2010s 244 Items

Cititrax is excited to present the first in a series of 4 song samplers showcasing the talents of some of the most innovative producers of the moment. Cititrax: Tracks Volume One features Amato, an edgy new project brought to you by The Hacker, Tzusing, a young producer from China known for his hard-hitting L.I.E.S. releases, our beloved Berlin based former New Yorker An-i, and Oliver Ho’s stunning Broken English Club. The overall sound can be described as modern, uncompromising and guttural. Each artist reinvents dance music by bringing their own unique vision to the floor. Artwork designed by Veronica Vasicka and sourced from Polaroids shot in NYC clubs in the 1980s.

Since the release of Solo Piano II, Chilly Gonzales composed the best-selling
book of easy piano pieces Re-Introduction Etudes, produced and released Octave
Minds, the piano-meets-electronica album with Boys Noize and, most
importantly, devoted himself to finding a modern take on chamber music.
The result is "Chambers", an album for piano and string quartet (and a few
surprises along the way). Inspired by the deepening relationship with Hamburg's
Kaiser Quartett, the album re-imagines Romantic-era chamber music as today's
addictive pop. Gestures from rap, ambient, easy listening and the avant-garde co- exist as always in Chilly Gonzales’ musical universe - this time with strings
attached.
Known equally for his intimate piano touch as for his showmanship, "Gonzo"
aims to be a man of his time, approaching the piano with classical and jazz
training but with the attitude of a rapper.
Chilly Gonzales holds the Guinness world record for the longest solo concert at
over 27 hours. He performs and writes songs with Jarvis Cocker, Feist and Drake,
among others. In 2014 he won a Grammy for his collaboration on Daft Punk’s
Best Album of the Year. With "Never Stop", Chilly Gonzales composed a global
hit for the inaugural Apple iPad campaign.

In 2014 Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim and massive fan support. Now Caribou returns with his seventh studio album Suddenly, an album about family and the changes we go though as those relationships evolve.
Suddenly is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolour, this album is littered with swerves and left turns, and amazes with it’s yet unheard nuances, samples and hooks.
As Snaith puts it, “these albums are like photo albums for me – when I look back at the old ones, they’re a snapshot of my life at that time, full of people who are close to you”. This is the drive to continue to make Caribou albums. Full bodies of work where Snaith is able to evaluate things, look at those around him and celebrate them. As his passion and joy in music making remains as fresh as ever, Suddenly is the purest example of this yet.

Camouflage's combeack.

Still in shrink but opened. Cover has tiny wear. Original inner sleeve. Vinyl is close to NM.

Black vinyl in gatefold sleeve with printed inner-sleeves!

Blue - also Antony Costa, Duncan James, Lee Ryan und Simon Webbe -, das ist so ein Name, der einen automatisch in die Boygroup-Ära transportiert: Sie waren nicht nur einer der größten und erfolgreichsten Acts jener Hochphase, sondern vor allem auch einer der besten. Auf den drei Alben, die ihnen in den Nullerjahren Spitzenplätze in den Charts (u.a. 3x #1 UK, 1x Top-10 DE) und reichlich Platin bescheren sollten, verschränkten sie lässigen R&B mit hochauflösender Pop-Perfektion und emotionalen Balladen, was der im Jahr 2000 gegründeten Boygroup nicht nur 16 Millionen verkaufte Albumeinheiten bescherte. Auch zwei BRITs räumten sie ab im Königreich, wo sie gleich 11 Mal die Topregion der UK-Singlecharts aufmischen konnten und davon gleich noch drei Mal die #1 belegten.

Parallel zur Stadiontournee werden Blue im Herbst ihr sechstes Album Heart & Soul veröffentlichen - ihr erstes fürs neue Label Tag8 Music/BMG. Der neue Longplayer unterstreicht und zelebriert all das, was die Band während ihrer ersten Blütezeit ausmachte, denn er spielt immer wieder auf die Vergangenheit an, bringt aber auch kontinuierlich Neues ins Spiel. Ihr Trademark-Sound schwingt im sorglos-ausgelassenen Titelsong, der von MNEK (Beyoncé, Little Mix) mitkomponiert wurde, genauso mit wie in der gefühlvollen Ballade "Magnetic", bei der die Jungs mal wieder ihr ganzes umwerfendes Stimmvolumen auspacken dürfen. Mit der Leadsingle "Haven't Found You Yet" legen Blue einen Instant-Classic vor, der klanglich eher in Richtung Justin Bieber oder auch jüngere Coldplay-Hits geht. Man hört, dass sie unbedingt alles geben wollten für Heart & Soul.

Björk presents a strings version of her highly-acclaimed eighth studio studio album Vulnicura, officially titled Vulnicura Strings. The original version of Vulnicura layered the boom and crack of electronic beats with an intense vocal melody and incredible string arrangements by Björk which have been performed live with a fifteen chair orchestra. The new version is musically wholly comprised of strings, with new violin solos by Una Sveinbjarnardóttir and strings recorded by a Viola Organista. Björk used the only Viola Organista in the world to perform some of the arrangements; an instrument which was designed originally by Leonardo Da Vinci but not built until after his lifetime. The instrument uses a friction belt to vibrate individual strings (similar to a violin), with the strings selected by pressing keys on the keyboard (similar to an organ). The instrument was recorded in Krakow, Poland by it's constructor Slawomir Zubrzycki and here is where the album reached completion.

Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris.“Lotic is the one of the first musicians Alejandro introduced me to in Autumn 2013 with piles of enthusiasm: I got immediately obsessed enjoying how always total nature he was!! The most clublike flamboyant anthems of his always seem like shrieks of beasts, dark insects and pagan birds displaying their feathers in a territorial way: a colourful celebration!! The reason why I asked him to do ‘Notget’ was there are certain suspension-like elastic gravitydefying beat structures that him and Alejandro share (each in their total idiosyncratic way though) that Notget has and I had a gut feeling he would take further. Which he did.” - Björk. “When Björk sent over the original track to review late last year, I couldn't believe how well she had intuited that ‘Notget’ was the perfect selection for me. Perhaps it was a bit of coincidence, but I was very much still tending to the scars left from my previous relationship while at the same time nurturing my current one. ‘Notget’ is both the mourning and the eulogy; I knew this meant remixing the song would be difficult, both technically and emotionally. In the end, I felt I had to attempt to amplify both the desperation the song expresses as well as the inspired, reminiscent joy.” – Lotic

Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris. “Mica is someone I have been following growing since 2008, like a proud aunt, I might even have been at her first concert? Sooo exciting to witness her grow into a full on composer and carry the weight of such things as ‘Under The Skin’... And I still adore her upbeat stuff withTirzah too !!!” - Björk. “I did a karaoke version more than a remix, because I love her string arrangements
and thought it would be an opportunity to draw attention to them. I hope Björk isn’t
offended that I took her voice out, [but] you can hear it in your head - or sing
along.” - Mica Levi

Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris. “Krampfhaft is someone I have been listening to for few years adoring his hyperbeauty, orchid techno I nickname it in the
vein of plaid and others: brave enough to take joy on in the often rather apocalyptic
environment of electronic music” - Björk. “I was very honoured to be part of this, although it was a pretty daunting task to
rework a song with such an intimate topic! As the original is very stripped down, all
I could think of doing was adding in [even more] tension and drama. So I layered the
whole track on to a bed of heavily compressed cloth movement and gradually built up
the tension from there.” - Kramphaft

Yes, double stars do exist. They are a reality. They appear in the firmament – sometimes as an optical and sometimes as a physical phenomenon. Two celestial bodies, working in relation to each other, circling around each other, responding to each other.

It’s been five years since Andreya Triana released her debut Lost Where I Belong, produced by Bonobo.

The soulful Londoner returns now with her highly anticipated album, produced by Matt Hales (Lianne La Havas, Paloma Faith).

The 12 track collection features previously unreleased tracks, alternate versions of existing classics as well as a couple of brand new Amy compositions, and has been compiled by long-time musical partners Salaam Remi and Mark Ronson in close association with Amy’s family, management and record label Island Records.