1980s Vinyl 971 Items

12" | 1981 | EU | Reissue (WRWTFWW)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance, Pop

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An example of globalisation's ultra exoticisms: a Guinean hit that changed the perception of African music in European dance charts (selling over a million copies), covered by a Hongkongese pop star two years later, the perfect recipe for ensuring heavy frothing amongst diggers and collectors worldwide. Besides its aesthetic novelty, it's also highly effective on just about any dancefloor, a theme that sounds so familiar to many but then with the added unexpected surprised factor of the lyrics being sung in a female voice and in Cantonese -- a hard moment to forget on a well helmed club floor. Another generosity of this release amongst the other 3 tracks is a display of heavy Cantonese ballad prowess in the Adult Contemporary landscape, especially with a cover of Gamble & Huff's "When Will I See You Again", huge on the couples' slow dance scene, shameless drama.

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Grauzone

Eisbär

13,99 €*

LP | 1981 | US | Reissue (Superior Viaduct)

Release: 1981 / EU – Reissue

Genre: Pop

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WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic “Eisbär", proto-techno beast “FILM 2″, and romantic synth ballad “Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

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Glenn Branca

Ascension

2LP | 1981 | US | Reissue (Dark Entries)

Release: 1981 / US – Reissue

Genre: Pop

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Glenn Branca’s first full-length album The Ascension is a colossal achievement. After touring much of 1980 with an all-star band featuring four guitarists (Branca, fellow composers Ned Sublette and David Rosenbloom, and future Sonic Youth member Lee Ranaldo) along with Jeffrey Glenn on bass and Stephan Wischerth on drums, Branca took his war-torn group into a studio in Hell’s Kitchen to record five incendiary compositions. Originally released in the summer of 1981, The Ascension effectively tears down the genre-ghettos between 20th century avant-garde and ecstatic rock ’n’ roll. On “The Spectacular Commodity,” chiming, shimmering tones unfold into sinister drone-territory à la Tony Conrad, while abrasive guitars and repetitive beats retain the raw primitivism of No Wave. The title track attains a densely packed, larger-than-life sound and (as author Marc Masters says best) “never stops climbing skyward.” With artist Robert Longo’s stark front cover that depicts Branca battling an unidentified man, The Ascension is a must-have record not only for fans of early Swans and Sonic Youth, but also of Steve Reich or Slint’s Tweez.

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Nervous Gender

Music From Hell

31,99 €*

Awakening Blue Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie, Pop

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Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries! Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP. Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the androgynous embodiment of the band’s name, left in 1980. Following her departure, a wide cast of LA freaks would find themselves drawn into the band’s orbit, including Alice Bag of the Bags, Paul Roessler of the Screamers, the Germs’ Don Bolles, and an 8-year old drummer named Sven Pfeiffer. In 1980, Nervous Gender appeared on the seminal Live at Target compilation alongside Factrix, uns, and Flipper. With the band’s notoriety cemented, Music from Hell followed in 1981 on Subterranean Records (as no LA label would touch this material). Side A, dubbed “Martyr Complex”, presents a more punk-forward sound with live drum salvos and slabs of aggressive synth. These twitchy, unsettling shockers ooze with the kind of snotty misanthropy that will endear them to fans of the Screamers or Crass. Side B, known as “Beelzebub Youth”, is a live performance the band labeled "an electronic bruto-canto dissertation on the banality of spiritual transcendence." Mutant melodies cede way to synthesized clangs, whirs, bleeps, manipulated tapes, and howls of despair. In addition to all the material from the original LP, we’re treated to a full disc of the band’s demos, the material from the Live at Target compilation, and early live recordings. Included are unrecognizable covers of Carly Simon and Lou Reed, and the Sex Pistols that are so despairingly skewed they fall into the void. This reissue of Music From Hell includes a 36 page lyric booklet, foldout poster, and gatefold sleeve with photos, flyers, and news-clippings designed by Eloise Leigh. Tackling taboo issues like sexual kinks, mental illness, drug use, and childhood molestation, Music From Hell is still surprising – even shocking - over 40 years after the album’s release. Nervous Gender stand as one of the most genuinely anti-establishment outfits in underground music, a colossal fuck you to social norms from religious strictures to gender essentialism.

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Hiroshi Sato

LP | 1982 | JP | Reissue (Sony Music Japan)

57,99 €*

Release: 1982 / JP – Reissue

Genre: Pop

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Preorder shipping from 2024-08-09

12" | 1983 | EU | Reissue (House Of Music)

Casco

Cybernetic Love

15,99 €*

Blue Monday 2020 Remastered Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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Fantastic masterpiece, considered one of the best Italo-Disco songs ever. A mega-classic produced by Stefano Zito and Carlo Favilli (the latter passed away too soon) characterized by a heartbreaking melody and lush strings that exemplify the mood and rhythm of the Italo-Disco style with the use of some sounds of pre-bleepy keyboard and siren that technically make it one of the very first rave songs ever, inspiring the style of many artists that came later, like Duft Punk. However, many of them don't even come close with their imaginative computers to that bassline and string sounds that melted the souls of many of us back in that distant April 1983, even if it seems that part of the melodic line has been copied not very subtly by Casco from that of El Deux's Computer-Madchen released in 1982 in Switzerland, where Salvatore Cusato was working as a club-DJ. On the flip another excellent remix version by Danilo Braca of the song revisited a few years later. The confirmation of the wisdom and foresight of its producers, aware that the BPM would soon be lowered by a lot. In the more than 8 minutes of "Cyberlover" the constant melancholy background together with the drum/bass/synth lines are preserved intact, giving us a complete reissued product.

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New Order

12" | 1983 | EU | Reissue (Rhino)

Release: 1983 / EU – Reissue

Genre: Pop

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The biggest selling 12” single of all time in the UK, reissued and remastered from the original master tapes at Abbey Road Studios. Originally released on Factory Records in March 1983, the single has become the band’s most recognisable track

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Cool Cat Record Store Day 2024 Pink Vinyl Edition

7" | 1982 | Reissue (EMI)

20,99 €*

LP | 1988 | EU | Reissue (Pias)

Release: 1982 / Reissue

Genre: Pop

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More than four decades after it first appeared on their Hot Space album - Queen are releasing 1982’s “Cool Cat” on limited edition 7″ pink vinyl. Making its debut as an A-side - this marks the seventh single to be taken from the album. The B-side will be a brand-new previously-unreleased instrumental mix of the song.

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Front 242

Front By Front

27,99 €*

Release: 1988 / EU – Reissue

Genre: Pop

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2LP | 1989 | UK | Reissue (Rocket Girl)

A.R. Kane

12" | 1983 | EU | Reissue (Best Record Italy)

Release: 1989 / UK – Reissue

Genre: Pop

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The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Sahara Band

Habibi

A Celebration 40th Anniversary Record Store Day 2022 Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Super rare Italo electro-pop project Habibi made available by the unstoppable archive label Best Record. Habibi is a joyous Egyptian-influenced Italo piece from the time that Egyptian Lover and Arabian Prince also had their Egyptian influences. Many of the typical elements of the 'Italo-Disco' era give the song a very friendly and reassuring mood, especially the (probably) Linndrum beat with tom fills and tambourine, alternating bass, a sequencer emphasizing the eights, and strings, a nice Hammond added/ "Habibi" was conceived in 1983 by Arcangelo Li Calzi after the success of the one-off project Sahara Band, with Giancarlo Ragni, the skilled arranger from Genga that produced the piece entirely in his Vallemania Recording Studio, the studio where most of the afro-cosmic songs of the dee-jays of the nearby Baia degli Angeli were made, including the album "Africa Mediterranea" by Fabrizio Fattori. The artist Myriam Ferrucci did a lovely job on the graphic work on the cover which is represented in its original way. Worthy re-issue from the depths of the golden Italo era.

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12" | 1982 | Reissue (Island)

LP | 1981 | EU | Reissue (Soulsheriff)

Release: 1982 / Reissue

Genre: Pop

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Limited to 7500 copies.

40th anniversary edition of "A Celebration§ - U2´s 7th Single, originally released in March 1982 between the albums October and War. This limited edition reissue is a 4-track EP, containing two previously unreleased recordings: a studio out-take of the title track, lus a performance of b-side and live favouite "Trash, Trampoline And the Party Girl", recorded in Oct 2015 in Cologne during the iNNOCENCE + eXERIENCE tour. 4 track 12" EP / cut at 45 rpm / 180g black vinyl, housed in plain polylined inner / single sleeve outer - with graphic-based front cover in a similar style to the original single cover artwork, using gold print and additional spot UV high-gloss varnish. Back cover features images of each of the band taken from the original music video.

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Liaisons Dangereuses

Picture Book Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Pop

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (daf) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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Simply Red

LP | 1985 | EU | Reissue (Warner)

26,99 €*

Release: 1985 / EU – Reissue

Genre: Pop

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Paul Paul

Good Times

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Greatest Hits Remastered Edition

2LP | 1981 | EU | Reissue (Virgin)

39,99 €* 49,99 € -20%

Upstairs at Eric's Numbered Limited Edition

Release: 1981 / EU – Reissue

Genre: Pop

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This classic Queen album is pressed on 180gram.

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Yazoo

LP | 1982 | US | Reissue (Mobile Fidelity Sound Lab)

38,99 €*

LP | 1977 | US | Reissue (Reprise)

Release: 1982 / US – Reissue

Genre: Pop

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All the Grooves Hit the Low-Frequency Targets: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI!

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Fleetwood Mac

Rumours

Release: 1977 / US – Reissue

Genre: Pop

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Whitney Houston SuperVinyl 180g 33rpm LP Edition

Whitney Houston

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

75,99 €*

12" | 1983 | EU | Reissue (I.D. Limited)

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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Scotch

Penguins' Invasion

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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LP | 1983 | JP | Original (Virgin)

Culture Club

Colour By Numbers

Error In The System Record Store Day 2023 Yellow Vinyl Edition

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI.

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Peter Schilling

LP | 1983 | Reissue (Warner Music)

19,99 €*

Release: 1983 / Reissue

Genre: Pop

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LP | 1985 | PL | Reissue (Mercury)

Tears For Fears

Songs From The Big Chair

Release: 1985 / PL – Reissue

Genre: Pop

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Brando

Rainy Day

Release: 1983 / EU – Reissue

Genre: Pop

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12" | 1982 | EU | Reissue (ZYX)

Wanexa

The Man From Colours

Release: 1982 / EU – Reissue

Genre: Pop

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12" | 1985 | EU | Reissue (Vintage Pleasure Boutique)

J.F. & Hitwave

Dance Floor Girl

18,99 €*

LP | 1982 | EU | Reissue (Virgin)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Pop

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Massimo Morini, has been technical director and conductor of San Remo festival for over 30 years. On his conducting debut in 1995 he was only 26 years old. Before his big hall music adventure started, back in 1985 he formed his first italo disco group – J.F & Hitwave, later to be transformed into Love Kills (I want to Become). A forgotten and highly demanded among obscure 7″ italo collectors tune titled “Dance Floor Girl” is now brought back to the light of day on a 12″ vinyl. The reissue contains previously unreleased 12″ version as well remixes by Flemming Dalum, Italoconnection and Also Playable Mono.

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Roxy Music

Avalon

38,99 €*

Release: 1982 / EU – Reissue

Genre: Pop

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12" | 1989 | UK | Reissue (Dark Entries)

Hassan Ideddir

Atfalouna

Hookey Opaque Blue Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Pop

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Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988. Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco. All songs were remastered by George Horn. The sleeve is a replica of the original 12” cover art, featuring Ideddir set in a cheeky collage of clocks, columns, and camels. Also included is a postcard with a photo of Hassan, as well as lyrics in both Arabic and English. We will be donating 100% of proceeds from this release to Sphere who provide support to the young queer community across Ukraine and the Palestine Children's Relief Fund who help provide urgent humanitarian care for Gaza's children.

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Sylvi Foster

12" | 1982 | EU | Reissue (ZYX)

Release: 1982 / EU – Reissue

Genre: Pop

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LP | 1980 | EU | Reissue (Growing Bin)

Guy Maxwell

Outside My Window

23,99 €*

Release: 1980 / EU – Reissue

Genre: Electronic & Dance, Pop

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Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell’s ‘Outside My Window’. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, ‘Outside My Window’ is ready to warm the hearts and cheer the ears of a whole new audience. Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin’ from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade.

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Mark Tower

You Aren't Fall In Love

Release: 1983 / EU – Reissue

Genre: Pop

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LP | 1982 | EU | Reissue (Bureau B)

P!OFF?

27,99 €*

LP | 1985 | JP | Reissue (HMV Record Shop)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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World Standard

31,44 €* 36,99 € -15%

12" | 1985 | EU | Reissue (ZYX Music)

Release: 1985 / JP – Reissue

Genre: Pop

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First LP reissue since 1988
Produced by Haruomi Hosono
Japanese pressing

World Standard is a stylish pop unit that incorporates a wide range of music from rock, techno to ambient. Their memorable first album, which debuted in 1985 on the Teichiku Non-Standard label produced by Haruomi Hosono, will be remastered and reissued under the supervision of Soichiro Suzuki!

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Diviacchi

Waiting For Heaven

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Pop

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Helen

Witch

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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LP | 1989 | EU | Reissue (Rhino)

The B-52's

Cosmic Thing

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1982 | JP | Original (Capitol)

Diana Ross

Silk Electric

LP | 1988 | EU | Reissue (Warner)

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Enya

Watermark

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1981 | EU | Reissue (Wewantsounds)

Akiko Yano

Tadaima

33,99 €*

12" | 1985 | EU | Reissue (ZYX)

Release: 1981 / EU – Reissue

Genre: Pop

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2022 repress; LP version. Obi strip; Includes two-page insert. Wewantsounds present a reissue of Akiko Yano's Tadaima., originally released in 1981. The first release Wewantsounds' ambitious program to release Akiko Yano's albums outside of Japan Tadaima. ("I'm home" in Japanese) is Yano's fifth studio album and a synth-pop masterpiece, co-produced by her then husband Ryuichi Sakamoto and featuring all the musicians from Yellow Magic Orchestra (Haruomi Hosono, Yukihiro Takahashi, and Sakamoto), the group she was touring with at the time. Japan's best kept secret, Akiko Yano is one of the most ground-breaking artists to come out of the '70s Japanese music scene along with Haruomi Hosono and Ryuichi Sakamoto. A piano child prodigy, Yano started her solo recording career in 1976 at just 21, recording her debut album Japanese Girl with no less than Little Feat as the backing band. This album created a stir on the Japanese scene and Yano was on the map. She went on to record a series of superb albums mixing funk, electro, and city pop featuring the cream of Japanese (and sometimes American and English) musicians; The fact she was producing, writing and composing herself made her a true maverick in a very male-dominated industry. These albums, incredibly, have never been released outside of Japan to this day. Tadaima. is Yano's first attempt to leave the acoustic piano aside and delve into the synth sounds of the early '80s. The result is a fascinating electro pop masterpiece showcasing her talent as a writer, musician, and singer, creating her own unique universe. Mixing Japanese and English lyrics, Yano crafts perfect pop songs such as "Tadaima.", "I Sing", "Harusaki Kobeni" (which became one of her most famous songs after its use in a Japanese cosmetics ad), while "Taiyo No Onara" is a suite composed of nine short stories written by children. Contributors on Tadaima. also include Shigesato Itoi, one of Japan's most famous copywriters (for Studio Ghibli among others) who wrote two tracks on the album and his friend legendary illustrator Teruhiko Yumura -- aka King Terry -- who revolutionized underground manga in the '70s with his "heta-uma" (bad-good) style, as showcased on the album's striking artwork. Tadaima. is the perfect entry point to Akiko Yano's unique body or work. This reissue includes original artwork by cult illustrator King Terry and a new introduction by renowned DJ Joakim.

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Martinelli

Cenerentola (Cinderella)

Release: 1985 / EU – Reissue

Genre: Pop

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Stone cold Italo classic - reissued from the ZYX Archives!

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Ralph River Band

Strange Vibration

LP | 1981 | US | Reissue (Dark Entries)

Release: 1983 / EU – Reissue

Genre: Pop

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Stone cold Italo classic - reissued from the ZYX Archives!

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Instant Music

19,99 €*

LP | 1985 | EU | Reissue (Nettwerk)

Release: 1981 / US – Reissue

Genre: Pop

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Instant is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion), and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco, and Krautrock.

Over the course of 2 weeks in Summer 1980 the band teamed up with local producer Mario Strack to record 6 songs. These would make up their debut eponymous album that was originally self-released on 10” vinyl in 1981. They utilized a simple set up of guitar, bass, and keyboards, plus the BOSS DR-55 Dr. Rhythm drum machine. Metal scraps clanging appear on the tracks “Do Not” and “Optimate Minimum”, and a washing machine was sampled on the track “Joyboy”, which features Marion reading from the appliance’s instruction manual. The A-side features 4 tracks in 11 minute, while the B-side hosts 2 songs in the same stretch of time. “Charade” features no wave saxophone accompaniment from Kai Taschner of Munich New Wave band Luna Set. Marion’s vocals are between Nico’s Teutonic chill and Alison Statton’s (Young Marble Giants) playfulness, while Bernd takes a monotone approach. Lyrics for “My Boy” and “Everybody's Gotta Mutate” were adapted from ‘Rotwang’, a fragmented novel written by Tim Hildebrandt, one of the brothers famous for illustrating the works of Tolkien.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a replica of the original jacket design, which features a neon red screen-printed drawing of a cut-out doll family on a stark white background. Each LP includes a postcard insert with lyrics.

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Skinny Puppy

Bites

22,99 €*

Release: 1985 / EU – Reissue

Genre: Pop

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And Don't The Kids Just Love It

Television Personalities

LP | 1981 | UK | Reissue (Fire)

Release: 1981 / UK – Reissue

Genre: Pop

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LP | 1983 | EU | Reissue (Island)

War

21,99 €*

LP | 1981 | EU | Reissue (Rhino)

Release: 1983 / EU – Reissue

Genre: Pop

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“War” is the third studio album by Irish rock band U2. It was produced by Steve Lillywhite, and was released February 1983 on Island Records. The album has come to be regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday" and "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; Bono stated that "war seemed to be the motif for 1982."
“War” was a commercial success for the band, knocking Michael Jackson's Thriller from the top of the charts to become the band's first number-one album in the UK.

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Stevie Nicks

Bella Donna

26,99 €*

Release: 1981 / EU – Reissue

Genre: Pop

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LP | 1989 | EU | Reissue (Rhino)

Madonna

Like A Prayer

Release: 1989 / EU – Reissue

Genre: Pop

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Technodelic Black Vinyl Edition

Yellow Magic Orchestra

LP | 1981 | EU | Reissue (Music On Vinyl)

LP | 1981 | EU | Reissue (Rhino)

Release: 1981 / EU – Reissue

Genre: Pop

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1981 was a groundbreaking year for the music industry. By releasing BGM and Technodelic in one year, YMO made a shift happen in Pop music. YMO introduced a new way of using samples and loops by cutting sound bites into fragments and reprogramming them with newly available computer technology.

180g vinyl.

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Phil Collins

Face Value

Release: 1981 / EU – Reissue

Genre: Pop

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LP | 1989 | EU | Reissue (Virgin)

The Miracle

Release: 1989 / EU – Reissue

Genre: Pop

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2LP | 1988 | EU | Reissue (Warner)

Joy Division

Substance

34,99 €*

Release: 1988 / EU – Reissue

Genre: Pop

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LP | 1980 | EU | Reissue (Music On Vinyl)

George Benson

Give Me The Night

Soul Mining 30Th Anniversary Deluxe Edition

Release: 1980 / EU – Reissue

Genre: Pop

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Give Me The Night is the 1980 album by ten-time Grammy Award-winning American musician and singer-songwriter George Benson. Produced by Quincy Jones and originally released on Jones' start-up label Qwest Records, the album charted number one on both the Top Soul Albums and Jazz Albums Chart as well as number three on the Billboard Pop Albums charts.

180g audiophile vinyl.

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The The

2LP Box | 1983 | EU | Reissue (Sony)

74,99 €*

Release: 1983 / EU – Reissue

Genre: Pop

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LP | 1981 | US | Reissue (Capitol)

Duran Duran

2LP | 1982 | EU | Reissue (Vinyl Lovers)

Release: 1981 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. 1983 reissue.

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The Cure

Pornography

33,99 €*

LP | 1980 | EU | Reissue (Munster)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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180 gram gatefold cover double vinyl reissue incl. 8 bonus tracks!

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Stiv Bators

Disconnected

25,99 €*

Release: 1980 / EU – Reissue

Genre: Pop

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LP | 1982 | UK | Reissue (Virgin EMI)

Hot Space

Next Door (Edit & Backing Tracks EP)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2015 reissue.

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Hitomi Tohyama

12" | 1983 | JP | Reissue (Nippon Columbia)

32,99 €*

Release: 1983 / JP – Reissue

Genre: Pop

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LP | 1988 | JP | Original (CBS/Sony)

Boz Scaggs

Other Roads

9,99 €*

The Secret Of Association

Release: 1988 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with Obi. Vinyl is close to NM. tiny wear

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Paul Young

LP | 1985 | EU | Original (CBS)

6,99 €*

LP | 1980 | JP | Reissue (Rca/Air)

Release: 1985 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve included.

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Tatsuro Yamashita

Ride On Time

62,99 €*

Renovations Remastered 2024 Record Store Day 2024 Edition

Release: 1980 / JP – Reissue

Genre: Pop

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Originally released in 1980 Limited edition 180g vinyl Pressed on black vinyl Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by Air/rvc in 1980. This record includes everything from up-tempo songs to ballads, making it an absolute masterpiece beloved by many.

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Mike Welch

LP | 1981 | UK | Reissue (Nunorthern Soul)

23,99 €*

Electric Youth Gold Vinyl Edition

Release: 1981 / UK – Reissue

Genre: Rock & Indie, Pop

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A rare private pressing from 1981 gets a loving remaster from Simon Mills [bent] and a reissue on the NuNorthern Soul label who have been releasing and reissuing musical oddballs and goodness for 11 years. Ace compialtion compiler, Paul Hillery [bbe, ReWarm] has spent time interviewing Mike Welch about this project and will be included as extensive sleeve notes on the release. This is a very special Blue Eyed Soul album with heavy Country leanings or as Paul puts it ' A record made by a musician, having to work hard by day and then put it all on the line in the studio at the weekend. Reflective songwriting and tight musicianship are given the space to breathe and un-smothered by overproduction. Difficult to tag, harder to find, essential re-issue business.' Copies of this are very hard to come by and go for silly money on Discogs which is a shame as the world needs to hear this album. 1LP vinyl with heavy card insert.

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Debbie Gibson

LP | 1989 | US | Reissue (Friday Music)

42,99 €*

Release: 1989 / US – Reissue

Genre: Pop

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Born With A Desire Transculent Orange Vinyl Edition

Tony Palkovic

LP | 1985 | US | Reissue (Numero Group)

26,59 €* 27,99 € -5%

E Gia' Yellow Vinyl Edtion

Release: 1985 / US – Reissue

Genre: Pop

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A trailblazing amalgam of e levator-friendly R&B and synth-forward smooth jazz, Tony Palkovic's 1986 debut goes down easy as a huff of dentist-issued nitrous. Born With A Desire's silky grooves and bursts of drum machine 1.0 endure as an '80s vision of future earth where 8-bit graphics and pastel palettes swath a synthesizer Shangri La.

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Lucio Battisti

LP | 1982 | EU | Reissue (RCA)

31,99 €*

Release: 1982 / EU – Reissue

Genre: Pop

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Pretty Face 40th Anniversray Edition

Stylóo

12" | 1983 | EU | Reissue (ICE)

12" | 1983 | EU | Reissue (Isle Of Jura)

Release: 1983 / EU – Reissue

Genre: Pop

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Official reissue for the 40th anniversary of Pre4y Face. Contains the presgious rmxs of Italoconnecon and Mi Ami and two unreleased versions in addion to the original. Limited version 350 copies.

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Escape From New York

Save Our Love

15,99 €*

LP | 1981 | JP | Original (EMI)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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The original single from Escape From New York finally gets an official reissue. Originally released in 1983 ‘Save Our Love’ was released a year before ‘Fire in My Heart’ and sets out their highly effective fusion of New Wave, Disco, Italo and Post Punk. Featuring Jaki Graham and D.C Lee on backing vocals, the 12” also includes an instrumental mix and cult classic ‘Slow Beat’ (Dance Mix). Escape From New York were short lived and disbanded in 1984 following the release of ‘Fire in My Heart’, ultimately buckling under the pressure of commercial expectations for their innovative brand of pop music. Fast forward to 2023 and history has been kind and these singles are now regarded as being pioneering classics.

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Olivia Newton-John

Physical

9,99 €*

LP | 1982 | JP | Original (Swan Song)

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No obi. close to NM

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Robert Plant

Pictures At Eleven

18,99 €*

LP | 1982 | US | Reissue (Dark Entries)

Release: 1982 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, no Obi.

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Ian Elms

Good Night

23,99 €*

Planet P Project Turquoise Vinyl Edition

Release: 1982 / US – Reissue

Genre: Pop

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Ian Elms’s cult isolationist synth masterpiece Good Night returns via Dark Entries. Originally released in 1982, Good Night blends Berlin school minimalism and BBC Radiophonic weirdness with the aesthetics of then-nascent DIY punk electronics throughout its fifteen short tracks. According to Elms, these pieces were composed in two broad but interrelated modes: pieces with voice and synthesizer, which are obliquely narrative, and instrumental synthesizer pieces that aspire to capture fleeting emotions. Ian met with producer David Hoser at Octopus Studios and they began constructing pieces using a Polymoog Keyboard 280a, sampled drum tracks, and Elms’s synthesizer. On “The Street Enters the House”, live drums lurch along with skeletal motifs while Elms’s elliptical lyrics evoke domestic discontent. “A Light Moves Across Curtains” features metronomic pummeling and icy strings buttressing the scant cryptic lines from Elms. Instrumental gems like “Goodnight” and “Surrounded by Trees” are built around detuned riffs in round-like structure, both drifting and static like the motion of waves. With original pressings fetching three digits – if you can even find a copy – this reissue is essential listening for fans of John Bender, Transparent Illusion, and the early 80’s DIY cassette scene. Each copy of Good Night comes with a postcard featuring a photograph and notes by Elms. “This record is intended for anyone who by accident or design spends most of their time alone (whether in the body or in the mind).” – Ian Elms.

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Planet P

LP | 1983 | UK | Reissue (Renaissance)

22,99 €*

Release: 1983 / UK – Reissue

Genre: Pop

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LP | 1989 | EU | Reissue (Warner Bros.)

Prince

OST Batman

25,99 €*

Release: 1989 / EU – Reissue

Genre: Pop, Soundtracks

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12" | 1983 | JP | Original (CBS/Sony)

Billy Joel

Tell Her About It

15,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. Japanese pressing. With OBI. Vinyl is close to NM.

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Sade

Sweetest Taboo

12" | 1985 | US (Epic)

White Horse / Tainted Love

Release: 1985 / US

Genre: Organic Grooves, Pop

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/ You're Not The Man

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Laid Back / Soft Cell

12" | 1983 | US (Sire)

13,99 €*

Release: 1983 / US

Genre: Pop

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Frankie Goes To Hollywood

Relax

12" | 1983 | EU | Reissue (Island)

13,99 €*

LP | 1981 | JP | Original (RCA)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

1985 reissue. Misprint: The A-side label and sleeve say "Sex Mix" (8:20) but the A-side actually plays the U.S. Mix (7:25).

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Daryl Hall & John Oates

Private Eyes

21,99 €*

American Hit Parade 1963-1972 Vol.1

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Few paper scuffs. Without OBI and insert.

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V.A.

LP | 1980 | JP | Original (MCA)

9,99 €*

American Hit Parade 1963-1972 Vol. 3

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. Tiny wear.

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V.A.

LP | 1980 | JP | Original (MCA)

8,99 €*

LP | 1985 | JP | Original (Atlantic)

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM. Japanese pressing. OBI is missing, With insert

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Foreigner

Agent Provocateur

Do You - The Uncut Nile Rodgers Sessions Orange Vinyl Edition Edition

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert. Cover closer to NM

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Sheena Easton

LP | 1985 | UK | Reissue (Cherry Pop)

39,99 €*

Release: 1985 / UK – Reissue

Genre: Pop

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Preorder shipping from 2024-08-23

LP | 1988 | JP | Reissue (Sony Music Japan)

Yumi Tanimura

Face

56,99 €*

Release: 1988 / JP – Reissue

Genre: Pop

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7" | 1981 | JP | Reissue (Tokuma)

Yuji Dan

Weekend

Release: 1981 / JP – Reissue

Genre: Pop

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12" | 1982 | DE | Original (Polydor)

Visage

The Damned Don't Cry

12,99 €*

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Daryl Hall & John Oates Best

Daryl Hall & John Oates

LP | 1981 | JP | Original (RCA)

7,99 €*

LP | 1983 | US | Reissue (Parlophone)

Release: 1981 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. few paper scuffs

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Talk Talk

It's My Life

33,99 €*

LP | 1985 | NL | Original (Mercury)

Release: 1983 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Purple vinyl and cover are close to NM. Original inner sleeve. 2020 reissue.

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INXS

Listen Like Thieves

10,99 €*

LP | 1983 | JP | Original (CBS/Sony)

Release: 1985 / NL – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Original inner sleeve

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Billy Joel

An Innocent Man

6,99 €*

LP | 1980 | JP | Original (CBS/Sony)

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. vinyl is Close to VG+.

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Chicago

Chicago XIV

19,99 €*

12" | 1983 | JP | Original (A&M)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. Promo copy. close to NM. slight foxing

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The Police

Synchronicity II

American Hit Parade 1963-1972 Vol. 2

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing.

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V.A.

LP | 1980 | JP | Original (MCA)

4,99 €*

LP | 1983 | JP | Original (Epic)

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM.

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Loverboy

Keep It Up

LP | 1983 | DE | Original (Fontana)

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM. Promo copy. OBI is missing. With insert

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Ina Deter Band

Aller Anfang Sind Wir

4,99 €*

Release: 1983 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Original (Epic)

REO Speedwagon

Hi Infidelity

LP | 1980 | JP | Original (Arista)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. close to NM

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Eric Carmen

Tonight You're Mine

6,99 €*

The Gold Bug / Snake Eyes

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Without OBI.

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The Alan Parsons Project

12" | 1980 | DE | Original (Arista)

5,99 €*

Release: 1980 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG