1960s Vinyl 113 Items

cover variation

Cover is missing. Close to VG+

Water damage on back cover.

Japanese pressing without OBI!

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

Original US Mono Hollywood pressing.

Drill hole. Mono pressing.

German reissue. Stained gatefold cover with price tag.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing. Gatefold cover has some foxing on the inside.

Japanese pressing. taped spine

Japanese pressing.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

Small light scuff on side 2.

OBI not included.

1972 reissue.

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

Shelley Pressing.

Uk reissue from the 2000s.
Includes original inner sleeve.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Clear white vinyl. Side 2 is NM. 2019 reissue.

Copy closer to VG+

Tear in spine. Writing on cover.

Scranton Pressing.
Cover with seam splits.

Japanese pressing.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Ships in a label sleeve.

Stamp on label.

Cover with stains and yellowing.

Red, transparent vinyl!

Japanese pressing with Obi.

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

Original US mono pressing. Small tear in bottom spine.

Cover has small puncture.

Cover with faint ring wear.
Small light scuffs on both sides.

Minor waterdamage stain on back cover.

Small light scuff on side 2.

Small light scuffs on both sides.
Cover lamination is peeling.

Seam split.

Ships in a label sleeve.

Copy close to VG+

Push-out centre

Cover is missing.