1960s Vinyl 190 Items

Japanese pressing with obi.

Japanese pressing. Foxing

Red transparent vinyl! Gatefold cover with wear and seam split!

OBI is missing!

Early german pressing, has B5 misspelled. Record has many thin hairlines and surface marks that you can hear, but does not skip. The Cover has shelf and ringwear, no splits.

Cover close to VG+

Red Vinyl with scuffs and hairlines.
OBI not included.

Japanese pressing. Gatefold cover has some foxing on the inside.

Japanese pressing. OBI is missing. 1972 reissue. Vinyl is close to NM. Torn spine.

Japanese pressing. 1969 reissue. OBI is missing.

Japanese pressing. 1980 reissue. Few paper scuffs. OBI is missing. Sticker on front cover.

Japanese pressing without OBI, with insert.

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

Red vinyl. Japanese pressing.

Japanese pressing. taped spine

Japanese pressing.

Japanese pressing.

Record is close to VG+.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

2012 reissue. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue.

Record has some hairlines and a few superficial scratches.

Vinyl with many scuffs and hairlines. Generic label cover

Small writing on back cover.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

Includes OBI.
Writing on back cover.

Japanese pressing without OBI!

Small light scuff on side 2.

OBI not included.

1972 reissue.

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

Vinyl with a couple of light scuffs

Shelley Pressing.

Uk reissue from the 2000s.
Includes original inner sleeve.

close to NM. 2016 reissue.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Clear white vinyl. Side 2 is NM. 2019 reissue.

Copy closer to VG+

Record has some hairlines and a few superficial scratches.

Tear in spine. Writing on cover.

Vinyl is Close to VG+

US original, Terre Haute pressing. Small scratch on "Been A Long Time"

Scranton Pressing.
Cover with seam splits.