1960s Vinyl 146 Items

cover variation

Japanese pressing with OBI! Red vinyl!

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

Drill hole. Mono pressing.

Cover with tear on the opening

German reissue. Stained gatefold cover with price tag.

close to NM. 2020 reissue.

Violet vinyl Limited edition. 2022 reissue.

Violet vinyl edition. Still sealed with hype sticker and OBI.

Japanese pressing with obi.

Japanese pressing without obi | Faint foxing inside gatefold otherwise VG+, no seam splits, tears ...

Cover close to VG+

Japanese pressing. Gatefold cover has some foxing on the inside.

Japanese pressing. Still in shrink but opened with OBI

Red vinyl. Japanese pressing.

Japanese pressing.

Record has some hairlines and a few superficial scratches.

Cover is missing.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

Includes OBI.
Writing on back cover.

Vinyl with many scuffs and marks

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

Taped spine. Santa Maria Pressing.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Copy closer to VG+

US original. Small tears in spines. Tiny drill hole.

Record has some hairlines and a few superficial scratches.

Shelley Pressing.

Water damage on back cover.

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

Scranton Pressing.
Cover with seam splits.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Minor foxing on back cover.

Japanese pressing.

Record has some hairlines and a few superficial scratches,
but is close to VG.

Ships in a label sleeve.

Back cover with faint ring wear.

Red vinyl.

Writing on cover.

Cover with stains and yellowing.

Japanese pressing with Obi.

Vinyl close to VG+

Japanese pressing without OBI!

Red, transparent vinyl!