Afrobeat Vinyl 955 Items

Release: 2011 / US – Reissue

Genre: Organic Grooves

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LP | 2011 | EU | Original (Pure Pleasure)

Duster Bennett

Smiling Like I'm Happy

35,99 €*

Release: 2011 / EU – Original

Genre: Organic Grooves

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From Africa With Fury: Rise 2016 Edition

Seun Kuti & Egypt 80

2LP+CD | 2011 | EU | Reissue (Because)

Volume 3: Sweet Times - Afro, Funk, Highlife & Juju From 1970s Lagos

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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With the mighty new From Africa With Fury: Rise, Seun Anikulapo Kuti picks up the mantle as undisputed champion and true prince of the Afrobeat movement.

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Nigeria 70

2LP+CD | 2011 | EU | Reissue (Strut)

7" | 2012 | US | Original (Third Man)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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The third instalment in Strut’s essential trip through the rich archives of Nigerian music brings together ‘70s Afrobeat and highlife from Victor Olaiya, Rex Williams, Zeal Onyia and more.

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Tom Jones

Evil

Make It Fast, Make It Slow

Release: 2012 / US – Original

Genre: Organic Grooves

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Third Man Records is proud to announce the most virile entry in the history of its Blue Series singles: The man, the legend himself Mr. Tom Jones laying his unmistakable voice over Howlin' Wolf's "Evil" and the Frankie Lane classic "Jezebel" (as covered over the years by the likes of Edith Piaf and Anna Calvi). Both tracks were produced by Jack White at Third Man studios.

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Rob

LP | 2012 | UK | Original (Soundway)

Ali Farka Toure & Toumani Diabate

Release: 2012 / UK – Original

Genre: Organic Grooves

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ROB was an enigmatic recording artist from Ghana who cut two albums for the legendary Essiebons label in 1977. Neither of these were big domestic hits at the time and have since become prized amongst collectors in recent years. The title track from this LP was always one of the most popular on the first Soundway release Ghana Soundz and over the years we have been asked many times to re-issue the LP in it’s entirety. A stranger, slower offering than his more dancefloor funk-laden and Spartan first LP, this record sees ROB in similar territory but with the tempo switched down and the introspection turned up.

ROB’s trademark horns dominate and are supplied by the Mag-2, an army band founded by leader Amponsah Rockson, who named it after the army unit the band played for – the “magnificent” second battalion. In 1977, Rob traveled to the coastal town of Takoradi in search of Mag-2, which had an entire section of its line-up dedicated to horns, with the intension of laying out his proposal to them. Luckily for Rob, the band took him up on it.

With religious overtones and a broody, slightly off-key atmosphere at points it’s certainly one of the stranger afro-funk records to come out of West Africa but with tracks like Loose up Yourself and Make it Fast, Make it Slow he nails it for sure.

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In The Heart Of The Moon

2LP | 2012 | EU | Original (World Circuit)

24,99 €*

Dancing Time: The Best Of East Nigeria's Afro Rock Exponents 1973-77

Release: 2012 / EU – Original

Genre: Organic Grooves

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Originally released in 2005, now on vinyl!

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The Funkees

2LP | 2012 | UK | Original (Soundway)

Ndia Egbuo Ndia (Afro-Jigida)

Release: 2012 / UK – Original

Genre: Organic Grooves

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‘Dancing Time: The Best of Eastern Nigeria’s Afro Rock Exponents 1973 – 77’ by The Funkees is the latest title on Soundway to mine the rich musical output of 60s and 70s Nigeria. For the 5 year period this compilation spans The Funkees output crackled with dance floor fire.

Having featured on three of Soundway’s most popular titles, across the definitive Nigeria Special compilation series, we felt The Funkees output deserved closer inspection. Presented here (on CD, download & double gatefold LP) are 18 slices of funky Afro-rock grooves hand picked by Soundway’s Miles Cleret from a selection of the bands 45s and 2 long players.

In the early 1970s The Funkees were the number-one east Nigerian band and the only outfit to seriously challenge the popular Lagos based rock combos MonoMono and BLO.

It wasn't long before promoters in the UK came calling and The Funkees packed up their instruments and moved to London where they quickly established a fierce reputation on the live circuit.

Here they recorded two seminal albums before finally breaking up in 1977 amidst some controversy. This collection features for the first time all of their Nigerian 45s alongside the best of their UK album material and is accompanied by a full interview with original member Sonny Akpan, who still lives in the capital.

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The Semi Colon

LP | 2012 | US | Reissue (Comb & Razor Sound)

12" | 2012 | UK | Original (Soundway)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Ndia Egbuo Ndia (Afro-Jigida), an LP recorded by the Nigerian rock group Semi-Colon in 1976, was an experimental response to Fela Kuti’s then-dominant afrobeat sound, substituting Fela’s sophisticated horn charts and jazz leanings with wiry electric guitar work and a passion for vintage rock ‘n’ roll. Long fabled and coveted amongst collectors and DJs alike, the album has remained one of the rarest of the Nigerian 1970s “afro” cycle. Comb & Razor Sound is proud to be reissuing this lost gem of Afro-rock for
a new audience.

This reissue marks the second release from Comb & Razor Sound, following up the success of its inaugural offering, 2011’s Nigerian disco and boogie compilation Brand New Wayo, which was spotlighted on NPR’s All Things Considered and received favorable mention on its “Song of the Day.” The new edition of Afro-Jigida continues Comb & Razor’s exploration of rare, cutting-edge popular music produced in Nigeria in the 1970s and 80s.

Afro-Jigida will be initially released in its original six-track vinyl format, with a deluxe CD release to follow at a later date. As a bonus, the first 1000 copies pressed of the album will include a 7” single featuring the never-before-released demo recording "Our Fada".

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DrumTalk

Airbourne EP

12,99 €*

Release: 2012 / UK – Original

Genre: Organic Grooves

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24 Hours In A Disco 1978-82

Kiki Gyan

2LP | 2012 | UK | Original (Soundway)

24,99 €*

Antibalas Black Vinyl Edition

Release: 2012 / UK – Original

Genre: Organic Grooves

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Soundway Records present ’24 Hours in A Disco 1978 - 82’, 7 cuts of relentless disco grooves from the sublimely gifted Kiki Gyan. Hailed as Africa’s answer to Stevie Wonder, Ghanaian multi-instrumentalist Kiki Gyan was a musical wunderkind who by 1975 had risen from the lowly status of high school dropout to being ranked eighth in a poll of the greatest keyboardists in the world (occupying the rarefied air of the top ten with heavyweights like Steve Winwood, Billy Preston, and Stevie Wonder) as well as becoming an in-demand session player in the top recording studios of London - all before his twenty-first birthday.

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Antibalas

LP | 2012 | US | Reissue (Daptone)

Antibalas Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Organic Grooves

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The unstoppable, irresistible rhythms and melodies of Antibalas have influenced scores of artists across rock, hip hop, afrobeat and beyond. Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit Fela! and penned original music for the show. Members have also recently collaborated/performed with Iron and Wine, Sharon Jones & The Dap-Kings, Mark Ronson, TV on the Radio and The Roots. On the heels of the hit musical Fela!, Antibalas ended up reuniting with former member and producer Gabriel Roth, who was at the helm for their first three albums. This self-titled album was their first on Daptone Records.

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Antibalas

LP | 2012 | US | Reissue (Daptone)

Sierra Leone in 1970s USA

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Muyei Power

LP | 2014 | UK | Original (Soundway)

16,14 €* 16,99 € -5%

Shaluza Max / Tabu Ley Rochereau

Release: 2014 / UK – Original

Genre: Organic Grooves

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Muyei Power or Orchestre Muyei (muyei means ‘our country’) was one of the top dance bands of the1970s in Sierra Leone. Soundway Records' first collection of music from this West African country (‘Muyei Power: Sierra Leone in 1970s USA’) is an album of rock-infused, 'afro' music from a group that traveled the world throughout the mid 1970s. Fusing elements of electric Congolese and Nigerian music with fast, syncopated, uptempo modernised arrangements of traditional music, Muyei Power produced a series of unique single-only releases that have been unavailable for 35 years. The rare recordings featured here are a glimpse of a dynamic and powerful band at the very height of its powers.

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Mangase / Hafi Deo

12" | 2014 | UK | Original (Soundway)

13,99 €*

Psychedelic Sanza 1982-1984

Release: 2014 / UK – Original

Genre: Organic Grooves

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Soundway Records present a special summer tribute double a-side 12" with two tracks from African musicians that both passed away within a couple of months of each other at the end of 2013 / start of 2014. Both tracks are perfect smooth summer tropical DJ fodder for the dancefloor.

On the first side South African singer Shaluza Max's massive Mashkandi / house anthem from 2002 gets a first release on vinyl. This track was a huge hit in South Africa and around the world on its release. With a soaring Zulu vocal and big sound it's a fitting reminder of a very talented musician who worked as a very well respected producer, composer and arranger who died tragically young at the age of 47 in January of 2014.

On the flip we drop a fairly unknown track from the mid 1980s from one of the biggest names in African music, Tabu Ley Rochereau. With a kind of almost balearic proto-house congolese pop cut with drum machines, and trademark sweet congo horn section, Hafi Deo is a beautiful track that fell into obscurity by perhaps being too smooth for the world music crowd in the mid 80s. Tabu Ley passed away in November 2013 in his late 70s with over 250 albums and 3000 songs to his name. A true pioneer of the congolese soukous sound, he was also one of the most influential African musicians of his generation.

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Francis Bebey

2LP | 2014 | EU | Original (Born Bad)

LP | 2014 | US | Reissue (Now-Again)

Release: 2014 / EU – Original

Genre: Organic Grooves

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Special compilation from Parisian re-issue kings, Born Bad, of the late Cameroonian master musician, Francis Bebey. This is the material we were hoping would follow the excellent comp from last year. Amazing 'universal' music currently only available on expensive originals. Double album with printed innersleeve.

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Ngozi Family

Day Of Judgment

Congolese Funk, Afrobeat And Psychedelic Rumba

Release: 2014 / US – Reissue

Genre: Organic Grooves

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2023 repress
Proto-punk and garage Zamrock: the celebrated guitarist Paul Ngozi’s essential debut album. Featuring Chrissy Zebby Tembo.

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Verckys & Orchestre Vévé

2LP | 2014 | EU | Reissue (Analog Africa)

33,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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2LP | 2015 | EU | Original (World Circuit)

Orchestra Baobab

Pirates Choice

28,99 €*

LP | 2015 | US | Original (Awesome Tapes From Africa)

Release: 2015 / EU – Original

Genre: Organic Grooves

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An Afrobeat and Worldmusic classic first time on vinyl.

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Ata Kak

Obaa Sima

LP | 2015 | EU | Original (Sterns)

Release: 2015 / US – Original

Genre: Organic Grooves, Electronic & Dance

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A 1994 tape by Ghanaian musician Ata Kak called Obaa Sima is being reissued by Awesome Tapes From Africa.

The release is the culmination of a 13-year story for Awesome Tapes From Africa founder Brian Shimkovitz, who bought a cassette copy of Obaa Sima from a roadside stall in Cape Coast, Ghana, in 2002. The tape was the subject of the first post on his Awesome Tapes From Africa blog in 2006—the blog spawned a full record label in 2011.

Shimkovitz began searching for Ata Kat and says "Google and endless phone calls provided no leads." It was eventually discovered the musician, real name Yaw Atta-Owusu, had recorded Obaa Sima in Toronto before moving back to Ghana in 2006.

The restoration of the tape proved challenging. Only about 50 copies of the original tape were produced, and Atta-Owusu's master DAT had disintegrated, so the second-hand copy purchased by Shimkovitz was used as the source for the reissue.

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Yaaba Funk

My Vote Dey Count

Pat Thomas & Kwashibu Area Band

Release: 2015 / EU – Original

Genre: Organic Grooves

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Emerging from London's African drum and dance scene, Yaaba Funk is an extremely dynamic group of musicians. Their sophomore full-length offers an irresistible collection of Afrobeat, Hi-Life and solid African funk grooves!

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2LP+CD | 2015 | EU | Original (Strut)

LP | 2015 | EU | Original (Naive)

Release: 2015 / EU – Original

Genre: Organic Grooves

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“I’m an afrobeat drummer but Pat Thomas is highlife. That is what he does so well.” -Tony Allen

Coming in June, we are proud to announce the brand new studio album by one of Ghana’s all-time great vocalists, “The Golden Voice Of Africa”, Pat Thomas, in conjunction with the Kwashibu Area Band led by multi-instumentalist Kwame Yeboah (Cat Stevens, Patrice) and saxophonist Ben Abarbanel-Wolff (Ebo Taylor, Poets of Rhythm).

A regular collaborator with Ebo Taylor, Thomas was mainstay of the ‘70s and ‘80s Ghanaian highlife, afrobeat and afro-pop scenes, hitting big with the Ghana Cocoa Board-sponsored Sweet Beans band. Thomas’ new album marks over 50 years making music and reunites him with old friends: Ebo Taylor provides horn arrangements, Tony Allen contributes drums to several tracks, Osei Tutu (Hedzolleh Sounds) plays a memorable trumpet solo and prolific 1970s bassist Ralph Karikari (The Noble Kings) also features. Younger generation stars appearing include bassist Emmanuel Ofori, percussionist “Sunday” Owusu and Pat Thomas’ daughter Nanaaya, an acclaimed vocalist in her own right.

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Blick Bassy

Akö

Release: 2015 / EU – Original

Genre: Organic Grooves

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Rim And Kasa / Rim And The Belivers

Too Tough / I'm Not Going To Let You Go

2LP | 2015 | EU | Original (BBE)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Following hot on the heels of our well-received reissue of his first album, Rim Arrives, we now present the two other key records that have made this a cult figure for lovers of both African music and ‘disco’ in its widest sense. Too Tough, a superb three track EP from 1982, on Sum-Sum Records, was credited to Rim and Kasa, whilst he issued the cracking 12” I’m Not Going To Let You Go as Rim And The Believers for Harmony Records the following year.
Too Tough kicks off with Shine The Ladies, an epic Afro-disco jam in call and response format, with the female lead vocals (Ms. Anita Berry) prompting a series of replies from the backing vocalists, setting the scene for a series of exciting solos set against a backdrop of punchy horns and swirling synths; tenor sax, guitar, drums (introduced with chants of ‘Play me some drums!’) and vibes all take a turn before the track fades out, clocking in just short of nine minutes. Next up is Love Me For Real, reminiscent of August Darnell with its girlie vocals and Latin flavour, ending with a mad swirl of synths and Rim’s own vocals. And lastly, I’m A Songwriter is cosmic Afro-reggae, bringing to mind Roy Ayers in his Fela phase, given a mad punk-funk twist … this one has to be heard to be believed!
The mood changes with I’m Not Going To Let You Go, which eschews the female chorus for an altogether mellower, instrumental ride, veering from out-there cosmic synth vibes to loungey jazz piano. It’s original flip, Peace of Mind, raw Afro-boogie track with a male vocal, is also included.
Those of you who had been searching in vain for Rim’s oeuvre for some years now having had it handed to you on a platter (well, two platters, actually), will be pleased to know that there is yet more material from the man Rim Kwaku Obeng to come from us at BBE …watch out for the digital-only release of four previously unreleased cuts from this legend of Afro-disco, taken from a long-lost acetate!

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Light & Sound Of Mogadishu

LP | 2015 | EU | Original (Afro7)

7" | 2015 | UK | Original (No Wahala Sound)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Amazing compilation of Somali music.

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Afro National

Temedi Oh / Den Kick

LP | 2015 | EU | Reissue (Glitterbeat)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Little known outside their native Sierra Leone where they were huge stars in the 1970s, Afro National played a brand of afro-pop that was a fusion of myriad styles, including Congolese music, highlife & Afrobeat and whose sound was characterized by up-tempo melodic guitar playing.

This double A side features two choice cuts from their 1972 debut album, the gloriously infectious and up-beat ‘Temedi Oh’ & ‘Den Kick’ which starts as a gentle rumba before launching into a joyous guitar workout.

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Bixiga 70

III

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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LP | 2015 | EU | Reissue (Relapse)

Myrkur

25,19 €* 27,99 € -10%

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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Down On Deptford Broadway

Skinny Lister

LP | 2015 | EU | Reissue (Xtra Mile)

32,99 €*

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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LP | 2015 | EU | Original (Al Dente)

The Moonfires

Black Sugar

The Sorcerers White Vinyl Edition

Release: 2015 / EU – Original

Genre: Organic Grooves

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Band Leader Alex Puddu is behind the project the Moonfires. The Album is released on 300 copies limited edition on Alex Puddu's own label Al Dente. The Album Black sugar is written, Arranged and Produced By Alex Puddu Recorded during the summer 2014 in Copenhagen Recorded at Redrum Studio Mixed and Masterd in N.Y.C Astoria Queens Soundworks recording by Kamilo Kratc Album photo by Maiken Kildegaard Artwork by Leo Scherfig

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The Sorcerers

LP | 2015 | UK | Reissue (ATA)

30,99 €*

LP | 2015 | EU | Reissue (Secret)

Release: 2015 / UK – Reissue

Genre: Organic Grooves

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Reissue of the debuit album from The Sorcerers. Recently championed by Ethio-Jazz legend Mulatu Astatke on his Addis Abbaba radio show, The Sorcerers take influences from Ethiopiques Ethio-jazz as well as the soundtracks to the european horror films of the 60's and 70's and the british library music of the same era & blend them into one cohesive package. Made up of various stalwarts of the vibrant Leeds Jazz/World scene they were originally formed to contribute some tracks to the compilation "Funk, Soul & Afro Rarities: An Introduction To ATA Records" released in 2014 on Here & Now Records. After receiving a favourable response to their contributed tracks and garnering support from the likes of Strut records founder Quinton Scott and Radio 3's Nick Luscombe (Late Junction) they decided to develop their sound further before recording their debut album.

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Dillinger Verses Trinity

Clash

30,99 €*

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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LP | 2015 | Original (Galileo Music Communication)

Otros Aires

4 Big Man Dancing

29,99 €*

Release: 2015 / Original

Genre: Organic Grooves

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Ayalew Mesfin / Mulatu Astatke

Ghedawou / Asmarina

2LP | 2016 | EU | Original (Cramned)

Release: 2016 / UK – Original

Genre: Organic Grooves

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A. Ayaléw Mèsfin ft. Black Lion Band - Ghedawou
Ethiopian dance floor Funk rarity originally released on Kaifa 7” (KF 31) in
1976. Hand claps, guitar lines and call and response lead vocals punctuate the
driving bass line and understated drum groove.
Mesfin played primarily at the Lumumba Club in Addis Ababa’s red light district
and released many 45’s and cassettes during the mid seventies.
He worked very closely with the Black Lion Band (or Tequr Ambessa Orchestra)
AA. Mulatu Astatke ft. Feqadu Amdé-Mesqel - Asmarina
Laid back, drum-heavy, Ethipian jazz taken from the legendary Ethio Jazz’ LP on
Amha (AELP 90). Typifies the sound of the country and the period, truly classic
stuff.
Mulatu will be touring heavily in 2016, which we are very much looking forward
to.

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Konono No 1

Meets Batida

Release: 2016 / EU – Original

Genre: Organic Grooves

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Mulatu Atsatke / Teshome Meteku

Assiyo Bellema / Hasabe

Seyoum Gebreyes & Wallias Band / Wallias Band

Release: 2016 / UK – Original

Genre: Organic Grooves

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‘Assiyo Bellema’ – Mulatu goes afro-latin, plus steel drums
courtesy of Frank Holder. Assiyo Bellema was recorded during
Mulatu’s time in London, during which he met Frank, along with
many others including Tubby Hayes and Joe Harriott.
‘Hasabe’ was originally released on Amha in 1969. Soaring
Ethiopian vocals and horns create a classic Ethiopian sound.
Teshome Meteku was leader of Soul Ekos Band - they lived
together! - and were very active in Addis in the 1960’s.

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Muziqa Muziqa / Muziqa Slit

LP | 2016 | UK | Original (World Circuit)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Wallias Band were an Ethiopian jazz/funk outfit active from the
70’s until the 90’s. They recorded and worked with Mulatu
Astatke. They were amongst the first Ethipian bands to tour the
USA.
On ‘Muziqa Muziqa’ saxophonist Seyoum Gebreyes collaborates with
the Wallias Band. Very little is known about Seyoum… ‘Muziqa
Muziqa’ is an uptempo Ethio-funk jam, with a soaring vocal,
driving organ, drums and brass.
‘Muziqawi Slit’ is a chugging, hypnotic Ethiopian jazz funk
groover featuring organ player by Hailu Mergia. Taken from his
‘Tche Belew’ LP originally released on Kaifa in 1977, featuring
Mulatu Astatke, arranged by Girme Beyene.

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Oumou Sangare

Moussolou

LP | 2016 | EU | Original (Paris DJs)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2016! Now for the very first time World Circuit are releasing this iconic album on deluxe single vinyl. Mastered at Abbey Road the vinyl is pressed on 180 gram heavyweight vinyl and presented alongside a beautiful 10 page booklet and download card.

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Etienne De La Sayette

Maputo Queens

27,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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Composer/arranger/producer Etienne de la Sayette is a frenetic globe-trotter and a relentless collector of musical instruments. Founder and headhunter of, among others, the Frix and Baeshi Bang groups, co-founder/saxophonist for Parisian Ethio-Jazz band Akalé Wubé, Etienne might mostly be a live musician, he manages nonetheless to find the time for audio production, remixes and synch music. 'Maputo Queens' is his first solo album, a deep afrojazz masterpiece for thoughful moods and after-hours atmospheres, with some masterful blends of spices from all over the globe.

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2LP | 2016 | EU | Original (Analog Africa)

Space Echo

34,99 €*

Bahta Gebre-Heywet / Alemayetu Eshete

Release: 2016 / EU – Original

Genre: Organic Grooves

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In the spring of 1968 a cargo ship was preparing to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held. It was the first expo of its kind to take place in the Southern Hemisphere and many of the leading companies in the field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few, were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.

The ship with the goods set sail on the 20th of March on a calm morning and mysteriously disappeared from the radar on the very same day. One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from any coastline.

After consulting with the village elders, the locals had decided to open the containers to see what was inside – however gossip as scintillating as this travels fast and colonial police had already arrived and secured the area. Portuguese scientists and physicians were ordered to the scene and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that again the government had wasted their tax money on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. “No need for Portuguese rocket scientists to explain this!” they laughed.

What the villagers didn’t know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery permeated the event.

Finally, a team of welders arrived to open the containers and the whole village waited impatiently. The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass.

It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools. This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm who picked up the ready-to-use instruments. This in turn facilitated the modernisation of local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, which had been banned by the Portuguese colonial rulers until 1975 due to its sensuality!

The observation was made that the children who came into contact with the instruments found on the ship inherited prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira, who by the end of the 70s would become the country´s most important music arranger. 8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde, lead by Paulino Vieira, the mastermind behind the creation and promulgation of what is known today as “The Cosmic Sound of Cabo Verde”.

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Tessassategn Eko / Ayalqem Tedenqo

12,99 €*

7" | 2016 | EU | Original (Hot Casa)

Release: 2016 / UK – Original

Genre: Organic Grooves

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‘Tèssassatègn Eko’ is a catchy, soulful Ethiopian jam. Originally released on
Amha AE 690 A in 1973. Arranged by the prolific Girma Beyene.

‘Ayalqem Tèdènqo’ see’s Eshèté’s third appearance in the Africa 45’s series. Released originally on Amha AE 290 A in 1971. A shuffling drum/percussion groove with soulful piano and bass, catchy vocal hook and guitar solo.

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Vaudou Game

La Vie C'Est Bon

12" | 2016 | UK | Original (Sol Power)

Release: 2016 / EU – Original

Genre: Organic Grooves

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From the forthcoming album Kidayu, out September 8th 2016 on Hot Casa Records.

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game did not need to consult the oracle for very long when putting together their new album.

Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe.

When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.

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Sol Power All-Stars

Djidjo Vide

13,29 €* 13,99 € -5%

LP | 2016 | UK | Original (Soundway)

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Just in time for summer, Sol Power Sound is proud to present its 4th release, the Djidjo Vide EP, a 1-2 punch of Afro house by label heads, the Sol Power All-Stars.

Djidjo Vide, the title track on the A-side, features DC (via Togo) Afrobeat band, Elikeh. It's a vibey slice of propulsive Afro house about finding joy in the face of hardship. Massama Dogo's commanding vocals (sung in Mina) combined with the driving bassline, and aggressive horns (performed by DC's Sticky Bear) make Djidjo Vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you.

The B-side, Tell Me Why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by Matt Rippetoe and Joe Herrera of DC's the Harry Bells). It's a late-night beatdown that will set things off proper in a dark room!

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Susso

Keira

21,99 €*

Wejene Aola Feat. Kamasi Washington

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Susso, aka bassist / producer Huw Bennett, creates music inspired by, and directly sampling, the magnificent sounds of the Mandinka people, recorded during a recent trip to Gambia. Initially travelling with the aim of gaining perspective as a musician and to discover a new world of music first hand, Huw found himself humbled by such a welcoming community of artists, mostly belonging to the celebrated Suso and Kuyateh griot families. The tracks are composed entirely from original source material, field recordings and Huw’s talents as a multi-instrumentalist; performing tuned percussion from the region including the Mandinka Balafon, Kutiringding drum, aswell drawing on his skill as a professional upright / electric bassist. The music produced has a contemporary electronic sound, whilst still paying homage to a traditional Gambian aesthetic. Keira (meaning peace) guides the listener through Huw’s journey up the River Gambia, being welcomed into remote dusty villages, where your people are the most important thing in life.

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Dexter Story

7" | 2016 | UK | Original (Soundway)

Township Jive & Kwela Jazz Volume 4

Release: 2016 / UK – Original

Genre: Organic Grooves

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For his next release on Soundway Records, Los Angeles-based Dexter Story hooks up with long time friend and compatriot of music, the saxophonist, jazz composer, producer and band-leader Kamasi Washington. A fierce, rumbling electro Ethio-Funk groove provides the platform for an intense and powerful interplay between Washington on tenor sax and Todd Simon on trumpet. An instrumental cover version of Tilahun Gessesse's 1970s cut of the same name, it's Story's homage to the oppressed Oromo people of Southern Ethiopia. Backed on the flip by the one cut from Story's 'Wondem' long-player that did not make it to vinyl when the LP version was cut, Nia Andrew's sublime and atmospheric collaboration on Eastern Prayer will keep all those happy who grumbled at it's exclusion from wax first time around. This is a record that no lover of Ethio-Jazz, Afro-Beat or Funk should be excused for not owning.

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Various

LP | 2016 | EU | Original (Ubuntu Publishing)

LP | 2016 | EU | Original (Hot Casa)

Release: 2016 / EU – Original

Genre: Organic Grooves

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On this great compilation you’ll find 16 early vocal & jazzy tunes from the Golden Age of Jive & Kwela in South Africa. All released originally on fragile shellac discs only, which is a very delicate material but the music survived thanks to the archives of ILAM. A truly great source of South African music is being preserved here for new generations, to inspire young and hopeful musicians and singers from all over the world. These treasures of musical genius were recorded in the glory years of Jive and Kwela, the years 1940-1965.
On side A it is not very difficult to recognize the similarities to American popular music like R&B and small combo close harmony singing. But most of all notice that typical South African swing, that Jive, that incredible smooth form of African Jazz on side B; Kwela!

The rarest and most treasured finds are collected here, some with the original spoken intros, ‘sketches’ as these were called. Characteristic conversations between the musicians, often in a humoristic slang, always extremely funny. The record is pressed to 180gram vinyl.

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Joni Haastrup

Wake Up Your Mind

LP | 2016 | EU | Original (Soundway)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Growing up in a royal household in Nigeria, Joni Haastrup began his musical journey performing for his brothers band Sneakers and was quickly snapped up as a vocalist for Orlando Julius Ekemode and his Modern Aces' Super Afro Soul LP, one of Afro-beat's formative LPs. Soon after, Ginger Baker of Cream fame replaced Steve Winwood with Joni on keys for Airforce's UK concerts in '71 and the success of the collaboration led to further shows with Baker as part of the SALT project before he returned to Nigeria to set up MonoMono. Back in London in 1978, Joni recorded his solo gem Wake Up Your Mind for the Afrodesia imprint. Coming in a Deluxe gatefold Replika LP with printed sleeves

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iZem

Hafa

17,99 €*

7" | 2016 | US | Original (Now-Again)

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Journeyman, DJ, radio presenter, beat raconteur – it’s been hard to keep up with all of iZem‘s movements lately. The innovative Lisbon-based French producer has been hard at work on his debut LP Hafa, exploring the sounds of Latin America and North Africa in a vivid analogue-digital, genre-defying soundscape that is sure to leave your head spinning. Inspired by cultural greats like Jack Kerouac, Paul Bowles, Tahar Ben Jelloun and Matisse, iZem spent time soaking up the atmosphere at the inspiring Café Hafa, an idyllic cliff-pop joint overlooking the strait of Gibraltar, in Tangier, Morocco, which has formed a golden backdrop to his debut LP. Brimming with soulful exoticism, personal narratives and adventurous collaborators, Hafa has been an experiment in taking on the afro-centric sounds of his journey to-date by incorporating modern, introspective songwriting and hybrid beats.
Often writing music whilst crossing continents, the only place iZem allows dust to settle is in the heart, heat and rhythms of his local-global future sounds. A decade of nomadism between Spain, Brazil, Argentina, Ireland and Portugal made way for a series of critically acclaimed EP’s and remixes for Soundway, GAMM, Far Out, Agogo, ZZK records, Wah Wah 45s, and Mais Um Discos. Arrival on the global, forward-thinking, artistically leftfield scene was predicted by Gilles Peterson, XLR8R, Okay Player and fellow tropical hed Quantic. iZem is an acronym for “In Ze Early Morning” and his debut album “Hafa” evokes new days dawning in far-off lands and stirring horizons of the present. So if you aren’t hearing iZem’s pastiche of future tropical rhythms and organic grooves on stations such as BBC, KCRW or Funkhaus Europa, then make sure you you catch him raising the dance floor temperature on one continent or another.

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Johnny!

Only Love

7" | 2016 | US | Original (Now-Again)

Release: 2016 / US – Original

Genre: Organic Grooves

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We’re introducing: Johnny! Ghanaian Afro-Rock from German producer/composer J.J. Whitefield and an international cast of top shelf musicians. Whitefield, who in the early ‘90s revived the gritty, analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has been working with Now-Again Records for almost a decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the “Original Raw Soul” anthology. He first started exploring African rhythms with the Whitefield Brothers in the late ‘90s, continuing in the ‘00s with Karl Hector & The Malcouns. He’s been instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor’s son Henry and percussionist/Singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana’s hypnotic grooves, but also the full frontal fuzz guitar assault heard on the legion of 70s Zambian Zamrock albums recently reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist Tomi Simatupang (Whitefield Brothers). This is Dance Rock at the core with the possibilities to stretch out and go into psychedelic realms. The results, spread out over three 7”singles and pressed in a run of 1000 units each, speak for themselves. Every record comes with a download card for WAV files of all six tracks (vocals and instrumentals from each release) and point at a new direction for the music inspired by the Great Continent.

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Johnny!

Ago

Release: 2016 / US – Original

Genre: Organic Grooves

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Togo Soul 70: Selected Rare Togolese Recordings From 1971 To 1981

2LP | 2016 | EU | Original (Hot Casa)

29,99 €*

7" | 2016 | US | Original (Now-Again)

Release: 2016 / EU – Original

Genre: Organic Grooves

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TOGO SOUL 70 project, is the collaboration between Julien Lebrun, label Manager and Liz Gomis, journalist and director. Two friends that are combining their skills to relate the process of pressing a compilation of rare grooves in Africa

From the original quest, searching for vinyls and right holders in adventurous conditions (sometimes) to the contract final signature, we'll travel throughout Togo to witness the post-colonial story of the country by the prism of its soundtrack

More than a digging session, we'll highlight togolese culture through music. Music that you'll be able to listen in May 2016 on the double vinyl compilation TOGO SOUL 70 (Hot Casa Records gatefold)

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Johnny!

I'm Gone

Stutter & Twitch 7" Series

Release: 2016 / US – Original

Genre: Organic Grooves

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Matuki

7" | 2016 (Stutter And Twitch)

12" | 2016 | UK | Original (Real World)

Release: 2016

Genre: Organic Grooves

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12-piece Afro-beat bandMatukiare releasing their debut 7" single onDecember 2ndviaStutter & Twitch; which paints a juxtaposed image of the band's versatile style. Side A 'Sanimenteren' showcases fiery horn melodies and liquid guitar riffs, whereas Side B 'INJO' changes direction completely as Manchester producerShunyatakes the reins. By morphing Matuki's steadfast rhythm into a lucid downtempo glitch, Shunya creates a unique and mesmerizing new perspective towards the urban band's signature style.

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Toto La Momposina

The Garabato Sessions

Release: 2016 / UK – Original

Genre: Organic Grooves

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2LP | 2016 | UK | Original (Mr Bongo)

Original Sound Of Mali

7" | 2016 | EU | Original (Cree)

Release: 2016 / UK – Original

Genre: Organic Grooves

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The Original Sound of Mali’ compiled by David ‘Mr Bongo’ Buttle, Vik Sohonie (Ostinato Records) and  Florent Mazzoleni.

Malian music is a deep, lyrical form of African music. Those of us deeply entranced by Malian culture, and, in particular, the immense hypnotic beauty of Malian music, have put together a selection of songs from across the country.

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Doran Versatile Hector

Let It Out / Destruction

12,99 €*

Sven Kacirek & Thomas Klein

Release: 2016 / EU – Original

Genre: Organic Grooves

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Born in Matura Village, Trinidad in 1949, Doran Dorril Hector aka ''Versatile'' began his career as a guitarist in a quartet singing group called the ''Orchids'' in 1965. He first began writing and performing Calypso in 1967 for the North East Competition in Sangre Grande where he emerged 1st runner up to the Mighty Poser.

He further went on to be judged the best singing teen at the Teen Talent Competition held at Scarlet Ibis Hotel in 1968 performing Otis Redding’s ''Dreams To Remember''. The prize was a recording session at Telco Records and it was at this company that Dorril released his first record ''Dance With Me''.

In the late sixties he also began travelling as a lead singer with Ed Watson and the Brass Circle, visiting the entire English-speaking Caribbean. He also went to New York, Miami, The U.S. Virgin Islands and Guadeloupe.

In 1970 he decided to get into the Calypso genre and changed his artist name to ''Versatile''. Before getting on the front stage he began doing background vocals for several calypsonians in the Calypso tents during Carnival season. He also began to work as a background vocalist at Max Serrao’s Caribbean Sound Studios, K.H. studios and Semp studios.

After saving some money from working in the entertainment business, Dorril decided to do a self-financed recording in 1974 and recorded ''Country Boy Come To Town'' at K.H. studios in Sea Lots, Port of Spain, a calypso-pop crossover song. The song was a minor success in Trinidad.

In 1975 he went into a partnership with K.H. studios to record his next single ''Let It Out''. The song was a mixture of Calypso, Funk and African influences and served as a good example for the newly evolving musical artform called ''Soca''. However, Dorril was still unable to write down his music and arrangements for the studio musicians. Ellis Chow Lin On (then manager at K.H. studios) introduced Dorril to Pelham Goddard who had just formed his band ''Roots''. Pellham Goddard wrote down the arrangements and Roots recorded the backing track. Among the musicians were names like Clive Bradley and Michael ''Toby'' Tobas. Dorril released the record on his own ''Hector'' label.

Back in the studio in August 1977 he recorded the socio-critical song ''Destruction'', a soulful reggae tune. The backing track was recorded by Colin Lucas and his newly-formed band ''Sound Revolution''. After Carnival the following year the song became a big hit in Trinidad and the wider Caribbean and finally Dorril’s signature song.

Dorril kept recording his own material and is performing live to this day. He is also an active member of T.U.C.O. (the Trinbago Unified Calypsonians Organisation).
7'' Single (45 RPM) in picture sleeve. 2 tracks. Total playing time 7 mns.

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Rhythmus 1-4

12" | 2016 | EU | Original (Bureau B)

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2016 | EU | Original (Repertoire)

Renaissance

Illusion

Release: 2016 / EU – Original

Genre: Organic Grooves

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LP | 2016 | EU | Reissue (Yep Roc)

Watchhouse

Blindfaller

28,99 €*

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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2LP | 2016 | UK | Reissue (Mr Bongo)

Original Sound Of Mali

21,99 €*

Estricnina/El Canijo De Jerez Y Juanito Makande

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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The Original Sound of Mali’ compiled by David ‘Mr Bongo’ Buttle, Vik Sohonie (Ostinato Records) and Florent Mazzoleni.

Malian music is a deep, lyrical form of African music. Those of us deeply entranced by Malian culture, and, in particular, the immense hypnotic beauty of Malian music, have put together a selection of songs from across the country.

No booklet in this Version.

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Hemos Visto Cosas Que Harian Vomitar A Un Murciela

LP | 2016 | Original (K Industria)

20,99 €*

Release: 2016 / Original

Genre: Organic Grooves

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LP | 2016 | EU | Reissue (Analog Africa)

Bitori

Legend Of Funaná /

32,99 €*

Jorge Ben / Miriam Makeba

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Analog Africa No. 21 „bitori“ - Legend Of Funaná (The Forbidden Music of The Cape Verde Islands) - In 1997, a quiet, unassuming man of 59 years old named Victor Tavares - better know as Bitori - walks into a studio for the very first time to record a masterpiece which many Cabo Verdean consider to be the best Funaná album ever made.

Bitoris musical adventure had begun long before this point. It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé & Principe. The young man´s hope was to return to Cabo Verde with an accordion.

Following two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it. Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music.

But not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funaná was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were “caught in the act”. In light of such persecution the genre of Funaná began to slowly disappear.

In 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde’s independence came a lifting of the ban placed on Funaná. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funaná, translating and adapting its musical form in new ways. It was not to be until the mid-1990’s, however, that Funaná in its traditional form was actually recorded.

It was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funaná beyond its rural roots. The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funaná. Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album.

In 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, "Bitori Nha Bibinha" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde´s No.1 interpreter of Funaná.

The success in Cabo Verde was phenomenal and Funaná rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori´s songs quickly became standards - classics known and loved throughout the country. The musical success, however, was solely limited to the Cabo Verdean islands - until now!

Analog Africa is proud to contribute to the worldwide promotion of Funaná - the once forbidden sound of the Cabo Verde archipelago - by releasing a worldwide re-issue of Bitori and Chando Graciosa´s legendary recording. The release will herald Bitori´s first European tour taking place during the summer of 2016. Watch this space! And listen!

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Xica Da Silva

7" | 2016 | UK | Reissue (Mr Bongo)

Idris Ackamoor & The Pyramids

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-30

Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.

’Xica Da Silva’ is one of Jorge Ben’s most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low-slung funky samba flavour, Ben’s absorbing vocal recounts the legend of one of Brazil's oldest black icons.

On the flip side, Miriam Makeba serves up an entrancing, slowed-down, grooved-out version of ‘Xica da Silva’. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam’s vocal shine through.

Remastered with refreshed artwork.

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Tinoge Ya Ta'a Ba, Part 1 & 2

7" | 2017 | EU | Original (Philophon)

2LP+7" | 2017 | EU | Original (Cree)

Release: 2017 / EU – Original

Genre: Organic Grooves

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2016 was the year for Idris Ackamoor & the Pyramids: their album "We Be All Africans" (produced by Philophon and released on Strut Rec.) vaulted them among the global top acts of the current Spiritual Jazz renaissance. The strengh of the group is its deep connection to Africa: not just that their music is inspired by the spirit of Africa, they actually founded themselves on an extended trip to the Motherland in 1972.

On that trip Idris Ackamoor visited the tiny town Bolgatanga in Northern Ghana to play with local Frafra musicians - an experiance which changed his life. Now, after 45 years, Idris dives once more into the magical music of the Frafra people by teaming up with master musician Guy One, the no. 1 Kologo artist of the vital music scene of Bolgatanga. On "Tinoge Ya Ta'a Ba" Guy One sings about the power of unity - a unity you hear clearly on this Afro-Euro-American cooperation: a driving rhythm, a eulogizing saxophone, a gripping voice and in total a journey into another dimension.

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Lancelot Layne

Blow Way

LP | 2017 | EU | Original (Born Bad)

Release: 2017 / EU – Original

Genre: Organic Grooves

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In 1971 two songs were released in Trinidad & Tobago that represented completely new directions in the musical and lyrical expression of Trinidad's place in the diaspora, Indian on one hand and African on the other. Nanny & Nana by Sundar Popo and “Blow 'Way” by Lancelot Layne were revolutionary and ground breaking and spawned two distinctly new genres in Trinidad & Tobago music – Chutney music in the case of Sundar Popo and Rapso, in Lance's case. Brother Resistance calls Lancelot Layne the father of Rapso music.
During the early 1970s Lance recorded at least a dozen startlingly original songs including “Blow 'Wa”y, “Afro'Dadian”, “Bringing' Off”, “Dat Is Horros” and “Kaiso For Mout' Band”. Each one expanding his talent for musical arrangements and dramatic counterpoint with chorus responses and vocal variation. He enlisted musicians, each exciting and pioneering in their own right, breaking ground in the post 1970 cultural revolution: calypso/jazz pianist, Clive Zanda; composer, guitarist, singer and flautist, Andre Tanker; Mau Mau Drummers including the young Jah Jah Onilu, Mansa Musa Drummers; vocalists, including Ann Marie Innis and Ella Andall.
The result is exciting, confident and musically ground-breaking. Until his death in 1990 he kept commenting and educating T&T'ssociety with songs like Get Off The Radio, Kamboulay, Jambalasie Dance and Strike Squad.
This release is pressed on 180-gram virgin vinyl and contains an additional 45RPM single. Everything is housed in a deluxe gatefold sleeve with 20-page booklet (8.2” x 8.2”) with extensive liner notes by Lancelot's daughter, Niasha Layne-Forde, and Christopher Laird. Cover and booklet artwork were created by famous Scottish painter, Peter Doig, one of the most renowned living figurative painters who settled in Trinidad since 2002.

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Group Doueh & Cheveu

Dakhla Sahara Sessions

18,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP+CD | 2017 | EU | Original (Schema)

Gino Conte

Nell’Anno Della Luna

10" | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.

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The Afro Soul Prophecy

The Devil Made Me Do It

13,99 €*

Red Light District / The Game Of Love

Release: 2017 / EU – Original

Genre: Organic Grooves

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Inspired by the music of Fela Kuti and his Africa 70 project feat. drummer Tony Allenl, “The Devil Made Me Do It” is pure downtempo afro beat in its original version; the first remix here included, the “Invisible Cosmic Echoes”, has a slower pace and is characterized - as the title suggests - by reverberations and space sound, while the “Invisible Astral Wave” is perfect for a DJ remix and has got a slightly accelerated pace, with an emphasis on the percussive / tribal element.

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The Afro Soul Prophecy

7" | 2017 | EU | Original (Schema)

9,99 €*

Daddy’s Groove / Let me Be Your Lover

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Afro Soul Prophecy project welcomes the Spring of 2017 with a series of two exclusive 7-inch records, for a total of four fully instrumental new compositions. This first 45rpm consist consists of the main track “Red Light District”, a rare groovy funk effort tinged with catchy brass melodies, backed with the slower, mellow and sensual “The Game of Love” – yes, the title says it all! Once again Alex Puddu has lent his creativity and put his music signature on these tracks, for an exciting and charming result!

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The Afro Soul Prophecy

7" | 2017 | EU | Original (Schema)

9,99 €*

LP | 2017 | US | Original (Awesome Tapes From Africa)

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Afro Soul Prophecy project welcomes the Spring of 2017 with a series of two exclusive 7-inch records, for a total of four fully instrumental new compositions. This second 45rpm of the series consists of the main track “Daddy’s Groove”, a catchy funky song with wah-wah guitars and a long middle sax solo part, paired with the romantic slow-paced “Let Me Be Your Lover”. Once again Alex Puddu has lent his creativity and put his music signature on these tracks, for an exciting and charming result!

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Umoja

707

15,99 €*

Mogoya White Vinyl Edition

Release: 2017 / US – Original

Genre: Organic Grooves

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Originally recorded in the 1980's in South Africa the release is a cosmic blend of disco, soul and pop. Umoja were one of the key figures in a genre which has since become known as 'Bubblegum Music' with the group recording their music during the violent era of apartheid in Africa.

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Oumou Sangare

LP | 2017 | EU | Original (No Format)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Fela Ransome-Kuti & The Highlife Rakers

Fela's Special

7" | 2017 | EU | Original (Soundway)

7" | 2017 | US | Original (Cultures Of Soul)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Soundway Records presents Fela's Special 7" single, the first recorded tracks from the great Fela Kuti.
This item usually comes with the extensive Highlife On The Move 3xLP compilation, but due to an accidental over-pressing we have a small number of these 45’s for sale individually.
Very limited stock available.

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The Apostles

Banko Woman

LP | 2017 | US | Original (Musique Plastique)

Release: 2017 / US – Original

Genre: Organic Grooves

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For over forty years, the Apostles of Aba have stood as the jewel in the crown of the music scene in Eastern Nigeria. Since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and
reggae. Even today, the Apostles continue to thrill audiences in their hometown of Aba with dazzling shows. Cultures of Soul is proud to present one of the Apostles’ more obscure—yet relentlessly funky recordings in a full-color custom reverse board jacket. Banko
Woman, originally released on the eponymous LP on Love Day Records in 1977. Straddling the world realms of afro-funk and disco, the track has long been a coveted dance floor filler amongst DJs, and for the first time is available for a wider audience. On the B-side is “Faith, Luck & Music,” also from the original Banko Woman album.

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Pedro (Peter Mekwunye)

One Kind Of Love

20,99 €* 27,99 € -25%

The Invasive Dance Beat Of Cameroon 1976-1984

Release: 2017 / US – Original

Genre: Organic Grooves

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Peter Mekwunye, who had moved from Nigeria to the United States, self-released 'One Kind Of Love' as a small run cassette in 1993 under the moniker Pedro. His songs were influenced by traditional Nigerian music, as well as the popular tunes he heard on the radio while growing up, f.i. by Fela Kuti and William Onyeabor. Now 'One Kind Of Love' is available on vinyl for the first time ever.

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Pop Makossa

2LP | 2017 | EU | Original (Analog Africa)

29,99 €*

Harmonies DJ Friendly Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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An explosive
compilation highlighting the era when funk and disco sounds
began to infiltrate Cameroon's Makossa style. The beat that
holds everything together originate's from the Sawa people's
rhythms. When these rhythms collided with merengue, high-life,
Congolese rumba, and, later, funk and disco, modern Makossa was
born. Makossa, the beat that long before football, managed to
unify the whole of Cameroon. Some of the greatest Makossa hits
incorporated the electrifying guitars and tight grooves of
funk, while others were laced with cosmic synth flourishes.
However, most of this music's vibe came down to the bass, and
'Pop Makossa' demonstrates why many Cameroonian bass players
are among the most revered in the world.

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Lord Echo

2LP | 2017 | EU | Original (Soundway)

2LP | 2017 | Original (World Circuit)

Release: 2017 / EU – Original

Genre: Organic Grooves

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DJ friendly 2xLP version, cut loud for your pleasure!

Harmonies is the new long player from underground super-producer Lord Echo. Hotly anticipated for the last few years by his growing entourage of fans, many were frustrated by his descent into obscurity in the industrial backwaters of New Zealand where he lived alone and went completely insane trying to complete the record. But those frustrations are finally at an end, and the wait was worth it - for fans at least.The new album solidifies his already distinctive mutations of reggae and rock steady with disco, African soul, techno and spiritual jazz. In other words, the Lord has returned from the wilderness with a bounty for his followers. Eat of the bread of life and enjoy access to his crazy World of Sound.

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Ruben Gonzalez

Introducing…

37,99 €*

Release: 2017 / Original

Genre: Organic Grooves

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LP | 2017 | CH | Original (Les Disques Bongo Joe)

Damily

Very Aomby

20,99 €*

Sound Species & Ache Meyi

Release: 2017 / CH – Original

Genre: Organic Grooves

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New, furiously exhilarating Tsapiky music from the south-west of Madagascar, beside the Mozambique Channel.
A rough, electric, rural take on the classic Congolese, Kenyan and Mozambican urban dancefloor styles of the 60s and 70s — hyper-fast interplay between pumping bass and clattering drums, overlaid with cranked-up high-life guitar — nourished with the musical traditions of local villages, especially in the singing and other passages of acoustic respite.
Ace.

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2LP | 2017 | EU | Original (Manana)

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Hot Casa)

King Bucknor Jr

African Woman

LP | 2017 | EU | Original (Soundway)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A fantastic afro-beat album from a Fela Anikulapo Kuti disciple and Kalakuta Republic member. A sublime spiritual and political session recorded in 1979 at the Emi studio in Lagos (Nigeria). Arranged and self-produced, this second Kingsley Bucknor‘s album, hopelessly obscure and impossible to find ranks alongside the best afro-beat album in history!
At the age of 19, King Bucknor Jr, also known as the Black Isaiah of Africa, released his second album backed by a 16 band members called “The Afrodisk” and 10 background singers .
Two long and hypnotic grooves with all the afro -beat ingredients, fluid and complex drums patterns, strong horns, female voices on chorus, strong lyrics, beautiful keys and horns solos .
Essential for all the afro collectors and music lovers.

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The Movers

Kansas City

On Se Pousse Yoruba Soul Remixes

Release: 2017 / EU – Original

Genre: Organic Grooves

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An extremely rare and in-demand record from the disco-funk group has been unearthed and restored. The Movers enjoyed huge success in the 1970s, releasing album after album of ground-breaking sounds, including fusions of South African marabi jazz, funk, disco and jive. The line up of the band shifted throughout its existence - however this particular album produced by David Thekwane features musicians Jabu Sibumbe, L Rhikoti, Lloyd Lelosa and Sankie Chounyane.

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Vaudou Game

12" | 2017 | EU | Original (Hot Casa)

16,99 €*

Afro Latin Vintage Orchestra

Release: 2017 / EU – Original

Genre: Organic Grooves

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A 12inch single from the incredible French Afro Funk band including remixes by the one and only Osunlade under the collective name of Yoruba Soul!
Since their first acclaimed album Apiafo and its irresistible single “Pas contente”, these Lyon (France) natives never turned down the heat over 160 stages across Europe, Africa, Canada, Japan... Peter Solo has displayed his amulets, voodoo chants and charisma around the globe. When it came time for them to harness their Afro Soul sound for the second time, they turned their attention once again to their analog strengths. On the road Peter Solo and Osunlade met and could share their musical visions. It was obvious that this two will share their spiritual music experiences.
Kidayu is the name of the second opus which means “sharing”: it’s exactly what those versions of “On se pousse” are about: a true futuristic Hi-life, a great meeting of two ardent defenders of the Afro Soul sounds ! Limited press, mastered by Carvery.

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Morpheus

LP | 2017 | EU | Original (Officehome)

15,99 €*

Issue No. 1 - Benga Music (A Signature Genre From Kenya)

Release: 2017 / EU – Original

Genre: Organic Grooves

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After two hip-hop albums (Got To Get Down in 2016 and Impact in 2017), the unpredictable Afro Latin Vintage Orchestra comes back to its fundamentals with a new instrumental album: MORPHEUS which repositions the band in the spirit of their previous spatial, almost cosmic albums Last Odyssey (2012) and Pulsion (2015), both released on Ubiquity Records and acclaimed by spiritual and fusion jazz lovers, library music fans, as well as rare grooves diggers (ALVO’s first 4 vinyl albums now being out of stock).
Each new ALVO new release is a millesimal which evolved and learned from its predecessors. Masta Conga, who’s still leading the herd, has for main purpose to explore the musical space-time, gaining ground on never before revealed tracks, followed by his now faithful team of atypical and farseeing musicians.
Compared to Miles Davis and his On The Corner by Wax Poetics, the band dives again in this “realm of psychedelia and beyond”, in particular with the contribution of Indian musicians. Twirling around violins, superimposed patchy keyboards and effects, just as if their conductor wasn’t already sufficiently influenced by Pierre Boulez and others such as Hiroshi Murakami…
The result is however more uncluttered and loaded with multiple vibes than its predecessor Pulsion, which already carried the ceremonial characteristics of cult movie soundtracks. Tracks “Moksha”, “Air” and “Morpheus” are the perfect demonstration, and far beyond their names. Simple grooves, lunar, but terribly efficient, emphasized by a mix that puts focus on these fiddly contributions of ethnic instruments, on percussions and horns on a drip of delay, reverbs and other space-echoes.
On the other side, the very rhythmic “Descarga Uno”, “Descarga Dos” and “Super Dopamine” show that the Parisian crew hasn’t lost its good habit to look around latin, ternary, and syncopated rhythms, in the ALVO only style!
A new millésime, a Grand Cru maybe, but for sure to taste and appreciate in all weathers including space ones.

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FLEE

LP | 2017 | EU | Original (FLEE)

34,99 €*

LP | 2017 | UK | Original (Africa Seven)

Release: 2017 / EU – Original

Genre: Organic Grooves

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6 rare and almost forgotten benga tracks from Kenya including edits by Nik Weston, Jaakko Eino Kalevi and Africaine 808!

Inculding a 16 page printed silkscreen magazine!

FLEE is a collective of dedicated afro-diggers, driven by the enthusiasm to find and preserve semi-forgotten genres. For their first release they focused on an old Kenyan music genre called “Benga”. The record will be completed by a printed silkscreen magazine retracing the history of the genre, which will feature original archive pictures, great authors from the region, such as Emmanuel Mwenda, as well as the writer and singer of the eclectic Kenyan Band, Yellow Light Machine, Ondiso Madete. This vinyl compiles six rare and for some unreleased benga tracks, edited by contemporary artists (Nik Weston aka Mukat, Jaakko Eino Kalevi and Africaine 808), with the aim of approaching this genre with an innovative perspective, transcending simple nostalgia.

Only 200 copies of this first issue!

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Sorry Bamba

Du Mali

Inye Deluxe Vinyl Edition

Release: 2017 / UK – Original

Genre: Organic Grooves

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One of the most pivotal figures in the history of Malian music is Sorry Bamba. His work spans five decades and his music bridges the gap between Mali's cultural traditions and new the music which arose from the musical cross overs which occurred in Mali's post-Colonial period. Bamba was born in 1938 in Mopti. This is dissected by both the Niger and Bani rivers and known for its rich cultural diversity. Bamba's father was a distinguished veteran of Emperor Samory Toure's military and a nobleman in Malian society; however, this meant young Sorry was forbidden to make music, as under the nation's caste system, music was an art form reserved for the Griots.

At the age of 10, Sorry's parents died and in traumatic times that followed the young teen found solace in music. He first taught himself to play am African six-holed flute. As he progressed he began to absorbed the rich tapestry of music of his surroundings; traditional Malian music, highlife from Ghana, local accordion master Toumani Toure, European singers and musicians. In 1957 Sorry formed his first band, Group Goumbe, named after a popular Ivory Coast dance style. In 1960 Mali gained independence from France, Bamba and his group benefited from a new openness toward local music on the state-run radio network Radio Mali. Sorry then went on to form two award-winning, further collectives Bani Jazz and later the Kanaga Orchestra. They fused Latin jazz, Western R&B, Psychedelic and funk, and traditional Malian styles made them a favourite in Mali and beyond.

In 1977 Sorry produced his second LP for the Paris based Sonafric group. Long out of print Africa Seven is pleased to be re-issuing the LP. The re-issue benefits from extensive restoration and re-mastering to a spectral analysis level, bringing and polishing long lost and distorted sounds.

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Itadi

LP | 2017 | EU | Original (Hot Casa)

Africa Is The Future Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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This deluxe LP contains also two unreleased tracks, interview, and photos and was fully licensed with his family. Afro funk and Political Soul from Togo. Recorded in the beginning of the 80's and self-produced by Itadi in 1983 , this obscure album contained deep soul and controversial rare grooves backed by the 5 band members called the “Afro Funk Band de Lomé”. Itadi's music is unique, in his second album, he kept the same recipe: a mixture of soul, reggae, hi-life and Funk, with heavy lyrics which sounds like slogans and caused him big trouble after its release. He was obliged to escape the country to USA. A real definition of a revolutionary musician. Remastered by Frank Merritt at Carvery Studio.

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Kologbo

LP | 2017 | EU | Original (Paris DJs)

Africa Is The Future Green Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Limited black vinyl edition of 250 copies only!

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well-known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fosse, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ebo Taylor's and then Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs label/mediae.

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks out of 8 (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together!

This limited edition vinyl comes in a beautiful gatefold cover.

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Kologbo

LP | 2017 | EU | Original (Paris DJs)

35,99 €*

LP | 2017 | EU | Original (Awesome Tapes From Africa)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Limited green vinyl edition of 250 copies only!

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well-known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fosse, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ebo Taylor's and then Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs label/mediae.

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks out of 8 (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together!

This limited edition vinyl comes in a beautiful gatefold cover.

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Professor Rhythm

Bafana Bafana

Release: 2017 / EU – Original

Genre: Organic Grooves

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First time on vinyl.
Key producer of early South African house music and kwaito Professor Rhythm is
the production moniker of South African music man Thami Mdluli. Throughout the
1980's, Mdluli was member of chart-topping groups Taboo and CJB, playing
bubblegum pop to stadiums. Mdluli became an in-demand producer for influential
artists (like Sox and Sensations, among many others) and in-house producer for
important record companies like Eric Frisch and Tusk. During the early '80s, Mdluli
projects usually featured an instrumental dance track. These hot instrumentals
became rather popular. Fans demanded to hear more of these backing tracks
without vocals, he says, so Mdluli began to make solo instrumental albums in 1985
as Professor Rhythm. He got the name before the recordings began, from fans, and
positive momentum from audiences and other musicians drove him to invest
himself in a full-on solo project. It was the era just before the end of apartheid and
house music hadn't taken over yet. There wasn't instrumental electronic music yet
in South Afric a. As the '80s came to a close, that was about to change. Professor
Rhythm productions mirror the evolution of dance music in South Africa. They
grew out of the bubblegum mold - which itself stems from band's channeling
influences like Kool & the Gang and the Commodores - into something based on
music for the club. His early instrumental recordings First Time Around and
Professor 3 mostly distilled R&B, mbaqanga and bubblegum grooves into vocal-less
pieces for the dance floor. Musically, these were a success and commercially the
albums all went gold. There were countless bubblegum albums flooding the
marketplace, with nearly disposable vocalists backed by mostly similar-sounding
rhythm tracks. Most of the lyrical content was light and apolitical. But the
keyboards used formed the musical basis for what would come next. By the time
Professor 4 and this recording Bafana Bafana - the name references South Africa's
national soccer team - were released in the mid-1990s, k waito had fully emerged.
Access to instruments and freedom of expression helped its rise in influence
among youth. According to Mdluli, "Once Mandela was released from prison and
people felt more free to express themselves and move around town, kwaito was
becoming the thing." Lyrically, kwaito championed the local township lingo while
adapting "international music," house music, into the local context. "International
Music," as house music and early kwaito were interchangeably known, in many
ways reflects the sounds coming from America. But South Africans made it their
own. Today, the largest part of the music industry is occupied by house music and
its relatives.

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Mr Bongo Record Club Volume 2

2LP | 2017 | EU | Original (Mr Bongo)

Release: 2017 / EU – Original

Genre: Organic Grooves

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This instalment follows on from our acclaimed ‘Volume One’ – Lauren Laverne’s ‘Compilation Of The Week’, supported by the likes of Disclosure, Jeremy Underground, Horsemeat Disco, Hunee and Laurent Garnier. ‘Volume Two’ picks up where the last one left off — with a touch more soul and disco — records we’ve been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

Compiled by David ‘Mr Bongo’ Buttle and Gareth Stephens, plus a few personal favourites from Gary Johnson, Ville Marttila and Graham Luckhurst.

TRACKLIST, VINYL 2-LP: A1. Elbernita ‘twinkie’ Clark – Awake O Zion (full length, original version) / A2. Dee Edwards – Put Your Love On The Line / A3. Anubis – Ecology / B1. Guy Cuevas – Ebony Game / B2. Kiru Stars (Julius Kang’ethe) – Family Planning / B3. Teaspoon & The Waves – Oh Yeh Soweto / C1. Leny Andrade – Não Adianta / C2. Rosa Maria – Samba Maneiro / C3. Tom & Dito – Obrigado Corcovado / C4. Inezita Barroso – Maracatu Elegante / C5. Joao Diaz – Capoeira / C6. The Equatics – Merry Go Round / D1. Elias Rahbani And His Orchestra – Liza… Liza / D2. The Beaters – Harari

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LP | 2017 | EU | Original (Aziza)

Murder By Contract

21,99 €*

Everything You Do, You Do For Yourself

Release: 2017 / EU – Original

Genre: Organic Grooves

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his LP explores the vast archives of African popular music, leading to an explosive selection of cuts that blend genres s.a. soul, jerk, psych, beat, garage and more. All cuts are reissued here for the first time.

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Guy One

7" | 2017 | EU | Original (Philophon)

Baba Commandant & The Mandingo Band

Release: 2017 / EU – Original

Genre: Organic Grooves

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With the single "Everything You Do, You Do For Yourself" North-Ghanaian Kologo master Guy One opens the door to his first international release #1, which will be available end of January 2018. Guy One promises what his name is saying: he is the number one artist of Frafra music, named after his people: the Frafra.
"Everything You Do, You Do For Yourself" is his only song having a phrase in English. Here he is following the example of his collegue and friend King Ayisoba, who introduced the use of English into Frafra music a few years ago. The beat is a driving Highlife rhythm. That's the kind of groove we all love Ghana for!
On "Estre" we have special guest Florence Adooni, one of the leading voices of Frafra-Gospel. She is interweaving perfectly with the horn arrangements by Max Weissenfeldt, as well the drummer of the song, and gives after her part the lead to Mr. Guy One - yeah, the number one!

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Wasso

12" | 2017 | EU | Original (Mawimbi)

The Source (Special Edition)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Interviews from Kenya about an “Economic Partnership Agreement” (EPA) mark the core of ten compositions by Sven Kacirek and Daniel Mburu Muhuni. They have spoken to dozens of people who might be affected by the planned free trade agreement between the EU and the African Pacific Countries. While EPA is being negotiated mainly outside of the limelight of international attention, this album of musical oral histories is an approach to shed a critical light onto the complex circumstances and inhumane side effects of global trade.
The spoken words are the vocals of the tracks. The artists have left the rhythm and tonality of the voices untouched, and the statements have simply been collaged into subthemes. Subsequently, Kacirek and Muhuni have dubbed the voices with their instruments: mallets, piano, percussion, synthesizer, and many more. The result is nothing less than a mesmerizing stream of consciousness. It sometimes reminds of sound collages by The Books, of Steve Reich’s “Different Trains” or of Jan Jelinek’s repetitive soundscapes. “Economic Partnership Agreement” can be listened to as an audio play or musical documentary as a whole while individual tracks such as “The Weather Has Changed So Much” stand out as single hits. Sven Kacirek has played and collaborated with Shabaka Hutchings, John McEntire, Nils Frahm, Sofia Jernberg and Stefan Schneider among others. He has travelled to Kenya many times, always on the quest for musical inspiration and collaborations. The most famous result are his “Kenya Sessions” (Pingipung 2011) as well as “Mukunguni” and “Rang’ala” (Honest Jons 2013/14). Daniel Mburu Muhuni is a percussionist from Nairobi who took part in the BLNRB project conducted by the Teichmann Brothers in 2012.
With this new album, the two artists focus on an intercultural exchange which aims at more than beautiful music: Unveiling voices about global trade from a Kenyan perspective. Five music videos will be published ahead of the release date
in which the interviewed guests are featured. This album shall be available for free on Bandcamp. Additionally, a limited vinyl LP edition of 200 hand numbered copies will be released. It comes in a luxurious gatefold cover with a 30 page booklet with all lyrics and more information on the EPA process and the people involved in this record.

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Ali Farka Toure

2LP | 2017 | EU | Original (World Circuit)

28,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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The third international release by the legendary Malian singer and guitarist is many fan’s favourite. ‘The Source’ established Ali Farka Touré on the international stage and paved the way for his legendary collaboration with Ry Cooder on the GRAMMY award winning album ‘Talking Timbuktu’.
Available for the first time on vinyl, the album has been re-mixed from the original master tapes and includes a previously unreleased track from the same sessions. The album is presented in a gatefold sleeve containing double 180g vinyl and large format 28 page booklet with lyrics.
‘The Source’ features Farka Touré’s first recordings with his home town band Group Asco, with vocalist Afel Bocoum and percussionists Hamma Sankare (calabash)
and Oumar Touré (congas). Touré’s trademark acoustic and electric guitar (as well his njarka violin) playing are highlighted on some of his best loved and most sophisticated compositions.
The father of the desert blues unleashes a set of driving small group performances, intimate love songs, mesmerising guitar solos and two unique duets with the great American bluesman Taj Mahal.

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Welcome To Zamrock Volume 2

2LP | 2017 | US | Reissue (Now-Again)

35,99 €*