1980s Vinyl 185 Items

first LP of Linda Jo Rizzo!

Record Store Day 2021 Release.

Record Store Day 2021 Release.
Limitation: 2100 copies.

This album collects, for the first time ever, Kenny Loggins’ greatest soundtrack hits on vinyl, including “Footloose”, “Playing With The Boys” (from the Top Gun soundtrack), “Danger Zone” (from the Top Gun soundtrack) and “Nobody’s Fool (Theme From Caddyshack)” plus a newly recorded version of “Playing With The Boys”.

It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers The Southern Death Cult seeded so many memorable but divergent groups - from widescreen rock legends The Cult to romantic pop duo Into A Circle to "the Asian Public Enemy," Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The Southern Death Cult rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul `Bee' Hampshire on vocals. Galvanized by Margaret Thatcher's "iron fist" austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on "Last Salute" are fitting final words: "If this must end let it pass me by / I'll remain your friend, only flowers die." But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: "The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames."

It's testament to how fertile England's mid-80's musical landscape was that the splintering of short-lived post-punk pioneers The Southern Death Cult seeded so many memorable but divergent groups - from widescreen rock legends The Cult to romantic pop duo Into A Circle to "the Asian Public Enemy," Fun-Da-Mental. But the band's most potent subsequent cross-pollination was undoubtedly Getting The Fear, formed by The Southern Death Cult rhythm section of Barry Jepson, David 'Buzz' Burrows, and Aki Haq Nawaz Qureshi, joined by Temple Ov Psychic Youth associate Paul `Bee' Hampshire on vocals. Galvanized by Margaret Thatcher's "iron fist" austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on "Last Salute" are fitting final words: "If this must end let it pass me by / I'll remain your friend, only flowers die." But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV. Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: "The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames."

Colored vinyl edition.

Soul Jazz Records new ‘Two Synths, A Guitar (and) A Drum Machine’ is a new collection of current D-i-y post-punk bands shaped by the mutant sounds of no wave, punk funk and New York Noise bands from the late 70s and early 80s that collided with the world of underground dance music found at the Paradise Garage, Mudd Club in New York City (esg, Arthur Russell, Bush Tetras, Talking Heads, Suicide, Liquid Liquid).

Prince‘ ikonic Album Sign O’ The Times, remastered by Prince‘ Mastering-Engineer Bernie Grundman.

Dark Entries is pleased to announce a deluxe reissue of Sexual Harrassment’s 1983 opus I Need A Freak. Lynn Tolliver, DJ/Program Director at Cleveland’s Wzak, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver’s explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, “I learned as a youngster, sex sells! The things that are rated the worst – violence, horror and sex – are the things people want to see or hear about.” I Need a Freak was a surprise hit, selling over 100,000 copies. I Need A Freak is presented here for the first time on double LP, pressed at 45 rpm for maximum DJ-friendliness. While the album’s naughtier moments seem quaint by contemporary standards, the fusion of lo-fi funk and disaffected vocals still stuns today. On the eternal electro-raunch anthem “I Need a Freak”, minimalism serves to highlight the lasciviousness of the deadpan lyrics, which were inspired by Lourdes Figueroa, Tolliver’s girlfriend at the time. Tolliver’s whimsy shines on tracks like “If I Gave You a Party” and “K.I.S.S.I.N.G.”, which contrast nursery rhyme structures with decidedly R-rated lyrics. “Exercise Your Ass Off” lampoons the home exercise craze, but with a more-than-suggestive sexual bent. Also included are two bonus cuts, “We Want Prince” and “These Are The Things That I Like”, previously released as singles in 1984 and 1986, respectively. “We Want Prince” is both a homage to the Purple one and a gentle satire of obsessive fandom. I Need A Freak has been remastered by George Horn at Fantasy Studios. The album comes in a gatefold sleeve featuring the original artwork. Included are lyrics, photos, and liner notes by Lynn Tolliver and drummer Dale Jackson. Tolliver’s sly provacateurship is best captured by the quote: “It’s funny – without sex, mankind is dead, yet we hide the very thing we need.”

In eleven years of deep digging, Dark Entries has uncovered many curiosities, lone exemplars of the scarsest breeds. They are lurking in Croatia, on the streets of New York, maybe in the back of your own dusty closet - these odd-ball Italo and synth-wave monsters are too rare to live, too divine to die. Once-lost creatures now have a home with Dark Entries’ new Endangered Species series. The inaugural edition features five specimens previously deemed extinct, only mentioned passingly in lore and speculation, but now safely preserved on vinyl. The first cut on Endangered Species Vol. 1 is the previously unreleased electro-New Wave gem “Munich” by John King, an artist best known for his work as one half of the Dust Brothers, lauded producers of the Beastie Boys’ legendary Paul’s Boutique. “Munich”, a Danceteria-ready cut produced in 1983, sheds some light on King’s earlier interests, bridging between freestyle and emotive synthpop. Next up is a rare demo version of The Actor’s “Picture 210”. The Dutch duo here channel both the minimalism of Kraftwerk and the Surrealism of Throbbing Gristle to create one of the finest teary-eyed Goth club anthems. Brazil is a synthpop band from Croatia, and they feature with their 1990 cover of Tears for Fears’ “Mad World”, which is sure to turn some heads on the dancefloor. The eerily faithful production belies Brazil’s re-working of the song’s lyrics. “L'Étranger (Ana Gharib)” by Jamal Khe follows, a pearl originally only available on an impossibly rare French 7” from 1983. Khe is from the Ain Beida region of Algeria, and his Arabic vocal melodies perfectly complement the propulsive percussion and airy arpeggios from producer Jacky Bourgogne. Closing the record is the previously unreleased “Abemus Mind” from Marzio Benellil’s project Nightless. Recorded in 1983, this moody, low-tempo Italo groover features Gregorian chant-inspired vocoders and jazzy piano courtesy of Benelli’s collaborator Marco Falagiani. All songs were mastered for vinyl by George Horn. The sleeve is the first in a series of endangered animal designs by Eloise Leigh, featuring the glam tiger in its natural, 1980’s habitat. Also included is an insert with lyrics, photos, and notes. Please assist us in our efforts to preserve this planet’s weirdest beasts.

Here's the sixth exploration so far of the FullTime Production world with four brand new reworks of tracks extracted from our infinite vaults, finally coming into a brand new sparkling life for DJs and Disco fanatics. After the well-received and successful previous five volumes, there's so much to enjoy throughout this new limited edition 12-inch trip, completely remastered. On the A-side the Disco supernova Da Lukas brings into the world a boosted rework of the B.B. and Band classic "That Special Magic". An incredible groovy vertigo that will take the dancers deeper in. Then the Musta's remix of the 1982 Ago's "It Will Never Be" is pure funky! On the flip side Antonello Ferrari and Aldo Bergamasco alias F&B provide a stomping killer nu-disco rendition of Selection's "Desire", while C. Da Afro closes the package in big fashion kicking the groove and pathos of the Italo-Disco gem "I'm In love" by Patty Johnson.

Limited DJ Promotional 12" featuring four previously unreleasedTalking Heads demo's from Fear Of Music sessions. Never before available on vinyl.

Following last year’s inaugural box set, Power Corruption & Lies is the next Definitive Edition to chronical the history of one of the UK’s most enduring and influential groups

The box which includes an LP, two CDs, two DVDs and a book, features the album remastered for the first time from the original analogue tape masters on LP, and CD. The Extras CD contains previously unreleased writing sessions from New Order’s Manchester rehearsal rooms and the 1982 John Peel Session for the BBC. The DVDs capture New Order live during 1982 & 83 at The Hacienda and Kilkenny, the 1984 Play at Home Channel 4 TV documentary and other rare live & TV performances. Finally a beautiful 48 page hardback book of rare photos and brand new essay from Dave Simpson completes the Peter Saville designed box.

Power, Corruption & Lies was recorded in 1982 at Britannia Row Studios, Islington and produced by New Order.

Bonus Content:

CD:
Power Corruption And Lies - Extras

Writing Session Recordings
1. Age Of Consent *
2. The Village *
3. 5 8 6 *
4. Your Silent Face *
5. Ecstasy *
6. Leave Me Alone *

John Peel Session
7. Turn The Heater On
8. We All Stand
9. Too Late
10. 5 8 6

John Peel Session Outtake
11. Too Late (instrumental rough mix) *

New York demo #1
12. Thieves Like Us*

Writing Session Recordings
13. Thieves Like Us *
14. Murder *
15. Blue Monday *
16. Blue Monday *

Album Session Recording
17. Blue Monday (Instrumental Outtake)
*Previously unreleased

DVD 1
New Order - Power Corruption And Lies DVD
Live Shows

The Hacienda, Manchester, 1982
In A Lonely Place
Ultraviolence
Denial
The Village
We All Stand
Senses
Chosen Time
5 8 6
Temptation
Everything's Gone Green
Rosehill Hotel, Kilkenny, Ireland 1983
We All Stand
Leave Me Alone
Denial
The Village
Temptation
Confusion
Age Of Consent
Blue Monday
Everything's Gone Green
Ceremony

TV Sessions

Blue Monday (BBC Top Of The Pops, London, 1983)
Confusion (Countdown – 1983
Age Of Consent (Switch – 1983)
Blue Monday (Switch – 1983)
Thieves Like Us (BBC Top Of The Pops, London, 1984 )

Extras
Your Silent Face (The Hacienda, Manchester, 1983)
5 8 6 (The Hacienda, Manchester, 1983)
We All Stand (Recreation Centre, Tolworth, 1983)
Leave Me Alone (Recreation Centre, Tolworth, 1983)
Love Will Tear Us Apart (Tower Ballroom, Birmingham, 1983)
Ultraviolence (First Avenue, Minneapolis, 1983)
The Village (Uni-Mensa, Dusseldorf, 1984)
Thieves Like Us (Alabamahalle, Munich, 1984)
Blue Monday (Alabamahalle, Munich, 1984)
Lonesome Tonight (Metropol, Berlin, 1984)
Confusion (Metropol, Berlin, 1984)

DVD 2

Play At Home
Channel 4, 1984 documentary made by New Order
Live Show
The Hacienda, Manchester, 1983
Blue Monday
Age Of Consent
Lonesome Tonight
Your Silent Face
Leave Me Alone
5 8 6
Denial
Confusion
Temptation
Thieves Like Us
In A Lonely Place
Everything's Gone Green

Record Store Day 2020 Release.

First time on vinyl! “Filled with seriously beautiful singing, Drag sharpens Ms. lang’s image as pop music’s smartest post-modern torch singer.” -New York Times “A collection of covers that are somehow related to smoking, Drag is far more ambitious than the average cover record.” -All Music Limited Edition - Pressed on smoky vinyl

Radio Broadcast is a brand new label specialized in soundboard recordings done for TV and Radio broadcast. All vinyl 140 gr. Limited to 300 copies.

In 1981, Nick Robson wrote Stars. The song can pretty much be described as a slow, cosmic disco song. It has an unusual feel, and it comes as Oslo-based Neppås third release. This 12″ holds the 12″ mix, the 7″ mix, and the original B-side Eye To Eye. The original 12″ is as rare as they come, and here you get the original material, fully licenced, and remastered. The process of recording the material back in 1981 was not an easy one, as Nick Robson recalls: “Fame by David Bowie is one of my favourite songs, period. I was 18 when i wrote Stars and i wanted to write something that was my version of Fame and quite honestly, as a tribute to the song. If you listen to the bass lines, there is a hint of similarity in the two. Even the lyric of Stars has a passing reference to Fame. Stars was one of four songs recorded at Gary’s Rock City studio to supply the first two singles and form the basis of the first album. The other three tracks were Eye To Eye, Boys and She’a Like Ice. Although all four tracks were finished, for one reason or another, Boys never made it to pressing and i walked away from the business to pursue a career in film. Stars itself, was the most ardous and problematic track that i’ve ever recorded. It took around 14 days to finally get an agreed mix when the budget probably only ran to three days. Part of the reason for this is the enormous quantity of music tracks recorded in the song. In those days, we only had 24 recordable tracks available on the Otari, so once you had recorded 23 or less actually, you had to bounce down sub-mixes to a single track to free up another batch of tracks. I think that there are around 46 tracks of instruments alone on Stars so although that kind of track usage is not uncommon now, back then it was rare.

Dark Entries’ first release of 2020 is a deluxe 2xLP reissue of Severed Heads’ debut 1981 album Clean. One of the longest surviving bands to emerge from the Australian post-punk independent music scene, they began in Sydney in 1979. Severed Heads is basically a nom- de-plum for Tom Ellard, who incorporates elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style.

Clean was amongst the first vinyl releases under the Dogfood Productions banner of Terse Tapes, previously a cassette-only label. For this records Tom used an array of synthesizers (Kawai 100F, Casiotone, Roland CR78+SH1+CSQ100), sequencers, tapes and occasional guitar and violin played by Garry Bradbury. Severed Heads have a language of their own, music that juxtaposes all sorts of noise, in all sorts of ways so that a structure evolves, (fragmented) melody and rhythm being almost a by-product. As one reviewer said in 1981, “It is an ugly album that you simply cannot ignore, it thuds and screeches and makes you stare just to wonder what kind of people would procure such an album.” For this deluxe reissue we’ve included a bonus disc featuring 13 songs, 5 of which have never been released before, culled from live performances, the Side 3 cassette and a Clean demo tape that only surfaced last year, plus "Food City" missing from previous reissues.

Each copy is housed in a gatefold jacket featuring black and white xeroxed artwork from the first vinyl edition. Inside the gatefold are liner notes by Tom Ellard plus photos and press clippings from the period. 25% of proceeds will be donated to the Australian Fire Relief Fund for First Nations Communities, that offers specific direct support to some of those communities with critical costs to cover expenses.

This set features the original album plus Demos and Remixes, incl. Massive Attacks Remix of "Manchild". Three discs in single LP sleeves, housed in a rigid slip-case, includes original album remastered and two bonus discs of b-sides, remixes & extras
Also features the 48-page book

Remastered at Abbey Road, pressed on heavyweight vinyl, with download card included.

30th anniversary of Neneh Cherry’s classic hit album Raw Like Sushi (1989),“an unorthodox and brilliantly daring blend of R&B, rap, pop, and dance music”, sees the original album remastered and given the super deluxe treatment as a 3LP box set.

This box sets feature a 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features 5 singles - includes the worldwide smash hit single ‘Buffalo Stance’ (number 1 US Dance Chart) as well as hit singles – ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ & ‘Inna City Mamma’. Also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.One of the most important records of all-time. Listed as one of the "1001 Albums You Must Hear Before You Die".

Gatefold sleeve with printed inner sleeves.
Includes 12"x12" booklet of lyrics, photographs and credits.
Download voucher.

Palais Des Bauzards persued an industrial and electronic variant of the sound that swept into vogue during the first half of the '80s. This compilation digs into the original material provided by the band and offers an amazing selection from start to finish. The sometimes rudimentary though gripping tracks tracks on the first side are emblematic for their early period, for example “Money” a song driven by a screeching rhythm box, distant guitar lines and a nonchalant voice. Cabaret Voltaire comes to mind. They’re not afraid to experiment and to explore new horizons (the track “Lies").

Vocoder were a quartet from Zaragoza, Spain formed in 1981. Keyboardists Antonio Laval, Alfonso Olarte and Antonio Tenas met while attending university, and were later joined by vocalist Pilar Pellicer. They recorded several demos with synthesizers, sequencers and drum machines, creating a soundtrack for the clubs and dance floors. After sending demos to various record companies, they signed a deal with Aviador Dro's sublabel Neón Danza and released two EPs, "What Happens Now"/"Radio" in 1984, "Mindanao"/"Amor de Robot" in 1985 and a self-titled LP which was produced by Michel Huygen (Neuronium) in 1987. Vocoder also appeared on the TV program La Bola De Cristal, presenting their music video for "What Happens Now," in which the band danced in a supermarket with a shopping cart full of synthesizers. The group mutually disbanded in 1988 and continued to organize concerts for other groups touring in Spain. Cuadro Sinóptico compiles both two-song 12" maxi singles as one four-song EP. All four songs were recorded during 1984-85 at Doublewtronics Studios in Madrid, Spain, using the most advanced and sophisticated techniques of time in digital recording and Direct Metal Mastering (DMM). The band utilized many professional synthesizers of the time: Roland Juno 60, Prophet V, Korg Poly 61, Yamaha DX-7, Roland TR-909 and the Linn Drum, which was used by most Italo Disco artists. These songs were recorded in the highest fidelity with disc jockeys in mind. Genuinely catchy, Vocoder combined soaring melodies with cybernetic coldness. A futuristic sound for the modern age topped with Pilar's charismatic vocals. Lyrically they address robotic love, disco dancing, and the tropical island of Mindanao, and sing in Spanish, English and French. All songs on Cuadro Sinóptico have been remastered from the original reel to reel master tapes for vinyl by George Horn at Fantasy Studios in Berkeley, CA. Each LP includes a double-sided insert with photos, lyrics and liner notes by Flemming Dalum, a Danish DJ who introduced much of the world to Vocoder in 2008 on his “French Spanish Italo Connection” mix. Vocoder want you to barricade yourself in the discotheques and dance away the depression.

Limited to 999 hand-silkscreened numbered copies!

‘Make It Big’ is exactly what Wham! had done by the time they released their second album in 1984. Featuring the hit singles ‘Wake Me Up Before You Go-Go’, ‘Everything She Wants’ ‘Freedom and ‘Careless Whisper’, the album cemented their place as pop icons. Now on vinyl for the first time in over 30 years, ‘Make It Big’ is available in limited edition white vinyl and black vinyl.

Wham! exploded onto the global stage with their first album ‘Fantastic’ in 1983 and music was never the same again. Featuring the huge hits ‘Bad Boys’ ‘Wham! Rap (Enjoy What You Do)’ and ‘Club Tropicana’, the album debuted at #1 in the UK and sold millions of copies worldwide. Now on vinyl for the first time in over 30 years, ‘Fantastic’ is available in limited edition transparent red vinyl and black vinyl.

Drew Schlesinger has been playing synthesizers and composing electronic music since the early 1970s. In 1986, he began developing third-party sounds for Casio CZ synths, leading to a career designing presets for over 200 products from 30 companies including Roland, Korg, Kurzweil, Alesis, E-mu, Ensoniq, TC, Lexicon, Eventide, and others. After a 20-year hiatus in the corporate world, he has recently returned to music and sound design. His latest release is the album Radar Signals (Recorded 1981-82).

Named after one of the basic rhythms of Cuban folk music and drawing on influences from across the globe, Cho Co Pa Co Cho Co Quin Quin are quite simply a world unto itself. Comprised of three childhood friends, Daido, Yuta and So, who reconnected during the coronavirus pandemic, Cho Co Pa initially emerged as a playful way for the three 23-year-olds to pass the time. Tapping into their youthful connection, they created a sound that exudes confidence and curiosity, a homage to the masterful world of YMO’s and Happy End’s Haruomi Hosono, rooted in the trio’s own idiosyncratic experience of the present. Recorded at home and promoted on hugely popular DIY TikTok videos, their debut album Tradition is a technicolour exercise in armchair travelling – a kind of lockdown exotica for the housebound whose nostalgic flights of fancy are laced with a sense of whimsical melancholy for the lost freedoms of youth. Referencing everything from Afro-Cuban percussion to lo-fi beats, Buddhist spirituality to trap, each member of the band brings different musical inspirations to the table. Latin American and Middle Eastern styles sit adjacent to a fascination for the electronic music of Aphex Twin, Dorian Concept, Underworld and Daft Punk. At times, the music verges on acid pop bliss, at others, it grooves with the instrumental funk sensibility of Badbadnotgood. “In the first place, when I create a song, my goal is to transport the listener to a mysterious place,” vocalist Daido explained in a recent magazine interview. Using lyrics as another sonic texture in the composition of ideas, Cho Co Pa paint beguiling sonic postcards of far-flung moods across 12 highly original tracks. Marrying the organic and the electronic on rhythmically sophisticated compositions like ‘Chichibu’ and ‘Watatsumi’, it is on the album’s standout track ‘Gandhara’ that the experimental sound of Cho Co Pa comes to the fore. Referencing the ancient city of Gandhara through which Buddhism made its way from India to China, the track is a vocoder-trap-inspired, Udu drum-driven pop jam that lilts with unmistakable Balearic flair. If that’s difficult to imagine, then know simply that ‘Gandhara’ sounds like nothing else on this side of Saturn. Even Daido seemed surprised by the outcome: “I feel like we were able to create something that exceeded our abilities. That was huge!” Hugely popular in Japan, with festival appearances lined up alongside Badbadnotgood at Asagiri Jam in October, it's safe to say the success of Tradition has taken Cho Co Pa by surprise. Released digitally in July 2023, Tradition will get a full international vinyl release in January 2024. You won’t have heard anything like it.

It’s time to deck the halls and put up the Christmas tree as the yuletide season is upon us. Christmas Collected is the brand-new compilation with both traditional and modern songs celebrating the festive season. Artist and groups including Queen, Bruce Springsteen, Band Aid, Paul McCartney, U2, The Teskey Brothers, Frankie Goes To Hollywood, Amy Winehouse, Ariana Grande, Mud and many more are featured on the 2LP. Christmas Collected is available as a limited edition on translucent green (LP1) and translucent red (LP2) coloured vinyl and includes an insert.

180gr/5th Album/2000 Cps On Pink & Purple
Coloured Vinyl, High Quality
Romantic Warriors is the fifth studio album by German pop duo Thomas Anders and Dieter Bohlen, better known together as Modern Talking. It continued Modern Talking's reign as one of the most popular synthpop acts of their time.

On June 23, 2023, Madonna will release a new rainbow-vinyl version of her sold-out 6-LP collection, Finally Enough Love: 50 Number Ones. Like the original, FINALLY ENOUGH LOVE: THE RAINBOW EDITION spans Madonna’s entire dance club chart reign with dozens of remixes by the world’s top producers. Along with fan favourites, the set also features several rare remix recordings that debuted commercially last year. Boasting more than 220 minutes of remixes, FINALLY ENOUGH LOVE: THE RAINBOW EDITION flows in mostly chronological order. It showcases the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time, including Peter Rauhofer, William Orbit, Honey Dijon, and Avicii.

Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a 50-track collection titled FINALLY ENOUGH LOVE: 50 NUMBER ONES which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled FINALLY ENOUGH LOVE.

Pressed on 180g black vinyl, comes in gatefold sleeve.