2020s 267 Items

The Midnight are thrilled to be announcing their new full-length studio album Heroes – due out September 9th via Counter Records. Along with the news, the band is releasing the celebratory new single “Heartbeat” – a rousing and electrifying track that helps set the tone for the album, which was written during isolation by the band’s Tim McEwan and Tyler Lyle. Heroes represents a clear sonic shift for the duo, who have expanded their lineup to include three live musicians – Lelia Broussard on bass, Royce Whittaker on guitar, and Justin Klunk on saxophone and synth – with both Broussard and Whittaker working alongside them on the new LP which was produced by McEwan and mixed by Ingmar Carlson (Tate McCrae, Disclosure, Carly Rae Jepsen).

Heroes is also the third in a trilogy of albums that started with 2018’s Kids – which reached #1 on the Billboard Dance/Electronic Chart – and was followed in 2020 with Monsters. “…for me, Kids is self-knowledge, Monsters is self-love, and then Heroes is empathy,” said Lyle. “I got into depth psychology and this idea of etiology, the way a human forms,” he said about Heroes, adding that “the world doesn't get better but we do. We grow into ourselves. We grow into our voice.”

You can hear this shift in the new songs which are more visceral and warmer. For a band that started as a synth-heavy duo, they have come a long way – creating fully realized arena worthy songs. From new single “Heartbeat” with its Van Halen-inspired synth leads, echoing drums, layered vocal chants and an explosive chorus to last month’s single, the propulsive guitar-laden “Change Your Heart or Die” – Heroes ushers in The Midnight’s next era with some of their biggest and boldest songs yet.

While taking a huge sonic step forward on Heroes, the band’s music still possesses the dramatic and nostalgic streak they’ve become known for since their 2014 debut in EP Days of Thunder. The new LP also reflects the confidence they’ve gained in their songwriting thanks in part due to their expanded live lineup. The band’s vivid sound is well-suited to full rock instrumentation, and the five-piece has cemented that in front on massive sold-out crowds this past year in 1-2k-capacity venues, up from 500-capacity clubs in 2019 and looking ahead to selling out London’s 5k-person Brixton Academy and similar sized venues in 2022.

Heroes is an album of songs about togetherness and trials won by love.

The Tortured Poets Department Vinyl + Bonus Track “The Manuscript”

16 Tracks + Bonus Track “The Manuscript”

Collectible 24-page book-bound jacket with three handwritten lyrics unique to this vinyl and never-before-seen photos

2 Ghosted White vinyl discs

Collectible album sleeves including never-before-seen photos

Speak Now (Taylor's Version) is the upcoming third re-recorded album by American singer-songwriter Taylor Swift, set for release on July 7, 2023, via Republic Records. It is a re-recording of Swift's third studio album, Speak Now (2010), and follows her 2021 re-recorded albums, Fearless (Taylor's Version) and Red (Taylor's Version). The re-recording is a part of Swift's counteraction to her 2019 masters dispute. Speak Now (Taylor's Version) was announced on May 5, 2023, at the first Nashville show of her ongoing concert tour, the Eras Tour. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. Each Vinyl Album Includes: 22 Songs Including 6 previously unreleased Songs From The Vault, Collectible album jacket with unique front and back cover art, Violet or Orchid, depending on product] marbled color vinyl discs, Collectible album sleeves including lyrics and never-before-seen photos, Full size gatefold photograph and prologue. 2CD Details: 22 Songs Including 6 previously unreleased Songs From The Vault

With "1989" (Taylor's Version), Taylor Swift is releasing the fourth new recording of her first six studio albums in October. With this longplayer, the superstar completed her transformation from a country musician to one of pop music's biggest phenomena. This highly anticipated album includes the Swift classics "Blank Space", "Style" and "Bad Blood".

As with previous re-recordings "Fearless", "Red" and "Speak Now", fans are already looking forward to the five unreleased "Vault Tracks". These are called "Is It Over Now?", "Now That We Don't Talk", "Say Don't Go", "Suburban Legends" and "Slut!" and even a bonus track.

Of the "1989" album, the star said, "To be perfectly honest, it's my favourite new recording I've ever done because the five "From The Vault" tracks are insanely great. I can't believe they were ever left behind. But not for long!"

The album "1989" contains 21 songs, including five previously unreleased songs (From The Vault) and is available as a beautiful tangerine yellow vinyl.

Copy is close to NM.

The Invisible Road: Original Recordings, 1985-1990 compiles an unheard, previously unreleased body of recordings by Sussan Deyhim and Richard Horowitz, dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners' radical shared vision of avant-garde pop in all of its boundary pushing freedom, combining Deyhim's singular approach to vocalization, Horowitz's invention of new musical languages, and touchstones of traditional music from around the world, creating a new music that ultimately retains a voice entirely its own. Mixed and mastered from the original multitrack reels, and pressed on audiophile quality vinyl, this album also includes a 12 page booklet containing liner notes, photographs, and unseen ephemera.

The sixth album from Still Corners is “Dream Talk”. Beautifully arranged, elegant and wistful, Dream Talks is a set of ten carefully crafted classic songs. From the autumnal opener "Today is the Day" to the hot summer night finale of "Turquoise Moon", Still Corners have created a sound that is focused, stylish and seductive. Tessa Murray says, "The genesis for a lot of these songs came from dreams. Every night I would write down the dreams I could remember. While recording I would pull out my book of dreams and sing over various looped phrases Greg had been working on, the repetitive nature of the looping and singing almost felt like going into a trance. A lot of the songs came from that process, it was fun and what I thought were sort of ramblings ended up surprising us with their various meanings and imagery."