Afrobeat Vinyl 773 Items

LP | 2021 | EU | Original (Hyperjazz)

Release: 2021 / US – Original

Genre: Organic Grooves

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Ephat Mujuru Exemplifies A Unique Generation Of Traditional Musicians In Zimbabwe. Born Under An Oppressive Colonial Regime In Southern Rhodesia, His Generation Witnessed The Brutality Of The 1970s Liberation Struggle, And Then The Dawn Of Independent Zimbabwe, A Time In Which African Music Culture_long Stigmatized By Rhodesian Educators And Religious Authorities_experienced A Thrilling Renaissance. Under The Tutelage Of His Grandfather, Who Was A Respected Spirit Medium And Mbira Master, Ephat Showed An Early Talent For The Rigors Of Mbiratraining, Playing His First Possession Ceremony When He Was Just Ten Years Old. By Then, Guerilla War Was Engulfing The Country And His Grandfather Muchatera Tragically Became A Victim Of The Violence, A Devastating Blow To The Young Musician. In The Midst Of The Liberation Struggle, Mbira Musicbecame Political. Eventually, The Rhodesians Were Defeated, But Rather Than Return To The Past, The Nation Of Zimbabwe Was Born And A New Future Unfolded. Ephat Threw Himself Into The Spirit Of Independence, Singing Of Brotherhood, Healing, And Unity: Crucial Themes During A Time When The Nation's Two Dominant Ethnic Groups, The Shona And The Ndebele, Were Struggling To Reconcile Differences. Ephat's Band Would Eventually Follow The Popular Trend And Add Electric Instruments. But Before That, He And Spirit Of The People Released Two Allacoustic Albums, And They May Well Be The Most Exciting And Beautiful Recordings He Made In His Career. Mbavaira, The Second Of These Albums, Was Released In 1983. As The Independence Years Moved On, There Would Be Fewer And Fewer Commercial Mbira Releases. But For The Moment, Ephat Had The Required Stature And Reputation. Also, With The Energy And Drive We Hear In These Recordings, And The Unmistakable Lead Vocals By His Uncle Mude_truly One Of The Greatest Mbira Singers Of The 20th Century_the Album Could Easily Rivalthe Pop Music Of Its Day. Within A Few Years After The Release Of Mbavaira, It And Albums Like It Became Harder To Find In Zimba...

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Ps5 (Pietro Santangelo)

Unconscious Collective

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2021 / EU – Original

Genre: Organic Grooves

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‘Unconscious Collective’ is the first album by PS5, the new ensemble led by Pietro Santangelo (Nu Guinea, Slivovitz, Fitness Forever) - and it will be out for Hyperjazz Records on 21st May 2021. It’s a further step in the label’s path in trying to connect the musical tradition of South Italy, the love for African-American music, and new ways of expression. ‘Unconscious Collective’ is a musical experiment where layered memories and hidden feelings resonate as if they arise directly from the most recondite part of the unconscious, suspending the stream of consciousness. With the aim to create a state of trance and override the human reason, this is an imaginary round trip across the Mediterranean Sea and the Atlantic Ocean, ideally connecting Naples with Northern and Sub-Saharan Africa and Latin America. The arrangements wrote by Santangelo are based on great freedom of improvisation: while the melodic textures of the two saxophones didn’t give any clear references, the other musicians followed the rhythmic pulse and its unpredictable ways. The music moves naturally along an imaginary line highlighting the ancestral connection between Jamaica and Ethiopia or between Nigeria and Cuba. In the background, Naples is a synthesis of all the sonic ingredients, mixed and cooked in its own mystical and spicy belly. Besides Santangelo himself on the tenor and soprano saxophones, the collective is made up of: Paolo Bianconcini, a brilliant Neapolitan percussionist with a very deep Afro-Cuban background; Giuseppe Giroffi, young and talented alto, and baritone saxophonist; the bassist Vincenzo Lamagna and the drummer Salvatore Rainone, both loyal members of the former Santangelo’s trio. Recorded live at the Auditorium Novecento in Naples, the legendary studio of Phonotype Records, ‘Unconscious Collective’ is mixed in analog format by Fabrizio Piccolo and mastered by Davide Barbarulo at his 20Hz20KHz Studio.

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DJ Black Low

Uwami

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2021 / US – Original

Genre: Organic Grooves

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In many ways, DJ Black Low's debut album, Uwami, shows the signs of an artist's first offering in any musical genre. Showcasing fluency in a broad range of styles and stuffing a number of ideas to the record's brim is the 20 year-old producer's attempt to both introduce himself to a wide listenership and stamp a recognizable sound in their minds. In other ways, somewhat out of the young South African producer's control, Uwami goes against the grain. The album comes at a time when South African electronic music is being fundamentally disrupted. Amapiano, the electronic music movement which first gained popularity with a small, core group of followers, now dominates the mainstream. Well-known and pervasive, amapiano borrows from a diverse palette of musical styles which are popular in South Africa's largely Black townshipsjazz, kwaito, dibacardi, deep and afro house among them. Instead of pandering to the seemingly insatiable local appetite and growing global penchant for amapiano though, on Uwami DJ Black Low seeks out the limits of the sound du jour and tries to stretch them. On his solo productions, he uses the samples and compositional norms that make amapiano hits the bedrock on which to experiment and improvise. With collaborators, DJ Black Low improvises within the boundaries of listener-friendly grooves. The sound he creates has foundations of what could easily have progressed into captivating amapiano songs on their own. But he uses improvised but structured electronic percussion and distortion sounds to drive the tracks in a particular direction. What remains is something like a deconstructed amapiano. For a young producer living in the townships of the greater Pitori area of South Africa's Gauteng province, there were few avenues available for Radebe to pursue a career in music. His trajectory shows the vulnerability of this pursuit. "I had started producing in 2013 and it so happened that I lost my equipment in 2014. I couldn't afford to buy equipment. In 2017, a friend of mine who had been making music found a job and decided to quit music. He gave me his equipment and I was able to start producing again. That's when I started getting back to it. I tried to pick up where I had left off, with hip hop and commercial house but I found that amapiano was the popular music. I liked it, so I started producing it."

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Teno Afrika

Amapiano Selections

LP | 2020 | EU | Original (Mais Um Discos)

Release: 2021 / US – Original

Genre: Organic Grooves

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The past five years have seen amapiano, South Africa's electronic music movement born in the townships of the country's Gauteng province, evolve from an underground sound to a nationwide mainstream staple. Even with its commercial success though, amapiano's DIY ethos has continued to disrupt music creation and distribution in the country. Most amapiano commercial successes today began their careers on cracked versions of production software like FL Studio, distributed their work through file sharing platforms like datafilehost and marketed it using social media pages they controlled and influenced. Amapiano Selections, the debut album by DJ and producer Teno Afrika, gives listeners outside the movement's online release economy an insight into the high-burn nature of amapiano that has spawned a distinct typology under its larger umbrella. Twenty-one-year-old Lutendo Raduvha has spent the bulk of his life moving between different townships on the outskirts of Johannesburg and Pretoria in the Gauteng province. The palette of amapiano styles on the album reflect these influences. But at first, South Africa's youngest electronic music movement lived underground with a small, loyal following. "Amapiano is a genre that I chose because I have a passion for it," says Teno "I started following amapiano in 2016 because I wanted to explore how it's produced. It was not taken seriously in our country." Interestingly, Teno Africa only gives vocals prominence on the closing track "Chants of Africa." As a way of making their music recognizable and relatable for broadcast, amapiano producers have sometimes overly relied on vocals in the form of singing, catch-phrases and party refrains for the purpose. "It was my decision not to use vocals on this project," says Teno "The reason is I wanted people to feel my instrumentals and style because this is my first album." On his closing track the young producer gives a glimpse of the considered approach to music which buoys anticipation for greater things from his future releases.

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Dona Onete

Feitico Caboclo

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Awesome Tapes From Africa)

Nahawa Doumbia

Kanawa

LP | 2020 | US | Original (Awesome Tapes From Africa)

Release: 2021 / US – Original

Genre: Organic Grooves

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Nahawa Doumbia's new album Kanawa concisely captures this current moment in Malian history. The singer, whose storied career spans more than four decades, reflects on the immigration crisis from the Malian perspective in the title of her new album Kanawa. Across eight songs recorded in Bamako with a band including traditional and modern instruments, Doumbia merges her early work that relied on a spare expression of her trademark didadi rhythm with the bombastic range of contemporary Malian pop. The beautifully complex musical accompaniment that results is courtesy of the large ensemble she pulled together with producer and arranger (and day one collaborator) N'gou Bagayoko. The band features two highly expressive Malian string instruments, the ngoni and the slightly smaller kamalé ngoni, as well as a variety of percussion, drum programming, karignan (a metal scraper) and acoustic and electric guitars. Doumbia's daughter, a celebrated singer with her own group and busy concert schedule, Doussou Bagayoko sings on "Adjorobena," a song about patience, tolerance and living in peace. Doumbia weaves together a roadmap of her psyche when it comes to the good and bad life has to offer. She talks about marriage and women leaving home to join another through the metaphor of a tree in the garden; she includes gunshot samples in the song "Foliwilen" to honor the bravery of hunters, soldiers and other courageous people; she uses a bird in "Djougoh" to talk about lazy people; and, in "Ndiagneko" she advises people to ignore critics, just do you. Mali has gone through an intense period of regional strife and terrorist incidents over the last ten years and Doumbia roots the album in tragic local concerns with deep global implications. "The meaning of Kanawa is so simple. We see our children trying to cross the ocean all the time. I said that many of our children die in the ocean and some of them die while crossing the Sahara. But I ask them why do they leave their country? They said that they leave because of the family situation or problems like poverty and unemployment. I ask them to stay and work in their country. I call on the UN and African leaders so that we can coordinate our efforts to find a solution, to create jobs for them so that young people stop leaving. That's why I chose it as the title of my album so that everybody can learn from it and also so that there is a reduction in the number of people emigrating. So that some will hear the message and stay home and grow the land. Leaving is not the only solution. My message is to help the youth find jobs."

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Penny Penny

Yogo Yogo

LP | 2020 | EU | Original (Teranga Beat)

Release: 2020 / US – Original

Genre: Organic Grooves

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The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures."I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999."The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all NguniâÇ"a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa. "When I started with my own style and image, first time in Shangaan we had artist like me," Pen...

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Evritiki Zygia

Ormenion

LP | 2019 | EU | Original (Sounds Of Subterrania)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Teranga Beat proudly presents Ormenion, a record by the group Evritiki Zygia. Ormenion is a historical region that dates back to the Byzantine Empire. It is the northernmost inhabited region of Greece, where the last railway station of the country is located. During the 1920's it was inhabited by refugees coming from the North and Eastern Thrace. Immigration is central to the history of the region of Thrace, where many songs refer to refugees and moving populations. The name of this particular place
was selected as the album title due to its delicate cultural and geographic status: Ormenion coincides with the borders of three different countries (Greece, Bulgaria and Turkey) and its history counts several waves of immigration that gave way to cultural and even linguistic exchange -elements that obviously left their mark on the group.
The group Evritiki Zygia was founded in 2007 by five musicians who played mostly in local festivals, their main concern being the preservation and evolution of the Thracian musical tradition. The collaboration with Teranga Beat helped this project evolve even further. Forms of arrangement different than the ones used in local feasts and festivals, were introduced giving more space to the dynamics of the instruments and allowing musicians to show both their improvisational and compositional skills. The distinctively psychedelic element of Thracian music was enhanced with the introduction of the CRB-Diamond 800 organ and the Moog, giving the whole project a hybrid sound with a unique identity. The album contains both covers of traditional songs and original
compositions.
The band's highest point was their appearance at the Womex Festival in 2018, where their music was presented for the first time in front of an international audience. This was an extremely important achievement for us, given that up until then this type of music
remained unknown even to Greek audiences. But it was also a great and very creative experience for the band, as it broadened up its musical horizons.The album was recorded on an analog 24-track tape Otari MX 80 in two sessions that took place on May 18 and 19 2019. It is a live recording that captures the energy of the group’s live performances. The LP version of the album is a Deluxe Edition and comes with a high gloss laminated gatefold cover, a printed insert and a digital download code. The CD packaging is Digipak with Slipcase, including a booklet with photos and liner notes outlining the story of the band.

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Bibi Ahmed

Adghah

A Life In The Limelight: Lagos Disco & Itsekiri Highlife, 1976 - 1981

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bibi Ahmed, Kopf und Bandleader von Group Inerane, stammt aus Agadez (Niger), eine der unbändigsten, unbeständigsten und gefährlichsten Gegenden dieser Erde. Früh wurde Bibi mit der Unterdrückung und Ausgrenzung der Tuareg durch die nationalen Regierungen von Mali und Niger konfrontiert. Ebenso früh erwachte seine Liebe zur Musik. Als Kind brachte sich Bibi Ahmed das Gitarre spielen selbst bei, bevor er seine Ausbildung von dem großen Meister und Vater des Tuareg-Blues, Abdallah Ag Oumbadougou, erhielt. Geprägt durch die Erlebnisse in den lybischen Flüchlingscamps während des Tuareg Aufstandes, verlieh Bibi Ahmed, während viele andere Künstler das Land in Richtung Amerika und Europa verließen, mit seiner Band Group Inerane der Rebellion eine eigene, musikalische Stimme und öffnete gleichzeitig die reiche Tradition der Tamachek-Gitarrensänge einer neue Generation Zuhörern. In Zusammenarbeit mit Sounds of Subterrania und den Lotte Lindenberg Studio entstand Februar 2019 sein erstes Soloalbum, bei welchem er alle Instrumente selbst einspielte. Diese Reduktion eröffnen einen völlig neuen Blick auf diesen sehr spezielle Mix aus Tuareg Blues, elektrifizierte Tamachek Folk und Psychedelic Sahara-Rock. Man spürt förmlich das Flirren der Hitze und begibt man sich auf den Pfad des Hörens , verschwimmen die Unterschiede zwischen spirituellen Trance und hypnotischem Psychedelic-Blues. Für Fans von Mdou Moctar, Tinawiren, Imarhan LP mit DLC in wertiger Aufmachung, CD als Digipack. Bibi Ahmed, head and bandleader of Group Inerane, is from Agadez, Niger, which is one of the most volatile, unbridled and dangerous parts of the world. Bibi was soon confronted with the oppression and marginalization of the Tuareg by the national governments of Mali and Niger. Just as early awakened his love for music. As a child, Bibi Ahmed taught himself to play the guitar before receiving his education from the great master and father of the Tuareg blues, Abdallah ag Oumbadougou. Marked by the experiences in the Libyan refugee camps during the Tuareg uprising, Bibi Ahmed and his band Group Inerane gave the rebellion its own musical voice, while at the same time making the rich tradition of Tamachek guitar singing accessible to a new generation of listeners. In February 2019 and in collaboration with Sounds of Subterrania and Lotte Lindenberg Studio, Bibi recorded his first solo album on which he played all of the instruments himself. This reduction opened up a whole new view on this quite extraordinary mix of Tuareg blues, electrified Tamachek folk and psychedelic Sahara rock. The listener literally feels the shimmer of the heat and, once one embarks on the path of listening, the differences between spiritual trance and hypnotic psychedelic blues become indistinct. For fans of Mdou Moctar, Tinawiren, Imarhan Vinyl in hi-end sleeve with dlc, CD as digipack!

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Julie Coker

LP | 2019 | EU | Original (Kalita)

Rim And Kasa / Rim And The Belivers

Release: 2019 / EU – Original

Genre: Organic Grooves

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Kalita are honoured to release the first ever compilation focusing on the musical career of Julie Coker, the queen of Nigerian television. Here we collate seven of Julie's most sought-after Afro disco and hauntingly-beautiful Itsekiri highlife recordings, accompanied by extensive interview-based liner notes and never-beforeseen photos.

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Too Tough / I'm Not Going To Let You Go

2LP | 2015 | EU | Original (BBE Music)

Django Reinhardt & Stephane Grappelli

Release: 2015 / EU – Original

Genre: Organic Grooves

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Following hot on the heels of our well-received reissue of his first album, Rim Arrives, we now present the two other key records that have made this a cult figure for lovers of both African music and ‘disco’ in its widest sense. Too Tough, a superb three track EP from 1982, on Sum-Sum Records, was credited to Rim and Kasa, whilst he issued the cracking 12” I’m Not Going To Let You Go as Rim And The Believers for Harmony Records the following year.
Too Tough kicks off with Shine The Ladies, an epic Afro-disco jam in call and response format, with the female lead vocals (Ms. Anita Berry) prompting a series of replies from the backing vocalists, setting the scene for a series of exciting solos set against a backdrop of punchy horns and swirling synths; tenor sax, guitar, drums (introduced with chants of ‘Play me some drums!’) and vibes all take a turn before the track fades out, clocking in just short of nine minutes. Next up is Love Me For Real, reminiscent of August Darnell with its girlie vocals and Latin flavour, ending with a mad swirl of synths and Rim’s own vocals. And lastly, I’m A Songwriter is cosmic Afro-reggae, bringing to mind Roy Ayers in his Fela phase, given a mad punk-funk twist … this one has to be heard to be believed!
The mood changes with I’m Not Going To Let You Go, which eschews the female chorus for an altogether mellower, instrumental ride, veering from out-there cosmic synth vibes to loungey jazz piano. It’s original flip, Peace of Mind, raw Afro-boogie track with a male vocal, is also included.
Those of you who had been searching in vain for Rim’s oeuvre for some years now having had it handed to you on a platter (well, two platters, actually), will be pleased to know that there is yet more material from the man Rim Kwaku Obeng to come from us at BBE …watch out for the digital-only release of four previously unreleased cuts from this legend of Afro-disco, taken from a long-lost acetate!

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Djangology - Rome 1949

LP | 2024 | Original (Adf Bayard Musique)

Release: 2024 / Original

Genre: Organic Grooves

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Django Reinhardt / Stephane Grappelli

Minor Swing Le Quintette A Cordes 1937

LP | 2024 | Original (Adf Bayard Musique)

Release: 2024 / Original

Genre: Organic Grooves

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Blanc Manioc & Furie Sound System

Anono Tapes

LP | 2024 | EU | Original (Blancmanioc)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Glass Mountain)

Tori Sparks

Wait No More

Release: 2019 / US – Original

Genre: Organic Grooves

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Malan (Super Mama DJombo)

Fidju Di Lion

LP | 2023 | EU | Original (Archieball)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Roll Call)

River Whyless

Kindness, A Rebel

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Backseat)

Michael Moravek

Dream

Release: 2023 / EU – Original

Genre: Organic Grooves

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Where The Old Gods Play Act 1

Dun Ringill

LP | 2023 | EU | Original (The Sign)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2015 | EU | Original (Al Dente)

The Moonfires

Black Sugar

LP | 2024 | EU | Reissue (Miss You)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Band Leader Alex Puddu is behind the project the Moonfires. The Album is released on 300 copies limited edition on Alex Puddu's own label Al Dente. The Album Black sugar is written, Arranged and Produced By Alex Puddu Recorded during the summer 2014 in Copenhagen Recorded at Redrum Studio Mixed and Masterd in N.Y.C Astoria Queens Soundworks recording by Kamilo Kratc Album photo by Maiken Kildegaard Artwork by Leo Scherfig

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Nilton Castro

Mes Mains

24,29 €* 26,99 € -10%

Marry Waterson & Adrian Crowley

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork.

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Cuckoo Storm Limited Edition

LP | 2024 | EU | Original (One Little Independent)

24,69 €* 25,99 € -5%

Release: 2024 / EU – Original

Genre: Organic Grooves

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The World And All That It Holds

Damir Imamovic

LP | 2023 | US | Original (Smithsonian Folkways)

24,74 €* 32,99 € -25%

Release: 2023 / US – Original

Genre: Organic Grooves

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Adedamola Golden Vinyl Edition

Fireboy DML

LP | 2024 | US | Original (Empire)

LP | 2024 | Original (Legere)

Release: 2024 / US – Original

Genre: Organic Grooves

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"“adedemola,” the self-titled album from Fireboy DML, is a deeply personal statement, representing the culmination of years of artistic growth and self-discovery. More than just a collection of songs, it serves as a mirror reflecting the artist's journey through love, loss, and self-actualization. The creative process behind the album was anything but straightforward; it involved navigating the complexities of life, facing personal challenges, and enduring the pain of losing close friends. Yet, it was through these difficult experiences that Fireboy DML found clarity and purpose.

Inspired by love in its many forms—self-love, familial love, and romantic relationships—”adedemola” delves into the emotional depths that define human connection. Fireboy DML explores the importance of cherishing what truly matters, moving beyond the superficial pursuits that often distract from the blessings of family, health, and genuine relationships. In a world that feels increasingly divided, “adedemola” is a call to return to the basics: to embrace love, positivity, and the simple joys of life.

The album stands as the truest expression of the artist's identity yet, embodying the vulnerability and authenticity that fans have come to cherish. It's an invitation to sing, dance, and love with abandon, reminding us all of the power of love to heal and unite."

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Rio 18

Radio Chevere

Release: 2024 / Original

Genre: Organic Grooves

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Ali Farka Toure & Toumani Diabate

Ali And Toumani

2LP | 2010 | EU | Original (World Circuit)

Release: 2010 / EU – Original

Genre: Organic Grooves

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Afro-Jazz-Folk Collection Volume 1

Super Biton De Segou

2LP | 2021 | EU | Original (Deviation & Mieruba)

LP | 2020 | EU | Original (Anti)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Deviation Records is pleased to present you their latest and exiting collaboration with the Mieruba Label Team. The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists, drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outside the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is a crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to create a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated. Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons, rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where Deviation Records is collaborating for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"

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Lido Pimienta

Miss Colombia

Mark Ernestus' Ndagga Rhythm Force

Release: 2020 / EU – Original

Genre: Organic Grooves

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LIDO PIMIENTA is a Toronto-based, Colombian-born interdisciplinary musician and artist-curator. She has performed, exhibited, and curated around the world since 2002, exploring the politics of gender, race, motherhood, identity and the construct of the Canadian landscape in the Latin American diaspora and vernacular. Her new album Miss Colombia takes her ecstatic hybridity to a new level, building on the "nu" intersection of electronica and cumbia established by her 2016 Polaris Prize-winning La Papessa as Canadian album of the year. Produced with Matt Smith, a/k/a Prince Nifty, Miss Colombia overflows with the kind of understated genius that promises yet another breakthrough.

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Yermande

LP | 2016 | UK | Original (Ndagga)

Trésors De La Chanson Judéo-Arabbe

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Five years into the project, with two acclaimed albums and dozens of triumphant international performances to its name, “Yermande” announces a thrilling new phase for this Dakar-Berlin collaboration: emphatically a giant step forward.
The group of players is boiled down to twelve for recordings, eight for shows; sessions in Dakar become steeply more focussed. ‘This time around I was better able to specify what I wanted right from the initial recording sessions in Dakar,’ says Ernestus; 'and further in the production process I took more freedom in reducing and editing audio tracks, changing MIDI data, replacing synth sounds and introducing electronic drum samples.’
Right away you hear music-making which has come startlingly into its own. Rather than submitting to the routine, discrete gradations of recording, producing and mixing, the music is tangibly permeated with deadly intent from the off. Lethally it plays a coiled, clipped, percussive venom and thumping bass against the soaring, open-throated spirituality of Mbene Seck’s singing. Plainly expert, drilled and rooted, the drumming is unpredictable, exclamatory, zinging with life. Likewise the production: intuitive and fresh but utterly attentive; limber but hefty; vividly sculpted against a backdrop of cavernous silence.
Six chunks of stunning, next-level mbalax, then, funky as anything.

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Lili Boniche

LP | 2024 | EU | Original (Elmir)

London Afrobeat Collective

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Algerian singer and musician Lili Boniche was born in Algiers on March 14, 1921, and died on March 6, 2008. He was famous for his contribution to Judeo-Arabic music, and particularly associated with chaâbi, a musical genre popular in Algeria that blends Arab, Berber and French influences.

Born Eliaou Élie Boniche, and he grew up in a Sephardic Jewish family and became interested in music at an early age. His musical career really took off in the 1940s and 1950s, when he recorded numerous hits that helped popularize the Judeo-Arabic repertoire. His unique style blended elements of Arabic music, jazz and tango, creating a captivating musical fusion. He is widely recognized for his mastery of the lute and his distinctive voice. His lyrics were often poetic, reflecting the everyday life, love and culture of his time.

Lili Boniche left an indelible mark on the North African music scene. His legacy lives on in his recordings, which continue to be listened to and enjoyed by music lovers the world over.

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Esengo

LP | 2024 | EU | Original (Canopy)

LP | 2024 | Original (Not Ok)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Taking inspiration from afrobeat father Fela Kuti as well as artists including Ebo Taylor, Parliament, Funkadelic and Havana d’Primera, London Afrobeat Collective’s music has won them admirers across the UK Europe and beyond. This eight-strong multi-cultural collective from England, Italy, France, Congo, Argentina, and New Zealand, combine traditional afrobeat and hi life with funk, jazz & Latin, to deliver party music born of their truly global DNA. A regular on the touring circuit and celebrated for their raucous energy, heavy dance grooves and conscious lyrics.

On the 14th February, they are set to release their fourth album ‘Esengo’ via Canopy Records.

‘Esengo’, produced by Sonny Johns (Tony Allen and Hugh Masekela, Ali Farka Toure), showcases London Afrobeat Collective’s love and respect for the traditions of afrobeat. With acclaimed Congolese singer Juanita Euka on vocals once more, ‘Esengo’ channels the spirit of Fela Kuti but with a willingness to create original music that crosses genres.

Lead single and album opener ‘Topesa Esengo Na Motema’, finds the band in a lighter yet spirited mood, celebrating the joy of living, reconnecting, and getting back on the road once more, while the groove-heavy ‘My Way’ is a refreshing blast of tight percussion and powerhouse vocals from Euka. Elsewhere, ‘Freedom’ perfectly captures the raw, soulful energy of their raucous live performances, while the blaring horns of ‘El Ritmo De Londres’ and easy, loose rhythms of ‘De Kinshasa À Sona Bata’ showcase London Afrobeat Collective at their rousing finest.

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Coming Soon

Jeano Elong

Jabea

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

LP | 2023 | EU | Original (Humming)

Donata

Imaginary Land

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Smash)

Who's The Cuban

Pafata

Release: 2023 / EU – Original

Genre: Organic Grooves

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Buganda Royal Music Revival

V.A.

LP | 2021 | UG | Original (Nyege Nyege Tapes)

The Lost Maestros Collection

Release: 2021 / UG – Original

Genre: Organic Grooves

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From Its Founding In The Late 14th Century, The Kingdom Of Buganda Has Been Celebrated Through Sound And Nurtured A Rich Musical Tradition In Its Royal Court. Coming From Across The Kingdom, Musicians Would Take Turns In The Palace To Sound Drums, Xylophones, Flutes, Lyres, And More To Praise And Honour The Existence Of The Kingship. In Recent Years However, The Tradition Has Been More Difficult To Maintain, Especially Since 1966 Where There Was A Violent Attack On The Palace That Abruptly Abolished The Kingdom And During Which Royal Musicians Fled Or Were Killed. And While The Kingdom Was Re-Established In 1993 As A Cultural Institution, Many Of The Remaining Musicians Had Since Chosen To Sideline Their Skills To Deal With The Issues Of Their Day To Day Lives, The Practice Of The Royal Tradition Waning In Popularity, Especially With Younger Listeners And Players.But All Is Not Lost. Scattered Across The Kingdom, A Motivated Team Of Older Veterans And Attentive Young Players Are Still Keeping The Tradition Alive. Offering A Transversal Glimpse Into The Past And The Present, "Buganda Royal Music Revival" Collects Recordings Made In Between The Late 1940s And 1966 Illustrating The Older Generation's Skills, And Presents Them Alongside Recent Recordings Featuring Old And Young Musicians Who Still Carry On This Musical Tradition, Some Even Performing For The Current King, Muwenda Mutebi Ii. The Later Were Made During The Shooting Of The 2019 Documentary "Buganda Royal Music Revival" That Presents Through A Film What This Album Conveys Through Sounds: A Packed Dive Into A Century-Old Tradition.The Music Displayed Here Is Diverse And Vibrant, Presenting A Variety Of Styles And Highlighting Instruments That Illustrate The Depth And Sophistication That Stemmed From The Royal Court Experience Of Buganda. As A Starter, The Album Opens With 'Mujaguzo'. Often Translated As 'The Drums Of The Kingship', The Mujaguzo Is A Crucial Ensemble For The Cultural Tradition, Made From Drums Collected By The Kingdom Throughout...

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V.A.

2LP | 2021 | EU | Original (Deviation)

LP | 2021 | US | Original (Sahel Sounds)

Release: 2021 / EU – Original

Genre: Organic Grooves

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To reveal to the world all the musical riches of Mali, and more particularly the music of the Mandé region, cradle of the great griot families, is the highly laudable purpose of this LP The Lost Maestros Collection. To perpetuate and transmit this ancestral musical history, The Lost Maestros Collection brings together 8 wonders of Mali who have each in their own way managed to develop this tradition towards more modern and electrified countries and associates pioneers of Mandingo music and actors of the young post generation. The Lost Maestros Collection is the result of the collaboration between Deviation Records, newly created by Phil Margueron and the independent Malian label Mieruba, which has been working since 2010 to ensure that this golden age of Mande music does not fall into oblivion. Aware that these nuggets are not eternal, Mieruba, based in Ségou on the banks of the Niger river and capital of the former Bambara kingdom, undertook for eight years the preservation of this musical heritage by putting these 16 pieces on tapes at the Kôré studio de Ségou as well as at the famous Bogolan studio in Bamako.

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Mamaki Boys

Patriote

LP | 2020 | EU | Original (Les Disques Bongo Joe)

Release: 2021 / US – Original

Genre: Organic Grooves

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Traditional village music transformed into fiery and frenetic underground Hip Hop. Emerging from the digital cultural renaissance of the early 2000s, where DIY studios sprung up throughout West Africa, "Patriote" is a shining example of localized global music. Hypnotic and driving rhythms built from sampled percussion and chopped-up instruments combine with syncopated staccato "ragga" inspired flow into infectious hammering tracks that sound like nothing before. Mamaki Boys was formed in 2002 by Aziz Tony, Bachou Issouf, and Salif André, when a local Hip Hop movement was exploding in the capital of Niger. "Patriote" was recorded to address a trend in the scene they perceived as too derivative. Produced at Studio BAT, one of the first studios in Niamey, Mamaki Boys sought to merge modern Hip Hop with traditional music. They invited elder musicians into the studio to play Nigerien instruments like duma and kalango, which were sampled and looped over their compositions. "We wanted to put tradition in the rap, ancestral dances, the things that our grandparents did in the village," Aziz explains. "Our mission was to re-value the culture, put it into Hip Hop, and to show all the colors of our country." Self-describing their music as "tradi-moderne", a Nigerien movement of folk revitalization, their cultural manifesto presents through every aspect of their work. Each track relies heavily on traditional instruments, and each rhythm is based on a dance from Niger. Their mission extends to the urgency of their lyrics: Takai challenges the population to preserve their culture, Kagani Kagani is a demand to take back mineral, oil, and uranium rights from their colonizers, while Komando uses war cries to inspire artists to keep speaking out. A strong entry in 21st-century global music, Mamaki Boys "Patriote" takes back the tools of globalization, repurposing them in the fight for cultural identity. Originally self-released in 2009 on limited edition CDR in Niger.

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L'Eclair

Noshtta

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Vampisoul)

Peru Negro

Release: 2019 / EU – Original

Genre: Organic Grooves

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Attarazat Addahabia & Faradjallah

Al Hadaoui

LP | 2019 | EU | Original (Habibi Funk)

K.O.G. & The Zongo Brigade

Release: 2019 / EU – Original

Genre: Organic Grooves

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8 page vinyl size booklet & mp3 download coupon! Habibi Funk is back with another album from Casablanca. Completely unreleased album which was recorded in Morocco in 1973 by three generation family band. A unique blend of Gnawa, Funk and Rock. Traditional Moroccan music meets electronic guitars and dense layers of percussion by a band that used to run in the same circles as Fadoul (And actually wrote one of his songs).

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Wahala Wahala

2LP | 2019 | EU | Original (Pura Vida Sounds)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Sahel Sounds)

Hama

Houmeissa

LP | 2024 | EU | Original (Soulbeats)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Nigerian composer Hama presents a groundbreaking album of traditional electronic desert folk songs, hovering somewhere between early 90s techno and synthwave. Nomadic herding ballads, ancient caravan songs, and ceremonial wedding chants are all re-imagined into
pieces seemingly lifted from a Saharan 1980s sci-fi soundtrack or score to a Tuareg video game. With a deep love and respect, Hama effortlessly takes back and re-appropriates fourth-world ethnoambient music.

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Cheikh Ibra Fam

Peace In Africa

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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LP | 2020 | EU | Original (Ajabu!)

Ian Lasserre

Atimo

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Deviation)

Super Biton De Segou

Afro-Jazz-Folk Volume 2

...Weil Sie Wien Nicht Kennen

Release: 2023 / EU – Original

Genre: Organic Grooves

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Introducing the 2nd Volume of Super Biton of Segou’s Afro.Jazz.Folk collection, led by Malian conductor Amadou Bah, also known as “The Armstrong Malian”. Deviation Records is thrilled to present this collaboration with The Mieruba Label Team, showcasing the diverse musical roots of 1970s Mali, combining Afro-Latin percussion, Mandingo songs, jazzy brass, and funky guitar. The album also features the captivating ArtCollage of Emma Margo incorporating visuals of Segou, Mieruba Art Center, and Françoise Huguier. The graphic design is conceived by Les Mouches Graphic Design, with a selective varnish made from traditional Bogolan fabric of the Segou area. The audio was remastered by Raphael Jonin and cut by MB Mastering Studio in Aubervilliers. Get ready for a full sensory experience!

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Esrap Gasmac Gilmore

LP | 2023 | EU | Original (Springstoff)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (O-Tone Music)

Cristina Branco

Mäe

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Soundway)

Yoruba Singers

Ojinga's Own

12" | 2019 | UK | Reissue (Brownswood)

Release: 2023 / UK – Original

Genre: Organic Grooves

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The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital. The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended. The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments. Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steelband culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.

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Kokoroko

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Mahlathini And The Mahotella Queens

Music Inferno

2LP | 2023 | UK | Original (Umsakazo)

At The Party / Do It To Me

Release: 2023 / UK – Original

Genre: Organic Grooves

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A series of pivotal music projects during the early 1980s led to an explosion of authentic South African sounds sweeping the Western world. Among those projects were albums by Malcolm McLaren, Lizzy Mercier Descloux and Paul Simon; and reissues and compilations of essential African recordings on the UK-based Earthworks Records label. The common denominator was the genre Earthworks famously referred to as “The Indestructible Beat of Soweto” – mbaqanga music. It was therefore inevitable that the foremost exponents of that genre, Mahlathini and the Mahotella Queens, would achieve international stardom before the decade ended.

In June 1988, Mahlathini and the Queens made their first visit to the United Kingdom. Hoping to ride the crest of a wave, concert promoters conceived a package show named after the seminal 1985 Earthworks compilation, The Indestructible Beat of Soweto. This would give British audiences a revealing insight into African music as never before – in addition to the headline performers were Philip Tabane and Malombo, Nothembi Mkhwebane, Sipho Mchunu, accordion player Mzwandile David and acrobatic dancer Lucas ‘Rubber Boy’ Kau. The rapturous reception led to an invitation back to the UK in November for further Indestructible Beat concerts, then Mahlathini and the Queens‘ first standalone UK tour in early 1989. Their stage act rarely dipped below excellent. The three Queens would fly onto the stage to herald the start of a very special evening of music and dance. The formidable Mahlathini, “The Lion of Soweto”, prowled around the stage imitating the ladies trademark mgqashiyo choreography, punctuated with whistles, hand claps and chants. Then the great groaner suddenly came alive, contorting, convulsing and leaping through exaggerated Zulu dance routines.

The Indestructible Beat of Soweto shows have long since passed into gig legend. None of those landmark concerts were ever made commercially available. Now, some 30 years later, Umsakazo Records proudly presents Mahlathini and the Mahotella Queens’ entire Indestructible Beat set of 16 songs, handpicked from a number of different UK venues and all remastered from newly discovered cassette recordings. These were made at the mixing desk by David Barton, a photographer and music fanatic who travelled with the performers as they descended on unsuspecting audiences across the UK. Music Inferno: The Indestructible Beat Tour 1988-89 shines the spotlight once more on a truly joyous and frenetic concert experience by one of South Africa’s greatest musical exports.'

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Hector Rivera

7" | 2023 | UK | Original (Demon)

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Elmir)

Ettab

LP | 2023 | EU | Original (Four Flies)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A descendant of the Hausa (a people from the Sahel) born in Riyadh in 1947, Ettab was a celebrated singer, actress and activist - and perhaps the only female artist of Saudi origin of her time to claim an international career. This album, produced in Lebanon in 1992 by brothers Mahmoud and Ahmed Moussa for the label Relax-In, is a perfect introduction to her work. Resolutely modern in its pop arrangements with a finesse worthy of Curtis Mayfield, it takes Eastern classical music to new horizons. Ettab's undeniably beautiful voice is characterized by its original accent, which she refused to hide despite her exile to Egypt in 1980. After 15 albums and a few film appearances, Ettab devoted her time to defending the women's rights in the music world until her death in 2007 in Cairo. She is now a leading female icon in the Arab world, especially in her native Saudi Arabia. A masterpiece of Arabic music, essential to any fan of the genre, her work should be urgently (re)discovered.

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Psyche

LP | 2023 | EU | Original (Awesome Tapes From Africa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A unique combination of psychedelia, groove and afrobeat, the music of Psyché goes back to the roots of our future; it evokes visions of a mythical past, blending centuries-old music traditions and mixing them with modern genres. Like a warm Mediterranean breeze, it travels across lands, seas and eras, distilling essential rhythms and cosmic pulsations.

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Roger Bekono

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Fais & Ris)

Les Yeux D'la Tete

Liberte Cherie

Release: 2023 / EU – Original

Genre: Organic Grooves

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Chatma Silver Vinyl Edition

Tamikrest

LP | 2023 | EU | Original (Glitterbeat)

10" | 2023 | UK | Original (Nu-Tone)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited edition of 300. Silver vinyl in a high quality gatefold sleeveTamikrests"s third Album "Chatma" deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll."Chatma" is also Tamikrest"s first album to be wholly written around a defined theme. In Tamashek "Chatma" means "Sisters" and the band has dedicated the album in their own words to: "the courage of the Tuareg women, who have ensured both their children"s survival and the morals of their fathers and brothers."The opening track "Tisnant an Chatma (The suffering of my sisters)" is a heartbreaking homage: "Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression?"Fittingly for an album so lyrically evocative, "Chatma" also delivers Tamikrest"s most wide-screen and wide-ranging sonic statement to date.The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of "Adounia tabarat", the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, "Timtar", all add up to a sustained audio adventure. Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition.And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities.

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Boogaloo Assassins

Old Love Dies Hard

25,19 €* 27,99 € -10%

Release: 2023 / UK – Original

Genre: Organic Grooves

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Musique Original De Films Volume Deux

Ahmed Malek

LP | 2024 | Original (Habibi Funk)

LP | 2024 | Original (Nettwerk)

Release: 2024 / Original

Genre: Organic Grooves

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Habibi Funk is thrilled to share a second collection of deep grooves and unreleased songs from Algeria's Ahmed Malek, often compared to Italian heavyweight Ennio Morricone. Malek’s music effortlessly switches between thematic jazz, funk, reggae and Algerian folk – creating indelible soundscapes that intersect the musical innovations made in African jazz by Mulatu Astatke, Bembeya Jazz National along with some of Europe’s finest experimental composers like Piero Piccioni and Janko Nilovic.

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Paper Kites

Evergreen

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Voom Voom)

Unity

Erude Jambo

LP | 2020 | Original (Now-Again)

Release: 2024 / EU – Original

Genre: Organic Grooves

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1981. A new South African band is making waves. Produced by the team “Van Blerk/Roos & Greg Cutler", it includes succulent voices and melodies, psychedelic Moog, Fender Rhodes surrounded by some Afro-folky guitars. This album is definitely a winner. Between 1972 and 1973 Poy-Poy Makhubela appeared on 4 singles with The Young Movers produced by David Thekwane. In 1975, as a lead guitarist, he decided to bring together four musicians to form the band Unity. Jeff Radine (Fender Rhodes, Moog), George Legobye (bass), Edward Modiselle (percussion) and Robert Moema (drum). The members were all from the group The Sound Jaws, except Jeff Radine who was with Rugare and played with Harari, Chicco, The Black Five or Prince Nico. In 1978, after hearing Unity playing in a club, Mike Tswai joined the band as a manager. Poy-Poy has gone on to have a long career, touring the world and playing with some of the South African’s greats including Brenda Fassie, Don Laka, Blondie & Pappa, Dorothy Masuka as well as Kwaito bands like Alaska, Boom Shaka or Trompies.

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Witch

Introduction

Release: 2020 / Original

Genre: Organic Grooves

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Trance Gnawa Music From Morocco

Nass El Ghiwane

LP | 2024 | EU | Original (Elmir)

LP | 2023 | EU | Original (Habibi Funk)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In North Africa, a ziara is a spiritual ceremony where people come to exorcise demons, purify their bodies and loudly reaffirm their attachment to God, the prophet and the deities who claim to embody him. On this occasion, there are uncontrolled outbursts from the audience, but this has nothing to do with Roman orgies, as it lacks ostensible debauchery, aphrodisiacs or saturnalia - it is merely a blurring of the line between the religious and the superstitious. In a shrill parable, cries erupt from chests, twisting through vertical space and setting everything ablaze; a delirious chorus is chanted, ending in syncopation, and the litany, whose leitmotif Ya Chai, Ya Afi (O Healer...), shouted in unison, builds to a crescendo until the body is totally exhausted. An intoxicating ecstasy reminiscent of a voodoo ritual. What mystics call "union in God", a God who would multiply himself.

The most brilliant performers of this type of ceremony are called the Gnawa. Originally from black Africa, mainly Sudan and Senegal, they were forcibly implanted in southern Maghreb by Tuareg raiders seeking to use them as slaves. After several decades of servitude, they managed to emerge from their painful condition, which they evoke in some of their songs, and - as a result of cross-fertilization - to form a mixed race known as the hormis (the reddish). They then grouped together in mystical brotherhoods, the most important of which were based in Morocco, and devoted themselves to rituals through which, while attesting to the greatness and omnipotence of Allah, they pursued their fatal liaisons with the djins or djenoun, genie-like spirits that may be either benevolent or hostile.

But above all, the Gnawa, who never abjured their faith in animist divinities, distinguish themselves by their bewitching music, dance and rhythms, which are believed to hold therapeutic virtues. During the festivities, all movements are orchestrated and staged by the maâlem, or master (one of the most famous is Si Mohamed Chaouki), for he alone knows all the rules. He is a master of the instrument that aids healing, the guembri, a kind of acoustic bass strummed with three gut strings, and knows which melody-remedy matches each patient possessed by a particular spirit. All this is accompanied by dekka (frenzied hand-clapping) and animal sacrifices (chickens, goats and, on rare occasions, bulls).

In recent years in particular, the Gnawa musical and rhythmic tradition, which borrows from both Middle Eastern arabesques and African percussion, has enjoyed a marked revival among Moroccan artists of the new generation. But until now, only the very popular group Nass El Ghiwane has been able, with talent, faithfulness and authenticity, to reconstitute the Gnawa spirit, as witnessed by this album. So join them, and get into the trance.

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Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (GG)

Hanna Enlof

Solitude

Release: 2023 / EU – Original

Genre: Organic Grooves

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In Search Of The Lost City Of The Monkey God

The Sorcerers

LP | 2020 | UK | Reissue (ATA)

2LP | 2023 | EU | Original (Heavenly Sweetness)

Release: 2020 / UK – Reissue

Genre: Organic Grooves

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ATA Records are proud to announce the follow up to the critically acclaimed debut album fromThe Sorcerers. Conceived as a soundtrack to an imagined lost European exploitation film,'In Searchof The Lost City ofThe Monkey God'covers a wide range of influences: Ethiopiques Ethio-Jazz rubs up against European library music of the 60s and 70s. The Sorcerers seamlessly blend these disparate elements into one cohesive sound.

Based in ATA Records' home of Leeds, The Sorcerers form the backbone of the ATA Records house band including drummer Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra) and ATA label heads Neil Innes (Bass & Guitar) and Pete Williams (Woodwinds & Percussion). Bass clarinets, flutes, and esoteric percussion that sit alongside bass, guitar and drums are essential to The Sorcerers sound providing cinematic textures on top of a solid rhythmic foundation.

The Sorcerers began working on the new album during the winter of 2018 and it was during the writing sessions for this album that the concept for the LP began to take shape. The name for the album was taken from the title of a National Geographic article read by Bassist Neil Innes and was used as the starting point for the entire concept. The library music scene of the 60s and 70s has always been an intrinsic part of the sound of ATA Records and so it made perfect sense to envisage the album as a soundtrack, given the cinematic quality of The Sorcerers music.

Each track was written with a particular scene in mind and the music was then shaped in the studio to best reflect the essence of that scene. Drums, Bass and Percussion provide the solid foundation onto which Flutes, Bass Clarinets, Xylophones and Vibraphones add the atmospheric and melodic counterpoint, deftly weaving between one another to conjure up images of the unforgiving environment of the dense jungle, unknown eyes watching the protagonists of the imagined film as they make their way towards their ultimate goal, their pursuit by unseen assailants, the arcane mysticism of undiscovered cargo cultists and the ancient ruins of long passed civilisations.

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David Walters

Soul Tropical

Release: 2023 / EU – Original

Genre: Organic Grooves

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Les Belgicains - Na Tango Ya Covadia 1964-1970

V.A.

LP | 2024 | EU | Original (Covadia)

LP | 2024 | EU | Original (Appletree)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The music presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias (Ngoma label)

The largest country in Africa is experiencing its early independence. During that period, Belgium invites many Congolese students to take classes at its universities. They are the future executives and ministers of the new republic. Out of a feeling of homesickness for their beautiful country, these students set up music groups. To dance and get carried away by the music the 45 rpm records they brought with them from Congo were too short. That is why they decide to bring live music to the events of the Congolese diaspora. Their own compositions are strongly influenced by their life in Belgium, resulting in a unique sound.

Nikiforos Cavvadias arrives in Belgium around the same time. At that moment he is one of the best-known editors and producers in Congo and he works for the Ngoma label based in Léopoldville. Niki is at the origin of the success of, among others: Antoine Mundanda, Léon Bukasa, Manuel d'Oliveira, Wendo Kolosoy... Due to the political instability in Congo, he permanently moved to Belgium with his wife and two children (1964). The student orchestras, like Los Nickelos and Yéyé National, are quickly noticed by Niki, who is looking for young, talented musicians to house under his new label Covadia.

You can hear the extraordinary result on this compilation!

This album is available in a deluxe vinyl edition with gatefold sleeve (1lp) + insert or a CD with a 24-page booklet. Both editions contain the story of 'Les Belgicains' and the Covadia label, with unique photos of the original orchestras. Renown sound engineer Roger Verbestel made the recordings between 1964 and 1968 in the recording studio Studio Madeleine in Brussels. All music has been remastered from the original master tapes.

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Nina Nesbitt

Mountain Music

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Altin Village & Mine)

Odd Okoddo

Negore

LP | 2024 | EU | Original (Batov)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Negore" is the second album by the Kenya-based duo Odd Odokko. After their debut "Auma" saw percussionist Sven Kacirek work with pre-existing recordings of singer and instrument builder Olith Ratego, the two opted for a similar approach for the ten pieces to preserve the expressiveness of the latter"s performance. Further contributions by sound artist KMRU and Angel Bat Dawid on bass clarinet expand the duo"s sonic palette which draws on the dodo music of the Luo people and enriches it with percussive, melodic, and occasionally electronic means. The record"s title translates to "petroleum lamp," signifying the transition from day to night-when the time has come to dance. In this decidedly joyful spirit, "Negore" is dedicated to transitions and venturing into the future. Ratego"s interpretation of the folk tradition is expressly contemporary, while Kacirek uses a rich variety of avant-garde and advanced electronic music techniques to propel it even further.

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Kolonel DJafaar

Getaway

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | Reissue (Chrysalis)

Toumani Diabate

New Ancient Strings

Release: 2023 / Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Elmir)

Malik Adouane

After Raï Party

Shabazi - A Tribute To The Poet

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Except from Rachid Taha, who allowed himself a few forays into the teeming, vibrant heaths of techno, no raï singer other than Cheb Malik has ever ventured into this terrain known for its abundance of sound. If you know about Malik Adouane's ancestry, this is hardly surprising. Born in Librecourt, near Lens, he comes from a union between an Italo-Celtic mother who instilled Western sounds into his ears and a father, a former miner born in Biskra (north-east Algeria), a palm grove near the desert, musically renowned for its lively diwan that could be called Saharan opera. In addition, the town is renowned for its chakhchouka, a dish called after its rich blend of various ingredients and spices. Just like Malik’s music, as he was a fan of James Brown, Barry White, classical Arabic and raï music. He had been thinking about it from the beginning, but the dream took a long time to materialize.

In January 1986, many raï idols turned up in Bobigny, France, for a historic and seminal festival. In the midst of the audience, the young man, dressed in black leather, provided security for the concerts of many stars before becoming one himself. He would rub his eyes, not because he was dazzled, but because they were clouded by a nostalgia that remained him of itself. So, with his head full of sounds warmly recommended by the best DJs, he set out, a little provocatively, to position himself at the cutting edge of music with a new concept called "After raï". It combined the sweet and precious past with an almost uncontrollable creative audacity. It's a balm made in a test-tube-studio from a mix of Arabic melodies and lyrics - a kind of "Arabeat", and the arrogant modernity produced by samplers, electronic spinning, roaring bass and guitars made for house music. The pinnacle of the record is a masterful cover of Isaac Hayes' Shaft, which set dancefloors on fire in Paris, London, Ibiza and New York, and became internationally known thanks to its presence on a Paris Dernière compilation curated by French musician and DJ Béatrice Ardisson along with Claude Challe's iconic Buddha Bar series. Now, shall we dance?

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Yemen Blues

LP | 2024 | Original (Yemen Blues)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Topic)

Jim Ghedi & Toby Hay

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Foxy)

The Trouble Notes

Liberty Awaits

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Far Out)

Tunico

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Les Couleurs Du Son)

Naissam Jalal

Healing Rituals

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (World Circuit)

Ali Farka Toure

Voyageur

Release: 2023 / EU – Original

Genre: Organic Grooves

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Black Children Sledge Funk Band

Black Children Green Vinyl Edtion

LP | 2023 | EU | Original (Afrodelic)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Mama Bird)

Taylor Kingman

Hollow Sound

Release: 2023 / EU – Original

Genre: Organic Grooves

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Waka Juju Clear Vinyl Edition

Manu Dibango

LP | 2021 | EU | Original (Diggers Factory/Soul Makossa)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Sounds Of Subterrania)

Faratuben

Sira Kura

Marcy Luarks & Classic Touch

Release: 2020 / EU – Original

Genre: Organic Grooves

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Between Aarhus and Bamako lie 6,593 kilometers – and a deep socio-economic divide. This is why people have long been drawn from Africa to Europe. Unfortunately, the opposite is rarely the case. “Sira Kura”, the debut album from the Danish-Malian band Faratuben, shows what is possible when musicians move out of their comfort zones and meet at eye level. The music from this Bamako-based band is not just another variation of Afrobeat, nor a retrospective reminiscence of Fela Kuti. It is an electrified version of the centuries-old Bwa and Bobo music, and differs from the traditional Kora sounds of a Toumani Diabaté and Salif Keïta with its increased pressure and tempo.
The three Danes, Mikas Bøgh Olesen, Jakob de Place and Mads Voxen, came to Mali as part of an exchange program of the Conservatoire de Arts et Metiers Multimédia (CAMM), where they heard traditional Bobo music for the first time. Bobo is what the French colonizers called the Bwa people, an oppressed minority living in Burkina Faso and northern Mali. The percussive music of the Bwa is driven by various percussion instruments and the sound of the balofon, a type of xylophone with calabashes suspended below. The three Danish music students were completely enthralled with this dynamic sound that accompanies religious ceremonies as well as weddings and parties in Mali.
Guitarist and studio owner Dieudonne Koita, vocalist Sory Dao and balofon virtuoso Kassim Koita, formed a band that was originally intended to perform only once: at the Bamako Jazz Festival. The name Bobo Jazz Experience was used on the posters at the time. But the performance was too grandiose not to continue. At the Bogolan Studio in downtown Bamako, the musicians recorded the songs “Terete” and “Pari” a short time later, which rapidly went into heavy rotation at the TV station ORTM and on various Malian radio stations. In the meantime the band had decided on the name Faratuben, a combination of the words “farafin” (black) and “toubabou” (white).
The musicians often live and rehearse together in the mountains outside Bamako, in a village called Kati, which the Koita family calls home. The Koita family is a large clan that has produced many important musicians. “Electrification is quite new in our tradition, and the first person to play Bwa music on an electric guitar was our father, Pakuene Koita”, says Dieudonne. His brother Kassim has been voted best balofon player in Mali four times. Faratuben are also becoming more and more successful in Mali, playing at weddings, parties and increasingly at big festivals like “Spot on Mali Music”.
In short, it was high time for a debut album! “Sira Kura” is extremely varied fusion, in which the pulsating polyrhythms of Bwa music are organically combined with elements of jazz and art pop – played at a dreamlike higher level. “A modern mix of 10CC and Osibisa”, as keyboarder Mikas calls it. And indeed, such overwhelming melodiousness and such complex songwriting is rarely found in Afrobeat. In Bambara, one of the many languages spoken in Mali, “Sira Kura” means “new direction”.
But Faratuben is about more than parties and good moods. The rousingly combative “Mi Njan Mure Mure” tells of days when Mali was a French colony: “You took our land, you took our space, you torture us, you treated us with barbarity.” The musicians see their band as living anti-racism. As Dieudonne says: “I never thought before that I could meet white people on an equal footing and on one level. That white people live, eat and sleep in my house and live together with my family, just like I do. Such a thing is very rare in Mali. We are happy and proud that through Faratuben we can show that it is possible to create a community beyond race and skin color.”
Meanwhile, the band has also gained a loyal fan base in Scandinavia. In Denmark, where the album was released last year, “Sira Kura” was awarded the Danish Music Award for the best “globalpop” album. And in August, the musicians also received a nomination for the DMA Roots Award.
Faratuben are now back again after being stuck in Aarhus from March to August due to Corona, and could only return to Mali at the end of the month. In their luggage, they carry the songs for their second album, which were written during their quarantine. But, until then, “Sira Kura” will ensure that autumn in Germany sizzles. Bwa music rules!

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Electric Murder Record Store Day 2020 Edition

LP | 2020 | EU | Original (Kalita)

Fu Chronicles Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 750 copies.

It's grail time. Kalita Records officially releases Marcy Luarks & Classic Touch's mythical American-Nigerian Afro boogie masterpiece Electric Murder for the first time since 1983, accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor. The product of the then-husband-and-wife team of Marcy and Dan, Electric Murder brought together both the former's American and the latter's Nigerian roots; recorded in London with UK-based session musicians, this mix of heritage and styles resulted in an Afro disco album unlike any other. With original copies turning up for sale roughly once every few years, with an eye-watering four-figure price tag, Kalita Records save you the never-ending search for this true holy grail. Accompanied by a poster insert with extensive interview-based detailing Marcy's life and musical career.

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Antibalas

LP | 2020 | US | Original (Daptone)

LP | 2019 | EU | Original (Mar & Sol)

Release: 2020 / US – Original

Genre: Organic Grooves

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With a globetrotting 20-year career renowned for being a voice for the people across four decades of political and societal upheaval from the late ‘90s to today, Antibalas celebrates its 20th Anniversary with a stark return to their Williamsburg roots on its latest Daptone Records studio album, Fu Chronicles. Pre-gentrified Williamsburg serves as the backdrop for Fu Chronicles–voyaging back to the early days of when Antibalas and Daptone Records spawned out of lead singer Duke Amayo’s kung fu dojo. A senior master of the Jow Ga Kung FuSchool of martial arts, Duke Amayo along with Antibalas founder/baritone saxophonist Martín Perna guide listeners through an epic journey of where kung fu ingeniously intersects with Afrobeat on Fu Chronicles.

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Africa Negra

Alia Cu Omali

LP | 2024 | Original (Easy Star)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Mar & Sol presents the new album of the legendary band África Negra,"Alia cu Omali". New songs and some popular classics recorded between Lisbon and S.Tomé.
This album Its a reflection of the old rumba and soukous music that this epic band of São Tomé e Príncipe got us used to. They are an icon and one of the main bands of this island, representing in their music the authenticity and culture of the former Portuguese colony on the equatorial meridian.
It is our mission to expand this culture and here it is the testimony in our series of Luso Afro music which could best represent São Tomé.

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Kumar The 18th Parallel

Tales Of Reality

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-10-25

LP | 2024 | Original (Secret)

Spear Of Destiny

Live On Tour 1997

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

LP | 2024 | EU | Original (Akuphone)

Badiaa Bouhriz

Kahrumusiqa

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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KahruMusiqa is a musical retrospective by Tunisian singer and composer Badiâa Bouhrizi AKA Neysatu. She is known as the author behind the protest songs that became the anthems of the Tunisian revolution.

KahruMusiqa means electronic music, but is never used as such in Arabic to name the genre. The record is a collection of sonic experimentations that started when she first got her hands on music production softwares in the 2000s. The tracks are based around poems in classical Arabic language or Tunisian dialect written by Badiâa herself or female poets she admires, such as Palestinian authors Fadwa Tuqan or Salma Al Jayusi, or the Tunisian poet Noureddine Werghi. Most of the vocal work are improvisations recorded with a computer microphone. A take on the classic Turkish folk song Muhabbat is almost a modern harmonic rewriting, using only classical guitar, vocals and delays.

KahruMusiqa’s themes are in line with Badiâa Bouhrizi ideological trajectory. She is a queer woman in the moving sands of Tunesia in the song Transrimel. She also questions the political contract that led to Balfour and the displacement of millions of Palestinians in 1948, describing a journey between London and Nablus, in Fil Madinatil harima (“In The Old City").

This lo-fi bedroom album also displays several songs that have become classics of the Arab underground milieu like Ila Selma, and is the first ever record Badiâa Bouhrizi was willing to release.

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Sainkho Namtchylak

Cyberia

2LP | 2011 | Original

Release: 2011 / Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Ajabu!)

Dorea

Grande Coisa

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Stereophonk)

The Selenites Band

Live From The Moon

LP | 2024 | EU | Original (Batov)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Selenites Band returns with a Live album ahead of their 3 Studio album, due for release in late 2024. 8 tracks of psychedelic jazz influenced by Ethio-groove, Swinging Addis and pentatonic grooves, recorded in analog on tape recorders during two concerts between 2021 and 2023.

These recordings are an opportunity to discover 5 previously unreleased tracks, as well as live versions from the previous album "Behind The Mask". The Selenites Band are first and foremost a live band, and we've seen them at the New Morning, in Paris, in Belgium, as well as opening for the prestigious group Gong, on their only date in France, and at many other festivals. The Selenites Band's lively style takes us into a world of traditional music, Shamarnic grooves, spicy jazz and bewitching rhythms. A melodic universe, a music of heady modal trance, a cinematic space of energetic jazz punk! . All compositions are by Antoine "Obi Riddim" Laloux, with the exception of two tracks by Seyoum Gèbrèyès and Tlahoun Gèssèssè.

All sleeves are hand-silk-screened and numbered / limited edition.

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Sandman Project

Where Did You Go?