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Daniel Lopatin has long been a mercurial figure in many music worlds: from vaporific eccojams to the leftfield pop of Ford & Lopatin, and the eclectic and esoteric influences of his output as Oneohtrix Point Never. 2020's Magic Oneohtrix Point Never distilled all these styles into a radio-themed retrospective, but it's his latest album Again that truly represents the incredible OPN sound, exploding and examining it at its raw, pure core.

Like the alluringly visceral artwork made by artist Matias Faldbakken, Lopatin clenches and crushes sound firmly in his fist, then outstretches it in his palm as he details life condensed into a nonlinear slipstream.

Again is a glorious return to abstraction informed by Daniel Lopatin's popstar detours, a thrilling joyride we'll be wrapping our brains around for a while yet.

Named after a metro station located in East Paris, Pointe du Lac originated in 2014 as the brainchild of analogue gear enthusiast Julien Lheuillier, joined shortly after by multi-instrumentalist Richard Francés, followed by Quentin Rollet on Saxophone a few years down the line. Les siphonophores des eaux froides et profondes de l'Arctique (“Siphonophores of the cold, deep Arctic waters”) is the project’s third studio album, the first one written as a three-piece as well as their first release on Hands in the Dark. Like the organisms the album title refers to, Pointe du Lac’s music is highly polymorphic and complex, using a subtle and distinctive blend of Electronica, Krautrock, Jazz and Kosmische as vessels for the band’s fantastic instrumental imaginary voyages. Compared to previous albums and EPs -which tended to suggest cosmic odysseys- this new cinematic outing is diving deep and intends to shed light on fascinating, mysterious and diverse creatures and their habitats. Supported by (paradoxically) warm and impeccable sonic forms, the exploration turns out to be an unsurprisingly expansive one, yet accessible and oddly familiar sounding. There is a sense of assurance and serenity in the French trio’s latest offering, the musicians mastery and open-ended approach to free ambient music lets their ideas flow and never stagnate. The narrative of this expedition is one that will be remembered long after the listening finishes.

Daniel Lopatin has long been a mercurial figure in many music worlds: from vaporific eccojams to the leftfield pop of Ford & Lopatin, and the eclectic and esoteric influences of his output as Oneohtrix Point Never. 2020's Magic Oneohtrix Point Never distilled all these styles into a radio-themed retrospective, but it's his latest album Again that truly represents the incredible OPN sound, exploding and examining it at its raw, pure core.

Like the alluringly visceral artwork made by artist Matias Faldbakken, Lopatin clenches and crushes sound firmly in his fist, then outstretches it in his palm as he details life condensed into a nonlinear slipstream.

Again is a glorious return to abstraction informed by Daniel Lopatin's popstar detours, a thrilling joyride we'll be wrapping our brains around for a while yet.