Afrobeat 378 Items

2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

After their debut album the most multifaceted and unpredictable musical collective in Italy – Addict Ameba – come back with their sophomore album, “Caosmosi”. Faithful to the aim of bringing together different paths, traditions and horizons in their music, the band moves between desert-blues and afrobeat landscapes, with latin rock rides and ethio-jazz parentheses. The vision of the album is further enriched by two absolutely valuable features: Joshua Idehen, Anglo-Nigerian poet and singer and pen of Sons Of Kemet and The Comet is Coming, is the author and lead voice in “Look At Us”, a poem – or perhaps it would be more correct to say a prayer – an invitation to be protagonists and change this time, before it changes us; Rabii Brahim, Tunisian actor and musician, who in "Ya Bled" gives birth to a love song for his land, telling the nostalgia and disorientation of migrant, even when he returns to his homeland. To approach listening to this album you should project that state of melancholy euphoria that you would experience when taking part in the last great party before the disappearance of the human race... Caosmosi!

Mar & Sol presents the new album of the legendary band África Negra,"Alia cu Omali". New songs and some popular classics recorded between Lisbon and S.Tomé.
This album Its a reflection of the old rumba and soukous music that this epic band of São Tomé e Príncipe got us used to. They are an icon and one of the main bands of this island, representing in their music the authenticity and culture of the former Portuguese colony on the equatorial meridian.
It is our mission to expand this culture and here it is the testimony in our series of Luso Afro music which could best represent São Tomé.

Continuing our exploration of Sao Tomé and Príncipe with DJ Tom B., Les Disques Bongo Joe proudly announces the release of Africa Negra Anthology Vol. 2.We"ve carefully selected and remastered 13 standout tracks for this volume, digitized from studio tapes by their tour manager. The album includes a booklet with updated liner notes and vintage photos of the group.

Little known outside their native Sierra Leone where they were huge stars in the 1970s, Afro National played a brand of afro-pop that was a fusion of myriad styles, including Congolese music, highlife & Afrobeat and whose sound was characterized by up-tempo melodic guitar playing.

This double A side features two choice cuts from their 1972 debut album, the gloriously infectious and up-beat ‘Temedi Oh’ & ‘Den Kick’ which starts as a gentle rumba before launching into a joyous guitar workout.

Greece is maybe not the first country that comes to mind when you think of Afrojazz. Afrodyssey Orchestra unexpectedly hit the scene some time ago after the release of In the Land of Aou Tila, their debut album — while that first album was going to the hands of the few lucky ones who managed to discover the band back then, Afrodyssey Orchestra were already booking more studio time in order to start working on further recordings. Three years later, we’re proud to present you Under the Sun, with seven new compositions that reflect the logical evolution the band has experienced during this time, including some fine-tuning in their line-up. A melange of African polyrhythms, jazz, a scent of the Balkans and a fling with Afrobeat that holds hands with their beginnings — all this devised through the prism of the vast Greek musical universe.

As Lokalophon's first single (Chris De Wise Shepherd, LO45001) shows the one side of the label - licensing of alredy locally released music, Ye Fre Yen by Ahemaa Nwomkro shows its other side - the recording of local styles by ourselves directly on site.
Ahemaa Nwomkro, which means queens of Nwomkro, are Victoria Osei and Theresa Owusuaa. Nwomkro is an old Ashanti musical style, which played an influencial role in the origin of the typical more roots-like Highlife style of Kumasi, the cultural capital of Ghana in the middle of the jungle.

Habibi Funk is thrilled to share a second collection of deep grooves and unreleased songs from Algeria's Ahmed Malek, often compared to Italian heavyweight Ennio Morricone. Malek’s music effortlessly switches between thematic jazz, funk, reggae and Algerian folk – creating indelible soundscapes that intersect the musical innovations made in African jazz by Mulatu Astatke, Bembeya Jazz National along with some of Europe’s finest experimental composers like Piero Piccioni and Janko Nilovic.

● Tokyo based band and Afrobayashi pioneers Ajate are back with their third album: experience the explosive encounter of Afro groove and Japanese traditional Ohayashi music!

During a stay in West Africa in the late 2000’s, Japanese musician Junichiro "John" Imaeda was taken aback by the similarities he felt between the Afrobeat that resonated in the streets of Accra, and the sounds of the "Ohayashi”, the music played during ancestral Japanese festivals, in which John had participated since his childhood.

On his return to the archipelago in 2009, Imaeda created Ajate, a collective of ten passionate musicians. Together they started crafting music that moves from one world to another, with intertwined roots. The drums, flutes and bells are joined by curious instruments handmade by John himself with the essential material of the Japanese countryside: bamboo. The “Jaate”, an amplified xylophone-balafon equipped with piezoelectric sensors on each of its keys, or the “Piechiku”, a bamboo version of the Malian “Ngoni” or the Gnawa “Guembri”, equipped with shamisen strings and connected to an arsenal of guitar pedals, give Ajate an absolutely unique sound. Powerful and catchy Japanese female and male vocals bring the final touch to an incredible groove where Afrobeat and Ohayashi music are woven together so seamlessly that Ajate has managed to capture a truly distinct fusion. The band sings about the power of human connections, the force of being and living all together, the joy of sharing, and the beauty of life. Ajate’s music is a magnificent example of the way sounds are able to migrate in contemporary music.

The band’s explosive live performances have taken Ajate to the most prestigious stages in Japan, such as the Sukiyaki Meets The World and Fuji & Sun festivals. The release on French label 180g of their “Abrada” and “Alo” albums, in 2017 and 2020 respectively, opened the doors to Europe, with memorable shows at the Transmusicales de Rennes festival - followed by a session on KEXP (Seattle, USA) - at Jazz a Vienne, and at WOMAD UK, among many others. With their brand new album “Dala Toni”, Ajate prove once again that they are at the forefront of global music "made in Japan".

The Akagera trio released their debut album Serpente in 2019. The subtle blend of African music and jazz laid the foundations for a new sound driven by an unconventional ensemble of instruments.

Their new album, Traverse, is the soundtrack to the imaginary travel diary of three intrepid musicians forced to put a hold on their adventures. Over a period of three years, they took time out from improvisation sessions to collectively compose a repertoire reflecting the diversity of their backgrounds and influences: classical and contemporary music for Benoit, mixed music from South America and the Caribbean for Stéphane, and African rhythms and Brazilian grooves for David, all to the backdrop of their shared passion for jazz.

David Georgelet: drums Benoit Lavollée: vibraphone, marimba Stéphane Montigny: bass trombone

Excursions in Gwoka vol. 2 is another adventurous outing for the Beauty & the Beat label that takes them ever deeper into the gwoka scene of Guadeloupe. it is the celebrated carnival outfit Akiyo who are in focus here with two tracks taken from second and supremely hard-to-find long player, Mouvman, in 1993. 'Deboule' is a real heater with bustling drum funk and chatting tribal vocals all run through with synth wizardry from Marie-Galante Jacques-Marie Basses. 'Blo' is just as steamy and intern with percussion, whistles and big beats all making quite the impact. Breakplus adds a London twist to 'Deboule' while CW adds a cosmic air to 'Blo.'

New band from Bongo Joes agitated hometown Geneva! Just somewhere between dub tape, afrobeat and dancehall... like a lost gem of a retro-futurist soundtrack or a dusty trap song from outer space. Just listen to IVORY to catch the vibe : furious claps, deep kick, melow synth and souly vocal. Drum machine and madness are maybe the two feet they stand on. So free your mind and just dive into this post-tribal dance.

As three face of the same coin, Raphaël Anker (Imperial Tiger Orchestra), Gabriel Ghebrezghi (Ghostape, Tapes Adventure, Uberreel) and Ines Mouzoune will catch you on their spinning game... and you'll not stay indemn.