1970s Vinyl 47 Items

Funky Kromong Vol. 2 continues the legacy of Vol.1 by featuring unbeatable songs. At this time’s release, Lamunai Records re-selected some of the songs by legendary musician Benyamin Suaeb who showed his excellence in combining traditional Betawi elements with innovative funk and groovy rhythms. Each track in this compilation brings listeners a unique musical journey, blending Benjamin’s distinctive humor with a nuance of sound.



Vol. 2 not only maintains the eccentric spirit and intelligent satire of its predecessor but also explores Benjamin’s rich culture and musicality more deeply. Songs like “Kompor Meleduk”, “Cong-Cong Balicong” and “Koboi Ngungsi” offer a fresh listening experience but remain familiar to old and new listeners. The combination of traditional musical instruments with modern instruments creates charming harmony, inviting us to re-experience the golden age of Indonesian music with a contemporary touch.

Funky Kromong Vol. 2 continues the legacy of Vol.1 by featuring unbeatable songs. At this time’s release, Lamunai Records re-selected some of the songs by legendary musician Benyamin Suaeb who showed his excellence in combining traditional Betawi elements with innovative funk and groovy rhythms. Each track in this compilation brings listeners a unique musical journey, blending Benjamin’s distinctive humor with a nuance of sound.



Vol. 2 not only maintains the eccentric spirit and intelligent satire of its predecessor but also explores Benjamin’s rich culture and musicality more deeply. Songs like “Kompor Meleduk”, “Cong-Cong Balicong” and “Koboi Ngungsi” offer a fresh listening experience but remain familiar to old and new listeners. The combination of traditional musical instruments with modern instruments creates charming harmony, inviting us to re-experience the golden age of Indonesian music with a contemporary touch.

Still sealed. Cover has tiny corner wear. 2015 reissue.

Blondie’s first concert in 17 years on February 10, 1999, at New York’s Town Hall, was an
emotional one. This show, brilliantly captured on the aptly named “Live”, features the founding
members Debbie Harry, Chris Stein, Jimmy Destri and Clem Burke and includes remarkable
classics such as ‘Atomic’, ‘The Tide Is High’, ‘One Way Or Another’, ‘Call Me’ and ‘Heart of Glass’,
as well as songs from their successful comeback album “No Exit” with the worldwide hit single
‘Maria’.
“Live” returns to vinyl in a magnificent Collector’s Edition. Fans can look forward to listening to
Blondie on Strictly Limited 180g White Vinyl in a beautiful 2LP Gatefold packaging featuring
original photographs from the concert in 1999.

Limited to 3500 copies.

“Face The Face” was recorded for the German TV series Rockpalast in Cannes in January 1986. Pete Townshend’s Deep End were touring in support of his solo concept album “White City: A Novel”. Several of the musicians that appeared on the album were featured in the line-up of the Deep End including Pink Fl oyd’s David Gil mour on lead guitar. The set list includes tracks from the “White City” album, other Townshend solo tracks, Who classics, Da vid Gilmour’s song “Blue Light” and a couple of surprises. The double LP makes its debut on vinyl and is pressed on opaque yellow vinyl, packaged in a gatefold jacket.

Limited to 4500 copies.

2021 is the 65th anniversary since The Everly Brothers released their first single in 1956 (“Keep A Lovin’ Me”). This new compilation is curated by Tom Petty’s daughter Adria Petty in conjunction with Don Everly and Phil Everly’s widow, with the objective to remind the world of the greatness of the Everlys, plus introduce the duo to a new, younger, hipster audience. This is not a “Greatest Hits” package. Whilst it does include some hits (eg: “Cathy’s Clown” – their biggest selling single), the objective of this compilation is to highlight many of the lesser-known songs that are equally as good as the well-known hits. This will attract a new assessment of the band by musicians, critics and media, and appeal to a broader audience – selling to many younger fans who may not even have heard of the group. The album will be released on vinyl for RSD with a fresh, contemporary, and hip approach to the cover art. Mastered by Chris Bellman at Bernie Grundman Mastering. 17 tracks.

Limited DJ Promotional 12" featuring four previously unreleasedTalking Heads demo's from Fear Of Music sessions. Never before available on vinyl.

Picture disc in stickered plastic sleeve. Still sealed!

Drama were the Canadian duo of Eric Simpson (Vocals, Bass Guitar, Guitar) and Don Stagg (Keyboards). Formed in in Mississauga, Ontario in 1978, the pair had previously played together in progressive psych bands Majik and VIIth Temple. Almost every Saturday, Eric and Don would record one song on a TEAC 4 track tape recorder after a couple of takes with very little over dubbing. The pair were influenced by what was playing on the radio during the recording sessions. Everyone else at that time was in a rock or pop band yet Drama were making electronic music. The pair released their debut LP ‘Loneliness’ on Psycho Records in 1979. There were 500 albums made and about 200 ended up in the garbage as band members shuffled from apartment to apartment. This was followed by a 4-track 7” later that year featuring live drums and additional guitar.

Seance Centre says it best, “On Loneliness, the pair traded in their velvet and chord charts for thin ties and a cheap drum-machine. The LP still carries a whiff of patchouli, but the sound stings of solder and electricity, and inhabits a nascent zone somewhere between krautrock and new-wave. The vocal cuts are all clustered on the A-side, starting with an ode to the inefficiency of the Toronto Transit Commission - some things never change! The dystopian sci-fi themes are par for the League, and highlights are the love ballad “Anna King” and the charming “Feable”. The instrumentals on the B-side feel decidedly more Teutonic, and have a certain CBC charm that sounds like JP Decerf recording for Parry Music. It even opens with a slinky stoned Pink Panther.” For this first time vinyl reissue we’ve expanded to a double LP with a bonus album of the 4 songs from Old Hollywood 7” and 9 previously unreleased tracks and demo versions. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original photo by Don Stagg taken from his apartment rooftop overlooking Toronto of a young teenager sniffing glue and includes an insert with photos and liner notes by Drama.

Limited edition for Record Store Day 2018!

Konstruktivists are a UK Industrial group formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. In the late '70s/early '80s Wallis was heavily involved with Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK, and early Clock DVA, Glenn began to record his own material. After several cassette releases through Flowmotion under his own name, Konstruktivists’ first LP A Dissembly was released in 1982. To record A Dissembly, Glenn went into IPS Studio in Shepherds Bush, London. Glenn played synthesziers, percussion and vocals, with help from Dave Rouse (guitar), Adrian Grover (piano, tape loops) and Dave Kenny (engineer, treatments, tapes). The equipment used for this album includes a Korg MS-20, Casio MT-40, Roland TR-606 and TB-303, Korg Space Echo 555 and an Eventide Harmonizer previously used by Throbbing Gristle. In the studio was an old broken piano which was recorded with two microphones onto an 18 foot tape loop. Chris Carter of Throbbing Gristle modified Glenn’s TR-606 with separate outputs for snare and bass drums to help create the slap back snare sound heard through the album. Konstruktivists create their own brand of Industrial using tape loops and lurching rhythms arched by droning melodies.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket, featuring a black and white photograph of a church by Dave Byatt and hand lettering and line drawing by Lorna M. Each copy includes a 2-page double-sided 8×11 insert with liner notes by Glenn Wallis, press clippings, and photos, plus a bonus flexi-disc containing the song “Smack,” which was recorded during the same session as A Dissembly.

Still sealed with hype sticker. Tiny wear. Limited edition.

Includes insert.

Close to NM.

20th Anniversary Record Store Day edition, Pink splatter vinyl. Copy closer to NM