2020s Vinyl 111 Items

Rhino rediscovers the magic of Madonna's "Celebration" album with an upcoming 4LP repress, releasing on 1 March 2024. This album highlights the chart-topping success of Madonna in the UK, offering a carefully curated collection of her greatest hits across four discs. It's a nod to the enduring influence of the Queen of Pop, who recently performed six dates at the O2 for her Celebration world tour.

180 GRAM AUDIOPHILE VINYL
INCLUDES 4-PAGE BOOKLET
CONTAINS THE SINGLES “ENJOY THE RIDE” AND
“GAINED THE WORLD”

FEATURING GUEST PERFORMANCES BY COOL CALM PETE,
THOMAS DYBDAHL, MANDA ZAMOLO AND JUDIE TZUKE

LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES
ON CRYSTAL CLEAR VINYL

The Other Two, formed of Gillian Gilbert and Stephen Morris of New Order, released their first commercially released single Tasty Fish in 1991, which would then go on to appear on their first album The Other Two & You in 1993.

For the first time on vinyl, we will be releasing Nightfall OF Diamonds, newly mastered on 4LP, 180-gram black vinyl, with an 8th-side etching and TBD Premium Jacket. Limited Edition Status TBC This live album recorded on Bob Weir’s birthday, was from the final night of a 5-Night Run at the Meadowlands on October 16,1989 and, originally released as a 2CD set in 2001.

First vinyl release of 1996 album from Farm Dogs, a country rock band led by Bernie Taupin (Elton John lyricist). "Last Stand in Open Country" is a lost gem (originally released on the Warner label Discovery in 1996), the kind of music you want to hear as the sun sets, stoke a fire and keep good company with friends and dogs (very much in the vein of Tumbleweed Connection-era Elton John). The band comprises Bernie Taupin on vocals; Jim Cregan on guitars and vocals (Family, Rod Stewart to name just two of his affiliations), Robin Le Mesurier on guitars and dobro (also Rod Stewart), Dennis Tufano on harp and vocals (The Buckinghams) and Tony Brock on drums.

Originally released in 2004, "Colour The Small One" is the third album by Grammy-nominated Australian Singer/Songwriter Sia. To celebrate the album’s 20th Anniversary, UMR are releasing a 22-track, limited edition 2LP Colored Vinyl for Record Store Day 2024. Alongside the five singles, this expanded edition also includes track ‘The Bully’, co-written by Sia and American Singer/Songwriter Beck, plus rare b-sides and remixes such as ‘Sea Shells’ and the fan-favourite ‘Breathe Me – Mylo Remix’.

Naoko Gushima's 1996 debut and urban mellow masterpiece, which has been attracting attention in recent years in the reevaluation of city pop, has been re-released for a limited time on clear purple vinyl!

Naoko Gushima's third album released in 1999, which has expanded its musical range more gorgeously while maintaining the stylish and urban atmosphere, will be re-released for a limited time on clear vinyl!

Here is a hidden gem from the 1990s, a sparkling cyber-ambient-Mandarin pop collection produced by Henry Kawahara, the master of cyber-occult music, with silky vocals from Shanghai-born vocalist Xiao Yun Wu. Originally released on CD in 1994 on Kawahara’s own HMD label, the Xiao Yun project was launched by Kawahara and his trusted colleague Keisuke Oki, who plays keyboards on the album. Kawahara handled the production, along with guitar, keyboards and programming. And of course, the crowning glory is the voice of Xiao Yun: lovely, floating, ethereal. The singer arranged the songs, which range from versions of previously released Kawahara solo pieces to Mandarin pop classics. All songs are given Kawahara’s cyber-occult sheen, which may evoke visions of the cosmopolitan Asia of near-future science fiction. Available on vinyl and digital download, this album will transport you, via 1994, to a sparkling future. Xiao Yun are Xiao Yun Wu: vocals Henry Kawahara: keyboards, guitars and computer programming Support: Keisuke Oki (keyboards) and Keiichi Hasegawa (percussion) Produced and engineered by Henry Kawahara Arranged by Henry Kawahara and Xiao Yun Recorded at Ecosystem Sonic Division/Fukuoka, 1993-1994

Extreme Honey (The Very Best Of Warner Records Years) (1997) is a compilation album by Elvis Costello, spanning the years 1989–1997. This double album is a good way to become acquainted with Costello’s Nineties’ output. There are a number of hits and singles (“Veronica,” “So Like Candy,” “Sulky Girl,” “13 Steps Lead Down,” “The Other Side of Summer”), and additional album tracks from the same period. There are a number of great moments here, whether it’s the lilting “The Birds Will Still Be Singing” from the underrated The Juliet Letters or the New Orleans-inflected “Deep Dark Truthful Mirror”. Extreme Honey also contains “My Dark Life”, Costello’s collaboration with Brian Eno (originally featured on The X-Files soundtrack), and the new track “The Bridge I Burned,” a neo-psychedelic/ trip-hop number constructed from backing tapes recorded with his son and Supergrass drummer Danny Goffey. Extreme Honey (The Very Best Of Warner Records Years) is available as a limited edition on gold coloured vinyl and includes an insert

Eighteen sacred psychedelic suppositories from the laboratory of Mad Scientist and scalpel happy pop mutilator Jean-Pierre Massiera. Including the rarest and most sought after fuzz funk, spooked surf and interplanetary prog from “The French Joe Meek” and all his schizoid split-personalities and freakish friends - The Maledictus Sound, Chico Magnetic Band, Visitors, Human Egg, The Pirhana Sound and Jesus himself.

Let us introduce you to some old friends of ours... Charlie Mike Sierra, Jean-Pierre Areisam, JPM and Co. Erik, The Horrific Child, Jesus, Les Maledictus Sound, Human Egg... This might sound like we’re flicking through the imaginary LP racks in the record shop from A Clockwork Orange or perhaps congratulating the runners up in a Halloweeen fancy dress competition but for the previously uninitiated you have just been ordained into the congregation of the many split personalities of one Mr. Jean-Pierre Bernard Massiera. Bow down to the nine headed monster as he mutates and shape-shifts back through time to his humble beginnings in a Buenos Aireian province ravaging and pillaging the music of the European people for his own twisted benediction along the way.

This might, as intended, sound a little bit dramatic but if there is one single ingredient that gives the eccentric JPM his distinct flavour it’s a large dollop of drama. Add sprinklings of szichophrenia, shock, myrth and macabre and you are on the way to a B-movie broth with an acquired taste, that has, like all the best cheese, taken over thirty years to mature to perfection. Like all the best monsters, from the Centaur to the Minotaur to Dr. Jeckyl and Mr. Hyde his split personality is the key to his infamy and the secret of his blood sucking success!

This is why Jean-Pierre Massiera is (un)commonly known for two key periods in his career which, like a worm, can be split down the middle and thrive and flourish independently. To cut a long story short Massiera is, above all, a lover and purveyor of musique fantastique, and is willing and able to hijack whichever stylistic vehicle that passes him buy in order to do feed his lust. In the earlier part of his career he honed his sordid craft amongst psychedelic circles in Nice and Quebec. From late 1972 onwards he moved to Antibes and started a disco revolution and became an in demand cosmic record producer... For years prog rock obsessives and disco aficionados have wondered if there was two unrelated freak merchants called Jean-Pierre Massiera, but, in this rare instance, exploito-maniacs from both sides of the cosmic coin are united by the work of this singular, single handed monstrous music manufactory!

Another way to dissect the Histoire De JPM would read like a fantastic comic book. He started off as a musical scientist who was affected by chemical fallout in World War Two - he spoke to Jesus, went crazy and became a mad scientist. He then created a strain of mutant piranha fish which gave birth to a world of horrific monsters who assisted him in his murderous merriment. In the end he finds a giant egg and finally makes contact with aliens… That would be the end of chapter one and this is the era that we will focus on for this compendium In the worldly, derelict, laboratory of Dr. Jean-Pierre Massiera we are surrounded by decaying fish fins, test tubes, fuzz pedals, echoplex units

Originally released in 1990, ‘Groovy Train’ was the second single by The Farm. It was the first single to be released from their debut album ‘Spartacus’, which celebrated its 30th Anniversary in 2021 and was produced by Madness frontman Suggs and Terry Farley. With its distinctive guitar intro ‘Groovy Train’ was the band’s second biggest single, charting at Number 6 on the UK Singles Chart. The single is being reissued for the first time on transparent orange vinyl, exclusively for Record Store Day, and includes three remixes by Terry Farley and Mark Saunders.

Limited to 1800 copies.

Reissued for the first time since 1996 and on transparent blue vinyl exclusively for Record Store Day, ‘Hyperactive’ was the first single taken from Thomas Dolby’s second album ‘The Flat Earth’. Originally released in 1984, it was conceived as a potential song for Michael Jackson but was eventually recorded and released by Dolby himself. ‘Hyperactive’ is Thomas Dolby’s highest charting UK single, achieving a position of Number 17. This reissue of a 1984 12” features an extended version of the track, plus remastered 7” version and remastered original b-side ‘White City’.

“Is the future any brighter? Is the darkness any lighter?

25% of all profits will be donated to sea- watch.org, A non-profit organization that conducts civil search and rescue operations in the Central Mediterranean.

When Molly Nilsson began recording her second album Europa in 2009 the world seemed to be at a turning point and she along with it. In the aftermath of a global financial crash, at the dawn of a new decade, the Stockholm-born, Berlinbased singer was busy moulding her songwriting into an idiocyncratic, personal mythology that would take her to every continent, speaking directly to hearts in every corner of the globe. The first album on her own Dark Skies Association imprint, the first recorded in her home studio The Lighthouse, Europa broke new ground for Molly Nilsson at the time. But also it spoke earnestly to the world about an idealism, an openness and hope that has not dimmed in the 11 years since its release. Europa contains the songs of a young, idealistic songwriter coming to terms with her genius for cutting to the chase, saying it as it is and, most importantly, as it should be. Over 10 years on the artists’ vim and urge for change has only got stronger but here you can see the bright hope begin to dawn. Europa saw Molly Nilsson move away from the minimal primitivism of her debut These Things Take Time and remastered by James Plotkin for it’s 2021 reissue it reveals a growing depth in her songwriting. Opener In The Mood For A Tattoo, with synth overdubs on top of impeccable vocal harmonising, boasts a killer chorus hook before melting into The Revenge Of The Stalker, with its shades of 80s synth pop building layered dynamics out of simplicity. More Certain Than Death is a song of youthful rebellion, even if you didn’t know it at the time, forever searching for a way out of youth while young. Of course now, over a decade since their release, these songs have been canonised in the alternative pop realm like all of Molly Nilsson’s catalogue. The DIY aspect of these recordings may place them firmly in the milieu they first gained popularity – the exploding world of DIY pop, blog-based music discovery and the seemingly endless possibilities of the beginnings of of social media – but Europa’s songs are really made to be sung to and by people, they’re statements of intent, of togetherness and defiance. The album’s title track is a kernel of righteousness, an archetypal Molly Nilsson moment that contains all hope in its fist, which steadily opens outstretched to everyone who listens. Europa was written in 2009 about the ongoing refugee crisis, an open love letter to humanity. “The borders are only lines in the sand, the borders are divided by land (and invented by men.)” Europa praises the idea of people coming together to make things better, to help each other. It’s not about this Europe but the idea of having no borders to imprison people. Think of Europa as an alternate universe, where no one is illegal, but free. It’s heady stuff to sum up in a song but of course Nilsson’s effortless chorus-writing render all these notions and feelings in a few simple words. This is of course her chief talent, whether singing about heartbreak or global financial meltdown and it is in abundance here.

“Is the future any brighter? Is the darkness any lighter?

25% of all profits will be donated to sea- watch.org, A non-profit organization that conducts civil search and rescue operations in the Central Mediterranean.

When Molly Nilsson began recording her second album Europa in 2009 the world seemed to be at a turning point and she along with it. In the aftermath of a global financial crash, at the dawn of a new decade, the Stockholm-born, Berlinbased singer was busy moulding her songwriting into an idiocyncratic, personal mythology that would take her to every continent, speaking directly to hearts in every corner of the globe. The first album on her own Dark Skies Association imprint, the first recorded in her home studio The Lighthouse, Europa broke new ground for Molly Nilsson at the time. But also it spoke earnestly to the world about an idealism, an openness and hope that has not dimmed in the 11 years since its release. Europa contains the songs of a young, idealistic songwriter coming to terms with her genius for cutting to the chase, saying it as it is and, most importantly, as it should be. Over 10 years on the artists’ vim and urge for change has only got stronger but here you can see the bright hope begin to dawn. Europa saw Molly Nilsson move away from the minimal primitivism of her debut These Things Take Time and remastered by James Plotkin for it’s 2021 reissue it reveals a growing depth in her songwriting. Opener In The Mood For A Tattoo, with synth overdubs on top of impeccable vocal harmonising, boasts a killer chorus hook before melting into The Revenge Of The Stalker, with its shades of 80s synth pop building layered dynamics out of simplicity. More Certain Than Death is a song of youthful rebellion, even if you didn’t know it at the time, forever searching for a way out of youth while young. Of course now, over a decade since their release, these songs have been canonised in the alternative pop realm like all of Molly Nilsson’s catalogue. The DIY aspect of these recordings may place them firmly in the milieu they first gained popularity – the exploding world of DIY pop, blog-based music discovery and the seemingly endless possibilities of the beginnings of of social media – but Europa’s songs are really made to be sung to and by people, they’re statements of intent, of togetherness and defiance. The album’s title track is a kernel of righteousness, an archetypal Molly Nilsson moment that contains all hope in its fist, which steadily opens outstretched to everyone who listens. Europa was written in 2009 about the ongoing refugee crisis, an open love letter to humanity. “The borders are only lines in the sand, the borders are divided by land (and invented by men.)” Europa praises the idea of people coming together to make things better, to help each other. It’s not about this Europe but the idea of having no borders to imprison people. Think of Europa as an alternate universe, where no one is illegal, but free. It’s heady stuff to sum up in a song but of course Nilsson’s effortless chorus-writing render all these notions and feelings in a few simple words. This is of course her chief talent, whether singing about heartbreak or global financial meltdown and it is in abundance here.

Following on from the previous work, Naoko Gushima's second album, released in 1997, which is almost entirely composed of her own songs and is equally popular in Japan and abroad, will be re-released for a limited time on Clear Green Vinyl!

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT
CONTAINS ETCH ON D-SIDE
FEATURING THE SINGLES “NOT AN
ADDICT”, “MR. FREEZE” & “DAD”

LIMITED EDITION OF 750 INDIVIDUALLY
NUMBERED COPIES ON TRANSLUCENT

GREEN COLOURED VINYL

Electrafixion were formed by Echo & The Bunnymen members Ian McCulloch and Will Sergeant in 1994, alongside Leon de Sylva and Tony McGuigan and went onto release one album Burned, which has never been on vinyl.