All Items Vinyl 1085 Items

Release: 1964 / US – Reissue

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

John Coltrane

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

7" | 1969 | UK | Original (Big Shot)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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The Gaylettes

Son Of A Preacher Man

166,99 €*

LP | 1964 | US | Reissue (Mobile Fidelity)

Release: 1969 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Rare Big Shot 7inch.
Record is in great condition, very close to VG+ with just a few hairlines. Plays with faint surface noise only in the run-ins and is far from overpowering the music.

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Muddy Waters

Folk Singer

158,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Workin' With The Miles Davis Quintet

The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

150,99 €*

LP Box | 1969 | US | Reissue (Mobile Fidelity)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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Elvis Presley

From Elvis In Memphis

119,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crosby Stills & Nash SuperVinyl Edition

Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Lee Morgan

The Sidewinder

103,99 €*

LP | 1961 | US | Original (Atlantic)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs and hairlines, cover with yellowing and open seam split on top and bottom spine.

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John Coltrane

My Favorite Things

90,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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Lee Morgan

The Sidewinder

89,99 €*

Art Blakey & The Jazz Messengers

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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Mosaic

LP | 1961 | US | Original (Blue Note)

89,99 €*

Dusty In Memphis Atlantic 75 Series

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing . Vinyl with scuffs and hairlines. Cover close to VG+

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Dusty Springfield

2LP | 1969 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Chicago Transit Authority Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

A classic now cut at 45 RPM!

Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

"Analogue Productions' reissue functions as a case study in what careful remastering and good pressing can achieve-even if the single-jacket package means both 45RPM LPs get crammed into one space. Sonically, it doesn't entirely erase the lack of fill, but adds such a three-dimensional frame to the picture that the holes begin to disappear. Additionally, it creates a much larger soundstage than found on the original, and the improved pitch stability makes it seem you've acquired a better turntable-not just a better pressing." — 4.5/5 stars, Dennis Davis, vinylreviews.com. Read the whole review here.

LP of the Month - Hi-Fi News
"...this LP proved definitively that Ms. Springfield ranks right up there with Aretha Franklin, Etta James and other soul/R&B queens of the post-WWII era...This edition is the finest I've ever heard." LP of the Month. Sound Quality = 99% - Ken Kessler, Hi-Fi News

"...absolutely stunning double 45rpm issue mastered from the original tape by Kevin Gray...I didn't know what to expect from this but my most optimistic hopes didn't begin to approach this album's reinvention at 45rpm...A classic reinvented. Very highly recommended for the music, for the mastering and for the superbly detailed pressing quality too from Quality Record Pressings." Music = 9/11, Sound = 9/11 - Michael Fremer, musicangle.com, November 2011

"...As with all 45 RPM remasterings, the higher groove velocity has made possible the extended high frequencies and lower noise that make this edition a marvel of sound." Performance = 5/5, Sound = 5/5; Editor's Pick, Recording of the Month — Robert Baird, Stereophile, February 2012

"... Kevin Gray turned in a sparkling re-mastering and the 45-RPM pressing from Chad Kassem's Quality Records could hardly be better. 'The Windmills Of Your Mind' throws a huge soundstage and Dusty on vinyl sets a high barrier for high def digital to aim for." Recording = 10/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 86

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Chicago

2LP | 1969 | US | Reissue (Friday Music)

82,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Carlos Lyra E Dulce Nunes Com Moacir Santos / Catulo De Paula / Thelma Soares

Pobre Menina Rica

LP | 1964 | BR | Original (CBS)

79,99 €*

The John Coltrane Quartet

Release: 1964 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear

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Africa/Brass

LP | 1961 | US | Original (Impulse!)

79,99 €*

LP | 1969 | UK | Original (Pye)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped edges, heavy wear.
LP has hairlines and surface marks.

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Man

Revelation

78,99 €*

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Jethro Tull

Stand Up

77,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (4 Men With Beards)

Scott Walker

Scott 4

75,99 €*

Blues & Roots Atlantic 75 Series

Release: 1969 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

180gr vinyl. 2008 reissue.

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Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1969 | UK | Reissue (Decca)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Them

The "Angry" Young Them!

72,19 €* 75,99 € -5%

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Philips)

Gal Costa

Legal

69,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1961 | US | Original (Blue Note)

The Three Sounds

Here We Come

66,99 €*

Tommy James & The Shondells

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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The Best Of Blue Vinyl

65,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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In Person At The Blackhawk

Miles Davis

2LP | 1961 | US | Reissue (Impex)

62,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | JP | Original (CBS/Sony)

Bob Dylan

Nashville Skyline

59,99 €*

LP | 1969 | US | Reissue (Now-Again)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

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Hunger

Strictly From Hunger

56,99 €*

The Ornette Coleman Quartet

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Gene Ammons

Nice An' Cool

2LP | 1969 | US | Reissue (Pink Floyd)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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This 1961 set of standards, favoring ballads, is Gene Ammons in his prime. For the most part, this session is tight and structured, keeping Ammons firmly locked in the groove more so than on some of his more wandering dates. His big-as-a-house tone stands center stage in front of a sympathetic piano-bass-drums trio of Richard Wyands, Doug Watkins and J.C. Heard, respectively.

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Pink Floyd

Ummagumma

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Blues In Orbit 200g Vinyl Edition

Duke Ellington

LP | 1960 | US | Reissue (Analogue Productions)

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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Booker Ervin

Song Book 180g Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | JP | Reissue (Teichiku)

Hideo Shiraki

In Fiesta

52,99 €*

Release: 1961 / JP – Reissue

Genre: Organic Grooves

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LP | 1969 | JP | Reissue (Daiei)

Shintaro Katsu

Sing The Night

51,99 €*

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Impex)

The Dave Brubeck Quartet

Time Further Out

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | UK | Reissue (Roulette)

Count Basie

Basie In Birdland

LP | 1969 | US | Reissue (Intervention)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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e-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

'Basie at Birdland' is a 1961 live album featuring Count Basie and his famed orchestra playing at Birdland in New York City. Recorded on June 27-28th of 1961, and released just one month later in July of that year, 'Basie at Birdland' proved once again that Count Basie was one of the world's best players, band leaders, and flag bearers of Jazz. Birdland, the self-proclaimed, 'Jazz Corner of the World' provides a raucous, lively backdrop to the band's soulful Kansas City style Jazz, on tunes like, 'Blue Backstage', and 'Good Time Blues' alongside their harder hitting, big band bop. 'Basie at Birdland' features the Count at the height of his prowess, and he and his band's fervent, swinging performance cannot be missed - it's perfect for novices and aficionados alike.

This is a jaw-dropping recording of Basie's band in 1961. The band is so tight and swings so hard it sounds at times as if one is listening to a Wurlitzer organ. There simply was no band that swung as hard as Basie's - at least not as recorded on this live date. Amazing.

Simply the best live recording of a big band ever!

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The Flying Burrito Bros

The Gilded Palace Of Sin

Release: 1969 / US – Reissue

Genre: Rock & Indie

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2LP | 1961 | JP | Original (Top Rank International)

V.A.

Modern Jazz Gallery

Release: 1961 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Quinteto Real En Japon Vol. 1

Quinteto Real

LP | 1964 | JP | Original (CBS)

LP | 1969 | EU | Reissue (Verve)

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included.
Cover slightly yellowed but close to VG+

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The New Jazz Orchestra

Le Dejeuner Sur L'Herbe

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP+DVD | 1969 | US | Reissue (Lion)

Krokodil

The First Recordings

LP | 1961 | US | Reissue (Impex)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Still shrink wrapped, shrink is slightly split but records are UNPLAYED.
Cover corners slighty dented.

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Bud Shank

Barefoot Adbenture

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Impex)

The Youngbloods

Elephant Mountain

Release: 1969 / US – Reissue

Genre: Rock & Indie

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2LP | 1969 | UK | Original (Warner)

The Grateful Dead

Live/Dead

LP | 1969 | CA | Original (Blue Horizon)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has scuffs and hairlines.

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Curtis Jones

Now Resident In Europe

Release: 1969 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Someday My Prince Will Come

The Miles Davis Sextet

LP | 1961 | US | Original (Columbia)

48,99 €*

LP | 1960 | JP | Reissue (Liberty)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Terre Haute pressing.

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Julie London

Around Midnight

48,99 €*

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

48,99 €*

Lush Life 200g Vinyl Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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John Coltrane

LP | 1960 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Eric Dolphy

At The Five Spot

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary quintet.
Eric Dolphy, Booker Little, Mal Waldron, Richard Davis and Ed Blackwell had formed a cooperative group and, if LIttle had not died in October 1961, there is no doubt that it would have been a potent force in the music of the 1960s and beyond. Dolphy himself died in June 1964, after establishing himself as one of the important contemporary reedmen. Here his alto saxophone and bass clarinet and Little’s trumpet explore three originals: "The Prophet" by Dolphy, "Bee Vamp" by Little, and "Fire Waltz" by Waldron. It’s time caught in a bottle — music for the ages.

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Tony Joe White

Black And White

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Lightnin' Hopkins

Lightnin'

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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"Lightnin'" is among the rewarding acoustic dates Lightnin' Hopkins delivered in the early '60s. The session has an informal, relaxed quality, and this approach serves a 48-year-old Hopkins impressively well on both originals like "Thinkin' 'Bout An Old Friend" and the familiar "Katie Mae" and enjoyable interpretations of Sonny Terry & Brownie McGhee's "Back To New Orleans" and Arthur 'Big Boy' Crudup's "Mean Old Frisco". Hopkins' only accompaniment consists of bassist Leonard Gaskin and drummer Belton Evans, both of whom play in an understated fashion and do their part to make this intimate setting successful. From the remorseful "Come Back Baby" to more lighthearted, fun numbers like "You Better Watch Yourself" and "Automobile Blues", "Lightnin'" is a lot like being in a small club with Hopkins as he shares his experiences, insights and humor with you.

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Booker Ervin

The Freedom Book

LP | 1960 | US | Original (HiFi Jazz)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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The Paul Horn Quintet

Something Blue

2LP | 1969 | DE | Reissue (Zappa)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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Frank Zappa

Uncle Meat

46,54 €* 48,99 € -5%

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Nobuo Hara And Sharps & Flats

Little Giant

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

George Kawaguchi Big Four

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition to their original compositions, the album features unique arrangements of pieces by Oliver Nelson, who had a close connection with Sharps and Flats.

The album's intricate and adventurous arrangements, combined with the band's high-level performance quality, are truly remarkable. You'll be captivated by the hipness of "Little Giant," the strength of "Dark Horse," the cutting-edge sound of "Orbit 8:11," and the sophistication of "Flexibility." This dynamic performance, marked by a perfect balance of tension and relaxation, showcases the full potential and allure of Sharps and Flats. This album is a masterpiece that brings out the best in the band.

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George And Sleepy

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

LP | 1969 | JP | Reissue (Craftman)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.

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Masahiko Togashi

We Now Create

45,99 €*

Best Of Sam & Dave Audiophile Red Vinyl Edition

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)

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Sam & Dave

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Boz Scaggs Gold Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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In Person, Friday Night At The Blackhawk, San Francisco, Volume I

Miles Davis

LP | 1961 | US | Original (Columbia)

LP | 1964 | US | Original (Verve)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

torn spines. original US mono pressing

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Bill Evans

Trio 64

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Boz Scaggs Gold Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Ben E. King's Greatest Hits Blue Vinyl Edition

Ben E. King

LP | 1964 | US | Reissue (Friday Music)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

K.B. Burrell Tone Poet Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Kenny Burrell

LP | 1969 | EU | Reissue (Blue Note)

Life Time Tone Poet Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan (1979) this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Anthony Williams

LP | 1964 | EU | Reissue (Blue Note)

Que C'est Triste Venise 60th Anniversary Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Charles Aznavour

2LP | 1964 | UK | Reissue (Blue Wrasse)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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Romica Puceanu Si Taraful Fratilor Gore

Cintece Lautaresti Black Vinyl Edition

LP | 1964 | EU | Reissue (Electrecord)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Oscar Peterson Trio with Milt Jackson

Very Tall Acoustic Sounds

LP | 1961 | EU | Reissue (Verve)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Byrd In Flight Tone Poet Vinyl Edition

Donald Byrd

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Trio '64 Acoustic Sounds Edition

Bill Evans

LP | 1964 | EU | Reissue (Verve)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Fat Albert Rotunda

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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For DJango Tone Poet Vinyl Edition

Joe Pass

LP | 1964 | UK | Reissue (Blue Note)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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Mingus Mingus Mingus Mingus Acoustic Sounds Edition

Charles Mingus

LP | 1964 | EU | Reissue (Verve)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The Blues And Abstract Truth Acoustic Sounds Edition

Oliver Nelson

LP | 1961 | EU | Reissue (Impulse)

Out Of The Cool Acoustic Sounds Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Blues And The Abstract Truth is Oliver Nelson’s triumph. Featuring his all-time classic ‘Stolen Moments’, Nelson assembled one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to form an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section.

Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

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The Gil Evans Orchestra

LP | 1961 | EU | Reissue (Impulse)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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One Flight Up Tone Poet Vinyl Edition

Dexter Gordon

LP | 1964 | EU | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Tommy James & The Shondells

Best Of Tommy James & The Shondells

Release: 1969 / US – Reissue

Genre: Pop

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Fathers And Sons Vinyl Me, Please Edition

Muddy Waters

2LP | 1969 | US | Reissue (Vinyl Me, Please)

3LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The late '60s were a mixed bag for Muddy Waters. In 1969, Waters needed to pivot, and away from the longhairs. He made ‘Fathers and Sons’.

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Animals

Complete Animals

It's So Hard To Tell Who's Going To Love You The Best

Release: 1964 / EU – Reissue

Genre: Pop

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This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

Greatest Hits - Stand By Me Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Ben E. King

LP | 1964 | US | Reissue (Friday Music)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Music On Vinyl)

Chicken Shack

100 Ton Chicken

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Doin' Things Black History Month Colored Vinyl Edition

Madeline Bell

LP | 1969 | UK | Reissue (UMR)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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I Got 'Dem Ol' Kozmic Blues

Janis Joplin

LP | 1969 | US | Reissue (Speakers Corner)

LP | 1960 | JP | Reissue (Time)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180g

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Booker Little

LP | 1960 | US | Reissue (Friday Music)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. 1975 reissue. OBI is missing. Slightly stained cover. Vinyl is close to NM.

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Bobby Darin

25th Day Of December

Release: 1960 / US – Reissue

Genre: Pop

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LP | 1960 | JP | Reissue (CBS/Sony)

The J.J. Johnson Sextet

J.J. Inc.

LP | 1961 | US | Reissue (Waxwork)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. 1970 reissue.

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Gene Moore

Carnival Of Souls

Release: 1961 / US – Reissue

Genre: Pop

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Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition

Yardbirds

LP | 1964 | US | Reissue (Culture Factory)

OST West Side Story Gold Vinyl Edition

Release: 1964 / US – Reissue

Genre: Rock & Indie

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Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

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V.A.

2LP | 1961 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Polysom)

Release: 1961 / EU – Reissue

Genre: Soundtracks

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180 gram audiophile vinyl / Gatefold sleeve.
West Side Story is the soundtrack to the 1961 film by the same name. All music is composed by Leonard Bernstein and lyrics written by Stephen Sondheim. When released, the soundtrack spent 54 weeks at No.1 on Billboard’s album charts, giving it the longest run at No.1 of any album in history. Perhaps Michael Jackson’s Thriller comes close, on the grounds that West Side Story was listed on a chart for stereo albums only at a time when many albums were recorded in mono. During the Grammy Awards of 1962, it won Best Sound Track Album - Original Cast and Best Large Ensemble Jazz Album for Johnny Richards’ orchestrations of the movie score. These successes bolstered the popularity of the movie and soundtrack even further. In the United States, it was the best-selling album of the 1960s, certifying three times Platinum in over two decades. West Side Story includes 4 bonus tracks, “Overture”, “Intermission Music”, “Finale (Somewhere)” and “End Credits”. This 2LP-set is available as a limited edition on gold coloured vinyl, housed in a gatefold sleeve.

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Brazilian Octopus

LP | 1961 | EU | Reissue (Ascensionale)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Jorge Lopez Ruiz

B.A. Jazz