Rock & Indie 255 Items

"From The Graveyard" Is The Second Full Length Of The Occult Doom Band "1782". In This Album There Is A Leap In Quality As The Production Is Much Better Than The Previous Releases. Eight Tracks And 43 Minutes Of Pure Dark Doom, With Slow And Powerful Riffs, And Heavy And Massive Drumming. After The Recording Of "Doom Sessions Vol.2", The Band Immediately Enters The Studio And Records The Heaviest Tracks They Have Done So Far, And They Have Done It While Maintaining That Catchy State They Have Always Had. Here Too There Are Featurings, Nico Sechi On Organ (Hammond In "1782" And "Celestial Voices" In The Debut Album) And Alfredo Carboni's Synth. As In The Eponymous Debut Album, The Artwork Was Done By The Mighty Sscvlt. "From The Graveyard" Was Recorded, Mixed And Mastered In November 2020 By Alfredo Carboni At "Rks Studios" In Ossi, Sardinia (Italy).

Part 2 of the Abdoul El Omari trilogy. For the first time on vinyl.

The MY Life MY WAY album was originally released in 2011 by Nuclear Blast. Here is the official 2023 vinyl repress on Rebellion Records.

"Great Doubt" is the third full length LP by Danish composer Astrid Sonne. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On "Great Doubt" this skill is refined, now with the distinct addition of the composer's own vocal in front. The tone of each track is unmistakably Sonne's, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely highlighting different scenes or emotional states of being, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity, consolidated through the album title, searching for answers through looking at how and what you are asking, questions for the world, questions of love. The viola, a trusted companion since Astrid Sonne's youth, appears effortlessly throughout the album, fully integrated into the sonic universe; through a pizzicato driven arrangement in the poignant track "Almost" or along with booms and claps in mutated cinematic stabs during "Give my all", paraphrasing Mariah Carey's 1997 ballad. Yet the string section also gives way to explorations of woodwinds, counterbalancing the bowed movements with digital brass and airy flutes. Finally, beats and detuned piano are fresh additions to the soundscape, cementing how Sonne's practice is always evolving into new territories. In fall 2022, Astrid Sonne relocated from Copenhagen with its peers of artists such as ML Buch, Erika de Casier and Smerz, to live in London, where musicians of the South-East London scene like Coby Sey, Lolina, Still House Plants and Mica Levi provide a new inspirational framework. "Great Doubt" bears witness to both of those geographical locations, yet finds itself in its own unique space, in many ways due to the presence of Sonne's voice throughout. A voice that has always been present in her work, but never fully explored as a solo instrument before now. Astrid Sonne elaborates on the wish to work more in depth with the voice: "I come from a tradition of choir singing where I've used my voice as a way of creating unity with other voices. I've disciplined my voice in a certain way and this album is an exploration of me trying to find my own voice as an instrument, as a communicator, as a new way of being honest." Questions take up a central role throughout the album. The doubt is both a blessing and a curse, always lying in-between, acting as both what holds back and drives forward. A metamorphosis not going anywhere. The great doubt takes place in a space of courage, chances, love, loss, gifts and surprises

Black Marble Release Their Second Full-Length, It's Immaterial. Their First For Ghostly, It's Immaterial Follows Up Their Highly Acclaimed Debut Full-Length A Different Arrangement (Hardly Art/October 30, 2012). Still Featuring Stewart At The Helm Along With Select Collaborators As Supplementation, The Band's Recent Shift In Locale From East Coast To West Coast Lends A Great Deal To The Overall Feel Of The New Album.Pulling From The Pre - "Simply Irresistible" Days Of Early Robert Palmer And First Wave Pioneers Such As Silicon Teens, Iron Curtain, Lives Of Angels, And Solid Space, Black Marble Dialed In On A Clear Understanding Of Its Own Specific Sound, Showcased Most Clearly On This New Release With Stewart Becoming More Comfortable In Being Clear With What He's Trying To Say, Both Subjectively, In Terms Of The Stories He's Telling And The Things He's Willing To Talk About, And Object...

Includes two bonus tracks.

Along with Bikini Kill, Bratmobile spearheaded the riot grrrl revolution of the early 1990s, battling the long-standing dominance of men within the punk rock community to help empower a new generation of female musicians and fans. Comprised of singer Allison Wolfe, guitarist Erin Smith, and drummer Molly Neuman, Bratmobile made their debut at 1991’s International Pop Underground convention; after a handful of singles—with members spread out between California, Washington, and Maryland, recording was a logistical nightmare—the trio finally released Pottymouth in 1993. – By Jason Ankeny, Allmusic.com

Athen's CHAIN CULT return with their first full length following a great Demo and 7" from last year. Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT's post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI_ Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

(Clássicos Em Vinil) Reissue on 180 Gram vinyl by Polysom (Brazil, 2019)

Limited edition on 180 gram wax!