1970s 14 Items

RSD First, Limitation: 1200

First released in 2007, this 12-track holiday album comes to RSD Black Friday for the first time on vinyl. For the album, Cross selected his favorite Christmas standards and wrote two additional songs with long-time collaborator Rob Meurer. Guests include Michael Omartian and Kenny Edwards with strings by the Pacific Jazz Orchestra founder, Chris Walden.

Still in shrink, but opened, with hype sticker

Remastered from the original analogue tapes and pressed on 180-gram vinyl!


“Honky Château”, released in 1972, is the fifth studio album released by Elton John. It was titled after the 18th century French chateau where it was recorded, Château d'Hérouville. The album reached number one in the US, the first of seven consecutive US number one albums for Elton John.

It was certified gold in July 1972 and platinum in October 1995 by the RIAA. This was the final Elton John album on the Uni label in the US and Canada before MCA consolidated all of its various labels under the MCA brand. This and John's earlier Uni albums were later reissued on MCA Records.

Two singles were released worldwide from Honky Chateau, "Rocket Man" and "Honky Cat." A third single, "Hercules," was prepared for release, but this never materialised.

2017 remastered and pressed to 180gram vinyl.

Joe Jackson – Collected is a comprehensive series of sounds Joe Jackson has gone through, from old to new, this collection will never get boring!

COLLECTED is a perfect overview of the multiple classic hits and tracks throughout the career of The Mamas & The Papas and complimented with several popular tracks by Mama Cass Elliot.

• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.