All Items Vinyl 584 Items

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Nefertiti

83,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Blues & Roots Atlantic 75 Series

Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Greatest Hits 45RPM, 200g Vinyl Edition

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Patsy Cline

2LP | 1967 | US | Reissue (Analogue Productions)

75,99 €*

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

73,99 €*

The Artistry Of Helen Merrill

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Helen Merrill

LP | 1965 | JP | Reissue (Toyokasei)

63,99 €*

2LP | 1967 | US | Reissue (Impex)

Release: 1965 / JP – Reissue

Genre: Organic Grooves

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New York based Jazz singer Helen Merrill moved to Europe after her London debut concert in 1959. as she is living in Italy for 4 years, Helen also performed Japan in 1960 and 1963.

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Thelonious Monk

Straight, No Chaser

62,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (International Artist)

13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Ornette Coleman Quartet

This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

Blues In Orbit 200g Vinyl Edition

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Duke Ellington

LP | 1960 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

My Funny Valentine

48,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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2LP | 1968 | EU | Reissue (Polydor)

Cream

Wheels Of Fire

48,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Polydor)

Velvet Underground

White Light / White Heat

48,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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2LP | 1967 | Reissue (Rhino)

The Monkees

Headquarters

47,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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LP | 1960 | US | Reissue (Analogue Productions)

Thelonious Monk

At The Blackhawk

46,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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John Fred & His Playboy Band

Judy In Disguise Record Store Day 2022 Edition

LP | 1967 | US | Reissue (Liberation Hall)

45,99 €*

Best Of Booker T. & The Mg's

Release: 1967 / US – Reissue

Genre: Pop

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Record Store Day 2022 Drop 1 Release. On “psychedelic purple” vinyl. Limited to 1,000 copies. First re-release since the 1960s.

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Booker T. & The Mg's

LP | 1968 | US | Reissue (Friday Music)

44,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Assocation's Greatest Hits Yellow Vinyl Edition

Association

LP | 1968 | US | Reissue (Friday Music)

44,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Best Of Sonny & Cher Pink Vinyl Edition

Sonny & Cher

LP | 1967 | US | Reissue (Friday Music Two)

44,99 €*

Release: 1967 / US – Reissue

Genre: Pop

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Guitar Forms Acoustic Sounds

Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

Total Eclipse Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

Down With It! Tone Poet Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

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Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

Extensions Tone Poet Vinyl Edition

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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McCoy Tyner

LP | 1968 | EU | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Blues A-Plenty Acoustic Sounds

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

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Czeslaw Niemen & Akwarele

Dziwny Jest Ten Swiat..

LP | 1967 | PL | Reissue (Warner)

Release: 1967 / PL – Reissue

Genre: Organic Grooves, Rock & Indie

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Tex Book Tenor Tone Poet Vinyl Edition

Booker Ervin

LP | 1968 | Reissue (Blue Note)

Release: 1968 / Reissue

Genre: Organic Grooves

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Easterly Winds Tone Poet Vinyl Edition

Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

Indian War Whoop Deluxe Ediiton

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

Best Of Wilson Pickett Volume Two

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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A Charlie Brown Christmas Deluxe Edition

Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

Release: 1965 / EU – Reissue

Genre: Organic Grooves, Christmas

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Byrd In Flight Tone Poet Vinyl Edition

Donald Byrd

LP | 1960 | EU | Reissue (Blue Note)

42,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Pastel Blues Acoustic Sounds Edition

Nina Simone

LP | 1965 | EU | Reissue (Verve)

42,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Blue Spirits Tone Poet Vinyl Edition

Freddie Hubbard

LP | 1965 | EU | Reissue (Blue Note)

42,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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David Bowie Indie Exclusive Cloudy Green Vinyl Edition

David Bowie

2LP | 1967 | WW | Reissue (Decca)

41,99 €*

Release: 1967 / WW – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

MC5

Kick Out The Jams

41,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | Reissue (Real Gone Music)

Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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LP | 1960 | US | Reissue (Friday Music)

Bobby Darin

25th Day Of December

40,99 €*

Release: 1960 / US – Reissue

Genre: Pop

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Afro-Harping Deluxe Edition

Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

39,99 €*

LP | 1968 | BR | Reissue (Polysom)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Tom Ze

Grande Liquidacao

39,99 €*

David Bowie Green Vinyl Edition

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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David Bowie

2LP | 1967 | PL | Reissue (Decca)

39,89 €* 41,99 € -5%

Release: 1967 / PL – Reissue

Genre: Rock & Indie

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Dialogue Tone Poet Vinyl Edition

Bobby Hutcherson

LP | 1965 | Reissue (Blue Note)

Release: 1965 / Reissue

Genre: Organic Grooves

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Taru Tone Poet Vinyl Edition

Lee Morgan

LP | 1968 | Reissue (Blue Note)

LP | 1960 | Reissue (Concord)

Release: 1968 / Reissue

Genre: Organic Grooves

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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

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Blue Mitchell

Blue's Moods Ojc. Series

Release: 1960 / Reissue

Genre: Organic Grooves

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At The Renaissance Limitedcontemporary Records

Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

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Sweet Rain Acoustic Sounds Edition

Stan Getz

LP | 1967 | US | Reissue (Verve)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | JP | Reissue (Think!)

Mighty Sparrow

Tattoo Woman

How To Blow Your Mind And Have A Freak-Out Party

Release: 1965 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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"Tattoo Woman" was originally released in 1965 and includes "Under My Skin", a favorite not only among calypso fans but also Ska and Reggae lovers! This is a calypso arrangement of Cole Porter's original song "I've Got You Under My Skin" and is truly a masterpiece! The album as a whole contains many wonderful pieces that convey the breath of calypso in its heyday! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "The Outcast", which will be released at the same time on analog LP!!

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Unfolding

LP | 1967 | Reissue (Real Gone Music)

Release: 1967 / Reissue

Genre: Rock & Indie

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LP | 1967 | JP | Reissue (P-Vine)

Cynthia Schloss

Ready And Waiting

Wishes You A Swinging Christmas Acoustic Sounds Edition

Release: 1967 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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How Cynthia Schloss’ debut album Ready And Waiting ended up as part of the infamous tax-scam label TSG Records’ catalogue is characteristically mysterious and unknown. Originally released on Merritone Records in 1976, it’s rich reggae sound is a celebration of life and love, and the Jamaican singer’s syncopated grooves stand apart from familiar TSG funk and soul territory - though both find space to breathe inside the mix of this expansive album. Nevertheless, a year later the album found itself with a new sleeve and identity under the distinct TSG colour and logo. P-vine is thrilled to be reissuing Ready and Waiting as a limited edition LP for the first time in the world with an iconic Japanese obi strip attached.

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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Further Conversations With Myself

Bill Evans

LP | 1967 | EU | Reissue (Elemental)

Volume 1 Black Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”

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Fabrizio De Andre'

LP | 1967 | EU | Reissue (RCA)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Out Of The Blue Tone Poet Vinyl Edition

Sonny Red

LP | 1960 | UK | Reissue (Blue Note)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Volume 3 Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Tutti Morimmo A Stento Black Vinyl Edition

Fabrizio De Andre'

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Third Man)

France Gall

1968

LP | 1968 | US | Reissue (Capitol)

Release: 1968 / US – Reissue

Genre: Pop

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1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

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Steve Miller Band

Sailor

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Capitol)

Steve Miller Band

Children Of The Future

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Geffen)

The Who

The Who Sell Out

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (Blue Note)

Lou Donaldson

Lush Life

Release: 1967 / US – Reissue

Genre: Organic Grooves

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We Are Paintermen 180gram Half-Speed Master Edition

The Creation

LP | 1967 | UK | Reissue (Demon)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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Lady Soul Clear Vinyl Edition

Aretha Franklin

LP | 1968 | EU | Reissue (Rhino)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Reissue (P-Vine)

B.B. King

The Great B.B.King

The Chuck & Mary Perrin Album: Brother & Sister

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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Chuck & Marry Perrin

LP | 1968 | EU | Reissue (Mapache)

Never Loved A Man Vinyl Me, Please Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Mapache is proud to present the first ever vinyl reissue of The Chuck & Mary Perrin album: Brother and Sister. Recorded in 1968, this gemm is one of the biggest secrets of US folk. Full of amazing melodies and beautiful songs, this is one of the hardest to find records for collectors of folk, psych and singer/songwriters style records. Includes covers by Donovan or John Sebastian plus stunning originals like "Commencement", "Mornings" or "Babe can you see" .

Only 500 copies were pressed, originals of this rarity have been sold for more than $1.000. It is one of the highest rated albums on record collectors guides.

Remastered from the original tapes, this reissue comes with an additional insert. Includes previously unseen pictures and comes in a gatefold tip on jacket, exact replica of the original record issued on Chuck's own label, Websters Last Word.

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Aretha Franklin

LP | 1967 | US | Reissue (Vinyl Me, Please)

Nuff Said! Vinyl Me, Please Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."

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Nina Simone

LP | 1968 | US | Reissue (Vinyl Me, Please)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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For The Sake Of The Song Vinyl Me, Please Edition

Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

Soul Dressing Mono Clear Vinyl Edtion

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Booker T. And The Mg's

LP | 1965 | US | Reissue (Jackpot)

LP | 1968 | US | Reissue (Craft)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1965 Mono release. Featuring the legendary The Mar-Keys’ horn section. Includes the hit single "Soul Dressing". Limited Clear Vinyl Pressing

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Willie Colón

Hustler

Hip Hug-Her Pink Vinyl Edition

Release: 1968 / US – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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Booker T. And The Mg's

LP | 1967 | US | Reissue (Jackpot)

LP | 1965 | US | Reissue (Blue Note)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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All Analog Process From The Original Master Tapes. Cut by Kevin Gray. 1967’s Hip Hug-Her is one of their most beloved records. Spawning two significant hits, their cover of the Young Rascals “Groovin” and the title track "Hip Hug-Her"

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Horace Silver

Cape Verdean Blues

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Space Flight Verve By Request Edition

Sam Lazar

LP | 1960 | EU | Reissue (Verve)

LP | 1968 | US | Reissue (Craft)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Space Flight" was the debut recording by the mysterious organist Sam Lazar, who disappeared from the music scene after just a few recordings in the 1960s. Issued on Argo in 1960, it features guitar wizard Grant Green—on only his second recording—as well as Chicago blues legend Willie Dixon on bass.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

Tracklisting: Space Flight (1960)

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Junior Wells

Coming At You

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Musica & Entretenimiento)

Los Vidrios Quebrados

Fictions

LP | 1967 | US | Reissue (Craft)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

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Brenton Wood

Baby You Got It

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Reissue (Geffen)

The Who

My Generation

Release: 1965 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | JP | Reissue (P-Vine)

B.B. King

The Jungle

LP | 1968 | UK | Reissue (Speakers Corner)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Yusef Lateef

The Blue Yusef Lateef

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Eddie Harris

The In Sound

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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Sarah Vaughan

Sarah +2

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Speakers Corner)

Lalo Schifrin

OST Bullitt

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1968 / EU – Reissue

Genre: Soundtracks

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A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Freddie Hubbard

Backlash

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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Canned Heat

Boogie With Canned Heat

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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Deserti Blue Vinyl Edtion

Piero Pelu

LP | 1960 | EU | Reissue (Epic)

Release: 1960 / EU – Reissue

Genre: Rock & Indie, Pop

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Gypsy Woman Yellow Vinyl Edition

Joe Bataan

LP | 1967 | US | Reissue (Craft)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Gianni Morandi Blue Vinyl Edition

Gianni Morandi

LP | 1968 | EU | Reissue (RCA)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | IT | Reissue (RCA)

Nini Rosso

Release: 1968 / IT – Reissue

Genre: Pop

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Elmore James And The Broom Dusters

Blues After Hours

LP | 1960 | JP | Reissue (P-Vine)

Walkin' Up Con Los Walkers 53rd Anniversary Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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From Hound Dog Taylor to Ry Cooder and Derek Trucks, Elmore James, a giant of blues music who continues to influence many musicians, goes wild on slide guitar with his band, the Bloomdusters! Originally released on Crown Records in 1960, we are very proud to be able to officially reissue this important piece of blues history in the same jacket as the original release. Don’t miss this fantastic reissue on limited edition vinyl, with an iconic OBI-strip, available soon from P-vine Records!

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Los Walkers

LP | 1968 | US | Reissue (Noseso)

Ornella Vanoni Red Vinyl Edtion

Release: 1968 / US – Reissue

Genre: Rock & Indie, Pop

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After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.

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Ornella Vanoni

LP | 1967 | EU | Reissue (Catalog)

Release: 1967 / EU – Reissue

Genre: Pop

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Bacchanal Orange Vinyl Edition

Gabor Szabo

LP | 1968 | EU | Reissue (Ebalunga)

These Are My Roots - Clifford Jordan Plays Leadbelly

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The long-awaited reissue of rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. The first time, extended Edition with four bonus tracks: radio version from singles 7” 1968.

Deluxe 6-sided Digipak CD with a booklet and Gatefold Vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne.

“The performances on this LP have a restrained, introspective quality. Szabo’s work is lyrical, rather economical, and somewhat angular, and his tone is warm and glowing.” – Harvey Pekar, DownBeat

“Gabor Szabo is at the musical zenith of his career. This album could rank as his best to date.” – Billboard

“But for sheer lyrical beauty, few players are in Szabo’s class. His startling use of dissonance is a delight, too, and time and again he will alter a final phrase just slightly, totally reorienting a familiar tune.” – Alan Heineman, DownBeat

“This is definitely one of my ‘go to’ Gabor albums.” Mike Stax, Ugly Things

“Gabor Szabo’s Bacchanal documents one of the earliest and finest examples of what was then known as “jazz-rock.” Years… more credits releases March 24, 2021

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Clifford Jordan

LP | 1965 | EU | Reissue (Atlantic)

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Clifford Jordan hailed from Chicago, hometown of hard-driving, so-called ‘tough tenorists’ like Gene Ammons and Eddie ‘Lockjaw’ Davis. While Jordan shared their unnerving bravado, his tone is different, an alluring tone, simultaneously rough around the edges and ephemeral. A sought-after sideman, Jordan recorded with stalwarts as Lee Morgan and Max Roach in the late fifties and early sixties, as well as a series of high standard solo albums. Like age matures wine, Jordan’s style ripened in the early seventies, his lines becoming fluent like ripples of lake water. Jordan kept recording and performing steadily until his death in 1993.

Maybe this album, filled with interpretations of such classic tunes as Take This Hammer and Goodnight Irene, is not such a surprise act after all. The preceding year, Jordan had been part of Charles Mingus’ outfit (appearing on the hi-voltage live album Right Now: Live At The Jazz Workshop) Musical gobbler Mingus’ unfazed search for new vistas while retaining an all-embracing sense of the past’s relevance and blend of harmonic finesse with unbridled juke joint tumult surely rubbed off on Jordan.

Da Gray Goose is one of the cases in point. Tasteful harmony over the stop-time theme kicks it into action, strongly plucked bass and fiery drums inspire the soloists, creating an atmosphere of abandon. Lusty shout choruses stoke up the fire as the tune progresses. There are also some, yes, virtuoso banjo parts.

The gloomy folk blues music of Huddie ‘Leadbelly’ Ledbetter, whose life story reads like a combined effort of Shakespeare and James Baldwin, including oppression, hardship, addiction, treachery, murder and prison life, is excellently cast in a jazz frame. But not too jazzy, often the sound of Jordan’s top-notch group is as tough-as-nails as the sound of any one group that enlivened the back alley bars way back when. Jordan’s unpredictable phrasing overcomes the restrictions of the rigid folk blues form.

Craftily uncrafted, These Are My Roots is a spirited album of earnest, raw and ebullient swing.

Recorded on February 1 & 17, 1965 in NYC

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Elvin Jones

Midnight Walk

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Simon & Garfunkel, Dave Grusin

OST The Graduate: The Original Sound Track Recording Limited 180g Audiophile Edition

LP | 1968 | US | Reissue (Speakers Corner)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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The Max Roach Trio Feat. The Legendary Hasaan

The Max Roach Trio

LP | 1965 | EU | Reissue (Speakers Corner)

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Hardly any other musician has released so little as Hasaan Ibn Ali, born William Henry Langford Jr., in 1931, who died in 1980. Just seven titles in all are his complete output, all of which he composed himself, all of them on the present Atlantic LP, and all recorded in December 1964. The saxophonist Odean Pope, who often practised with him, talks of a second recording session in 1965 for Atlantic, but the recordings were never released because Hasaan was sent to jail shortly afterwards; rumour has it that the tapes were destroyed in a fire – and it might well be that recordings with John Coltrane still exist somewhere or other.
Until then, one should enjoy the Max Roach Trio with Art Davis on the bass to the full. We have here a recording that will astound and fascinate your ears with its originality. A first impression conjures up reminiscences of Cecil Taylor and Herbie Nichols, while Hasaan himself talks of the pianist Elmo Hope as the man who brought him closer to the 'mystery of music'. When asked how the recording session with maestro Max Roach went, Hasaan said: »They scared me to death.«
According to Odean Pope, Hasaan was not an easy person to get on with, and he was convinced of his talent to the point of arrogance. But despite this – or perhaps because of this – one listens spellbound to the 40 minutes on this LP, a legacy and never-fulfilled promise of an extremely talented man. We are indebted to Max Roach, who persuaded the bosses of Atlantic Records to make these recordings. For many, many years they had vanished from the record market, but fortunately they are now available as an audiophile re-release to be listened to and admired.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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Dr. John

Gris Gris

The Charles Lloyd Quartet

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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His grandmother is purported to have transported objects using her spiritual powers and it is said that she sometimes floated through the room. Her grandson Malcolm Rebenneck was fully aware of his unique features when he appeared under the name of Dr. John, a voodoo healer in the 19th century, and was the first person to transcend from pitch-black spheres to psychedelic music as its high priest, so to speak.
In the seven magical musical numbers of "Gris-gris", the root doctor conjures up a potent mixture of creole melodies, primeval heathen sounds, a pinch of mardi-gras and New Orleans jazz and even undreamt-of sounds. "Gumbo Ya Ya", a dragging procession with archaic sing-song, shows that suggestive Afro sounds are what rule in this album. And to play with them, to soften them here and there, or to enhance them with dance-like expression and voices from afar ("Danse Fambeaux") is all part of the programme in this collection of artistic treasures. In between raspy sounds there are flattering, intimate tones such as the springy, gentle and forward-looking "Croker Courtbullion".
The equation Witchcraft = Masterwork certainly applies to this unrivalled album, which is listed at No. 143 in the 500 Greatest Albums of all Time by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1967 at Gold Star Studios, Los Angeles
Production: Harold Battiste

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Love-In

LP | 1967 | UK | Reissue (Pure Pleasure)

The Wonderful World Of Jazz

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Four-and-a-half decades after the event, saxophonist Charles Lloyd's "Love-In", recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance", "Temple Bells"), and the inclusion of John Lennon and Paul McCartney's "Here There And Everywhere", "Love-In's" semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.
It is likely that more joints were rolled on "Love-In's" cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane's "A Love Supreme" (Impulse!, 1965) and Pharoah Sanders's "Tauhid" (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as »the first psychedelic jazz group«.
It is to Lloyd's credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd's espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East.
So "Love-In" comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd's vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett's lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish "Sunday Morning", his two featured originals ("Sunday Morning" and the soul jazz-ish "Is It Really the Same?"), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.

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John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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Aretha Franklin

Yeah!

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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