Afrobeat 314 Items

Berlin based Ruffcats are something of an institution. This eight-piece outfit made up of some of the country"s most revered session musicians, pool all of their diverse influences and come together as "The Ruffcats" to create a unique take on the music they love. Rapturous Apollo Helios, better known as RAH, has been making a name for himself as one of Berlins" most outstanding rappers, songwriters and vocalists. Originally hailing from Lagos, Nigeria, RAH"s music has always been influenced by his environment as well as a rich history of black music from hip hop to soul and, of course, Afrobeat.

A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..

Mcde: "Killer compilation! lots of favorites on there and stuff i still need to find"

Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos."

The classic is back! Gummy Soul's Amerigo Gazaway mashes up Afrobeat legend Fela Kuti with acapellas from De La Soul to killer effect! A fantasic journey into the "world of afrobeat rhythms, funky horn riffs & classic hip-hop gems". Bonus track added, now on colored vinyl in a full color picture sleeve!

Afrobeat legend FELA KUTI mashed with DE LA SOUL acapellas to killer effect! A fantastic journey into the world of afrobeat rhythms, funky horn riffs & classic hip-hop gems". This colored vinyl repress comes on blue colored vinyl for the first time. Includes new "secret" 2024 bonus cut.

Teranga Beat returns to its roots in West Africa and more precisely to Gambia, to present Galgi, the second album of Bai Janha’s groovy steamroller Karantamba on the label. The first album of Karantamba - Ndigal was a crucial one for the label as it was its third release, marking its identity: exploring cultural hybrids where traditional music is still present, in that specific region of West Africa in the beginning and later on to other parts of the continent and the Mediterranean. Galgi was recorded 4 years after Ndigal in 1988 in Studio Wings in Dakar on reel tapes. An Afro-Mading jewel that remained unreleased until today and as an original ‘80s recording, guitars and synthesisers are thriving together with a killer groove throughout the entire album. The difference between Galgi and the previous recordings of Karantamba is not only the ’80s sound but also the female vocals of Ndey Nyang!

Galgi means “Slave ship” in Wolof, a track dedicated to the people who suffered during the Atlantic slave trade, and this is why the photo of the cover was shot in the emblematic House of Slaves in the Gorée island in Dakar. The song remains contemporary, as many people today take the risk of sailing through the maelstrom of the Atlantic Ocean towards unknown shores—a journey reminiscent of the historical immigration from the West Coast of Africa, where slave ships once set sail. This time though, it reflects an effort to escape the realities imposed on Africa by former colonisers since the continent gained independence.

This album was realised with the support of Eligo Audio Culture: eligoaudioculture.com

An Afrobeat and Worldmusic classic first time on vinyl.

The meeting of an ancient and ancestral instrument like the kora, in the hands of a virtuoso like Ballaké Sissoko, and electronics that expand the possibilities of the instrument itself, as proposed by Lorenzo Bianchi Hoesch, is at the heart of Radicants.It's a search for new paths that have to do with immersion, abandonment and new roots. Roots that are dynamic, that evolve and that are able to support the other. Respecting the idea...

A very bold statement from Idriss himself, this record sees the Franco-Algerian dj and producer infuse his personal history into what he loves the most and share it with the rest of the world. First track Tsakhbira works as the perfect opener for the album with a melodic ambient-like mood and Arabic chants, with second track Beld el fen following in the same vein with traditional instruments interspersed with synth stabs and eerie atmos. Chazil’s upbeat rhythm spices up the vibe, a mix of ethereal singalongs and bouncy percussions. Mohamed is the first foray into Electronic territory, a downtempo piece featuring French vocals and plenty of analog industrial clanks that lead into subsequent Hey Galbi, an exquisite melodic house number with acid synth melodies and piano keys. Electro (Leila Moon Remix) delves into more experimental landscapes, with darker tones, blurred vocals and pulsating beats, while Elf Leila is quintessential Electroclash Arabic music, blending these two genres together, with a syncopated super catchy bassline. Closing track Harramt is a whirlwind of snare rolls, 303 arpeggios and nods to North African heritage sounds.

Soundway Records presents a collection of Nigerian music chronicling a time when drum machines, synthesisers, imported pop, reggae, disco and soul collided with highlife, juju and cultural music. The late 70s saw a period of political turbulence and prompted change across the country. Following suit, musicians and producers entered a period of experimentation, adaptation, modification and innovation, using new technology to renew and refresh cultural traditions. Nigerians formed their own unique approach to the limitless creativity these new instruments offered, to reveal a distinct sound which would dominate local airwaves for the decade to come. Nigeria Special Volume 3 celebrates the rich diversity of culture and musical styles of the nation, showcasing eighteen tracks across various genres which laid foundations for the innovation of Afrobeats artists of today. Triple Vinyl gatefold LP compiled by Miles Cleret and Jeremy Spellacey, includes a large 8 page booklet with detailed liner notes, record scans and never-seen-before photos.