All Items Vinyl LP 83382 Items

Free Energy Inverted Hyperspace Splatter Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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Earthly Measures & Multi Culti come together to present their first release on new collaborative label 'Cult Measures' - First up is Jinje & A Brief Utopia's - 'We Invisible' - a deep, cosmic, experimental 8 track LP with Afro percussion & Jazz influences - perfect for home listening and peak dance-floor in equal measures. With records out on Mesh, Ostgut Ton, Different, Messrs Kick & Drum, Scene Unseen and his own label, Making Friends, Jinje (aka, Lee J Malcolm) has been making headway with his solo project in the electronic music scene. As the founding member and main song writer of Vessels (Cuckundoo, BIAS/Leaf, Different/PIAS) he has been DJ'ing and performing live for over two decades. A Brief Utopia (a project by Jinje) was born from an EP released earlier this year by Jinje (aka, Lee J Malcolm from Vessels) on Scene Unseen. Stepping away from his usual production duties and focusing more on his passion for live drumming and percussion instruments. This was the starting block for much of the composition on the record. He quickly realized that this would be a brilliant thing to do live and reached out to fellow musicians Danny Templeman (Submotion Orchestra, Gentleman's DubClub) and Nathan Moseley (Fwar, Brolin) to put together a high energy show aimed at clubs and festivals alike. A Brief Utopia brings a colorful, vibrant and visually engaging experience. Drawing on a love of music from around the world focused through a lens of live drumming, tuned percussion and psychedelic synth work. Tracklisting: A1. Submarino A2. We Invisible A3. Belafon Balafon A4. Gourds B1. The Scam B2. PushMePullYou B3. Last Kankabono B4. Polynese

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Dummy

LP | 2024 | US | Original (Trouble In Mind)

The World That I Created Now Is Mine

Release: 2024 / US – Original

Genre: Rock & Indie

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Dummy ist eine Rockband aus Los Angeles, bestehend aus Alex Ewell, Emma Maatman, Nathan O'Dell und Joe Trainor. Ihr Debütalbum "Mandatory Enjoyment" (Trouble in Mind) erschien Ende 2021 und erntete Lob von Pitchfork, Stereogum und vielen anderen. Die Band tourte zwei Jahre lang, um das Album zu unterstützen, und es ist diese transformative Erfahrung, die durch "Free Energy", den berauschenden Nachfolger von "Mandatory Enjoyment", pulsiert. Die kreativ rastlose Band Dummy (Ewell: Schlagzeug, Synthesizer, Bass; Maatman: Gesang, Synthesizer, Orgel; O'Dell: Gesang, Gitarre, Orgel; Trainor: Gitarre, Bass, Synthesizer) wollte für ihr nächstes Album härter, tanzbarer und psychedelischer werden. Das bedeutete, dass sie die experimentellen Möglichkeiten elektronischer Texturen auf die elementaren Qualitäten des Rocks anwenden wollten, d.h. mehr Gesangsschleifen, Sampling, verrücktere Rhythmen und verspielte Synthesizer - aber sie wollten die Samples von Trainors Gitarre einsetzen, Maatman mutiger singen lassen, mit kalten mechanischen Elementen auf warme und funkelnde Weise experimentieren und sich stärker an traditionelle, aber immer noch großartige Formen von Rockgitarrenexperimenten wie Feedback anlehnen. Das Ergebnis ist ein Album, das die Fähigkeit der Musik feiert, den Körper zu bewegen, sei es durch eine zähneknirschende Wand aus MBV-eskem Lärm, einen klebrigen Pop-Refrain oder eine fröhliche Drum-Machine - oder, wenn man Dummy ist, vielleicht alles im selben Song. Popmusik war schon immer ein wichtiger Bestandteil von Dummys Sound und manifestiert sich auf unterschiedliche Weise in "Free Energy“: Die sprudelnde Synthesizer-Sequenz, die mit einem Korg EM1 gemacht wurde und in "Nullspace" auftaucht, der aufgedrehte Drone-Pop, der von Dunedin Sound Bands der zweiten und dritten Welle wie Look Blue Go Purple und Dadamah inspiriert ist, und der motorische Beat, der "Nine Clean Nails" antreibt. „Nine Clean Nails" ist vielleicht der selbstbewussteste Popsong, den Dummy je aufgenommen hat, und ein Beispiel für das Gleichgewicht zwischen der Intensität der Live-Performance und den elektronischen Ergänzungen auf "Free Energy". Die tänzerischen rhythmischen Elemente wurden aus einem von Ewell aufgenommenen Drumloop erzeugt, während die Bridge mit den Call-and-Response-Gitarren von O'Dell und dem ausdrucksstarken Gesang von Maatman an die Feelies erinnert. "Free Energy" enthält außerdem Gastauftritte des Saxophonisten und elektroakustischen Künstlers Cole Pulice (Moon Glyph) aus Oakland, der Saxophon und Bläsersynthesizer beisteuert, sowie Jen Powers vom Powers / Rolin Duo (Astral Editions, Feeding Tube Records)

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Kabinett

LP | 2024 | EU | Original (Internasjonal)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Leave Me To The Future Black Vinyl Edition

Ischia

LP | 2024 | EU | Original (Siluh)

Blackout Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Sometimes you have to take sides"! That's what you call a statement. It doesn't hurt that `Sides' bursts in with a hypnotic, swirling guitar riff that could have come from Kevin Shields (Ischia is clearly a My Bloody Valentine fan, which is not the easiest thing for a guitarist to do). The krautroc...

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Dropkick Murphys

LP | 2003 | EU | Reissue (Hellcat)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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All Things Considered Volume 3

V.A.

LP | 2024 | Original (823)

Release: 2024 / Original

Genre: Organic Grooves

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Holus Bolus Ice & Aqua Blue Galaxy Marble Vinyl Edition

Lord Buffalo

LP | 2024 | EU | Original (Blues Funeral)

Sophia Jani, Teresa Allgaier

Release: 2024 / EU – Original

Genre: Rock & Indie

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Third album proper by LORD BUFFALO!New Lord Buffalo album Holus Bolus takes its name from an antiquated phrase meaning "all at once." It materializes instantly from the first opening notes, a grey haze drawing listeners in with deft juxtapositions of droning violin, guitars, drums and vocals.While the quartet wades into the same murky waters as dark emotive brethren David Eugene Edwards/Woven Hand, All Them Witches, Emma Ruth Rundle, Earth/Dylan Carlson, Chelsea Wolfe and Nick Cave, the creative interplay of Middle Eastern influences and Western folk Americana takes the record in its own enveloping, meditative direction.Embarking on a sleep-deprived road trance through High Plains iconography, Holus Bolus is bleak yet hopeful, a mix that is by now Lord Buffalo's established custom blend.Gatefold sleeve, ice & aqua blue galaxy marble effect vinyl!

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Six Pieces For Solo Violin

LP | 2024 | EU | Original (Squama)

LP | 2024 | EU | Original (Parigo)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.

Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)

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N'zeng

The Trip

LP | 2024 | UK | Original (Brownswood)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip. A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids. He's making a name for himself as N'Zeng, with his smooth arrangements.

N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.

His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.

Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.

Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.

He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!

2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.

There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.

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Lefto Early Bird

Motherless Father

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Grüsse Von Der Ueberholspur Yellow Vinyl Edition

Sorry3000

LP | 2024 | Original (Audiolith)

Release: 2024 / Original

Genre: Rock & Indie

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Am Achteck Nichts Neues - Recycled Black

Montreal

LP | 2024 | Original (Amigo)

Release: 2024 / Original

Genre: Rock & Indie

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Death.March.Melodies. Marbled Vinyl Edition

Samavayo

LP | 2024 | EU | Original (Noisolution)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2017 | EU | Original (Arising Empire)

While She Sleeps

You Are We

Release: 2017 / EU – Original

Genre: Rock & Indie

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Kind Of Blue Grey Marble Vinyl Edition

Miles Davis

LP | 1959 | EU | Reissue (Second)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Wicked Dub Division Meets North East Ska Jazz Orchestra

Live Studio Session #1

LP | 2023 | UK | Original (Brixton)

LP | 2024 | US | Original (Dark Entries)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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A collaboration between two prestigious Italian bands, the wizards of dub and the masters of big-band ska-jazz, in perfect symbiosis. An album full of dub atmospheres mixed with orchestral patterns; compelling rhythms of the ska and reggae traditions together with dilated and hypnotic electronic sounds. A recording fruit of a challenge and a celebration of music, something that is undoubtedly reflected in the spectacular outcome. 22 musicians locked in a large studio to rediscover the beauty of sharing after months away from the stage due to the pandemic, without even being able to rehearse. The decision to record a live album was instantaneous, it was just about enjoying the energy of the moment. All tracks were recorded strictly live in the studio, without overdubs, with the aim of apprehending something unrepeatable. The electronics, the melodies of the wind section and the vocal power come together in this work, recorded live at Deep Studio in Treviso (Italy) and mastered by Ibon Larruzea (Bilbao), full of dub atmospheres mixed with orchestral patterns. All this merges into a unique and explosive sound in which the strength of the big band meets the deep and hypnotic beats of dub music. WDD began their journey as a quartet in 2014 and prior to Studio Session #1 they had already released two albums and several singles. NESJO formed in 2012 and have previously released two albums (both available on Brixton Records) and are working on what will be the recording of their next full-length. Northeast Italy is a border area and it's easy to connect with each other in those territories made of enchanted landscapes. That energy, that desire to experiment and get involved, have made possible this ambitious project in which a ska-jazz orchestra and a dub band, each with its own language, are assembled in an amazing sonority.Classic black vinyl!

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Topographies

Interior Spring

Cameo Orange Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie, Pop

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Bay Area post-punk outfit Topographies deliver their sophomore LP, Interior Spring, via Dark Entries. Formed in 2018 in San Francisco by Justin Oronos, Jeremie Ruest, and Gray Tolhurst, Topographies link the icy riffs and gloomy atmosphere of early coldwave with the textural depth and warmth of classic shoegaze, emerging with a style that’s both contemporary and timeless. On Interior Spring, Topographies explore themes of guilt, inherited trauma, and recovery. The meaning of its title is triplicate: a submerged river carrying hope, an anxiously wound clock, and a season where wildflowers bloom on the graves of the past. While the work of Tolhurst’s father - Laurence Tolhurst from The Cure - provides a clear influence, Topographies expertly channel acts like Asylum Party or The Chameleons on anthemic pearls like “Night Sea” and “Chain of Days”. Tolhurst’s lyrics draw on his own experience in recovery from substance abuse to examine the cycle of use and hopelessness that characterizes addiction. Through these ten songs, the group hopes to present the idea that freedom is not an escape but an embrace of the quotidian beauty of human life.

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Marie Curry

LP | 2024 | EU | Original (Audiolith)

Release: 2024 / EU – Original

Genre: Hip Hop

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LP | 2023 | EU | Original (Island)

Ben Howard

Is It? Limited Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Baris Manco & Kurtalan Ekspres

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

LP | 2020 | EU | Original (WRWTFWW)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Somei Satoh

Emerald Tablet / Echoes

LP | 2020 | EU | Original (Irrsinn)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Records is feeling total bliss as it announces the full official reissue of two major works from the great Somei Satoh gathered into one LP: the mystic and meditative Emerald Tablet (1978) and Echoes (1981), sourced from original masters and available on vinyl with liner notes by passio-nate Japanese music connoisseur/collector/critic/dj Masaaki Hara.

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Goldroger

Diskman Antishock II

Release: 2020 / EU – Original

Genre: Hip Hop

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Forever Turned Around Forest Brown Vinyl Edition

Whitney

LP | 2019 | US | Original (Secretly Canadian)

Release: 2019 / US – Original

Genre: Rock & Indie

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Forever Turned Around came together over several sessions across the country. Though Julien Ehrlich is Whitney's lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. "The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, `What can we change to make it more interesting?'" says Kakacek. Challenging each other is the core of their songwriting partnership. It's these risks and experiments that make Forever Turned Around a triumph. Take opener "Giving Up," which started from a stream-ofconscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young's Live at Massey Hall 1971 in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, "Though we started losing touch / I've been hanging on because / You're the only one I love." He explains, "In a relationship, you don't stay at the same level at all times. You go through weeks where you're closed off."

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LP | 2025 | US | Original (Descarga)

Cachao Y Su Combo

Descargas Cubanas

Release: 2025 / US – Original

Genre: Organic Grooves

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LP | 2024 | Original (Legere)

Joel Sarakula

Soft Focus

Release: 2024 / Original

Genre: Pop

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LP | 2024 | US | Original (Bottles To Ground)

Meffs

What A Life

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Nuclear Blast)

Malevolence

Malicious Intent

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Original (World Of Echo)

UEVPD

A Tribute To The Black Emperors

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UEVPD - Usage/Efficiency/Variance/Platform/Domain - is the solo project of Dominic Goodman, a former member of Mosquitoes and currently one half of Komare.

The self-titled UEVPD debut LP, released on 22nd November via World of Echo, consists of eight sequentially numbered electro-acoustic tracks made over approximately five years, living recordings that have morphed in shape over time, each systematically stripped back to their elemental form before being deemed complete. From the outset, Goodman purposefully deployed a relatively limited array of equipment and adopted a determinedly minimalist approach to composition, a practice in restraint that privileges detail and nuance. Field recordings, made using a combination of dynamic, condenser, contact and electret microphones, geophones and hydrophones, were allied to a basic modular/analogue synth setup, allowing for little in the way of excess or indulgence.

The results are markedly defiant, displaying an expert exercise in control and restraint that lets in little light but plays a great service to space and time. This is patient, claustrophobic sound design that bears out the value in attentive listening, a meditation on the acceptance of passing time, change, growth, death and regeneration. As such, listeners might connect associative lines with the likes of Pan Sonic and Mika Vianio’s solo work, Emptyset and Civilistjavel (who’s Tomas Bodén shows up on mastering duties here), though this remains distinctively Goodman’s vision, a continuation of his interests shown in Mosquitoes and Komare that further pushes out into the murky unknown.

UEVPD is released digitally and on vinyl in an edition of 250, each in hand printed, die cut sleeves.

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Morbid / Mayhem

LP | 2024 | UK (Land Of The Rising Sun)

Who Let The Dogs Out Black Vinyl Edition

Release: 2024 / UK

Genre: Rock & Indie

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A split album between black metal and death metal pioneers Morbid and Mayhem.

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Lambrini Girls

LP | 2025 | EU | Original (City Slang)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Monopoly Child Star Searchers

This Year In Coconuts Volume 2

LP | 2024 | UK | Original (Pacific City Discs / Discrepant)

LP | 2024 | EU | Original (Pure Noise)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exquisitely compiled by Discrepant head honcho Gonçalo F. Cardoso from three tapes released earlier this year by the tireless mind-body of Spencer Clark through his own Pacific City Sound Visions, 'This Year In Coconuts Vol. 2' is another revelation into the deeply personal soundworld of this true voyager of both ancient, present and forthcoming times. Com-ing from a truly singular artist, capable of conveying multiple visions into a labyrinthine-esque mythology all of his own, these seven tracks feel as much part of their original setting as connected pieces from this never ending and puzzling netherworld.

Dedicated to the Temple of Isis in Pompei and opening sides A and B, the two tracks from 'Tempio d'Iside' set up a sce-nario not far from a dream version of the Temple itself, made from crystal clear synth-lines and levitating ambiences, like drifting into ancient memories from days to come. Making up about half of the compilation, the four tracks from 'Kowloon Spider Temple' drip into a feverish mosaic of Clark's by now trademarked cascading rhythms, unhinged alien-vocal sam-ples, phantasmic textures and sparkling synth harmonies projecting a catchy hypnotic oblivion filled with intrigue. The sole title track from 'From the Caves and Jungles of Apulia' tangentially reports back to some lower-fi recordings of the past, with its murkier sound inducing the feeling of willing confinement within such caves and jungles. A brilliant Year in Coconuts, indeed.

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Ben Quad

Ephemera

Release: 2024 / EU – Original

Genre: Rock & Indie

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As I Lay Dying

Through Storms Ahead

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Blueline)

V.A.

Christmas Hits

Release: 2022 / EU – Reissue

Genre: Organic Grooves, Christmas

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LP | 2024 | WW | Original (Nice Guys)

Marcoca

Homage To Delusion

Every Inch Of Earth Pulsates Clear Vinyl Edition

Release: 2024 / WW – Original

Genre: Rock & Indie

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Welcome to the delirious world of Marcoca with 'Homage to Delusion'. Known for their album 'Silent Struggles', whose success has crossed cultures and continents and now accumulates millions of streams on platforms, the band takes their next step with a new album so well thought-out that it could be summed up as a brilliant reunion of everything that was best done in the 70s. ‘All This time’ crystallizes Marcoca's identity : funk, rock and soul cuddle up under a sheet of surf rock.

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W. H. Lung

LP | 2024 | UK | Original (Melodic)

Release: 2024 / UK – Original

Genre: Rock & Indie

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North Sea Jazz Concert Series - 1981 1982 1988

Dizzy Gillespie

LP | 2024 | Original (Bertus)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Bank Nyc)

Terrestrial Paradise

Artificial Hell

New York City Salsa Coco Records Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Club music culture necessarily shifted gears in many ways during and after the course of the pandemic. Older participants found their way into other interests and younger participants took new reigns to orient spaces they felt good inside of. The agenda for the music, and the cultural industry surrounding it at large, took a more frivolous and “fun” turn. Clubs needed to recoup lost money, people needed more refreshing catharsis for their nightlife escape, and in some pockets scattered around the globe a newer and younger cadre of producers/promoters/DJ’s pulled optical cues from a scattering of “darker” influences to give an alternate aesthetic to the aforementioned “vibes” culture. In the midst of this, a large polarization of conceptual energy shifted within the compositional and utilitarian machinations of the club music culture leaving behind the brooding and cerebral placeholders for different kind of enjoyable hedonism. Terrestrial Paradise’ “Artificial Hell” harkens to another prescient time before that shift occurred. “Artificial Hell’ might just be an illustration of what all of this fun escapism encapsulates.

Terrestrial Paradise is the latest moniker from Montreal come Los Angeles based producer Jaclyn Kendal. Having developed and cemented her sonic positionality with releases on North American labels like Ascetic House and Summer isle over the years, as well as a series of monolithic live sets, Bank is pleased to announce Kendal’s Terrestrial Paradise first full length album “Artificial Hell”. Over the course of nine recordings, “Artificial Hell” gives a master class in pressurized industrial techno of the slower variety. Fitting with the legacy of Bank’s output since it’s inception, Terrestrial Paradise’s aesthetic sensibilities sit within the canon of a certain tinge of club music imbued with a sense of natural grit, sans pretense.

“Artificial Hell” nods to artists like Scorn, Regis, and 400 PPM while maintaining it’s own territory in the landscape of cerebral and brooding rhythmic techno. Ominous, mechanistic drones sit above succinctly exacted percussion composition and sound design. Throughout “Artificial Hell”, Kendal shows her proficiency with the push and pull of building and releasing tension. On tracks like “Salvation” and “Relativity” she melds her synth wash wallscapes with driving percussion, serving as both a hint and counterpoint to the the entirety of the latter part of the album taking on spartan ambient compositions as a way to keep the listener in a subdued stasis. This album is a statement piece from a long time participant in the North American underground music sectors. It reminds the listener through perilous, considered rhythms and darker drone impositions to cement themselves back into a place where not everything is always a good time.

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Orquesta Broadway

LP | 1978 | EU | Reissue (L.M.L.R.)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Lionel Hampton And His Orchestra

Lionel ... Plays Drums Vibes Piano Orange Vinyl Edition

LP | 1959 | EU | Reissue (L.M.L.R.)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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25th Birthday Party Clear Vinyl Edition

Gong

LP | 2024 | EU | Original (Voiceprint)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Hammerheart Rec.)

Acod

Versets Noirs

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK (Ugly Soda)

The Fall

Peel Sessions 1978-1980

LP | 2024 | EU (Estudio Estrano)

Release: 2024 / UK

Genre: Rock & Indie

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Peel Sessions from The Fall recorded between 1978 and 1980.

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Siouxsie & The Banshees

1977 To 78 Demos

Release: 2024 / EU

Genre: Rock & Indie

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LP | 2024 | Original (Circus Company)

The Mole

High Hopes

Release: 2024 / Original

Genre: Electronic & Dance

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High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

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Xandria

Universal Tales

Release: 2024 / EU – Original

Genre: Rock & Indie

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Desde Los Oídos De Un Sapo Green Vinyl Edtion

Lechuga Zafiro

LP | 2024 | UK | Original (Tratratrax)

LP | 2024 | Original (Energy Exchange)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Desde los oídos de un sapo We are very excited to announce a new chapter in our journey. Here we are blazing a new trail, making our way to document and leave a first-class record of sound design, Field Recording and cutting-edge electronic music made in South America. We present our first album, 'Desde los oídos de un sapo', by our favourite amphibian, a man ahead of his time, the Uruguayan Lechuga Zafiro. "How could I call it my sound if I had not found it myself?"___ States the artist, who finished forging his outstanding musical identity based on field recordings. Metal, wood, plastic, glass, rock, toads, birds, sea lions, pigs and water (in its various forms) captured in Uruguay, El Salvador, Chile, China, Argentina and Portugal, coexist and exchange harmonic and dynamic properties. By altering, editing, or simply letting the sounds manifest themselves, Lechuga generates a wide and complex rhythmic-timbral universe. These are 7 tracks that never cease to have consistency and a fierce character.

Lechuga's debut album is a milestone in Latin electronic music. This document opens a new territory, one so genuine and challenging, so real and fertile, that we are confident it will be a must-have anywhere on the planet. This collaboration is our new contribution to the mission of contemplation, so please stop, come to this frog's ear, to feel with both Pablo and us.

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Xpress Point

Been Remindin' Me

Too Cute Pink Colored Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.

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Beatfoøt

LP | 2024 | Original (Life And Death)

Release: 2024 / Original

Genre: Electronic & Dance

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In a world of division, BEÃTFÓØT’s delayed second album is as an invitation to unite at a utopian celebration of life. Originally scheduled for release in October 2023 but postponed due to the ongoing Israel/Palestine war, the intrinsically-political ‘TOO CUTE’ has taken on more prominence than the Tel Aviv duo of Udi Naor and Adi Bronicki could have imagined.
“It's more urgent than ever for us to share this now, even though the album has been ready for a while,” says producer Naor. “BEÃTFÓØT are against any war, and believe that people should talk and not use violence - never,” he adds vehemently. “We feel the pain of Palestinians and Israeli loss of life, and are devastated by it. We hope the war will be finished soon and that peace and prosperity will come soon for both sides.”
While both Naor and vocalist Bronicki have been active in protests, charity work and community efforts over the past year - explicitly against the current government in Israel - such values of peace, acceptance, coexistence, inclusiveness and anti-hate from all sides are further instilled in the songs that form ‘TOO CUTE’.
“We're really trying to highlight that there are people here working tirelessly for a brighter future for our ill kids and our neighbour’s kids,” adds Naor, who is also co-founder of techno duo Red Axes. Having had to flee the country with his family, it’s through music that Naor and Bronicki have found hope.
In light of such conflict, the multi-layered yet sonically-bonkers record also enables escapism, which is needed more now than ever. Following their self-titled 2021 debut (released on DJ Tennis’ label Life and Death), ‘TOO CUTE’ is a refreshingly-ridiculous dark-rave rollercoaster which careers between hard-dance, big-beat, post-punk, techno, hyperpop, country and everything in between.
Things blast off at breakneck speed with the chaotic title track’s hyperpop snares, instantly-catchy lyrics (which feel ominously striking considering the war) and a stadium-ready chorus that erupts into rolling breakbeats, punishing EDM and even a nod to The Bloodhound Gang’s ‘The Magic Touch’. Somehow, we’re just three minutes into the record.
The tongue-in-cheek ‘HEART OF LEAD (TAKE IT OFF)’ still bangs despite its silliness, like if Kero Kero Bonito got in the studio with will.i.am. Later, ‘LEO’S SONG (THE SOCIAL MEDIA GUY)’s wittily satirical one-liners - “I just wanna get high with AI” - come thick and fast amid a barrage of glitches and guitars. ‘SUKC MY DIKC !!!’, meanwhile, pairs flute with pulsing hardstyle beats.
While their first record’s experimental explosion captured the pure carnage and energy of the BEÃTFÓØT universe in a conceptual fashion (though remaining polished in its own way), album two is primed to connect with a bigger audience thanks to its pop melodies, structures and songwriting.

Much of ‘TOO CUTE’ was written while the duo toured Europe for the first time, with rough sketches of tracks created in the moment during their incendiary live shows, and then recorded in planes and cars.
If their first record was a case of testing the vibes, album two is more assured and confident within their sonic world. “In the first album, we stepped into the club, metaphorically, and started making eye contact with everyone to figure out the energy,” Bronicki says. “But, this time round, I already had an idea of the story that I wanted to tell to these random people.”
And what is that story? “Radical silliness, or radical fun – that’s the essence of BEÃTFÓØT,” Naor confirms. “What we really want to do is goof around and have fun, and that brings out something very profound and honest,” he explains. A sense of nostalgic freedom is also at the album’s core, thanks to the removal of adult predetermined social constructs that decide how people should behave or look. “There’s a very honest and positive energy in holding onto your childlike wonder and trying to explore that with others,” Bronicki suggests, adding that “the adult world can be so wrong and angering”.
She feels this relates to both the album’s lyrics and the artistic state of mind that the duo always work to: “the goal is to feed a really thought-out and profound idea, but through a playful spoon,” she says. With this in mind, the recurring theme of ‘TOO CUTE’ stems from the duo’s “radical and lived experience of existing in a place that holds a lot of guilt and fear – because death is so imminent and prevalent in a very confronting way”. This is clearly represented on ‘FOOTYLICIOU$’, on which Bronicki screams “someone’s gonna die tonight!” before emphatically shouting “NOT ME!”
The album title is BEÃTFÓØT’s response to that: “We want to be a celebration of life, and that applies to all lives, of all backgrounds, including animals… that’s our guiding light,” Bronicki says.
“We create in the context of living in a country where the current government’s anti-democratic measures are limiting who is included in the celebration of life. Because different people are always being pushed out and excluded: whether it’s queers, Palestinians or people from different religions.”
BEÃTFÓØT - who have found a home among the LGBTQIA+ community - are fighting back against oppression. “We want everybody to come to the party and celebrate life together,” says Naor, setting out his and Bronicki’s mission… “and our goal is to widen that party as wide as it can go.”

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Delain

Dance With The Devil

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (I Hate)

Sextrash

Funeral Serenade

Gosha Martynov & Natasha Sinyakova

Release: 2024 / EU – Original

Genre: Rock & Indie

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We are honoured to bring you the first official LP re-release of the 2nd album by the South American Deathrash pioneers SEXTRASH! Originally released in 1992. Among the most influential Brazilian artists, together with SARCOFAGO, HOLOCAUSTO, VULCANO and DORSAL ATLANTICA. Side A1.Intro / Funeral Serenade2.Dead Man Visions3.Bizarre4.Wind AssassinSide B5.Prohibited Angel6.Make Sex Not War7.Torment of a Suicide 8.Your Future

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Imena Rek

LP | 2024 | EU | Original (Growing Bin)

LP | 2024 | EU | Original (Futura Resistenza)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra

Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder

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Sarine

Asas Terrenas

Pain Cleanses Every Doubt Oxblood Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Mariano Melo, also known as Marian Sarine, is a Brazilian multi-instrumentalist based in Sao Paulo, specialising in percussion and drums. His latest album, Asas Terenas, is his first under this name and started with organ recordings made with Felipe Pato in late 2019 and was completed with additional instruments added in the years that followed. Asas Terenas features a mix of rhythmic improvisations built on modal scales, combining dynamic interplay between notes and percussion. Drawing inspiration from artists like Charanjit Singh, who merged traditional North-Indian ragas with electronic music, and African organists like Hailu Mergia, it combines old and new sounds, merging spiritual elements with energetic rhythms. As Sarine himself says, Asas Terenas is a sonic mixture that moves the feet and lifts the soul, creating an experience that is both pristine in sound and transcendental on the dancefloor.

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Ultha

LP | 2015 | EU | Reissue (Vendetta)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Third Man)

The Belair Lip Bombs

Lush Life

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Avant!)

Plastic Estate

Code D'Amour

Louis And The Dukes Of Dixieland (Audio Fidelity) Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.

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Louis Armstrong

LP | 2024 | EU | Original (L.M.L.R.)

Release: 2024 / EU – Original

Genre: Organic Grooves

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John Hammond & The Nighthawks

Hot Tracks Red Vinyl Edition

LP | 2024 | EU | Original (L.M.L.R.)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Bank Nyc)

Collector

No Prospects

Summoning Black Gods Gold Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Bank NYC is very excited to present the definitive statement of Collector, "No Prospects". Collector is the solo guise of Jason Campbell, resident of Newcastle, Australia. Since 2014, Campbell has been channelling the industrial malaise of his hometown through his unique take on heavy electronics. After a series of releases on global-spanning labels such Steel City Dance Discs (uk), Nice Music (aus), Clan Destine (sco) & Night People (us), the debut long-player for Bank NYC finds Collector embracing true album form for the first time in his discography. Across eight pieces, Collector delivers a bleak sonic narrative via a hardware-only approach to production: Analog drum machine patterns are intricately intertwined with menacing synth lines, and driving bass is met with the unrelenting clatter of tightly-sequenced field recordings taken straight from the heart of local industry.

Thematically, "No Prospects" navigates the downfall of Newcastle's BHP Steelworks at the end of the 20th century. Acknowledged widely as the largest de-industrialisation event in Australian history, the closure of the Steelworks in 1999 marked a dramatic cultural shift where blue-collar vocations were vanquished due to an economic slump, and were consumed by the trending cosmopolitanism seen in adjacent cities. "No Prospects" draws on Campbell's family lineage in the Newcastle's steelworks, providing a rich, personal context to an industry that both gives and takes away. The sharp intensity of the album is sustained by dramatic shifts in pace: the devestating slow burners of 'Two From Five' and 'Ricochet' are instinctually offset by the frenetic 'cft' and 'Workers Club Collapse', which showcase Campbell's no-nonsense approach to shaping an almost club-ready breed of modern industrial techno. Although diverse across both sides, cohesion is found in Campbell's toolkit of samples that are unmistakably Collector. The album's eponymous track, 'No Prospects', serves as an introspective centrepoint - a largely arrhythmic excursion shrouded in familiar brooding, textural drones, and underpinned by the chug of machinery on the brink of collapse.

Although forever indebted to the spirit of local electronic outcasts, Bloody Fist Records, Collector's "No Prospects" is a remarkably distinct statement straight from the heart of Australia's Steel City. The complexity of arrangements speak to Campbell's long association in experimental music communities, whilst the persistent feeling of dread conveys a uniquely regional story of decay and futility. Pure Novocastrian industrial electronics.

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Chapel Of Disease

LP | 2012 | UK | Reissue (Van)

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Slumberland)

Lunchbox

Evolver

Release: 2024 / US – Original

Genre: Rock & Indie

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Nina Girassóis Meets Paulera

Superfluido

LP | 2024 | UK | Original (Dubquake)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Nina Girassóis's first album Superfluido, following her breakout hit "Heavyweight Sound," explores Brazilian life and culture with minimal, soulful sounds. The tracks are lo-fi recordings from São Paulo’s Rocky Studio, capturing the spirit of Brazilian street life.

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LP | 2010 | US | Reissue (True Panther)

Girls

Broken Dreams Club

Release: 2010 / US – Reissue

Genre: Rock & Indie

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OST Night Of The Living Dead

Morricone Youth

LP | 2016 | US | Reissue (Country Club)

Nitai Hershkovits & Daniel Dor

Release: 2016 / US – Reissue

Genre: Soundtracks

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Preorder shipping from 2024-11-29

Night of the Living Dead LP (5th pressing on “Romero film poster” blue/black swirl 150g vinyl. The band’s long out-of-print 2016 live re-score of George Romero’s 1968 zombie classic Night of the Living Dead performed in movie theatres, art museums, rock clubs and DIY venues all over the world.

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The Garden Suite

LP | 2024 | Original (Circus Company)

Release: 2024 / Original

Genre: Electronic & Dance

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Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.
“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.
Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his fiveyear tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.
Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.
With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating.

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LP | 2025 | US | Original (Supperclub)

Billie Poole

Confessin The Blues

Release: 2025 / US – Original

Genre: Organic Grooves

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LP | 2025 | US | Original (20th Century Jazz Masters)

Duke Ellington

Piano In The Foreground

Release: 2025 / US – Original

Genre: Organic Grooves

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LP | 2025 | EU | Original (Quindi)

Exposé

Etc

LP | 2024 | EU | Original (Born Bad)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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In a continued disruption to the airwaves following releases from Bondo and Monde UFO, Quindi returns to the Californian noise rock scene-not-scene to dig on the gnarled riffs of Expose. On their new release, the LA outfit double-down on a unique blend of bloated guitar fuzz and grimy analogue synths, and come out with a curiously cosmic kind of kick-ass.
If there was a dreamy, sun-bleached quality to Bondo and Monde UFO, their label mates Expose sound more wrought from sweat-drenched jam sessions under halogen strip lights in grease-stained garages. But the guttural quality of their blown-out guitar tone is matched for vibrancy by the dexterity of their playing, bringing angular free jazz to post hardcore and sludge rock, capped off with the unearthly sonic possibilities of flamboyant synthesis.
This dual-layered wall of sound lends extra weight to the likes of shit-kicking 'Speed Dial', which thunders like a kosmische juggernaut with amped up leads and a dead-eyed vocal condensed into a visceral minute, all with enough time for a dramatic breakdown, synth eruption and a final thrust. Similarly scooped out of the trash compactor, 'Description' rides for longer with one foot pressed firmly on the fuzz pedal, letting the electronics squeal around the punked-up rush of the guitars.
But Expose are not a one-dimensional band constantly thrashing it out. By contrast, 'The Constant' hits a crushing emotional note in its more structured push and pull between delicacy and heaviness, hitting bittersweet notes along the way throughout the peaks and troughs of the arrangement. 'Self Terror' washes languid, discordant guitar strum into swirling FX accompanied by sax from Monde UFO's Ray Monde.
Smart as a whip, sharp as a tack and boiling over with an untameable urgency, Expose make their presence felt in brilliant, bruising form on this particularly fierce addition to the Quindi catalogue.

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Bryan's Magic Tears

Smoke & Mirrors

LP | 2024 | EU | Original (Weserlabel)

Release: 2024 / EU – Original

Genre: Rock & Indie

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French Bryan's Magic Tears are now shoegaze/baggy at it's best!Summer of love: they weren't around for the first, they've studied the second, and they're planning the next. Bryan's Magic Tears release their next album, Smoke and Mirrors, on Born Bad. Still a thing on previous records, 4AM and Vacuum Sealed, their garage/ noise legacy fades away, not denied though. This confusing specimen will rave about fashionable shoegaze oldies...

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The Busters

Live & Loud

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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David Rodriguez & The Rhythm Chiefs

Rise And Shine

LP | 2024 | NL | Original (Continental Song City)

Release: 2024 / NL – Original

Genre: Rock & Indie

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LP | 2024 | Original (Not Ok)

Jeano Elong

Jabea

Release: 2024 / Original

Genre: Organic Grooves

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Rythmetic: The Compositions of Norman McLaren

Norman McLaren

LP | 2024 | US | Original (We Are Busy Bodies)

LP | 2024 | EU | Original (Bitte Freimachen)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.

Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic soundtracks McLaren created for his own films employ astonishing foresight and a characteristically precise methodology. They also crystallise boundless creativity, wit and whimsy, and illuminative brilliance into a unique insight to his remarkable mind, with or without visual accompaniment.

Rythmetic: The Compositions of Norman McLaren marks the first time his soundtracks have been released on record, carefully curated from his most important film works, hours of archival tapes, and multiple versions of the same key compositions. It represents an essential overview of McLaren as a composer, in neat dovetail with McLaren the filmmaker. Both are crucial figures in the respective developments of their fields, opening doors to a future that might not have existed without McLaren.

As an animator, McLaren was renowned for utilising or inventing techniques at their very vanguard and shaping to his needs the rudimentary technology of the era. Many of these techniques and technological adaptations, developed at the National Film Board of Canada over the 1940’s and 50’s, would eventually become adopted into standard practice for animation. He also blazed new trails for soundtrack composition: having heard the glue of spliced film reel produce sound as it passed through his equipment, he began meticulously applying his own cuts and notches to the tape and measuring the frequency values of the tones these striations would emit. Over years of refinement, he created a series of cards to correspond to eight octaves of musical notes, frequency by frequency, and to recruit these cards to compose his soundtracks. It was a way to maintain total creative control and freedom over his own work - every single frame would be processed “the McLaren way”.

“He could have used a synthesiser,” writes long-term assistant, friend, and filmmaker of McLaren documentaries Don McWilliams, also at the National Film Board, “but he had his own method and he stuck with it.” John Cage was an ardent fan, inviting McLaren to his infamous downtown NYC socials and once even writing to McLaren to beg a recommendation for his recruitment at the National Film Board.

Unsurprisingly, McLaren was musically capable and aware throughout his career. He was an inquisitive listener, often drawn to rhythmic expression found outside western music, and he collected records for both reference and enjoyment. West African and Chinese music were particular pleasures, as well as the gypsy jigs that in his youth had informed his own practice as a violin player.

The opening piece to this compilation, “Now Is The Time”, is crafted from trilling, birdsong arpeggiations of dulcet high frequency tones that chatter and warble in scattered dialogue. Accompanying the clouds, multiple suns, and dancing figures of the film, the soundtrack is alive with joy and wonderment. Next, “Rythmetic”, soundtracking McLaren’s famed numeric sequence visualisation, pitters and patters with the types of glitching rhythms so coveted by contemporary electronic music almost a century later. Even from these first pieces alone, it is readily apparent that McLaren could not have achieved the effect he desired with scored instrumentation. The “McLaren way”, so crucial to his process, is as much foundational to his soundtracks as it is to the films themselves.

Despite his acclaim and recognition within the world of film and animation - he won an Oscar, a Palme d’Or, is a favourite of George Lucas’, and is recorded in UNESCO’s cultural heritage archives (none of which interested him) - Norman McLaren is not a Walt Disney, Tex Avery, Chuck Jones, or an Ub Iwerks. His work is unflinchingly outré. Seeking out experimental, innovative, and unconventional modes of storytelling, his creative expression went even deeper than pioneering methodology and a prolific output, becoming part of the man himself as his working hours in the studio became longer and longer as his career blossomed. Even his straightest films are decidedly odd at their core, revealing not only a playful and joyously childlike sense of humour, but also the perpetual pursuit of perfection that fuelled his filmmaking throughout his life.

A gay man, McLaren also resisted the normative social structures of the day in his personal life, acutely aware of the legal implications of his relationship with lifelong partner and fellow NFB director Guy Glover. He also remains revered as the most generous and trusting of teachers, bringing under his wing young or inexperienced filmmakers in whom he saw passion and promise. His second protegee George Dunning, who went on to produce Yellow Submarine for the Beatles, had only recently graduated when McLaren brought him to work in the NFB studios.

Towards the end of McLaren’s career, McWilliams asked him how he perceived his own legacy; how Norman McLaren would be remembered in a hundred years’ time. “A filmmaker who made some interesting films,” was his reply. Modest, funny, wise, and yet knowingly sly. An answer most McLaren.

William Norman McLaren was born 11th April 1914 in Stirling, Scotland. He died January 27th 1987 in Hudson, Canada.

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Fritzi Ernst

Jo-Jo

Release: 2024 / EU – Original

Genre: Pop

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Bis Ans Ende Der Schaebigkeit

Tauben

LP | 2024 | EU | Original (Major Label)

Release: 2024 / EU – Original

Genre: Rock & Indie

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October Red Vinyl Edition

Claire Hamill

LP | 1973 | UK | Reissue (Renaissance)

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (We Are Busy Bodies)

Rich Aucoin

Synthetic: Season 3

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Marionette)

Belfi & Reidy

Dessus Oben Alto Up

LP | 2024 | EU | Original (Hammerheart Rec.)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much in common, bringing together compositional precision and electroacoustic rigour with improvisation freedom, the immediate gratifications of rhythmic pulse, and an overtly lyrical sensibility. Working together during a residency at the sound studio of Berlin’s Callie’s, an arts institution housed in a 19th century machine factory, the pair (with Marco Anulli manning the desk) have conjured up four expansive pieces where the beautifully recorded percussive clarity of Belfi’s drums threads through a sparkling haze of guitars and electronics.

Opener ‘dessus’ begins with Reidy’s distinctive just-intoned guitar figures, shimmering over a delicate substratum of Befli’s brushwork and bass drum accents. As in all of Reidy’s recent work, the guitar is twisted out of cliché by the unfamiliar tuning and electronic processing. Hanging almost inaudibly in the background for much of the piece, a rush of synthetic tones surges into the foreground to end it. ‘oben’ is built from kinetic patterns of picked guitar arpeggios, locking into irregular grooves with Belfi’s drums, which move from elegant rolls and cymbal patter to driving closed hi-hats and explosive rock interjections. Around the traditional instruments and across the stereo field, electronic sounds swarm and swirl, fizzing and popping in a sun-drenched soundscape that at points suggests both vintage analogue synth destruction and glitching harmonies. ‘alto’ begins in similar territory but turned up a notch, eventually settling into a propulsive 6/8 groove of shifting drum accents, manically strummed 12 string acoustic, and burbling synth chords.

The B side is dedicated to the fifteen-minute ‘up’, where the strategies adopted on the other pieces are put in the service of a more relaxed, slowly unfolding epic. Anchored by a steady pulse throughout, the piece combines chiming guitars, dubbed-out bass lines and constantly adjusted percussive details into a complex flux of sound. Change is at once so subtle and so ever-present that, at any given moment, the listener can never be entirely sure quite how they got there.

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Konkhra

Sad Plight Of Lucifer

Release: 2024 / EU – Original

Genre: Rock & Indie

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Side Fx Cyan Blue Vinyl Edition

Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

LP | 2011 | EU | Reissue (Nowadays)

Release: 1994 / EU – Original

Genre: Rock & Indie

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Brand new reissue of the Nightstalker legendary debut album Side FX in new coloured vinyls !! Nightstalker’s debut album, recorded in 1993 and released in 1994, captures the raw, rebellious energy of the era, blending gritty, Motörhead-inspired heaviness with infectious grooves. Emerging from Greece during the height of grunge and alternative music, the band delivers a sound that’s unapologetically rough and driven by a heavy, rhythmic pulse. Their music channeled the raw power of ‘90s rock while Nightstalker carved out their own space with their hypnotic riffs, groovy basslines, and a dark, rebellious spirit. A bold first step, this album sets the tone for Nightstalker’s journey.

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La Fine Equipe

La Boulangerie Ii

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Reissue (Nowadays)

La Fine Equipe

La Boulangerie

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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Subway To Sally

Post Mortem

Release: 2024 / EU – Original

Genre: Rock & Indie

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Love Is A Flame In The Dark

Karl D'Silva

LP | 2024 | Original (Night School)

LP | 2024 | Original (Challenge)

Release: 2024 / Original

Genre: Rock & Indie

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Love Is A Flame In The Dark is the debut album by experimental songwriter Karl D’Silva. A raw labour of love, a towering
spire of twisted steel, tenderness and becoming, it’s a body of songs that belies the virtuoso talents of an artist whose
reputation has been built on collaborating with various avant garde underground luminaries. Self-recorded at home in
Rotherham and pulsing with the conviction of a true believer, these songs burst out of their self-consciousness to meet life
head on, bristling with energy, 10 glimpses of the human spirit in the darkness.
Recorded throughout 2021 - 2023 and mixed in Leeds with engineer Ross Halden, D’Silva has constructed a Pop language for
himself. Mutated songs that owe a small debt to the post-Industrial music of Cabaret Voltaire, Nine Inch Nails and Coil,
they’re nonetheless powered by a vigorous tenderness, earnestness and D’Silva’s knack for melody. Each song is meticulously
sound-designed, using synthesised sounds created from scratch married with D’Silva’s virtuoso playing on saxophone and
guitar. The songs on Love Is A Flame In The Dark are unabashed, earnest love letters to living, requiems for a world fading away
and small gestures of solidarity in the face of entropy.
Until now, D’Silva’s fingerprints could be found on live dates with Thurston Moore, Oren Ambarchi, Hardcore pioneers Siege
and Rian Treanor as well as recordings by previous groups Trumpets Of Death and Drunk In Hell. Primarily associated with
the alto saxophone in his improvisation work, Love Is A Flame In The Dark features a dizzying array of instrumentation, all
played by D’Silva. D’Silva’s current membership of the group Vanishing may be a good touchstone for the dense, sonically
thrilling world-building on the album but the most striking instrument, perhaps, is D’Silva’s voice. With a soulful, rasping timbre
resulting from prolonged intubation as a new-born, his vocal is both fearless and tender. On the soaring, electronic body mover
Wild Kiss, thundering percussion is in service to Karl’s voice full of desire, arching up into a flayed falsetto. It’s a trick repeated
on Flowers Start To Cry, where it’s deployed against the backdrop of layers of ripping alto and thudding drum programming
that recall Nine Inch Nails’ visceral production, if they were covering a Prince hit. These songs capture the essence of 2024’s
Karl D’Silva music; pure physicality breaking down to reveal a shining, compassionate vulnerability.
The full breadth of Karl D’Silva’s instrumental prowess is in evidence from the off. On The Outside imagines blooming out of
personal apocalypse with a soundscape of synth, saxophone worthy of any late 60s Free Jazz blower and crushing sound
design. Entropy is planet-sized synth pop, Nowhere Left To Run uses midi-string orchestration to tell a story of light emerging
from the dark. It’s a theme picked up throughout the album: The Butcher is a political parable, the narrator holding power to
account with grotesque, brutal imagery. It’s on a track like Real Life that the true message emerges, however. D’Silva is peering
through the layers of artifice, struggle and the fog of daily living to find a life full of energy, connection and light. Each song here
is a route into this light, out of the darkness.

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Maik Krahl

The Magic Of Consistency

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Futuresfuture / Seayou)

Harry Dean Lewis

Three Sides To A Coin

Release: 2024 / EU – Original

Genre: Rock & Indie

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They Kept Our Photographs

Snakeskin

LP | 2024 | EU | Original (Mais Um)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Rizdvo Black Vinyl Edition

Leleka

LP | 2024 | EU | Original (GLM Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Materia Best Of 2011 - 2024

Miracle Of Sound

Release: 2024 / EU – Original

Genre: Rock & Indie

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Complete Session November 1981 Transculent Orange Vinyl Edition

Artificial Peace

LP | 2010 | US | Reissue (Dischord)

Yes Angel Ecomix Vinyl Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

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Jacob Diamond

LP | 2024 | UK | Original (Dalliance)

LP | 2024 | EU | Original (Xjazz! Music)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Shortly after Jacob Diamond unassumingly self-released his first record, he found himself touring the world - first with art-pop outfit Methyl Ethel, then with singer-songwriter Stella Donnelly. Upon returning, the sharp, avant-pop songwriter moved from Perth, where he had started out at open mics on school nights, to Melbourne where he found a burgeoning scene of like-minded artists to collaborate and build confidence with. He would go on to join Camp Cope, Julia Jacklin, Courtney Barnett, Phoebe Go and Angie McMahonon stages around the country.

Now signed to Dalliance Recordings (Francis of Delirium, Gia Margaret, Highschool, lilo),Jacob is re-leasing his stunning new album Yes Angel this August. With contributions from Julia Jacklin and Stella Mozgawa (Warpaint), he’s refined his expression into nine remarkable songs through three years of painstaking assembly.

A study in space, each song on Yes Angel is also a setting. Themes of self-love and discovery settle like dust over simple, beautiful performances. Of the album, Jacob says, “I set out to make something confident, intimate, beautiful and alive. I wasn’t confident I could do what I set out to do, so Yes Angel will always be meaningful to me because I did it. Making it taught me to trust my instincts. Recording the album’s most challenging song ‘icuicry’ with producer and Fremantle icon Brod Madden-Scott epitomised this change in me: the song meanders and has a poem in the middle (or a ‘Ted Talk’, as Brod called it) so it needed a delicate touch, but I did what I have the tendency to do and went big. It had a big finish that was almost insecure - as if the song wasn’t enough without a show-stopping finale. But after version 38 or whatever, Brod sent through a mix with a note attached: ‘I just stripped it all back’. It was perfect. Nothing fussy. I immediately knew it was right because I trusted the relief and joy I felt. The song was enough exactly as it was and, as its author, I too was enough. This trust guided the rest of the process.

”Reminiscent of Arthur Russell and Vini Reilly, Jacob’s singular voice and sparse guitar stylings give ache, shape and atmosphere to his songs, allowing tinges of synth and drum machine to push through like flecks of light at their edges. Yes Angel excitingly feels both intimate and alien, perhaps due to being recorded as close to home as Fremantle and as faraway as Joshua Tree. Either way, it stands as a testament to the value of continuing to search for your own voice. Featuring singles ‘New Museum’, ‘Bay of Fleas’ and ‘That Meant The World To Me’, Yes Angel is a revelation. When you allow this music to take you with it, it settles into the heart.

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Pokaz Trio

Voices

Release: 2024 / EU – Original

Genre: Organic Grooves

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In Town Black Vinyl Edition

The Rockin' Berries

LP | 2024 | EU | Original (Beat Goes On)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | EU | Original (Wicked Cool)

The Chesterfield Kings

We're Still All The Same

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Frogs Head Llc)

Atlas Genius

End Of The Tunnel

Release: 2024 / Original

Genre: Pop

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Hotel Bleu Solid Orange Vinyl Edition

Broadside

LP | 2023 | UK | Original (SharpTone)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Echo Minott Meets Dub Shepherds

Mango Tree Showcase

LP | 2024 | UK | Original (Bat)

Long Live The Rot Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Dub Shepherds met Echo Minott in 2016 through the Dub Master Clash project, a dub evening concept that saw several dub producers “battle it out”. A solid friendship was born between the Jamaican and the young Clermont-Ferrand producers.

From these reverb and echo clashes came a 12” maxi, ‘This World is inna Mess’, etching in wax the first collaboration between Dub Shepherds and Echo Minott.

In 2023, Dr Charty and I Fi travel to Jamaica with a bag full of riddims produced at the Bat Records studio, and are greeted on the spot by Echo Minott. Get the picture? We’ll spare you the photos of the trip here, and just select the fruit of this musical journey : five tracks and five dubs between roots and 80’s rub a dub that make up the Mango Tree showcase. Enjoy Music Lovers!

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Rotpit

LP | 2024 | EU | Original (War Anthem)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Forthcoming Age Of The Reaper

Total Hate

LP | 2024 | EU | Original (War Anthem)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sutro Park)

Troy Head

Treat Her Right