All Items Vinyl LP 83386 Items

36,99 €*

Fever Dream Tri-Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Spirit Mother’s forthcoming album “Trails” brings the energy of the band’s visceral, all-in live performances while expanding on the sensibilities of their debut album “Cadets.” It is the undeniable next chapter in the band’s creative process. The darker tonality, heavier, fuzz-fueled riffs, and relentless rhythm section accompanies prolific structure and arrangement. The violin summons a brooding, atmospheric pedestal for the remaining power trio to wield with fervor. Lance’s haunting vocals and stark lyricism intersperse the instrumentals with a melody that is as dynamic as it is accessible. It is the culmination of road worn years in pursuit of the art, and the moment-to-moment adrenaline of studio exploration. The album was aged, captured, delivered by Spirit Mother, and brought to the broader public by Heavy Psych Sounds Records.

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Alunah

36,99 €*

Fever Dream Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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With their third album on Heavy Psych Sounds Records, Alunah have wasted no time in a post-pandemic haze since their last release, balancing being on the European festival circuit alongside touring the UK. However, in a Birmingham rehearsal room away from the outside world, everyday life and online noise, their latest full length "Fever Dream" has been quietly brewing waiting to see the light of day. Forged from a period of extensive jamming and soul searching "Fever Dream" digs into the core of what makes Alunah tick, being in a room together making the music they want to hear.Recorded during the winter of 2024, the atmosphere of the historic Foel Studio allows groove to flow alongside riff, heft and melody in equal measure. The brooding progressive majesty of the title track, the eastern soundscape of "Sacred Grooves" and the doom and roll of "Far From Reality" each highlight the album's ability to surprise and deliver in equal measure throughout the emotive journey of its nine tracks. Let yourself fall deep into the "Fever Dream". Produced by Chris Fielding (Electric Wizard, Conan)

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Alunah

Fever Dream Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Alunah

22,99 €*

Romance Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fontaines D.C.

LP | 2024 | UK | Original (XL)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Emahoy Tsege Mariam Gebru

Emahoy Tsege Mariam Gebru Purple Vinyl Edition

LP | 2016 | US | Reissue (Mississippi)

LP | 2024 | UK | Original (Drowned By Locals)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Purple Vinyl.Celestial piano composition and performance by a classically-trained Ethiopian nun. Erik Satie, Debussy, liturgical music of the Coptic Church, the Ethiopian five-note scale, and a touch of the divine. It is some of the most moving piano music you will ever hear!

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Rathauz

Ciccio Bomba Cannoniere

13,99 €*

Cheb Terro Vs. DJ Die Soon

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

ciccio bomba cannoniere (chunky monkey)
Is the sound weapon of the A-zienda rthz, illustrated by the render called M.E.R.I.C.O.O. (Erect, rechargeable intelligent machine with organic dog) This project of a definitive media A-ssailant presents all the necessary elements for the domination of social hierarchies:
trace of a human face for identification
a stalker server for omnipresence in digital field
a system of locomotion for moving in any field
a genetically modified dog for keeping counterfeiters away
comfy clothes and an M60 around the neck
The name derives from an A-ncestor rthz called Merico. Police officer who in the late 1800s left a tavern and rode on the back of his mule Cina with the objective of stopping a train so that he could light his cigar. And this happened. Merico was then tried and dishonourably discharged.
- rathauz, translated from Italian -
------------------------------------------------
"*warning In my research for this piece I downloaded an app I found buried in the press release, drove around an airfield as a wolfman with a rifle, then unlocked a wrestling concept album on Youtube by jumping towards the light, became a subscriber for 20 Euros a year to get access to exclusive content and almost bought 5 grams of dirt harvested from the area surrounding the Rathauz studio.*

ciccio bomba cannoniere is a gateway drug, a gateway into the cybernetic multimedia cvlt of Rathauz.
And while a physical release might run counter to the insanely futuristic drive of the Rathauz, it's probably the album of the year so buckle up.

For the uninitiated the A side might play out like merely the best goddam side of actually fun techno you've heard in 2020s. Rollicking acidic galompers. Tbh most techno can get in the bin these days but this swinging evil continuum championed by Acidic Male / Giant Swan / Missterspoon is more than right by us. Rathauz add internet dial up noises, reggaeton shuffle, distorted screams and frayed EBM arps into this heady heady mix, showing they're about twice as interesting as the top 10 techno on Bandcamp already. Seriously RA would be creaming themselves to hit the recommend button if they could grow a spine in the office between them.

But Then side B gets rolling with boom baps and distorted guitars in a kinda frat-trap circle pit. This is the sound online Rathauz disciples know and love; electro-punk-trap-pop twisted genius. Their scifi vision and demented humour reminds us most closely of our beloved Kinlaw & Franco Franco if Franco had spent more time living in Milanese squats. Policepunk=S.W.A.T. is classic anarcho scuzz hxc on speed and trap and.....maybe Show Me The Body albums and not enough sleep. Venetia-monitor rips off the riff to Smells Like Teen Spirit in glorious Midi chaos. TLC is the most fun you can have in 2 minutes.

After listening we have only one question: Where ARE THE Techno Punx Making Actual Fucking Punk EH? And why not do it on the same album?

Cos you are never gonna get to crowdsurf at Tresor, kid. The bouncers will make you disappear and you Will miss your flight back to Kansas.

God bless Drowned By Locals.
Vinyl with printed sleeve (with the best art you've probably ever seen)."

- Miles Opland, Rwdfwd -
------------------------------------------------
A-Biography (translated from Italian)
RAT is the surname Hauz is the survival place, we make house music in the municipality of the web like the pharmaceutical industry.

Rathauz is the A-zienda or company that produces perceptible frequencies from its works in reinforced concrete located in a farming plot forever ploughed and fertilised, the whole area surrounded by barbed wire. You can visit the works through A-ndroid A-pplication A-zugo ( play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE ). Its workers have been embedded into the factory's walls and their names disappear absorbed in the structure. When they A-ppear they always wear their A-gro wear; wrestler shirts (emblems of expository hyperreality). In their productions they insert their singular individuality and relativistic abilities merging into a single quantum machine. They are the perfect emblem of the band: two brothers who share blood (a-), surname (Rat) and produce frequencies made at home (house music) but are almost always in conflict. Often during the A-ssembling of the frequencies they A-ttack each other as was reconstructed in WRESTLA-live, each product is then a derivation of a complex human skimming. Rathauz is focused A-utonomously on the primary sector, secondary, tertiary everything in the quaternary. They sow, grow, distil, peddle and often are the first consumers of the complexity of the material, creating their own A-utarchic world. They compete with other international labels but while those are associations made of many identities with different styles (the many Artists), Rathauz is the assembly of any frequential style recast by a single unique A-rtistic individualism, which has to overcome such role becoming the inhumane machine that produces and exports. The A-zienda only exists in relation to the A-utoproduction of the media, everything is developed only by the two laboratories. Both have productive activities in full with their identifiable subjective relativisms and these are not secondary but coexistent with the A-zienda A-ctivity. While the single A-'s (both laboratories with their own identities) work in a global context, Rathauz is simultaneously and exclusively dedicated to the cultural, media and technological development of the Italian state. This doesn't mean productions are inferior or superior but of a certain quality that differs from the products of individuals. The themes of both representatives in their individualistic projects are the visions of two Europeans squashed by imported capitalism and globalisation while Rathauz gathers the traditions and cultural movements of a particular region of Italy, Veneto, under the influence and the techniques of an imported capitalism and globalisation. Either when displaying their individual identities and when they act as the A-zienda, they confront a global context, but if they happen to emerge with their individualism of relative beings on the sea of international connection, the A-zienda is always the maker of a locally defined product, precise and calculated, which does not deny the inspiration but refines it to the limits of incomprehensible complexity. The A-zienda is a company that produces product (a metaphor for the identity of any artist under a label) but ultimately being the A-rtist as well, there are no thematic links or expressive limits, that is within the view of Italian cultural implantation in many demographic A-spects. The name Rathauz is the union of two concepts rat and hauz as A-forementioned, and yet the Anglosaxon A-nti-Italian sound that emerges recalls the great capitalist Corporations. Before launching the project Rathauz we had to clear the road as Rat-truppen. We fought club after club, we broke moulds with too-powerful basses, moshing where it was previously culturally inadmissible (only white shirts). With our dj-sets we imported the sound textures that later became the culture that "A-cquired value". Rathauz and many like it. As we moved from record to record many evenings a week we continued to produce a sound material yet to be emitted and which later contributed to lay the groundwork for the stable A-zienda. The first A-bsolute A-lbum we produced was in *2003 "Music Fear" (both laboratories had 8 and 12 years respectively) and this was the real starting point seeped in electronic textures, house and Drum'nBass and you can hear a first example of modern Base Trap, where we created a rap beat with a horror sample and used a distorted kick.
P.S.:
Usually as in the case of track 3030 (which deserves pages of in-depth A-nalysis), the sound is not only the basis but it is linked to the themes of production and later happened to become a sound standard as in the case of hdma where the distorted bass we came up with was an emulation of the stereo system at maximum volume of A- friend's car.

Original text by rathauz:
ciccio bomba cannoniere
È l'arma sonora dell'A-zienda rthz, illustrata con il render di M.E.R.I.C.C.O. (Macchina, eretta, ricaricabile, intelligente con cane organico). Questo progetto di definitivo A-ssaltatore mediatico presenta tutti gli elementi necessari alla dominazione delle gerarchie sociali:

parvenza di viso umano per l'identificazione

Uno stalker server per l'onnipresenza su campo digitale

Un sitema di locomozione per muoversi su ogni campo

Un cane geneticamente modificato per non lasciare avvicinare alteratori

Abiti comodi e al collo un M60

Il nome deriva da un A-ntenato rthz chiamato Merico. Carabiniere che a fine '800 uscì dall'osteria e salì in groppa della sua cavalla Cina con l'obbiettivo di fermare un treno per farsi accendere un sigaro. E ciò avvenne. Merico fu poi processato e congedato con disonore.

A-biography
"Ing: RAT is the surname Hauz is the survival place, we make house music in the municipio della rete like the industrie farmaceutiche."
Rathauz è l'A-zienda che produce frequenze percepibili dal suo stabilimento in cemento armato situato in un campo agricolo perennemente arato e concimato, tutta l'area è circondata da filo
spinato. E' possibile visitare lo stabilimento tramite l'A-pplicazione per Android A-zugo (https://play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE). I lavoratori sono stati inglobati
nelle pareti della fabbrica e i loro nomi singoli scompaiono assorbiti dalla struttura. QuandoA-ppaiono indossano sempre la loro divisaAziendale; maglie di wrestler (emblema dell'iperrealtà espositiva). Nelle produzioni inseriscono le loro singole individualità e le loro relativistiche abilità fondendosi in un unica macchina quantica. Sono l'emblema perfetto della band: due fratelli che condividono sangue (a-), cognome (Rat) e producono frequenze fatte in casa (house music) ma sono quasi sempre in contrasto. Spesso durante l'A-ssemblamento frequenziale fannoA-botte come è stato ricostruito in WRESTLA-live, ogni prodotto è quindi derivazione di una complessa scrematura umana. Rathauz si occupa in modoA-utonomo del settore primario, secondario, terziario tutto nel quaternario. Coltivano, lavorano, raffinano, smerciano e spesso ne sono i primi fruitori data la complessità del materiale, creando il loro mondoA-parte. Competono con le altre etichette internazionali ma mentre esse sono associazioni con all'interno più identità con diversi stili separati tra loro ( i vari Artisti), Rathauz è l'assemblamento di qualsiasi stile frequenziale rielaborato da un solo ed unico individualismoA-rtista, che deve superare tale ruolo diventando anche l'inumana macchina che produce ed esporta. L'A-zienda esiste solo in base all'A-utoproduzione dei media, tutto viene svolto solo dai due lavoratori. Essi hanno entrambi attività produttive in proprio con i i loro relativismi soggettivi identificabili e tali non sono secondarie ma coesistenti all'A-ttività A-ziendale. Mentre i singoliA-( i due lavoratori con le proprie identità) lavorano in contesto globale, rathauz è parallelamente e prettamente dedito allo sviluppo culturale, mediatico e tecnologico dello stato Italiano. Ciò non significa che le produzioni siano inferiori o superiori ma di un certo tipo di qualità che risulta differente dai prodotti dei singoli. Le tematiche dei due esponenti nei loro individualistici progetti sono la visione di due europei pressati da un capitalismo e un globalizzazione importata mentre Rathauz raccoglie le tradizioni i movimenti culturali di una determinata regione d'Italia, Veneto, sotto l'influsso e le tecniche di un capitalismo e una globalizzazione importata. Sia quando hanno le loro identità singole che quando sono l'A-zienda si confrontano con un contesto globale ma se in un caso emergono con il loro individualismo di essere relativo a galla nel mare della connessione internazionale, l'A-zienda è sempre fautrice di un prodotto localmente definito, preciso e calcolato che non nega l'ispirazione ma la raffina a limiti di incomprensibile complessità. L'Azienda è un'azienda che produce prodotti (metafora dell'identità di qualsiasi artista in una etichetta) ma essendo comunque direttamente anche l'A-rtista non vi sono vincoli di tematiche o limiti espressivi, sempre però nell'ottica dell'implentazione culturale italiana in variAspetti demografici. Il nome Rathauz é unione di due concetti rat e hauz come giàA-ffermato prima, tuttavia il suono AnglosassoneA-ntItaliano che emerge richiama le grandi Corporation capitalistiche. Prima di avviare il progetto Rathauz Abbiamo dovuto spianare la strada come Rattruppen. Abbiamo combattuto club per club, rotto impianti per via di bassi troppo potenti, pogato in luoghi dove prima era culturalmente inammissibile (solo camicie bianche). Con i nostri dj-set abbiamo importato le sonorità che poi sono divenute la cultura che ha potuto "Apprezzare" Rathauz e vari simili. Mentre ci muovevamo di disco in disco facendo varie serate ogni settimana continuavamo a produrre materiale sonoro tutt'ora non rilasciato che ha contribuito poi a fornire le fondamenta dallo stabileA-ziendale. Il primoA-lbum inA-ssoluto che abbiamo prodotto è stato nel *2003 "Music Fear" (i due lavoratori avevano rispettivamente 8 e 12 anni) ed è stato il primo vero punto di partenza in quanto in mezzo a sonorità elettroniche, house e Drum'nBass si può ascoltare un primo esempio di Base Trap moderna, dove abbiamo creato un beat rap con un campionamento horror e usato kick distorti.
P.S:
Spesso come nel caso della traccia 3030 (che meriterebbe pagine diApprofondimento), il suono non è solo base ma legato alle tematiche della produzione e poi casualmente diviene culturalmente uno standard sonoro come nel caso hdma dove il basso distorto che abbiamo ideato era un'emulazione delle stereo a volume estremo dell'auto di un nostroA-mico.

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Cheb Terro & DJ Die Soon

LP | 2022 | UK | Reissue (Drowned By Locals)

20,99 €*

LP | 2024 | UK | Original (Drowned By Locals)

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

Cheb Terro vs DJ Die Soon features Cheb Terro's posthumous vocals on Die Soon's beats; a work that was finished one day before Terro's tragic passing. Starting somewhere in the last quarter of 2020, having approached Daisuke Imamura aka DJ Die Soon for a release, and just heard about Cheb Terro's work with his Toxic Club, Drowned By Locals made the hook up that would result in a match made in the Underplanet, as Terro would describe it.

Hailing from the city of Sousse in Tunisia, the site of the worst of several Jihadist attacks in recent years, Cheb Terro's writings and delivery embody the violence stemming from the frustration shared by Tunisia's new generation; and reflect sadness, rebellion and an obsession with death.

Rayen Hermassi, aka Cheb Terro, was a multifaceted artist; writer, rapper, video editor, designer and founder of Toxic Club, the first Tunisian movement to merge horrorcore, hip hop, hardcore punk, Memphis gangster rap, devil shyt, vaporware, tinged with occult elements taken from the country's mystic past.

Daisuke Imamura is a Berlin-based artist born in Japan. His releases include 'Kappa Slap' [Morphine Records], in which Die Soon collaborates with Ecko Bazz, Infinite Livez, MC Yallah, Lord Spikeheart from Duma, and MA; and his latest production for Sekelembele split with Swordman Kitala [Hakuna Kulala].

In commemoration of the too-soon departed Rayen Hermassi, Cheb Terro vs DJ Die Soon is planned to release on March 25th, 2022, the day of Rayen's passing, on digital and vinyl - Mastered by Rashad Becker.

Rayen Hermassi's share of proceeds will go to his family.

released March 25, 2022

Music and cover art by Daisuke Imamura
Vocals and lyrics by Rayen Hermassi
Mastered by Rashad Becker

Dbl10lp

Patrick Clarke | The Quietus | The Quietus Albums Of The Year So Far Chart 2022
https://thequietus.com/articles/31727-the-quietus-best-albums-mid-2022
Matador Recommends | Playlist by Matador Records
https://spoti.fi/3yayJRC
Zoe Camp | Bandcamp Daily | Essential Releases
https://bit.ly/3FXDbGV
Emna Maaref | Ma3azef |شب تيرو ودي جاي داي سون(Cheb Terro Vs DJ Die Soon) Review
https://bit.ly/3sKA7Za
Toxic Club | Nika7 Official Video Premiere
https://www.youtube.com/watch?v=CYUHaC2KoDw
Noel Gardner | The Wire — Issue 458 | Cheb Terro Vs DJ Die Soon Album Review
https://bit.ly/3loBBUO
Gonzo (circus) — Mind The Gap 154 | Cheb Terro Vs DJ Die Soon - Pine Review
https://www.gonzocircus.com/mind-the-gap-154/
Clot Magazine | Underplanet Official Video Premiere
https://bit.ly/39xZGWK
Nyshka Chandran | Resident Advisor | Cheb Terro vs DJ Die Soon - Abtal AL Digital Single Review
https://ra.co/reviews/34696
Ransom Note | Posthumous record from Cheb Terro alongside DJ DIE Soon set for release
https://bit.ly/3yJDpjn
Tom Ravenscroft | BBC Radio 6 Music
https://bbc.in/3G4JpVl

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Hulubalang

Bunyi Bunyi Tumbal

20,99 €*

LP | 2024 | EU | Original (Major Label)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In Kasimyn's own words, the phrase "bunyi Bunyi Tumbal" signifies a "Synthetic Feeling for Anonymous Sacrifice," encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project Hulubalang was born.

Hulubalang's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring "lessons learned" from the perspectives of both the victors and the vanquished. Within this framework, the notion of Tumbal, the non-belligerent "sacrifice," assumes a weight surpassing its translation. Tumbal neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment.

Bunyi Bunyi Tumbal is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.

╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳

Artist Bio

Aditya Surya Taruna (aka Kasimyn) is one half of the Indonesian electronic duo Gabbar Modus Operandi known for their acclaimed records Puxxximaxxx and Hoxxxya (out via Yes No Wave and Svbkvlt, respectively) and overwhelming, hyper-active and unprecedented live experiences which have made them a popular act on several festivals of experimental music. In 2022, Kasimyn contributed with beats on Björk's latest album, Fossora, featured on three tracks: "Atopos", "Trölla-Gabba", and "Fossora", joined Björk on stage in Tokyo, Japan in March 2023 as part of her live tour Cornucopia, and appears on two of her album's music videos Atopos and Fossara. After joining Björk on her Cornucopia tour in Japan, Kasimyn is announcing his solo album on Drowned by Locals under his new project Hulubalang.

Text for Album by Riar Rizaldi (translated from Indonesian)

Kusnah walked slowly on the edge of a sand dune, across the coastline. It's safer here, she thought. On the horizon she saw a mirage, a fata morgana. In her mind, thinking of fata morgana as a destination is a better objective than the fact that she has to stay and live in the village: her body is needed for offerings, perhaps for the gods who are thirsty for the anatomy of human body or for the cults of development that is built by blood and the construction of fractured human bones. Perhaps as a political sacrifice too. For her, in a landscape where politics is intertwined with zoē, that's where the world really is at work.

While gazing at the piles of oysters on the beach, in her head she heard a peculiar party music with dank beats and messy strings. An umwelt. This was a victory song that she often plays loud in her mind when she feels defeated—however, not losing, but giving in. In her life, she spent more time giving in. She looked at the pile of oysters. Why do humans see oysters as lowly creatures compared to more advanced species like them? Oh more precisely, she remembered Plato's comparison of a hedonist man with an oyster. Live only in the moment of the here and now.

But Kusnah felt she was a hedonist. She lives for the here and now. She lives not for progress. To hell with the progress and development. She lives to experience time. She lives for jouissance. So for her, Plato had a point. As she looked at the oyster again very carefully, the weird music in her head transmitted louder and louder. She asked herself: as hedonist animals who just stay quiet and experience the waves, do these oysters also have music that revolves around their bodies and makes them feel victorious amidst an ocean of defeats?

Kusnah's gaze grew intense. From behind, came the sound of human footsteps running in a crowd. One, two, three, four the familiar sound of boots stomping. Five, six, seven, the clapping of ugly flip-flops. The fata morgana on the sand dune was instantly broken up by a bloodthirsty mob. As time went on, she heard faint screams. "That's her!" sounds vague but firm. The steps became louder. The music in Kusnah's head played louder. It didn't take long for her to start dancing. Like a possessed ghost, many people say. She wasn't in a trance, she was just enjoying the music playing in her head. Tens of people started to look in high-definition when Kusnah opened her eyelids.

"We will offer you to the gods of progress!" shouted the men with machetes and cleavers in their hands. Kusnah dances like she is out-of-body possessed. "Come on! Take her!" the men rushed to Kusnah, carrying ropes to tie her up. Kusnah smiled widely, while unable to control her dancing body.

"Take my body, but I will never share the hulubalang that roars in my mind!"

Kusnah's head separated from her body, right after she shouted those words.

Riar Rizaldi
Written while listening to Hulubalang's first album

Original Text:

Kusnah berjalan lamban di tepi gumuk pasir, di sebrang pesisir pantai. Di sini lebih aman pikirnya. Di garis horizon dia melihat hamparan fata morgana. Di pikirannya fata morgana jauh lebih baik sebagai tujuan ketimbang dia harus diam dan menetap di desa: tubuhnya diperlukan untuk persembahan, mungkin buat para dewa-dewa yang haus akan anatomi dan spirit dari human being atau buat pembangunan yang dibangun oleh darah dan konstruksi tulang-tulang. Mungkin juga sebagai tumbal politik. Pikirnya, di tempat dimana politik berkelindan dengan nyawa, disitu dunia betul-betul sedang bekerja.

Sambil menatap nanar tumpukan tiram di pesisir pantai, di kepalanya terdengar musik-musik pesta dengan dentuman nakal dan dawai berantakan. Sebuah umwelt. Lagu-lagu kemenangan yang sering ia putar keras-keras dipikirannya ketika ia merasa kalah. Bukan kalah, tapi mengalah. Dalam hidupnya, terlalu banyak waktu dia bagi untuk mengalah. Dia melihat tumpukan tiram dengan miris. Dia berpikir keras mengapa manusia melihat tiram sebagai makhluk rendahan dibandingkan species lebih advance seperti manusia, oh lebih tepatnya, dia mengingat perkataan Plato bahwa manusia hedonist sama saja dengan seekor tiram. Hidup hanya dalam momen hari ini dan saat ini.

Tapi Kusnah merasa ia adalah manusia hedonist. Dia hidup untuk hari ini dan saat ini. Dia hidup bukan untuk progress. Persetan dengan progress dan pembangunan pikirnya. Dia hidup untuk menikmati waktu. Dia hidup untuk bersenang-senang. Jadi baginya, Plato ada benarnya. Sambil melihat lagi si tiram dengan sangat teliti, lagu-lagu di kepalanya terdengar semakin nyaring. Dia bertanya pada dirinya sendiri: sebagai hewan hedonist yang hanya diam dan menikmati deburan ombak, apakah para tiram ini juga memiliki musik yang berputar dalam tubuhnya dan membuat merasa menang diantara lautan kekalahan?

Tatapan Kusnah semakin intense. Dari belakang terdengar bunyi suara langkah manusia-manusia berlari bergerombolan. Satu, dua, tiga, empat bunyi familiar sepatu lars. Lima, enam, tujuh bunyi derap sendal jepit. Fata morgana di gumuk pasir buyar seketika diterobos gerombolan haus darah. Semakin lama semakin ia dengar samar-samar suara teriakan. "Itu dia orangnya!" terdengar sayup-sayup tapi mengeras. Langkah-langkah itu semakin kencang. Musik di kepala Kusnah pun semakin kencang terdengar. Tak butuh waktu lama hingga ia mulai menari. Seperti orang kesurupan kalau kata banyak orang. Tapi dia tidak kesurupan, dia hanya menikmati musik yang berputar dikepalanya. Berpuluh-puluh orang mulai terlihat secara high-definition ketika Kusnah membuka kelopak matanya.

"Akan kami persembahkan kamu kepada para dewa pembangunan!" teriak para lelaki dengan parang dan golok ditangannya. Kusnah menari seperti kerasukan. "Ayo! Tangkap dia" para lelaki itu bergegas mendatangi Kusnah, membawa tali tambang untuk mengikat dirinya. Kusnah tersenyum lebar, sambil tidak bisa berhenti menari.

"Ambil tubuhku, tapi aku tidak akan pernah membagikan hulubalang yang mengaum di dipikiranku!"

Kepala Kusnah terpisah dari badannya, persis setelah dia meneriakkan kalimat tersebut.

Riar Rizaldi

Ditulis ketika mendengarkan album pertama dari Hulubalang.

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Peppone

Genug Gesehen

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Major Label)

Ben Racken

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Wagram)

Hits 90!

Glossolalia Hot Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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The greatest international hits of the 80s, 90s et 2000s in an exclusive double vinyl collection!Discover the essential artists who marked their decades!

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Dale Crover

LP | 2024 | US | Original (Joyful Noise)

Shinbangumi Sunray And Juban TV Building Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Dale Crover - weltbekannter Schlagzeuger der Melvins, Nirvana und Redd Kross sowie Sänger und Gitarrist von Altamont - veröffentlicht sein drittes Solo-Album „Glossolalia“ am 13. September über Joyful Noise Recordings. Das von Crover und Toshi Kasai produzierte Werk strotzt nur so vor Nuggets-Garagenrock, Proto-Metal-Riffs und herrlich verschwommenem Psych-Pop. Einen Vorgeschmack auf das 11-Song-Album gibt es mit der heutigen Veröffentlichung von „Doug Yuletide“ . Der Track ist einer von zwei „Glossolalia“-Songs, bei denen Crover mit dem Gitarristen Dan Southwick zusammenarbeitet, seinem langjährigen Freund und Altamont-Bandkollegen. Aber Southwick ist nicht der einzige Freund, der auf Glossolalia zu hören ist: Kim Thayil von Soundgarden (Leadgitarre bei „I Quit“ und „Rings“), Ty Segall (Leadgitarre bei „Spoiled Daisies“ und „I Waited Forever“), Rob Crow von Pinback („Don't Worry About It“, „Rings“ und „I Waited Forever“) und Tom Waits' ungelenkes, in Zungen gesprochenes Intro beim Titelstück. „Glossolalia“ ist Crovers bisher fokussiertestes Statement als Solokünstler. In seiner Gesamtheit zeigt das neue Album, dass Crover, so wie die Melvins in ihrem vierten Jahrzehnt weiter wachsen und sich entwickeln, auch als Solokünstler neue Schritte unternimmt. Inmitten des inspirierten Geplappers von Waits, des glorreichen Schredderns von Segall und Thayil und vielem mehr, sticht vor allem die Robustheit von Crovers Vision hervor. Diese Platte zeigt, dass seine Gesamtästhetik genauso stark wie sein legendärer Schlagzeugdonner ist.

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Ginger Root

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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100% Sahara Guitar Black Vinyl Edition

Etran De L'Air

LP | 2024 | US | Original (Sahel Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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Etran de L'Aïr the STARS OF THE AIR, the longest running wedding band inAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazeddesert sound! Their first album, No.1, brought their music to critics and fans.Their second album, Agadez, sent them into the international touring circuit.And now they're back with 100% SAHARA GUITAR, ready to take on theworld, with those swinging melodies, like a sandstorm blowing in fromacross the sea.Etran de L'Aïr are 100% SAHARA, and that goes same for the band, all sonsof AGADEZ, including brothers Moussa, Abdoulaye, and Abdourahamane,and their dear friend, the youngest of the group, Alghabid. All the brotherswrite and play guitar, swapping out instruments while Alghabid keeps theFOUR ON THE FLOOR.In 100% SAHARA GUITAR, Etran de L'Aïr are back to claim the throne, withtheir first studio album! And what a sound it is. Recorded in sunny studios onthe WEST COAST, the brothers take that old Agadez sound to new levels,adding even more guitars into the mix, weaving layers of reverb-ladenmelodies and shimmering harmonies into a tapestry of sound. How muchguitar can they fit into one record? The answer is 100%.

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2LP | 2024 | EU | Original (Wagram)

Hits 80!

Memoir Of A Sparklemuffin Sparkle Starlight Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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The greatest international hits of the 80s, 90s et 2000s in an exclusive double vinyl collection!Discover the essential artists who marked their decades!Hits 80 featuring : Nena "99 Luftballons", Kim Wilde "Kids In America", Rick Astley "Never Gonna Give You Up" ...

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Suki Waterhoise

2LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Are Winter's Blue And Radiant Children

"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

Wir Waren Hier Black Vinyl Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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DIE NERVEN

LP | 2024 | EU | Original (Glitterhouse)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Returning, Dream Artwork Print Editoin

Paradise Cinema

LP | 2024 | UK | Original (Gondwana)

LP | 2024 | UK | Original (Gondwana)

Release: 2024 / UK – Original

Genre: Organic Grooves

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"returning, dream" is the second album from Paradise Cinema - the "Fourth World" inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllie"s other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, "returning, dream" contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.Black BioVinyl LP, in printed reverse board sleeve, containing a ltd 12" 300gsm artwork print and packed in resealable protective sleeve.

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Paradise Cinema

Returning, Dream

Blickwinkel (Curated By Zappi Diermaier) Purple Vinyl Ediition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Faust

LP | 2024 | EU | Original (Bureau B)

Release: 2024 / EU – Original

Genre: Rock & Indie

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After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create the distinct and delirious strand of German music we"ve come to know as Krautrock. Uncompromising, innovative and experimental, their releases in that period, and the stories accompanying their creation, are nothing short of legendary, and the fact that after a hiatus, the band returned and remained active in a variety of separate and simultaneous incarnations is entirely fitting for these musical revolutionaries. On Blickwinkel, Diermaier"s incarnation embrace synchronicity and chance in order to capture the moment in a six track snapshot of industrial churn, unsettling ambience and psychedelic motorik.

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Als Die Welt Noch Unterging (German Post Punk Underground 1979-1984) Black Vinyl Edition

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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100% Sahara Guitar Transparent Blue Vinyl Edition

Etran De L'Air

LP | 2024 | US | Original (Sahel Sounds)

Stories Of Suburbia Clear-Red W/ White Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Transparent Blue Vinyl. Etran de L'Aïr the STARS OF THE AIR, the longest running wedding band inAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazeddesert sound! Their first album, No.1, brought their music to critics and fans.Their second album, Agadez, sent them into the international touring circuit.And now they're back with 100% SAHARA GUITAR, ready to take on theworld, with those swinging melodies, like a sandstorm blowing in fromacross the sea.Etran de L'Aïr are 100% SAHARA, and that goes same for the band, all sonsof AGADEZ, including brothers Moussa, Abdoulaye, and Abdourahamane,and their dear friend, the youngest of the group, Alghabid. All the brotherswrite and play guitar, swapping out instruments while Alghabid keeps theFOUR ON THE FLOOR.In 100% SAHARA GUITAR, Etran de L'Aïr are back to claim the throne, withtheir first studio album! And what a sound it is. Recorded in sunny studios onthe WEST COAST, the brothers take that old Agadez sound to new levels,adding even more guitars into the mix, weaving layers of reverb-ladenmelodies and shimmering harmonies into a tapestry of sound. How muchguitar can they fit into one record? The answer is 100%.

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Oxo 86

LP | 2024 | EU | Original (Sunny Bastards)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Blickwinkel (Curated By Zappi Diermaier) Black Vinyl Edition

Faust

LP | 2024 | EU | Original (Bureau B)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Terror - An Industrial Metal Compilation

LP+CD | 1993 | DE | Reissue (Weird System)

Release: 1993 / DE – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Glitterbeat)

El Khat

Mute

LP | 2024 | US | Original (New Amsterdam)

Release: 2024 / EU – Original

Genre: Organic Grooves

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El Khat"s 3rd album mute belies its title as it careens out of the speakers with a raucous intensity. Formed in the garages and warehouses of Jaffa and now based in Berlin, the group"s ever-expanding vision makes a defiant stand against complacency, conflict and division. Skittering drums and brass, a jagged organ, hypnotic Yemeni melodies and one-of-a-kind DIYpercussion and string instruments, all meld together in an infectious, heady soundscape.Sometimes wildly raw, sometimes lush and enveloping.Always uncompromised and adventurous.

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Ellen Reid

Big Majestic

LP | 2024 | EU | Original (Rookie)

Release: 2024 / US – Original

Genre: Classical Music

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American Pulitzer Prize winning composer and sound artist Ellen Reid is set to release "Big Majestic", an album of music written for her acclaimed GPS-enabled work of public art, "Ellen Reid Soundwalk", that reimagines urban parks as interactive soundscapes.

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Wick Bambix

When Things Grow Teeth

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Somebody Cares Transparent Green Vinyl Edition

Cold Diamond & Mink

LP | 2024 | EU | Original (Timmion)

Somebody Cares Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Transparent Green Vinyl.Introducing Cold Diamond & Mink's latest offering on Timmion Records: an instrumental soul album that strips away the vocals from their collaboration with Jonny Benavidez "My Echo, Shadow and Me".The instrumental version of the well-received Daptone release unveils a rich tapestry of soulful melodies and captivating rhythms that speak volumes on their own.With each track, Cold Diamond & Mink invite listeners on a trip through deep and uncompromising soul terrain. From the haunting ballads such as the previously unheard instrumental of "Your Last Song" to the infectious grooves of the early single releases "Tell Me That You Love Me", their instrumental mastery shines through stringing the songs together into a well-rounded album experience.This album is more than just a collection of songs - it's a proof point of Cold Diamond & Mink's skill in composing and arranging with feeling and authenticity. Whether you're lost in introspection or grooving to the beat, this instrumental soul record offers a unique listening experience that will leave you wanting more.

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Cold Diamond & Mink

LP | 2024 | EU | Original (Timmion)

LP | 2024 | Original (Trikont)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Introducing Cold Diamond & Mink's latest offering on Timmion Records: an instrumental soul album that strips away the vocals from their collaboration with Jonny Benavidez "My Echo, Shadow and Me".The instrumental version of the well-received Daptone release unveils a rich tapestry of soulful melodies and captivating rhythms that speak volumes on their own.With each track, Cold Diamond & Mink invite listeners on a trip through deep and uncompromising soul terrain. From the haunting ballads such as the previously unheard instrumental of "Your Last Song" to the infectious grooves of the early single releases "Tell Me That You Love Me", their instrumental mastery shines through stringing the songs together into a well-rounded album experience.This album is more than just a collection of songs - it's a proof point of Cold Diamond & Mink's skill in composing and arranging with feeling and authenticity. Whether you're lost in introspection or grooving to the beat, this instrumental soul record offers a unique listening experience that will leave you wanting more.

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Principess

Rette Mich

Release: 2024 / Original

Genre: Pop

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LP | 2024 | EU | Original (Hit Thing)

Larry Mullins

Camissonia

Release: 2024 / EU – Original

Genre: Rock & Indie

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Leave Me To The Future Black Vinyl Edition

Ischia

LP | 2024 | EU | Original (Siluh)

2LP | 2024 | US | Original (Run For Cover)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Sometimes you have to take sides"! That's what you call a statement. It doesn't hurt that `Sides' bursts in with a hypnotic, swirling guitar riff that could have come from Kevin Shields (Ischia is clearly a My Bloody Valentine fan, which is not the easiest thing for a guitarist to do). The krautroc...

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Cursive

Devourer

47,99 €*

Stories Of Suburbia Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Colored vinyl with etched d-side.

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Oxo 86

LP | 2024 | EU | Original (Sunny Bastards)

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Stories Of Suburbia Clear Blue-White-Grey Splatter Vinyl Edition

Oxo 86

LP | 2024 | EU | Original (Sunny Bastards)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lucky Shiner Fireworks Vinyl Edition

Gold Panda

LP | 2010 | US | Reissue (Ghostly International)

34,99 €*

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Konkord)

The Base

It's All Going South

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Grundsound)

Philipp Eisenblätter

Rom

Release: 2024 / EU – Original

Genre: Pop

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For Beginners: The Best Of M. Ward

M. Ward

LP | 2024 | US | Original (Merge)

Last Circle In A Slowdown Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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For Beginners: The Best of M. Ward is a collection for M. Ward fans of anyvintage. Gathering together 14 tracks from across his Merge Recordsdiscography, including the newly recorded song "Cry," For Beginners is botha primer and a mixtape of favorites sequenced in a way that gives them newlife.Beginning with "Chinese Translation" and "Poison Cup" from 2006's Post-War, For Beginners drops in on Ward as he expands his prowess in the studio.His singular cover of David Bowie's "Let's Dance," from 2003'sTransfiguration of Vincent, breaks out into the exuberant "Never HadNobody Like You" from 2009's Hold Time. Rather than the neat evolutionaryline suggested by a chronological arrangement, what holds For Beginnerstogether is Ward's impeccable skill as a songwriter, which remains in focusas his sound expands from low-fi home recordings to electric, radio-readystompers.Serendipitously timed for release during Merge Records' 35-year anniversary,this celebration of one of the label's most beloved artists includes "Cry"_his first new recording on Merge since 2018_a stripped-down cover of theGodley & Creme pop classic featuring Melbourne, Australia's Folk BitchTrio.M. Ward on "Cry":"Cry" was recorded in a Tasmanian modern art museum called MONA. I sat at theend of a long hallway a few feet away from Anselm Kiefer's sculpture of a 20-foot-highstack of lead books, and standing to my left and right around a single microphone wereMelbourne's Folk Bitch Trio; we rehearsed and recorded "Cry" in about 30 minutes. Apleasure to add this song to a collection of some of my favorite memories of music-makingduring the first decade of record-creating with my friends at Merge.The song is the perfect capstone for a collection of this nature, summing upmuch of Ward's power as a musician: the richness he's capable ofachieving in sparse recordings, his knack for collaboration, and his abilityto see through to the soul of a meticulously crafted pop song_as mucha means of looking forw...

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Big Bend

LP | 2024 | EU | Original (Shimmy Disc)

LP | 2024 | UK | Original (Pan)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Clear Vinyl.Big Bend's new album is a monument to listening through the veil of time andspace. Ohio native and primary songwriter, Nathan Phillips, built uponensemble jam sessions he hosted at a residency in Australia and collagedthose recordings alongside co-producer Shahzad Ismaily to make Last Circlein a Slowdown.Reflective, hi-fi, and elemental, the folk-meets-freeform sonics evoke rich 90sacoustic rock and the British post pop songwriting of Mark Hollis and DavidSylvian. Lyrical observations of nature's mysery and modes of regenerationconsider the loooming chance all things could move in any direction.

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Honour

Alaafia Alternate Cover

Performance Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Honour's debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora andbrushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. Ascinematic as it is painterly, Alàáfíà is a meditation on themes of life, death and love that pulls inspiration from theunexpected poetic profundity of casual conversations, field recordings, literature, ephemera, or personal archives. Theresult is an impressionistic vision in Black and Blur that both exhausts and implicates language_substantiating a mythosproposed by Fred Moten that sublimates boundaries between everywhere and nowhere; history and the present; theindividual and the universal.Alàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear- splittingfuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began totake form after their last embrace and remains steeped in her influence and spirit_a tape-saturated composition thatstarts in Lagos and ends in London's smoke-stained cityscape, the song's dream-like quality developed out of the artist'sgrief and PTSD coping with this loss. Beneath the stretched guitar drones and stuttering loops, their grandmother'sshared faith bubbles to the surface."When Angels Speak of Love," borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoesof praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters ofmelancholic guitar, "When Angels Speak of Love" engages a conceptual dialogue with the spirits of both late thinkers,folding them into Honour's pantheon of ancestral guides. The album's ninth track, "Giz Aard ($uckets)," is a dirge ofregimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequencewill be death or eternal joy.The album's sole lyrical offering,...

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Tr/St

LP | 2024 | US | Original (Dais)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Merge)

Jade Hairpins

Get Me The Good Stuff

LP | 2024 | Original (Trikont)

Release: 2024 / US – Original

Genre: Rock & Indie

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Jade Hairpins waste no time fulfilling their second album's titular demand. From itsharmony-drenched opening note to its baroque-anthemic conclusion, Get Me the GoodStuff is positively loaded with musical ideas, an absurdist buffet of sound andaesthetic that comes with one hell of a floorshow as the Hairpins stack thoseideas higher and higher, almost daring them to crash to the floor. Instead, thoseelements_punksploitation, power pop, baggy, funk, and Italo disco are just sometouchstones_are not only held aloft, they defy gravity and convention.These pyrotechnics are, in true Jade Hairpins fashion, something of a sleight ofhand. While the music swaggers and gallops, Get Me the Good Stuff grapples withanxiety and self-doubt, obfuscating pain and alienation with sparkling wit and somestraight-up ravers. Get Me the Good Stuff opens with one of those, "Let It Be Me," inwhich Jonah Falco shouts lyrics about being alone with one's shortcomings againstguitars, synths, and harmonized vocals that are on the verge of closing in. The songis just over 90 seconds long, hitting with the gnarled-barb ferocity of punk and thegleeful insanity of theatrical art rock.It is, in other words, overwhelming. Or it would be if Jade Hairpins_Jonah Falcoand Mike Haliechuk_weren't remarkably nimble in their ability to bring unity tosounds by placing them in competition against each other. When those sounds areadjacent, like the glam and disco that saturate "Drifting Superstition," the thrill ofthose universes colliding in the heat of an absolutely filthy clavichord line turns itslyrics, about the habit of solving personal problems by ignoring them, into a winner'santhem on the order of Bowie or Hot Chocolate.Get Me the Good Stuff arcs towards unequivocal joy as Falco, Jade Hairpins' primarylyricist, breaks these cycles and attempts to run away with his dreams. The arc isroughly analogous to how the album came to fruition. Four years removed fromHarmony Avenue, an album of material that pr...

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Raketenumschau

Ist Es Die Euphorie?

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Wagram/Balagan Music/Yell)

Africanism Allstars

Africanism IV

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | Original (Les Disques Bongo Joe)

Citron Citron

Maréeternelle

Home In Another Life Orange In White With Splatter Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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Citron Citron is back! The ethereal sister-and-brother duo has worked hard over the past two years on their new album "Maréeternelle," set to be released next autumn on Les Disques Bongo Joe. Maintaining their majestic compositions, dual lead vocals, and home-made organic sound machinery, Citron Citron delves deeper into their sonic universe, singing about daily life, death, and love with the same poetic and personal vibe.

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Enumclaw

LP | 2024 | US | Original (Run For Cover)

Leave Me To The Future Colored Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Orange in White w/ Splatter Vinyl.Enumclaw, led by primary singer/songwriter Aramis Johnsonis a movement for the people by the people from Tacoma, WA.With their new second LP Home in Another Life, Enumclaw hasgrown to be more than just a rock band. Instead they're a communityof creatives, videographers, photographers, writers, critics andskaters. They're for the punk ass kids at skate parks in the Tacomaof every city, for the kids who get the deli chicken strips and eatthem in the store without paying, for the kids who might not befound at the theatres and amphitheaters but will definitely go off inthe pit at the punk venue which used to be a CVS.Home in Another Life packs a lifetime of emotion intoit's eleven songs - Johnson sets the personal tone from the starton opener "I'm Scared I'll End Up All Alone," a swaying but fiercekickoff track that channels bands like Dinosaur Jr and Archers ofLoaf with a modern edge. Singles like "Change" and "Not Just Yet"show that the band's ability to write hooks has completely leveledup since their 2022 debut Save the Baby. "Would you want me tochange?" Aramis shouts over a raucous riff from guitarist NathanCornell, while the aggressive drum and bass pairing of LadanielGibson and Eli Edwards on "Not Just Yet" feel integral to the song'sheadbanging tempo.After a hectic touring schedule with bands like Nothing,illuminati hotties and Toro Y Moi, Enumclaw shows no signs ofslowing down their non-stop pace. From the start they have pridedthemselves on being a working-class band, hitting the road asmuch as possible and burning CDs at merch tables when they'veneeded to. Home in Another Life captures that energy - it's asoundtrack to be played loud as hell out the window of a mid-2000'ssedan or blaring through the walls of your neighbor's apartmentbuilding. It's a record built to connect with you - that's the only wayEnumclaw has ever operated.

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Ischia

LP | 2024 | EU | Original (Siluh)

Shinbangumi Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ginger Root

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Run Come Save Me Red Vinyl Edition

Roots Manuva

2LP | 2001 | UK | Reissue (Big Dada)

32,99 €*

Release: 2001 / UK – Reissue

Genre: Hip Hop

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Tundra Rock Magenta Vinyl Edition

Slomosa

LP | 2024 | EU | Original (Stickman)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Come And See Colored Vinyl Editoin

Gurriers

LP | 2024 | EU | Original (No Filter)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rack Silver Streak Vinyl Edition

The Jesus Lizard

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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Purgatory Coke Bottle Clear Vinyl Edition

The Mystery Lights

LP | 2024 | US | Original (Wick)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Love It Took To Leave You

Colin Stetson

2LP | 2024 | UK | Original (Invada)

34,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Soft Tissue Petrol Eco Vinyl Ediiton

Tindersticks

LP | 2024 | EU | Original (City Slang)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Gentle Threat)

Chilly Gonzales

Gonzo Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hysterical Strength Pearl White Vinyl Edition

Deadletter

LP | 2024 | UK | Original (So)

34,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Hysterical Strength Black Vinyl Edition

Deadletter

LP | 2024 | UK | Original (So)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Valley Of Abandoned Songs Limited Burgundy Vinyl Edition

The Felice Brothers

LP | 2024 | Original (15 Passenger/Million Stars)

Release: 2024 / Original

Genre: Rock & Indie

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Purgatory Black Vinyl Edition

The Mystery Lights

LP | 2024 | US | Original (Wick)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Imperious Horizon Clear With Spearmint Yolk Vinyl Edition

Winterfylleth

2LP | 2024 | EU | Original (Candlelight)

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Come And See Black Vinyl Edition

Gurriers

LP | 2024 | EU | Original (No Filter)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Out Of Line Music)

Motor!k

5 Clear Vinyl

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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I Am The Weapon Black Vinyl Edition

Flotsam And Jetsam

Release: 2024 / EU – Original

Genre: Rock & Indie

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Shirt Black Vinyl Edition

Porches

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Stand United Black Vinyl Edition

Firewind

Release: 2024 / EU – Original

Genre: Rock & Indie

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A Story To Tell Gold Vinyl Edition

Timeless Fairytale

LP | 2024 | EU | Original (Sound Pollution / Vicisolum Productions)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Pollution / Vicisolum Productions)

Timeless Fairytale

A Story To Tell

Release: 2024 / EU – Original

Genre: Rock & Indie

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Feeding The Machine Black Vinyl

Mordkaul

LP | 2024 | EU | Original (Massacre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Head As Form'd In The Crier's Choir

Sarah Davachi

2LP | 2024 | EU | Original (Late Music)

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Forced Entry Splatter Vinyl Edition

LP | 2005 | EU | Reissue (High Roller)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Forced Entry Black Vinyl Edition

LP | 2005 | EU | Reissue (High Roller)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Lightbringer Splatter Vinyl Edition

LP | 2009 | EU | Reissue (High Roller)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Lightbringer Black Vinyl Edition

LP | 2009 | EU | Reissue (High Roller)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Sudden Impact Splatter Vinyl Edition

LP | 2003 | EU | Reissue (High Roller)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Sudden Impact Black Vinyl Edition

LP | 2003 | EU | Reissue (High Roller)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Live Galaxy Vinyl Edition

Metal Church

LP | 1998 | EU | Reissue (High Roller)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LP | 1998 | EU | Reissue (High Roller)

Metal Church

Live Black Vinyl Edition

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Original (12pm)

Please Madame

Easy Tiger

Release: 2024 / UK – Original

Genre: Rock & Indie

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Skin I'm In 50th Anniversary Edition

Chairmen Of The Board

LP | 1974 | UK | Reissue (Demon)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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The Imperious Horizon Clear Vinyl Edition

Winterfylleth

2LP | 2024 | EU | Original (Candlelight)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Imperious Horizon White Vinyl Edition

Winterfylleth

2LP | 2024 | EU | Original (Candlelight)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Where Gods Fear To Speak Crystal Clear Vinyl Edition

Oceans of Slumber

2LP | 2024 | EU | Original (Season Of Mist)

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Twisted Dream Machine / Paisley Underground 1982-86

2LP | 2024 | EU | Original (Futurismo)

52,99 €*

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | US | Original (Ipecac)

The Jesus Lizard

Rack Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Explizite Lyrik Neon Pink Vinyl Edition

J.B.O.

2LP | 1995 | EU | Reissue (Megapress Gbr)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Circle Of Life Sunburst Orange / Black Vinyl Edition

Victory

Release: 2024 / EU – Original

Genre: Rock & Indie

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Circle Of Life Black Vinyl Edition

Victory

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Domino)

Porches

Shirt Pink Vinyl Edition

39,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Fönstret)

Isak Hedtjärn

Kvarpan

LP | 2024 | EU | Original (Rrc Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over.

A polymath of undeniable musicality, Isak is a constant, always invigorating presence across a breadth of ‘scenes’ in Stockholm be it via in his own groups — Grismask, Svenska Folkjazzkvartetten, Festen — or making guest appearances in concert and on record with Viagra Boys, Fire! Orchestra, Rotem Geffen, Kali Malone and many many more. His online notoriety as @JazzIsak, the deft editor of a stream of classic jazz and tiktok dance/crash mashups is not only a riotous good time but gives you some other small window into the scope and scale of his knowledge of and feeling for all the music that has gone before.

His own notes to the record point specifically to clarinettists Johnny Dodds, Perry Robinson, Jimmy Giuffre and Sükrü Tunar and acknowledge the abiding mentorship of Harald Hult, Raymond Strid, Christer Bothén and especially Roland Keijser, the saxophonist and founder of legendary progg combo Arbete och Fritid and a veritable living library of international folk melodies until his passing in 2019. On Kvarpan Hedtjärn renders these influences in his own way — deeply personal, alluring and strange. As Mats Gustafsson says in his notes to the record “This ain’t no normal slang med halka”.

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Lord Sko

United Palace

Isobel Campbell / Mark Lanegan

Release: 2024 / EU – Original

Genre: Hip Hop

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Lord Sko’s Sophomore Album ‘united Palace’ is a record chock-ful of homage, past & present pop culture references & youthful exuberance expressed with a vintage New York attitude. With contributions from Meyhem Lauren, Da$H, Wiseboy Jeremy, Lifeofthom & Kuriousul references to the entire cityscape, this is an album that thoroughly represents both Classic & Modern NY culture through the eyes of a Young Uptown MC. With contributions from Meyhem Lauren, Da$H, Wiseboy Jeremy, Lifeofthom & Kurious Jorge, United Palace could sonically & aesthetically fi t anywhere from the Golden Age to the Blog Era & Far Beyond into the future.

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Ballad Of The Broken Seas

LP | 2006 | Reissue (Cooking Vinyl)