Afrobeat 1499 Items

Jam Alley / Bafana Bafana

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"A Bangin South African bubblegum tune, with house club mix on the flip!"

The start of the 90's brought the final wave of House music that would cement it as the future of South Africa’s music scene. In the years leading up to the new decade, Disco had already naturally evolved into the very early stages of what would become South Africa’s signature House sound, with Instrumentals and Dub Mixes earning themselves spots on the Pantsula records leading the charts of the late 80s, it would be an influx of remixes appearing on import singles that would make the “House mix” the premier b side sound for those bubblegum artists trying to stay relevant in the 90’s. The House remixes coming from Chicago and New York dominated the airwaves at first, eventually gaining genre status by the later part of the decade as International House or just International for short. At the time this would have been synonymous with House music everywhere else in the world. After a years of these tracks getting remixed by the touch of the local talent, International no longer fit the description of what the music was and Kwaito became the sound of the streets. In the studio, Kwaito was the sound of the next generation of producers that was coming up under the Disco legends of 80s. In total it took less than 5 years total for the sound to evolve. It would be in this transition period between International and Kwaito, with the help of the new wave of studio talent, that we find the ingredients that gave birth to a short lived yet unique African House sound. After a long career with the soul group The Savers, Morgan Kwele cut two solo records under his own name in the late 80’s. Without much success and after being dropped by EMI, Morgan was picked up by Peter Snyman and independent Sounds of Soweto. At the time it was becoming a premier label for the emerging house sounds. M’du and Joe Nina would both end up working at Snyman’s studio, and it would be their collaborating project LA Beat that would launch their respective careers further. For his new album Morgan would team up with legendary producer and long time friend from the 70s Koloi Lebona. They would work together once more and record what most likely became Morgan’s final Album. The title track Vakonwana became the lead single, with the original bubblegum version on the A side for the old timers and the Club Version on the flip for the late nite parties.

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Scotch

12" | 1995 | EU | Reissue (La Casa Tropical)

12" | 2020 | EU | Original (La Casa Tropical)

Release: 1995 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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By 1995 Kwaito was already a well established and distinguishable sound compared to the International House Remixes that preceded. The tempo was slowed down, Soulful vocal samples were replaced by catchy and repetitive hooks and versus sang in vernacular. The new hit sound had a template and studios worked around the clock to pump fresh releases into the demanding market. After the successful 1995 release of Import mixes Vol 4, The Groove City team behind the productions now decided to venture into the territory of Mid Tempo. They would craft an album for a young frontman with the help of Kwaito pioneer Oscar Warona, and without much trouble, the team had their first hit on their hands. Filling the boots of their cars with copies of the cassettes and taking the stock to various townships around Johannesburg the tape quickly circulated and sold out every new batch that was printed. Demand was high for the release but as with much of the music at the time, the fast paced demand for the music moved on. Without a follow up release Scotch failed to ride the momentum built by the debut and remained largely unknown although he is still in the music industry to this day. Even with their first artist release being a success, the following years proved more difficult in reaching such a large audience for the Kaleidosound studio. With popularity for the genre growing, the simple templates for early classics were changing as Kwaito fused with hip hop. Rapping took over as the preferred vocals for the masses. Mysterious production teams and labels that served as guides for music lovers were eclipsed by frontmen and groups that could draw crowds. The fight for fresh sounds continued as the airwaves became the main battleground for artists and the more club oriented music was pushed back underground, eventually evolving into some of the earliest examples of Deep House seen on the continent. The Kaleidosound production team would finally strike gold again in 1997 when reviving Groove City for vol. 5 which acted as the debut for the newly formed group Chiskop. The group would become superstars of the new commercial era that followed, sparking solo careers for the members and creating some of the biggest hits the genre knew. To this day Scotch remains one of the best albums to come out of the golden era of Kwaito. Although it was outperformed by other groups from the time it has a special place for those who knew it and can still be found as a treasured piece in many collections. The various people involved created a one off fusion of sound that has remained fresh for 25 years. Playful lyrics over floaty grooves resulted in favourites like “Jam Alley” which uses catch phrases from the beloved TV show and “Bafana Bafana” guaranteed to get the boys on the dance floor. Here you have these two tracks taken from the album pressed on a club ready Maxi Single for the Deejays

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The Bees

Mamezala / Never Give Up

12" | 2019 | EU | Original (Autonomous Africa)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The Bees are a textbook case of the chew and spit cycle that was the late 80’s South African music industry. Although their unknown story is likely unique, it is just as likely that it is no different to that of many other young artists who dreamed of getting their music heard at the time. By 1988, the independent record label was no longer as uncommon as it had been at the beginning of the decade. As the 80s went on, more seasoned A&R reps and Producers that had gained experience and connections from their work under major labels would be trying to cash in on a market they helped create. Without the need of big rooms or expensive recording equipment, the digital advancements allowed many Producers to open or work in smaller studios and promote unknown artists under their own imprints. They would then have their catalogs marketed and distributed by the same major labels they had been working for just years prior. This would open up the possibility of a new era of stars as potential talent no longer had to be pitched to major labels in hopes of them taking a chance on a new signee over their already established artists. With the market growing and a struggle to keep up with the demand for new sounds this agreement would allow the major labels to put new emerging artists or groups on their catalog with little investment and high reward if it happened to be a hit. ON Records was just one of the independent players at the time. Ronnie Robot had just signed the unlikely trio The Bees in hopes of adding a hit group to his label roster that consisted of solo acts. Despite the debut’s fresh house inspired sound, it failed to catch on was outsold by the bubblegum disco the label was known for. Over the years unsold back stock and promos would build up with the distributor. Luckily this allowed sealed copies from the label’s catalog to survive into the 90s when the distributor’s stock was unloaded and picked up by legendary Johannesburg jazz shop Kohinoor. Here sealed copies of the Bees first attempt sat under appreciated for over 20 years before becoming a hot title after they started circulating online and became club staples. This is how the first album of an unknown group with no success was able to become a collectors item and earn a reissue over 25 years later. With their first record behind them The Bees were ready move forward and get back into the studio. A suggestion from producers had the trio change camps and go work with the newly formed Creative Sound Recordings, the label that promised “Music for the Future” and ended up being an essential studio in the early years of Kwaito. They would work with producer Chris Ghelakis and guitarist George Vardas, while a young Marvin Moses sat behind the desk. Musically the sophomore album was as good as a follow up as you could get. Building on the first album, Mashonisa delivers catchy melodies backed by heavy drum programming that would score points with any Pantsula. The Black Box inspired “ Never Give Up” was one of two tracks chosen to be pressed as the promo for the album, hoping to trick listeners with their catchy version of the hit( A year later the label would release their first volume of Black Box covers sang by neo soul diva BB, it would be a great seller). The label printed up an unknown amount of these in a last attempt to push the release in Shabeens and on Radio. The cheaper route of flooding the market with promo copies would only pay off 25 years later when unplayed copies started being rediscovered and had survived the years in a quantity that original run of the full album could not. Once again it was clear that with no mainstream appeal, the quality of the music on its own was not enough to garner any success at the time. The album flopped worse than their first and failed to make it past it’s initial run, making it one of the harder titles to get from the CSR catalog. Mashonisa would be the last attempt from the Bees. They would disappear from the scene as quickly as they appeared. Of the three members it is only known that lead Singer Solomon Phiri continued in music fronting a wave dance group before he mysteriously vanished in 1993, never to be heard from again. Through a combination of luck and circumstance the group, which is unknown in South Africa to even the most plugged in musicians, producers and radio hosts of the time, managed to finally get some of the recognition they deserved 30 years later. Unfortunately this small blip of fame would happen with none of the band members present to give their side of the story, or even aware of how their two albums became popular enough to be printed on different continents in a new millennia. The Bees suffered the same fate as countless other artists of the time, who thanks to emerging independent labels and willing producers were given an opportunity to have a short career, only to be replaced by the meat grinder of the music industry when they failed to produce a hit.

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The Green Door Allstars

Youth Stand United

12" | 2019 | EU | Original (La Casa Tropical)

Release: 2019 / EU – Original

Genre: Organic Grooves

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In 2015, Optimo’s Autonomous Africa label released Youth Stand Up!, a triangular recording project hatched at Glasgow’s Green Door Studio that brought together young musicians from Belize, Ghana and Glasgow for ten tracks of cross-cultural collaboration. The result was an infectious cocktail of traditional Caribbean and West African rhythms, hip hop, highlife and Glaswegian post-punk, featuring contributions from Optimo Music regulars Golden Teacher and Whilst, among others.

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Patience Africa

Wozani

LP | 2018 | EU | Original (Heavenly Sweetness)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The career of Patience Africa Spanned over 40 years. After almost a decade of success on a major label with her Zulu Disco sound, and a few years in the early 80s experimenting with a more soulful sound, the funky synths of the 80's would force her to stay relevant in the quick changing times. It would be in 1987 that she would sign to the independent Ream Music which with the help of their tight knit in house production team had released hits for upcoming disco artists Makwerhu, Ntombi Ndaba, Sunset, Athena, Percy Kay and more. The label's success in the traditional market made Patience a perfect fit and could have been their first crossover artist.
With the help of owner's Danny Antill and Clive Risko they would cut a 4 track EP that like many others of the time ended up being lost in to the hyper saturated market of the emerging Bubblegum demand. Two tracks would be written by Patience, including the title "Wozani La" Musically these were more aligned with her sound of the 70's accompanied by a purely digital production, but it's the two songs written by label boss Danny Antill that appear on this release. These two songs are unlike anything heard at the time. Embracing full commitment to the digital studio and some extensive and risky experimenting the trio managed to slide heavy house bordering electro pop and a haunting swing beat groove alongside the compositions of Patience to complete this EP for both markets. Although the album had great potential, poor promotion and low sales led Patience to feel cheated and after not earning a cent for the record left the label and took her first break from music since the early 70's. She would later return to her original sound recording up to til 2006 when she released what would be her final album before her death the following year. Still loved by her fans and those who knew her, she is remembered through the Patience Africa Foundation. Founded by her son Mangaliso in 2017 to help create a better South Africa in our lifetime.

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Edmony Krater

An Ka Sonjé

12" | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Following the reissue of his cult album “Ti jan pou vélo”, Heavenly Sweetness decided to continue the collaboration with Edmony Krater and record a new album! The first one in 30 years! As an avant-gardist percussionist, singer and trumpet player, Edmony Krater has always worked to develop and promote the Gwoka music of Guadeloupe and to feed it with different influences, from Jazz to Reggae.

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The Mauskovic Dance Band

Down In The Basement

On Se Pousse Yoruba Soul Remixes

Release: 2018 / EU – Original

Genre: Organic Grooves

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Soundway Records presents the debut EP from The Mauskovic Dance Band – a heady, tropical blend of cumbia, Afro-Caribbean rhythms and space disco, resulting in a vibrant hypnotic groove destined for bustling dancefloors.
The Mauskovic Dance Band is the brainchild of the Amsterdam-based producer and musician, Nicola Mauskovic. A seasoned drummer, he finds himself constantly in demand – as part of Turkish psychedelic outfit Altin Gün, a recent tour with the revival of Zambian legends W.I.T.C.H., and a worldwide tour with psych-pop artist Jacco Gardner, with whom he then went on to form the dance-oriented duo Bruxas (released on Dekmantel). Throughout this hectic schedule Nic still found time to begin studio experiments that would eventually lead to several 7” singles, released on Swiss label Bongo Joe Records in 2017 under the name “The Mauskovic Dance Band”.
Following this, he tapped long-time collaborators Donnie Mauskovic (vocals, keys, effects), Em Nix Mauskovic (guitar, synth, percussion), and Mano Mauskovic (bass) to make the jump from record to stage. Soon they caught the ear of fabled underground Cumbia producer Juan Hundred, who left his home on a Caribbean island to join the band on drums.
With each band member of varying heritage, the group draws inspiration from diverse genres: primarily Afro-Colombian styles such as champeta, palenque, cumbia and the picó soundsystem culture, as well as the Afro-Disco and No-Wave scenes in their current base of Amsterdam. The city’s hotbed of underground producers has also brought an electronic edge to the band, with vintage drum machines and synthesisers effortlessly melding with Afro-Latin rhythms and slick guitar riffs to create a contemporary sound rich with cultural influence.
Having toured extensively through Europe in 2017 as a staple of festival stages and clubs, The Mauskovic Dance Band continues to build exciting momentum – with appearances at Eurosonic Noorderslag 2018 and an extensive tour of the Netherlands coinciding with the launch of the EP.

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Vaudou Game

12" | 2017 | EU | Original (Hot Casa)

LP | 2017 | EU | Original (Soundway)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A 12inch single from the incredible French Afro Funk band including remixes by the one and only Osunlade under the collective name of Yoruba Soul!
Since their first acclaimed album Apiafo and its irresistible single “Pas contente”, these Lyon (France) natives never turned down the heat over 160 stages across Europe, Africa, Canada, Japan... Peter Solo has displayed his amulets, voodoo chants and charisma around the globe. When it came time for them to harness their Afro Soul sound for the second time, they turned their attention once again to their analog strengths. On the road Peter Solo and Osunlade met and could share their musical visions. It was obvious that this two will share their spiritual music experiences.
Kidayu is the name of the second opus which means “sharing”: it’s exactly what those versions of “On se pousse” are about: a true futuristic Hi-life, a great meeting of two ardent defenders of the Afro Soul sounds ! Limited press, mastered by Carvery.

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The Movers

Kansas City

16,99 €* 19,99 € -15%

LP | 1973 | US | Reissue (Pickwick)

Release: 2017 / EU – Original

Genre: Organic Grooves

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An extremely rare and in-demand record from the disco-funk group has been unearthed and restored. The Movers enjoyed huge success in the 1970s, releasing album after album of ground-breaking sounds, including fusions of South African marabi jazz, funk, disco and jive. The line up of the band shifted throughout its existence - however this particular album produced by David Thekwane features musicians Jabu Sibumbe, L Rhikoti, Lloyd Lelosa and Sankie Chounyane.

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The Ghana Soul Explosion

Soul Makossa

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Sierra Leone in 1970s USA

Muyei Power

LP | 2014 | UK | Original (Soundway)

La Grande Cantatrice Malienne Volume 3

Release: 2014 / UK – Original

Genre: Organic Grooves

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Muyei Power or Orchestre Muyei (muyei means ‘our country’) was one of the top dance bands of the1970s in Sierra Leone. Soundway Records' first collection of music from this West African country (‘Muyei Power: Sierra Leone in 1970s USA’) is an album of rock-infused, 'afro' music from a group that traveled the world throughout the mid 1970s. Fusing elements of electric Congolese and Nigerian music with fast, syncopated, uptempo modernised arrangements of traditional music, Muyei Power produced a series of unique single-only releases that have been unavailable for 35 years. The rare recordings featured here are a glimpse of a dynamic and powerful band at the very height of its powers.

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Nahawa Doumbia

LP | 2011 | US | Reissue (Awesome Tapes From Africa)

Release: 2011 / US – Reissue

Genre: Organic Grooves

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Tape | 2024 | US | Original (Awesome Tapes From Africa)

Nahawa Doumbia

Vol. 2

Tape | 2024 | US | Original (ORG Music)

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-12-06

Awesome Tapes From Africa the label began over 10 years ago with the reissue of Nahawa Doumbia's Vol. 3. The recordingkicked off a successful run of classic a...

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Aztlan Unearthed

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

LP | EU (Survival Research)

Bella Bellow

Album Souvenir

Release: EU

Genre: Organic Grooves

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Togo’s most celebrated vocalist, Bella Bellow, first achieved international attention in 1966, when she represented her country at the first World Festival of Negro Arts in Dakar, which caught the attention of the pioneering Paris-based Togolese musician/producer Gerard Akueson, who sought to market her as the next Miriam Makeba. Album Souvenir compiled singles cut for Akueson between 1968-71, including ‘Nye Dzi,’ ‘Zelie’ and ‘Bem Bem,’ all marked by the slick production values that aimed for international audiences, rather than the grassroots African niche. Tune in and understand the iconic Bellow’s commanding appeal!

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Under The Influence Volume 6 Compiled By Faze Action

CD | 2024 | UK | Original (Z)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Seun Kuti & Egypt 80 & Damian Marley

Dey / Dey (Instrumental) Transparent Vinyl Edition

7" | 2024 | EU | Original (Record Kicks)

I Don't Have The Heart & Flicker

Release: 2024 / EU – Original

Genre: Organic Grooves

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Transparent Vinyl.Seun Kuti & Egypt 80 Unveil Dynamic Collaboration with Damian Marley in Latest Single `Dey', to be released on a limited edition 7" clear vinyl on September 6th. A Historic Moment for African Unity and Art between Seun Kuti and Damian Marley.Grammy-nominated Nigerian musician Seun Kuti has once again set the music scene ablaze with the announcement of his electrifying new single, `Dey' featuring reggae icon Damian Marley that will be available on all major streaming platforms on June 26th on independent Milan label Record Kicks. The single will also be released on a limited edition 7" vinyl, featuring the instrumental version on side B, to be released on September 6th.This much-anticipated collaboration combines the raw energy of Afrobeat with the rhythmic vibes of reggae, creating a musical masterpiece that is sure to captivate audiences worldwide. `Dey' is the first single from the much-awaited new album by Seun Kuti & Egypt 80, `Heavier Yet (Lays The Crownless Head)' that will hit the streets on October 6th.Produced by a collaborative dream team of top-tier producers that includes pop/rock superstar Lenny Kravitz (executive producer) and Fela Kuti's original engineer Sodi Marciszewer (artistic producer), `Dey' delivers a timeless fusion of sounds that pays homage to the rich musical traditions of both Nigeria and Jamaica while pushing the boundaries of contemporary music.Seun Kuti expressed his deep sentiment about the new single `Dey' featuring Damian Marley, emphasizing its special significance. He described the song as one that wrote itself, highlighting its spontaneous creation. He sees it as a historic moment for African unity, art, and brotherhood, emphasizing the significance of collaborating with Damian Marley, marking the first time Kuti and Marley have been on a record together, symbolizing the rebuilding of a bridge."The song depicts African unity and African art" Seun Says. "We are two performers, both from the dynasty of Africa, with a huge continental divide, sing...

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Tiny Habits

7" | 2024 | US | Original (Mom+Pop)

Release: 2024 / US – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (B-Edits)

B-Edits

Aunts & Uncles / Free

LP | 2024 | Original (Diamond West)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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High-in-demand B-Edits return with a Jazz Funk heavyweight and a Tropical deep cut.

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The Mesmerizers

Far From The West

Release: 2024 / Original

Genre: Organic Grooves

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Introducing "The Mesmerizers," a mysterious trio of maestros whose debut 7" record transports you to a bygone era of exotic enchantment. Unearthed from the depths of a forgotten studio and given new life, these captivating compositions beckon you into a timeless realm where the boundaries of sound and imagination blur.Within the sultry grooves of this vinyl treasure, The Mesmerizers weave a spellbinding tapestry of exotica, echoing the seductive rhythms and lush melodies reminiscent of a golden age that refuses to be tethered to any specific moment.

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Africamore - The Afro-Funk Side Of Italy

CD | 2024 | EU | Original (Four Flies)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding.

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Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980-93

CD | 2024 | UK | Original (Soundway)

Fela Kuti, Moblack, Emmanuel Jal & Henrik Schwarz

Release: 2024 / UK – Original

Genre: Organic Grooves

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Soundway presents a collection of 18 burger highlife, electronic afrobeat and reggae tracks, highlighting a time when the burgeoning Ghanaian diaspora across Europe and North America was utilising new music technology and recording techniques. A period of movement, emigration and innovation. The dawn of the 80s saw an increase in emigration following a period of political upheaval at home, with many Ghanaians moving to Europe - especially Germany - to find work. Musicians recording both at home and abroad began to blend highlife with outside influences, taking inspiration from US disco and boogie, European new wave and Caribbean zouk and soca, reflecting new surroundings and cementing musical connections forged in London, Hamburg, Toronto and New York. Ghana Special celebrates this key period of musical innovation and cultural exchange that redefined the parameters of Ghanaian music and accelerated the cultural exchange between West Africa and Europe. Features rarities from legends including Pat Thomas, Rex Gyamfi and Gyedu-Blay Ambolley and deep cuts from lesser known artists like Abdul Raheem, Starlite and The Godfathers. Includes extended liner notes, original covers and neverbefore-seen photos. Gatefold 3LP includes deluxe 8pg booklet; 2CD is 6-panel wallet including 24pg booklet.

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International Thief Thief (I.T.T.) (Armonica & Moblack Mix) / Chagu 2024 Repress

12" | 2020 | EU | Reissue (Defected)

LP | 2019 | DE | Original (Pingipung)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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2024 Repress

These are the words of legendary Nigerian musician and activist Fela Kuti, words that remain as true as ever over two decades since his untimely death. A pioneer of the Nigerian revolution, his fight against police oppression remains an ongoing conversation in the country. Now, Defected pays tribute to the vital work of Fela with a special 12” release, as Armonica and MoBlack revisit Fela Kuti’s ‘International Thief Thief (I T. T.)’ as the fight against systemic corruption continues to be a pressing issue in Nigeria. The A-Side features Armonica & MoBlack’s flawlessly executed and ever respectful remix of the record where Fela called out and directly attacked former Nigerian president General Obasanjo and Moshood Abjola, the CEO of Nigeria’s biggest national telecommunications conglomerate I.T.T and Decca Records. Their homage to Fela brings a powerful and culturally relevant piece of music to the forefront of dance culture in 2020.

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Odd Okoddo

Auma

Release: 2019 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2024 | UK | Original (Bleak Winter)

Dystopian Volume 2

Release: 2024 / UK – Original

Genre: Organic Grooves

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Sanba Yo Pran Pale DJ Koze Remix

Lakou Mizik & Joseph Ray

10" | 2022 | EU | Original (Anjunadeep)

Release: 2022 / EU – Original

Genre: Organic Grooves

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10" | 2021 | EU | Original (Radicalis)

Meimuna

Courage

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2023 | EU | Original (My Bags)

Medline

Azul

Dubben Meets Made In Brasil

Release: 2023 / EU – Original

Genre: Organic Grooves

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Following the success of Eric B & Rakim covers on 45, touching Hip Hop and rare groove fans, Medline explores new horizons. Well known to be free from styles boundaries, the French Chilean multi - instrumentalist unveil a two side Afro Funk killer.

Marked with the "universal power" title on the label, third 7 inch on My Bags catalog, this new 45 shows Medline's abilities to produce high quality music in a wide range of styles. The compositions are produced with a brilliant contrast. The uptempo "Run For Cover" is a huge Afro beat runner with a hardcore feeling while "Azul", is a heavy downtempo soul funk anthem, and shines like a massive solar energy boost.

Medline brings back the 70's West African sound signature, carried by a hot drum and bass couple, leaded by the Farfisa organ and harmonized with a powerful brass section. The rhythm is wild, mastered by dynamical arrangements when the breaks are hitting loudly around. And yes as always Medline is the ONE playing all.

The artistic fate offered beautiful colors and forms to the music. Clément Laurentin's elegant painting "Run For Cover" reminding Bob Marley and Lee Perry's records, baptized the first composition which includes a "Jamaican" surprise. "Azul" (Blue in Spanish) is the main color of Clément's creation which remind the look of the famous azulejos. The link happens without any previous consultation, all was here to be done this way, connecting cultural areas and eras. To end, the acrylic painting on linen canvas is the perfect organic mirror to this new 7 inch.

My Bags is happy to offer this "tratra" (Ivorian pancake), designed with all the elements of a ready to dig holy grail, Soul inspired, Afro beat to the core.

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Grilos Cantam Para Anamaria / One Two-Two

7" | 2023 | EU | Original (Matasuna)

Release: 2023 / EU – Original

Genre: Organic Grooves

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10" | 1975 | Reissue (Wise)

In Crowd

Mango Walk

Release: 1975 / Reissue

Genre: Organic Grooves

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12" | 1981 | EU | Reissue (Kalita)

Kofi Ayivor

Adzagli: Jungle Funk

12" | 2023 | UK | Original (Soundway)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever re-release of "Adzagli (Jungle Funk)" and "A Song For You (Ayawa)", two phenomenal pieces of West African disco from Amsterdam"s Kofi Ayivor. Selected from his sought-after Nigerian 1981 self-titled debut album "Kofi", at last these two recordings see the light of day once more via a loud-cut remastered 12" single. In addition, Kalita enlists fellow Amsterdam resident, DJ and producer Mendel to create his own remix of each recording, using the original multitrack session tapes to rework both for the modern-day dancefloor.

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Pigeon

Backslider

I.S.C.A.C. Band / La Bruno

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Following up on their acclaimed debut EP Yagana in 2022, the 5-piece band return with a brand new offering: Backslider. Dressed as if they would be equally comfortable starring in a modern spaghetti western as they are cutting slick silhouettes on a festival stage - are Guinean singer Falle Nioke, Graham Godfrey on drums, Steve Pringle on keys, Tom Dream on guitar and Josh Ludlow on bass.´As Pigeon develop and hone their sound further, Afrodisco remains at the core while jazz and no-wave make way for new elements of electro, rock and synth pop. The introduction of sequencers and drum machines sprinkles a little more structure into the mix, however the recording process still very much embodies the DIY spirit of band members that enjoy jamming together. With previous support from Gilles Peterson, Elton John, Iggy Pop, Bandcamp, NPR, Uncut and many more, the new Pigeon will undoubtedly fly off the shelves.

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Igbo Nwe Egwu / Instant Reaction

12" | 2020 | EU | Original (Dig This Way)

LP | 2018 | Original (Choux De Bruxelles)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Dig This Way Records is proud to announce his new MAXI 12" Serie!
Side A Featured Soki Ohale with his I.S.C.A.C. Band project , the track is call Igbo Nwe Egwu and is a mix of Highlife , Boogie and Electronic sound from 1986. It was pressed on a limited and raw LP sponsored by
Imo State Council for Art And Culture , the audio have been restored and remastered by our friend Bassi maestro @Press Rewind Studio
Side B Featured La Bruno - Instant Reaction + Instant Rap , the original LP is litterally impossible to be found , we have been lucky to Locate a clean copy in our 2nd trip to Nigeria and even more lucky to meet La Bruno himself just walking around Owerri in the east side of Nigeria!

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Jaune Toujours

Europeana

16,89 €* 25,99 € -35%

Release: 2018 / Original

Genre: Organic Grooves

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LP | 2022 | Original (Nettwerk)

Wild Rivers

Songs To Break Up To

16,79 €* 20,99 € -20%

Release: 2022 / Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Crown Ruler)

K.G. Russell

Last Dance

16,14 €* 16,99 € -5%

LP | 2023 | EU | Original (World Circuit)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Jamaican born and Toronto raised, KG Russell is an unsung journeyman who followed the DIY path with his compelling output. Only a handful of collectors have been aware of the few releases via his private imprint Rain Sound - of which little information is known and copies very seldom seen.

A striking stand-out of Russell’s work comes via his Dance With Me album - a self-produced jewel originally recorded in 1988 with help from friends Tony Cameron and Orville Malcom on session duties. The brilliant blender of synth-soaked soul was released in 1990 on cassette only. Roughly 200 copies were manufactured and personally handed out to local record stores around Toronto.

Crown Ruler returns, plucking out three superior cuts for Last Dance and breathing new life into each via an impressive remastering effort from Melbourne sound wizard Daniel Elleson. Finally pressed to wax, this EP is clearly deservent of the 12” treatment. An island-tipped-electro-come-proto-house string of melters , guaranteed to prick the ears of lovers of the obscure and exotic. Last Dance is full of curious influences. It could be described as Caribbean flavored drum machine r’n’b. From the title track, a hypnotic boogie dancefloor filler, to Talk To Me, an electro rap meets smooth-jazz love jam, and finally Dance With Me, a bent and wasted soul ballad - Russell bares it all in another lost treasure given some TLC and repurposed for today’s DJ leaning ear

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Eliades Ochoa

Guajiro

Release: 2023 / EU – Original

Genre: Organic Grooves

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Fire, Passion, Ecstasy Black Vinyl Edition

Stimela

LP | 1984 | US | Reissue (Tidal Waves Music)

CD | 2022 | EU | Original (Officehome)

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Rare South African Afro-Fusion from 1984 First vinyl reissue Since 1990 First ever release outside of the African Continent Comes With Double-Sided Insert 180g Black vinyl limited to 500 copies (w/obi strip) / Stimela were a popular and successful South African Afro-fusion outfit led by guitarist, vocalist, songwriter, producer and arranger Ray Phiri. The band was formed under the name ‘The Cannibals’ during the 1970s when Phiri got together with drummer Isaac Mtshali, keyboard player Thabo Lloyd Lelosa and bass player Jabu Sibumbe. They initially started out as instrumentalists, but later evolved to Afro-fusion when they joined forces with vocalist Jacob “Mparanyana” Radebe in 1975. The story of ‘The Cannibals’ ends when Radebe died in 1978 but the ‘Stimela’ story was only just beginning.

In 1979, after a life-changing experience in Mozambique (where they were stranded for three months) the bandmembers had to sell all their belongings to take a train home. This trip was a watershed moment as it was here where they conceived the new name for the band: The Zulu word for “locomotive-train” Stimela.

Stimela would soon become little short of an institution in their home country of South Africa. With soulful tunes and gripping lyrics, the band has recorded platinum-winning albums such as Fire, Passion and Ecstasy, Shadows, Fear and Pain & Look Listen and Decide. In addition to recording their own material, the group supplied instrumental accompaniment on albums by a lengthy list of legendary artists. Stimela would go on to gain global fame after being featured on Paul Simon’s iconic 1986 ‘Graceland’ album and the mega tour that followed.

Ray Phiri would enter into many successful collaborations with major acts and artists such as Harari, Joan Baez, Willie Nelson and Manu Dibango. In 2017 he was diagnosed with lung cancer and died at the age of 70. Phiri has received many awards in recognition for his contribution in the music industry, one of these is the Order of Ikhamanga awarded to him by the South African president. This was to honor his sterling contribution to the South African music industry and the successful use of arts as an instrument of social transformation.

Stimela is the tale of a South African band who have battled their way through dark days to take their rightful place in the forefront of the South African apartheid-era music invasion. One of their most memorable tracks “Whispers in the Deep” was even restricted from being broadcasted by the old South African Broadcasting Corporation.

On the album we are presenting you today (Fire, Passion and Ecstasy from 1984) the unique sounds of Ray Phiri’s Stimela are fully showcased. Expect infectious hypnotic build-up grooves, cinematic lowdown jazz-funk, Afro-soul, delightful reggae, gospel influences and funky synth-boogie sounds…all with a touch of early eighties new wave and hints of Island disco mixed with sensual bubblegum pop. It comes as no surprise that the album has now become a sought-after item due to its addictive and original-sounding nature, a must-have for any self-respecting record digger!

These recordings completely encapsulate Stimela’s fusion style. They managed to craft a modern South African sound that continues to influence SA musicians to this day. Never in a rush, yet always with a sense of purpose and direction – like the steam train after which they took their name.

Tidal Waves Music now proudly presents the first reissue of this fantastic Afro-fusion classic since 1990 (originally released in 1984 on Gallo Records) & this is also the first time the album is getting a release outside of the African continent. This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (limited to 500 copies) complete with the original artwork. Also included is a double-sided insert containing rare pictures of the band.

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Roforofo Jazz

Running The Way

A.P.P. (Accumulation Of Profit & Power)

Release: 2022 / EU – Original

Genre: Organic Grooves

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The unbreathable air saturated with moisture, the soggy soil that swallows every step like a starving death, the hostile nature and, finally, the remote swamp. The one they invested in composing Fire Eater. The one they left a few traces in. Tracks that can talk. Six men heavily armed with instruments, a seventh fastest, only weighted by a microphone. They left the inhospitable vegetation, leaving behind a succession of footprints. As we try to follow them, the afrobeat that made it easy to spot them now dissipates into a floating mist. So, we have to connect the radars and try to capture the vintage waves of equipment that emit more than one point but several. Be attentive to jazz solos and funk scarifications, as much as to what could chant and tap on the times of these tight rhythms. Because their blending has become a personal style as much as hybrid, and it is to avoid being watched by asphyxiation that they left the stagnant waters. Escaped from the car sound systems or plastered on the walls announcing their many concerts, it is in the city that they are now detected. Infiltrating them is a daunting task. A track where you have to avoid the vigilance of the electric and venomous keyboards, escape the copper flames and the guitar shears. Enter the choking groove to finally enjoy a purely instrumental passage, sneak in and dance. Progress outside the Afro mangrove, Running The Way nevertheless retains many cables still connected. The bottom of the jeans still ‘Roforofo’. ‘Muddy’ in Yoruba. Just 2 years after the first EP Fire Eater released in 2021, Radio Nova’s crush (title Helelyos enthroned 3 months in playlist), the Roforofo Jazz returns with the LP Running The Way, 8 tracks even more ambitious, with careful production, marking a clear progression in its quest for an increasingly more personal sound and writing. Putting the listener immediately in the tone of his atypical afro jazz rap fury, Love In Time and its sharp rhythmic appeal to the power of the music, in an ultra-energetic piece yet smelling with jazz via well-felt keyboard surges. Side To Side is a rearrangement of a piece by Togolese artist Bella Bello and Manu Dibango, yet glancing towards Motown and resonating like a anthem to life and directions to take to counter the negativity of our modern societies. Then on Stand Up in a more deepfunk US style like Breakestra or The Greyboy Allstars, MC Days (aka RacecaR) switches between fast flows and downtempo in an injunction to all fight for what we believe in. An epic piece concluded with a nod to Master Hendrix… Gas punctuates the A side with a light but saving rhythmic lull, coming closer to a nu-soul atmosphere and punctuated with an explosive refrain in which rap, rock and jazz clash, tending to prove as Days chants that by being more realistic our differences can only fade…Title Shawarma has nothing to do with a Kebab sandwich, although…! Life unfolds like a menu, in which everything is not always to our liking but which teaches us to accept judicious and juicy mixes, and combinations. The result is a joint with an oriental touch, almost ethio, a rhythm that perfectly matches the hip-hop flow and the Roforofo Jazz style.The Big Hustle is a UFO. Articulated around a 20 bars loop that gives it a communicative energy, punctuated by a bass line reminiscent of Fela Kuti’s Colonial Mentality, this title sounds like a highway for frantic breakbeat dancers; epic! From Here To Benin brings us back to the group’s Afro-inspired origins, while injecting a slight dose of well-felt pop music. A piece that encourages travel to learn to share, universally. And finally, Mode For DD, a cover of the instrumental title of the obscure jazz funk of The Awakening, with added voice of Days telling the meaning of life and its mysteries, our beliefs and certainties, as human beings as well as artists.

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Muyiwa Kunnuji & Osemako

CD | 2022 | EU | Original (Officehome)

12" | 1990 | EU | Reissue (Isle Of Jura)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Continuing his journey, the former member of Egypt 80 and last trumpeter of the Black President Fela Kuti releases his second album: APP (Accumulation of Profit & Power). Muyiwa Kunnuji and his band Osemako, which has been extensively recasted since Moju Ba O - which had already laid the foundations of his afroclassicbeat - have had quite an evolution, and are eager to share a recipe that has been patiently elaborated and stewed, both on stage and in the studio. A complex mix of deep musical and cultural heritages as well as a claimed and combative Pan-African culture, APP sets the bar still one step higher in the message, but also and especially in terms of composition and polyrhythms. Inspired by Western African highlife as well as the purest afrobeat of the Afrika 70 era, and even incorporating elements of South African marabi or Central African soukous, the whole does not sound less perfectly personal, tailored, with a natural and disconcerting ease. But this easiness is only an apparent as Muyiwa devoted himself body and soul to the composition and harmony during the gestation of these tunes so widely inspired and yet intensely personal. APP will thus delight fans of African music in the broad sense as well as connoisseurs, and just as much fans of funk grooves or jazzy solos; it is a deeply plural album. Multi-influenced, multicultural, multilingual, a slice of life as much as an initiatory journey, on which hovers the spectre of Covid, which has also largely inspired this second ‘effort’. Standing against absurd sanitary rules or the accumulation of profits by the powerful of this world and other pseudo-philanthropists, APP, again, reminds us of the great Fela, as much by the use of an acronym to entitle the album as by the themes addressed or the mixing of genres. A warrior album, filled and full of revendications, but also of calls for open-mindedness. An intensely human, sincere, combative album, and however radically enthusiastic and optimistic.

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Novidade

Voaria

12" | 1986 | UK | Reissue (Mr Bongo)

Release: 1990 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1990 ‘Voaria’ was written by Benjamin Nhassavele and produced & arranged by the late Tata Sibeko, the revered South African producer and member of Kabasa. Taken from the LP of the same name ‘Voaria’ was released at a time when early house music was emerging as a key influence in the South African musical landscape, an evolement of the Bubblegum pop sound that had fused disco and boogie with township funk. Characterised by Roland kick drums, Yamaha DX7s and Juno Synthesisers the Kwaito sound is the musical heartbeat of ‘Voaria’.

As well as being in Novidade, Benjamin toured the world extensively as part of Alec Kaholi’s Umoja and ‘Voaria’ is a song about his desire to go back to Maputo, his hometown in Zimbabwe. Featuring Benjamin on lead vocals ‘Voaria’ comes in 2 versions, a main House mix on the A side and the Clubhouse mix on the flip which switches up the arrangement placing more emphasis on the magical groove. The 12” is housed in a full sleeve jacket by Bradley Pinkerton based on the original release design.

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Stimela

Rewind

12" | 1980 | EU | Reissue (Atangana)

Release: 1986 / UK – Reissue

Genre: Organic Grooves

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The unique sounds of Ray Phiri's Stimela are showcased on this gem of a 12” EP from 1986. It was originally released only in South Africa on Gallo / CBS Records, although a 12" featuring the track 'I Hate Telling A Lie' was previously released on Plum Records in 1983. It has now become a sought-after item due to its addictive and original-sounding Balearic disco / cosmic boogie-esque nature.

Stimela were a popular and successful Mbaquanga / fusion outfit led by the guitarist, vocalist, songwriter, producer and arranger Ray Phiri; who was previously a member of the legendary band The Cannibals. The musicians would go on to gain global fame after featuring on Paul Simon's iconic 'Graceland' album and the mega tour that followed.

Kicking off the EP is a magical track that floored us from the first moment we heard it and one that has since become a Mr Bongo firm favourite. ‘I Hate Telling A Lie’ is a slow, infectious building groove that sits somewhere between lowdown jazz-funk, soul, reggae and gospel with shades of new wave pop and Balearic. It’s a truly stunning track that is hard to pigeonhole and all the better for it.

Another highlight from the EP is the monster instrumental, synth-boogie sound of 'I Love You'; championed by DJs such as Jeremy Spellacey (Crown Ruler). This hypnotic groove bubbles to perfection and is a slo-mo chugger extraordinaire.

We hope you dig it as much as we do.

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Touré Kunda

Manso / Touty Yolle

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Atangana Records is back with two afro disco groove tracks from the second album of the mythical Senegalese band Touré Kunda. The tracks "Manso" & “Touty Yolle” were originally released in 1980. The remastered track "Manso" is remixed on B1 by the duo Deni Shain & Mister Francky and B2 with the remixes add part. When Deni struck gold: "It was a warm Sunday in Guadeloupe when I went back for some for digging, after looking through 800 vinyls, I was swayed by the album E'mma Africa from Toure Kunda. Listening to it sent me back to my youth, when I used to play the K7 over and over again.As I replayed the LP, these two songs stood out and I could instantly picture the potential & the remix I could do with Mister Francky."

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LP | 2022 | EU | Original (Wagram)

Mambo

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | EU | Original (Pandac)

Patrick & Alex

Espoirs

Release: EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Wagram)

Salsa

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2021 | UK | Original (Mr Bongo)

The Toreadors

Thembi / Gwinyitshe

12" | 1986 | EU | Reissue (Afrosynth)

Release: 2021 / UK – Original

Genre: Organic Grooves

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This deep soul-jazz double-sider, recorded on October 3rd 1972, was released as a seven-inch single on Motella, one of the many labels of the Mavuthela Music division of Gallo Africa (now Gallo Record Company). Mavuthela was founded by the talent scout and producer Rupert Bopape in 1964. This recording of 'The Toreadors', a one-off session group, was produced by Ray Nkwe who worked as an independent producer for several different companies and was responsible for organising many African jazz-oriented sessions in the 1970s and early 80s.

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Condry Ziqubu

Gorilla Man

LP | 2020 | EU | Original (Heavenly Sweetness)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Four tracks by one of the biggest names in South African disco: Condry Ziqubu. A regular on the local soul scene since the late 1960s in groups such as The Flaming Souls, The Anchors and The Flaming Ghettoes, by the mid-80s he had qualified as a sangoma (traditional healer), recorded with Harari (the biggest group in the country at the time), fronted his own group Lumumba, and travelled the world as part of Caiphus Semenya and Letta Mbulu’s band. In 1986 he ditched Lumumba and released his first solo hit, ‘Gorilla Man’. Opening with an audacious 20-second intro, the song tells the story of a man preying on women in downtown Johannesburg. It highlights Condry’s winning formula of lyrics that touch on everyday South African issues and places (without drawing the attention of apartheid censors). Musically the song draws obvious influence from Piano Fantasia’s 1985 Euro-disco hit ‘Song for Denise’. Also included on this new anthology is another song from the same album, the politically charged ‘Confusion (Ma Afrika)’, as well as ‘Phola Baby’ from his 1988 album Pick Six – a call to men to “stop pushing your woman around … what kind of man are you?” – and ‘Everybody Party’ from 1989’s Magic Man, a straight-up party song with no political or social intimations, other than as a brief escape from the harsh reality of the time, one that still resonates today. Gorilla Man will be released on vinyl and digitally in early 2021 on Johannesburg-based Afrosynth Records (afs047), distributed worldwide by Rush Hour in Amsterdam.

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Edmony Krater

J'ai Traversé La Mer

Release: 2020 / EU – Original

Genre: Organic Grooves

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Spirit Of Brazil (New Version)

LP | 2020 | EU | Original (Wagram)

Linda Majika / Thoughts Visions & Dreams

Release: 2020 / EU – Original

Genre: Organic Grooves

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Spirit of Brazil is the new release in the spirit of Vinyl collection.12 unforgotable tunes to rediscover the Spirit of Brazil.

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Let's Make A Deal / Step Out Of My Life Feat. Ray Phiri

12" | 2020 | EU | Original (Rush Hour)

12" | 2020 | EU | Original (Banquise)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Double sider 12" including the bubblegum club track ''Let's Make a Deal'' by Linda "Babe” Majika, which was originally released on the rare 'Don’t Treat Me So Bad' lp in South-Africa, 1988. On the flip, you’ll find the deep late-night saxophone driven tune ''Step Out Of My Life'' which includes Don Laka on the keyboard and is produced by Ray Phiri, who also founded the popular South African group 'Stimela'. The song was originally released in 1989 and finally sees a reissue, pressed as a loud DJ-friendly 12-inch.

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Zogo

Please Please

12" | 1983 | EU | Reissue (Afrosynth)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Rare Afro-Disco track originally released 40 years ago by Cameroon disco winner Zogo. This release includes two remixes by Gerd Janson and Bellaire.

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Adaye

Turn It Up

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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12" | 2019 | EU | Original (Favorite)

Esnard Boisdur

Mizik Bel

12" | 1975 | EU | Reissue (RCA)

Release: 2019 / EU – Original

Genre: Organic Grooves

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“You don’t need to be a fan of Gwoka or even Antillean music in general to fall in love with the deep, expressive voices of the singers of the genre. Artists like COSACK, ANZALA and ESNARD BOISDUR have fascinated music lovers around the globe for decades. It’s not only the drumming style accompanied by their beautiful melodic intonation, but also the revolutionary spirit of these songs that make them a unique and powerful document of the culture and the history of the Antilles and the Caribbean.
I remember the first time I listened to this type of drumming and signing, live at the re-enactment of the slave riots, and being completely emotionally overwhelmed by it. Some of my record collector/DJ colleagues and friends – first and foremost Hugo Mendez and Émile Omar – shared the same fascination for the genre and kept inspiring me, and countless others, by their DJ sets at Tropical Discoteq in Paris, where I have had the pleasure to be one of the residents for five years and counting. At one of those nights, I met my friend Pascal Rioux from Favorite Recordings and told him about an amazing unreleased track I received months before, on a home-burned CD, from ESNARD BOISDUR. Among other beautiful songs, it contained one outstanding track, a mix of modern Gwoka and Zouk called “MIZIK BEL”.
When I started playing that track out, there were fierce reactions on both ends. The crowds loved it and after a while you could hear people cheer when they heard the first notes. Many DJs and labels wanted it, demanded it, and would even go as far as to block or unfriend me if I refused to comply. It became clear to me that the track had to be released on vinyl for the first time and made accessible to people who wanted to play it, while giving the original artist full credit. At the same time, I knew a remix version of the track that would pay respect to the original could only be created by getting the original stems, and not by editing the main track and pressing it into an “electronic dance corset.” Pascal agreed to the idea and started the licensing work and the search for the stems, which resulted in an ongoing three-year quest that was crowned by the finding of the ADAT containing the original tracks.
As AFRICAINE 808, Dirk Leyers and I spent considerable time trying to re-create the composition of the original, respectfully slicing and re-arranging it, adding new instrumentation, and recording additional percussion and talking drum with our percussionist ERIC OWUSU (Pat Thomas/Ebo Taylor). We stretched it, adding a krauty synth part without losing the focus of Esnard’s beautiful voice and lyrics, describing Caribbean music in all its diversity and beauty.
With this in mind, I hope you can now enjoy the beauty of “MIZIK BEL” as much as we have so far.” – (DJ NOMAD, June 2019).

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Buari

Karam Bani

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Official, remastered reissue of this disco tinged, afro funk treasure and the first time the ‘Karam Bani’ single has been cut to 12” – maximising every ounce of highlife soul from Sidiku Buari’s productions.

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12" | 2018 | EU | Original (Cree)

Tropical Tricks

Afro Latin Vintage Orchestra

Release: 2018 / EU – Original

Genre: Organic Grooves

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We thought turning five this year would be a good reason to ask some friendly DJs and producers to go through our catalogue and select their favorite track to do an edit or remix on.
The first selection by DJ Nomad from Berlin is Barbara Hernandez' 'All Nite Tonight', written and produced by Leston Paul from Trinidad. Nomad's edit drives the song's dance floor ambition even further beyond the top. As a DJ Nomad does not necessarily put a label on his style, but always expresses love for Polyrythms, Soulful harmonies and the African drums and Percussion. He's notorious for finding fresh world music dance tracks all around the globe, before they become hits, and a massive collector of Tropical Soul, Funk and Disco.
His energetic and surprising , always fresh DJ set's earned him a residency in Paris's infamous ‚Tropical Discoteq’ Parties among the best Dj's of the genre. He is the founder of ‚Vulkandance’ Parties, Blog and Label in Berlin .. He's together with Edna Martinez cofounder of ’El Volcan’ - The first continental European Colombian Pico Soundsystem. As a Producer he's breaking ground and travelling the world together with Dirk Leyers and the transcultural Project Africaine 808, besides working as a master Editor for other artists around the globe. Keshav Singh who is part of Trinidadian/British production duo Jus Now put his hands on Trinidad's Mansa Musa's ’Beat The Drum’.
Being a percussionist in his own right he transformed the song into a housy Soca track and pure dance floor fiah! With his partner Sam Interface, he has produced soca music with EDM influence for Bunji Garlin, Machel Montano and 3Canal. Keshav commutes between Trinidad and the U.K.
The next two tracks are taken from our upcoming compilation ’Gotta Nice Buzz - The Funky Sound of Semp Studios Trinidad, W.I.’. French DJ & record collector Waxist gives Zodiac's ’I Believe’ a proper treatment. ’I Believe’, written by Francis Escayg, is an uptempo Caribbean Disco tune with a strong Giorgio Moroder influence with Denise Plummer on vocals.
Waxist, based in Lyon, France, started his love story with records as a teenager when he bought his first reggae 7 inches. If his love for Jamaican music has survived through the years, the DJ has progressively extended his interests to different, more dancefloororiented music genres like Disco, Modern Soul, Boogie or even a touch of House when needed... Being careful with the technique, as well as with the coherency of his selection, his sets are an invite to a dancing musical journey taking the audience from Disco to Modern Soul, through more Caribbean or Brazilian sounds.

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Morpheus

LP | 2017 | EU | Original (Officehome)

LP | 2017 | US | Original (Awesome Tapes From Africa)

Release: 2017 / EU – Original

Genre: Organic Grooves

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After two hip-hop albums (Got To Get Down in 2016 and Impact in 2017), the unpredictable Afro Latin Vintage Orchestra comes back to its fundamentals with a new instrumental album: MORPHEUS which repositions the band in the spirit of their previous spatial, almost cosmic albums Last Odyssey (2012) and Pulsion (2015), both released on Ubiquity Records and acclaimed by spiritual and fusion jazz lovers, library music fans, as well as rare grooves diggers (ALVO’s first 4 vinyl albums now being out of stock).
Each new ALVO new release is a millesimal which evolved and learned from its predecessors. Masta Conga, who’s still leading the herd, has for main purpose to explore the musical space-time, gaining ground on never before revealed tracks, followed by his now faithful team of atypical and farseeing musicians.
Compared to Miles Davis and his On The Corner by Wax Poetics, the band dives again in this “realm of psychedelia and beyond”, in particular with the contribution of Indian musicians. Twirling around violins, superimposed patchy keyboards and effects, just as if their conductor wasn’t already sufficiently influenced by Pierre Boulez and others such as Hiroshi Murakami…
The result is however more uncluttered and loaded with multiple vibes than its predecessor Pulsion, which already carried the ceremonial characteristics of cult movie soundtracks. Tracks “Moksha”, “Air” and “Morpheus” are the perfect demonstration, and far beyond their names. Simple grooves, lunar, but terribly efficient, emphasized by a mix that puts focus on these fiddly contributions of ethnic instruments, on percussions and horns on a drip of delay, reverbs and other space-echoes.
On the other side, the very rhythmic “Descarga Uno”, “Descarga Dos” and “Super Dopamine” show that the Parisian crew hasn’t lost its good habit to look around latin, ternary, and syncopated rhythms, in the ALVO only style!
A new millésime, a Grand Cru maybe, but for sure to taste and appreciate in all weathers including space ones.

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Umoja

707

LP | 1981 | EU | Reissue (PMG)

Release: 2017 / US – Original

Genre: Organic Grooves

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Originally recorded in the 1980's in South Africa the release is a cosmic blend of disco, soul and pop. Umoja were one of the key figures in a genre which has since become known as 'Bubblegum Music' with the group recording their music during the violent era of apartheid in Africa.

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Emma Ogosi

Nobody Knows

LP | 2013 | UK | Reissue (Voodoo Funk)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Emma Ogosi has worn a lot of different hats in his career: former air force officer, guitarist with Benin-based Pogo Limited, and husband and manager of Nigerian reggae superstar, Evi-Edna Ogholi. In 1981, he donned a sequined cowboy hat and released Nobody Knows. Nobody Knows is arguably the Nigeria’s best – and perhaps only – Disco Country album. Country music has always been influential in the country and Ogosi managed to channel Jim Reeves via the bright lights of Lagos’ burgeoning disco scene to produce an album of sparkling mournfulness. The album starts brightly with ‘You And I’ and ends with ‘Orindo,’ a horn-driven dance floor filler. ‘Nobody Knows’ and ‘A Lonely Child’ venture into ‘you done me wrong’ territory. And you can imagine Kenny Rogers covering ‘Give A Little’, albeit wearing flares and platforms and a moustache instead of a beard. Overall, though, Nobody Knows is as disco as the sharp suit and gull-wing collar Emma is wearing on the cover. But don’t be fooled – there are rhinestones on that there glitter ball. - Peter Moore

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Nath & Martin Brothers

Money

Ray Stephen Oche And His Mutambo

Release: 2013 / UK – Reissue

Genre: Organic Grooves

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The Martin Brothers are pioneers of the Nigerian Funk and Afrobeat scene. Besides many releases under their own name, as the Tabansi Studio Band they lit up innumerable recoding sessions — it's them on Pax Nicholas' Na Teef album, for example; and the same team is behind the legendary Saxon Lee & The Shadows International LP.

Money is the Martins at their deepest and heaviest — tearing, wailing, mid-seventies funk, heady with spirituality. Superbad from start to finish with no let-up.

Original copies are amongst the most sought-after of all African and funk records on the international collectors' scene. It seems there is just a tiny handful of copies at large.

The tracks were originally laid down at Ginger Baker's ARC recording studio in Lagos and later mixed down at London's Tin Pan Alley Studios. The audio restoration and remastering for this re-issue was done at Abbey Road.

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Interpretation Of The Original Rhythm

LP | 1970 | EU | Reissue (Favorite)

Me Sim Rrom - I'm A Man Limited

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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High on everyones afro-jazz wishlist!

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Fanfare Ciocarlia

7" | 2024 | EU | Original (Asphalt Tango)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1987 | PT | Original (Dacapo)

Bonga

Massemba 87

7" | 2024 | EU | Original (False Idols)

Release: 1987 / PT – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Writing on label sticker.

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Dubkasm & Eek-A-Mouse

Skateland Rocking

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2021 | FR | Original ([PIAS])

Delgres

4:00 AM

Release: 2021 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Near Mint

Madan (Martin Solveig Remixes)

Salif Keita

12" | 2024 | UK | Original (South Street International)

12" | 2020 | EU | Original (Banquise)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Originally released in 2002 the Martin Solveig remixes of Madan by Salif Keita is one of those rare releases that even now, 22 years on still gets played everywhere from festivals in Croatia to super clubs in Ibiza. Anyone who has graced any dancefloor in the past 20 years will no doubt instantly recognise this one!

Afro house with a French touch, Salif Keita, often referred to as the 'Golden Voice of Africa' lends his impeccable vocals to flawless production by Martin Solveig.

Until now the only way to obtain a copy on vinyl would be to pay close to £50 on second hand market. For the first time since its original release in 2002, South Street International have remastered and officially reissued this modern classic. Both the Exotic Disco Mix & Exotic Disco Dub are included here, one side each & cut loud for maximum enjoyment.

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Zogo

Please Please

12" | 2023 | EU | Original (Canopy)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Rare Afro-Disco track originally released 40 years ago by Cameroon disco winner Zogo. This release includes two remixes by Gerd Janson and Bellaire.

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Alafia

The Sam Redmore Reworks

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2024 | EU | Original (Comet)

Mind

For Peace Remixes

12" | 1983 | EU | Reissue (Afrosynth)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Jean-Phi Dary's much-anticipated *MIND* project gets its first release with the *For Peace Remixes EP*. The record is
set for release on September 20, 2024, via Comet Records. Featuring the extraordinary talents of French producer
*I:Cube*, who brings his extensive expertise in the electronic scene to reinterpret Dary's original MIND compositions in his
own unique way.
The record opens with a masterful blend of rhythmic precision and electronic depth, infused with Dary's signature style with
a mindful, meditative quality. This 3-tracker delivers a dynamic and immersive experience with *I:Cube* signature rhythmic
excellence and sharp focus on dance floor ready grooves.
Jean-Phi Dary, a producer and keyboardist with deep roots in Paris, London, West Africa, the Caribbean, and the United
States, has crafted his debut project MIND to serve as a culmination of his musical journey. With sounds inspired by legends
such as Herbie Hancock, Wally Badarou, and Brian Eno - Dary's work is bedded deeply in the modern modular synth
culture and enriched by his collaborations with renowned artists like Tony Allen, Papa Wemba, and Jeff Mills - who Jean-
Phi is currently collaborating with on "Tomorrow Comes The Harvest" with their album Evolution out last year, soon to be
followed by a worldwide tour in 2024!
His innovative use of technology and analog instruments, combined with the unique contributions of I:Cube make the *For
Peace Remixes* a notable release.
*Artist Quote* "I had the opportunity to use magnificent samples of the voices of singers from the Maroni River in French
Guiana on certain tracks, these voices of the Bushinengé people reconnect me to my Guyanese and neg-maroon origins,
my mother was born on the river and my father grew up in the Amazon region..”

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Adaye

Turn It Up

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

7" | 1978 | EU | Reissue (LAVA ON WAX)

Outfit

Dr. Spougenstien

12" | 2021 | EU | Original (La Casa Tropical)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!

The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.

This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.

This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

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Morgan

Vakonwana

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 1985 | EU | Reissue (La Casa Tropical)

Amajika

Got My Magic Working

12" | 1995 | UK | Reissue (Soundway)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Papillon

Moulongo

Chief Commander Ebenezer Obey & His Inter-Reformers Band

Release: 1995 / UK – Reissue

Genre: Organic Grooves

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Ferdinand "Maréchal" Papillon was part of the makossa wave that moved from Cameroon to France and across the African diaspora in the 80s and 90s, bringing the sounds of rhythms of Douala and Yaoundé to the clubs and dancefloors of Paris. Although best known for his Sakissa style - his own uptempo take on the makossa of Cameroon - Papillon also regularly featured zouk and reggae influenced tracks on his albums, combining Caribbean and African influences into a unique sound that has stood the test of time."Moulongo" originally appeared on Papillon"s highly sought after 1995 album "Homme fort....je suis sérieux" and was recorded at Studio de la Madeleine in Paris. The Moulongo session features a who"s who of the Paris scene of the time - Aladji Touré and Toto Guillaume from Cameroon as well as Congolese guitar greats Ngoma Lokito and Nene Tchacou - and combines dancehall, zouk and makossa elements for a pan-African dancefloor sureshot.

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Eyi Yato Remixes

12" | 2024 | UK | Original (Sol Power Sound)

12" | 2024 | UK | Original (Razor-N-Tape Reserve)

Release: 2024 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip. Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

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Pahua

Habita

LP | 2021 | EU | Original (Irfan (Le Label))

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music.

Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.

With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.

This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.

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Les Ogres De Barback

Rue Du Temps

Release: 2021 / EU – Original

Genre: Organic Grooves

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CD | 2010 | FR | Original (Comet)

Tony Allen

Black Voices Revisited

Release: 2010 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 1992 | EU | Reissue (Hot Casa)

Lutchiana Mobulu

Eki Bis

12" | 2023 | UK | Original (Bacalao)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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Reissue of one of the Ultimate Soukous banger! Originally recorded in 1992 in Paris , « Eki Bis « is a party classic. The chorus « 100 % 100% » became a common expression all over the world helped by the hypnotic guitars of the maestros Diblo Dibala and Rigo Star and a smashing uptempo electro acoustic drum beat. Le Cobra de Sundama is a famous singer from Kinshasa (Democratic Republic of Congo ) who composed more than 12 albums backed by great band such as Empire Bakuba , and was considered as The voice like Kofi Olomide or Papa Wemba mixing lingala and French street expressions. After many concerts and tours allover the continent , he finally settled in Angola . The B side features a Dj / radio edit with the addition of few electro synths . Produced in Paris by the great producer Jacky Toto and now officially licensed . Remastered by The Carvery and pressed on limited 500 Deluxe vinyl copies.

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Bosq & Kaleta

Meji Meji / Sonayon

15,19 €* 15,99 € -5%

CD | 2022 | EU | Original (Hot Casa)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Bosq & Kaleta return for the second single off their forthcoming full length album. Uplifiting Afro Disco & Funk are the name of the game on this beautiful release with artwork by Amanda Lobos from Brasil.

It's not possible to pick an A & B side between these two quality cuts, recorded between Bosq's Medellin Studio, NYC & Cotonou, Benin (one of Kelata's hometowns).

Sonayon is a midtempo summertime Afro Disco burner that almost doesn't need a translation from it's Gun (A language native to Benin and some parts of Southern Nigeria) lyrics for you to understand that it speaks of overcoming hardship & brighter days ahead.

Meji Meji, loosely meaning something akin to "two heads are better than one" in Yoruba takes a similarly positive stance, with Kaleta singing about unity over division on a heavy Disco Funk groove with blistering horns and heavy percussion.

Both sides already getting heavy support on dancefloors worldwide.

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Roger Damawuzan

Seda

2LP | 2022 | DE | Original (Decca)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Since his introduction in the 60’s, he has lit stages on fire, whether it be with The Rickers Orchestra or with The Melo-Togo Orchestra (taking home 2nd place for the first National Festival of Tologese Music). His first seven-inch vinyl, “Wait For Me,” is a holy grail for diggers all around the world. It was such a hit that Togolese music is and will forever be stamped by Roger Damawuzan. He was principal in introducing Gazo, Akpesse and Kamou rhythms to modern day soul music. In Avépozo - a few kilometers from the capital, Lomé. Though Tropicana Hotel has been closed for years, the many European tourists who were lucky enough to visit have not forgotten the nights that Roger Damawuzan set ablaze throughout the years. Indeed, in their collective memory is nostalgic of his flaming spirit and the rawness of his rigorous funk. He is timeless: since 1987, the Tropicana is no longer but Damawuzan roars on. In response to requests from his studio and his label, “Tropicana Sounds”, which, during 80s, was responsible for releasing his work, Damawuzan also gave his expertise and was a major influence on the evolution of hip-hop and Tologese electro. Relentless and unstoppable, Roger Damawuzan is now making a comeback with Seda. Afro. Soul. Funk. Vaudou. This album may be described, but it cannot be explained. Only through listening to this disk at a high volume will one completely understand, at its full scope, Roger Damawuzan’s emotions, his complaints, his cries, and all his evisceration when he takes the mic. Such a force of nature, Roger Damawuzan could have been supported by only one group. Led by Peter Solo, the members of the Vaudou Game and Lomé’s most talented musicians are at Damawuzan’s disposal for this album. The bass thunders in his honor, the brass escorts his arrival through the drums' rhythmatic steps, and the guitars riff so perfectly to serve as the ideal bedrock. Such a force of nature, this album could have been only captured, if not mastered, by one studio. Such mission was accomplished by the legendary studio Otodi (Office Togolese of Disks) by utilizing solely analog equipment to translate and to breath all of Damawuzan’s soul into this album. In Mina, Roger Damawuzan’s native tongue, Seda means “listen.” And this is neither advice nor a suggestion - it’s an order!

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Salif Keita

Mouffou

12" | 2019 | ZA | Reissue (La Casa Tropical)

Release: 2022 / DE – Original

Genre: Organic Grooves

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"
After his many musical peregrinations, Salif Keïta made a salutary return to his roots with Moffou. Originally released in 2002, the album has since sold over 200,000 copies worldwide. To mark its 20th anniversary, Decca Records France is reissuing the album on CD (out of print) and releasing it on vinyl for the first time. Both formats include the bonus track Martin Solveig's famous remix of Madan."

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Patience Africa

Wozani La

Release: 2019 / ZA – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2022 | EU | Original (Mawimbi)

Jally Kebba Susso

Freedom

Idrissa Soumaoro L'Eclipse De L'I.J.A.

Release: 2022 / EU – Original

Genre: Organic Grooves

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Born in a Gambian griot family, kora virtuoso and afro-fusion pioneer Jally Kebba Susso has been active in the UK music scene for twenty years. While based in London, he has tirelessly, through both personal and collective endeavours, built a singular musical identity by working hard on making the timeless Mandinka kora, an instrument he's been playing since his youth, sound like never before, combining the ancient West African strings with forward-thinking aesthetics and myriad of musicians and producers from the thriving London music scene such as Onipa, Dark Sky and Kay Suzuki. Jally Kebba Susso has already released two albums as a solo musician ("Malaye Warr", 2012 and "Banjul - London", 2017), as well as a member of the successful afro-fusion band Afriquoi, whose latest EP has garnered a very wide support, culminating in several million streams and performances on some of UK's biggest festival stages (Boomtown, Glastonbury). Freedom! A heartfelt shout expressing the newfound joy of an African musician whose working conditions, despite his long-standing roots in the London music scene, have sometimes been precarious. A newfound freedom to be able to look ahead and fully persue one's need of self-actualisation. Hence this new EP, written with the help of Jally's accomplished band members (Yuval Juba Wetzler, Nim Sadot and Oli Arlotto) and produced by Tom Excell (Onipa, Nubiyan Twist), whose 4 tracks all deal with topics (identity, homesickness, family, social justice) which are dear to Jally's heart as a Gambian native and West African musician settled in Europe. A pleasant atmospheric opener, "Wulu Doula" rides on a classic Afrobeat groove, while Jally reminds us how we are only what we become, no matter where we come from and who we inherit from. "Justice" is a stomping mandinka funk hit, in which "freedom, equal rights and justice" are claimed by Jally for all fellow artists and musicians from the West African diaspora working in Europe. Clearly anchored in Gambian music tropes and reminiscent of the pioneering mandinka fusion of Ifang Bondi, "Fakoly" tells the story of Jally's family lineage, as a member of the 74th Susso generation. As Jally puts it, "being a griot is a way of life". Homesickness can be a bitter feeling. But you can turn it around. That is exactly what Jally achieves with "Banjul", a cheerful, funky tribute to the Gambian capital, in which Jally grew up, learning words of wisdom from his elders.

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Le Tioko-Tioko

CD | 2022 | UK | Original (Mr Bongo)

12" | 2022 | EU | Original (Soundway)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Idrissa Soumaoro, L’Eclipse De L’I.J.A.’s sought-after album ‘Le Tioko-Tioko’ was originally released in the German Democratic Republic (gdr) in 1978 and has been a long-time favourite at Mr Bongo. Two tracks from the album were featured on our 2017 compilation ‘The Original Sound Of Mali’ (mrblp135), and we subsequently released the track ‘Nissodia’ on its own 12” (mrb12053) in 2020, complete with a blistering dancefloor re-edit by Mike D of The Beastie Boys.

‘Le Tioko-Tioko' is one of the rarest vinyl albums from the already scarce Malian vinyl discography, partly as the album was never released commercially, only independently distributed via the Malian Association for the Blind in Bamako. Though recorded at Radio Mali under the aegis of master engineer Boubacar Traoré; the album was originally released in East Germany. The tapes had been taken by some Malian students to East Berlin as part of a student exchange program. It was then manufactured and released on the East German state-owned label Eterna with only a few boxes of records being shipped back to Bamako.

A true masterpiece, this legendary LP offers some devastating songs such as ‘Djama’ (society), ‘Nissodia’ (joy of optimism), and ‘Fama Allah’ (an ode to god). Hypnotic organ riffs and breakbeats convey an unknown funk quality in Malian music, it now stands as a loving tribute to an unsung Malian golden age. Sadly, like many of the other now desired and prized vinyl rarities, at the time of release, it almost immediately disappeared without a trace due to a lack of promotion, and distribution. So, it feels fitting to share this gem of a record again, and hopefully it will reach the wider audience it deserved over 45 years ago.

Many thanks to Florent Mazzoleni for contributing sections of these notes.

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Pigeon

Yagana

Orchestre Poly-Rythmo De Cotonou Dahomey

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Born out of an impromptu post-pub jam session in Margate, the 5-piece group Pigeon swoops onto the scene with their blistering debut EP Yagana.

As the tracks cross effortlessly between Afro-disco, grunge, no wave and jazz, the cohesive symbiotic relationship of the band members is obvious from the start. The powerful vocals of Guinean singer Falle Nioke are complemented by a wealth of talent from Graham Godfrey on drums, Steve Pringle on keys, Tom Dream on guitar and Josh Ludlow on bass.

Having moved to the UK from West Africa in 2018, Falle Nioke has recently been in the spotlight with EPs heavily supported by indie radio and BBC 6 Music playlisters. On Yagana, he continues to sing in a multitude of languages, but this time shifts towards a more organic musical direction, showcasing his incredible versatility as a vocalist.

This new path can be attributed to the pedigree of the rest of the group – veteran musicians Steve Pringle and Graham Godfrey are key members of Michael Kiwanuka’s band, the latter also performing with Little Simz, Cleo Sol and Sault, among others.

Furthermore, Tom Dream and Josh Ludlow are electronic artists in their own right – with a number of artistic projects in the works, as well as having performed together as ambient duo Soma World. Both used to play in metal and grunge bands in earlier years, an influence which has made its way into Pigeon’s distinctive sound.

The Yagana EP is an emotionally-charged offering, exploring themes of lust, saudade, homesickness, and hope for peace. The title track ‘Yagana’ translates to “it’s been a while”, and though its up-tempo disco rhythm and wild synth solos lend a cheerful disposition, the lyrics describe a melancholic yearning for Africa. Nioke sings in Susu, Wolof and Malinke – as he describes the struggle of being separated from one’s family, as well as hustling to support them financially from afar.

As a teenager, Nioke would train his voice by the great river Rio Nunez in Boké, among the remnants of the slave trade, pathways and crumbling buildings being swallowed up by the forest. While most Western teenagers grew up with traditional pets, Nioke disclosed to his band members that his closest animal friend in West Africa was the pigeon – and so the name of the group was chosen.

Moving through the record, ‘Nothing Grows’ follows on from the Afro-disco opener, bringing down the tempo and intensity. The heavily swung jazz rhythm is driven by the drums, while soft guitar tremolo picking and synth pads produce a delicate atmosphere over which the singer mournfully longs for a lost love.

But having lured the listener into a meditative and pensive state in ‘Nothing Grows’, feathers are suddenly ruffled by the entrance of “It’s You” - a sultry story of burning desire. Channelling grunge and elements of no wave, the song is defined by a rumbling bass that pulses alongside the kick, while an atonal synth riff and fuzzy guitar licks provide the minimal melody. Piercing through it all is the hypnotic spoken word of Nioke, switching between French and English, as he beckons – and at times even demands - a lover to enter his room.

Finally, ‘War (Jam)’ returns the record to its 4x4 disco pace, featuring rapid-fire hats and high-pitched guitar riffs seemingly nodding to Mugithi, a genre often associated with political commentary. This concept is built upon with lyrics sung in Susu, as Nioke condemns wars around the world and their ongoing futility, pleading for people to unite and create a better place. Running just over 7 minutes, ‘War (Jam)’ is an improvised long take which continuously evolves, allowing each musician an opportunity to shine.

Recorded in a single weekend, Pigeon’s Yagana EP is a clear testament to each member’s skilfulness and varied experiences, creating a fully-fledged being that is greater than the sum of its parts. With an opening hand like this, we await with bated breath to see what more the humble Pigeon can bring to the world.

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Gbeti Ma DJro / Angelina II

7" | 2021 | EU | Original (Acid Jazz / Albarika Store)

CD | 2021 | EU | Original (Favorite)

Release: 2021 / EU – Original

Genre: Organic Grooves

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More dancefloor dynamite from Benin's almighty Orchestre Poly-Rythmo de Cotonou Dahomey, this time in the form of 'Gbeti Ma Djro'. Confusingly described on the centre label of the 1971 original issue as ’Soul’, this is in fact a prime slice of Afro-psych-funk complete with wails and grunts over fierce drums and picked guitar. 'Angelina II’ is a much warmer affair that rides a shuffling mid-tempo pachanga groove. Both tracks were transferred, restored and mastered from the original 1/4 inch tape.

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Voilaaa

Voiciii

12" | 2020 | EU | Original (Rare And Or Interesting)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Favorite Recordings proudly presents Voiciii, the 3rd and new album by Voilaaa, an immersive dip into its Afro-Disco universe spread across 14 tracks. Needless to say you’ll find in this new LP all the ingredients that made him famous: strong dancefloor-friendly festive bangers, irresistible funky arrangements and an undeniable sense of humor and irony. Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”). Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.

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Joe Sembene

CD | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Newborn french label Raoi Records is proud to release for the first time a remastered and fully licensed compilation of the two sought after records of Joe Sembene: Heart of Africa & Weur Di Dane/Le P’tit Quinquin. Side A is "Heart of Africa" with the songs "Gorelle" & "Autrefois", two timeless and unparalleled afro/electronic tracks. The first song on Side B is "Weur Di Dane", a perfect blend of afro and boogie vibes. The voice of Joe's wife, Josy Sene, stands out all along the track, a pure bliss! This is followed by a cover of a traditional song from the north of France called "Le P'tit Quinquin", but Joe gives it a strong reggae twist in the vain of Serge Gainsbourg’s "Aux Armes Et Cætera"! However, it had little success at the time... After recording these two remarkable and hard-to-find 7 inches at September Records in Lille (Fr), Joe suddenly disappeared… Who knows where Joe Sembene is right now?

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The Star Beams

Play Disco Specials

Release: 2020 / EU – Original

Genre: Organic Grooves

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12" | 1985 | EU | Reissue (Soundway)

Free Youth

We Can Move

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Soundway Records reissues Free Youth’s long sought-after 1985 single “We Can Move”, their only release - fully restored, remastered and available for the first time on digital and 12” vinyl. “We Can Move” is the first known iteration of Ghanaian hip hop, emerging at the dawn of ‘hip-life’ (hip hop meets highlife).
Free Youth comprised three main members: Terry “Sir Robot” Bright, Lenny “Nii Addy” Dimple, and Abednego “King Abed” Ayim Bright. In the early 80s they began performing in clubs and parties across Accra, with friends and other dancers occasionally joining them on stage – including Reggie Rockstone, who later went on to find commercial success.
In 1985, the band were approached by a producer and invited to record at a local studio. Without having written down any music, Terry, Lenny and Abed sang the parts and beatboxed the rhythms to the session musicians prior to recording. Out of this session came “We Can Move”, a blend of hip-hop and Afro-funk with a proto disco-boogie beat, punchy trumpet riffs and melodic rapping.
Included in the Soundway reissue is an exclusive instrumental cover version of “We Can Move” from Welsh ensemble Drymbago. This replaces the original B side track “Freedom Video Centre”, which was an advertising jingle for a business associated with their former producer. Soundway Records is pleased to deliver Free Youth the release that they were after, 34 years later.

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Ray Lema

Gaia

LP | 2019 | US (Mango)

Release: 2019 / US

Genre: Organic Grooves

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12" | 1978 | EU | Reissue (Fleet)

Charly Kingson

Born In Africa

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Charly Kingson, (ps. for Charlie Kingue Soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 LP, Born In Africa. Often forgotten when conversations turn to Afro-dance, and the likes of Tony Allen or Fela Kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. "Born In African" itself is a funky groover for the dancefloor and here is the original 1982 Remix, made by Dutch legendary percussionist Eddie Conard available again, featuring “Nimele Bolo” on the flip-side. Released in 1982 on Ariola/Fleet, but also pressed on the original Fleet label. The latter (remarkably with identical catalog-number) never saw daylight. But, we got them all! All in all, this hard to find 12” (at Discogs copies on the Ariola/Fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again.

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12" | US (Garage Classics)

Garage Classics Volume 4

Release: US

Genre: Organic Grooves

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LP | 2024 | EU | Original (Ronet)

Ekowmania

Dr. Afrodub

CD | 2025 | EU | Original (Latin Big Note)

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Seminal Afro-dub album "Dr. Afrodub" by Ghanaian Ekowmania aka Ekow Alabi Savage. The drummer, percussionist and singer who's played with Jimi Tenor & Kabukabu for more than 20 years explores the fields of classic Roots Reggae, Afro and Dub as well as uptempo modern African rhythms and ballads. This Jimi Tenor produced album is an expansion of Ekowmania's tribute song to Kwame Nkrumah (which is also released as 7" with different versions) and Tenor's electronic loops, which they developed into a full album in guitar player Lauri Kallio's country side studio in Kiikala, Finland. The album kicks off with a very heavy, club-ready and UK reggae-styled album mix of "Kwame Nkrumah", following up with 200% intensity on the voodooesque rhythm explosions of "Twerk Your Mind", then taking a 360 degree turn with the smoothness and laidback vibes of "Kiikala Reggae". Throughout its 9 cuts "Dr. Afrodub" always approach the balance of beautiful song writing and intensity in rhythm and melody, visiting the excellent and classically crafted 70's Roots tune "Dub Souljah", the upfront & tempo-fueled "Lagos Heavy" and ending with DJ Sotofett's mix of the albums ballad "Me Know". CUT With Excellence BY Timmion Cutting LAB IN Helsinki Finland.

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Setenta

Apollo Solar Drive