1960s Vinyl 92 Items

Minor writing of cover and label. Visible signs of use and superficial marks however plays without skiping. Only low surface noise audible in quieter parts.

Tears in spines. Original US stereo album.

A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

Cover with tear on the opening

close to NM. 2020 reissue.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing without obi | Faint foxing inside gatefold otherwise VG+, no seam splits, tears ...

Japanese pressing, no Obi.

Japanese pressing. Still in shrink but opened with OBI

Japanese pressing. taped spine

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

2012 reissue. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue.

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Cover is missing.

Vinyl with many scuffs and hairlines. Generic label cover

Includes OBI.
Writing on back cover.

Japanese pressing without OBI!

Small light scuff on side 2.

OBI not included.

Vinyl with many scuffs and marks

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.

Cover slightly yellowed.

Taped spine. Santa Maria Pressing.

Clear white vinyl. Side 2 is NM. 2019 reissue.

US original. Small tears in spines. Tiny drill hole.

Tear in spine. Writing on cover.

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

Vinyl close to VG

Vinyl with scuffs, hairlines and a couple of deeper marks

Red vinyl.

Red vinyl is close to NM.

Back cover with faint ring wear.

Record has some hairlines and a few superficial scratches,
but is close to VG.

Stamp on label.

Writing on cover.

Japanese pressing without OBI!

Promo copy. With OBI and insert. Tiny wear. Japanese reissue.

Original US mono pressing. Small tear in bottom spine.

Back cover with faint ring wear.

Small writing on back cover.

Small light scuff on side 2.

Small light scuffs on both sides.
Cover lamination is peeling.

Back cover with faint ring wear.

Energetic Beatlesque ‘68 power pop! With similar melodic stylings as groups like the Merry-Go-Round and the Left Banke, Ellie Pop’s individuality shines through their commonality with superb underground ‘60s pop innovators. Pressed on clear vinyl!

Record has many hairlines and a few superficial scuffs.

Vinyl close to VG+

First issued on the Dot label in 1965, Karen Verros’ recording of ‘You Just Gotta Know My Mind’ is one of the most popular and in-demand tracks ever to appear on Ace Records’ “Girls With Guitars” compilation series. Pressings of the hopelessly rare original exist in two variants, one 20 or so seconds shorter than the other.

This new Ace release features the longer of the two versions. ‘Karen’s Theme’ on the B-side is the ‘You Just Gotta Know My Mind’ backing track, with added freakbeat guitar in place of Karen’s vocal.

An original copy, in the unlikely event one should become available for sale, is likely to carry a hefty asking price. Designed to resemble a small-run mid-60s acetate pressing, rather than a replica Dot label, this very welcome addition to Ace’s catalogue of 7-inch vinyl singles should set punters back about the cost of a bottle of cheap plonk.

Red Translucent Vinyl.
Inlcludes booklet.
Box set is missing.
Original black printed inner sleeves included.

"Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari,' '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll."

After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.

The teen girl falling in love with greasy biker melodrama that set The Shangri-Las on the scene was beaten to the core when English high society child Lynn Ripley -better known as Twinkle- took it to the next level on her own composition "Terry". Penned at the tender age of sixteen, Twinkle's lyrics were found so twisted and bad tasty that the song got the honour of being banned at the BBC thirteen years before the Sex Pistols ran the same luck with "God Save The Queen." A ban that, as you would have guessed, instead of hiding the song from the era's teenage record hunters made it even more coveted. Thus "Terry", Twinkle's first 45 issued on Decca in October 1964, became an instant top 5 hit in the UK and was released successfully worldwide as well as covered by many bands (like Claude François French version or Los Extraños cover sung in Spanish).

Just one word to say: Essential!

Just one word to say: Essential!

Just one word to say: Essential!

Just one word to say: Essential!

Just one word to say: Essential!

Just one word to say: Essential!

Just one word to say: Essential!