2010s 208 Items

Havoc and Bright Lights is the eighth studio album by Alanis Morissette and became her first top five album in the US since 2004’s So-Called Chaos. The album peaked at number one in Canada, Italy, Austria and Switzerland, and at number two in the Netherlands and Germany.

Havoc and Bright Lights was produced by Guy Sigsworth and Joe Chiccarelli and sounds much brighter, sunnier and up-tempo than her previous album Flavors of Entanglement, winding up with a wide-open, cheerful set of adult pop.

The album spawned three singles; “Guardian”, “Lens” and “Receive”. Havoc and Bright Lights on black vinyl includes a 4-page booklet with pictures and lyrics.

From the human condition to global politics, Here offers a keen glimpse of everything that matters most to Keys. Here is Keys' first album in four years, following Girl on Fire (2012). Keys said that she was not planning a hiatus, but after she finished recording material for the album, she found out she was pregnant which "put a different time spin on things."

The 12 track collection features previously unreleased tracks, alternate versions of existing classics as well as a couple of brand new Amy compositions, and has been compiled by long-time musical partners Salaam Remi and Mark Ronson in close association with Amy’s family, management and record label Island Records.

A collection of live symphonic performances of songs from the band's 4 full length albums!

More poppy soulful folk from Afie Jurvanen.

This double A-sided 7" features two new cool, sophisticated and funky melodic pop songs from Bank. Tight bass lines, multi-hued percussion, snappily intertwining guitars, yearning melodies and clever production touches abound. These Tokyo veterans evince their love of all varieties of funky pop from recent decades in these two sweet sides.

Colors is Beck's album number 13 created between 2013 and 2017 by Beck and Greg Kurstin including the singles Dreams,Wow, and Dear Life. Beck: "... these are complex songs all trying to do two or three things at once. It's not retro and not modern. To get everything to sit together so it doesn't sound like a huge mess was quite an undertaking."

Benny Sings‘ first song on Stones Throw was a cover of “Passionfruit” originally by Drake. Some six years and three albums later, we’ve finally decided to put it out on vinyl. Side A is a cover of Christopher Cross’ 1979 classic “Sailing”, which Benny released late last year. Quantities are limited, so grab yours now. Once they’re gone, they’re gone.

Originally released in April 2016 it now gets a double vinyl edition in yellow. The album features Kendrikc Lamar, Jack White, The Weeknd and James Blake. It includes audio and video downloads.

Originally released in April 2016 it now gets a double vinyl edition in yellow. The album features Kendrikc Lamar, Jack White, The Weeknd and James Blake. It includes audio and video downloads which may only work in the US.

Dark Entries is proud to release the latest offering from Bézier, a 3-track EP titled ‘Primes’. Bézier is the moniker of San Francisco based musician Robert Yang, who is also part of the Honey Soundsystem crew. A multi-instrumentalist, Robert planted his roots in San Francisco in 2005. Over the years in SF he has built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

‘Primes’ represents the theme of primordial origins and creation with three tracks that explore disparate, sonic environments in each song. The title track flows and ebbs like currents in an oil slick. Out of something messy (like primordial ooze) arises organized chaos. “Stranger” is a moody dark electro/wave track for a sweaty night cruising on the west coast of Holland. Set against an underwater sound canvas the song features seductive guest vocals and lyrics by Nicole Ginelli. Doc Sleep of Jacktone Records provides additional production duties. The final track, “Imperial Tranz Am”, is an airy, ethereal slow burner clocking in at over 13 minutes. It originally appeared as the soundtrack to an experimental queer fantasy film of the same name by SF film maker Aron Kantor.

All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring a Quadtone pastel earthtone of pixelated celluar ooze designed by Eloise Leigh. Each EP includes a postcard with an image still from the ‘Imperial Tranz-Am’ movie. “Do I hear what I see, is it real or just a feeling, a vibration of N-R-G.”

Ethereal Icelandic goddess Björk new album, Utopia.
It features artwork by Jesse Kanda, who has previously designed cover art for FKA Twigs and fellow Björk collaborator Arca.

Singer and composer Blaudzun has put his mark on music during the last decade. Since their debut album 'Seadrift', the band has impressed the masses at live shows and festivals such as Sziget, CMJ, SXSW, Pinkpop, Rock Werchter, and Lowlands. 'Heavy Flowers' was released originally in January 2012 and reached the no.4 position in the Dutch charts.* The album is a 10th-anniversary edition of his best-selling album Heavy Flowers* Disc 1 is the original album, remastered for vinyl* Disc 2 is a collection of live recordings of his best-known songs, recorded in various places, and never released before* One disc is gold, the other one turquoise

The internationally celebrated artist, award winning singer and composer Camille releases ‘OUÏ’ her fifth studio album and first for Because Music on June 2nd. Recorded over a year in La Chartreuse, a 14th century monastery-turned-artist’s residence in Avignon, France ‘OUÏ’ is a cornucopia thrumming with folk, hymns, ballads, pop, lullabies and breathtaking a cappella. “The story of the album is like this, moving from the arcane drums” - percussion is used throughout as the bedrock - “to the treble and harmonics and light in my voice.” An instrument of exhilarating range and phenomenal power, Camille’s voice provides all the vocal parts on ‘OUÏ’. “All the voices are telling a story,” she says, “and I am all the voices. Co-produced by Camille with two of her longtime collaborators, composer and multi-instrumentalist Clement Ducol and sound and mixing engineer Maxime Leguil, and featuring the versatile Moog analogue synthesiser, ‘OUÏ’ is a work with a pulse. “It really resonates,” says Camille, “On some songs there are no drums, just this sub-bass like a kick drum, which leads the way and gives it a beat.” While she sets out to write politically charged songs inspired by drum-driven French traditional dances, that reflect upon the country’s recent, tragic events, she was equally led to something peaceful, vowel-oriented and vibrational in her exploration of sound. The latter explains the album’s title, ‘Oui’ - ooo…eee - a playfulness with sounds and language, a breaking free from its oft imposed restrictions.

Taking in influences as diverse as Massive Attack, Django Reinhardt, and Gorillaz, Panic is the second studio album from Caravan Palace, the Parisian electro-swing six-piece responsible for transferring the traditional sounds of gypsy jazz to the modern-day dancefloor. The follow-up to their 2008 self-titled debut includes two cuts from 2011's Clash EP (the title track, "12 Juin 3049") alongside the lead single "Rock It for Me."

Electronic-folk toy-instrument live-looping craziness a la The Microphones, Tunng, Psapp, or Múm.

Chuck Prophet beschreibt sein neues Album "Bobby Fuller Died for Your Sins" als California Noir. “Das Land repräsentierte schon immer den Goldenen Traum, und es ist die Spannung zwischen Romantik und Realität, die unter der Oberfläche in allen Noir-Filmen und -Büchern lauert, und das verbindet die Songs. Verlorene Liebe, trostlose Einsamkeit, schneller Reichtum und wieder zurück in die Armut sowie Gewalt sind immer an der Tagesordnung an der Left Coast.“ Der Song „A Bad Year for Rock and Roll“ zeigt sich hier als eine Ode an all die großartigen Künstler, die wir im Jahr 2016 verloren haben. Das Album bringt ein Bündel an Chuck Prophet Songs hervor, die prädestiniert dafür sind, sehr bald zu Klassikern zu werden.

Cold Cave's "Confetti" 7" featuring the alternate radio edit of the song available on heavy baby pink virgin vinyl backed with the original version. Originally released in 2012 by Heartworm Press, the record was only available to those in attendance at the band's Guggenheim Museum performance that year. Edition of 500.

After a series of cassettes and one self released CD Così e Così has honed the dense and gritty textures of his deconstructed pop forays and sound experiments into a collection of poetry awash in subdued synths, bending tones, and sometimes frantic rhythms. Its efforts to dissect the constructs of time to overcome fleeting ideals in life and love make 'Impermanence In The Time Of Heavens' at once far-reaching and overwhelming, yet cathartic; a romanticism for an era of fragmented identities.

Music and extended poems throughout IITTOH sample from Vincent’s personal audio and lyrical collections dating back to 2004. Reworking the same loop in nearly every song until it's unrecognizable, and referencing other passages within, creates a work cut and scattered, yet bound by repeated motifs and moods of memory, loss, and rebirth. Recorded primarily in a log cabin in Manitoba, Canada, IITTOH was also recorded on a deserted beach town in Montenegro and a lakeside apartment in Macedonia, and completed in Montreal, Canada.

Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed Ccis in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight Ccis’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see Ccis going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

The vinyl version of Spirit will be released on two 180 gram LPs, featuring the standard album and a special Spirit etching on the 4th side. All artwork and photographs accompanying the album are by Depeche Mode's longtime creative collaborator and renowned filmmaker Anton Corbijn.

Spirit marks the band's first collaboration with producer James Ford of Simian Mobile Disco (Foals, Florence & The Machine, Arctic Monkeys) and serves as the follow up to the band's blockbuster 2013 album Delta Machine which debuted at #1 in 12 countries. Says Gahan of the release, "We are exceptionally proud of Spirit, and we look forward to sharing it with everyone. With James Ford and the rest of the production team, we've made an album that I believe is truly powerful, both in its sound and its message."

The vinyl version of Spirit will be released on two 180 gram LPs, featuring the standard album and a special SPIRIT etching on the 4th side. All artwork and photographs accompanying the album are by Depeche Mode's longtime creative collaborator and renowned filmmaker Anton Corbijn.