All Items Vinyl LP 83382 Items

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Rules Of Fire - The Live

Sophie Hunger

2LP+CD | 2014 | EU | Original (Two Gentlemen)

Godslastering: Hymns Of A Forlorn Peasantry Kelly Green/Silver Merge

Release: 2014 / EU – Original

Genre: Rock & Indie

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Contains 12 live recordings including tracks like "Das Neue", "Citylights Forever", "LikeLikeLike" and much more! This deluxe set comes in a gatefold sleeve plus CD added!

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Hulder

LP | 2022 | EU | Original (20 Buck Spin)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Time To Be King Limited Red Vinyl Edition

Masterplan

LP | 2022 | EU | Original (Afm)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Shakara 50th Anniversary Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Fela Kuti

2LP+7" | 1972 | UK | Reissue (Knitting Factory)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Continua Crystal Clear Vinyl Edition

Nosaj Thing

LP | 2023 | UK | Original (LuckyMe)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Small Craft On A Milk Sea

Brian Eno

2LP | 2011 | UK | Reissue (Warp)

30,99 €*

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2019 | EU | Original (Una Music)

Northern Lite

Evolution

Release: 2019 / EU – Original

Genre: Pop

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LP | 2019 | DE | Original (Grönland)

Michael Rother

Katzenmusik (Remastered)

Release: 2019 / DE – Original

Genre: Pop

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LP | 1969 | EU | Reissue (Spoon)

Can

Monster Movie

2LP | 2009 | US | Original (Now-Again)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Whitefield Brothers

In The Raw

37,99 €*

The Gasoline Solution Red Vinyl Edition

Release: 2009 / US – Original

Genre: Organic Grooves

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Essential reissue of that early Poets of Rhythm spin-off !

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Darkness

LP | 2016 | EU | Reissue (Massacre)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Technicolour)

Weval

Remember

32,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Roots Radics meets King Tubbys

More Dangerous Dub

LP | 2008 | EU | Reissue (Greensleeves)

LP | 2009 | UK | Reissue (Domino)

Release: 2008 / EU – Reissue

Genre: Reggae & Dancehall

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Original cat# GREWCD314 - Recorded in 1981 for Time 1 Productions (Jah Screw) this is one of the 'strictly dub' albums and gets a re-mastered LP vinyl re-release! It's the follow-up to 'Dangerous Dub' and again The Roots Radics (Drums: Lincoln "Style" Scott, Bass: Erroll "Flabba" Holt, Piano: Gladstone "Gladdie" Anderson, Keyboards: Wycliff "Steely" Johnson, Rhythm Guitar: Eric "Bingy Bunny" Lamont, Percussion: Barnabus & Noel "Scully" Sims) at their very best and King Tubbys studio sound and mix. Additional mix by Soldgie and Paul "Jah Screw" Love, tracks laid at Channel One - Killer!

Original Cat# GREL314 / Das Original Album "Dangerous Dub" wurde 1981 veröffentlicht und gehört definitiv zu den "Must Have" Alben des Dub. Nun gibt es eine Fortsetzung dieses Klassikers. "More Dangerous Dub" enthält nicht weniger als 14 unveröffentlichte Tracks der Roots Radics, aufgenommen mit King Tubby in den Channel Studios.

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Dirty Projectors

Bitte Orca

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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Flow Critical Lucidity Resistance Green Vinyl Edition with Flexi Disc

Thurston Moore

LP+7" | 2024 | US | Original (Daydream Library Series)

Spiralée: Pearlies Rearranged Burgundy Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore's forthcoming album is his ninth solo recording...

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Emma Anderson

LP | 2024 | UK | Original (Sonic Cathedral)

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lush and Sing-Sing co-founder Emma Anderson releases Spiralée: Pearlies Rearranged on October 18. It consists of new versions of all 10 tracks from last year’s debut solo album, Pearlies, reimagined by Julia Holter, LoneLady, The Orielles, deary, Daniel Hunt (Ladytron), Lorelle Meets The Obsolete, Memorials, Concretism, Masal and original album producer James Chapman, aka Maps.

We aren’t calling it a remix album, because it is so much more than that – everything has been rearranged, from the tracks to the running order and the anagrammatic title (which led to Stuart Jones’ stunning Spirograph-meets-Saul Bass artwork) and the result is, essentially, a brand-new record. “It was a chance to get some really inventive people to take the tracks and turn them on their heads and that’s exactly what has happened,” explains Emma. “We selected an interesting array of artists and gave them the stems without any direction to see what they would come up with. The result is absolutely brilliant and is a record that stands alone without even knowing what the originals are like.”

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Goat

Goat Black Vinyl Edition

LP | 2022 | UK | Original (Lewis)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

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Skinshape

Nostalgia

World Music Yellow Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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For fans of Khruangbin, El Michels Affair, Tame Impala and Bonobo. “I spent a while thinking about the title for this album; it was quite hard to pin down the feeling I felt it represented. At a certain point I realised it was nostalgia, for everything; our life passed by, childhood, moments of happiness and sadness, where we grew up”. – Skinshape

Will Dorey aka Skinshape has proven himself time and again as a connoisseur for the cosmopolitan, across a prolific career expertly exploring understated sounds and theatrical textures. Taking his place alongside the likes of Khruangbin, Tame Impala, Bonobo and Madlib, Skinshape’s global kaleidoscopes are loaded with warmth and wisdom created on vintage analogue equipment applying a perfectionist’s touch. As a former member of indie band Palace, he has played everywhere from Glastonbury and BBC Maida Vale to headlining Shepherd’s Bush Empire. Conversely as a solo artist Skinshape has never played live preferring to record, releasing an album a year (two in 2020’s lockdown) and keeping away from the trappings of stardom.

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Goat

LP | 2012 | UK | Reissue (Rocket)

4LP | 2017 | US | Original (FXHE)

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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(Abbey Road master but in the original sleeve) When the mysterious masked collective calling themselves Goat first emerged in 2012, armed with an incendiary debut album ‘World Music’ – there was, and there still isn’t, anyone else on earth quite like them. With their enticing mythology, music full of sinuous grooves and manic explosions of fuzz, Goat were outliers from the very beginning. ‘World Music’, received an avalanche of acclaim with critics, psych heads, outernational crate diggers etc, all left enraptured by its thunderous intensity, conjured from a singular mix of sounds from across the globe. ‘World Music’ is brimming with tracks now seen as ‘classic’ Goat live favourites. Tracks that have been wowing audiences all over the world; the afrobeat stomp of ‘Disco Fever’, the fuzz abuse of ‘Goathead’, the post-punk groove of ‘Let it Bleed’, the sing-along repetitive pop of ‘Run to your Mama’... From the first note to the last, ‘World Music’ oozes with a sonic confidence rarely seen on a debut album. What Goat have is unique – they’ve managed to create a sound unrestrained by genre or any other boundaries. So if you haven’t done so already, then it is now time you joined the Goat commune. (Abbey Road master but in the original sleeve) When the mysterious masked collective calling themselves Goat first emerged in 2012, armed with an incendiary debut album ‘World Music’ – there was, and there still isn’t, anyone else on earth quite like them. With their enticing mythology, music full of sinuous grooves and manic explosions of fuzz, Goat were outliers from the very beginning. ‘World Music’, received an avalanche of acclaim with critics, psych heads, outernational crate diggers etc, all left enraptured by its thunderous intensity, conjured from a singular mix of sounds from across the globe. ‘World Music’ is brimming with tracks now seen as ‘classic’ Goat live favourites. Tracks that have been wowing audiences all over the world; the afrobeat stomp of ‘Disco Fever’, the fuzz abuse of ‘Goathead’, the post-punk groove of ‘Let it Bleed’, the sing-along repetitive pop of ‘Run to your Mama’... From the first note to the last, ‘World Music’ oozes with a sonic confidence rarely seen on a debut album. What Goat have is unique – they’ve managed to create a sound unrestrained by genre or any other boundaries. So if you haven’t done so already, then it is now time you joined the Goat commune.

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Norm Talley

Norm-A-Lize

43,99 €*

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Detroit producer Norm Talley shares his debut album, “Norm-A-Lise” on FXHE Records. Having started his career when disco was king, Talley’s real life influences over his 25+ year career have included the originations of house through various iterations. His reference points as one of the original members of the West 6 Mile Detroit crew and his dedication to his Analog only studio position him as one of the more dynamic Detroit artists who’s finally taking the time to release a complete project for his long awaiting fans. The album features 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. On top of all of that, the album includes a track written by FXHE label boss Omar S aka Alex Smith featuring L ‘Renee.

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Naoki Zushi

34,99 €*

Split Golden Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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The Groundhogs

LP | 1971 | US | Reissue (Fire)

Thank Christ For The Bomb Golden Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Limited to 500 copies on gold vinyl, contains download also. The second of three groundbreaking albums by the ultimate power trio
who morphed blues into hard rock and spawned punk. A much-loved opus with a side-long concept piece. A bona fide inspirational
rock classic. “Tony McPhee has turned to anarchic paranoid battlegrounds of the mind for inspiration,” Melody Maker. And a second
side that delivers the mighty ‘Cherry Red’, McPhee’s take on The Beatles’ ‘A Day In the Life’, a sideswipe at junk food and a glorious
interpretation of John Lee Hooker’s ‘Groundhogs Blues’. “Both musically and lyrically, ’Split’ speaks for a lost time, a nomad time when
ideals took to the hoof and musicians stayed on the road rather than confront the fact that the '60s 'war' had been lost.” Julian Cope //
“Murky, fuzzy, and wisely esoteric.” AllMusic. // “Supercharged, fractured and raging.” MOJO // Remastered and packaged with bonus
tracks on the download (out-takes from the original sessions that spawned this spontaneous monster).

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The Groundhogs

LP | 1970 | US | Reissue (Fire)

LP | 2020 | UK | Reissue (Sonic Cathedral)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Limited to 500 copies on gold vinyl, contains download also. A hugely influential album cited as the embryo for punk, grunge and
beyond. Featuring epic 1970 concepts from this far reaching trio much praised by Underworld’s Karl Hyde, Captain Sensible, Stephen
Malkmus and a host of others. ‘Thank Christ For The Bomb’ is a visionary tale of cold war fear, alienation and everyday drama. “This is
a masterpiece!” NME // A thinking man’s rumination on alienation, the album is a game of two halves; side one tackling the thermo
nuclear threat while side two traces riches to rags alienation in everyday London. First of a trio of ground-breaking albums that steered
the band from the Blues into a heavier, more prog-based sound and a true reflection of their much-praised live sound.

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bdrmm

Bedroom

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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The Reds, Pinks & Purples

Still Clouds At Noon White Vinyl Edition

LP | 2024 | UK | Original (Tough Love)

LP | 2024 | UK | Original (Fire)

Release: 2024 / UK – Original

Genre: Pop

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Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples’ melancholy catalogue. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds… often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson’s lyricism. There’s an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs.

Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Edition of 500.

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Marina Allen

Eight Pointed Star

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.Compared to the soaring and swelling compositions of Allen's second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed. Shimmer...

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The Boys

Twin Infinitives Silver Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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Royal Trux

2LP | 1990 | US | Reissue (Fire)

LP | 2024 | Original (Tough Love)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Ltd Double Silver Vinyl, Monochrome edition artwork, DL card.

Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians.

Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with moog’s, guitars and melodicas to name a few ingredients.

It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives.

The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage.

Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives.

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Astrel K

The Foreign Department

26,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Love In Constant Spectacle Black Vinyl Edition

Jane Weaver

LP | 2024 | UK | Original (Fire)

LP | 2023 | UK | Original (Lewis)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde. But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

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Skinshape

Craterellus Tubaeformis

Empty Country II Pink Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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For fans of Khruangbin, El Michels Affair, Madlib and Bonobo. Features the singles ‘It’s Real, ‘Amnesia’, and ‘The Ocean’. Will Dorey aka Skinshape has proven himself time and again a connoisseur for the cosmopolitan, across a prolific career expertly exploring understated sounds and theatrical textures. Taking his place alongside the likes of Khruangbin, Tame Impala, Bonobo and Madlib, Skinshape’s global kaleidoscopes are loaded with warmth and wisdom created on vintage analogue equipment applying a perfectionist’s touch. As a former member of indie band Palace, he has played everywhere from Glastonbury and BBC Maida Vale to headlining Shepherd’s Bush Empire. Speaking on his latest record Craterellus Tubaeformis, Dorey remarks, "As I continue to make albums, I always try to capture some elements of the original Skinshape style. Here I ran through albums 1-3. This record is really an echo of the "Life & Love" era of Skinshape, playful psychedelia, with punchy beats, fun surprises, and an attempt at meaningful lyrics." Named after a very specific genus of edible mushroom, Craterellus Tubaeformis shares all the attributes of its nutritious counterpart due to how difficult both are to cultivate. Skinshape’s music is the product of a highly devoted and meticulous composer who uses some of the rarest analogue equipment out there. The product is such a definitive sound heard nowhere else but so easily identified as Skinshape.

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Empty Country

2LP | 2023 | UK | Original (Tough Love)

Techno Primitiv Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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As the front person of celebrated indie band Cymbals Eat Guitars, guitarist and singer Joseph D’Agostino spent over a decade setting autobiographical, emotionally vivid lyrics against a backdrop of soaring and compositionally ambitious rock. After four critically acclaimed LPs that solidified D’Agostino’s reputation as a gifted songwriter, he chose to break from his long-term band and debut a new project: Empty Country. On 2020’s self-titled debut, D’Agostino’s storytelling lens shifted away from personal narrative and toward fiction; psychopaths, apparitions and deplorables populated a bleak and uncanny parallel version of American dystopia. Empty Country’s sprawling and sonically adventurous arrangements—filled out by collaborating musicians including Rachel and Zoë Browne (Field Mouse), Kyle Gillbride (Swearin’), Zena Kay (Angel Olsen), and former CEG drummer Charlotte Anne Dole—ranged from luminous jangle-pop to scorching emo-punk to narcotized Americana. Though the pandemic curtailed planned touring, a seven-piece iteration of the band played one packed Brooklyn show in May 2022, supported by Charles Bissell (The Wrens) and Field Mouse; Empty Country also backed Bissell on several classics from The Meadowlands. “It was a wonderful return to live music for all of us,” says D’Agostino. “So many folks reached out to me and told me how Empty Country offered them comfort during those first several months of being stuck inside. I’m happy that it came out and connected with some people and that I was able to establish this universe I could continue to build on.”

Empty Country II, the project’s second full-length, is a thrilling expansion of that world. D’Agostino pushed himself to new places as a songwriter, crafting a collection of short stories set to music that grapple with the biggest questions now hanging over America—gun violence, the addiction epidemic, and generational hopelessness among them. In 2020, he’d moved from Philadelphia to small-town New England to be closer to family, and his new locale, coupled with the dread of lockdown, inspired him to return to the haunted world from the first LP. “It’s pretty jarring to leave a city—where you can safely assume you’re aligned with your neighbors on many political and social issues—for somewhere more rural and conservative,” says D’Agostino, noting the Trump flags and Blue Lives Matter hood wraps that dot his new dirt road residence. Across the new album’s nine tracks, D’Agostino introduces us to a bevy of characters: three generations of West Virginia clairvoyants, crushed by the weight of their secret knowledge; a group of drag queens and misfits in early ‘80s New York City; a pill mill doctor’s daughter who dabbles in necromancy; a convicted killer; a bullied kid injured and alone in the forest as night falls. Through the stories of these characters, Empty Country II delivers an engaging and deeply moving rumination on time, family, and the disintegration of America.

Despite the stoicism of its storytelling, Empty Country II cuts the darkness with beauty, humor, and an earnest belief in the transcendent power of rock music. It was recorded over two weeks at Fidelitorium, the renowned studio in Kernersville, NC, belonging to R.E.M. producer Mitch Easter. Legendary recording engineer John Agnello, whose previous collaborations with Cymbals Eat Guitars resulted in their 2014 high-water mark, Lose, brought his trademark clarity and nuance to the process, helping Empty Country II crackle with a vital energy that imbues these stories with genuine lifeforce. Dole returned on drums for the record, her virtuosic performances lending raw power and immediacy; her twin brother Patrick joined on bass, his decades of experience uplifting the songs with subtle melodicism and formidable technicality. The group's chemistry and deep personal history are palpable, allowing them to approach the record’s complex story with subtlety and dynamism. “Mitch has collected an astounding array of weird mics, amplifiers, and oddball orchestral instruments: organs, Buddhist temple bells, bar chimes, tubular bells,” enthuses D’Agostino about the studio. “FLA,” a gripping portrait of a queer tour boat pilot in the Florida Keys pining for their absent lover, was arranged from the ground so the group could incorporate Easter’s timpani. D’Agostino considers it a high point of his lengthy discography and lauds that song’s harmonica solo as “my favorite 30 seconds of music that I’ve ever been a part of.”

Empty Country II also features some of D’Agostino’s most danceable songs—like “David,” a tribute to D’Agostino’s late friend David Berman. Featuring a lyrical tapestry of Silver Jews references and surreally beautiful images, head-nodding Philly soul grooves collapse into cosmic freeform jazz-inspired sections, ornamented with inventive hand percussion, marimba flourishes, and toe-tapping piano chords. “Recite a poem as the day vibrates,” D’Agostino sings. “I finally wrote this song for you / But I don’t know who I’d show it to.” It’s a paraphrase of W.S. Merwin’s famed short poem “Elegy”, written after the passing of his own mentor, John Berryman. On “Bootsie,” a runaway girl from West Virginia explores the crumbling, glorious 1980s New York City of Paris is Burning, finding community in a scene of drag queens who offer her a new way of thinking about what makes America—and rock music—great. Based on his own mother’s experiences at the height of the Aids epidemic, the song has deep personal meaning to D’Agostino. “The men you thought were brave / are arrogant and depraved,” he sings against the damaged disco beats of the Dole siblings’ rhythm section. Inverting the chorus of the Talking Heads’ “Heaven,” the lyrics of “Bootsie” celebrate the underdogs and misfits: “Hell is the place where everything happens / The band’s playing all the songs ever written at once / Shape the chaos, make your little story / Baby, this life’s perfect purgatory.”

Though Empty Country II is a record about the forces that drive Americans apart, it’s also imbued with empathic love and an understanding of what binds people to family and country—in spite of the darknesses we encounter. The concept of a Great American Rock Album might scan as outdated in 2023, but with this sprawling and uncompromising epic, D’Agostino and Empty Country shatter ambivalence and confront the horrors with a community-minded sense of cautious optimism. “We may be staring into an abyss,” says D’Agostino. “But we’re all staring together.”

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Chris & Cosey

LP | 1985 | UK | Reissue (Conspiracy International)

Inflatable Gravestone White Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Pop

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Chris Carter & Cosey Fanni TUTTI’s remastered limited edition vinyl series continues on 4 August 2023 with the release of Technø Primitiv (1985), Trust (1989) and Pagan Tango (1991) – all available on vinyl for the first time since their original release. The remastered albums will be available on Colored Vinyl, each with a printed inner sleeve of archival photos, via CTI. Elemental 7, Muzik Fantastique!, and Feral Vapours of The Silver Ether were released earlier this year, and the series has seen many of Chris & Cosey’s influential albums available on vinyl for the first time, giving listeners a new opportunity to revisit some of their celebrated catalogue.

The remastered releases for August includes 1985’s Technø Primitiv, originally released on Rough Trade, the album is from Chris & Cosey’s whiplash minimal ‘80s icy synth period. Listen to the proto-techno of ‘Morning’: https://youtu.be/b6hrytWxNi8 Trust, originally released on Play It Again Sam / Nettwerk in 1989, is collection of electro-pop, rinsed through with Chris & Cosey’s unique erotic vision – “Seldom have electronics this glaciated and deep-frozen exuded so much warmth” wrote Dele Fadele in NME – watch the video for the 12” version of ‘Rise’: https://youtu.be/Vns8_-X9B_k Pagan Tango – described by Melody Maker as “c&c formulating perfection” - followed in 1991 on Wax Trax!, and sees the pair once follow their own hypnotic beat in new directions.

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Mun Sing

LP | 2023 | UK | Original (Planet Mu)

Severant (10th Anniversary Edition)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright). The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss. Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.

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Kuedo

2LP | 2011 | UK | Reissue (Planet Mu)

30,99 €*

Magic Pony Ride Black Vinyl Edition

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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"We are excited to reissue Kuedo's classic 2011 album 'Severant' on double vinyl for the first time, and with a bonus track 'Work, Live &
Sleep In Collapsing Space'. The cover artwork has been redesigned by Raf Rennie (Who also designed Kuedo's recent album on
Brainfeeder, Infinite Window). In terms of feeling, ‘Severant’ explores the space between the detached world of the imagination and the
real-time world; that feeling of coming out of a daydream, on the edge of the drift from the day-to-day grind. Jamie says of this moment
”As reality shapes imagination and escapism affects your choices in the real world, there is a strange relational loop between the two
and the space in between the two. There’s a bitter sweetness in that gap, it has a certain emotive quality, kind of in between being and
non-being”. Again, musically ‘Severant’ is inspired by related themes. It sounds as if it’s in a sweet spot between the emotive, innately
futurist synth soundtracks of Tangerine Dream and Vangelis, borne from a time when the very idea of futurism was more prevalent, in
combination with musical ideas and inspiration from the emotionally ambivalent, materialist fantasies of ‘coke rap‘ such as The Clipse.
Rhythmically the record is influenced by what Jamie calls ”the two ultra modern musics of modern times”, footwork from Chicago, which
Planet Mu has explored in depth on its recent releases, and again the drum machine grids of coke rap. Jamie says ”I wanted to capture
a really futurist sentiment, kind of melancholy and grand luminescent, so I used the instrument that most evokes that for me - that
sweeping Vangelis brass sound.” And on coke rap he talks about the emotional ‘half being’ of the music, the energetically charged,
detached ambivalence of the MCs, and the admission that the MCs could be ”fantasising without admitting to doing so.”

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µ-Ziq

2LP | 2022 | UK | Original (Planet Mu)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Timesig)

Datach'I

Bones

Some Kind Of Happening: Singles 1978-1989

Release: 2019 / EU – Original

Genre: Organic Grooves

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Joseph Fraioli, a.k.a. Datach'i, returns with eighth album 'Bones'. Released on Venetian Snares' Timesig imprint, 'Bones' features 12 tracks of mind expanding electronica, once again recorded on his custom-built Eurorack modular system. Much like its predecessor, 'Bones' manages to make the most of the possibilities modular systems offer, whilst avoiding their many pitfalls that can often turn such music into little more than a dry academic exercise. Indeed 'Bones' is a remarkably intimate album, written and recorded in the time following his father's death, and reflects this intense period of personal change in Joseph's life. "Creating this music was a therapy of sorts," Joseph recalls. "It was almost like a close friend being there for me, and it's something that I hope others can perhaps utilize in the same way." The connection to his father is something that is reflected not just in the emotional intensity of 'Bones', but in the actual production itself. "My father and I were very close," he explains. "Whilst he was sick with cancer I bought him a guitar as he wanted to learn how to play, just to have something to do while he was getting treated. After he passed away my mother gave me the guitar to have as a sort of memory of him. I had the idea to record some sounds and music on the guitar and load it onto granular sample players on the modular synth so I could make new music from those sounds as a sort of tribute to my dad. You can hear some of those sounds on a few of the tracks here like 'Arrivals', 'Motion in the Living Room' and 'Undimension'." . Even though 'Bones' is about endings and finding closure, it also looks forward to new beginnings. "It was something very much on my mind throughout recording this album," he relates, "ends being beginnings and beginnings being the end. Cycles of time and how time works, it's all reflected throughout the album right down to how the tracks are ordered." Ranging from blissful ambience and guileless, starry eyed melodies, to intricate claustrophobic rhythms that forever sound close to collapsing in on themselves before expanding into bold new patterns, 'Bones' is the work of a producer who, twenty years on from his debut, continues to push the boundaries of electronic music.

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Television Personalities

2LP | 2019 | EU | Original (Fire)

Spiralée: Pearlies Rearranged White Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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2000 only. Gatefold Sleeve + 7". Singles collection. A comprehensive remastered collection of all of the Television Personalities' ground-breaking single releases from the Peel-approved `14th Floor' through to the effervescent `Salvador Dali's Garden Party' EP. Includes the super rare Creation flexi, the TVPs as The Gifted Children, and the even rarer Caff 45 where the band tackle Stock, Aitken And Waterman. Purists will also find two shelved 45s for the Dreamworld label plus their take on Syd Barrett's `Apples And Oranges' from the `Beyond The Wildwood' tribute album. Features the seminal `Where's Bill Grundy Now' and the self-effacing `Part Time Punks' alongside a host of pop culture-bating gems. A celebration of the songwriting of Dan Treacy.

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Emma Anderson

LP | 2024 | UK | Original (Sonic Cathedral)

LP | 2024 | UK | Original (Daydream Library Series)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Schande

Once Around

Release: 2024 / UK – Original

Genre: Rock & Indie

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Whispers In The Static Grey Vinyl Edition

Steve Kilbey

LP | 2024 | UK | Original (Easy Action)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Bespoke Wheels And Winged Heels (An Anthology 1987-2023)

Steve Kilbey

2LP | 2023 | UK | Original (Easy Action)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Fire)

The Lemonheads

Creator

Hiss Spun Black Vinyl Edition

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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Creator is the second album by legendary Boston band The Lemonheads. Still featuring the full original line-up of Evan Dando, Ben Deily, and Jesse Peretz, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.

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Chelsea Wolfe

2LP | 2017 | UK | Reissue (Sargent House)

2LP | 2024 | EU | Original (Skep Wax)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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“When musicians have this intensity in them, they often get to it 5 sooner and stay put. Ms. Wolfe sounds like she’s using it by choice, not disposition; she can use different kinds of darkness as colour or tincture." - NY Times // “The reigning dark priestess of goth-scarred art rock.” Rolling Stone // Hiss Spun is Chelsea Wolfe’s sixth album. Following her acclaimed 2015 album Abyss, Hiss Spun is at once dynamic, heavy, and raw. NPR shared the song “16 Psyche,” saying, “Wolfe has always possessed a talent for dynamic song writing, particularly concerning the theatre of the soul. But the masterful "16 Psyche" is a full-on ride, and one that finds her at her most commanding and climactic yet." Recorded by Kurt Ballou (Converge), the album was conceived as an emotional purge, a means of coming to terms with the tumult of the outside world by exploring the complexities of one’s inner unrest.

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V.A.

Under The Bridge 2

Marjaa: The Battle Of The Hotels

Release: 2024 / EU – Original

Genre: Rock & Indie

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Under The Bridge 2 is the sequel to the celebrated 2022 compilation album that reunited groups and songwriters who had once recorded for cult label Sarah Records. The new album showcases the continuing creativity of a special group of musicians who have never rested on their laurels.

Bigger and more expansive than the first album, Under the Bridge 2 is a double LP, containing twenty brand new tracks. There is a huge range of material here, from intense, dark chamber pop to dense shoegaze to out-and-out indiepop. Exciting new groups are unveiled: The Gentle Spring (a new project by Michael Hiscock of The Field Mice); Vetchinsky Settings (a collaboration between Mark Tranmer and James Hackett of The Orchids); and Mystic Village (which features new songs by Robert Cooksey of The Sea Urchins).

You will also see familiar starry names like Even As We Speak, The Orchids and Secret Shine - bands whose line-ups have remained mostly unchanged since the 1990s. And there are established bands who didn’t appear on the first album but are now represented – bands like Action Painting! and The Hit Parade.

Most of the tracks are exclusive and unreleased: there’s the first new song from The Catenary Wires since 2021, a brand new fizzbomb from Jetstream Pony, a haunting instrumental from GNAC.

The emphasis of Under The Bridge is on the new. The bands’ shared history means they have a shared aesthetic, even a shared ethos – they all believe that the future is more important than the past. They are as independent and as uncompromising as ever, but they are still uncynical - and still excited about what Pop Music can be.

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Mayssa Jallad

LP | 2023 | CA | Original (Ruptured)

Volume 3 Clear Vinyl Edition

Release: 2023 / CA – Original

Genre: Rock & Indie

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“Marjaa: The Battle of the Hotels” is a concept album born of the idea of merging singer/songwriter Mayssa Jallad’s two vocations: music and urban research/architectural history. Written in collaboration with producer Fadi Tabbal, the music builds upon Tabbal’s spatial approach to sound and Jallad’s research on Beirut’s Hotel District.

The album is a reference to Jallad’s Historic Preservation master's thesis, in which she detailed the history of the “Battle of the Hotels”, a 5-months battle that took place in Beirut at the beginning of the Lebanese Civil War, from October 22nd, 1975 to March 29th, 1976.
Jallad saw architecture as a main protagonist of the battle, as she discovered it was the first high rise urban battle in the world. The close of the battle resulted in the 15-year Green Line, an urban rift which split Beirut into “East and West”, restricting movement and communication and creating a violent divide that still resonates today.

The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled with the violence of snipers, and a present filled with the glamorous injustice of empty luxury real estate endorsed by powerful warlords-turned-politicians.

In Part B: Maaraka, Jallad inhabits the building of the Battle of the Hotels, as its events unfold. She calls the fighting militias the Blues and Reds, respectively the Lebanese Front (Christian Nationalists) and the Lebanese National Movement (Pro-Palestinian leftists), leveling the playing field, and drawing a map of the battle through songwriting. Sary Moussa produces the conclusion of the battle in “Holiday Inn (March 21 to 29)”, which ends with the ultimate severance of the city of Beirut.

The music caters to post-war youth who have never been taught this difficult history. Once we consider the “Battle of the Hotels” as our common heritage, it provides an opportunity to teach the value of civil peace. It is also a call to protest for the renewal, rather than the recycling of the political class that has once destroyed the country and holds us, to this day, hostage of its violence.

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V.A.

2LP | 2022 | UK | Original (PC Music)

34,99 €*

Flicker Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Personal Computer Music for the Third Millennium. A compilation of hits from 2018-2021 alongside upcoming, unreleased and unreleasable music.

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Death And Vanilla

LP | 2023 | UK | Original (Fire)

Good Bad Not Evil (Deluxe Edition) Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Death and Vanilla return with ‘Flicker’, presenting their unique pop music that defies categorisation. Housed in a beautifully austere post-ironic de-constructed sleeve; ‘Flicker’ is a modern reflection on these difficult times. World crises notwithstanding, they return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure’s dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno. By osmosis their period of transition since 2019’s much darker ‘Are You A Dreamer?’ has hatched new eclectic electronica anthems riddled with melody lines, and layered for lush love.

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Black Lips

2LP | 2022 | UK | Original (Fire)

3LP | 2018 | EU | Original (Timesig)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed 2 bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian

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Richard Devine

Sort\Lave

32,99 €*

2LP | 2016 | UK | Original (Fire)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After a break of 6 years, Atlanta based electronic musician, producer and sound
designer Richard Devine returns with a new album. Recorded between 2016 and
2017 using Richard's custom built Eurorack modular system and two Nord G2
Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from
abrasive percussive experiments such as `Revsic` to `Astra's dazzling juxtaposition of
sounds and onto the radiant ambience of the album's closer `Takara`. Talking about
the album's genesis Devine explains "I've been using modular synthesizers since I was
17, but have never written complete tracks using these newer systems. This was my
first experiment to see if it would be possible and I probably spent about 5 years
building up the systems that I used on this album." "The aim here was to create
something that felt very organic, detailed, spacious, big and warm and just as
importantly, a record that you could put on and play all the way through that flowed
in a seamless way. So the tracks are more like captured snapshot performances
where I could play around with the idea of probability-based sequencing for every
patch, string multiple sequencers together that would feed other sequencers to
come up with interesting rhythms and melodies. It was really fun coming up with
new sounds this way too, I felt like I created several I haven't heard before with this
album. Some of the tracks on the album were complete accidents and evolved from
something that happened spontaneously." Making his debut in 1995, Devine's
releases for labels including Schematic, Warp Records and Detroit Underground
have established him as one of the leading figures within the electronica community

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The Bevis Frond

Any Gas Faster

26,99 €*

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 1972 | EU (Endless Happiness)

Alice Coltrane

World Galaxy

Too Tough To Die B Sides, Sessions Demos And More

Release: 1972 / EU

Genre: Organic Grooves

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World Galaxy is the sixth solo album by Alice Coltrane recorded in November 1971 in New York City, and released in 1972 by Impulse! Records. On the album, Coltrane appears on piano, organ, harp, tamboura, and percussion, and is joined by saxophonist Frank Lowe, bassist Reggie Workman, drummer Ben Riley, timpanist Elayne Jones, and a string ensemble led by David Sackson. Violinist Leroy Jenkins also appears on soloist on one track, and Swami Satchidananda provides narration. World Galaxy features a trilogy of original compositions bookended by "My Favorite Things" and "A Love Supreme", two pieces for which her husband John Coltrane was known. It was the second in a series of three albums (following Universal Consciousness and preceding Lord of Lords) on which Coltrane appeared with an ensemble of strings.

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Ramones

LP | EU (No Go)

Africa Brasil Beer Colored Vinyl Edition

Release: EU

Genre: Rock & Indie

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What a feast for fans of the real Fab 4! Here's A collection of 1983/84 sessions, demos, B sides (and more!) presenting the kings of Punk going through critical times as they approach the fiasco of their previous album, "Subterranean Jungle", and toughen their sound (never forgetting their Bubble Gum roots) to deliver what would be their hardest album to date, "Too Tough To Die".

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Jorge Ben

LP | 1976 | EU (Future Shock)

26,99 €*

Live At The London Astoria 1989

Release: 1976 / EU

Genre: Organic Grooves

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África Brasil is a 1976 release by Brazilian artist Jorge Ben. It was Ben's 14th studio album and a milestone in his career with a switch to electric guitar and funk music leaks. For África Brasil Ben reworked three of his earlier compositions: "A Princesa e o Plebeu" from Sacundin Ben Samba, "Taj Mahal" from Ben, and "Zumbi" from A Tábua de Esmeralda. The album's opening track "Ponta de Lança Africano (Umbabarauma)", a song about an African football striker, became a well known soccer-associated track and it was later included on David Byrne's 1989 compilation Brazil Classics Beleza Tropical, prompting rotation of a video for the track on Vh-1

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Uriah Heep!

2LP | EU (DBQP)

Release: EU

Genre: Rock & Indie

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LP | 1969 | EU (Endless Happiness)

John Mayall

Looking Back

Release: 1969 / EU

Genre: Rock & Indie

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Looking Back is the seventh album released by John Mayall in August 1969.The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. It contains songs written between 1964 and 1968 with almost all the most well-known musicians who played with the Bluesbreakers during this period.

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Bauhaus

The 1979 Demo Recordings

LP | 2023 | EU

Release: 2023 / EU

Genre: Rock & Indie

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Dance To The Radio: Ajanta Theatre Derby 1980 Blue Vinyl Edtion

Joy Division

LP | 2023 | EU (Dear Boss)

LP | 1967 | EU | Reissue (Survival Research)

Release: 2023 / EU

Genre: Rock & Indie

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Massive as Joy Division were becoming, they still played Shit-Holes like this former, partially demolished, cinema in Derby. The old seats were still in place, except for a few that were torn off of their perches to allow dancing, if required. Again, another cavernous sounding audience recording,and again we are treated to a joint band version of "Girls Don't Count" for the rarity value. Due to cancellations, probably due to Ian's failing health, this would turn out to be the penultimate Joy Division performance, before.....well, you know what happened next.

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Yusef Lateef

Jazz Mood

LP | 1972 | EU (Endless Happiness)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Antonio Carlos Jobim

Jobim

Abominations Of Desolation

Release: 1972 / EU

Genre: Organic Grooves

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Jobim is the eighth studio album by Antônio Carlos Jobim recorded on December 1972 at New York City. Though this is one of the more obscure Jobim albums, it did introduce what some believe is Jobim's masterpiece, the hypnotically revolving song "Aguas de Março" (heard here in Portuguese and English versions).

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Morbid Angel

LP | 1987 | EU (Satanic Rites)

LP | 2023 | EU (Replica Nova)

Release: 1987 / EU

Genre: Rock & Indie

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Originally intended as the band's debut album and later shelved after Mike Browning left the band, Abominations of Desolation is the stuff of legend among Death Metal enthusiasts. Recorded in 1986, it is a stepping stone in the genre's history and contains early and raw versions of many soon to be classics in the band's repertoire, with Browning's brutal delivery giving the songs a very different personality than that of later versions. Absolutely essential for anyone interested in extreme metal.

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V.A.

Decoder - The Soundtrack

Release: 2023 / EU

Genre: Rock & Indie

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Too Much Posse: Live At Irvine Meadows 1991 Black Vinyl Edition

Anthrax & Public Enemy

LP | 2023 | EU (Dear Boss)

My Magic Pie: Live At Olympia Hall Munich 1997

Release: 2023 / EU

Genre: Hip Hop, Rock & Indie

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Live at Irvine Meadows Amphitheatre, Irvine, CA, USA on October 19, 1991 from the Bring the Noise Tour.

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Oasis

LP | 2023 | EU (Mind Control)

17,99 €*

LP | 2022 | EU (Suicidal)

Release: 2023 / EU

Genre: Rock & Indie

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During the 1997 “BE Here Now” tour some high-energy performances, particularly at Hammerstein Ballroom, Den Bosch, and G-mex, have been widely celebrated. These live shows have provided fans with an electrifying experience. However, there’s another less-known show that needs your attention, and that’s the concert held on November 19th at the Munich Olympia Hall, presented here to you. A must for all Oasis fans worldwide.

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Suicidal Tendencies

Amsterdam Paradiso 1987

16,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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Wake The Sleeping Dragon! Black Splattered Green Vinyl Edition

Sick Of It All

LP | 2018 | EU (Radiation Reissues)

LP | 2022 | EU (Survival Research)

Release: 2018 / EU

Genre: Rock & Indie

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Reissue for the 2018 album by Nyhc pioneers Sick Of It All. Wake the Sleeping Dragon is not sensitive, subtle, nuanced singer songwriter fare. Aggressive, angry and in your face old school Lower East Side hardcore punk. Sick Of It All have made another career and genre defining album. Don’t sleep on Wake the Sleeping Dragon.

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Clara Mondshine

Visions Of Audio

16,99 €*

LP | 1967 | EU (Endless Happiness)

Release: 2022 / EU

Genre: Rock & Indie, Electronic & Dance

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The final instalment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the obtuse loops of ‘The Final Ritual,’ the work inspiring future hitmaker Pilooski. Mondshine fans, Berlin School freaks and abstract electronica lovers should bag it.

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John Coltrane

Kulu Sé Mama

Release: 1967 / EU

Genre: Organic Grooves

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Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself “the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."

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Red Hot Chili Peppers

Red Square Moscow 1999

LP | EU (DBQP)

Release: EU

Genre: Rock & Indie

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Bob Dylan & Tom Petty With The Heartbreakers

Live At The Entertainment Centre In Sydney 1986

2LP | EU (DBQP)

Release: EU

Genre: Rock & Indie

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The Lebron Brothers Orchestra

Psychedelic Goes Latin

LP | 1967 | EU (Get On Down)

Release: 1967 / EU

Genre: Organic Grooves

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Lost & Found Black Vinyl Edition

Angelic Upstarts

LP | 1991 | EU (Radiation Reissue)

Mission Accomplished...But The Beat Goes On

Release: 1991 / EU

Genre: Rock & Indie

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Formed in the northeast town of South Shields in 1977, punk/Oi! band Angelic Upstarts recorded two studio albums for Warner Brothers and two for EMI’s Zonophone subsidiary before being dropped by the latter. Work was begun on an abortive fifth studio album that forms the bulk of the brilliant Lost And Found, with superior versions of Last Tango In Moscow material featuring the classic Upstarts line up of Mensi/Mond/Glyn/Decca. Live tracks from the Main Event gig at the London Astoria have Mensi/Hayes/Ronnie Rocker/Max Splodge. This is required listening for all Upstarts fans. Thoroughly excellent!

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The Rezillos

LP | 1979 | EU (Drastic Plastic)

Release: 1979 / EU

Genre: Rock & Indie

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Free Form Clear Vinyl Edtion

Joe Harriott Quintet

LP | 1961 | EU (Destination Moon)

17,99 €*

LP | 2023 | EU (Horror Biz)

Release: 1961 / EU

Genre: Organic Grooves

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The West Indian-born alto saxophonist Joe Harriott was one of the most convincing boppers outside of the USA, though by the end of the 1950s he was exploring freer musical pastures, and the quintet with which he undertook the exploration was an outgrowth of the hard bop band with which he'd made a name on the British scene. Often in the past the group's music, in which trumpet and flugelhorn player Shake Keane figured alongside Harriott in the front line, has been compared with that of the early Ornette Coleman quartets, but here it's far more interactive, a fact borne out most obviously by the lack of soloists. Here on Free Form (1961) is where the rhythm of that indigenously West Indian form is extraordinarily maintained in the midst of characteristic group exchanges.

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Saint Vitus

C.O.D. Red Vinyl Edtion

LP | 1984 | EU | Reissue (Radiation Reissues)

Release: 2023 / EU

Genre: Rock & Indie

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Influential Los Angeles-based doom metal group Saint Vitus was formed in 1979, with Black Sabbath and Black Flag noteworthy references. Seventh album COD, from 1992, made former Count Raven frontman Christian Lindersson lead vocalist, the guitars now texturally layered, and the drums bathed in heavy reverb, hearkening older styles of metal. Overall, it’s a testament to underachieves and burnouts everywhere, directly addressing their fans as the ‘Children of Doom’ of the title. This is an underrated album for all discerning doom metal lovers, and unmissable for those who seek a fuller understanding of St Vitus’ progression.

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Anti

God Can't Bounce

13,99 €*

Supplement: 66 Limited V12

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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ANTI's 1984 God Can't Bounce collects all their tracks from the New Underground's label Life Is... compilation (a California Punk manifesto of sorts which also included, among others, the Descendents, Minutemen, and the Germs), and outtakes from both previous albums, consisting of recordings made in the 1982 and 1983 period. Ten slabs of pure California Punk Rock for fans of Black Flag, Bad Religion, Sin 34 and the like. First vinyl reissue in nearly 35 years on Radiation Records.

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Paul Weller

LP | 2024 | Original (Polydor)

Release: 2024 / Original

Genre: Rock & Indie

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Tension II Crystal Clear Vinyl Edition

Kylie Minogue

LP | 2024 | Original (BMG Rights Management)

Release: 2024 / Original

Genre: Pop

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Albert King & Stevie Ray Vaughan

In Session Deluxe Edition

3LP | 2024 | US | Original (Concord)

66,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2024 | Original (Blue Note)

Aaron Parks

Little Big III

Release: 2024 / Original

Genre: Organic Grooves

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Two Be Ok (The Seed Tape Volume 1)

Torky Tork

LP | 2024 | EU | Original (Jakarta)

2LP | 2024 | EU | Original (Ofnot)

Release: 2024 / EU – Original

Genre: Hip Hop

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This regular LP edition does not come with the (Bandcamp-only) seeds!

Amsterdam's resident by choice, Torky Tork's Seed Tape Vol.1 is a reminiscences to his love for growing plants. Having created his own personal "music for plants" project, to keep flora and fauna entertained and triggering the blooming process.
Simultaneously to the album, Torky's own OK KUSH weed-strain will be introduced to the world. The lush & laid-back stimulating sounds and baselines are beneficial for the plants and the listeners cortex equally.
Torky's sound - even across various projects can be described with the broad spectrum of influences. The restless Berlin native has never stuck to one formula. His urge for ever new input is reflected by the constant change in the centre of his life - for some years now, he has been constantly traveling back and forth between his Berlin Bunker studio and Amsterdam, his home of choice. So the influence of weed has naturally been around him for a while, yet inspiring him to dive into the album TWO BE OK.
The illustrious line-up of musical guests on the album contains Germany’s most in-demand producers, the self-taught bedroom beatmaker FloFilz, Berlin’s bunker studio affiliate S. Fidelity, wine aficionado Dexter (also mastering engineer of the album), Wandl and more. This is the perfect soundtrack for watering your favourite plants while watching them grow.

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KMRU

Temporary Stored II

33,99 €*

G.rag Und Die Landlergschwister

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When Kmru accessed the sound archive of the Royal Museum of Central Africa in Tervuren, Belgium, it catalysed an auditory response in the form of the album Temporary Stored. The album listened back to listen forward – to reckon with the collective inheritance of colonial (sound) archives. Temporary Stored II serves as an artistic and curatorial extension of the original album, inviting other artists to lend their critical ear to museum archives holding recordings of African songs, traditions and practices. With Kmru, Aho Ssan, Lamin Fofana, Nyokabi Kariuki and Jessica Ekomane draw upon their listening experiences as global contemporaries navigating a world in flux – ecologically, economically, and politically. Each artist brings a selection of sonic fragments out of dormancy, channelling (in)audible traces into a contemporary cultural and political paradigm. Temporary Stored II sensitively responds to historical archives whose sounds have been restored and made more accessible through digitalisation, despite still being the copyrighted property of European institutions. It develops an emergent language to engage with the vocal, rhythmic and syllabic intelligence rooted in these sonic repertoires, grounded in reimagination of sonic records as seeds for a sounding future. Listening back to these recordings is one way to recover the loss of listening traditions, orality and modes of transmission. In these sonic mediations, Lamin Fofana, Kmru, Jessica Ekomane, Nyokabi Kariuki and Aho Ssan account for the archives with care and criticality. Inscribed in this album are “black waveforms as rebellious enthusiasms”, which in the words of Katherine McKittrick “affirm, through cognitive schemas, modes of being human that refuse antiblackness while restructuring our existing system of knowledge.” The album asks us to listen to colonial pasts and imagine the sound of our epistemological futures. It is a sonic retort; a playback to history and its colonial processes of extraction and accumulation. Temporary Stored II is a reminder that the labour of listening back is a continuous process of reassessing what has been lost, captured and refused. - Bhavisha Panchia

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Ins Freie

LP | 2024 | EU | Original (Gutfeeling)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Deutsche Grammophon)

Vikingur Olafsson

Continuum

Release: 2024 / Original

Genre: Classical Music

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LP | 2018 | Original (Abbruch)

Abbruch

Lieber Linksextrem

Release: 2018 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Universal)

Riley Green

Don't Mind If I Do

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Interscope)

V (Bts)

Layover

51,99 €*

Release: 2024 / Original

Genre: Pop

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Millennium Symphony Black

David Garrett

2LP | 2024 | Original (Polydor)

40,99 €*

Release: 2024 / Original

Genre: Classical Music

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Future Me Hates Me Green Marbled Vinyl Ediiton

The Beths

LP | 2018 | US | Reissue (Carpark)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Editions Mego)

Grand River

All Above

LP | 2022 | EU | Original (Laaps)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On her third album, Berlin-based Dutch-Italian composer and sound designer Aimée Portioli, aka Grand River, asks what guiding forces might be driving, enticing, and affecting us. “All Above” is rooted in her deeply personal philosophy as an artist, blurring the boundaries between electronic music and acoustic music and sculpting familiar ambient forms into personal themes painted with rich emotional colours. Written painstakingly over the last two years, the album is the most ambitious and divergent set of music Portioli has assembled so far, with a wide variety of instrumentation (including voices, strings, organs, guitars, and synthesisers) focused around the piano. She‘s keen to assure listeners that while that instrument isn‘t always heard, it‘s constantly at the forefront of the album, shepherding its emotions and anchoring its mood. It makes sense then that on the opening track ‘Quasicristallo’, the acoustic piano is the first element we hear, recorded closely, so its characteristic rattle and creak can speak as loudly as the familiar tones themselves. When the music blooms into abstraction and processed electronics, it‘s almost imperceptible: reverb mutates into ghostly vapour trails, and distortion forms the keys into another instrument entirely.

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Ecovillage

The Road Not Taken

Mick Harris / Martyn Bates

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Emil Holmström and Peter Wikström are a duo from Northern Sweden. The duo have collaborated with many artists over their almost twenty year long music career such as 4th Disciple, Dwight Trible, Carlos Niño, Fennez, Green-House, Laraaji, Lo-Fang, Masayoshi Fujita, Purl and many more.

»The Road Not Taken« is the tenth released studio album from Ecovillage and the first one released on vinyl. The album has a more sacramental and human feel to it compared to their previous work.

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Murder Ballads [Drift] Marbled Vinyl Edition

2LP | 1994 | EU | Reissue (Sub Rosa)

Let's Talk About The Weather

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Rarely do two types of music meet on a level where they threaten to cancel each other out - let alone create something even more meaningful in their mutual vanishing. But the music created within the seminal Murder Ballads (Drift) by Martyn Bates (Eyeless in Gaza, & parallel solo career) and Mick Harris (Napalm Death, Lull, Painkiller, Scorn) creates just such a world. Murder Ballads (Drift) evolves Martyn Bates vocalisations / storytelling song-voices, by turns expressed as labyrinthine layers, calls and responses, muted and distant echoes, sung whispers and counter-melodies, ultimately resulting in a mesmeric conversation of musical inferences and correspondences. Murder Ballads (Drift) created the post-isolationist frame of reference, innovating and extemporising into a truly original dazzlingly unique form.

Mick Harris traffics in the isolationist ambience of Lull, while Martyn Bates is the emotive voice of literate cult-pop duo Eyeless in Gaza. The unlikely pair - one given to terminally frigid drone, the other to impassioned, bittersweet voicings - finds common ground in folk music's most macabre tradition, the murder ballad. These ghoulish parables are awash in blood and tears, the strands of love, hate, birth, death, sin, and salvation entwined within like the roots of an ancient tree. Mothers callously kill their children; suitors slay their maidens without remorse; and fate exacts its cruel price from all.

The archaic murder ballads that leak from Bates' vocal cords are intensely sad and carnal. They tend to leap off cliffs of hollow effects or drone darkly, offering neither a robust delivery nor an element of irony to take the edge off. The archetypal characters that live and die in them give life's full tragedy back to Harris' electronically numbed "post-isolationist" dreaming.

Drift (originally released in 1994) plays out an unbreakable and timeless cycle of bloody folklore (people) and hypnotic soundscapes (the god who watches). The effect is chilling yet engrossing. Where most ambient music has barely enough courage to ring the doorbell and run, Murder Ballads slips through the cracks of the unconscious and does its work with remarkable ease.

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Gudrun Gut + Mabe Fratti

LP | 2021 | EU | Original (Umor-Rex)

LP | 2020 | EU | Original (Faitiche)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gudrun Gut and Mabe Fratti have worked together on a powerful hybrid album, where taut rhythms fuse with haunted vocal melodies and spoken word, and field recordings meld with extended ambient pieces. As part of Umor Rex’s 15th anniversary, we here present an album that builds a dialogue between two lands and two unique artists. Mexico is the origin and conceptual residence of our label, while Germany is where we produce and manufacture our records (Berlin functions as the center of distribution and logistics, thanks to our friends at Morr Music). The intertwining imaginations belong to German producer Gudrun Gut (Malaria!) —a notable figure of the subculture and the German music scene since the early 80s, and also a founder of Monika Enterprise and recipient of the ‘Listen to Berlin’ Award in 2019— and singer, multi-instrumentalist and composer Mabe Fratti (originally from Guatemala, now based in Mexico City). We knew about "Let's Talk About The Weather" from the beginning, and since the moment Gudrun and Mabe made us part of their project, our excitement could not be greater. The process started with Gudrun and Mabe having long distance conversations, asking about their whereabouts and discussing the weather. This might seem rather commonplace, but it works as a key thematic component for the entire album. The weather as the new great unknown, perceived through the optics of everyday life. Sound files were methodically exchanged, with Mabe exploring words and vocals, and Gudrun working with field recordings taken from each city. In the end, this joint musical venture would provide a healing effect for both artists during life in quarantine. "Aufregend", the opening track of the album, reflects upon a general lack of excitement in modern life. It wonders what the future might hold. Is it cold? Is it warm? Will it be the same? "Air Condition" is an eerie, dazzling collision of climates: the hazy warmth of Mexico City, the deep cold of Uckermark. The last track, which gives the album its name, is a long ambient piece composed of four parts: sound sculptures, field recordings of city life, news and weather forecasts, and private conversations about the climate. It's kind of a collaborative diary, obsessed with a single, all-encompassing subject. Produced and recorded by Gudrun Gut and Mabe Fratti between Berlin, Uckermark, Veracruz and Mexico City. Mixed by GGut at Stern Studio Mastered by John Tejada in Sherman Oaks, USA. Artwork & photos by Daniel Castrejón in Mexico City.

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Frank Bretschneider

Abtasten_halten

LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Faitiche presents a new album by Frank Bretschneider. "abtasten_halten" was made as part of the raster.labor installation first presented at CTM Festival in 2019. It is perhaps the most radical work in Bretschneider's distinctive oeuvre: "abtasten halten" is a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations - all random, without repetition. The album resembles a meditation on infinite rhythmic variation. It is Frank Bretschneider's first release on Faitiche.

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Klara Lewis

Ingrid

LP | 2024 | Original (Universal)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Following 2018's acclaimed collaboration with Simon Fisher Turner, "Care", Swedish sound artist Klara Lewis returns with "Ingrid", her third solo release for Editions Mego.

"Ingrid" is a departure from Lewis's previous solo outings, drifting from the eerie rhythmic variations of "Too" and "Ett" and moving assuredly into long-form experimentation. The piece retains those records' pulsing core and builds on a single cello loop that is steadily enveloped by a surge of distortion. It's almost like a voice or chant, shifting pointedly from a whisper into a scream before singing peacefully into the light.

At times, "Ingrid" reminds of William Basinski's looping melancholy or Steve Reich's controlled and innovative phase experiments, while at others, it recalls the chaotic Scandinavian physicality of black metal. Yet the entire composition is anchored in Klara Lewis's distinct emotional world. By dissolving familiar and beautiful strings in baths of noise, Lewis allows something violent but tender to grow in its place. In a society struck through by cynicism, "Ingrid" is a cathartic listening experience and a beacon of hope.

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Midland

Barely Blue Gold Marble

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Universal)

Dean Lewis

The Epilogue

Release: 2024 / Original

Genre: Pop

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Intercommunal Free Dance Music Orchestra

Le Musichien

LP | 1983 | EU | Reissue (Souffle Continu)