1990s Vinyl LP 361 Items

"Michael Jackson s 8th studio album, originally released in 1991 and going on to become one of the biggest selling albums of all time with over 32 million albums sold to date. Features the singles Black & White, Remember The Time & Heal The World. Pressed on standard black vinyl."

The Return of the Space Cowboy is the second album by British funk/acid jazz band Jamiroquai. The album was originally released in 1994.

Emergency on Planet Earth is the debut studio album released by British funk/acid jazz band Jamiroquai, orginally released in 1993.

180g vinyl in gatefold sleeve.

The Best of the B-52's: Dance This Mess Around is an excellent summation of the group's late-'70s/early-'80s heyday, featuring such staples as "Wig", "Give Me Back My Man", "Song For A Future Generation", "52 Girls", "Private Idaho", "Strobe Light", "Devil in My Car", "Planet Claire" and "Rock Lobster".

180g vinyl.

limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.

Finally back in print on 180g vinyl including download code.

the ultimate U2 collection, incl. nice album booklet & 2 new tracks

Heaven or Las Vegas followed in 1990 and is recognised as their most commercially successful release, reaching number seven in the UK album charts. Numerous publications have since declared it one of the best albums of the 90s, Pitchfork calling it “a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was.” Label founder Ivo Watts-Russell goes further, candidly revealing in the recent 4AD biography, Facing The Other Way, that this album wasn’t just his favourite Cocteaus album but also his favourite all-time 4AD album, and “by a long shot”, calling it “the perfect record.”

180g

'Left Of The Middle' is the 1997 debut album by three-time Grammy nominee, songwriter, actor and model Natalie Imbruglia. Spurred by the success of the hit single 'Torn', the album became an instant worldwide success, peaking the charts in Australia and reaching Top 10 positions in album charts in the US, UK, Germany, Netherlands, Canada and Italy. 'Left Of The Middle' went certified platinum just five weeks after its release date, eventually selling over 7 million copies worldwide. Imbruglia's first album became the largest debut for a new, alternative pop-rock female artist in history, selling more in its first week than records by Alanis Morissette, Meredith Brooks and Fiona Apple combined. 'Left of The Middle' is finally available on vinyl for the very first time since the album's original release in 1997. Besides the huge hit 'Torn' (85 million views on youtube), the album contains multiple classic tunes like 'Big Mistake' (number 2 in the UK), 'Smoke' (Top 5 in the UK) and 'Wishing I Was There'.

Alan Parsons Project is well known for building their albums around certain socio-demographic themes. 'Stereotomy' (1985) deals with the way in which modern society molds the personality. At the time, 'Stereotomy' was one of the first completely digitally recorded pieces of music, sporting a rare 'DDD' code on its first release. The album is coherently balanced, its synthesized and orchestrated songs completing each another. The high octane 'Where s The Walrus?' is a response to 'Mr. Laser Beam', analogy of Mr. Lee Abrams, an American radio personality. He accused the band having gone 'flat' in their last albums: he asked them 'Where's The Walrus?', meaning 'Where are the classic songs like The Beatles'. 'I Am The Walrus'?. The Music On Vinyl reissue of 'Stereotomy' features the original dual coloured sleeve (except for the translucent coloured plastic outer sleeve).

This release celebrates the 20th anniversary of a pivotal performance and career-defining year for Travis. In June of 1999, with Travis’ sophomore album The Man Who having only been in the record shops for a month, Travis played the Other Stage at the Glastonbury Festival.

It had been glorious weather, but, as they played their soon-to-be-released single “Why Does It Always Rain on Me?,” the heavens opened. The soggy crowd went wild, and the performance went down as one of the all-time great shows in the festival’s 50-year history. By the time “Why Does It Always Rain on Me?” was released as a single five weeks later, Travis and The Man Who were on the precipice of international stardom, and would go on to headline Glastonbury a year later.

„So Tonight That I Might See“ is the second studio album by the American dream pop band Mazzy Star, released on October 5, 1993.

“Heavy Soul” is the fourth album by English singer-songwriter Paul Weller, originally released June 1997. The album received largely favourable reviews. It sold enough to be the number one album on its week of release, however it was denied this position on a technicality - five images within the album's booklet were replaced with postcards of the images in the Special Edition release, meaning that sales of the Special Edition did not count towards the album's sales as they were defined as free gifts.

Part of Rhino's "Now Playing" Series! - Gerald Levert's fans nicknamed him "Teddy Bear" for his cozy and comforting voice and songs. The son of O'Jays leader Eddie Levert, Gerald broke through with his trio LeVert, then segued into a full-blown solo career. A quiet storm rider, he loved to luxuriate in the slow, romantic grooves, as these ten original recordings show.

Limited edition of 500 copies on clear vinyl.

Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.