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1980s 458 Items

Hip Hop 1924 Organic Grooves 6669 Rock & Indie 11375 Electronic & Dance 11348 Reggae & Dancehall 2377 Pop 3342 1960s 90 1970s 235 1980s 458 1990s 133 2000s 56 2010s 170 2020s 1212 Classical Music 414 Soundtracks 784 Childrens 129 Christmas 45 Halloween 3
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Tina Turner - Тина Търнър
Tina Turner
Тина Търнър
LP | 1981 | BG | Original (Балкантон)
3,99 €*
Release: 1981 / BG – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG
Tina Turner - Legacy Marbled Numbered Vinyl Edition
Tina Turner
Legacy Marbled Numbered Vinyl Edition
LP | Reissue
24,99 €*
Release: Reissue
Genre: Pop
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Tina Turner - More Black Vinyl Vinyl Edition
Tina Turner
More Black Vinyl Vinyl Edition
LP | Reissue
24,99 €*
Release: Reissue
Genre: Pop
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Tom Robinson - Hope And Glory
Tom Robinson
Hope And Glory
LP | 1984 | JP | Original (RCA)
14,99 €*
Release: 1984 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Promo copy. Japanese pressing. Few paper scuffs. OBI is missing.
Tommy Tutone - Tommy Tutone
Tommy Tutone
Tommy Tutone
LP | 1980 | JP | Original (CBS/Sony)
8,99 €*
Release: 1980 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG
Cover with some wear and yellowing!
Tommy Tutone - Tommy Tutone-2
Tommy Tutone
Tommy Tutone-2
LP | 1981 | US | Original (Columbia)
8,99 €*
Release: 1981 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Tommy Tutone - Tommy Tutone-2
Tommy Tutone
Tommy Tutone-2
LP | 1982 | JP | Original (CBS/Sony)
6,99 €*
Release: 1982 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: G+
Cover with some wear, tears on the front and bottom seam split!
Tony Esposito - As Tu Às
Tony Esposito
As Tu Às
LP | 1986 | EU | Original (Hansa)
7,99 €*
Release: 1986 / EU – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Tony Esposito - Papa Chico
Tony Esposito
Papa Chico
12" | 1985 | DE | Original (Hansa)
3,99 €*
Release: 1985 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Tracey Ullman - You Broke My Heart In 17 Places
Tracey Ullman
You Broke My Heart In 17 Places
LP | 1983 | AU | Original (Stiff)
5,99 €*
Release: 1983 / AU – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Tracie Young - Far From The Hurting Kind
Tracie Young
Far From The Hurting Kind
LP | 1984 | UK | Original (Respond)
7,99 €*
Release: 1984 / UK – Original
Genre: Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Tracie Young - Far From The Hurting Kind
Tracie Young
Far From The Hurting Kind
LP | 1984 | JP | Original (Respond)
9,99 €*
Release: 1984 / JP – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
With OBI and insert OBI has a small torn!
Trash X - Perestroika (Глазност - Пэрэстрыка - Мэдлз)
Trash X
Perestroika (Глазност - Пэрэстрыка - Мэдлз)
12" | 1988 | DE | Original (Toledo)
54,99 €*
Release: 1988 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
TUBE - Off Shore Dreamin'
TUBE
Off Shore Dreamin'
LP | 1985 | JP | Original (CBS/Sony)
17,99 €*
Release: 1985 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Copy close to NM. Still in shrink, but opened, with OBI and insert.
Twelve Drummers Drumming - Where The Wild Buffalo Roams
Twelve Drummers Drumming
Where The Wild Buffalo Roams
LP | 1988 | EU | Original (Mercury)
4,99 €*
Release: 1988 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Includes original inner sleeve. Vinyl closer to VG+
Ultramatix - Sacrifice
Ultramatix
Sacrifice
12" | 1990 | DE | Original (Hot)
4,99 €*
Release: 1990 / DE – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Umberto Tozzi - Invisibile
Umberto Tozzi
Invisibile
LP | 1987 | EU | Original (CGD)
5,99 €*
Release: 1987 / EU – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG
Copy close to VG+
Unknown Artist - Top Hits
Unknown Artist
Top Hits
LP | 1980 | CS | Reissue (Supraphon)
4,99 €*
Release: 1980 / CS – Reissue
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
Tear in opening. 1983 reissue.
Ute Lemper - Crimes Of The Heart
Ute Lemper
Crimes Of The Heart
LP | 1989 | EU | Original (CBS)
3,99 €*
Release: 1989 / EU – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: VG
Cover splits at top seam. Signed by the artist.
V.A. - American Hit Parade 1963-1972 Vol.1
V.A.
American Hit Parade 1963-1972 Vol.1
LP | 1980 | JP | Original (MCA)
9,99 €*
Release: 1980 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. Japanese pressing. Tiny wear.
V.A. - American Hit Parade 1963-1972 Vol. 2
V.A.
American Hit Parade 1963-1972 Vol. 2
LP | 1980 | JP | Original (MCA)
4,99 €*
Release: 1980 / JP – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. close to NM.
V.A. - American Hit Parade 1963-1972 Vol. 3
V.A.
American Hit Parade 1963-1972 Vol. 3
LP | 1980 | JP | Original (MCA)
8,99 €*
Release: 1980 / JP – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
close to NM. Japanese pressing. OBI is missing, With insert
V.A. - Back Up Dos: Mexican Tecno Pop 1982-1989
V.A.
Back Up Dos: Mexican Tecno Pop 1982-1989
LP | 2024 | US | Original (Dark Entries)
22,99 €*
Release: 2024 / US – Original
Genre: Pop
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Dark Entries returns to Mexico with Back Up Dos: Mexican Tecno Pop 1982-1989. Following 2021’s Back Up compilation, Back Up Dos delivers 10 more tracks of synth-pop and New Beat, 7 of which have never before appeared on vinyl. From mutant drum machine beats to irresistible synthesizer hooks, fans of the fringes of the 80s will find songs to stir their cold, dark hearts. But Back Up Dos does more than mine retro kitsch; it documents the development of a rich DIY music scene that is still underexplored. As affordable samplers and digital synths spread throughout the decade, post-punk and new wave gave way to more aggressive EBM and cyberpunk sounds. The scene also developed in opposition to the political climate of the times: the rise of the drug cartels and a reactionary turn in national politics. Using home recording techniques, these bands took cues from the electronic wizardry of the Human League and Wax Trax Records while reflecting the vibrant and chaotic Mexican cultural landscape of the era. On Back Up Dos, impeccable pop anthems from Casino Shanghai and Los Agentes Secretos sit alongside gnarled obscurities from Ford Proco and María Bonita, showcasing a decade of sly deviance and enthusiastic experimentation. This album comes housed in an 80s-inflected neon sleeve designed by Gwenael Rattke and includes a 12-page booklet with photographs, lyrics, and notes. Back Up Dos compiles synthetic music produced in Mexico at the crossroads from Tecno Pop to Post-Industrial, nourished by culture shock and stories of dystopian worlds.
V.A. - Die Aktuelle Schlagerparade '88
V.A.
Die Aktuelle Schlagerparade '88
LP | 1988 | DE | Original (Polyphon)
3,99 €*
Release: 1988 / DE – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Kinderfest
V.A.
Kinderfest
LP | GDR | Reissue (AMIGA)
4,99 €*
Release: GDR – Reissue
Genre: Pop
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Used Vinyl
Medium: G+, Cover: VG
Cover with foxing
V.A. - Le Canzoni D'oggi
V.A.
Le Canzoni D'oggi
LP | 1989 | BG | Original (Балкантон)
6,99 €*
Release: 1989 / BG – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Cover is close to VG+!
V.A. - Now That's What I Call 80s Dancefloor: Pure Pop Colored Vinyl Edition
V.A.
Now That's What I Call 80s Dancefloor: Pure Pop Colored Vinyl Edition
2LP | 2024 | WW | Original (Now)
34,99 €*
Release: 2024 / WW – Original
Genre: Pop
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V.A. - Now That's What I Call The 80s
V.A.
Now That's What I Call The 80s
3LP | 2024 | WW | Original (Now)
43,99 €*
Release: 2024 / WW – Original
Genre: Pop
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V.A. - Now That's What I Call The 80s
V.A.
Now That's What I Call The 80s
5LP | 2024 | WW | Original (Now)
105,99 €*
Release: 2024 / WW – Original
Genre: Pop
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V.A. - Now Yearbook 1987 Orange Vinyl Edition
V.A.
Now Yearbook 1987 Orange Vinyl Edition
3LP | 2024 | WW | Original (Now)
43,99 €*
Release: 2024 / WW – Original
Genre: Pop
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V.A. - Operazione Sole - Italian Pop Reggae, Dub & Summer Love Affairs
V.A.
Operazione Sole - Italian Pop Reggae, Dub & Summer Love Affairs
LP | 2024 | EU | Original (Maledetta Discoteca)
26,99 €*
Release: 2024 / EU – Original
Genre: Reggae & Dancehall, Pop
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Operation Sole like the summer, hopefully, imminent; “Operazione Sole” like the 1967 song by Peppino Di Capri, considered, perhaps wrongly, the first ska in Italy, but certainly the first to talk about Jamaica and upbeat rhythms. The record you have in your hand is intended to be a testimony to how much the sounds born in Kingston between the '60s and '70s had a significant influence on local pop. With the first explosion of reggae in England between 1968 and 1970, as well as with the rise of Bob Marley to a worldwide cult phenomenon, parallel to the all-English phenomenon of Two Tone and the ska revival, Italy, always attracted by the new trends not only English, he certainly couldn't stay on the sidelines. Therefore these innovative and unknown upbeat sounds, derived from the blues of the 1950s and mixed with a Caribbean sauce, have also taken hold in the Bel Paese. It began as early as 1959 with the song “Nessuno” by Mina, considered to all intents and purposes a Jamaican shuffle, to arrive in a few years at blue-beat (I4 di Lucca, Claudio Casavecchi) and ska (Margherita, Peppino Di Capri , Silvano Silvi, Renzo and Virginia) and be exposed to the first reggae (for example Jo Fedeli and his Italian version of “Israelites” by Desmond Dekker). Thus, we quickly reach the end of the decade of the economic boom and the culture, styles, references change: everything becomes more busy (on a cultural, artistic and political level). After a stalemate phase that lasted more than five years, Bob Marley's reggae (considered a sort of new Messiah) conquers the planet, including Italy: the producers and artists, even at a high level, for a few years do not remain at all indifferent to this novelty and decide to introduce the "upbeat", primarily reggae, into the various pop repertoires: well-known names such as Loredana Bertè, Mario Lavezzi, Rino Gaetano, Ivano Fossati, Ilona Staller, Adriano Celentano, Edoardo Bennato throw themselves headlong into new sonic adventures, in a pioneering way, but often with excellent results. The "Operazione Sole" collection wants to take the credit, instead, of proposing and discovering lesser-known artists (with the exception of Gino Santercole, former associate and relative of Il Molleggiato), often real meteors in the Italian musical panorama, who have tried to achieve (or achieve again) success by adapting the pop that was so popular in those years to the new black sounds prevailing in the West. We are in the early 80s and we range from the most classic reggae, to Italo-disco contaminated by dub up to the true Neapolitan style which, on more than one occasion, in its being endemically "black" and full of groove, has wrung out the watch out for agreements made in Kingston and London. “Operation Sun”: a pleasant philological work, but surrounded by an equally pleasant aura of disengagement.
V.A. - Profondo Nero
V.A.
Profondo Nero
2LP | 2021 | EU | Original (Dekmantel)
27,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Profondo Nero compiled by Cinema Royale Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’. The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia - No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93). Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale. For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest. As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey. ‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’
V.A. - Sommer Smash Hits
V.A.
Sommer Smash Hits
2LP | 1987 | EU | Original (CBS)
4,99 €*
Release: 1987 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
V.A. - Summer In The City - 20 Brandheisse Top-Hits
V.A.
Summer In The City - 20 Brandheisse Top-Hits
LP | 1980 | DE | Original (CBS)
3,99 €*
Release: 1980 / DE – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: VG+
V.A. - Surfin' & Hot Rod Best 20
V.A.
Surfin' & Hot Rod Best 20
LP | 1981 | JP | Original (Capitol)
18,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
V.A. - The Original Motion Picture Soundtrack - Staying Alive
V.A.
The Original Motion Picture Soundtrack - Staying Alive
LP | 1983 | JP | Original (RSO)
6,99 €*
Release: 1983 / JP – Original
Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing with obi.
Veronique Sanson - Laisse-La Vivre
Veronique Sanson
Laisse-La Vivre
LP | 1981 | JP | Original (Elektra)
11,99 €*
Release: 1981 / JP – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing. close to NM
Vicious Pink - Unexpected Coke Bottle Green Vinyl Edition
Vicious Pink
Unexpected Coke Bottle Green Vinyl Edition
LP | 2024 | US | Original (Minimal Wave)
29,99 €*
Release: 2024 / US – Original
Genre: Pop
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Minimal Wave is thrilled to present a long-awaited LP showcasing previously unreleased gems from the influential UK duo, Vicious Pink. Originating from a serendipitous encounter in a smoky Leeds nightclub back in 1979, Josephine Warden and Brian Moss embarked on a musical journey that would redefine the synth-pop landscape. Initially known as Vicious Pink Phenomena, they made their mark by providing distinctively off-kilter backing vocals for their friends in Soft Cell a collaboration that unfolded organically and without rehearsal. Transitioning to the simplified moniker Vicious Pink, the duo continued to captivate audiences with their avant-garde sound, releasing a string of singles that defied conventional expectations and climbed the UK dance charts between 1982 and 1986. Despite their modest intentions, their music proved to be both artful and provocative, leaving an enduring legacy in the annals of electronic music history. 'Unexpected' offers listeners a glimpse into the duo's creative process, compiling pop experiments recorded spontaneously, some in collaboration with Dave Ball. Each LP is housed in a deluxe glossy heavyweight sleeve, featuring captivating artwork that reflects the essence of Vicious Pink's sonic universe. Limited to 999 copies, pressed on high-quality 160 gram Coke bottle clear vinyl, this release promises to be a collector's dream. Included with every LP, is a 5” x 7” postcard adorned with an exclusive, unpublished photograph of Brian, Jose, and Dave, providing fans with a personal memento of this remarkable musical journey. Release date: May 21st, 2024. Get ready to discover the magic of Vicious Pink in 'Unexpected.’
Village People - Go West-The Very Best Of Neon Green Marbled Vinyl Edition
Village People
Go West-The Very Best Of Neon Green Marbled Vinyl Edition
LP | Reissue
24,99 €*
Release: Reissue
Genre: Pop
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Visage - Love Glove
Visage
Love Glove
12" | 1984 | DE | Original (Polydor)
7,99 €*
Release: 1984 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Wedding Bells - Back Where You Belong / The History Of Love
Wedding Bells
Back Where You Belong / The History Of Love
7" | 1987 | DE | Original (MarryMe Records)
19,99 €*
Release: 1987 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Cover closer to VG
Whitney Houston - Whitney Houston SuperVinyl 180g 33rpm LP Edition
Whitney Houston
Whitney Houston SuperVinyl 180g 33rpm LP Edition
LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)
73,99 €*
Release: 1985 / US – Reissue
Genre: Pop
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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe



Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.
Wild Blue - International Language Of Dance
Wild Blue
International Language Of Dance
12" | 1986 | US | Original (Chrysalis)
3,99 €*
Release: 1986 / US – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: Generic
William Pitt - City Lights
William Pitt
City Lights
12" | 1987 | IT | Original (CGD)
11,99 €*
Release: 1987 / IT – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Slight foxing on cover.
Wolf Maahn & Die Deserteure - Rosen Im Asphalt
Wolf Maahn & Die Deserteure
Rosen Im Asphalt
3LP+Box Set | 1986 | DE | Original (EMI Electrola)
5,99 €*
Release: 1986 / DE – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG
Wolfgang Schaller, Rainer Schulze, Wolfgang Stumph - Kritik Muss Man Üben!
Wolfgang Schaller, Rainer Schulze, Wolfgang Stumph
Kritik Muss Man Üben!
LP | 1989 | GDR | Original (LITERA)
3,99 €*
Release: 1989 / GDR – Original
Genre: Pop, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG
Sticker on cover and label. Taped seams.
Womack & Womack - Radio M.U.S.C. Man
Womack & Womack
Radio M.U.S.C. Man
LP | 1985 | US | Original (Elektra)
9,99 €*
Release: 1985 / US – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Yarbrough & Peoples - Guilty
Yarbrough & Peoples
Guilty
LP | 1985 | EU | Original (Total Experience)
3,99 €*
Release: 1985 / EU – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Yargo - Bodybeat
Yargo
Bodybeat
LP | 1988 | Original (FFRR)
9,99 €*
Release: 1988 / Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Yes - The Yes Album Atlantic 75 Series Sacd
Yes
The Yes Album Atlantic 75 Series Sacd
CD | 1971 | US | Reissue (Analogue Productions Atlantic 75 Series)
48,44 €* 50,99 € -5%
Release: 1971 / US – Reissue
Genre: Pop
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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

One of the finest albums of the classic rock era!

Hybrid Stereo SACD

After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.

With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass/vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars/vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.

This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace," the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.

Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven guitar work of Steve Howe's "Clap," Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.

The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached No. 4 in the United Kingdom and No. 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.
Yoshinori Monta / Junko Ohashi - Natsuonna Sonia
Yoshinori Monta / Junko Ohashi
Natsuonna Sonia
7" | 1984 | JP | Reissue (Universal Music)
30,99 €*
Release: 1984 / JP – Reissue
Genre: Pop
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" Pressed on 7"" black vinyl
Two incredible hits from 1980s Japan!
NOTE: artwork to be announced Two major duets by Yoshinori Monta and Junko Ohashi are released simultaneously on analog 7inch single vinyl! In April 1983, ""Natsu Onna Sonia"" became a big hit under the name ""Yoshinori Monta with Junko Ohashi,"" and the following June 1984, ""Koi wa Magic"" was released simultaneously, this time under the name ""Junko Ohashi with Yoshinori Monta! The couplings include Yoshinori Monta's solo song ""Harbor Light"" and Junko Ohashi's solo song ""A LOVE AFFAIR,"" respectively."
Yuji Dan - Weekend
Yuji Dan
Weekend
7" | 1981 | JP | Reissue (Tokuma)
17,99 €*
Release: 1981 / JP – Reissue
Genre: Pop
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Yukihiro Takahashi - Neuromantic
Yukihiro Takahashi
Neuromantic
LP | 1981 | JP | Reissue (Sony Music Japan)
32,99 €*
Release: 1981 / JP – Reissue
Genre: Pop
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Neuromantic is Takahashi’s first solo release for Alfa and his third solo album overall. In addition to Japanese musicians Haruomi Hosono, Ryuichi Sakamoto, and Kenji Omura, the album also features Phil Manzanera, Andy Mackay (Roxy Music), and Tony Mansfield whom he recorded with during a long stay in London. This record builds on the techno sound of YMO’s BGM (released the same year), infusing Takahashi’s unique romantic aesthetic and is considered one of his masterpieces. The sixth track, “Drip Dry Eyes' is a self-cover of a song that he wrote for Alfa artist artist Sandii.

Yukihiro Takahashi explains, “The early 80’s was one of the busiest periods of my music life...When I think back now, I think that my recording style and production process that I continue to this day may have been solidified then, during the early 80’s.”

The new reissue of Neuromatic is part of Alfa's ongoing reissue series featuring many of Yukihiro's early 80s solo albums from his first hit record Murdered by Music (1980) to his last record from his Alfa era Poisson D’Avril (1985 soundtrack to the film of the same name).
Yukihiro Takahashi - Wild & Moody
Yukihiro Takahashi
Wild & Moody
LP | 1984 | JP | Reissue (Sony Music Japan)
32,99 €*
Release: 1984 / JP – Reissue
Genre: Pop
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Wild & Moody is the artist's sixth and last studio solo album on the YEN Label. In contrast to his previous album Tomorrow’s Just Another Day, which mostly consisted of mellow tunes, where half had Japanese lyrics, this album explores digital funk sounds and features all English lyrics setting the stage to pursue a global audience. Iva Davies of the Australian band Icehouse appears on Tracks 2, 7, and 8; lyrics for track 2 were written by Steve Jansen from the band Japan, who considers Takahashi his mentor and Track 4 is a cover of the Neil Young classic taken from the 1970 Crosby, Stills, Nash & Young album Deja Vu. Yoshinori Sunahara is credited for the remastering and vinyl-master cutting was done by Bernie Grundman. The Japan-only CD reissue and digital versions include a bonus track.
Yumi Tanimura - Face
Yumi Tanimura
Face
LP | 1988 | JP | Reissue (Sony Music Japan)
58,99 €*
Release: 1988 / JP – Reissue
Genre: Pop
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Zenana - Witches
Zenana
Witches
12" | 1986 | EU | Reissue (Rush Hour)
19,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie, Pop
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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.
Zigmars Liepiņš - Пульс 2 = Pulse 2
Zigmars Liepiņš
Пульс 2 = Pulse 2
12" | 1985 | EU | Original (Мелодия)
8,99 €*
Release: 1985 / EU – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
Blue labels.
Дос-Мукасан - Дос-Мұқасан ансамблі
Дос-Мукасан
Дос-Мұқасан ансамблі
LP | 2019 | RU | Reissue (Ebalunga!!!)
20,99 €*
Release: 2019 / RU – Reissue
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl with a couple of light scuffs
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