2010s 261 Items

Mel Williams, Larry Davis, Peggy Woods, Arthur Wright & His Orchestra, Jackie Day, The Brilliant Korners, Wally Cox, Jimmy Bee, Gene & Gary, Vernon Garrett, Johnny Copeland, The Other Brothers, Mary Love, Z.Z. Hill

"Britain wasn’t on its own in having a thoroughly miserable 1973: O Lucky Man! and Badlands both found a great year to premiere, while Watergate brought America to a new low. But America didn’t still have back-to-backs and outside bogs. Tens of thousands of Britons remained housed in wartime pre-fabs and sub-standard dwellings. The bright new colours of the post-war Festival of Britain and Harold Wilson’s talk in the 60s of the “white heat of technology” now seemed very distant as strikes, inflation, and food and oil shortages laid Britain low. What had gone wrong? And what did pop music have to say about it?

With perfect timing this album soundtracks Britain on the brink of chaos. It includes lost masterpieces (Phil Cordell’s ‘Londonderry’), gritty singles by the new names of the early 70s (Mungo Jerry’s ‘Open Up’, David Essex’s ‘Stardust’) and forgotten gems by some of the biggest names of the previous decade, now struggling to make themselves heard (the Kinks’ ‘When Work Is Over’, the Troggs’ ‘I’m On Fire’).

Sometimes the approach was tongue-in-cheek (the Strawbs’ ‘Part Of The Union’), other times it was the sound of sheer frustration (Mike McGear’s ‘Kill’), and occasionally it was angry enough to incur the wrath of special branch (Hawkwind’s banned ‘Urban Guerilla’). Mostly the sound of these records evokes the feeling of nights in with only candles to light the house and TV closing down at 10pm: the empty spaces of Adam Faith’s ‘In Your Life’; the fuzz guitar minimalism of Ricky Wilde’s ‘Hertfordshire Rock’; Climax Chicago’s alternative lifestyle-musing ‘Mole On The Dole’.

Compiled by Bob Stanley and Pete Wiggs, “Three Day Week” follows on from their highly acclaimed “English Weather”, “Paris In The Spring” and “State Of The Union” compilations. It amplifies the noise of a country which was still unable to forget the war, even as it watched the progressive post-war consensus disintegrating. We hear shrugs and cynicism, laughter through gritted teeth, melancholy, and a real anger that would rise to the surface with punk a few years later.

This 180g clear vinyl LP with deluxe gatefold sleeve features two extra tracks."

A download code is included. Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he’s most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being “what if the pressure of having to perform these songs live is removed entirely?” Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It’s a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970’s. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.

“This record is a response to how disposable culture has become and how it affects creativity,” Bear said in a press release. “While listening, you might pay attention or ignore—either way that's ok, this is music for a creative mind.”

Features include Abra, Wet. and Instupendo.

Brand new 5 track EP by Chazwick Bundick!

A portion of the proceeds from each shipment will go towards the Red Door Community (formerly Gilda's Club Nyc). The list of participating titles is below.

The nonprofit's mission is to create a welcoming community of Free cancer support to bring knowledge, hope, and empowerment to anyone and everyone impacted by cancer and their families. They are committed to expanding their program and broadening their reach to meet the growing needs of individuals living with cancer, in more places, and in more ways than ever before.

The debut album from Brooklyn's The Depreciation Guild sees its first repress since
2009. The 10th anniversary blue vinyl repress is a limited edition RECORD STORE DAY
release out on April 13, 2019 available at participating record stores.
Mixing a collage of guitars, drums, fuzzy electronics and heartfelt lyrics, In Her Gentle
Jaws has always been a surprisingly seemless mix of laptop pop and shoegaze. The
fuzzed-out, reverb-drenched melodies draw influences from shoegaze guitar walls, dreampop highs, and the rigidity of electronic rhythms with the use of an 8-bit Nintendo soundcard. The modified entertainment system is used to compose a crushing backdrop of
rhythmic, synthetic elements.
The Depreciation Guild was founded by Kurt Feldman, who has been active in the
Brooklyn music scene since 2007. As drummer and member of The Pains of Being Pure at
Heart, Feldman often pulled double duty while keeping up with and touring in two bands
simultaneously. When the heavy tour schedule subsided, Feldman turned his focus to
production having a hand in the mixing and engineering on several high profile indie
releases (DIIV, Chairlift, No Joy and Kristin Kontrol).

A 2018 live performance from the 2017 NPR Tiny Desk Concert winners, at The Parlor Studio in their hometown New Orleans. For Record Store Day Black Friday on purple/yellow splattered vinyl.

Morningside is the debut album from London five-piece Swimming Tapes, who have garnered comparisons with Real Estate and Belle & Sebastian for their dreamy brand of nostalgic indie. The record arrives following long-term worldwide support across press, radio and streaming services. A headline UK tour in April 2019, as well as sets at tastemaker festivals Live At Leeds and Hit The North come ahead of the greatly anticipated album release.

With their ten own song debut album Gedeeld Door Ons, Suzan & Freek make a striking artistic statement, with which they demonstrate that they cannot be caught in one piece musically. From high school on, the duo was already making progress, but from the moment their cover 'Don't Let Me Down' by The Chainsmokers went viral worldwide, the career of the duo went fast. After the release of debut single 'Als Het Avond Is', they are at the top of the Dutch music circuit in one go. In addition to the already released singles, the album contains only self-written songs in a variety of styles, from disco and funk to pop and hip-hop. The result is an extremely strong and varied album, with several hit-sensitive songs.

When Alex Stephens (A.K.A. Strawberry Guy) self-released his debut single last year, he was merely doing it out of a love for songwriting. What he wasn't expecting was a million Youtube streams and an avid fanbase. Now, the South-Wales born, Liverpool-based songwriter is ready to release a full EP of his compelling, lushly produced dream-pop.Born outside Cardiff, Strawberry Guy moved to Liverpool to study music and grow as a writer. 'I knew that it was a very artistic city with all it's creative history, it seemed like the perfect place to move to.' he says. Whether it's playing keyboards in The Orielles or just being part of the city's growing musical scene, Alex plays music for the love of music, something that heavily translates into his adept songwriting.

This is the regular LP version with 14 tracks. Please be aware of the limited double LP edition with 20 tracks that we offer.

An album title with not one, but two exclamation marks, meaning something akin to “what a palaver”as it primes the listener for songs like “Cinemascope”. Themes such as personal injuries (“Ich bin cool”), betrayal (“Mes copines”), personality deficiencies brought on by drug abuse (“Methedrine”), rage (“Hass-Satellit”), inflated opinions of oneself (“Brezel says”), suicide (“Le Spleen”), grief (“Dancing with a memory") and souls in torment ("Elektroschocktherapie") are presented in widescreen format in and often in the most entertaining fashion.

Françoise Cactus apparently once said of herself: "I am a linguistic artist who can live with the laughs". Which says it all really, although Stereo Total’s penchant for wordplay is not in evidence in all of the lyrics on this record. Many tracks here echo the rather more sombre, desperate songs she wrote for her first band "Les Lolitas". Nevertheless, the anarchic humour which we have come to associate with Stereo Total resurfaces on compositions like "Keine Musik" and "Einfach".

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock’n’roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, reminiscent of “rien de tout”. What we can say: Françoise Cactus excels in the art of 8-track cassette recording, thus creating an extraordinary sonic experience. Brezel Göring draws on his favoured array of instruments more likely to be found in the hands of children in households where a musical education is not on the agenda: plastic baby organ and dreadful mouse piano, accompanied by home-made guitars glued together by less than gifted artisans.

1. Stereo Total continue to make electronic music with flea market Casio sounds which fly in the face of what is generally accepted to be electronic music. Each musical instrument could probably be translated into social coordinates and in this sense, the tools of Stereo Total’s trade speak an unequivocal language.

2. Stereo Total continue to play LoFi garage rock music which makes a mockery of all the masculine clichés associated with guitars. When Françoise Cactus plays the drums, the rhythms of feminism, anti-professionalism and subversive dilettantism come to the fore.

Any attempts to pigeonhole Stereo Total are destined to fail. In the words of Flann O'Brien: "When shall we ever see their like again?"

A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history. The group comprises Françoise Cactus, who spends her time as a radio presenter, author and artist between band sessions, and Brezel Göring, a man whose very choice of stage name was motivated by a desire not to be taken seriously by music and art scribes.

When they began making music together, they made it their mission to disrupt rules, to destabilize ideas. They may not have thrown European harmonic structure or 4/4 time out of the window, but they have certainly asked questions of every other aspect of musical and lyrical techniques. Lines like "you look good from the back", "love as a threesome", "I am naked", "I’m the young gigolo with a smoker’s lung " and "sex complex" are designed to repel serious music lovers whilst shocking them with sound engineering which falls well below the standards of mainstream listeners.

Limited Edition for Record Store Day 2019! Rogue Cat Sounds focus on purveyors of Wonk, with a Golden Pop pedigree, Soul Mekanik, AKA Danny Spencer and Kelvin Andrews. Folk whose musical CV takes in UK Acid House classic, Ride The Rhythm, Candy Flip, remixes for Lisa Stansfield, Mary J. Blige, and Aretha Franklin (to name just three of several hundred). Writing and producing for Robbie Williams. Complete with Maurice Fulton Remix & a beautifully designed sleeve.

When I Get Home is the new album from Grammy Award-winning singer/songwriter and visual artist Solange Knowles. This release represents the next phase in Solange's evolution as an artist, and is the follow up to her critically acclaimed 2016 album A Seat at the Table. The album is an exploration of origin. It asks the question how much of ourselves do we bring with us versus leave behind in our evolution. The artist returned to Third Ward Houston to answer this.

When I Get Home was written, performed, and executive produced by Solange, and includes contributions from Tyler, the Creator, Chassol, Playboi Carti, Standing on the Corner, Panda Bear, Devin the Dude, The-Dream, and more. It also features samples from Third Ward's own Debbie Allen, Phylicia Rashad, poet Pat Parker, and Scarface.

With her first 4 singles reaching #1 Hypemachine Global and racking up100m streams before even having an album out, Swedish artist Skott hasquickly built a dedicated following with her sophisticated andprogressive pop. Katy Perry and Lorde tweeted about her music early onand after supporting acts like MØ and Chainsmokers she’s beenheadlining tours in both Europe and the US. BBC has shown strongsupport too, incl Radio1’s Annie Mac naming it World’s Hottest Recordand VEVO has made her One To Watch in the US and the UK. She has alsowon the EBBA Award in 2018 (previous winners include Adele, Dua Lipa,MØ and Lykke Li