Afrobeat Vinyl 968 Items

Box Set #6 Curated By Idris Elba 7

Release: 2011 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover has tiny wear, stuffed corners. Vinyl has some scuffs and light scratches, vinyl is close to VG+. US reissue from 2011. Limited edition. Handnumbered copy #849.

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Fela Kuti

7LP | 2023 | UK | Original (Knitting Factory)

129,99 €*

Volume 1-5 1978-1984 Boxset

Release: 2023 / UK – Original

Genre: Organic Grooves

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Box Set #6 is the latest in a series of comprehensive box set reissues of Afrobeat pioneer Fela Kuti's popular back catalogue. Following previous editions curated by artists such as Chris Martin, Erykah Badu, Ginger Baker, Brian Eno and Questlove, the latest box set in the series has been compiled by actor, producer, DJ, rapper and singer Idris Elba aka Big Driis and features the classics Open & Close (1972), Music of Many Colours (1980), Stalemate (1977), I Go Shout Plenty!!!! (1977), Live in Amsterdam (1983) and Opposite People (1977).

Limited to 5,000 copies, the box set features the artwork of each album faithfully reproduced from the original vinyl pressings, as well as a 24-page booklet with the lyrics, commentary on each album by renowned Afrobeat historian Chris May, previously unpublished photos and an introduction by Elba. All box sets are accompanied by a special 16" x 24" poster designed by Lemi Ghariokwu, the creative force behind many of Fela's groundbreaking album covers.

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Alhaji Waziri Oshomah

5LP | 2022 | EU | Original (Luaka Bop)

98,99 €*

3LP Box | 2022 | EU | Original (Outre National)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Limited five vinyl LP set. Waziri hails from a small part of Edo State in southern Nigeria called Afemailand, known for being a harmonious region where Muslims and Christians live-and dance-together. And there, as a devout Muslim and an exemplar of religious piety in his community, Waziri's music fuses Etsako/Afemai folk styles with pan-Nigerian highlife and pop to create a sublime vehicle for his Islamic philosophy that gets everyone-Muslims, Christians, whoever-on the dancefloor. This 5 LP set, VOL. 1-5 (1978-1984), focuses on Waziri's illustrious mid-career output-the music he created during the years leading up to and after he made his first hajj. Every song here (some of which you might recognize from The Muslim Highlife) strikes his signature balance of traditional music, highlife, and funk, as he entreats you to stay on the straight and narrow, though there's nothing straight about his beat. Included in the box set is a copy of The Journey So Far, a limited-edition book written and designed by his children, to celebrate Waziri's remarkable life and career.

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Cheb Hasni

Volume 1-2-3 Box Set

89,99 €*

LP | 2011 | UK | Reissue (Matsuli Music)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Raï is the music of a youth hungover from Algeria's recent independence. It became a space for a liberated, transgressive dialogue that told the social truths of its time -- an up-front yet poetic voice that covers the taboos and frustrations of daily life, expressing emotion without detour. This voice is heard at weddings, cabarets, in the nightclubs of the Oranese coast, and casually on the street... With the boom of the audio cassette, an avalanche of raï tapes were produced in Oran and diffused all over the world. Both women and men sang and listened to the new sound, as raï is intimately tied to parties, alcohol and the night. With the spontaneous improvisation of its singers as the main part of each song, raï keeps reinventing itself. In this style, Cheb Hasni, along with Cheb Nasro, incarnates a second generation of musicians. With the "love raï", or sentimental raï, Hasni sings about love, passion and its setbacks -- moving away from the bittersweet daily chronicles of the first chebs and chebates. Having recorded nearly 150 cassettes, Cheb Hasni remains one of the most prolific and talented raï singers of his generation. Almost thirty years after his death, this three-volume compilation of rare tracks from his cassette releases on the Oriental Music Production label is a tribute to the lasting legacy of Cheb Hasni -- ya raï! The three volumes come in a ince 12’’ box set including liner inotes and large postcards. Limited to 300 worldwide.

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Batsumi

69,99 €*

2LP | 2023 | US | Original (AUM Fidelity)

Release: 2011 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Hand-numbered 112/500

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James Brandon Lewis

For Mahalia, With Love

59,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Desde Tokio Special Edition

Afro Urbanity

LP | 2023 | JP | Original (Ns Records Japan)

57,99 €*

LP | 2022 | EU | Original (End Hits)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Creative Afro-Cuban jazz unit Afro Urbanity's album is now available on LP!

This is the latest work from the unit that has been talked about for its highly experimental arrangements and unique vocal work that mixes Afro-Cuban with jazz, funk, R&B, neo-soul, and electronica!

While respecting the Afro-Cuban sound that has its roots in black culture, the group incorporates various genres and brings together super musicians of various generations, from veterans who are very active in the Cuban, Latin, and jazz scenes in Japan to up-and-coming young artists. Afro Urbanity is highly acclaimed in Japan and abroad, and has finally released a vinyl release of selected popular songs from their last two albums! With the theme of "From Tokyo to the World," the album features the Chaka String Quartet led by violinist Sayaka, a brass section (Risaburo Matsuki Tp, Tomohisa Ishikawa Tb, Yuta Ishii Sax), and other guests who have a connection with the band, and is full of catchy and mixed elements.

The result is a pleasant work that incorporates plenty of catchy and mixed elements.

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Krishna Das

Kirtan Wallah

50,99 €*

2LP | 2022 | EU | Original (End Hits)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Layering traditional kirtan with instantly accessible melodies and modern instrumentation, Krishna Das has been called yoga's "rock star." With a remarkably soulful voice that touches the deepest chord in even the most casual listener, Krishna Das-known to friends, family, and fans as simply "KD"-has taken the call-and-response chanting out of yoga centers and into concert halls, becoming a worldwide icon and the best-selling western chant artist of all time. To date, KD has released 16 well received albums, including Live Ananda (released January 2012) that was nominated for a Grammy in the Best New Age album category.KD spent the late '60's traveling across the country as a student of and later close friend Ram Dass, and in 1970, finally made the journey to India after previously leaving a Long Island rock band that eventually became Blue Öyster Cult. In India he met Ram Dass' own beloved guru, Neem Karoli Baba, known to most as Maharaj-ji. Given the name Krishna Das, KD began to chant as part of following the path of Bhakti yoga, the yoga of devotion. After the passing of Maharaj-ji, he took solace in music, as well as finding peace and strength in his yoga chant practice including workshops with long-time friends and teachers of meditation practices Sharon Salzberg and Jack Kornfield. Now, in 2022 and for the first time ever, two of Krishna Das' albums will be available on vinyl. Originally from 2003 and produced by the legendary Rick Rubin, known not only for his seminal rap and rock recordings, but also for his definitive work with Neil Diamond and Johnny Cash, the album "Door of Faith" represents KD's sonorous voice and his harmonium, joined here and there by instrumental tracings-Western strings, horns, and keyboards. A departure from Krishna Das's signature call-and-response-style chant this is a deeply moving collection of solo prayers-a duet with his daughter, Janaki, on "Mere Gurudev" is a most tender invocation. Krishna Das' 14th album "Kirtan Wallah" from 2014 is a natural conflu...

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Krishna Das

Door Of Faith

50,99 €*

LP | 2015 | AT | Original (Vagienna)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gerhard Heinz

The Pussycat Syndrome

49,99 €*

Afla Sackey & Afrik Bawantu

Release: 2015 / AT – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

100 copies on black vinyl with poster.

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Destination

LP | 2024 | EU | Original (Wah Wah 45s)

49,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Pepe De Lucia & Paco De Lucía

Pepito Y Paquito Deluxe Bookpack Edition

2LP+CD | 2024 | EU | Original (BMG Rights Management)

49,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Square One Transparent With Pink Splatter Vinyl Edition

Lack Of Afro

LP | 2023 | EU | Original (Bastion Music Group)

48,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | US | Original (Orchestra Gold)

Orchestra Gold

African Psychedelic Rock

Akale Wube & Manu Dibango

Release: 2022 / US – Original

Genre: Organic Grooves

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Fantastic Oakland, California-based ensemble Orchestra Gold offers up a kaleidoscope of sound deeply rooted in the Malian tradition while introducing a genre-bending nod to the future through their rare and artful fusion of African Psychedelic Rock. Spearheaded by the dynamic Mariam Diakite, whose raw and hypnotic vocal stylings deliver heartfelt and thought-provoking lyrics in the highly symbolic Bambara language. While paying homage to Malian musical traditions, this fierce new sound is supported by heavy swinging rhythms, a funky fresh brass section and cosmic guitar licks.

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Anbessa Glitter Vinyl Record Store Day 2022 Gold Colored Edition

LP | 2022 | EU | Original (Diggers Factory / Soul Makossa)

Havanna Meets Kingston Live At The Royal Albert Hall

Release: 2022 / EU – Original

Genre: Organic Grooves

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Limited Edition for Record Store Day 2022.

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Mista Savona Presents

2LP | 2024 | EU | Original (Baco)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Soul Of Congo - Treasures Of The Ngoma Label

3LP | 2023 | EU | Original (Planet Ilunga)

2LP | 2023 | UK | Original (Brownswood)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Soul of Congo is a compilation that spans the years from 1948 to 1963 as the Belgian Congo emerged from colonial subjugation into the first flower of Independence. Singers and players came to Congo’s capital Léopoldville, from all over Central Africa — from the streets of Brazzaville on the opposite shore of the Congo river to the vast plateau of Mbanza Congo in Angola, from the mineral rich areas of Lubumbashi (Elizabethville) in the Deep South to the lively docks of Kisangani (Stanleyville) in the northeast, from the rocky wastes of Mbandaka (Coquilhatville) in the West to the majestic forests of Bukavu (Costermansville) in the East.

Léopoldville became a cauldron of musical syncretism between the African rhythms that arrived with these musicians and the European, Caribbean and Cuban tunes that were popular in the big city. The new sounds were recorded for one of the big five Congo labels: Opika, Loningisa, Esengo, Olympia or Ngoma. None of the other Congolese labels better showcased the energy, variety & spirit of this era than the Ngoma label. The label was founded by the Greek Nicolas Jéronimidis in 1948. After his early death in 1951, it was further developed by Nikis Cavvadias and Alexandros Jéronimidis. During its existence, from 1948 until 1971, Ngoma made over 4500 recordings, creating a crucial cultural legacy. Now with Unesco declaring Congolese Rumba as an intangible cultural heritage of humanity as of December 2021, it is fitting they are restored to the ears of the world.

As the Ngoma label flourished, so too did the first big stars of this new sound: Manuel d’Oliveira from San Salvador, Antoine Kolosoy “Wendo’’ from Bandundu and Léon Bukasa from Katanga. The three of them are heavily featured in the Ngoma catalogue and in this compilation. Ngoma also provided a way for female singers, such as Martha Badibala, to rise to fame and inspire other women to dream of a life beyond taking care of the kids and husband. Futhermore, the label was keen to record traditional folkloric music, such as the songs by likembe player Antoine Mundanda. It also looked for fresh talent as far away as Brussels where they recorded Camerounian heartthrob Charles Lembe fronting a fierce quartet on some flashy adapted Cuban Guaracha rhythms. Instrumentalists like Antoine Kasongo (clarinet), Albino Kalombo (sax) and Tino Baroza (guitar) also made their mark through the Ngoma recordings.

Ngoma is also known for releasing Adou Elenga’s hit “Ata Ndele,” that criticized the white colonists. It led to his imprisonment and the song being quickly deleted from the catalogue after its release in 1954 (long sought after, a rare original copy has been found for this compilation). Angolan Paul Mwanga, too, was unstinting in his criticism of the colonials, and he was also active with authors’ rights associations. Frank Lassan was a singer who brought the romantic style of French crooners to Congolese popular culture, while guitar wizard Manoka De Saïo or “Maitre Colon Gentil” were flamboyant popular figures in the nightclub scene, captured on disc. Guitar prodigies like Antoine Nedule “Papa Noel” or Mose Se Sengo “Fan Fan” cut their teeth as teenagers in studio bands. The band names changed rapidly — Beguen Band, Jazz Mango, Jazz Venus, Dynamic Jazz, Affeinta Jazz, Mysterieux Jazz, Orchstre Novelty, Rumbanella Bande, Vedette Jazz, La Palma, Negrita Jazz — all of them are heard here.

Dedicated record collectors came together to make this compilation possible. From the USA, Belgium, Japan, Germany, France, Morocco, and The Netherlands, these generous fans of the music have pooled their collections for the compilation, assembled and annotated by Alastair Johnston who runs the Muzikifan website from California. He dedicates this release to Flemming Harrev from the reference website afrodisc.com who passed away in 2020. Legendary but unheard songs were tracked down, some emerging from dead stock in a forgotten Tanzanian record store. Experts who have made previous compilations were solicited for their advice and recommendations; liner notes, graduate theses, African periodicals, blogs and documents by authorities such as Jean-Pierre Nimy Nzonga, Sylvain Konko, Gary Stewart, Manda Tchebwa, and Michel Lonoh were scoured for clues.

There are 69 songs on the 3CD set and 42 on the 3LP set. Two of the LPs are distilled from the 3CD set, while the third “bonus” LP" has a different selection of songs by Léon Bukasa and others. While this is unusual, we felt there was so much great material, the vinyl collectors would enjoy an extra album of out-takes from the shortlist that was originally over four hours in length.

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IzangoMa

Ngo Ma

43,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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The fifteen-piece kaleidoscopic ensemble IzangoMa might only be releasing its debut offering on the esteemed UK-based label Brownswood Recording this coming Northern Hemisphere Spring, but the collective’s roots stretch back to the meeting of Sibusile Xaba (vox/keys) and Ashley Kgabo (synths/snare drum/drum machine) in 2016. The album is the logical next step in a journey. Sibusile Xaba reveals a side to his virtuosic talent at cardinal opposites with the familiar folk sound the largesse knew him for. Kings rejoice in laughter on album opener “Agenda Re-member”, while the music cascades carefree over frequencies expressing joy and positive living. In this world, IzangoMa’s world, the moon sings sweet melodies and the children rejoice in laughter. Worries are but a distraction, and joy is the ultimate quest. It’s a declaration of love in its highest, lucid, uninhibited form.

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Yebo! Rare Mzansi Party Beats From Apartheid's Twilight Years

3LP | 2023 | EU | Original (BBE Africa)

43,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Reissue (Schoolkids)

Declan O'rourke

Arrivals

42,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Ett Samlingsverk Fran Nordvi

Nordvisor

2LP | 2024 | EU | Original (Nordvis)

42,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-08-02

LP | 2024 | JP | Original (Toyokasei)

Thiiird Place

This Is Thiiird Place

42,99 €*

3LP | 2023 | EU | Original (Music On Vinyl)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Thiiird Place, a 13-piece Afro-soul jazz band with a borderless ageless identity and sincere message, is releasing the first full-length album "This is Thiiird Place," a major masterpiece! The long-awaited first album by Thiiird Place, a band with a sound based on Afro-soul Latin jazz and a pop, euphoric and message for all. The album features a rich variety of nine songs, including the first single "Shoes," the Caribbean-Cuban flavored "Ears," the energetic R&B/soul number "Sorekara Dousuru" and the Pat Metheny cover "Last Train Home," which is well-known in live performances but not yet available on digital streaming.

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Lee Perry & Friends

Open The Gate

Release: 2023 / EU – Original

Genre: Organic Grooves

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Reencanto - Live At Union Chapel

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Mayra Andrade

2LP | 2024 | EU | Original (Komos)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-10-11

Nha Sentimento Crystal Clear Vinyl Edition

Cesaria Evora

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Vilevilevilevilevilevilevilevile

Brandon López

LP | 2024 | Original

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | Original (Visage Music)

Inventionis Mater

Dimentionis Matter

Release: 2024 / Original

Genre: Organic Grooves

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Release: 2023 / Original

Genre: Organic Grooves

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Ragnar Johnson & Jessica Mayer

Spirit Cry Flutes And Bamboo Jews Harps From Papua

2LP | 2023 | EU | Original (Ideologic Organ)

At The Bonnie Beecher's Apartment

Release: 2023 / EU – Original

Genre: Organic Grooves

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The third part of Ideologic Organ Music's trilogy together with Dr. Ragnar Johnson and Jessica Mayer's anthropological field recordings of sacred flute music from the island of Papua New Guinea in the 1970s. A book titled "A Papua New Guinea Journey" consisting of Dr. Johnson's field notes from the entire research period will be published simultaneously with this music release. "The recording of a male initiation ceremony with sacred flutes, bullroarers and 'crying baby' leaves was only possible after fifteen months residence during anthropological research. From the same Ommura villages in the Eastern Highlands there are bamboo jews harps, yam fertility flutes and singing. Nama ('bird') sacred flutes were recorded in a Gahuku Gama village in the town of Goroka. There are Mo-mo bamboo resonating tubes and singing from the Finisterre Range of Madang. From the Ramu Coast region of Madang there are: Waudang flutes, garamut slit gongs and singing from Manam Island, Maner flutes from Awar village and Siam and Guna flutes and garamuts from Nubia Sissimungum Village. These previously unreleased recordings were made in 1976 and 1979." -Ragnar Johnson, London 2021

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Bob Dylan

2LP | 2023 | EU | Original (Culture Factory)

40,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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World Psychedelic Classics 5: Who Is William Onyeabor

William Onyeabor

3LP | 2013 | US | Original (Luaka Bop)

40,99 €*

2LP | 2024 | Original (Ternaire)

Release: 2013 / US – Original

Genre: Organic Grooves

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Damon Albarn & Four Tet dig this gentleman, so you should dig this forgotten master of african synth-craze, too!

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Oum Dakchi

Live In Marrakech

40,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Havana Meets Kingston Part 2

Mista Savona Pres. V.A.

2LP | 2017 | EU | Reissue (Baco)

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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2LP+Book | 2021 | EU | Original (Analog Africa)

Cameroon Garage Funk

Il Fiume Del Grande Caimano / The Great Alligator (Colonna Sonora Originale)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Yaoundé, in the 1970´s, was a buzzing place. Every neighbourhood of Cameroon´s capital, no matter how dodgy, was flled with music spots but surprisingly there were no infrastructure to immortalise those musical riches. The country suffered from a serious lack of proper recording facilities, and the process of committing your song to tape could become a whole adventure unto itself. Of course, you could always book the national broadcasting company together with a sound engineer, but this was hardly an option for underground artists with no cash. But luckily an alternative option emerged in form of an adventist church with some good recording equipment and many of the artists on this compilation recorded their frst few songs, secretly, in these premises thanks to Monsieur Awono, the church engineer. He knew the schedule of the priests and, in exchange for some cash, he would arrange recording sessions. The artists still had to bring their own equipment, and since there was only one microphone, the amps and instruments had to be positioned perfectly. It was a risky business for everyone involved but since they knew they were making history, it was all worth it. At the end of the recording, the master reel would be handed to whoever had paid for the session, usually the artist himself..and what happened next? With no distribution nor recording companies around this was a legitimate question. More often then not it was the french label Sonafric that would offer their manufacturing and distribution structure and many Cameroonian artist used that platform to kickstart their career. What is particularly surprising in the case of Sonafric was their willingness to take chances and judge music solely on their merit rather than their commercial viability. The sheer amount of seriously crazy music released also spoke volumes about the openness of the people behind the label.But who exactly are these artists that recorded one or two songs before disappearing, never to be heard from again? Some of the names were so obscure that even the most seasoned veterans of the Cameroonian music scene had never heard of them. A few trips to the land of Makossa and many more hours of interviews were necessary to get enough insight to assemble the puzzle-pieces of Yaoundé’s buzzing 1970s music scene. We learned that despite the myriad diffculties involved in the simple process of making and releasing a record, the musicians of Yaoundé’s underground music scene left behind an extraordinary legacy of raw grooves and magnifcent tunes. The songs may have been recorded in a church, with a single microphone in the span of only an hour or two, but the fact that we still pay attention to these great creations some 50 years later, only illustrates the timelessness of their music.

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Stelvio Cipriani

LP | 2014 | IT | Original (Stella)

Release: 2014 / IT – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

Black vinyl edition.
Sleeve has price tag on front.

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Mogadisco - Dancing In Mogadishu (Somalia '72-91)

2LP | 2019 | EU | Original (Analog Africa)

Release: 2019 / EU – Original

Genre: Organic Grooves

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After being blown away by a few tunes – probably just as you will be after listening to this – Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the frst music label to set foot in Mogadishu. On his arrival in Somalia Samy questioned the need for a vehicle full of armed chaperones casually toting Kalashnikovs, deemed necessary to accompany him to the radio station archive every morning, but then began ri?ing through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that ‘swam against the current’. The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu’s archives - clarifed that the pile consisted mostly of music nobody had manage to identify, or music he described as being ‘mainly instrumental and strange music’. At the words ‘strange music’ Samy was hooked, the return ?ight to Tunisia was cancelled. The pile turned out to be a cornucopia of different sounds: radio jingles, background music and interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon-, grapefruit-juice and shisha-fuelled night-time sessions behind the fortifed walls of Radio Mogadishu, Samy and the archive staff put together Mogadisco: Dancing Mogadishu - Somalia 1972–1991. Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations’ funk were the talk of the town.In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award, but they also returned with Afrobeat. While Fela Kuti’s ‘Shakara’ had taken over the continent and was spreading like wildfre throughout Latin America, it was the track ‘Lady’ that would become the hit in Mogadishu. At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto. But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia’s live music scene. You couldn’t walk the streets of Mogadishu without seeing kids trying to moonwalk. ‘Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero’ – so ran a quote from a 1981 article about the explosion of Mogadishu’s live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu’s top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians – often in exile in the diaspora – to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet that accompanies the compilation - adorned with no less then 50 pictures from the `70s and ‚80s. As Colonel Abshir Hashi Ali, chief don at the Radio Mogadishu archive – someone who once wrestled a bomber wielding an unpinned hand-grenade to the ?oor – put it: ‘I have dedicated my life to this place. I’m doing this so it can get to the next generation; so that the culture, the heritage and the songs of Somalia don’t disappear.’

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2LP | 2016 | EU | Original (Analog Africa)

Space Echo

2LP | 2024 | Original (Decca)

Release: 2016 / EU – Original

Genre: Organic Grooves

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In the spring of 1968 a cargo ship was preparing to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held. It was the first expo of its kind to take place in the Southern Hemisphere and many of the leading companies in the field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few, were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.

The ship with the goods set sail on the 20th of March on a calm morning and mysteriously disappeared from the radar on the very same day. One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from any coastline.

After consulting with the village elders, the locals had decided to open the containers to see what was inside – however gossip as scintillating as this travels fast and colonial police had already arrived and secured the area. Portuguese scientists and physicians were ordered to the scene and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that again the government had wasted their tax money on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. “No need for Portuguese rocket scientists to explain this!” they laughed.

What the villagers didn’t know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery permeated the event.

Finally, a team of welders arrived to open the containers and the whole village waited impatiently. The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass.

It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools. This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm who picked up the ready-to-use instruments. This in turn facilitated the modernisation of local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, which had been banned by the Portuguese colonial rulers until 1975 due to its sensuality!

The observation was made that the children who came into contact with the instruments found on the ship inherited prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira, who by the end of the 70s would become the country´s most important music arranger. 8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde, lead by Paulino Vieira, the mastermind behind the creation and promulgation of what is known today as “The Cosmic Sound of Cabo Verde”.

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Salif Keita

Anthology

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-08-23

T.P. Orchestre Poly-Rythmo

The Skeletal Essences Of Afro Funk 1969-1980

2LP | 2013 | DE | Original (Analog Africa)

Release: 2013 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Congo Funk! Sound Madness From The Shores Of The Mighty Congo River (Kinshasa / Brazzaville 1969-1982)

2LP | 2024 | EU | Original (Analog Africa)

Release: 2024 / EU – Original

Genre: Organic Grooves

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3LP | 2022 | EU | Original (Righteous Babe)

Ani Difranco

Living In Clip

Release: 2022 / EU – Original

Genre: Organic Grooves

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7"+Book | 2022 | EU | Original (Jagwar)

Terakaft & Philippe Brix

Jagwar

World Psychedelic Classics 5: Who Is William Onyeabor

Release: 2022 / EU – Original

Genre: Organic Grooves

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Welcome to the fascinating world of Terakaft, one of the most legendary bands from the acclaimed Desert Blues / Tuareg Rock scene that’s been nurturing in the Sahara desert for the last two decades. A world made of light, dust, goats, tree shadows, gas, tea and fire. A world where teenagers don’t dream of being footballers but guitarists like Ibrahim of Tinariwen, like Sanou of Terakaft, or like Ousmane of Tamikrest. A world made of constant stuggles, of war zones, where getting a visa to tour is nearly impossible, where covering your face and head with tuareg turbans to face the desert winds will turn you into a potential islamist when boarding an airplane. A world that Phillipe Brix knows damn well: he’s been managing those guitar heroes for the last two decades. Jagwar is his coming-of-age story, a tale of resilience, of doom, of family, of utmost tensions and unrivaled peace, the adventure of a life time. His journey will take you from the deepest deserts of Mali, Morocco and Mauritania to the biggest music festivals all across Europe and America. "In the desert, the dry air carries sound with clarity" Philippe Brix "A Kalashnikov has thirty bullets in a magazine; once you’ve emptied it, it’s over. A guitar has no limits." Diara, Terakaft

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William Onyeabor

3LP | 2013 | US | Reissue (Luaka Bop)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Michel/Tomatito Camilo

Spain

LP | 2022 | Original

Release: 2022 / Original

Genre: Organic Grooves

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Rogamar Turquoise Vinyl Edition

Cesaria Evora

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited edition of 750 individually numbered copies on turquoise coloured vinyl.

Three years after the Grammy Award-winning album Voz D'Amor, Cape Verdean superstar Cesaria Evora returned with Rogamar, the tenth studio album by the "Queen of Morna". Together with her talented Cape Verdean songwriting team, Cesaria Evora presents 17 tracks in total, including 2 bonus tracks that were specially included for this release ("Nos Maestro" & "Mae Africa (Version Cap-Vert))". It also includes a performance with Ismaël Lô on "Africa Nossa", as well as the popular song "Um Pincelada".

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Piconema: East African Hits On The Colombian Coast

2LP | 2023 | UK | Original (Rocafort)

LP | 2023 | EU | Original (Real Gone Music)

Release: 2023 / UK – Original

Genre: Organic Grooves

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This compilation takes us on a journey to the Colombian coast where the passion for African music burns bright.It's impossible to understand this love affair without first looking to San Basilio de Palenque - the first free town in colonial Latin America, established in 1691 as a place of refuge and autonomy for black slaves. It's a place where pride in African heritage and culture could be kept alive, just 50 km away from Cartagena de Indias.
The Afro Caribbeans' connection to their roots gave rise to the "picós" - artisanal, high-powered sound systems akin to those found in Jamaica. These music aficionados have a keen ear for African melodies, leading to a vibrant collector's scene that brought Afro sounds to the streets of Barranquilla, Cartagena, and Santa Marta. This compilation showcases the best of Kenyan Benga music - a unique style with a distinct guitar-picking method that draws from traditional instruments like the nyatiti and orutu. Learn everything about the history and stories behind these African tracks, from the carefully guarded "exclusives" to the piconema - the practice of renaming songs in Spanish based on their lyrics or the reaction of the dancefloor.
The project has been led by Spanish vinyl collector Joan Pujol aka Golfo De Guinea surrounded by a team of passionate music lovers including Don Alirio, a musicologist from Barranquilla who offered a coastal perspective, and George Ouma, a Kenyan DJ, collector, and Benga advocate who helped with track selection and securing rights. The result is a compilation that captures the joy and energy of sub-Saharan polyrhythm, bringing together a vibrant mix of genres that are sure to move your feet. So sit back, turn up the volume, and let yourself be transported to the vibrant streets of the Colombian coast and the shores of Lake Victoria.

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Hamza El Din

Al Oud

LP | 2021 | US | Original (Drag City)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited clear vinyl LP pressing. It's fair to say that what Ravi Shankar did for the sitar, Hamza el Din did for the oud (the short-necked Arabian lute): bringing a little-known instrument to the attention of the West and popularizing it. Indeed, he ended up playing oud with everybody from the Grateful Dead to the Kronos Quartet to his one-time roommate Sandy Bull. But El Din's gifts went beyond that of an oud virtuoso; he was also an accomplished singer and composer, and you will hear all of those talents on full display on this seminal album, released on Vanguard in 1965 soon after his star-making appearance at the 1964 Newport Folk Festival that attracted the attention of Bob Dylan and Joan Baez. Meditative, mesmerizing, and haunting, Al Oud features nine original compositions based on Nubian folk traditions; at first it's the exotic sound of the oud that draws you in, but it's the rhythmic pulse of the music and the expressive quality of El Din's voice that keeps you riveted. Our first-ever American LP reissue of this classic record comes in a clear vinyl pressing limited to 900 copies, complete with original artwork featuring liner notes by Jamal Mohammed Ahmed, at the time Sudan's Ambassador to the United Nations. A richly rewarding listen.

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Mind Maintenance

Release: 2021 / US – Original

Genre: Organic Grooves

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2LP | 2017 | Original (World Circuit)

Ruben Gonzalez

Introducing…

Release: 2017 / Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (Hot Casa)

Togo Soul 2

LP | 2024 | Original (Culture Factory)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hot Casa Records present Togo Soul 2: Selected Rare Togolese Recordings from 1974 to 1989 .

A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the 70’s and 80’s . A fusion of traditional voodoo chants, raw soul and even Electro Funk . Finding these tracks and their rights holders hasn’t become any easier even after few trips all over this west African country bordered by Ghana , Benin & Burkina Faso. After 8 years, We , at Hot Casa Records with the kind help of Roger Damawuzan decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country’s recording history included international stars like Akofa Akoussah, Gregoire Lawani to Roger Damawuzan compared as the James Brown from Lomé to forgotten tapes and brilliant songs in Mina, Kabyié and Fon language.

Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so it’s with great pleasure that we present a selection here that evokes a golden boomtime in Togolese music history. Includes biographies and rare photos Remastered by Frank Merritt at The Carvery

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Bob Marley

Trenchtown Rockers

Release: 2024 / Original

Genre: Organic Grooves

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2LP | 2023 | UK | Original (Strolling Bones)

Buxton

A Family Light

Release: 2023 / UK – Original

Genre: Organic Grooves

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Square One Black Vinyl Edition

Lack Of Afro

LP | 2023 | EU | Original (Bastion Music Group)

Release: 2023 / EU – Original

Genre: Organic Grooves

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No Food Without Taste If By Hunger Colored

The Good Samaritans

LP | 2023 | EU | Original (Analog Africa)

LP | 2022 | EU | Original (Analog Africa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Put your dancing shoes and be ready to kill the dancefloor, the intoxicating highlife music known as Edo Funk from Benin City, Nigeria is back. Following the planetary success of our „Edo Funk Explosion Vol.1“ project we have now unearthed „No Food Without Taste If By Hunger“ by „The Good Samaritans“, one of the most obscure Nigerian album ever recorded. Originally released in 1982, the bands first album is full of bouncy basslines, raw trance-like grooves and tripped-out psychedelic guitars, a funk experience unlike any other.

„The Good Samaritans“ is Philosopher Okundaye’s own Edo-Funk project, under which name he produced four albums, all recorded at Phonodisk Studio in Ijebu-Igbo east of Lagos with a 24 track. Okundaye who played many instruments, engaged the right musicians for each project and mixed the whole thing himself, is known as the composer of a large part of Benin City’s celebrated hits in the 80s. His name keeps popping up but somehow his role in the scene remains a bit hazy, giving the character an image of something like the gray eminence of Edo funk.

Due to its private pressing in a probably very small edition, „No Food Without Taste If By Hunger“ is very difficult to find. With this reissue limited to 2000 copies - newly mastered by Nick Robbins and approved by Philosopher Okundaye himself - „The Good Samaritans“ make a welcome and long-overdue return to turntables around the world in a beautiful Silk-Screen printed cover and an orange colored vinyl pressed on 180g high quality vinyl. This is funk stripped down to its primal essence, driving rhythms mixed with highlife horns, sweet keyboards and psychedelic guitar riffs, pushing the limits of dance moves towards cosmic dancefloors.

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Ernesto DJedje

Roi Du Ziglibithy

The Movers - Volume 1 1970-1976

Release: 2022 / EU – Original

Genre: Organic Grooves

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If someone would have told me years ago, when I started the label, that one day I would be releasing music by Ernesto Djédjé, the king of Ziglibithy himself, I would have personally driven them to the closest psychiatric institute such is the magnitude of the artist and his iconic tune “Zighlibitiens”.

The star of Ernesto Djédjé started rising in the late 60s, when he became the guitar player and leader of Ivoiro Star, founded by Amédée Pierre, star of Dopé, the leading musical style at the time. Annoyed by the “congolisation” of the Ivorian music that was taking place within the band, Ernesto left the group and emigrated to Paris in 1968 to record his first few singles arranged by Manu Dibango and influenced by Soul, Rhythm & Blues and Jerk. Those recordings reflect the musical mood at that time which was dictated by two musical trends within the Ivoirian scene: Traditional music, embodied amongst others by Amédée Pierre on one hand and imported music from the States, Cameroon and Zaïre on the other. And while the first trend was generally neglected, the youth fully embraced the second and as a result bands such as „Les Black Devils“, „Djinn-Music“, „Bozambo”, “Jimmy Hyacinthe”, shot to stardom overnight by recording mainly funk and disco music. It is within this context that Ernesto would draw the inspiration for a future formula.

Returning to Côte d‘Ivoire in 1974 Ernesto began looking for like minded musicians to form the mighty “Ziglibithiens”. Diabo Steck (drums), Bamba Yang (keyboards & Guitar), Léon Sina (Guitar) and Assalé Best (chef d´orchestre and Saxophon) would become the core of the group and together with Ernesto they began thinking of ways of combining the rhythms and chants of the Bété people and fuse them with Makossa, Funk and Disco and create a musical style that was both Ivorian and International. He called his experiment Ziglibithy and his first two albums, immortalised at the EMI studios in 1977 in Lagos and released on the Badmos label, took West Africa by storm turning Ernesto Djédjé into an icon overnight and one of the legends of African music. Ernesto Djédjé died in mysterious circumstances on June 9th, 1983 - at the age of 35 - shocking the whole Ivorian nation. And although the end came abruptly, it didn’t come soon enough, and Ernesto had time - within 5 albums - to cement his legacy as one of the most innovative artists the Ivory Coast ever produced.

The song Zighlibitiens, brought to Colombia by an aeronautical mechanic in the early 1980, would become a huge hit on the Caribbean Coast. Renamed “El Tigre” by locals soundsystem operators - certainly due to the Badmos logo - that particular song would reach legendary status in Barranquilla and Cartagena. Setting fire to uncountable local parties, it has become one of the most sought-after Album in that part of the world. And so, while Ziglibithy has mostly disappeared from the airwaves of its country of birth, on the other side of the Atlantic, its fire continues to shine bright.

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The Movers

LP | 2022 | EU | Original (Analog Africa)

2LP | 2022 | EU | Original (Analog Africa)

Release: 2022 / EU – Original

Genre: Organic Grooves

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It’s a special, but also a strange sensation to be releasing an album of one of your early musical heroes. I first discovered The Movers on my very first “record safari” in 1996. My destination was Bulawayo, in southern Zimbabwe, and to get there I had to travel via Jo’burg. While in town I stopped at a store called Kohinoor, in search of Mbaqanga – also known as Township Jive – and found a few tapes which I listened to non-stop on the bus that carried me to the land of Chimurenga Music. One of these cassettes included the songs “Hot Coffee” and “Phukeng Special” which instantly became part of my daily life. Twenty-five years later I’m still grooving to them.

What I didn‘t know at that time was that The Movers were hugely successful during the 1970s; so when it came time to release some of their music, I though it was going to be “a walk in the park” to track down information about them and write their biography. I was in for a rude awakening. Despite their legendary status, there was almost no information available on band or any of its members.

Fortunately Nicky Blumenfeld from Kaya Radio came to the rescue. A few days after I reached out to her, she had managed to get the phone number of Kenneth Siphayi, who is considered to be the founder of the band, as well as vocalist Blondie Makhene and saxophonist Lulu Masilela. Although we left no stone unturned, we were unable to find any of the four original members who seem to have passed away in total anonymity.

The story of The Movers began in 1967 when two unknown musicians – the brothers Norman and Oupa Hlongwane – approached Kenneth Siphayi a stylish and wealthy businessman from the Alexandra township to ask if he could buy them musical instruments. In return he would receive a cut from future life shows and record deals. Kenneth, ended up doing much more, becoming their manager, setting them up in a rehearsal space, and introducing them to an organist who would prove to be the missing link in the band’s skeletal sound. He also gave them their name: The Movers … because, as he said, their music was going to move you, whether you liked it or not.

The band exploded onto the country’s racially-segregated music scene at the dawn of the 1970s with a sound that applied the rolling organ grooves and elastic rhythms of American soul to songs that came straight from the heart of the townships. Rumours of the band started to spread throughout the country and soon the record labels were sending their talent scouts to the Alexandra township to hear it for themselves.

The Movers finally signed to Teal Records in 1969, and their first album, Crying Guitar, went on to sell 500,000 copies within the first three months, launching them into the front rank of South African bands. In their first year they went from local sensations to being the first band of black South Africans to have their music cross over to the country’s white radio stations,

Although the first record was entirely instrumental, The Movers started working with different singers soon after – scoring an early hit with 14 year old vocal prodigy Blondie Makhene – and enriched their sonic palette with horns, extra percussion and various keyboards. Their stylistic range also expanded, incorporating elements of Marabi, Mbaqanga, jazz, funk, and reggae into their soul-steeped sound. But the essence of their music came from the almost telepathic connection of its founding members: the simmering organ of Sankie Chounyane, the laid-back guitar lines of Oupa Hlongwane, the energetic bass grooves of Norman Hlongwane and the simmering rhythms of drummer of Sam Thabo.

The band reached their apex in the mid-1970s, and their hit ‘Soweto Inn’, sung by Sophie Thapedi, became inseparable from the student revolts that signalled a new resistance to the apartheid government. In 1976, however, their manager was forced out, and their producer started to play a more active role in the band’s direction. By the end of the decade there were no original members left. But at their height The Movers were titans of South African soul who left a legacy of over a dozen albums and countless singles of pure groove. On The Movers 1970–76, Analog Africa presents 14 of the finest tracks from the band’s undisputed peak.

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Orchestre Massako

LP | 2021 | EU | Original (We Are Busy Bodies)

Release: 2022 / EU – Original

Genre: Organic Grooves

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The last time I found myself on the phone with Jean-Christian Mboumba Mackaya known as Mack-Joss - founder of the Mighty Orchestra Massako - I could hear gun-shots in the background. Libreville was upside down following the re-election of president Ali Bongo in August 2016. By the time I was ready to go ahead with this project, Mack-Joss’s phone number had been disconnected, and shortly afterwards I found out that the baobab of Gabonese music had fallen.

An adept of folk rhythms, Mack-Joss’s career as a musician began when he was just 17 of age and he quickly established himself as a staple of Libreville’s nightlife scene, singing in various local bands. By 1966 he had released “Le Boucher”, his first hit which swept the African airwaves and earned him the respect of Franco, the legendary master of Congolese Rumba. Franc ´s encouragement helped transform him from a Gabonese singer into an ascendent figure of pan-African culture. Between 1968 and 1970 Mack-Joss and his Negro-Tropical immortalised a good number of singles recorded in a makeshift open-air recording studios and in 1971 Gabon armed forces decided to form their own band. Mack-Joss was recruited to become the band leader and this was the birth of Orchestre Massako which became Gabon’s national orchestra.

At the end of the 1970´s funds were made available to bring recording equipment over from France. Studio Mobile Massako was born and Mack-Joss’s songwriting ability provided hit after hit. The master tapes with the recordings were sent to Paris for mixing and Mack-Joss would personally make the journey to France, carrying the reels in his hand luggage. The vinyl records were then pressed in France and shipped back to Gabon, and to other distributors throughout the continent. About a dozen long play records were recorded between 1978 and 1986 and most were released on Mass Pro, Mack-Joss´s own label. A few of these recordings featured a singer from Guinée Conakry by the name of Amara Touré who had joined Orchestre Massako as a singer in 1980 and had become an important ingredient in the band’s success. His specific voice, impossible not to recognise, left no one unmoved (ask those who listened to the compilation AALP078).

Mack-Joss’s retirement in 1996 marked the end of Orchestre Massako. With a four decades spanned career, his contribution to Gabonese culture cannot be overstated and continues to inspire the respect and devotion of people who knew him.

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Eboni Band

Release: 2021 / EU – Original

Genre: Organic Grooves

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3LP | 2021 | EU | Original (SVBKVLT)

Cache 02

LP | 2010 | US | Reissue (VP)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Shanghai’s Svbkvlt throw down a killer 2nd ‘cache’ compilation bristling with exclusive new zingers from the extended label firm, including Slikback, Hyp11E, Tzusing, Hodge, Gabber Modus Operandi, 33emybw, Gooooose, Nahash and more. Chasing up one of the definitive club comps of recent years, ‘Cache02’ finds Shanghai’s best label is in rude health with a full spectrum coverage of styles from hyperpop to clobbering hardcore rave, mutant drill and back-alley EBM techno by some of the most crucial artists in operation right now. Gooooose does wicked slow/fast footwork with Memphis rap cowbells and jibber-jawed edits in ‘Cows,’ and the Sbvkvlt/Hakuna Kulala axis twysts out a properly fwd kongo-tekno thriller in ‘Mushen’ by Slikback & Hyph11E. Indonesian mentalists Gabber Modus Operandi go ham with the possessed vox and thunderous kicks of ‘Pedas,’ and 33emybw nails Photek-levels of martial dance moves on ‘Coupling.’ Tzusing & Hodge supply the set’s big-room peak with a steaming EBM hammer tune ‘LCD,’ and Shanghai-based UK producer Swimful makes his mark with the glyding drill synths and knifepoint grime drums of ‘Muckle.’ Impressive introductions are also made to Seoul’s NET Gala with the vivid trance futurism of ‘Alternet,’ and the weird, scorched drill soul of Nahash on ‘The Way That I.’

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Culture

Two Sevens Clash

Release: 2010 / US – Reissue

Genre: Organic Grooves

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Banana In Your Fruit Basket: Red Hot Blues 1931-36

Bo Carter

LP | 2013 | Reissue (Yazoo Record Company)

Release: 2013 / Reissue

Genre: Organic Grooves

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Best Of Ladysmith Black Mambazo

Ladysmith Black Mambazo

LP | 2024 | US | Original (Shanachie)

Release: 2024 / US – Original

Genre: Organic Grooves

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Merci Yaya Bongo - Female Animation Groups In Gabon 1982-1989

2LP | 2024 | EU | Original (Secousse)

LP | 2016 | EU | Reissue (Analog Africa)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Gabon, 1980’s. President Omar Bongo has been in power since 1967. Together with his wife, the infamous singer Patience Dabany, he invents one of the ultimate political propaganda machine: ‘animation groups’, massive female choirs and dancers, up to 60 women deep, singing the praise of his regime over some of the best soukous rhythms ever, broadcasted live on TV. Between 1982 and 1989, mainly thanks to the flourishing oil economy, a record-label is created, a state-of-the-art recording studio is set up, and the best Gabonese and Congolese musicians are recruited. Dozens of vinyls are pressed and sold with huge success all over the country. The Bongo family has reigned continuously over Gabon until the 2023 coup d’état.

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Bitori

Legend Of Funaná /

Fermin Muguruza Kontrabanda

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Analog Africa No. 21 „bitori“ - Legend Of Funaná (The Forbidden Music of The Cape Verde Islands) - In 1997, a quiet, unassuming man of 59 years old named Victor Tavares - better know as Bitori - walks into a studio for the very first time to record a masterpiece which many Cabo Verdean consider to be the best Funaná album ever made.

Bitoris musical adventure had begun long before this point. It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé & Principe. The young man´s hope was to return to Cabo Verde with an accordion.

Following two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it. Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music.

But not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funaná was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were “caught in the act”. In light of such persecution the genre of Funaná began to slowly disappear.

In 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde’s independence came a lifting of the ban placed on Funaná. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funaná, translating and adapting its musical form in new ways. It was not to be until the mid-1990’s, however, that Funaná in its traditional form was actually recorded.

It was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funaná beyond its rural roots. The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funaná. Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album.

In 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, "Bitori Nha Bibinha" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde´s No.1 interpreter of Funaná.

The success in Cabo Verde was phenomenal and Funaná rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori´s songs quickly became standards - classics known and loved throughout the country. The musical success, however, was solely limited to the Cabo Verdean islands - until now!

Analog Africa is proud to contribute to the worldwide promotion of Funaná - the once forbidden sound of the Cabo Verde archipelago - by releasing a worldwide re-issue of Bitori and Chando Graciosa´s legendary recording. The release will herald Bitori´s first European tour taking place during the summer of 2016. Watch this space! And listen!

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2LP | 2024 | Original

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Shanachie)

Mutabaruka

Black Attack

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Shanachie)

Rita Marley

Harambe

Release: 2024 / EU – Original

Genre: Organic Grooves

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3LP | 2022 | US | Reissue (Righteous Babe)

Ani Difranco

Living In Clip

LP | 2023 | EU | Original (Analog Africa)

Release: 2022 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue Swirl vinyl

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Leon Keita

Release: 2023 / EU – Original

Genre: Organic Grooves

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Welcome To Zamrock Volume 2

2LP | 2017 | US | Reissue (Now-Again)

Could We Be More Black Vinyl Edition

Release: 2017 / US – Reissue

Genre: Organic Grooves

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By the mid-1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president Kenneth Kaunda had thrown off the yoke of British colonialism, the new federation found itself under his self-imposed, autocratic rule. Conflict loomed on all sides of this landlocked nation. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the ’70s rock revolution that has come to be known as Zamrock flourished. Fuzz guitars were commonplace, as were driving rhythms as influenced by James Brown’s funk as Jimi Hendrix’s rock predominated. Musical themes, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock markers were few. Only a small number of the original Zamrock godfathers that remained in the country survived through the late ’90s. Aids decimated this country, and uncontrollable inflation forced the Zambian rockers that could afford to flee into something resembling exile. This was not a likely scene to survive - but it did. Welcome To Zamrock!, presented in two volumes, is an overview of its most beloved ensembles, and a trace of its arc from its ascension, to its fall, to its resurgence.

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Kokoroko

LP | 2022 | UK | Original (Brownswood)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Africa Is The Future Green Vinyl Edition

Kologbo

LP | 2017 | EU | Original (Paris DJs)

LP | 2011 | EU | Original (Pure Pleasure)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Limited green vinyl edition of 250 copies only!

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well-known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fosse, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ebo Taylor's and then Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs label/mediae.

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks out of 8 (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together!

This limited edition vinyl comes in a beautiful gatefold cover.

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Duster Bennett

Smiling Like I'm Happy

Release: 2011 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Subliminal Sounds)

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Ixtahuele

Call Of The Islands

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (Analogue Foundation & Oshu)

Àbáse

Awakening

LP | 2024 | EU | Original (BBE Africa)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

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Remi Kabaka

Roots Funkadelia

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (BBE Music)

Grupo Ébano

Release: 2024 / EU – Original

Genre: Organic Grooves

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Once Upon A Time In Italy

Hugo Race Fatalists

2LP | 2022 | EU | Original (Santeria)

Release: 2022 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Cleopatra)

Delta Rae

Coming Home To Carolina

Release: 2021 / EU – Original

Genre: Organic Grooves

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Red Hot + Fela 10th Anniversary Red And Yellow Colored Vinyl Edition

Fela Kuti

2LP | 2023 | UK | Original (Knitting Factory)

Release: 2023 / UK – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Music On Vinyl)

Reggae Collected

Release: 2023 / EU – Original

Genre: Organic Grooves

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Release: 2023 / Original

Genre: Organic Grooves

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Mick-Roving Commission- Thomas

Where Only Memory Can Find You

LP | 2023 | UK | Original (Coolin' By Sound)

Release: 2023 / UK – Original

Genre: Organic Grooves

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L'orchestre National Mauritanien

Ahl Nana

2LP | 2022 | EU | Original (Radio Martiko)

Los Hermanos Ballumbrosio

Release: 2022 / EU – Original

Genre: Organic Grooves

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Lost recordings that defined the modern sound of the Sahara.

This album contains the first recordings of modern music from the Sahara and mark the birth of the genre that is known in the West as ‘Desert Blues’ or ‘Desert Rock’. Ahl Nana changed the folk music of the Sahara to modern, cosmopolitan music by using Western instruments like the electric guitar. They paved the way for artists like Ali Farka Touré, Tinariwen, Mdou Moctar or Bombino. Although the group is still active today, they only recorded 2 LPs and a handful of singles. All these recordings took place in 1971 at the Boussiphone studios in Casablanca. The records were never distributed and therefore remained unknown for almost 50 years, until Radio Martiko discovered a batch of unsold factory stock a few years ago. On this album, you will find a selection of these revolutionary recordings.

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Homenaje A El Carmen

LP | 2022 | EU | Original (Buh)

Manu Dibango & El Cuarteto Patria

Release: 2022 / EU – Original

Genre: Organic Grooves

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Although Los Hermanos Ballumbrosio are one of the most emblematic groups of Afro-Peruvian music, no single recording has been able to portray the essence of the group... Until now. "Homenaje a El Carmen" ("Homage to El Carmen"), their debut album for Buh Records, sets the record straight: it captures the true spirit of the musical tradition of El Carmen, a city located a few miles to the south of Lima that is home to the largest black community in Peru. Songs based on percussion and zapateo bring back the memories and experiences of a culture that has produced one of the greatest treasures of Peruvian music."Homage to El Carmen", the third volume of the series "Perspectives on Afro-Peruvian Music", signals the return of the group to the recording studio, and also to the sources of rhythms such as festejo and panalivio, which they interpret with cajón, quijada (jawbone), congas, bongo and batá. The result is a distillation and a testimony of the memories and experiences that portray the cultural universe of El Carmen. We have access to a selection of traditional songs that are heard during the festivities, such as "Guanchivalito", which is played during the Yunza Negra, a ceremony in which a willow tree is cut to bring benefits to the community. "Panalivio " and "Serrana Vieja" are two traditional Christmas carols that are played in the "Hatajo de Negritos" and which reflect the syncretic character of the Afro-Peruvian culture. These songs speak of the difficulties of rural life, but they also serve as a vehicle to demonstrate the Ballumbrosio brother's mastery in the art of zapateo, a dance that is accompanied by violin and bells. The classic "La Esquina de El Carmen" is perhaps the song that best expresses the erotic character of festejo, also known as baile de cintura (waist dance)."Homage to El Carmen" is the highly anticipated return of the Ballumbrosio brothers to the recording studio. They have become indisputable references of Afro-Peruvian music and have displayed their sound and dance...

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Cubafrica Record Store Day 2021 Edition

2LP | 2021 (Music Box)

Release: 2021

Genre: Organic Grooves

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Issue No. 1 - Benga Music (A Signature Genre From Kenya)

FLEE

LP | 2017 | EU | Original (FLEE)

LP | 2024 | Original (Les Disques Bongo Joe)

Release: 2017 / EU – Original

Genre: Organic Grooves

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6 rare and almost forgotten benga tracks from Kenya including edits by Nik Weston, Jaakko Eino Kalevi and Africaine 808!

Inculding a 16 page printed silkscreen magazine!

FLEE is a collective of dedicated afro-diggers, driven by the enthusiasm to find and preserve semi-forgotten genres. For their first release they focused on an old Kenyan music genre called “Benga”. The record will be completed by a printed silkscreen magazine retracing the history of the genre, which will feature original archive pictures, great authors from the region, such as Emmanuel Mwenda, as well as the writer and singer of the eclectic Kenyan Band, Yellow Light Machine, Ondiso Madete. This vinyl compiles six rare and for some unreleased benga tracks, edited by contemporary artists (Nik Weston aka Mukat, Jaakko Eino Kalevi and Africaine 808), with the aim of approaching this genre with an innovative perspective, transcending simple nostalgia.

Only 200 copies of this first issue!

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Africa Negra

Antologia Vol. 2

Release: 2024 / Original

Genre: Organic Grooves

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Continuing our exploration of Sao Tomé and Príncipe with DJ Tom B., Les Disques Bongo Joe proudly announces the release of Africa Negra Anthology Vol. 2.We"ve carefully selected and remastered 13 standout tracks for this volume, digitized from studio tapes by their tour manager. The album includes a booklet with updated liner notes and vintage photos of the group.

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Kampire Presents A Dancefloor In Ndola

2LP | 2024 | EU | Original (Strut)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Strut introduces a pioneering new compilation "A Dancefloor In Ndola," curated by revered East African DJ, Kampire. This release marks an evolution in Strut"s approach to compilations, showcasing emerging DJ talent from across the world and embracing an innovative approach to musical discovery from the next wave of selectors.

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Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980-93

3LP | 2024 | UK | Original (Soundway)