Afrobeat Vinyl 657 Items

LP | 2024 | EU | Original (Stereophonk)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Alma Negra Records are proud to present James Stewart, resident DJ and co-promoter of monthly night “Black Atlantic Club” at Le Sucre in Lyon, with his Cotonou EP

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The Selenites Band

Live From The Moon

LP | 2010 | US | Reissue (VP)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Selenites Band returns with a Live album ahead of their 3 Studio album, due for release in late 2024. 8 tracks of psychedelic jazz influenced by Ethio-groove, Swinging Addis and pentatonic grooves, recorded in analog on tape recorders during two concerts between 2021 and 2023.

These recordings are an opportunity to discover 5 previously unreleased tracks, as well as live versions from the previous album "Behind The Mask". The Selenites Band are first and foremost a live band, and we've seen them at the New Morning, in Paris, in Belgium, as well as opening for the prestigious group Gong, on their only date in France, and at many other festivals. The Selenites Band's lively style takes us into a world of traditional music, Shamarnic grooves, spicy jazz and bewitching rhythms. A melodic universe, a music of heady modal trance, a cinematic space of energetic jazz punk! . All compositions are by Antoine "Obi Riddim" Laloux, with the exception of two tracks by Seyoum Gèbrèyès and Tlahoun Gèssèssè.

All sleeves are hand-silk-screened and numbered / limited edition.

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Culture

Two Sevens Clash

Release: 2010 / US – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Reissue (Miss You)

Nilton Castro

Mes Mains

Ephat Mujuru & The Spirtit Of The People

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork.

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Mbavaira

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2021 / US – Original

Genre: Organic Grooves

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Ephat Mujuru Exemplifies A Unique Generation Of Traditional Musicians In Zimbabwe. Born Under An Oppressive Colonial Regime In Southern Rhodesia, His Generation Witnessed The Brutality Of The 1970s Liberation Struggle, And Then The Dawn Of Independent Zimbabwe, A Time In Which African Music Culture_long Stigmatized By Rhodesian Educators And Religious Authorities_experienced A Thrilling Renaissance. Under The Tutelage Of His Grandfather, Who Was A Respected Spirit Medium And Mbira Master, Ephat Showed An Early Talent For The Rigors Of Mbiratraining, Playing His First Possession Ceremony When He Was Just Ten Years Old. By Then, Guerilla War Was Engulfing The Country And His Grandfather Muchatera Tragically Became A Victim Of The Violence, A Devastating Blow To The Young Musician. In The Midst Of The Liberation Struggle, Mbira Musicbecame Political. Eventually, The Rhodesians Were Defeated, But Rather Than Return To The Past, The Nation Of Zimbabwe Was Born And A New Future Unfolded. Ephat Threw Himself Into The Spirit Of Independence, Singing Of Brotherhood, Healing, And Unity: Crucial Themes During A Time When The Nation's Two Dominant Ethnic Groups, The Shona And The Ndebele, Were Struggling To Reconcile Differences. Ephat's Band Would Eventually Follow The Popular Trend And Add Electric Instruments. But Before That, He And Spirit Of The People Released Two Allacoustic Albums, And They May Well Be The Most Exciting And Beautiful Recordings He Made In His Career. Mbavaira, The Second Of These Albums, Was Released In 1983. As The Independence Years Moved On, There Would Be Fewer And Fewer Commercial Mbira Releases. But For The Moment, Ephat Had The Required Stature And Reputation. Also, With The Energy And Drive We Hear In These Recordings, And The Unmistakable Lead Vocals By His Uncle Mude_truly One Of The Greatest Mbira Singers Of The 20th Century_the Album Could Easily Rivalthe Pop Music Of Its Day. Within A Few Years After The Release Of Mbavaira, It And Albums Like It Became Harder To Find In Zimba...

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Angola Soundtrack Volume 2

2LP | 2013 | EU | Reissue (Analog Africa)

Hailu Mergia & The Walias Band

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi platinium record, "Good Things". Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such award should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes:

"Listening to these tracks may cause addiction and provoke heavy rotation!"

Angola Soundtrack Vol.2 - Hypnosis, Distortions & other Sonic Innovations 1969-1978 - The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self-designed "Kutonocas", Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine "Note E Dia", Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!

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Tezeta

LP | 2021 | US | Original (Awesome Tapes From Africa)

22,79 €* 23,99 € -5%

LP | 2021 | US | Original (Awesome Tapes From Africa)

Release: 2021 / US – Original

Genre: Organic Grooves

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Unknown recording outside Ethiopia which documents Mergia Hailu & The Walias legendary early period. Beautifully-rendered instrumentals of classic Ethiopian standards, "Tezeta"is the follow-up reissue of the hugely popular seminal Ethiopian instrumentals LP "Tche Belew" (atfa012). It was a Cassette-only release in 1975 on the band's in-house label, to fund their record store. From their genesis as members of the Venus club in-house band in the early 70s, Hailu Mergia and the Walias Band were at the forefront of the musical revolution during an era where modern instruments and foreign styles superseded the traditional fare to become the staple sound of Ethiopia. No one would argue that the Walias were the trailblazing powerhouse of modern Ethiopian music. They were the first band to form independently without affiliation to a theatre house, a club or a hotel; unprecedented and risky as they had to raise all funding for expenses by themselves including buying equipment. They were the first to release full instrumental albums, considered to be commercially unviable at the time. They opened their own recording studio, with band members Melake Gebre and Mahmoud Aman doubling as technical buffs during sessions. They were also the first independent band to tour abroad. In short, they were the pioneers every band tried to emulate; some more successfully than others. Odds are, any Ethiopian over the age of 35 who had access to TV or radio by the early 90s, will instantly recognize the sound of Walias. What is not a given is, how many would actually identify the band itself. Barely a day went by without hearing the Walias either in the background on radio or as an accompaniment to various programs on TV. This Tezeta album, the band's second recording, released in 1975, is one of those that have been impossible to find for nearly three decades. Sourced by Awesome Tapes From Africa and expertly remastered by Jessica Thompson, its unique and funky renditions of standards and popular songs of the day are so quintessentially Walias, flavorful and evocative. Hailu's melodic organ, unashamedly front and center in every track, makes even the complex pieces accessible. Profoundly engaging; it's an immersive trip down memory lane for those of us getting reacquainted with it, while also an enthralling and gratifying experience for fresh ears.

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DJ Black Low

Uwami

12" | 2018 | EU | Original (!K7)

Release: 2021 / US – Original

Genre: Organic Grooves

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In many ways, DJ Black Low's debut album, Uwami, shows the signs of an artist's first offering in any musical genre. Showcasing fluency in a broad range of styles and stuffing a number of ideas to the record's brim is the 20 year-old producer's attempt to both introduce himself to a wide listenership and stamp a recognizable sound in their minds. In other ways, somewhat out of the young South African producer's control, Uwami goes against the grain. The album comes at a time when South African electronic music is being fundamentally disrupted. Amapiano, the electronic music movement which first gained popularity with a small, core group of followers, now dominates the mainstream. Well-known and pervasive, amapiano borrows from a diverse palette of musical styles which are popular in South Africa's largely Black townshipsjazz, kwaito, dibacardi, deep and afro house among them. Instead of pandering to the seemingly insatiable local appetite and growing global penchant for amapiano though, on Uwami DJ Black Low seeks out the limits of the sound du jour and tries to stretch them. On his solo productions, he uses the samples and compositional norms that make amapiano hits the bedrock on which to experiment and improvise. With collaborators, DJ Black Low improvises within the boundaries of listener-friendly grooves. The sound he creates has foundations of what could easily have progressed into captivating amapiano songs on their own. But he uses improvised but structured electronic percussion and distortion sounds to drive the tracks in a particular direction. What remains is something like a deconstructed amapiano. For a young producer living in the townships of the greater Pitori area of South Africa's Gauteng province, there were few avenues available for Radebe to pursue a career in music. His trajectory shows the vulnerability of this pursuit. "I had started producing in 2013 and it so happened that I lost my equipment in 2014. I couldn't afford to buy equipment. In 2017, a friend of mine who had been making music found a job and decided to quit music. He gave me his equipment and I was able to start producing again. That's when I started getting back to it. I tried to pick up where I had left off, with hip hop and commercial house but I found that amapiano was the popular music. I liked it, so I started producing it."

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Red Axes

Trips #1: In Africa

12,99 €*

Hailu Mergia & Classical Instrument: Shemonmuanaye

Release: 2018 / EU – Original

Genre: Organic Grooves

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Red Axes are very excited to present the first part of their new project called: “Trips", a multi media venture combining music, film and travelling across the globe in pursuit of extra ordinary collaborations. Niv Arzi and Dori Sadovnik are seeking to discover new grounds and sounds, and to record local musicians, indigenous instruments and present workshops for youth music schools. In March of 2017, the Israeli duo touched down in Africa for the first time, and set up camp in both Ethiopia and Ivory Coast, yielding In Africa, a triple header EP which features three slices of contemporary body music, with both East and West African musical motifs. The project will always present a musical release, on vinyl and digital, that was created on the trip, accompanied with a documentary, showing the whole journey.

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Hailu Mergia

2LP | 2013 | US | Original (Awesome Tapes From Africa)

Amrak Seedna & Abtal Wa Harameyah

Release: 2013 / US – Original

Genre: Organic Grooves

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This remastered reissue of Mergia's 1985 solo cassette features the multi-instrumentalist handling accordion, analog synth, rhodes piano and drum machine. The all-instrumental album has a distinctly futuristic (circa mid-80s) approach to classic Ethiopian songs and modes.

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Ziad Rahbani

LP | 2024 | EU | Original (Modulor)

34,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Sahel Sounds)

Tidiane Thiam

Africa Yontii

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Elmir)

Fadela

Mahlali Noum

LP | 2023 | US | Original (Awesome Tapes From Africa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Fadela is an internationally renowned artist from Oran (Algeria) who began her musical career in the 1980s alongside Boutaiba S'ghir, Khaled and avant-garde producer Rachid Baba Ahmed. With her powerful, haunting voice, Fadela has brought a new dimension to raï music, skilfully blending traditional sounds with modern influences. Her songs are infused with emotion and passion, telling stories of love, pain and resilience. Over the years, she has released several successful albums, reaching millions of people around the world and making her an icon of raï music. Today, Fadéla continues to perform, enchanting audiences with her unique voice and infectious energy. Her exceptional career and musical heritage make her one of the greatest raï artists of all time. Elmir is delighted to present the first vinyl edition and reissued CD of the album Mahlali Noum, originally released in 2006.

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Gibraltar Drakus

Hommage A Zanzibar

LP | 2023 | EU | Original (Elmir)

Release: 2023 / US – Original

Genre: Organic Grooves

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No shortage of colorful characters emerged from Cameroon's bikutsi scene in the 1980's and early 90's. Gibraltar Drakus is one of the most enduring and enigmatic of the artists who helped transform bikutsi into a beautifully endless fabric of triplet rhythms that eventually reached ears around the world. Following the advent of Cameroon Radio Television in 1987, bikutsi began to supplant makossa and soukous for domination of the local airwaves and the attention of cosmopolitan, thrill-seeking residents of Cameroon's capitalYaoundé and beyond. Biktusi perfectly fused Beti traditional music and increasingly electronic, highly rhythmic guitar-based bikutsi. Mimicking the sound of village-based xylophone music by rigging a mute to electric guitar strings, bikutsi artists provided a relentlessly energetic dance format for those with a taste for music steeped in their hometown sensibility (countering the popular makossa that many felt sounded less indigenous). By the early 1990's, Les Tetes Brûlées were indisputably the most famous and influential artists in bikutsi, due in part to the innovations of their incendiary guitarist Théodore Zanzibar Epeme. Following their first European tour in 1987, the band b...

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Ettab

LP | 2023 | EU | Original (Awesome Tapes From Africa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A descendant of the Hausa (a people from the Sahel) born in Riyadh in 1947, Ettab was a celebrated singer, actress and activist - and perhaps the only female artist of Saudi origin of her time to claim an international career. This album, produced in Lebanon in 1992 by brothers Mahmoud and Ahmed Moussa for the label Relax-In, is a perfect introduction to her work. Resolutely modern in its pop arrangements with a finesse worthy of Curtis Mayfield, it takes Eastern classical music to new horizons. Ettab's undeniably beautiful voice is characterized by its original accent, which she refused to hide despite her exile to Egypt in 1980. After 15 albums and a few film appearances, Ettab devoted her time to defending the women's rights in the music world until her death in 2007 in Cairo. She is now a leading female icon in the Arab world, especially in her native Saudi Arabia. A masterpiece of Arabic music, essential to any fan of the genre, her work should be urgently (re)discovered.

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Roger Bekono

Release: 2023 / EU – Original

Genre: Organic Grooves

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Joseph Kabasele And The Creation Of Surboum African Jazz 1960-1963

2LP | 2021 | EU | Original (Planet Ilunga)

33,24 €* 34,99 € -5%

7" | 2016 | US | Original (Now-Again)

Release: 2021 / EU – Original

Genre: Organic Grooves

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After the two previous O.K. Jazz compilation releases, Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Despite a few releases of Sonodisc on LP and CD, published many moons ago, which included some important parts of the back catalogue of the label, there is still a large part of the repertoire of Surboum African Jazz that remains completely hidden from the fans. That’s why Planet Ilunga associated with the children of Joseph Kabasele Tshamala (Grand Kallé) and Catherine Ingombo (Kale Kato) to compile 29 songs that were originally released on the label in the early sixties. Surboum African Jazz is the first Congolese music label founded by a Congolese; it was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The recordings mainly happened in Brussels, Belgium. The label's catalog during the period 1960–63 is largely dominated by Grand Kallé’s band African Jazz in its various formations. The band, which could rely in 1961 and 1962 on a real dream team of musicians (Docteur Nico, Dechaud, Rochereau, Manu Dibango, Roger Izeidi and Mujos among others), released in this period at least 212 songs. The second largest source of music for the label is Franco’s band O.K. Jazz with at least 136 released songs. Next, with at least 34 released songs comes Manu Dibango with his different formations. These were the first ever published songs of the late Manu Dibango. For this compilation we chose an original selection of songs recorded by African Jazz in 1961 and 1962. We also included a few songs of Dibango’s bands in the final selection, in order to showcase the diversity and universal philosophy of Grand Kallé’s label. This adventurous music which was recorded in Brussels in the months and years after Congo’s independence is nothing less than post-colonial glory wrapped around popular music. It’s a collection of proud name-dropping songs, political and patriotic lyrics, euphoric declarations of love and explorations towards new and universal impulses and styles. The releases on Surboum African Jazz are for many Congolese the icing on the cake in the iconic history of Congolese rumba. They are a time capsule of the longing of Congolese society to be absorbed in the momentum of the nations. At the same time they are a testimonial of the musical excellence of the African Jazz musicians. This first ever double LP anthology of Surboum African Jazz comes with a large, thoroughly researched and well-illustrated 32-page booklet telling the whole story of this label. Included in the book, among other content, is a text by Alan Brain (director of The Rumba Kings) with never before published information and photos about the epic Table Ronde tour of African Jazz in Belgium, France and The Netherlands in the winter and spring of 1960. This text is the fruit of a research Alan initiated, and then further developed in collaboration with the Congolese author and scholar Manda Tchebwa. Furthermore, you can find in the book a detailed documentation of the recording tours in Brussels in 1961 and 1962, besides a discography of the Surboum African Jazz label and many testimonials of the Congolese community about the first Congolese music label founded by a Congolese.

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Johnny!

Only Love

Release: 2016 / US – Original

Genre: Organic Grooves

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We’re introducing: Johnny! Ghanaian Afro-Rock from German producer/composer J.J. Whitefield and an international cast of top shelf musicians. Whitefield, who in the early ‘90s revived the gritty, analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has been working with Now-Again Records for almost a decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the “Original Raw Soul” anthology. He first started exploring African rhythms with the Whitefield Brothers in the late ‘90s, continuing in the ‘00s with Karl Hector & The Malcouns. He’s been instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor’s son Henry and percussionist/Singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana’s hypnotic grooves, but also the full frontal fuzz guitar assault heard on the legion of 70s Zambian Zamrock albums recently reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist Tomi Simatupang (Whitefield Brothers). This is Dance Rock at the core with the possibilities to stretch out and go into psychedelic realms. The results, spread out over three 7”singles and pressed in a run of 1000 units each, speak for themselves. Every record comes with a download card for WAV files of all six tracks (vocals and instrumentals from each release) and point at a new direction for the music inspired by the Great Continent.

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Les Belgicains - Na Tango Ya Covadia 1964-1970

LP | 2024 | EU | Original (Covadia)

Square One Transparent With Pink Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The music presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias (Ngoma label)

The largest country in Africa is experiencing its early independence. During that period, Belgium invites many Congolese students to take classes at its universities. They are the future executives and ministers of the new republic. Out of a feeling of homesickness for their beautiful country, these students set up music groups. To dance and get carried away by the music the 45 rpm records they brought with them from Congo were too short. That is why they decide to bring live music to the events of the Congolese diaspora. Their own compositions are strongly influenced by their life in Belgium, resulting in a unique sound.

Nikiforos Cavvadias arrives in Belgium around the same time. At that moment he is one of the best-known editors and producers in Congo and he works for the Ngoma label based in Léopoldville. Niki is at the origin of the success of, among others: Antoine Mundanda, Léon Bukasa, Manuel d'Oliveira, Wendo Kolosoy... Due to the political instability in Congo, he permanently moved to Belgium with his wife and two children (1964). The student orchestras, like Los Nickelos and Yéyé National, are quickly noticed by Niki, who is looking for young, talented musicians to house under his new label Covadia.

You can hear the extraordinary result on this compilation!

This album is available in a deluxe vinyl edition with gatefold sleeve (1lp) + insert or a CD with a 24-page booklet. Both editions contain the story of 'Les Belgicains' and the Covadia label, with unique photos of the original orchestras. Renown sound engineer Roger Verbestel made the recordings between 1964 and 1968 in the recording studio Studio Madeleine in Brussels. All music has been remastered from the original master tapes.

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Lack Of Afro

LP | 2023 | EU | Original (Bastion Music Group)

44,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP | 2015 | EU | Original (World Circuit)

Orchestra Baobab

Pirates Choice

Helene Blum & Harald Haugaard Band

Release: 2015 / EU – Original

Genre: Organic Grooves

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An Afrobeat and Worldmusic classic first time on vinyl.

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Den Store Sommer

LP | 2024 | Original

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Music On Vinyl)

The Upsetters

Double Seven

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | Original (Contre Jour)

Manou Gallo

Afro Groove Queen

22,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2023 | US | Original (New West)

Sunny War

Anarchist Gospel

Release: 2023 / US – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (We Are Busy Bodies)

Eboni Band

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (New West)

Secret Sisters

Mind, Man, Medicine

Release: 2024 / US – Original

Genre: Organic Grooves

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Niger EP 2 Green Vinyl Edition

Mdou Moctar

LP | 2023 | EU | Original (Matador)

Niger EP 1 Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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"In 2021, we started the Mdou Moctar mixtape series. These releases compiled field recordings, cell phone voice memos, interview clips, conversations captured in the tour van, and blown-out board recordings from shows all over the world. As a continuation of those mixtapes, we present the Niger EPs, which examine the roots of the Mdou Moctar band. Early Mdou recordings were contained on cassettes, though the humble tape was soon replaced by the quick and easy facilityof cell phone technology. Long bus rides are common in West Africa. On one of these rides, you might be seated next to a stranger and ask "what are you listening to?", then a song exchange would begin over Bluetooth. This is a very real way artists found their music distributed far from home. In that vein, the Niger EP series features solely recordings taped in Mdou Moctar"s home country of Niger. Volume 1 begins the series with a mix of recordings from 2017- 2020, documenting the band at weddings, picnics, rehearsals, and even impromptu house concerts. A must have for any Mdou Moctar fan!" - Mdou Moctar bassist Mikey Coltun

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Mdou Moctar

LP | 2023 | EU | Original (Matador)

World Psychedelic Classics 5: Who Is William Onyeabor

Release: 2023 / EU – Original

Genre: Organic Grooves

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William Onyeabor

3LP | 2013 | US | Reissue (Luaka Bop)

38,99 €*

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Edo Funk Explosion Volume 1

2LP+Book | 2021 | EU | Original (Analog Africa)

31,99 €*

Idris Ackamoor & The Pyramids

Release: 2021 / EU – Original

Genre: Organic Grooves

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It was in Benin City, in the heart of Nigeria, that a new hybrid of
intoxicating highlife music known as Edo Funk was born.
It first emerged in the late 1970s when a group of musicians began
to experiment with different ways of integrating elements from their
native Edo culture and fusing them with new sound effects coming
from West Africa ́s night-clubs. Unlike the rather polished 1980 ́s
Nigerian disco productions coming out of the international
metropolis of Lagos Edo Funk was raw and reduced to its bare
minimum.

Someone was needed to channel this energy into a distinctive sound
and Sir Victor Uwaifo appeared like a mad professor with his Joromi
studio. Uwaifo took the skeletal structure of Edo music and
relentless began fusing them with synthesizers, electric guitars and
80 ́s effect racks which resulted in some of the most outstanding Edo
recordings ever made. An explosive spiced up brew with an odd
psychedelic note dubbed "Edo Funk".

That's the sound you'll be discovering in the first volume of the
Edo Funk Explosion series which focusses on the genre’s greatest
originators; Osayomore Joseph, Akaba Man, and Sir Victor Uwaifo:

Osayomore Joseph was one of the first musicians to bring the sound
of the flute into the horn-dominated world of highlife, and his
skills as a performer made him a fixture on the Lagos scene. When he
returned to settle in Benin City in the mid 1970s – at the
invitation of the royal family – he devoted himself to the
modernisation and electrification of Edo music, using funk and Afro-
beat as the building blocks for songs that weren’t afraid to call
out government corruption or confront the dark legacy of Nigeria’s
colonial past.

Akaba Man was the philosopher king of Edo funk. Less overtly
political than Osayomore Joseph and less psychedelic than Victor
Uwaifo, he found the perfect medium for his message in the trance-
like grooves of Edo funk. With pulsating rhythms awash in cosmic
synth-fields and lyrics that express a deep personal vision, he
found great success at the dawn of the 1980s as one of Benin City’s
most persuasive ambassadors of funky highlife.

Victor Uwaifo was already a star in Nigeria when he built the
legendary Joromi studios in his hometown of Benin City in 1978.
Using his unique guitar style as the mediating force between West-
African highlife and the traditional rhythms and melodies of Edo
music, he had scored several hits in the early seventies, but once
he had his own sixteen-track facility he was able to pursue his
obsession with the synesthetic possibilities of pure sound, adding
squelchy synths, swirling organs and studio effects to hypnotic
basslines and raw grooves. Between his own records and his
production for other musicians, he quickly established himself as
the godfather of Edo funk.

What unites these diverse musicians is their ability to strip funk
down to its primal essence and use it as the foundation for their
own excursions inward to the heart of Edo culture and outward to the
furthest limits of sonic alchemy. The twelve tracks on Edo Funk
Explosion Volume 1 pulse with raw inspiration, mixing highlife
horns, driving rhythms, day-glo keyboards and tripped-out guitars
into a funk experience unlike any other.
Double LP pressed on 140g virgin vinyl comes with a full color 20-pages booklet

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Tinoge Ya Ta'a Ba, Part 1 & 2

7" | 2017 | EU | Original (Philophon)

From Africa With Fury: Rise 2016 Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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2016 was the year for Idris Ackamoor & the Pyramids: their album "We Be All Africans" (produced by Philophon and released on Strut Rec.) vaulted them among the global top acts of the current Spiritual Jazz renaissance. The strengh of the group is its deep connection to Africa: not just that their music is inspired by the spirit of Africa, they actually founded themselves on an extended trip to the Motherland in 1972.

On that trip Idris Ackamoor visited the tiny town Bolgatanga in Northern Ghana to play with local Frafra musicians - an experiance which changed his life. Now, after 45 years, Idris dives once more into the magical music of the Frafra people by teaming up with master musician Guy One, the no. 1 Kologo artist of the vital music scene of Bolgatanga. On "Tinoge Ya Ta'a Ba" Guy One sings about the power of unity - a unity you hear clearly on this Afro-Euro-American cooperation: a driving rhythm, a eulogizing saxophone, a gripping voice and in total a journey into another dimension.

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Seun Kuti & Egypt 80

2LP+CD | 2011 | EU | Reissue (Because)

Estrellas Remixes EP Black Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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With the mighty new From Africa With Fury: Rise, Seun Anikulapo Kuti picks up the mantle as undisputed champion and true prince of the Afrobeat movement.

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Guts

2x12" | 2024 | EU | Original (Heavenly Sweetness)

Si Algún Día Has De Caer / Papeles Rotos"

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Limited to 1000 copies worldwide, only available with GUTS and HHV.

In 2022, Guts brought together his musical family for his ‘Estrellas’ album. An ambitious project that brought together musicians from: Franc, Cuba and various African countries. For a journey that was as rich artistically as it was humanly. The list of superlatives was almost endless, "Formidable", "incredible", "unforgettable" and "magical" all thrown into the pot, during these magical moments in the Dakar studio. From the seventeen tracks heard on the original album, three have been entrusted to the expert and inventive hands of four producers, who have come up with new interpretations bringing Africa and the Caribbean together for a modern dancefloor.

‘Por Que Ou Ka Fe Sa’ (Poirier Remix)

From his studio in Montreal, Canadian Poirier has opted for a strong groove and relentless bass drum to keep out intruders, putting vocalists David Walters and Brenda Navarrete in a rhythmic cocoon. Accompanied in a slightly moody bassline that adds some driving muscle to the track. The hooky guitar line eventually gives way to the saxophone that emerges from the mix to parade around the front line. The original electric piano is replaced by a synth pad that loops and spins driving the track to its conclusion.

‘Por Que Ou Ka Fe Sa’ (David Walters Remix)

Before recording this track, David Walters and Brenda Navarette didn't even know each other. So in the magic of the moment that brought them together is a genuine and sincere artistic bond. It is no longer Guts but David who is at the musical helm, and before they too can savour the connection between the two artists, the dancers will have to pass through an overheated corridor where a Caribbean rhythm resonates with percussion. Digital and woodwind swirl and clash until the vocal encounter with the artists. It's a moment of respite that's as suspended as it is life-saving, because the exit is also via the famous corridor.

‘San Lazaro’ (Bosq Remix)

On Bosq’s mix, he’s opted to maintain things focused on the dancefloor, keeping the percussion persistent for the unleashed bodies of the dancers to smile. It's once again the walking bass line rises to the forefront of the groove, softening the shocks of the relentless kick drum. Roberto Valdes's timeless piano has disappeared, while guitars float and add to the atmosphere. The track is no longer awash in cigar smoke. Under Akemis's powerful vocals the low ceiling has disappeared, and the open roof is more a brass-lit spectacle. That doesn't make things any less overheated though, this one is sweaty until the end.

‘Medewui’ (Captain Planet Remix)

Captain Planet brings the dancer’s attention to the Afrobeat flavored jam that rocked the original, highlighting the Pat Kalla & Assane Mboup duet. Despite the track remaining mid tempo, laying back is no longer the order of the day as this mix really develops. The drums are more present jolting along with the organ in the first half. Once all the storytellers have taken their microphones, the rhythmic beats are doubled and the track is carried towards a frenzy of Afro-Latin dancing. Fired up by the brass and percussion, it’s this almost switch up that takes hold of the second part of the tune, with some righteous authority and relentless piano and trumpet.

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Mampön

7" | 2024 | UK | Original (Rocafort)

10,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mampön are back! unleashing their Afrobeat enchantment on a new 45 release.

Crafted for the dancefloor, "Si Algún Dia Has De Caer" combines party beats with Spanish lyrics. Hectór Rodriguez, the band's guitarist and lead singer, creates a deep connection between celebration and introspection on an enchanting vocal-rhodes introduction before the rhythm takes you for a dance.

On the B-side, Mampön maintains the Afrobeat tradition as more than just dance music—it's a protest, a resistance. "Papeles Rotos" portrays people as slaves with rights on wet, torn paper, urging listeners to forge their path regardless of the cost.

Mampön emerges as a true soft power, destined for every dance floor, spreading Afrobeat magic.

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Funeral Gongs Ceremonies In Ratanakiri, Cambodia

LP | 2024 | EU | Original (Sub Rosa)

18,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Irfan (Le Label))

Les Ogres De Barback

Rue Du Temps

14,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Batov)

Muito Kaballa

Like A River

LP | 2023 | EU | Original (Catalpas)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Cologne-based afro-fusion collective Muito Kaballa announces their signing to Batov Records with the new single "Live A River Part I":Acting as the introduction to the musical world and lyrical narratives of the upcoming record "Like A River, the track leans into the river theme, providing an all-encompassing, flowing journey. Tim von Malotki"s percussive bass clarinet lines cut through the meandering wash of Benjamin Schneider"s rootsy, highlife-inspired guitars and atmospheric piano flourishes, courtesy of Jan Janzen. Vocalist Nora Beisel floats across the arrangement, backed by emotive horn harmonies whilst reflecting on the change of path at the end of a relationship; a new orientation and course set.

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Alpacas Collective

Big Words

Afro-Jazz-Folk Collection Volume 1

Release: 2023 / EU – Original

Genre: Organic Grooves

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A year on from their debut album Seven Wisdoms of Plutonia, global groove collective Alpacas Collective once again invite you on an enchanting musical trip for the second collection of Alpacas tunes! From of the adventurous spaces of Plutonia, from where Alpacas Collective emerged, this gang of fanatic music lovers continue their exploration of new places with new friends on second album Big Words.

Big Words takes the listener on a journey of discovery through a world of afrobeat, deep funk, hindustani raga mixed with psycho-dub and creole rap. Studio magic is once again conjured up by percussionist, composer and producer Frederik Kühn, with the creative contributions and improvisations of befriended artists, doing their signature tricks.

Thanks to these new collective collaborations, this record breathes creative freedom and the pure joy of creating together; But it also is a musical form of resistance, against the downgrading of morality and consciousness, against one-sided thinking, against the curtailment of liberty and justice, against the destruction of the environment.

On title track "Big Words" the collective pays homage to the late great Fela Kuti, with a political afrobeat song, dissing politicians’ hollow speech. While on "Movéfèzè" - creole for villains - rapper Nèg Madnick denounces the rich plantation owners who have poisoned his beautiful Caribbean island Martinique with toxic pesticides.

"Boyoma" has an irresistible African funk-groove helped by multi-talented West-African griot Zouratié Koné on his sparkling ngoni, and "What Could I Do" is propelled by joyful horns, pumping organs and jazzy flutes.

Both "Bhimpalasi" and "Gunkali" see Joël on his bewitching sitar, giving the album a spiritual Indian touch without forgetting the hips, heart and belly. And the mesmerizing "Surrounded" sounds like the soundtrack for a musical and cinematographic wandering from the East to the West, the ever expanding journey of Alpacas Collective…

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Super Biton De Segou

2LP | 2021 | EU | Original (Deviation & Mieruba)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Deviation Records is pleased to present you their latest and exiting collaboration with the Mieruba Label Team. The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists, drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outside the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is a crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to create a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated. Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons, rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where Deviation Records is collaborating for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"

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3LP | 2021 | EU | Original (SVBKVLT)

Cache 02

LP | 2018 | US | Original (Sahel Sounds)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Shanghai’s Svbkvlt throw down a killer 2nd ‘cache’ compilation bristling with exclusive new zingers from the extended label firm, including Slikback, Hyp11E, Tzusing, Hodge, Gabber Modus Operandi, 33emybw, Gooooose, Nahash and more. Chasing up one of the definitive club comps of recent years, ‘Cache02’ finds Shanghai’s best label is in rude health with a full spectrum coverage of styles from hyperpop to clobbering hardcore rave, mutant drill and back-alley EBM techno by some of the most crucial artists in operation right now. Gooooose does wicked slow/fast footwork with Memphis rap cowbells and jibber-jawed edits in ‘Cows,’ and the Sbvkvlt/Hakuna Kulala axis twysts out a properly fwd kongo-tekno thriller in ‘Mushen’ by Slikback & Hyph11E. Indonesian mentalists Gabber Modus Operandi go ham with the possessed vox and thunderous kicks of ‘Pedas,’ and 33emybw nails Photek-levels of martial dance moves on ‘Coupling.’ Tzusing & Hodge supply the set’s big-room peak with a steaming EBM hammer tune ‘LCD,’ and Shanghai-based UK producer Swimful makes his mark with the glyding drill synths and knifepoint grime drums of ‘Muckle.’ Impressive introductions are also made to Seoul’s NET Gala with the vivid trance futurism of ‘Alternet,’ and the weird, scorched drill soul of Nahash on ‘The Way That I.’

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Tallawit Timbouctou

Hali Diallo

Ayalew Mesfin / Mulatu Astatke

Release: 2018 / US – Original

Genre: Organic Grooves

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Tallawit Timbouctou are champions of takamba, a hypnotic traditional music from
Northern Mali. Built around the tehardent, the four stringed lute and pre-cursor to
the American banjo, takamba's droning distortion comes from signature handmade
mics and blown out amplifiers. Accompanied by percussion pounded out onto an
overturned calabash with mind boggling time signatures, the combined effect is
trance inducing. This is the music that long ruled the North of Mali, performed at
festivities, blasting out of dusty boomboxes, and beaming out from village radio
stations. Its origin is shrouded in mystery, and though purportedly dating back to the
Songhai Empire of the 15th century, takamba's heyday was in the 1980s, with the
introduction of amplification. Musicians found a lucrative circuit, performing in
elegant weddings, creating cassettes on demand, and writing songs for their wealthy
patrons. Today takamba has fallen out of popular fashion with the youth, but
continues to thrive in a small network of die-hard traditionalists. Band leader Aghaly
Ag Amoumine is one of the remaining renowned takamba musicians. Descended
from a long line of praise singers, he spent decades traveling across the Sahel,
performing in remote nomad camps and crowded West African capitals. His
compositions continue to circulate today and have become part of the folk
repertoire. His group Tallawit Timbouctou, based in the city of the same name,
continues in the family tradition, and has featured both his brother and nephew as
accompanying members. Recorded at home in Timbouctou, "Hali Diallo" is a
relentless and nonstop recording, true to the form of takamba. Tracks blend
seamlessly into one another, instruments are tuned mid-song, and Aghaly only
pauses singing long enough for the occasional shout-out or dedication. Unfiltered
and direct as it's meant to be heard, Tallawit Timbouctou is a shining example of one
of the last great takamba bands.

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Ghedawou / Asmarina

7" | 2016 | UK | Original (Mr Bongo)

LP | 2024 | EU | Original (Local Tree Music)

Release: 2016 / UK – Original

Genre: Organic Grooves

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A. Ayaléw Mèsfin ft. Black Lion Band - Ghedawou
Ethiopian dance floor Funk rarity originally released on Kaifa 7” (KF 31) in
1976. Hand claps, guitar lines and call and response lead vocals punctuate the
driving bass line and understated drum groove.
Mesfin played primarily at the Lumumba Club in Addis Ababa’s red light district
and released many 45’s and cassettes during the mid seventies.
He worked very closely with the Black Lion Band (or Tequr Ambessa Orchestra)
AA. Mulatu Astatke ft. Feqadu Amdé-Mesqel - Asmarina
Laid back, drum-heavy, Ethipian jazz taken from the legendary Ethio Jazz’ LP on
Amha (AELP 90). Typifies the sound of the country and the period, truly classic
stuff.
Mulatu will be touring heavily in 2016, which we are very much looking forward
to.

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Yann Jankielewicz

Keep It Simple

22,99 €*

Mario Castro & Samba S.A.

Release: 2024 / EU – Original

Genre: Organic Grooves

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Keep It Simple! That's what Tony Allen told me, whether on stage, in the recording studio or when we were working together on the album "The Source"(Blue Note 2017) in my studio. Obviously, if he repeated it at will, it's because it's so difficult, to express the essential, not to scatter, over-play, over-arrange. So natural for him, so constraining for others! For years he pushed us, the members of his group to develop our projects. I had something in mind, necessarily with him, unfortunately his unexpected demise decided otherwise. It took a moment to accept his departure, to accept being a voice, to find a new path. The desire to continue the work started together, that of mixing styles, sounds to appropriate them and create new, authentic. The desire also to meet new people, another energy. After composing music for this project, I asked my friend Ben Rubin, musician and producer to help me record it. I found in NYC what I was looking for, a sense of urgency, that of doing, generous and committed musicians. I knew Jason Lindner, a musician that I have been following for a long time and he was the first person I thought of for pianos and synthesizers. He has this ability to find new and powerful sounds, with a direct and unadorned playing. For the drums, I didn't especially thought about a musician whose playing could come close or far to Tony's. Ben suggested Josh Dion to me, I've been following him since his "Paris Monster" project, I love his ability to make his drums sound like a new instrument by playing the bass synth with his right hand, that forces him to keep it simple! He also plays 2 tracks in drum/synth mode on the album. I'm also happy that he agreed to sing a song on this album. So we recorded at the Figure8 recording studio in Brooklyn, Eli Crews providing the sound recording, we decided with Ben to create a powerful and assumed sound from the take. Many biases on the tones, whether on the drums and the keyboards. Back in my studio in Paris, I continued to search, to dig while recording additional saxophones, percussions and keyboards. I met Tchad Blake during a week-long mixing seminar. His work on the album on is radical. Keep it simple? Difficult but I try to remain so on all the phases of evolution of this project, from writing to production, in the improvisation parts. Where I feel it the most is in the immediate joy of playing with Jason and Josh, of tweaking a few sounds in my studio to create the unexpected, surprise in the structures, authenticity. Simple as the desire to go towards something essential, to seek oneself, to find oneself, to doubt but also to invent oneself

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LP | 2023 | EU | Original (Mr Bongo)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (World Circuit)

Ali Farka Toure

Voyageur

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Glitterbeat)

Lenhart Tapes

Dens

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Elmir)

Farid El Atarche

The Early Years

23,74 €* 24,99 € -5%

Trésors De La Chanson Judéo-Arabbe

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Singer, actor and musician Farid El Atrache, born on October 19, 1910 in Soueïda, Syria, and died on December 26, 1974 in Beirut, Lebanon, is considered the greatest singer of the Arab world. A virtuoso of the oud, his timeless work, rich in hundreds of compositions, is recognized the world over. The present selection is devoted to the master's early works recorded in the 1930s-1940s.

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Lili Boniche

LP | 2024 | EU | Original (Elmir)

LP | 2024 | Original (Visage Music)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Algerian singer and musician Lili Boniche was born in Algiers on March 14, 1921, and died on March 6, 2008. He was famous for his contribution to Judeo-Arabic music, and particularly associated with chaâbi, a musical genre popular in Algeria that blends Arab, Berber and French influences.

Born Eliaou Élie Boniche, and he grew up in a Sephardic Jewish family and became interested in music at an early age. His musical career really took off in the 1940s and 1950s, when he recorded numerous hits that helped popularize the Judeo-Arabic repertoire. His unique style blended elements of Arabic music, jazz and tango, creating a captivating musical fusion. He is widely recognized for his mastery of the lute and his distinctive voice. His lyrics were often poetic, reflecting the everyday life, love and culture of his time.

Lili Boniche left an indelible mark on the North African music scene. His legacy lives on in his recordings, which continue to be listened to and enjoyed by music lovers the world over.

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Inventionis Mater

Dimentionis Matter

41,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Find Your Flame White Colored Vinyl Edition

Nubiyan Twist

LP | 2024 | EU | Original (Strut)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Bahta Gebre-Heywet / Alemayetu Eshete

Tessassategn Eko / Ayalqem Tedenqo

7" | 2016 | UK | Original (Mr Bongo)

12,99 €*

Banana In Your Fruit Basket: Red Hot Blues 1931-36

Release: 2016 / UK – Original

Genre: Organic Grooves

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‘Tèssassatègn Eko’ is a catchy, soulful Ethiopian jam. Originally released on
Amha AE 690 A in 1973. Arranged by the prolific Girma Beyene.

‘Ayalqem Tèdènqo’ see’s Eshèté’s third appearance in the Africa 45’s series. Released originally on Amha AE 290 A in 1971. A shuffling drum/percussion groove with soulful piano and bass, catchy vocal hook and guitar solo.

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Bo Carter

LP | 2013 | Reissue (Yazoo Record Company)

Release: 2013 / Reissue

Genre: Organic Grooves

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Best Of Ladysmith Black Mambazo

Ladysmith Black Mambazo

LP | 2024 | US | Original (Shanachie)

Release: 2024 / US – Original

Genre: Organic Grooves

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Sledgehammer Dub In The Street Of Jamaica

Niney The Observer

LP | 2024 | UK | Original (Burning Sounds)

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2023 | US | Original (Burning Sounds)

Prince Lincoln Thompson

God Sent Dub

Release: 2023 / US – Original

Genre: Organic Grooves

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Fela Ransome-Kuti & The Highlife Rakers

Fela's Special

7" | 2017 | EU | Original (Soundway)

10,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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Soundway Records presents Fela's Special 7" single, the first recorded tracks from the great Fela Kuti.
This item usually comes with the extensive Highlife On The Move 3xLP compilation, but due to an accidental over-pressing we have a small number of these 45’s for sale individually.
Very limited stock available.

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Kenya Special: Selected East African Recordings From The 1970s & '80s

3LP+7" | 2013 | UK | Original (Soundway)

26,59 €* 27,99 € -5%

Basa Bongo / Black Pepper

Release: 2013 / UK – Original

Genre: Organic Grooves

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Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.

It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana. Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time.

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past.

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Yoruba Singers

7" | 2023 | UK | Original (Soundway)

14,99 €*

LP | 2024 | Original (Culture Factory)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Guyana folk music reinterpreted and infused with Afroroots and culture, reissued on vinyl for the first time. A year after their debut album ‘Ojinga’s Own’, the Yoruba Singers from Guyana released the singles ‘Black Pepper’ and ‘Basa Bongo’. These two songs were recorded in Barbados and released on the Green Shrimp label and became extremely popular throughout the Caribbean and South America. The music also became an integral part of the very beginnings of what was later to become the Champeta Criolla sound in the Caribbean coast of Colombia.

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Bob Marley

Trenchtown Rockers

37,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Blancmanioc)

Sarera & Blanc Manioc

Walimizi

Release: 2024 / EU – Original

Genre: Organic Grooves

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A Moi La Liberte - Early Electronic Rai Algerie 1983/ 90

LP | 2023 | EU | Original (Born Bad)

3LP | 2018 | EU | Original (Analog Africa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Before becoming an international musical phenomenon, raï was first and foremost the expression of a social behaviour, of a way of being. It bothers, excites, seduces, but leaves no one indifferent! Delving into the deepest recesses of raï, this compilation serves as a tribute to its roaring years, but also as a rejuvenation of the genre in its sulphurous, subterranean version. It seemed like a good idea to dig into nearly untraceable cassettes, thus confirming it's in the oldest of Oranese pots that the very best of raï is to be found. Just 50 years ago, no one would have believed even a bit in a genre seemingly bound to forever turn round and round in its native Oran, laying low in one of its many coastal road clubs. In these underground venues, singers - backed up by a minimalist orchestration for lack of space - would move their audience to laughs and tears, sobbing in a beer or chuckling down (dry) whisky. Either way, the public would unfailingly be moved by their defying tunes, sounding like a challenge to the established, self-righteous order of things - complete with trumpets, electric guitars, accordions and an array of percussions. Through the pre and post-independence years, from 1950 to 1970, raï urbanised itself, with a generation growing up between asphalt and concrete to the sound of traditional flute, but also and mostly listening to twist, French variété and rock music. Their names were Boutaïba S'ghir, Messaoud Bellemou, Groupe El Azhar, Younès Benfissa or Zergui, and they passed on their collection of songs to the incoming "Chebs" -breathing a second youth into them. Oran, the capital of West-Algeria, will be at the heart of this rejuvenation. Raï's success was overwhelming, so much so that in 1985 - when it appeared at the Youth Festival in Alger and when Oran held its first raï festival - the Algerian authorities hastened to nationalise the genre, all the while calling for its "normalisation" (that is, the "purification" of its lyrics), and to declare it "an integral part...

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Dur-Dur Band

Dur Dur of Somalia

LP | 2024 | Original (Blue Shine)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Analog Africa are proud to present the 27th release of their Analog Africa Series. A fantastic, hypnotic and funky compilation from the Dur-Dur Band of Somalia that comes out on a Triple LP.

When Analog Africa founder Samy Ben Redjeb arrived in Mogadishu in November of 2016, he was informed by his host that he would have to be accompanied at all times by an armed escort while in the country. The next morning, a neighbour and former security guard put on a military uniform, borrowed an AK-47 from somewhere and escorted him to Via Roma, an historical street in the heart of Hamar-Weyne, the city’s oldest district. Although previous Analog Africa releases have demonstrated a willingness to go more than the extra air-mile to track down the stories behind the music, the trip to Mogadishu was a musical journey of a different kind. It was the culmination of an odyssey that had started many years earlier.

In 2007 John Beadle, a Milwaukee-based musicologist and owner of the much loved Likembe blog, uploaded a cassette he had been handed twenty years earlier by a Somalian student. The post was titled ‘Mystery Somali Funk’ and it was, in Samy’s own words, “some of the deepest funk ever recorded.” The cassette seemed to credit these dense, sonorous tunes to the legendary Iftin Band. But initial contact with Iftin’s lead singer suggested that the ‘mystery funk’ may have actually been the work of their chief rival, Dur-Dur, a young band from the 80s.

Back then, Mogadishu had been a very different place. On the bustling Via Roma, people from all corners of society would gather at the Bar Novecento and Cafe Cappucino, watch movies at the famous Supercinema, and eat at the numerous pasta hang-outs or the traditional restaurants that served Bariis Maraq, a somali Beef Stew mixed with delicious spiced rice. The same street was also home to Iftinphone and Shankarphone, two of the city’s best known music shop. Located opposite each other, they were the centre of Somalia’s burgeoning cassette distribution network. Both shops, run by members of the legendary Iftin Band, would become first-hand witnesses to the meteoric rise of Dur- Dur, a rise that climaxed in April of 1987 with the release of Volume 2, their second album.

The first single ‘Diinleya’ had taken Somalian airwaves by storm in a way rarely seen before or since. The next single, ‘Dab,’ had an even greater impact, and the two hits had turned them into the hottest band in town. In addition to their main gig as house band at the legendary Jubba Hotel, Dur-Dur had also been asked to perform the music for the play “Jascyl Laba Ruux Mid Ha Too Rido” (May one of us fall in love) at Mogadishu’s national theatre. The play was so successful that the management had been forced to extend the run by a month, throwing the theatre’s already packed schedule into complete disarray, and each night, as soon as the play had finished, Dur-Dur had to pack their instruments into a Volkswagen T1 tour bus that would shuttle them across town in time for their hotel performance.

The secrets to Dur-Dur’s rapid success is inextricably linked to the vision of Isse Dahir, founder and keyboard player of the band. Isse´s plan was to locate some of the most forward-thinking musicians of Mogadishu´s buzzing scene and lure them into Dur-Dur. Ujeeri, the band’s mercurial bass player was recruited from Somali Jazz and drummer extraordinaire Handal previously played in Bakaka Band. These two formed the backbone of Dur-Dur and would become one of Somalia’s most extraordinary rhythm sections.

Isse also added his two younger brothers to the line-up: Abukar Dahir Qassin was brought in to play lead guitar, and Ahmed Dahir Qassin was hired as a permanent sound engineer, a first in Somalia and one of the reasons that Dur-Dur became known as the best-sounding band in the country.

On their first two albums, Volume 1 and Volume 2, three different singers traded lead-vocal duties back and forth. Shimaali, formerly of Bakaka Band, handled the Daantho songs, a Somalian rhythm from the northern part of the country that bears a striking resemblance to reggae, Sahra Dawo, a young female singer, had been recruited from Somalia’s national orchestra, the Waaberi Band. Their third singer, the legendary Baastow, whose nickname came from the italian word ‘pasta’ due to the spaghetti-like shape of his body, had also been a vocalist with the Waaberi Band, and had been brought into Dur-Dur due to his deep knowledge of traditional Somali music, particularly Saar, a type of music intended to summon the spirits during religious rituals. These traditional elements of Dur-Dur’s repertoire sometimes put them at odds with the manager of the Jubba Hotel who once told Baastow “I am not going to risk having Italian tourists possessed by Somali spirits. Stick to disco and reggae.”

Yet from the very beginning, Dur-Dur’s doctrine was the fusion of traditional Somali music with whatever rhythms would make people dance: Funk, Reggae, Soul, Disco and New Wave were mixed effortlessly with Banaadiri beats, Daantho and spiritual Saar music. The concoction was explosive and when they stormed the Mogadishu music scene in 1986 with their very first hit single, ‘Yabaal,’ featuring vocals from Sahra Dawo, it was clear that a new meteorite had crash-landed in Somalia. As Abdulahi Ahmed, author of Somali Folk Dances explains: “Yabaal is a traditional song, but the way it was played and recorded was like nothing else we had heard before, it was new to us.” ‘Yabaal’ was one of the songs that resurfaced on the Likembe blog, and it became the symbolic starting point of this project.

It initially seemed that Dur-Dur’s music had only been preserved as a series of murky tape dubs and YouTube videos, but after Samy arrived in Mogadishu he eventually got to the heart of Mogadishu’s tape-copying network – an analogue forerunner of the internet file-sharing that helped to keep the flame of this music alive through the darkest days of Somalia’s civil strife – and ended up finding some of the band’s fabled master tapes, long thought to have disappeared.

This triple LP / double CD reissue of the band’s first two albums – the first installment in a three-part series dedicated to Dur-Dur Band – represents the first fruit of Analog Africa’s long labours to bring this extraordinary music to the wider world. Remastered from the best available audio sources, these songs have never sounded better. Some thirty years after they first made such a splash in the Mogadishu scene, they have been freed from the wobble and tape-hiss of second and third generation cassette dubs, to reveal a glorious mix of polychromatic organs, nightclub-ready rhythms and hauntingly soulful vocals.

In addition to two previously unreleased tracks, the music is accompanied by extensive liner notes, featuring interviews with original band members, documenting a forgotten chapter of Somalia’s cultural history. Before the upheaval in the 1990s that turned Somalia into a war-zone, Mogadishu, the white pearl of the Indian Ocean, had been one of the jewels of eastern Africa, a modern paradise of culture and commerce. In the music of the Dur-Dur band – now widely available outside of Somalia – we can still catch a fleeting glimpse of that golden age.
Listen & Enjoy!

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Arash Sarkechik

Bazaari

32,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (Bleak Winter)

Dystopian Volume 2

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Cn)

Lori Mckenna

1988

Release: 2023 / EU – Original

Genre: Organic Grooves

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Nouvelle Eau Dans La Riviere (Berlin Bamaka Sessions)

Mariam Koné

12" | 2023 | EU | Original (Trikont)

18,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Say What You Like Black Vinyl Edition

Doug Paisley

LP | 2023 | EU | Original (Outside Music)

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 2017 | US | Original (Cultures Of Soul)

The Apostles

Banko Woman

Vilevilevilevilevilevilevilevile

Release: 2017 / US – Original

Genre: Organic Grooves

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For over forty years, the Apostles of Aba have stood as the jewel in the crown of the music scene in Eastern Nigeria. Since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and
reggae. Even today, the Apostles continue to thrill audiences in their hometown of Aba with dazzling shows. Cultures of Soul is proud to present one of the Apostles’ more obscure—yet relentlessly funky recordings in a full-color custom reverse board jacket. Banko
Woman, originally released on the eponymous LP on Love Day Records in 1977. Straddling the world realms of afro-funk and disco, the track has long been a coveted dance floor filler amongst DJs, and for the first time is available for a wider audience. On the B-side is “Faith, Luck & Music,” also from the original Banko Woman album.

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Brandon López

LP | 2024 | Original

41,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Release: 2023 / Original

Genre: Organic Grooves

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Hazmat Modine

LP | 2013 | Original

Release: 2013 / Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Wagram)

African Rare Groove

LP | 2023 | EU | Original (3eme Bureau / Wagram)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Rare Groove CollectionExplore the fusion of world music with soul, funk and disco through the Rare Groove Collection.With this new volume, discover unique groove tracks straight from Jamaica!Fully remastered original versions African RARE GROOVEA journey at the heart of Nigerian afrobeat from Orlando Julius to the ethnojazz of Alemayèhu Eshèté passing by the High-life of the Ghanaian Ebo Taylor...

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Roberto Fonseca

La Gran Diversión

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Real Gone Music)

Hamza El Din

Al Oud

38,99 €*

LP | 2024 | EU | Original (Stone Pixels)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited clear vinyl LP pressing. It's fair to say that what Ravi Shankar did for the sitar, Hamza el Din did for the oud (the short-necked Arabian lute): bringing a little-known instrument to the attention of the West and popularizing it. Indeed, he ended up playing oud with everybody from the Grateful Dead to the Kronos Quartet to his one-time roommate Sandy Bull. But El Din's gifts went beyond that of an oud virtuoso; he was also an accomplished singer and composer, and you will hear all of those talents on full display on this seminal album, released on Vanguard in 1965 soon after his star-making appearance at the 1964 Newport Folk Festival that attracted the attention of Bob Dylan and Joan Baez. Meditative, mesmerizing, and haunting, Al Oud features nine original compositions based on Nubian folk traditions; at first it's the exotic sound of the oud that draws you in, but it's the rhythmic pulse of the music and the expressive quality of El Din's voice that keeps you riveted. Our first-ever American LP reissue of this classic record comes in a clear vinyl pressing limited to 900 copies, complete with original artwork featuring liner notes by Jamal Mohammed Ahmed, at the time Sudan's Ambassador to the United Nations. A richly rewarding listen.

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L'osmose

Maggiore 800

20,89 €* 21,99 € -5%

Release: 2024 / EU – Original

Genre: Organic Grooves

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In 2020, L'Osmose began its artistic collaboration by combining 70's psychedelia with catchy rhythms. Blending auto-tune, electric guitars, percussion, and analog synthesizers, their music is a reflection of their incessant experimentation and their desire to explore new sonic avenues.

After several radio appearances (couleur3, Worldwide FM, Radiovostok), and opening acts for international artists (Chilla, Yin-yin, OBF, old Farka Touré, Arp Frique), the Geneva sextet has built a certain reputation within the Swiss cultural scene.

Spotted by L'Éclair in 2022, the group continues its rise by recording, with their help, a promising first album which they will sign on the Stone Pixels Records label.

While waiting for the release of this project, immerse yourself in the raw, sincere and captivating energy that their performances emit.

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2LP | 2024 | EU | Original (Hot Casa)

Togo Soul 2

37,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hot Casa Records present Togo Soul 2: Selected Rare Togolese Recordings from 1974 to 1989 .

A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the 70’s and 80’s . A fusion of traditional voodoo chants, raw soul and even Electro Funk . Finding these tracks and their rights holders hasn’t become any easier even after few trips all over this west African country bordered by Ghana , Benin & Burkina Faso. After 8 years, We , at Hot Casa Records with the kind help of Roger Damawuzan decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country’s recording history included international stars like Akofa Akoussah, Gregoire Lawani to Roger Damawuzan compared as the James Brown from Lomé to forgotten tapes and brilliant songs in Mina, Kabyié and Fon language.

Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so it’s with great pleasure that we present a selection here that evokes a golden boomtime in Togolese music history. Includes biographies and rare photos Remastered by Frank Merritt at The Carvery

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Merci Yaya Bongo - Female Animation Groups In Gabon 1982-1989

2LP | 2024 | EU | Original (Secousse)

Django Reinhardt / Stephane Grappelli

Release: 2024 / EU – Original

Genre: Organic Grooves

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Gabon, 1980’s. President Omar Bongo has been in power since 1967. Together with his wife, the infamous singer Patience Dabany, he invents one of the ultimate political propaganda machine: ‘animation groups’, massive female choirs and dancers, up to 60 women deep, singing the praise of his regime over some of the best soukous rhythms ever, broadcasted live on TV. Between 1982 and 1989, mainly thanks to the flourishing oil economy, a record-label is created, a state-of-the-art recording studio is set up, and the best Gabonese and Congolese musicians are recruited. Dozens of vinyls are pressed and sold with huge success all over the country. The Bongo family has reigned continuously over Gabon until the 2023 coup d’état.

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Minor Swing Le Quintette A Cordes 1937

LP | 2024 | Original (Adf Bayard Musique)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Burning Sounds)

Reggae Specials

Beatles Reggae Vol.2

Release: 2023 / UK – Original

Genre: Organic Grooves

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Les Sympathetics De Porto Novo Benin

Les Sympathetics De Porto Novo Benin Volume 2

LP | 2023 | UK | Original (Acid Jazz)

LP | 2021 | EU | Original (Sounds Of Subterrania)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Over the past few years Acid Jazz has been reissuing rare and exciting records from the legendary Benin label ‘Albarika Store’. Next in the series is ‘Les Sympathics de Porto Novo Benin (Vol. 2)’, the second album from another of Porto Novo’s premier groups of the 1970s, founded by Herman Laleye – former leader of other Benin greats ‘Black Dragons de Porto Novo’.

The heavy rhythm secton of the Laleye brothers (Herman on bass and Marc on drums) supports the vocals of Gangbo Bonheur (with backing from Herman and Jean-Louis Avognon), alongside Armand Pognon's blues-edged guitar and Camille Zanou's hypnotic organ. Unlike a lot of their contemporaries, Les Sympathics steer clear of straight Afro Beat, Afro-Funk or Afro latin incursions, to create something truly unique in the Beninese musical canon.

Reissued in full for the very first time on high quality vinyl, with an incredible reproduction of the original sleeve. A must have for African music enthusiasts.

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Ipek Yolu

Tropical Anatolia

20,99 €*

7" | 2021 | EU | Original (Philophon)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Ipek Yolu is the Turkish name for the Silk Road which connected the East and the West. This band does not deal in silk but they connect flavors, smells and sounds from different corners of the globe, connecting the world.
The band merges bass-heavy electro-tinged cumbia grooves, saz riffs and surf guitar into a multicultural melting pot of South American rhythms, Anatolian folk music and 60s psychedelic rock. A unique universe of sound that bridges the tropical jungles and the dusty deserts in a kaleidoscopic blend of music. Ipek Yolu has used 2020 to write their debut album Tropical Anatolia and are ready to hit the venues and festivals.
The members of Ipek Yolu first got together for an improvised jam session during the Aarhus Roots & Hybrid Festival in 2018. The show was set up as a special one-time-only show merging members from the bands Hudna & Junglelyd. The show ended up lasting for almost three hours. It didn’t take them long to discover they were onto something special. If you know any of these bands mentioned you know you’re in for a body-shaking party, characterised by musical curiosity and improvisation.
The three members of Ipek Yolu have all been part of the Danish music scene for several years. The band leader, Orhan Özgür Turan, is a well-known and respected saz player all over Denmark, and has made a name for himself through his efforts in the Anatolian Folk band Hudna. In 2018 he won an award as Global Roots Artist of the year at The Danish World Music Awards. Olaf Brinch and Lasse Aagaard have worked together for many years making high energy cumbia with their band Junglelyd and Afrobeat with their band African Connection. Olaf is also an integral part of the Danish band AddisAbabaBand. In addition, Olaf and Lasse have toured and recorded with great musicians such as CC Yoyo, former drummer of Fela Kuti, in both Ghana and Denmark. All of the past experiences collided to create Ipek Yolu.

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Florence Adooni

Mam Pe'ela Su'ure

13,99 €*

Chapter Ii: How Dark It Is Before Dawn

Release: 2021 / EU – Original

Genre: Organic Grooves

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Florence Adooni shares a long history with Philophon. Being part of Guy One's group she is the voice on his radio hit "Estre". Furthermore, she is a member of Alogte Oho's Sounds of Joy and can be heard on his smasher "Mam Yinne Wa". Last but not least, Jimi Tenor chose her to sing on his instant club classic "Vocalize My Luv". In addition to all these cooperations, Florence has locally released a series of albums under her own name and with no doubt she can called the queen of Frafra-Gospel.

"Mam Pe'ela Su'ure" is a typical Frafra-Gospel Hymn, sung during Sunday services accompanied only with shakers and hand clapping. Our version here is backed up by Kumasi's finest High Life players, who transform the song into a massive wave of groove. "Naba Aferda" is a homage to the Chief of Zuarungu, Florence's home village, which was also the home village of the legendary Christy Azuma, who became the first international Frafra-Star in the 70s. Christy was always a big inspiration for Florence and makes her proud to be from a small village called Zuarungu.

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Anoushka Shankar

LP | 2024 | EU | Original (BMG Rights Management)

22,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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On Se Pousse Yoruba Soul Remixes

Vaudou Game

12" | 2017 | EU | Original (Hot Casa)

Afro Latin Vintage Orchestra

Release: 2017 / EU – Original

Genre: Organic Grooves

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A 12inch single from the incredible French Afro Funk band including remixes by the one and only Osunlade under the collective name of Yoruba Soul!
Since their first acclaimed album Apiafo and its irresistible single “Pas contente”, these Lyon (France) natives never turned down the heat over 160 stages across Europe, Africa, Canada, Japan... Peter Solo has displayed his amulets, voodoo chants and charisma around the globe. When it came time for them to harness their Afro Soul sound for the second time, they turned their attention once again to their analog strengths. On the road Peter Solo and Osunlade met and could share their musical visions. It was obvious that this two will share their spiritual music experiences.
Kidayu is the name of the second opus which means “sharing”: it’s exactly what those versions of “On se pousse” are about: a true futuristic Hi-life, a great meeting of two ardent defenders of the Afro Soul sounds ! Limited press, mastered by Carvery.

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Morpheus

LP | 2017 | EU | Original (Officehome)

15,99 €*

7" | 2016 | EU | Original (Hot Casa)

Release: 2017 / EU – Original

Genre: Organic Grooves

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After two hip-hop albums (Got To Get Down in 2016 and Impact in 2017), the unpredictable Afro Latin Vintage Orchestra comes back to its fundamentals with a new instrumental album: MORPHEUS which repositions the band in the spirit of their previous spatial, almost cosmic albums Last Odyssey (2012) and Pulsion (2015), both released on Ubiquity Records and acclaimed by spiritual and fusion jazz lovers, library music fans, as well as rare grooves diggers (ALVO’s first 4 vinyl albums now being out of stock).
Each new ALVO new release is a millesimal which evolved and learned from its predecessors. Masta Conga, who’s still leading the herd, has for main purpose to explore the musical space-time, gaining ground on never before revealed tracks, followed by his now faithful team of atypical and farseeing musicians.
Compared to Miles Davis and his On The Corner by Wax Poetics, the band dives again in this “realm of psychedelia and beyond”, in particular with the contribution of Indian musicians. Twirling around violins, superimposed patchy keyboards and effects, just as if their conductor wasn’t already sufficiently influenced by Pierre Boulez and others such as Hiroshi Murakami…
The result is however more uncluttered and loaded with multiple vibes than its predecessor Pulsion, which already carried the ceremonial characteristics of cult movie soundtracks. Tracks “Moksha”, “Air” and “Morpheus” are the perfect demonstration, and far beyond their names. Simple grooves, lunar, but terribly efficient, emphasized by a mix that puts focus on these fiddly contributions of ethnic instruments, on percussions and horns on a drip of delay, reverbs and other space-echoes.
On the other side, the very rhythmic “Descarga Uno”, “Descarga Dos” and “Super Dopamine” show that the Parisian crew hasn’t lost its good habit to look around latin, ternary, and syncopated rhythms, in the ALVO only style!
A new millésime, a Grand Cru maybe, but for sure to taste and appreciate in all weathers including space ones.

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Vaudou Game

La Vie C'Est Bon

10,99 €*

LP | 2024 | EU | Original (Prado)

Release: 2016 / EU – Original

Genre: Organic Grooves

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From the forthcoming album Kidayu, out September 8th 2016 on Hot Casa Records.

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game did not need to consult the oracle for very long when putting together their new album.

Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe.

When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.

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Akagera

Traverse

23,74 €* 24,99 € -5%

LP | 2024 | EU | Original (X-Ray Production)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Akagera trio released their debut album Serpente in 2019. The subtle blend of African music and jazz laid the foundations for a new sound driven by an unconventional ensemble of instruments.

Their new album, Traverse, is the soundtrack to the imaginary travel diary of three intrepid musicians forced to put a hold on their adventures. Over a period of three years, they took time out from improvisation sessions to collectively compose a repertoire reflecting the diversity of their backgrounds and influences: classical and contemporary music for Benoit, mixed music from South America and the Caribbean for Stéphane, and African rhythms and Brazilian grooves for David, all to the backdrop of their shared passion for jazz.

David Georgelet: drums Benoit Lavollée: vibraphone, marimba Stéphane Montigny: bass trombone

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La Yegros

Haz

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Music Brokers)

Bossa N' Coldplay

18,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Waka Juju Clear Vinyl Edition

Manu Dibango

LP | 2021 | EU | Original (Diggers Factory/Soul Makossa)

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Cree)

Tropical Tricks

15,99 €*

Rail Band Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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We thought turning five this year would be a good reason to ask some friendly DJs and producers to go through our catalogue and select their favorite track to do an edit or remix on.
The first selection by DJ Nomad from Berlin is Barbara Hernandez' 'All Nite Tonight', written and produced by Leston Paul from Trinidad. Nomad's edit drives the song's dance floor ambition even further beyond the top. As a DJ Nomad does not necessarily put a label on his style, but always expresses love for Polyrythms, Soulful harmonies and the African drums and Percussion. He's notorious for finding fresh world music dance tracks all around the globe, before they become hits, and a massive collector of Tropical Soul, Funk and Disco.
His energetic and surprising , always fresh DJ set's earned him a residency in Paris's infamous ‚Tropical Discoteq’ Parties among the best Dj's of the genre. He is the founder of ‚Vulkandance’ Parties, Blog and Label in Berlin .. He's together with Edna Martinez cofounder of ’El Volcan’ - The first continental European Colombian Pico Soundsystem. As a Producer he's breaking ground and travelling the world together with Dirk Leyers and the transcultural Project Africaine 808, besides working as a master Editor for other artists around the globe. Keshav Singh who is part of Trinidadian/British production duo Jus Now put his hands on Trinidad's Mansa Musa's ’Beat The Drum’.
Being a percussionist in his own right he transformed the song into a housy Soca track and pure dance floor fiah! With his partner Sam Interface, he has produced soca music with EDM influence for Bunji Garlin, Machel Montano and 3Canal. Keshav commutes between Trinidad and the U.K.
The next two tracks are taken from our upcoming compilation ’Gotta Nice Buzz - The Funky Sound of Semp Studios Trinidad, W.I.’. French DJ & record collector Waxist gives Zodiac's ’I Believe’ a proper treatment. ’I Believe’, written by Francis Escayg, is an uptempo Caribbean Disco tune with a strong Giorgio Moroder influence with Denise Plummer on vocals.
Waxist, based in Lyon, France, started his love story with records as a teenager when he bought his first reggae 7 inches. If his love for Jamaican music has survived through the years, the DJ has progressively extended his interests to different, more dancefloororiented music genres like Disco, Modern Soul, Boogie or even a touch of House when needed... Being careful with the technique, as well as with the coherency of his selection, his sets are an invite to a dancing musical journey taking the audience from Disco to Modern Soul, through more Caribbean or Brazilian sounds.

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Rail Band

LP | 2024 | US | Original (Mississippi)

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Nordvis)

Iterum Nata

From The Infinite Light

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Source (Special Edition)

Ali Farka Toure

2LP | 2017 | EU | Original (World Circuit)