
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Cherise - Calling Black Vinyl Edition
Cherise
Calling Black Vinyl Edition
LP | 2023 | EU | Original (Cherise Adams-Burnett)
21,99 €*
Release: 2023 / EU – Original
Genre: Pop
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Mood II Swing - The Slippery Track
Mood II Swing
The Slippery Track
12" | 2000 | CA | Original (Stickman)
7,99 €*
Release: 2000 / CA – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Al.Divino - Butter Black Vinyl Edition
Al.Divino
Butter Black Vinyl Edition
LP | 2023 | EU | Original (Tuff Kong)
33,99 €*
Release: 2023 / EU – Original
Genre: Hip Hop
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Beggars Opera - Waters Of Change-Amber Color Vinyl Edition
Beggars Opera
Waters Of Change-Amber Color Vinyl Edition
LP | 2023 | EU | Original (Repertoire)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Savage - Tonight
Savage
Tonight
LP | 2017 | EU | Original (ZYX)
16,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Nakibembe Embaire Group - Nakibembe Embaire Group
Nakibembe Embaire Group
Nakibembe Embaire Group
LP | 2023 | EU | Original (Nyege Nyege Tapes)
26,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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In Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.Nakibembe Embraire Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.Undulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing u...
V.A. - Life Of Phoroma EP
V.A.
Life Of Phoroma EP
12" | 2023 | EU | Original (Terra Magica)
15,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Are you ready to embark on a wild ride through the sonic wonderland of ‚Life Of Phoroma‘? This isn‘t your average V/A extended player compilation – it‘s a pulse-pounding journey through chaos, confusion, and pure eclecticism that‘ll take you beyond just dancing. Terra Magica Rec. sixth release is a passionate ode to the fusion of EBM and psychedelic, perfectly blending lightning-fast new age and tribal hypnotic soundscapes with 1980s synth atmospheres high on Trance.

It’s Electronic Disco gone Techno gone HiNRG gone wrong folks! Enjoy. The SH-101‘s aggressive cuts, the Sequential Circuits‘ mesmerizing melodies, and the heavily processed Neumann TLM 193 vocals seamlessly weave in and out of acid-ish and electro breakbeat grooves, „Why am I suddenly standing at Tokyo Teleport Station? What happend to my last week?“ Welcome to relaxed Rave-basslines and lo-fi rhythms that will intoxicate your senses. Get loose and fall into your next portal of unexpected spiritual flows. Catch your six unique tracks for a highly eclectic journey through mysterious and magical moments. So strap in and become one with the sound, because ‚Life Of Phoroma‘ is your roller coaster ride to unforgettable sonic adventures.
Suave - Vafter 06
Suave
Vafter 06
12" | 2023 | EU | Original (Afterme)
14,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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12inch craft from Suave and Ki.Mi.. Mastering by Kashatskikh Studio. Design by Kirill Kashatskikh. Vinyl Only
JPEGMAFIA - LP! Yellow Vinyl Edition
JPEGMAFIA
LP! Yellow Vinyl Edition
2LP | 2021 | WW | Reissue (Godmode)
58,99 €*
Release: 2021 / WW – Reissue
Genre: Hip Hop
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LP! is the fourth studio album from renowned Baltimore rapper Jpegamfia. Released on October 22nd, 2021 (his 32nd birthday), the album features guest appearances from DatPiMaa, Kimbra and Tkay Maidza. It received a great critical response from Pitchfork, NME, and more. The album thematically speaks to JPEG’s struggles within the music industry and staying true to his art, and is entirely self-produced like much of his work. Jpegmafia has established himself as one of today’s premiere contemporary and experimental hip hop artists, with over 1.5M monthly listeners on Spotify, and 500k+ Instagram followers. His fanbase is dedicated, excited and engaged with everything Jpegmafia does.
Megadeth - Rust in peace
Megadeth
Rust in peace
LP | 1990 | US | Reissue (Capitol)
36,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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limited edition 180 gram vinyl
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Bedouin Ascent - Science, Art And Ritual 30th Anniversary Edition
Bedouin Ascent
Science, Art And Ritual 30th Anniversary Edition
3LP | 2024 | EU | Original (Lapsus Perennial Series)
36,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
JPEGMAFIA & Danny Brown - Scaring The Hoes DLC Pack Lavender Vinyl Edition
JPEGMAFIA & Danny Brown
Scaring The Hoes DLC Pack Lavender Vinyl Edition
LP | 2024 | US | Original (Peggy)
31,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.
Tom Petty - Wildflowers & All The Rest
Tom Petty
Wildflowers & All The Rest
3LP | 2020 | EU | Original (Warner)
46,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Gary Bartz - Another Earth Vinyl Me, Please Edition
Gary Bartz
Another Earth Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?
Khaled Barkat, Cheb Tati & Asif - Maghreb K7 Club - Disco Singles Volume 3
Khaled Barkat, Cheb Tati & Asif
Maghreb K7 Club - Disco Singles Volume 3
12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)
18,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
Czarface & MF DOOM - Super What? Black Vinyl Edition
Czarface & MF DOOM
Super What? Black Vinyl Edition
LP | 2021 | US | Original (Silver Age)
27,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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R.I.P. MF DOOM

Superhero? Supervillain? Super WHAT? CZARFACE & MF DOOM's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos...inevitable (and all-powerful!). The icon MF DOOM unleashes his wizardry and wordplay throughout the record, while CZARFACE (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of RUN-DMC) and Hieroglyphics' leader Del The Funky Homosapien,
With art by longtime CZARFACE co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while COVID raged, this collaboration of masked men is finally finding its way to you on all formats.
Oren Ambarchi - Quixotism 10th Anniversary Remastered Edition
Oren Ambarchi
Quixotism 10th Anniversary Remastered Edition
LP | 2024 | EU | Original (Black Truffle)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
JPEGMAFIA - Veteran Clear Vinyl Edition
JPEGMAFIA
Veteran Clear Vinyl Edition
2LP | 2018 | WW | Reissue (Godmode)
49,99 €*
Release: 2018 / WW – Reissue
Genre: Hip Hop
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Art Blakey - Moanin'
Art Blakey
Moanin'
LP | 1958 | EU | Reissue (Blue Note)
23,99 €*
Release: 1958 / EU – Reissue
Genre: Organic Grooves
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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
The Kelly Family - Over The Hump 30th Anniversary Green Vinyl Edition
The Kelly Family
Over The Hump 30th Anniversary Green Vinyl Edition
LP | 2024 | EU | Original (Kel-Life)
23,99 €*
Release: 2024 / EU – Original
Genre: Pop
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Yusef Lateef - Eastern Sounds Original Jazz Classics Series
Yusef Lateef
Eastern Sounds Original Jazz Classics Series
LP | 2023 | US | Original (Craft)
44,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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The Bill Evans Trio - Waltz For Debby Craft Ojc Series
The Bill Evans Trio
Waltz For Debby Craft Ojc Series
LP | 2023 | US | Original (Craft)
46,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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F.Lli Paradiso - La Danza Della Giungla
F.Lli Paradiso
La Danza Della Giungla
12" | 2024 | EU | Original (La Sirenetta)
19,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Maledetta Discoteca proudly announces the birth of their first daughter LA Sirenetta (*The mermaid) and the release of her first record!

An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene. We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.

PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!
Legowelt - Dx Days / Bayville Cove
Legowelt
Dx Days / Bayville Cove
12" | 2010 | EU | Reissue (Clone West Coast Series)
14,99 €*
Release: 2010 / EU – Reissue
Genre: Electronic & Dance
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3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...
Linkin Park - A Thousand Suns
Linkin Park
A Thousand Suns
2LP | 2010 | DE | Original (Warner)
42,99 €*
Release: 2010 / DE – Original
Genre: Rock & Indie
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Lord Huron - Strange Trails
Lord Huron
Strange Trails
LP | 2017 | US | Reissue (Iamsound)
28,99 €*
Release: 2017 / US – Reissue
Genre: Rock & Indie
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Limited colored vinyl LP pressing. Lord Huron's debut album, Lonesome Dreams, was released in 2012 and the track "Ends of the Earth" was featured in the finale for the television series Community. The band's name was inspired by Lake Huron, the lake which frontman and Michigan native Ben Schneider grew up visiting and where he would spend evenings playing around the campfire. The group's second album, Strange Trails, was released in April 2015 and received positive reviews from music critics. Rachel Brodsky of Spin called the album "enchanting from start to finish," praising the lyricism, vocals, and instrumentation. The album's final song "The Night We Met" was featured in the popular Netflix series 13 Reasons Why.
V.A. - OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
V.A.
OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
LP | 2024 | FR | Original (Lakeshore)
36,99 €*
Release: 2024 / FR – Original
Genre: Soundtracks
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Samurai Breaks - Turbo Diesel EP
Samurai Breaks
Turbo Diesel EP
12" | 2024 | EU | Original (Time Is Now)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Caroline Polachek - Desire I Want To Turn Into You Copper Colored Vinyl Edition
Caroline Polachek
Desire I Want To Turn Into You Copper Colored Vinyl Edition
LP | 2023 | US | Original (Perpetual Novice)
28,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Björk - Post
Björk
Post
LP | 1995 | UK | Reissue (Caroline)
26,99 €*
Release: 1995 / UK – Reissue
Genre: Electronic & Dance
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Repress 2020 on 140g
Donald Byrd - Byrd In Flight Tone Poet Vinyl Edition
Donald Byrd
Byrd In Flight Tone Poet Vinyl Edition
LP | 1960 | EU | Reissue (Blue Note)
42,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Bobbi Humphrey - Blacks & Blues
Bobbi Humphrey
Blacks & Blues
LP | 1973 | DE | Reissue (Blue Note)
25,99 €*
Release: 1973 / DE – Reissue
Genre: Organic Grooves
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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Byrne & Barnes / Robert Byrne - Love You Out Of My Mind / Do You Wanna Make Some Love
Byrne & Barnes / Robert Byrne
Love You Out Of My Mind / Do You Wanna Make Some Love
7" | 2024 | EU | Original (Favorite)
13,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
Jean-Michel Jarre - Versailles 400
Jean-Michel Jarre
Versailles 400
2LP | 2024 | US | Original (Columbia)
60,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Raye - My 21st Century Blues
Raye
My 21st Century Blues
LP | 2023 | EU | Original (Human Re Sources)
26,99 €*
Release: 2023 / EU – Original
Genre: Pop
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Angelo Badalamenti - OST Music From Twin Peaks Soundtrack Green Vinyl Edition
Angelo Badalamenti
OST Music From Twin Peaks Soundtrack Green Vinyl Edition
LP | 1990 | EU | Reissue (Rhino)
32,99 €*
Release: 1990 / EU – Reissue
Genre: Soundtracks
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The 1990 soundtrack to the TV Show Twin Peaks.
Michael Kiwanuka - KIWANUKA Black Vinyl Edition
Michael Kiwanuka
KIWANUKA Black Vinyl Edition
2LP | 2019 | EU | Original (Polydor)
27,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Michael Kiwanuka releases his third studio album on 25th October 2019. Store exclusive special edition format includes Kiwanuka pressed onto heavyweight pink vinyl and includes a bonus 7".

‘KIWANUKA’ was recorded in New York, LA and London. Michael returned to the studio with Danger Mouse and Inflo, the same production team that combined so magnificently on Love & Hate, KIWANUKA finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.

Michael will tell you of his love for records that entwine their songs with incidental skits and shape-shifting spiralling outros, so the listener experience is almost that of listening to one long, dramatic song. KIWANUKA fulfils that winding, dream-like haze, unhurried.
KIWANUKA is Michael serving from the heart, from the mind, and from the soul.

On the album title, Michael explains “This album, it’s kind of a defiant thing; I’m engaging with who I am and I’m not going to have an alter ego, or become Sasha Fierce or Ziggy Stardust, even through everyone’s telling me I need to be this, that or the other. I can just be Michael Kiwanuka.”
J. Cole - 4 Your Eyez Only
J. Cole
4 Your Eyez Only
LP | 2017 | US | Original (Dreamville)
37,99 €*
Release: 2017 / US – Original
Genre: Hip Hop
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J. Cole's last album, 2014 Forest Hills Drive, was both a profound personal statement about childhood, sexual insecurities, adult angst, and the follies of success, on top of being an addictive listen with smooth beats that sounded closer to Jay-Z's prime in the early 2000s. But after hints at an early retirement and a declaration in September that he was going to stop performing for "a long time," it's a real sigh of relief to get this album. Partially recorded at the famous Electric Ladyland studios, J. Cole has made this his most intimate and personal album. He even jams out on the piano and guitar along to some of the tracks.
Yellow Magic Orchestra - Solid State Survivor Black Vinyl Edition
Yellow Magic Orchestra
Solid State Survivor Black Vinyl Edition
LP | 1979 | EU | Reissue (Music On Vinyl)
30,99 €*
Release: 1979 / EU – Reissue
Genre: Pop
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YMO's second album Solid State Survivor was released in 1979, and represented numerous crossover tracks from Techno to New Wave. Solid State Survivor is probably the most sampled YMO album, as over the years several artists performed numerous covers of "Behind The Mask". This extremely popular album peaked at # 1 in several charts all over the world.

180g vinyl.
Format (Orlando Voorn) - #1
Format (Orlando Voorn)
#1
12" | 1991 | EU | Reissue (Only One)
12,99 €*
Release: 1991 / EU – Reissue
Genre: Electronic & Dance
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Only One Music presents Format aka Orlando Voorn! This classic masterpiece from 1991, originally released on ESP records, comes re-mastered to you back on vinyl!
Rolando Simmons - Terrestrial Ultra-Doula EP
Rolando Simmons
Terrestrial Ultra-Doula EP
12" | 2024 | EU | Original (Analogical Force)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Not much to say on this one, Mattias Ostling aka Rolando Simmons is back on AF. You should know what you're in for: undeniably beautiful acid stuff, somewhere between propulsive and melancholy, lush but fidgety 4/4 beats...'Terrestrial Ultra-Doula EP' is a 4-track adventure that deftly dabbles in rave, IDM, techno and beyond in classic RS style. In his own words "Every completed project is the failure of an original idea and the triumph of a successful adaptation. These tracks were inspired by a dream and my subsequent reflections on it. Playing music for others is an act of alchemy that can alter thought patterns and life paths to varying degrees. It is a formidable power to wield." Ostling is one of those artists who works in a specific continuum but adds his own touch here and there--and when it comes to reverb-drenched, acid-lashed, wound-up IDM pitter-patter, not many can do it as well, or as elegantly, as this. Word, you're gonna need this one.
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
DJ Moreese - S51 EP
DJ Moreese
S51 EP
12" | 2024 | EU | Original (Housewax)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Influenced by such legends as Dennis Ferrer, Kevin Saunderson, Todd Terry, Derrick May, Roger Sanchez, and Terrence Parker, DJ Mo Reese has entertained around the world for over 25 years. Most recently, he performed at Tresor, in Berlin, Germany and Kitsch in Eindhoven, Netherlands. A crowd of over 100,000 was blown away as he performed his special four turntable set at the Detroit Movement Festival. He banged the box at the Cornerstone Event near Chicago before a crowd of 600+. DJ Mo Reese shined at the Winter Music Conference in Miami, and has been featured on stations Wgpr, Wjlb and won the Mixidome contest on Whyt. As a performer/producer, DJ Mo Reese inspires audiences with his uplifting and soulful style of House music.
Asher Roth - Retrohash
Asher Roth
Retrohash
LP | US | Original (Asher Roth)
29,99 €*
Release: US – Original
Genre: Hip Hop
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