All Items CD 5700 Items

Release: 2002 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2011 | NO | Original (Miasmah)

Juv

S/T

2CD | 2021 | EU | Original (Mute)

Release: 2011 / NO – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

tiny wear

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Erasure

The Neon Remixed

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2CD | 2023 | BE | Original (Matière Mémoire)

Charlemagne Palestine

God Bear Archives 1

Release: 2023 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Far Away Trains Passing By

Ulrich Schnauss

2CD | 2020 | EU | Reissue (Scripted Realities)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2006 | EU | Reissue (FatCat)

Sigur Ros

Svefn-g-englar

11,99 €*

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

cardboard slipcase with insert

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3CD | 2022 | EU | Reissue (Polydor)

Wish

25,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

3CD and booklet in digipak

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Mixed Up + Extras: Remixes 1982-1990 + Torn Down

| 2018 | EU | Reissue (Polydor)

David Liebman / Richard Beirach

Release: 2018 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

8 panel digipak with 3CDs and booklet

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Empathy (Five Improvised Soundscapes 2016-2020)

| 2021 | DE | Original (Jazzline)

30,99 €*

CD | 2003 | UK | Original (D.C.)

Release: 2021 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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The Octagon Man

Magneton

CD | 1997 | UK | Original (Soundboy Entertainment)

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

digipak

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Ballistic Brothers

Rude System

5,99 €*

CD | 2022 | FR | Original (SouffleContinu Records)

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

cardboard sleeve

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Emmanuelle Parrenin

Pérélandra

11,99 €*

Everything Without All Inclusive

Release: 2022 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

digipak. tiny wear

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Schlammpeitziger

CD | 2003 | DE | Original (Sonig)

CD | 2015 | DE | Original (Denovali)

Release: 2003 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

digipack

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Moon Zero

6,99 €*

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2008 | UK | Original (Leaf)

Murcof

The Versailles Sessions

6,99 €*

Release: 2008 / UK – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

2CD | 2021 | EU | Reissue (Craft)

R.E.M.

New Adventures In Hi-Fi

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2CD with booklet and insert in box. Tiny wear.

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2CD | 1981 | EU | Reissue (Fiction)

Faith

CD | 2007 | NO | Original (Miasmah)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2CD in jewel case with booklet.

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Elegi

Sistereis

Release: 2007 / NO – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

David First, The Western Enisphere

The Consummation of Right and Wrong

3CD | 2020 | US | Original (Important)

3CD | 2021 | EU | Reissue (XL)

Release: 2020 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

3CD and booklet in box.

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Radiohead

Kid A Mnesia

CDr | 2014 | JP | Original (Not On Label)

Release: 2021 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

3CD and booklet in cardboard sleeve.

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Hiramatsu Toshiyuki

Flag

2CD | 2009 | UK | Reissue (Rhino)

Release: 2014 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

In thin cardboard slipcase.

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New Order

Power, Corruption & Lies

37,99 €*

To Magnetize Money And Catch A Roving Eye

Release: 2009 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2CD in digipak with 2 booklets

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Jim O'Rourke

| 2019 | FR | Original (Sonoris)

28,99 €*

Release: 2019 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2023 | EU | Original (Dead Oceans)

Slowdive

Everything Is Alive

13,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

in cardboardsleeve

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2CD | 2006 | EU | Reissue (Fiction)

The Top

CD | 2022 | FR | Reissue (SouffleContinu Records)

Release: 2006 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2CD in double digipak with booklet.

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Emmanuelle Parrenin

Maison Rose

4CD | 2019 | UK | Reissue (Reel To Reel Music Company)

Release: 2022 / FR – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Hampton Hawes

Seven Classic Albums

3CD | 2015 | EU | Original (Brainfeeder)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

4CD in digipak.

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Kamasi Washington

The Epic

7CD | 2013 | UK | Reissue (All Saints)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

3CD in a 8-panel digipak with booklet. Slight wear.

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Harold Budd

Budd Box

156,99 €*

5CD | 2011 | EU | Reissue (Columbia)

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7 CD in box with 76 page booklet. Box has small tear.

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Weather Report

Original Album Classics

Faith Coloccia & Philip Jeck

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

5 CD in cardboard box.

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Stardust

CD | 2021 | UK | Original (Touch)

Album | 1980 | DK | Original (CBS)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition of 500 copies. In a DVD sized digipack.

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Rugsted/Kreutzfeldt

Rugsted Kreutzfeldt 2

4,99 €*

Release: 1980 / DK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Intermission Feat. Lori Glori

Give Peace A Chance

CD | 1994 | DE | Original (Blow Up)

3,99 €*

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

CD | 2001 | US | Reissue (Rhymesayers)

Aesop Rock

Daylight

Release: 2001 / US – Reissue

Genre: Hip Hop

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CD | 2018 | EU | Original (JWS)

Ty Dolla $Ign& DJ Smoke

Dolla Bill

Release: 2018 / EU – Original

Genre: Hip Hop

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CD | 2024 | EU | Original (Efficient Space)

V.A.

Someone Like Me

12" | NL | Original (Fresh Fruit)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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V.A.

Fresh Fruit Classics

Release: NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Greatest Hits With A Twist

DMX

2CD | 2023 | Original (X-Ray)

Release: 2023 / Original

Genre: Hip Hop

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Rock It Don't Stop It - Compiled By Sean P

V.A.

CD | 2023 | EU | Original (BBE Music)

13,99 €*

Release: 2023 / EU – Original

Genre: Hip Hop

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CD | 2023 | Original (Cash Motto Limited)

Chip

League Of My Own Ii

Release: 2023 / Original

Genre: Hip Hop

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Niels Lyhne Løkkegaard & Quatuor Bozzini

Colliding Bubbles

CD | 2024 | US | Original (Important)

Stephen Ruppenthal And Gary R. Weisberg

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Colliding Bubbles« is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and string instruments and partly in relation to a more performative or conceptual bubble where instruments representing different systems, or bubbles, will collide; the very celebrated instruments within the classical string quartet and the perhaps more prosaic harmonica.

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Strange Times

CD | 2024 | US | Original (Important)

CD | 2024 | Original (Epic International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Strange Times« is a virtuosic realization of contemporary electroacoustic soundscapes composed and performed by Stephen Ruppenthal and Gary R. Weisberg. With masterful employment of electro-acoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience. »Strange Times« explores the ability of sound to alter consciousness, creating sonic environments, mental and physical states where one can allow the experience of listening to become transformative.

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21 Savage

American Dream

20,99 €*

Release: 2024 / Original

Genre: Hip Hop

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CD | 2024 | UK | Original (Dadaphonic)

Cranes

Fuse

15,19 €* 18,99 € -20%

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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As You Sow So Shall You Reap Metal Case Edition

Recognize Ali

CD | 2024 | US | Original (Greenfield Music)

32,99 €*

LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / US – Original

Genre: Hip Hop

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Comes in a meta case…limited to 20 copies

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Dagar Brothers

Berlin 1964 - Live

CD | 1995 | UK | Reissue (The Vinyl Spot)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day. Famed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside Bt114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964. Accompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.

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Mista Boss Mann

Pimp Or Die

Release: 1995 / UK – Reissue

Genre: Hip Hop

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CD | 2024 | US (Kitten Robot)

T.S.O.L.

A-Side Graffiti

Flo Crew (For Lovers Only)

Release: 2024 / US

Genre: Rock & Indie

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True Sounds of Liberty date back to 1978 and the birth of punk rock/hardcore in Los Angeles. Playing with the fury of their hardcore contemporaries but with a goth/death rock image and poppier melodies, T.S.O.L. quickly set themselves apart from the pack and made it a mission to continually explore new sounds and styles. On this, their 12th long-player, the band has combined a handful of recent singles alongside all-new recordings helmed by Paul Roessler at Kitten Robot Studio. Fronted by singer Jack Grisham alongside guitarist Ron Emory and bassist Mike Roche (all from the band’s first line-up), they are joined by longtime keyboardist Greg Kuehn and Antonio Hernandez on drums. New punk anthems such as “Low-Low-Low,” “Never Go Home” and “The Way You Groove” are paired with covers of “The Rhythm of Cruelty” (Magazine), “1 Thing” (Amerie), “Sweet Transvestite” (yes, that one, featuring Circle Jerk Keith Morris as Brad) and a reasonably straight-forward reading of “What a Wonderful World.” Punk Rock means giving the high sign to the rules, and this is most definitely punk rock.

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Rockin' Minds And Breakin' Hearts

CD | 2008 | US | Original (Beautiful Granville)

Release: 2008 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2013 | EU | Original (Archives Intérieures)

Yves De Mey

Frisson

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2024 | US | Original (Interscope)

Tierra Whack

World Wide Whack

20,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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CD | 2016 | Original (Hustle)

Lil' Keke

Self Made

Release: 2016 / Original

Genre: Hip Hop

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CD | 1975 | UK | Reissue (Mr Bongo)

Lonnie Smith

Afro-Desia

CD | 2017 | EU | Original (JWS)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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The second in our Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue. This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as we proudly present a reissue of his cosmic jazz-funk journey, ‘Afro-Desia’.

Originally released in 1975, this much-loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson’s quartet in the ‘60s, that not so discreet veil appears to have been lifted on who this ‘friend’ might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn’t stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over fluttering jazz percussion and off-kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith’s organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure ‘70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz flavour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full-frontal horn and organ lines providing a fiery party punch. It’s a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the ‘90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.

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50 Cent & DJ Smoke

The General Mixtape

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2024 | EU | Original (Parlophone Label Group)

Pet Shop Boys

Nonetheless

15,74 €* 20,99 € -25%

Release: 2024 / EU – Original

Genre: Pop

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CD | 2007 | DE | Original (Get Physical Music)

Château Flight

Body Language Five

6,99 €*

Release: 2007 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2024 | US | Original (Sound Signature)

Specter

Brutus

From The Coming To The Big Bang Mixtape

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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Busta Rhymes & DJ Smoke

CD | 2017 | EU | Original (JWS)

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2017 | EU | Original (JWS)

Snoop Dogg & DJ Smoke

Doggyland

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2016 | EU | Original (JWS)

2 Chainz & DJ Smoke

Trap Advisor

Release: 2016 / EU – Original

Genre: Hip Hop

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CD | 2024 | Original (Think Zik!)

Faada Freddy

Golden Cages

Musik Ist Keine Lösung Premium 2 Edition

Release: 2024 / Original

Genre: Pop

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Preorder shipping from 2024-11-08

Senegalese singer Faada Freddy releases a new album entitled "Golden Cages" after a seven-year hiatus. With an organic approach, he uses mainly his voice, hand-clapping and body percussion. The album features original tracks that reflect his critical yet benevolent thinking, tackling themes such as the standardization of thought, lack of reflection and dehumanization in today's society. Faada Freddy defends the idea of freedom, combining conscience and emotion, reflection and wonder. The album also celebrates the singer's African roots and expresses his attachment to his country and continent. "Golden Cages" is an ode to freedom and harmony, a vibrant love song for overcoming divisions.

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Alligatoah

CD | 2015 | DE | Original (Trailerpark)

Release: 2015 / DE – Original

Genre: Hip Hop

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Shamir

Ratchet

CD | 2015 | Reissue (XL)

13,99 €*

Release: 2015 / Reissue

Genre: Hip Hop

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Don't Take It Personal Standard

Dizzee Rascal

CD | 2024 | UK | Original (Big Dirte3)

Release: 2024 / UK – Original

Genre: Hip Hop

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CD | 2024 | EU | Original (Because Music)

Justice

Hyperdrama

CD | 2024 | EU | Original (Ideal)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Das mit einem Grammy und mehrfach mit Platin ausgezeichnete Duo Justice, bestehend aus Gaspard Augé und Xavier de Rosnay, hat sich durch seine ikonische Musik, seine monumentalen Live-Shows und seine Dekonstruktion von Techno, Pop, R&B, Funk und Metal mit unverwechselbarem Flair als eine der am meisten gefeierten Größen der globalen elektronischen Musik etabliert. Nun veröffentlicht Justice mit „Hyperdrama“ sein viertes Album.

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James K

Elektra

CD | 2024 | Original (X-Ray)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elektra (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York. Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, Elektra (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K. Label management by Joachim Nordwall.

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DMX

X Gon' Give It To Ya

Release: 2024 / Original

Genre: Hip Hop

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CD | 2013 | UK | Original (YNR)

Micall Parknsun

Me Myself And Akai

Release: 2013 / UK – Original

Genre: Hip Hop

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CD | 2009 | EU | Original (Membran)

Ginex

Russisch Roulette

9,59 €* 15,99 € -40%

Release: 2009 / EU – Original

Genre: Hip Hop

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CD | 2023 | EU | Original (Signature)

Calibre

Rudy

14,39 €* 15,99 € -10%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Orbital (The Green Album)

Orbital

2CD | 1991 | Reissue (London)

20,99 €*

CD | 2006 | Original (Mara Rec.)

Release: 1991 / Reissue

Genre: Electronic & Dance

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Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990

1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes

BIOG / SHORT PR INFOS

Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).

The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.

33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.

Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.

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El Postre

Das Fundament

Release: 2006 / Original

Genre: Hip Hop

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

19,19 €* 23,99 € -20%

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

CD | 2016 | Original (Krian Music)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Between Me And The World

Release: 2016 / Original

Genre: Hip Hop

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CD | 2023 | UK | Original (Ghost Box)

Belbury Poly

The Path

Reinhold Friedl / Martin Siewert

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Path is the latest album from Belbury Poly (aka Ghost Box records founder Jim Jupp). This time round Jupp has recruited a full band roster to expand his own unique electronica. He is joined by occasional Belbury Poly collaborator Christopher Budd on Bass and Guitar, Jesse Chandler (of Midlake, Mercury Rev & Pneumatic Tubes) on flute, clarinet and keyboards, Max Saidi on drums plus narration from author and poet, Justin Hopper.

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Lichtung

CD | 2024 | EU | Original (Karl)

CD | 2017 | Original (Racaille Music Group)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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REINHOLD FRIEDL (piano) meets RADIAN member MARTIN SIEWERT (guitar, electronics): Three spontaneous sonic explorations - subtle and explosive ! With over a dozen releases on Karlrecords, and a total output of more than 100 albums in general, Reinhold Friedl doesn’t need much of an introduction to anyone interested in contemporary music / avantgarde: his ensemble zeitkratzer is as respected as it is feared for its radical approach on music, and it seems redundant to mention all collaborators and projects. Friedl is known for his unique piano sound, his advanced techniques, and his musical intensity paired with precise exuberant sound constructions and consistent compositional thinking. He cooperated with musicans from P hil Niblock to L ou Reed , Mario Bertoncini ( Gruppo di Improvvisazione Nuova Consonanza ) to Whitehouse, Laurie Anderson to R ashad Becker and works as guest professor at various universities across Europe. The “multi-talented renaissance man” (as Naut Human turned it) is also known as a specialist for Iannis Xenakis, and curates the Perihel series on Karlrecords. „Lichtung“ is the collaboration of Friedl and no other than Vienna-based Martin Siewert, himself a highly prolific and reputated innovative guitar player and producer in groups like Radian or Trapist. Martin Siewert played with the who is who in experimental and improvised music and celebrated his strong musical identity in international collaborations with Otomo Yoshihide to Oren Ambarchi, Meg Stuart to Christian Fennesz, Sainkho Namtchylak to The Necks. Siewerts guitar play at the intersection of acoustic / electronic generated sounds is unique, evoking echoes of krautrock and musique concrete to electronic jazz and avantgarde. “Lichtung” was recorded in Vienna: Several studio meetings condensed to three intense tracks, a statement and musical adventure between noise and silence, subtle and explosive! Two musicians, who couldn’t be more diverse, here – in every sense – they act in concert

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Mortel

Racaille

Release: 2017 / Original

Genre: Hip Hop

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Temporary Highs In The Violet Skies

Snoh Aalegra

CD | 2021 | DE | Original (Roc Nation)

21,99 €*

Release: 2021 / DE – Original

Genre: Pop

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CD | 2024 | EU | Original (Rekord Music Publishing)

Die Fantastischen Vier

Long Player

Release: 2024 / EU – Original

Genre: Hip Hop

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CD | 2024 | CA | Original (Men I Trust)

Men I Trust

Untourable Album

Release: 2024 / CA – Original

Genre: Rock & Indie

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Untourable Album: Japanese Edition

Men I Trust

CD | 2024 | CA | Original (Men I Trust)

Release: 2024 / CA – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (BMG)

Marsimoto

Keine Intelligenz

21,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Standing On A Giant Shoulders

Seafood Sam

CD | 2024 | US | Original (Drink Sum Wtr)