Suche "gore tex jacke" 234 Artikel

Letzte Chance, die letzte Pressung.

"Wir präsentieren unser erstes 'Untitled'-Album, um einen Moment zu markieren, in dem wir als Black People (...) um unser Leben kämpfen. RIP George Floyd und all jene, die unter Polizeibrutalität und systemischem Rassismus gelitten haben. Veränderung findet statt... Wir sind fokussiert." - Sault

Gepresst bei Optimal.

Mind Maintenance is the new duo consisting of Joshua Abrams (Natural Information Society) and Chad Taylor (Chicago Underground Duo, Chad Taylor Trio). This is where the music begins, but Mind Maintenance can't be described simply as a summation of its parts and players. When you put on the sound, you'll know what we're saying - you'll notice how immediate and meditative it is; how simple, how "in the room," and how the natural buzz of each instrument sits remarkably well against the other. The percussive qualities of the guimbri and the mbira, so raw and unadorned individually, form with their shared resonance a soothing, sonorous whole. It's not about world music, it's not about jazz. It's about mind maintenance. The songs of Mind Maintenance exist in a zone somewhere between composition and improv. Based in melodies that unspool over time, they benefit from Chad and Joshua's intimately enmeshed sensibility and the intensity with which they listen to each other. Chad and Joshua have been playing together forever - or, if you need to think of it more tangibly, since around 1994. Based on our research, the pairing of guimbri and mbira is more than unusual - it appears to be without precedent! This is incredible if it's true, but more important to the music of Mind Maintenance is the shared ground of inspiration that both instruments occupy. Mind Maintenance pursue their inspirations on these instruments down similarly transformative paths. If some part of the 21st century isn't focused on destruction, but instead, locating a place where our traditions can work together in new ways to entertain and even ensure well-being, then that's just one more incentive for all of us to consider Mind Maintenance.

Ein klassisches und unverzichtbares Hi-Life & Afro Funk Album von einem der größten ghanaischen Sänger und Komponisten zum ersten Mal neu aufgelegt! Das fantastische, seltene Album des legendären Alhaji Kwabena Frimpong wurde 1984 in Deutschland aufgenommen und ursprünglich von Hamburg aus produziert und vertrieben. K . Frimpong wurde am 22. Juli 1939 in Ofoase im Ashanti - Akim Distrikt geboren und starb am 18. Oktober 2005 in Kumasi (Ghana). Er begann direkt nach der Grundschule mit der Musik, indem er sich "Star de Republic" und später "Oko's Band" anschloss. Danach wechselte er zu K. Gyasy's Band, wo er mehr als 6 Jahre lang arbeitete. Als produktiver Songschreiber und Sänger ist hier die Wiederveröffentlichung seines erstaunlichen Albums, einer modernen Fusion von Hi-Life und Soul. Den exzellenten Background liefern die berühmten Cubanos Fiesta mit Mitgliedern der Vis-A-Vis Band wie dem berühmten Sammy Cropper an der Gitarre oder Slim Manu am Bass. Ursprünglich von Atakora Mensah in Hamburg produziert, ist diese vier Songs umfassende Aufnahme eine Mischung aus tanzbarem und spirituellem Soul und geradlinigem Hi-life. Ein Must-Have-Vinyl des perkussiven Afro-Funks für alle Musikliebhaber. Abrabo ist ein wahres Meisterwerk, das so schwer zu finden ist, dass verrückte Fähigkeiten für eine anständige Kopie erschwinglich werden. Remastered von Frank Merritt bei The Carvery. Gepresst auf Replika Format. Vollständig lizenziert durch die Alhaji Kwame Frimpong Familie.

Jeder Song hat die Kraft, Erinnerungen wachzurufen und das Gefühl von Heimat durch Musik nutzbar zu machen: von der psychedelisch-funklastigen Single 'Something's Going On' bis zur kongregativen Energie des neuen Tracks 'We Give Thanks' verschmilzt 'Could We Be More' die Afro-Londoner Synergie, die so natürlich die Wärme und Identität von Kokoroko untermauert. Die Mehrfach-Preisträger Kokoroko sind auf soulige, bläserlastige Sounds mit westafrikanischen Wurzeln und Londoner Einflüssen spezialisiert. Sie spielten bereits auf vielen europäischen Festivals (von Glastonbury über Meltdown bis Elbjazz und Jazz á la Villette) und freuen sich darauf, ihre Reichweite in 2022 und darüber hinaus weiter auszubauen. Die Band trat in mehreren BBC-Fernsehshows auf, ihre beiden Boiler Room-Sets wurden zusammen fast eine halbe Million Mal angehört.

A hard rock mash up - Bandleader Paul Ngozi's split album with his drummer and co-vocalist Chrissy Zebby Tembo. The set includes an oversized 8 page booklet detailing Ngozi’s arc, rare photographs, discography and annotations.

"Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - New York Times

Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere. Zamrock came from a nation's youth carrying forth the momentum of a political and social revolution with a musical revolution that maintained the fiery power of early rock - in the mid-to late-70s. From that era, Zamrockís energy is matched only by the punk and hip hop scenes of England and America.

This volume "Caribbean Rare Groove" is an invitation to discover music from the cultural mixof the islands and countries located on the Caribbean Sea. From Haiti to the Bahamas via the French West Indies, this journey explores the traditional rhythms of Soca, Calypso or Biguine that musicianssuch as Gordon Henderson, Max Cilla or the group Skah-Shah have skilfully blended with Soul, Funk or Disco influences, creating a unique groove with multiple facets. Have a good trip!

Kondi Band return with their long-awaited sophomore album, 'We Famous' as Sorie Kondi, Chief Boima (INTL BLK) and Will LV join forces once more for another essential dose of Freetown freestyle.Following on from their 'Salone' album in 2016 and the massive single 'Yeanoh', the new recordings further hone the group's unique fusions of Sorie Kondi's inimitable vocals and the kondi thumb piano with intricate dancefloor electronics. The album was gradually recorded over a period of four years with Sorie on the road in Belgium, Spain and Canary Islands with the main production collaboration between Boima in Los Angeles and Will in London. The result is a varied and colourful set of tracks infusing Boima and Will's wide-ranging dancefloor influences. Infectious first single 'She Doesn't Love You' features guest vocalist Mariama Jalloh speaking home truths about rejection while future 4/4 dancefloor anthem 'It's God's World..' features a mighty bassline from prolific L.A. musician / producer Sweatson Klank. 'Sweetness Don Don' ramps up the dub and sound system energy while 'How Will It Be For Me In This World' sparkles on a bed of electronic textures and kondi lines.