2010s 278 Items

CD comes in a soft case, instead of the original crystal case.
All booklets included.

Single sided vinyl.

close to NM

cover is close to NM. Original inner sleeve

In May of 1966, the unknown singer Jack Wood recorded two songs at Great Lakes Studio in Sparta, Michigan. These unique, otherworldly songs “Born to Wander” and “So Sad” would be self-released by Wood on his own Lawrence Records imprint in an edition of 100 copies. Going nowhere and being quickly forgotten, it would take Wood ten years to pay back the $250 he borrowed for the entire endeavor. Fast-forward to the 21st century and the deepest of record collectors are intrinsically moved by the power behind Wood’s single, vacillating between Northern Soul, garage, big band and country music all within the same song. An unexpected placement in a major ad campaign for Bacardi Rum was a major boon for the burgeoning awareness of these timeless songs.

Third Man Records is proud to reissue “Born to Wander” and “So Sad” as part of its return to Detroit.

Watch the Barcardi commercial: https://youtu.be/Ogs6uD4xlNY

Manufacturer: United Record Pressing

TRACK LISTING:
A. Born to Wander
B. So Sad

Second release single of the new album “Love Letters” including the well-received Jacques Lu Cont Remix!

HHV Exclusive Translucent Pink Vinyl Edition.
Note: INCOMPLETE!
Side A&B only!
Record is close to VG+.

numbered Limited edition. With inserts.

The title of Hannah Georgas' third album is a tribute to her beloved grandmother. Produced by Graham Walsh (Holy Fuck).

Cover with seam split and small sticker.
Includes original insert.

Original inner sleeve.

Records shows a few scratches! Cover and original inner sleeve with small seam splits!

Green Vinyl.
Ships in a generic sleeve.

Copy is close to NM!

Clouds Clouds Clouds. With a weightiness the color of amethyst. Light on the horizon. A sun. No point, no pane, no space, no rainbow. A stripe. A circular course. A bee loop. Honey-colored amber. Words. Our glistening white glider jumps through with ease.

The crossover between electronic music and classical composition has never been in more vibrant and dynamic health. Multifarious musician Emika explores this fertile ground on her ambitious new opus 'Melanfonie': her first orchestral composition, some four years in the making.
Funded by a hugely successful Kickstarter campaign that exceeded its target by an impressive €25,000.
While many rebel from their classical training never to return to it explicitly, Emika has always been attracted to the potential and freedoms offered by the symphony form. As well as taking inspiration from her electronic music background in composing the music itself, Emika also applied some of production and playback principles from that realm to create a piece whose every element has been carefully considered.
Emika is on a quest to try and change what we mean when we talk about ‘classical music’. For her, the magic of the ‘genre’ is about the instruments themselves and more importantly the people who play them; not the restricting traditions and conventions of the classical world itself. I want to change the face of classical music and give it a more honest and real image. It is time we had something other than pomp and circumstance and avant-garde squeaks and pops.”