Electronic & Dance Vinyl LP 9577 Items

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2024 | Original (Axis)

Jeff Mills

The Eyewitness

LP | 2024 | Original (Malmö Diskografiska)

Release: 2024 / Original

Genre: Electronic & Dance

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The Eyewitness is the forthcoming album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is anadmission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable - handed down and passed over to one another disguised as righteous theatre.

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Filt

Maximal Minimalism

20,99 €*

2xLP | 2024 | EU | Original (Activities Be)

Release: 2024 / Original

Genre: Electronic & Dance

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FILT är the Ark-keyboardisten/producenten Jens Anderssons instrumentala musikprojekt. FILT bjuder på sitt nya album "Maximal minimalism” in lyssnaren till ett musikaliskt rike där elektroniska ljudlandskap, akustisk värme och fängslande melodier vävs samman i en förtrollande mix. Omslagsbilden är tagen av fotografen Peter Westrup och motivet är sten från Kullaberg fotograferad genom mikroskop så det vi ser är kristallerna i stenen.
Debutalbumet ”Över frusen vän” släpptes 2022 fick ett mycket fint mottagande och blev bland annat utsett till ett av årets bästa album i Sonic Magazine.
På nya albumet får syntar och elektronik ta större plats men det akustiska finns hela tiden närvarande som en motpol. Tvärflöjt, saxofon, stråkar, gitarr, trummor och kontrabas kontrasterar det elektroniska genom hela skivan.

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Electro Nation

Slave To The Machine

In The Half Light Black Bio Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Right for the 30th anniversary of his Electro project Electro Nation, Thomas P. Heckmann returns with a brand new album on his mates label Activities Records from Brussels with a stunning album artwork by Elzo Durt ! Slave To The Machine is a full story throughout the album about an ordinary life that is down to all things being controlled by machines, internet and digits, just to escape and meet the machine at he end... And the end is obviously open."

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Swim Surreal

LP | 2024 | EU | Original (Make)

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-06-21

LP | 2024 | EU (Acid Waxa)

Joe Howe

Debossed

Release: 2024 / EU

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (PIV)

Ruze

Journey

Love, Care, Kindness & Hope

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Since being identified as a rising star by PIV label head Prunk in 2023, Ruze has consistently proven their talent and captivated audiences across the music scene. With endorsements from industry heavyweights and a remarkable rise to becoming Beatport's best-selling artists in the Minimal Deep Tech genre, Ruze has solidified their position as a force to be reckoned with.

The anticipation for Ruze's debut album has been building, fuelled by the success of their hit singles 'Mister DJ' and 'Trip.' These tracks have garnered widespread acclaim, showcasing Ruze's ability to blend infectious rhythms with innovative sound design, setting the stage for the release of their full-length album.

'Journey LP' is a culmination of Ruze's musical evolution, offering listeners an immersive experience that transcends boundaries. From mesmerizing melodies to pulsating beats, each track takes listeners on a sonic voyage.

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Fred Everything

LP | 2024 | UK | Original (Lazy Days)

22,99 €*

Mizukara Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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One day early in the global lockdown, Frédéric Blais scribbled four words on a Post-It note and pinned it up in his studio. When he headed to a studio in the mountains north of Montreal to start work on his fifth album as Fred Everything, those words went with him. They would not only provide inspiration during two weeks of isolated music-making, but ultimately provide the subsequent album with its title: Love, Care, Kindness and Hope.

Those sentiments – a positive mantra during a period of personal and collective vulnerability and isolation – resonate throughout the album, a gorgeously warm and beautiful affair that counts as Blais’s most personal, musically expansive, mature and sonically detailed set to date.

While each of the tracks began as a rough sketch laid down during Blais’ retreat, they evolved considerably over the months that followed. Blais reached out to a handful of carefully selected guest vocalists and collaborators, including Stereo MC’s, Robert Owens, Sapele, James Alexander Bright, Wayne Tennant, string arranger Pete Whitfield and multi-instrumentalist Finn Peters. He also lent his voice to several tracks, a first in a career that stretches back to the 1990s.

The results are magical, with Blais not only offering subtle variations on his own trademark deep house sound, but also nods to complimentary music styles and classic electronic albums from the late ‘90s and early 2000s.

Naturally, much focus will fall on the album’s high-profile guests, whose contributions work perfectly with Blais’ cultured dancefloor electronica and soul-soaked broken house grooves. Robert Owens – “the voice of house” himself – expertly delivers lyrics full of compassion and reassurance on recent single ‘Never’, Sapele infuses ‘A Long Time Coming’ with lashings of soulful spirituality, and UK hip-hop/soul legends Stereo MC’s make their presence felt on the subtly Latin-infused dub house excellence of ‘Soul Love’.

Then there’s ‘Breathe’, where UK singer-songwriter James Alexander Bright and backing vocalist Wayne Tennant rise above punchy broken house beats, Blais’ trademark square-wave bass and Pete Whitfield’s swelling strings on ‘Breathe’. By the time kaleidoscopic, sun-down breakbeat brilliance of ‘A Good Day’ arrives to draw proceedings to a close, you’ll be overflowing with Blais’ “love, care, kindness and hope” – just as he intended.

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Masaya Ozaki

LP | 2024 | EU | Original (Laaps)

LP | 2024 | EU (Monument)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After releases on Eilean rec., Dinzu Artefacts and Iikki, the fourth album by Masaya Ozaki, "Mizukara", is presented by Laaps. A beautiful immersion in the variety of his sounds imprints, using some field-recordings, electro-acoustic and textures to give his excellence to the ambient range.

Masaya Ozaki is a New York/Iceland-based composer born in Niigata, Japan. His work examines the idea of space as a transient entity, the subtleties behind small moments, the sensitivity of the ephemera, and the future of sound in an exceedingly materialistic world. He often finds inspiration in nature, the fragility of human interactions, and the momentums behind them. Masaya's artwork materializes as field recordings and compositions for ensembles, film, dance, visual, and experimental arts.

"This Album is a reflection of my current life in Iceland. Where does the self begin and where does it end?"

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D Leria

Multiverso

20,99 €*

Release: 2024 / EU

Genre: Electronic & Dance

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LP | 2024 | EU | Original (PlaneIII)

R J C

Shadow & Substance

Vmo Aka Violent Magic Orchestra

Release: 2024 / EU – Original

Genre: Electronic & Dance

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produced between 2008-20i4 - accomplished 2024 tribute to Michel `Soulphiction` Baumann twenty-four thousand at the eight gate

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Death Rave

LP | 2024 | EU | Original (Never Sleep)

LP | 2024 | UK | Original (Ampoule)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance. Full description VMO aka Violent Magic Orchestra break through the darkness and herald a spectacular mould-melting sound on their forthcoming album Death Rave.

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance.

Ahead of the release VMO have brought their digital harcore to festivals around the globe, including Roadburn Festival, Bang Face Weekender, Brutal Assault extreme music festival, Le Guess Who?, CTM Berlin and Dark Mofo. Their performance is the ultimate extreme visual music project in which techno, black metal, and industrial unite to create a ritual from the near future, 2099. All visual art and stage setting is provided by non-touring member, artist and programmer Kezzardrix (who has been visual director for millennium parade and Babymetal previously).The power consumption of a VMO show is equivalent to 56 guitar amplifiers, 5000w, a mind-expanding supreme noise and light experience.

The band members all go by the names of classic black metal bands rendered in the Japanese katakana script; “ダークスローン”; “メイヘム”, and “エンペラー”. Their new LP is the first to feature lead vocalist ザスター. The record features guest vocals from extreme metal icon Attila Csihar, known for singing with Mayhem and Sunn O))). Other featured artists include Dylan Walker, singer of Full of Hell, punk-techno artist Infinity Division (aka Ash Luk), Icelandic darkwavers Kælan Mikla and Ican Harem of Gabber Modus Operandi.

The result is a leap forward from their 2016 debut, where they have found a singularity where death metal meets Kraftwerk, or Rephlex goes black. Dressed in corpse paint and other hell-raising looks, onstage they are like “Shinigami (death gods) from the Death Note manga”. Singles Venom, Supergaze and Martello Mosh Pit featuring Gabber Eleganza have been released in the lead up to the record and have been shocking techno dance floors too with their hi-NRG-symphonic doom-gaze. They have shared their video for Planet Helvetech (here), created by Berlin-based Patrick Defasten. Helvetech combines the Norwegian word for hell (hevlete) with techno and is a reference to the infamous black metal shop founded by Mayhem’s Euronymous. It’s a song that imagines time travel from 2099 on the planet Helvetech (where VMO comes from) to 1990s Oslo. In 2023, they performed at the CTM festival in Berlin, as well as at Berghain, receiving rave reviews. At Sydney’s leading multi-sensory Soft Center festival they drove the crowd into a frenzy on the 17 metre X 30 metre jumbo screen. They have also collaborated with artists, performing at the two day installation by the trailblazing Tianzhuo Chen - The Shepherd - at the Kyoto International Performing Arts Festival in 2021 here. At Sónar 2023, VMO provided the music for Taiwanese visual artist Yuen Hsieh’s work about virtual life after death Digital Afterlife Agency here. VMO will tour the world again for the new record, with appearances at Roskilde and media art and music fest Sónar 2024 announced so far and the Death Rave experience getting bigger and bigger.

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Pub

Process The Wise

Océan Oublié / Assordante

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Pub emerges from the mists to follow the 'Autumn' ep with his first album of new music in over a decade. 'Process The Wise' LP. A selection of tracks that are deeply lustrous and magical, equally measured yet wandering, with complimentary harmonics & scattered chaos. An inexplicable vibe, liquid feelings for endless summer nights.

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Junee

LP | 2024 | EU | Original (Stone Pixels)

LP | 2024 | UK | Original (Rocket)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Junee (Fhunyue Gao and Zoé Sjollema) is an encounter between a violin, a theremin, two voices and two synthesizers. An intimate investigation into the formation of the duo, which mirrors the take-off into imaginary worlds, sometimes obscure, sometimes celestial. The point of friction between experimental and pop opens up in-between worlds of melodious stories, non-places and sonic squeaks. After several successful concert tours since 2021, the duo were keen to work on a first musical release bearing the name Océan Oublié / Assordante and containing seven songs of different lengths and stylistic colors for a total duration of 30-35 minutes. The album was recorded in Geneva by Augustin Sjollema and was developed on the compositional foundations already acquired, during residencies at Smem (Swiss Museum Of Electronic Music) and « Südpol Theater Luzern » and will be released provisionally in spring 2024, on the Geneva-based label Stone Pixels Records.

Océan Oublié / Assordante will represent the first official release of the Junee musical project. The two-part title evokes the very source of the duo's thinking around the concept of duo. A project with two names, an interstice between two universes, a two-sided album: on one hand, Océan Oublié tends towards melancholic pop, and on the other, Assordante is more experimental and theatrical approach to the « Junee » Sound.

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Ex-Easter Island Head

Norther

Church Andrews & Matt Davies

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In meteorology, the word Norther refers to a cold wind that blows down from the north. For Liverpool’s Ex-Easter Island Head, it’s also an apt title for the strange and multi-faceted sound of their new album that now descends upon the world at large: ever shifting, a multiplicity of sounds both acoustic and manipulated, and yet one that still moves as part of a single mighty breeze. At times it might recall the experiments of Rhys Chatham and Glenn Branca, the widescreen beauty of The Necks, the relentless experimentation of Arnold Dreyblatt or the boundary-pushing roster of Kompakt Records, yet ultimately this is music that has no direct compare. Each of its six pieces demonstrates a different creative process. On blossoming opener ‘Weather’, whirring motors dance fairy-like atop strings and drums; on the dizzying ‘Magnetic Language’ voices are played back through phones and amplified through pickups made of magnets wrapped in copper wire; the title of ‘Golden Bridges’ refers to the brass rods the band shift beneath the strings of their guitar. All, however, tap to one degree or another into that abiding theme of the weather. Norther is Ex-Easter Island Head’s first studio album since 2016, a time spent on collaborations and one-off performances with everyone from classical musicians and fellow experimentalists to schoolchildren. “All of the projects we were involved in between 2016 and 2024 have expanded the boundaries of what we do by exposing us to a huge variety of instruments, personalities and ways of working. It's really allowed us to see the purity of making music with a four-piece group,” says the band’s Benjamin D. Duvall. That status as a quartet is a new one, with the addition of longstanding friend and collaborator Andrew PM Hunt. Having a member of the band handling recording and mixing helped them push further and further into sonic territory that until Norther remained entirely unexplored – not just by Ex-Easter Island Head, but by any other band on earth.

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Yucca

LP | 2024 | EU | Original (Odda)

LP | 2024 | EU | Original (Oraculo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Church Andrews and Matt Davies weave intricate patterns from Fibonacci sequences on new mini-album, Yucca. Producer and composer Church Andrews (aka Kirk Barley) and drummer Matt Davies return to explore the outer limits of rhythm on a six-track suite that is at once angular and fluid, natural and systematic. Drawn to the restrictions of working solely with one synth and live drums, the pair found creativity in limitation, developing a compositional dialogue between the sonic timbres of Kirk’s productions and Matt’s percussive practice. Evoking the primitive yet complex form of the plant from which it takes its name, Yucca features tracks that are built around rhythmic ratios of the Fibonacci sequence. Mirroring spiral patterns exhibited in nature, each track evolves like a cellular structure of its own, from the livewire syntax of ‘Chirp’ and the deconstructed ebb and flow of ‘Ferns’, to the mini-album’s title track, where crisp grooves flit between modulated electronics like fireflies. “I’ve always been inspired by music that is complex without sounding complex,” Matt explains. He maintains a sense of bounce amid the intricate phrasing and cites drummers Roy Haynes and his grandson Marcus Gilmore as inspirations, alongside sabar drummers from Senegal and Mridangam drumming of South India. With a shared background in hip-hop and the swung beats of J Dilla and Flying Lotus, Kirk Barley and Matt Davies were also inspired by the minimalism of Terry Riley and the sparse palette of dub techno. Written and recorded in Lewisham in the spring and summer of 2023, Yucca follows the release of Axis in 2022, with the duo having also performed at festivals such as Rewire and Waking Life, and recorded live sessions for Fact magazine and Worldwide FM. The third release on Yorkshire-based Odda Recordings, following Kirk Barley’s Marionette and Flaer’s Preludes, Yucca confirms the label’s reputation for championing music on the unstable ground between the organic and the synthetic.

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Jäger 90

Rückspulen

LP | 2024 | EU | Original (Oraculo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jäger 90, from Germany, stands as one of the last genuine bastions of body music, akin to DAF or Liaisons Dangereuses. Their album “Rückspulen” provides an hypnotic sonic experience characterized by simple yet powerful instrumentals, where acoustic drums intertwine with deep square wave monophonic basslines to create an immersive and intense atmosphere. Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid White vinyl and an Extra Serie of 100 copies in solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). Includes inmediate digital download.

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Bedroom Talks

Call Me Malespero

Forget To Remember Blue W/ White & Red Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Bedroom Talks, hailing from Ukraine, is a gifted solo artist whose music, delves into an eclectic blend of genres including coldwave, darkwave, synthwave, post-punk with touches of EBM. “Call Me Malespero,” produced during Ukraine’s shelling, captures the essence of his art in a unique and moving way. It’s a powerful testament to human resilience and the ability to find beauty even in the darkest moments, evoking a range of emotions from pain and anger to palpable sweetness, all woven into poetic lyrics and enveloping melodies. Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). Includes inmediate digital download.

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At 1980

LP | 2024 | US | Original (Newretrowave)

Forget To Remember Blue W/ White & Red Swirl Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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At1980 are back with another immense release that may be there best yet. Featuring the melodically additive anthems "Back to Me" and "Pieces of Me", Forget to Remember is album that promises to keep you pressing that replay button and belting your heart out. This is a must listen for all synth lovers and AOR enthusiasts. Enjoy.

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At 1980

LP | 2024 | US | Original (Newretrowave)

LP | 2024 | EU | Original (Unterschall)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Shosta

Wandel

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Unterschall)

Nici

Return To Glory

Release: 2024 / EU – Original

Genre: Electronic & Dance, Pop

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LP | 2024 | UK | Original (Pal Joey Music)

Pal Joey

Hear

LP | 2024 | UK | Original (Agent Anonyme)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NYC dance music legend Joey Longo has been a part of the dance music soundscape for those in the know from way back when, his first records surfacing in 1989 under a variety of monikers and on a slew of labels out of NYC. Some (Cabaret, Loop d'Loop, Foot Stompin') were his own, others (Underworld, Maxi, Minimal) not, but the they always came bearing the credit 'produced by Pal Joey'. Joey hit the heights early on, as one of his earliest records, Dance (as Earth People), went big in dance music terms. If you were raving in the early '90s chances are you will be getting flashbacks from 'Dance', as it was played across a number of scenes. A deeper 'beats' mix features on this gem of an album, his first in over 10 years, along with a perfectly selected blend of classic cuts, new versions and remixes and unreleased wonders. Mastered to perfection, but keeping his raw New York style.

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Daphne Guinness

Sleep

Dawn Chorus And The Infallible Sea Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance, Pop

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Recorded at British Grove and Abbey Road studios, Daphne Guinness’s fourth album, Sleep, is unlike anything Guinness has produced before. Contemplative, self- reflective, and personal, it represents her most beguiling body of work to-date; a sleek sophisticated experience enhanced by an array of esoteric creative touches, complementing its dancefloor rush.

Mixed by Ricky Damian, known for his work with Lady Gaga, Adele, Georgia Smith, Dua Lipa, her creative connections include long standing collaborator Malcolm Doherty and Tony Visconti (who scored the album’s strings).

The album’s scale is further amplified by collaborators, including Guy Pratt (Madonna, Michael Jackson) and Rob Shirakbari (Burt Bacharach, Dionne Warwick), plus a 34-piece string section.

The scope of her associations extends far beyond the core album. Daphne collaborated with Nick Knight of SHOWStudio for the video to early single ‘Hip Neck Spine’, and with the iconic filmmaker and photographer, David LaChapelle for the current single ‘Volcano’.

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Reveries

LP | 2024 | EU | Original (Sonic Cathedral)

22,99 €*

Unknown Fate White Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Reveries is Zach Frizzell, Marc Ertel and Damien Duque’s first album for over three years, and follows the success of their debut Liberamente. Together, the trio craft delicately textured and slowly unfurling sonic vistas, occupying a unique aural domain that lies between guitar-driven drone music and modern classical compositions.With their individual projects they are incredibly prolific, but Dawn Chorus releases are few and far between and Reveries represents a refined evolution, leaning more heavily toward string-based arrangements and compositional virtuosity. It is the very essence of what they are calling “dronegaze”, pushing the boundaries of the ambient genre while embracing a profound auditory expression. According to the trio, the six, long tracks on Reveries are “heavily reliant on improvisation, intuition, and allowing the compositions to exist in their own moment; the aim was a feeling of fluidity and a sense that every instrument has its place and purpose”. And they’re right. The opening title track emerges quietly in a swirl of strings; lead single ‘Deus’ eases its fittingly reverent grain into a glorious minor-key immensity; ‘Cadere’ pulls together a cast of orchestral instruments into a comforting devotional; ‘Somnium’ plays out in diffuse, shimmering melodic rounds; ‘Vale’ blossoms from a pair of sparse, alternating chord swells; and ‘Aufero’ is the perfect coda that reprises the low-end rumble of the album’s overture before being swept away on a sea of dissonance. “We live in an era of infinite distraction,” says Zach Frizzell, “where often the most valuable thing you can find is a respite for the soul.” How right he is. This, truly, is music from a higher place.

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LP | 2024 | UK | Original (Kick To Kill)

LP | 2016 | EU | Original (Nakama)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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‘Unknown Fate’ is the debut release from UF - the collaborative live project between German experimental techno artist Oake and British producer and live performer Samuel Kerridge. Self-described as the ‘power metal techno’ duo, the project was initially born from an Atonal commission. Now, Oake & Kerridge present two EPs ‘Unknown’ and ‘Fate’, culminating in 9 tracks of unadulterated sonic warfare for their LP release. Of the project UF say "Forged through friendship, addiction, and debauchery, UF is the sum of our parts. It’s taken over a decade to formulate these ideas and the noise is palpable. Pack your end of world survival bags and prepare yourselves for the ensuing riot.” Samuel Kerridge and Oake started creating music together when they shared a studio in Berlin and have been making music together for a decade. This is the first time that they have released music as a duo and it’s been a long time in the making.

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Filosofer

Landet Er Gitt Oss

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2021 | EU | Original (Motvind)

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Maja S.K. Ratkje

Vannstand

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2018 | EU | Original (Conrad Sound)

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Moe / The Observatory

Shadows

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Mad But Soft Green Vinyl Edition

Mecha Maiko

LP | 2018 | US | Reissue (Newretrowave)

Verbosonies & Phonographies

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Presenting the multi-talented force that is Mecha Maiko, who is also known as Hayley Stewart, and previously one-half of Dead Astronauts. This debut span many sounds influenced by many cultures and synth implementation. The overall effect is killer sonics and a fresh sound we have been waiting for. Mad But Soft is a solid debut for Mecha Maiko, and all retro lovers and synth maniacs alike will enjoy this album.

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Hemann Damen

LP | 2024 | EU | Original (Alga Marghen)

39,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (RhIno)

Now Playing

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Glimpes Of Infinity Ocean Blue Vinyl Edition

Laraaji

LP | 2024 | US | Original (Numero Group)

Can You Hear Me Dreaming? Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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An overview of Laraaji's earliest works, "Glimpses of Infinity" gathers selections from his 1978 debut "Celestial Vibration"and six additional studio sessions from the era. Full of discovery and wonderment, "Glimpses of Infinity" is a miraculous chronicle of new age's most fabled artist.

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Kucka

LP | 2024 | UK | Original (LuckyMe)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Kranky)

Belong

Realistic IX

39,99 €*

LP | 2012 | EU | Reissue (Jumpin & Pumpin)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft.

Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk and microtonalities, electricity liberated back into infinite night.

Although it’s been thirteen years since Belong’s prior Kranky offering, Common Era, none of the duo’s rare synergy has decayed in the interim. Jones and Dietrich’s commitment to oblique states of motorik drone and liminal emotion continues to evolve and unfold, increasingly tactile and unreal, an alluring glow glimpsed through fogged windows at witching hours.

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Future Sound Of London

Environments Volume 4

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Fréquences Critiques)

Dottie Doppler

Plays Dottie Doppler

2LP | 2024 | EU | Original (Minuswelt)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dottie Doppler is a three-headed entity. When she comes to life, she manipulates modular synthesizers, and throws acoustic waves in every directions, with textures that rub, pulsations that bounce, coil and weave together. Then emerge stimulating ballets for tremulous electrons, punkoid nanoparticles that are thrilled to escape from the silence of printed circuits. In her sonic playground, Dottie plays with her world of very little troublemakers she invites to dance, intertwine and resonate together, tearing through the ether with their dazzles. Dances that fréquences critiques is proud to present for the first time, on vinyl and digitals. Dottie Doppler is made up of three members who have already performed under the names of Blason (on the program of the forthcoming Présences électroniques, organized by INA Grm), Napalm Jazz (soon to celebrate its 25th anniversary with a french tour), as well as A/n/t/i/o/p/e, Ero Babaa, Blase of 69, Oïmiakon, Bison Skull Mountain, etc., and whose recordings can be found on top-quality labels, such as Scum Yr Earth, Tanzprocesz, Vice de forme, Galerie Pache, Notype, Decimation sociale, among others.

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In Strict Confidence

Cryogenix

41,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Basso Presents: Sitting In Trees

LP | 2024 | EU | Original (International Feel)

Infinite Forme Di Salvezza

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.

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Verrone

LP | 2024 | EU | Original (Disordine Dischi)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Virgin)

Stabber

Trueno

43,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (1901 Artist)

Richard Benson

24 Back To 84

48,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2024 | Original (Spaced Repetitions)

Manuel Tur

Intertextural

LP | 2024 | Original (Circus Company)

Release: 2024 / Original

Genre: Electronic & Dance

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On "Intertextural", Manuel Tur delves into more cinematic ambient and trip-hop realms, reminiscent of short interludes from 1990s classic electronica albums. 12 tracks of shifting beat structures, meandering loops and interlocking dubs, oscillating between sample-based and digital textures, form an atmospherically dense tapestry already familiar from Tur's productions for the dance floor.
Originally recorded in the midst of the Covid 19 pandemic and self-released as a digital-only album, "Intertextural" is now available for the first time in a physical format, specially remastered and cut to 180g vinyl.

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Ezechiel Pailhes

Ventas Rumba

Tribulations Extra Sensorielles

Release: 2024 / Original

Genre: Electronic & Dance

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With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized.
The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia.
A new piano: the Una Corda
Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames.

The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories

Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy.

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La Funk Mob

LP | 1996 | EU | Reissue (Love Supreme)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | US | Original (Innovative Leisure)

Maria Chiara Argiro

Closer

2LP | 2024 | Original (A.r.t.less)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Maria Chiara Argirò's album "Closer" departs from her prior work, fueled by an indescribable, dreamlike feeling. The album's core duality of blurred lines and clarity reflects Argirò's philosophy. A philosophy encapsulated in the urgency of her production process and the unique lucidity with which she weaves ambient, dance, jazz, and experimental pop seamlessly together. The album defies easy definition, emphasising an inner self-discovery process, detached from external influences, not only breaking sonic ground but signifying a deeply personal journey, anchoring Argirò to her creation. Argirò has previously seen critical success with support from Pitchfork, The Fader, Flood, Brooklyn Vegan and Clash Magazine.

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Convextion

R-CNVX2

LP | 2024 | US | Original (Star Creature)

Release: 2024 / Original

Genre: Electronic & Dance

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Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).

Cover illustration by David A. Hardy. Mastered by Redshape.

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Donnell Pitman & W.O.S

Brand New Funk

LP | 2024 | EU | Original (Mondoj)

Release: 2024 / US – Original

Genre: Electronic & Dance

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In a remarkable culmination of a nearly five-decade-long career, Donnell Pitman finally graces the music world with his debut album. While Pitman has long been revered among rare groove and deep crate diggers in the Windy City, it's the resurgent charm of 'the Chocolate Lover' that has undeniably become the defining chapter of his illustrious career, gaining momentum since the 2010s. His popularity continues to soar each year, propelled by new records, reissues, remixes, and notable placements in hit TV shows such as Stranger Things, Atlanta, Snowfall, and Southside. This milestone marks his 5th venture with the esteemed Chicago label, Star Creature. Seven track LP with a full picture sleeve.

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Antonina Nowacka

Sylphine Soporifera

Giovanni Di Domenico, Pak Yan Lau, And John Also Bennett

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Air is the central element in Antonina Nowacka's third solo album Sylphine Soporifera. The title names an imaginary species and the land they inhabit, inspired by the unreal desert landscape of Paracas and the undulating tree-less hills of the Outer Hebrides, and comes from the writings of Rudolf Steiner, who describes creatures called Sylphs as the spirits of the air, and the Latin word sopor which means deep sleep.

As with all her releases, Nowacka's other-worldly vocals coming as if from beyond the veil, at once haunting, alien and utterly entrancing. "The voice is the most beautiful and resonating instrument,” she says. “When I sing I feel I create a field in between myself and the air in front of me," she explains. "It is not just that I'm singing – something in the space in front of me is happening, and I merge with this sphere.”

She conjures and is inspired by open environments and infinite landscapes: places full of light and air, manifested here in the sound of ocarinas from Budrio in Italy, whistles from Mexico, simple bamboo flutes from Nepal, alongside tremulous zithers, synthetic Hawaiian sounds from a vintage organ and the uncanny wind instrument presets from a 90s synth.

Nowacka’s first album was informed by vocal sketches made in caves in Indonesia, later recorded at a fortress in Poland; she studied Hindustani music in India with vocalist Shashwati Mandal, fell in love with early Cumbia in Mexico and Peru, and has more recently found inspiration in the landscapes of Italy. Hers is a new New Age soundworld that finds its origins everywhere and nowhere. Sylphine Soporifera gathers these sounds, visions and experiences into an album permeated with a sense of hope and fulfilment, that feels like sitting in an enlivening white beam of afternoon sunlight, as dustmotes swirl in the stillness.

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Tidal Perspectives

LP | 2024 | EU | Original (Editions Basilic)

LP | 2024 | EU | Original (Hands In The Dark)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This album’s four parts are a rippling alchemy of processed Rhodes piano, sizzling ceramics, and liquified bass flute, a rare meeting of three unique voices from the contemporary music landscape that manages to flow with the effortless inevitability of the oceanic tides. The album’s title track and climax, the eighteen minute »Tidal Perspectives«, drifts in with some kind of clarity, Lau’s glinting tonal waves edging in just beyond the horizon lines drawn by Di Domenico’s Rhodes and Bennett’s bass flute

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Mondkopf

Waves

22,99 €*

Det Foranderlige Instrument Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mondkopf, the brainchild of Paul Regimbeau, returns to Hands in the Dark with ‘Waves’, five years after his label-debut ‘How Deep is our Love?’. The French producer’s 9th album features two time-stretched, profound analog-textured pieces based on the physical and emotional swaying motion suggested by its title and recorded during some concerts played in the summer of 2019.

The first track was performed at a secret gig in the Vincennes woods in Paris, accompanying a group of Sufi dancers lead by Rana Gorgani, as part of a video project curated and filmed by Vincent Moon. It offers some powerful harmonic drones, subtly building up and flourishing with intensity, accompanying the dancers as they push themselves to their limits.

The second piece, which extends the cosmic and lofty encounter, was played as the live soundtrack for a short documentary 'Volcano: What Does a Lake Dream?' by filmmaker Diana Vidrascu, as part of the Walk & Talk festival in Ponta Delgada, Azores. Mondkopf's composition serves here as an adventurous and reliable guide through three parts, perfectly complementing the vibrant imagery of the sea and volcanoes found in the Portuguese archipelago.

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Anders P Jensen

LP | 2024 | EU | Original (Escho)

Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Det Foranderlige Instrument" music for 24 Yamaha Dx-7 synthesizers by Danish composer, musician and teacher Anders P Jensen. Departing from its iconic 80s pop sound, Anders P Jensen breathes new life into the Dx-7, leveraging complex instrument preparations inspired by musical luminaries like Harry Partch and Björk, resulting in mesmerizing electronic symphony across 12 movements, where the instrument evolves autonomously, challenging conventional notions of composition. Besides Anders P Jensen on synthesizers, the album also features Zhang Yu on guzheng. "Study No. 11" is composed by Conlon Nancarrow, here arranged for the Dx-7s. "Det Foranderlige Instrument" which translates as "The Ever Changing Instrument" is Anders P Jensen second release on Escho.

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SIHR

LP | 2024 | EU | Original (Sub Rosa)

Christopher Trapani / Larry Polansky

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sihr: sonic manifesto by a post-anything quartet feat. multi-instrumentalists from the Mediterranean inland Sea. New folklore for a devastated planet, including Frédéric D. Oberland (Oiseaux-Tempête), Grégory Dargent (H), Tony Elieh (Karkhana) & Wassim Halal (Polyphème).

After a few concerts/screenings improvised as a duo in Cairo and Beirut, as well as for the Rencontres d’Arles, the Lille photography center and the Belgian magazine Halogénure, Dargent and Oberland have teamed up with mavericks Elieh and Halal for a puzzling cross-border manifesto. The first sonic moves of this eclectic quartet, made in a bunker studio somewhere between Paris and Berlin, urgently took the form of a quest, that of a neo-folklore for troubled times, a music seeping with many kinds of atavism and experimenting in all directions. A fertile no-man’s-land where trance and contem- plation, jazz and electronica, acoustics and electricity would merge in a stimulating mystical magma.

From the possible emergence of a Babelian language to the shared desire to rediscover music as a ceremonial act, this encounter took place over three days of improvised sound bacchanalia, the phases of which were all recorded by Benoit Bel (Zombie Zombie, Thurston Moore Group, Oi- seaux-Tempête). A hallucinated and generous testimony, Sihr is a synergy of many different worlds and many different possibilities, the sonic vision of a present conjugated in a hybrid tense and exalted by too many tangos danced on the glowing ashes of our days.

Multi-instrumentalist & photographer, Frédéric D. Oberland has been leading the Oiseaux-Tempête collective for over ten years, lying somewhere between avant-rock and free jazz, repetitive music and electronics. Founding member of the bands Foudre! and Le Réveil des Tropiques, he’s also perfor- ming solo and composing soundtracks for cinema and installation art. Since 2018, Oberland co-cu- rates the Nahal Recordings imprint alongside producer Mondkopf.

Electric guitarist, oud player, composer and photographer, Grégory Dargent cultivates his musical schizophrenia and identity through improvised music, trance music, jazz, hijacked maqam, repeti- tive music, pop, electro-acoustic installations and French chanson. From L’Hijâz’Car to Babx, from Berber singer Houria Aïchi to Rachid Taha, from Trio H to Sirventés enragés, from music for images to contemporary choreography, from the most acoustic of ouds to the most nuclear of guitars, he conducts, accompanies, composes, deciphers, questions, delves, makes mistakes, bounces back, ar- ranges, orchestrates and tirelessly shares his creative passions.

Tony Elieh is one of the pioneers of experimental music in Lebanon. A founding member of the first post-rock group of post-war Lebanon, The Scrambled Eggs, he has since developed his unique elec- tric bass skills in various groups and styles of music including collaborating with in groups such as Karkhana, Calamita and Wormholes Electric. Relocated in Berlin in recent years, he has performed a solo set of heavily processed bass generated sounds.

Is Wassim Halal only a darbuka player? Maybe !? But what about his music, compositions, ideas. You can find him with Polyphème playing and co-composing popular-contemporary music with Gamelan Puspawarna, or next to the french bagpiper Erwan Keravec, with the Bey.Ler.Bey trio (w/ Laurent Clouet & Florian Demonsant) working on an improvised-balkan-already-improvised-music, with per- formers and drawers Benjamin Efrati and Diego Verastegui, with Gregory Dargent and Anil Eraslan in H, creating a new pedal generating »Random taksim«, composing his own »Poème Symphonique pour 100 youyou« or composing pieces for ensembles.

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American Lament

LP | 2024 | EU | Original (Sub Rosa)

LP | 2024 | EU | Original (Blickwinkel)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Radical renditions of works by Larry Polansky and Christopher Trapanido, by Liesa Van der Aa and Tom Pauwels. The reworks do not distort the more upbeat rhythm and tradition of folk songs, but rather reveal and highlight the essence of hard lives, imposed choices - choices that were illusions in the first place - and the difficult times and conditions they have always depicted

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Francis Plagne

Asleep In A Beached Boat

LP | 2024 | EU | Original (Cafetra)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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blickwinkel welcomes composer and multi-instrumentalist Francis Plagne to the label with a reissue of Asleep in a beached boat, an album that was initially released on his own Mould/Mouse Museum label in 2021 on cassette. The album was mostly given away to friends but now gets a wider release through a limited vinyl and digital edition.

Gentle melodies set an airy atmosphere and are intertwined with tensive dialogs between rhythms and textures coming from a wide array of acoustic and electronic instruments. Stylistically somewhere in between his Rural Objects (Black Truffle) and Udge (Horn of Plenty), on the eleven tracks on this album we hear Plagne in his most playful way to date.

Francis Plagne is a musician from Melbourne, Australia whose work swings between songwriting and a variety of other approaches, including group improvisation, instrumental abstraction, and domestic musique concrète. He performed live regularly since 2005 and has released recordings on labels such as Black Truffle, Horn of Plenty, Kye Records, Penultimate Press and his own Mould/Mouse Museum micro-label. In addition to performing his own work either solo or with a band, he has performed and recorded in improvised and other arrangements with Tetuzi Akiyama, Oren Ambarchi, Andrew Chalk, Crys Cole, James Rushford, and Joe Talia, among others.

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Maria Reis

Suspiro

2LP | 1999 | EU | Reissue (Keplar)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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By now one of our most cherished and respected portuguese songwriters, Maria Reis has been steadily creating a legacy that will undoubtedly endure in the portuguese songwriting canon for years to come. Co-founder of the Lisbon based Cafetra label- collective, Reis spent her teenage years honing her craft, particularly with her co- leading role on Pega Monstro with her sister Júlia Reis, with albums like 'Alfarroba' and 'Casa de Cima' on Upset !the Rhythm and whose indefinite hiatus since 2018 opened the gateway for a prolific solo venture. After a raw debut EP released in 2017 – Maria -, 2019 saw the release of the celebrated 'Chove na Sala, Água nos Olhos', a definitive statement of Reis' almost casual gift of painting vivid and impressionistic portraits of everyday life, conveying all the anger, resignation and melancholic joy of moving on. Two years later, following a string of widely praised live appearances, Reis records the 'Flor da Urtiga' EP with musical production of Noah Lennox aka Panda Bear, a sweeter affair, crossed by a witty irony that tackles such subjects as family, love and toxic masculinity, through layered acoustic guitars, lightweight percussion and joyful harmonies. 'Benefício da Dúvida' from 2022, strips back most of the production to rely on simple but affirmative arrangements assembled with the help of her sister Júlia and longtime collaborator Leonardo Bindilatti.

And now, almost two years on the clock after 'Benefício da Dúvida', Maria Reis returns with a newfound maturity with 'Suspiro...' - Portuguese for sigh. Created in close collaboration with Tomé Silva - a young and versatile musician and producer who's been recently leaving a mark on the portuguese scene - and recorded in the intimacy of the latter's bedroom, 'Suspiro...' doesn't cut ties with that recent past but reflects the learning process embedded in previous ventures in its lyrics and arrangements, towards song's eternity. A projection of different emotional states and physical spaces throughout these years, 'Suspiro...' carries in the apparent simplicity of its title the plurality of meanings found in such a natural act, from anger to being in love, from resignation to resilience. Life in a sigh? We've been further from that.

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Shuttle358

Optimal.Lp

LP | 2024 | EU | Original (Editions Mego)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Released in 1999 on Taylor Deupree’s 12k label, »optimal.lp« was the debut album by Dan Abrams under his Shuttle358 moniker. For its 25th anniversary, Keplar presents it on vinyl for the first time with three previously unreleased tracks—the digital version also includes a alternative version of »Tank«—as well as a new artwork recreated by Daniel Castrejón and a remaster by Andreas [lupo] Lubich based on the original pre-masters that were been restored and cleaned up for the reissue project by Abrams. »optimal.lp« was inspired by the rich tradition of ambient music and the rhythmic complexity of 1990s electronica while also sharing many traits with the then-emerging clicks’n’cuts movement, making it a true sui generis piece of work—both informed by tradition and visionary, idiosyncratic and seminal for many artists after him.

Abrams developed an interest in ambient music when he was still a child, scouring through cassette tapes of environmental sounds, new age music, and world percussion. Discovering Brian Eno’s »Thursday Afternoon« as a young teenager marked a turning point for him. »It gave me the idea that ambient music could be an intentional creative act, that tone itself is a legitimate form of expression,« he says today. During the 1990s, he increasingly immersed himself in the electronica scene and the output of labels such as Instinct, where Deupree worked as an Art Director and released his first records as Human Mesh Dance. Abrams found a home on 12k after sending Deupree a demo tape that would later evolve into »optimal.lp,« released as the label’s fifth catalogue number.

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Finlay Shakespeare

Directions Out Of Town

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Directions Out Of Town is the latest and teased as (possibly) the last LP by DIY electronic abstract pop wizard Finlay Shakespeare.

Directions Out Of Town is a fierce mix of headstrong pop bangers. Fact. There is simply no one else traversing the field that Shakespeare is exploring. It can be lonely in the desert, Simon says. Lyrically, Directions Out Of Town is dealing with loss; personally, geographically, politically, culturally - a general decay of everything.

This new record is heavily inspired by structural film where the results unravel a method where metaphor is removed from the act of sound synthesis, production and mix of the tracks. Fiercely independent and brimming with integrity this is a deeply effective journey through machines of the human experience.

The track titles are telling: ‘Away’, ‘Get’, ‘Direction’, ‘I go for a walk’, etc. This is sentiment via complex synthesis wrung through patterns of pop. One also finds ways out that only turn out to be false/untrue. “I essentially don’t know where I belong any more. This record is the precursor to that.”

What is ostensibly an electro pop record reveals a multitude of layers and depth as one man and his machines wrestle with the reality of this tangled matrix. If the charts had brains this would be album of the year.

Finlay Shakespeare is an electronic musician working in the UK. His fascination for synthesized sound was born out of his parents’ record collection, leading him to explore the electronic music of decades past throughout his teenage years. While starting to write and record his own tracks, he also began learning analogue electronics, which led him to design and build his own equipment. To date, he has released work on Editions Mego, Superpang, and his own Goto Records.

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Steyoyoke Anniversary Volume 12

2x12" | 2024 | EU | Original (Steyoyoke)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Steyoyoke Recordings celebrates its 12th anniversary with a special double vinyl release, "Steyoyoke Anniversary, Vol. 12". This exclusive edition features 8 meticulously selected tracks, each serving as a gateway to the label's dedication to Ethereal Techno and showcasing the unparalleled talent and creativity that Steyoyoke has nurtured over the years. This collection represents a sonic voyage crafted by Clawz SG, Nick Devon, Soul Button, MPathy, Monarke, MartÃn Dubiansky, Olivier Weiter, and RenÃ© Diehl, with each artist delivering their unique soundscapes. The vinyl edition encapsulates the very best of Steyoyoke's innovative spirit and its ongoing quest to explore the depths of electronic music. Celebrate 12 years of musical innovation with "Steyoyoke Anniversary, Vol. 12" double vinyl â€“ a tangible piece of Steyoyoke's history and a must-have for aficionados of rich, emotive techno.

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Reworks (Estados De Animo – Hugo Jasa 1990)

2LP | 2024 | EU | Original (Osmosis & Little Butterfly)

LP | 2001 | EU | Reissue (Fastcut)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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NA project that aims to honor and celebrate the underground music culture of Montevideo from the 90s. By incorporating techno, house, and electro versions, “REWORKS” not only pays homage to Hugo Jasa’s original work but also brings new life and interpretation to it through the lens of contemporary electronic music.
This LP is not only a tribute but also a statement about the lasting impact and relevance of the Montevideo underground scene, showcasing its evolution and influence on current electronic music trends. It’s a testament to the creativity and innovation of the artists involved and a must-listen for anyone interested in the rich tapestry of electronic music history in Uruguay.
The inclusion of Z@P from Phonoteque Records and Cartulis Records, as well as Santiago Uribe from Montevideo Electric Recordings, highlights the diverse and rich landscape of the contemporary electronic scene in Montevideo. Their contributions promise to bring a fresh and exciting perspective to the “REWORKS” versions.
Daniel Anselmi, a seasoned sound engineer and producer from the old school of Uruguayan electronic music, brings a wealth of experience and knowledge to breathe new life into Hugo Jasa’s “Estados de Animo.”
Mateo Otonello’s version, featuring Hugo Fattoruso on synthesizers, adds a unique touch by blending jazz percussion with electronic elements, resulting in an innovative sound.
The participation of Hernan Gonzalez(two phase you), Federico Deutshc, and Franco Di Gregorio (Digregorious) from My Own Jupiter represents a bridge between the old and new generations of the Uruguayan electronic scene, offering a variety of approaches and styles in “REWORKS.”
Together, these collaborations promise to deliver an engaging listening experience that pays tribute to Hugo Jasa’s legacy while showcasing the vibrancy of Montevideo’s musical scene.

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Monoland

Cooning

50,99 €*

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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76:14 Crystal Clear & Transparent Green Vinyl Edition

Global Communication

2LP | 1994 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Music On Vinyl)

Sash!

The Best Of

34,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 1978 | WW | Reissue (SN Music Publishing)

Sezen Aksu

Serce

Release: 1978 / WW – Reissue

Genre: Electronic & Dance

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LP | 1977 | WW | Reissue (SN Music Publishing)

Sezen Aksu

Allahaismarladik

Release: 1977 / WW – Reissue

Genre: Electronic & Dance

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LP | 1981 | WW | Reissue (SN Music Publishing)

Sezen Aksu

Aglamak Guzeldir

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Take It Easy Agency)

Polylogue From Sila

Supertales

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Nadah El Shazly & Elvin Brandhi

Pollution Opera Neon Green Vinyl Edition

LP | 2024 | UK | Original (Danse Noire)

LP | 2024 | UK | Original (Tape Loop Orchestra)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The buckshot marriage of UK avant shapeshifter Elvin Brandhi (Yeah You) and Cairean Nadah El Shazly - regarded, among many other things, for incendiary solo sides and jams with Sir Richard Bishop - was some four years in the making and forms an uncompromising purview on the dystopian state of it all. Seeded in a 2020 motorbike ride thru Cairo’s humid soot, then cultivated at Nyege Nyege’s Kampala studio, the 9-part album convulses a convincing “world-spew” take on their shared experiences that’s as ruggedly vital as it is riddled by moments of poignant pathos and idiosyncrasy. It recalls the wildest dreams of their Danse Noire label founder Aïsha Devi as it does the fractal discombobulations of 1127 and his smashed-prism take on Egyptian classical, achieving a psychedelically-charged, heightened state of worldly proprioception that plunges listeners deep into their shared imaginary space. Consider them psychopomps for the eschaton, as they draw on a plethora of disciplines to limn in oblique but certain terms a palpable terror, unsettled by romance and love, between their clash of classical harmony and internal catastrophe on ‘Pollute Bold’, and the gnawing strings of Rian Treanor collaborator Ocen James pulled into a polyrhythmic prayer on ‘Crisp Heart’. They use the sounds of a motorbike - endemic to both Cairo and Kampala - as a metaphor for a kinetic stage, connecting their journey from atonal avant-classical gore that recalls Diamanda Galas on ‘Attention!’, to a standout example of El Shazly channelling her Egyptian classical training in the polymetric tumult of ‘crî Me a River’. In sequence with the Arca-esque microtonal synth plumes of ‘Bite’, and dense, unrelenting evocation of terror to ‘Danse le Flou’, they convey a wild ride in the relatively safety and sanctuary of our own listening space, but in context of a thrilling postmodern opera. Heavy energies on this one, but not without some levity too. A bit of a contemporary classic in the making in this arena; a strong example of how the deconstructed club/experimental era has coagulated from its fully dissolved phase.

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Andrew Hargreaves

Drones In The Air

Jim O'Rourke, Eivind Lønning

Release: 2024 / UK – Original

Genre: Electronic & Dance

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‘Drones In The Air’ finds Hargreaves deep in a new phase of vibrational investigation where the sentimentality of prior eras gives way to more abstract conceptual processes. Utilising a bunch of oscillators and the Lyra-8, an “organismic analog synthesiser”, plus pedals, Hargreaves works within just intonation tuning systems - or more precisely “intuitive intonation” - to just-about harness a microtonal flux of clashing, beating frequencies, but the project is more about ceding a certain amount of freedom to the machines and allowing aural alchemy to occur, prompting a spectrum of harmonic colours and rich timbral overtones distinguished from previous tape loop-based works. Comparative to “Glenn Branca’s micro-tonal workouts if he had worked with oscillators instead of guitars”, the result also variously evoke mysteries of The Conet Project, the oceanic feel of Éliane Radigue compositions, and early ambient works by Terre Thaemlitz in their sound sensitivity and scope. In ‘The Sun is Afraid’ he mesmerises with glistening microtones that develop a coarser traction, interrupted by shortwave radio comms and resolving into phantasmic noise gauze that speaks to his long-standing fascinations with entropic decay and the sounds between sounds. ‘Your Hands Are Shaking’ follows with a stealthier approach to coaxing a hallucinatory drone mass inflated by ether voices and thickening up into a sinister gloam redolent of NWW’s ’Soliloquy for Lilith’.

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Most, But Potentially All

LP | 2024 | UK | Original (Smalltown Supersound)

2LP | 2024 | UK | Original (3XL)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Eivind Lønning has been sharing ideas with O’Rourke for several years: the duo collaborated on music for the Whitney’s ‘Calder: Hypermobility’ exhibition, and Lønning played trumpet on O’Rourke’s brilliant 2020 album ‘Shutting Down Here’. For this new work, Lønning headed to O’Rourke and EIko Ishibashi’s home studio in the Japanese mountains, where he teased unfamiliar, alien textures from his trumpet to open the labyrinthine three-part composition. O’Rourke took the material and subsequently funnelled it through his Kyma system, transforming it into a swirl of sound that hums alongside Lønning’s original takes. The final piece was composed, mixed and mastered by O’Rourke, with everything’s based on Lønning’s virtuosic performance. The album begins by cautiously introducing the sonic palette: wavering, bird-like horn wails that O’Rourke contorts around quiet synth oscillations and computerised swarms. Lønning’s spittle-drenched blasts are given the spotlight, but O’Rourke’s manipulations - often gentle and illusory, and sometimes utterly lacerating - lift the sounds into completely new territory. When Lønning begins to turn rhythmic cycles using the trumpet keys, popping with his mouth to compliment its leathery thumps, O’Rourke replies with dense, hallucinatory drones, juxtaposing unstable electronics with Lønning’s breathy, sustained notes. All these sounds coalesce into a dizzy vortex, but O’Rourke is careful not to overwhelm the senses, dropping to near silence as the first act transitions into the second. O’Rourke pelts Lønning’s vertiginous wails, steadily mutating them into Xenakis-like stabs until they sound like cybernetic strings and icy tones that extract the tension from Lønning’s brassy harmonics. The third act is more minimal, and more unashamedly pretty. O’Rourke lets Lønning’s improvisations wail into cathedral-strength reverb, accompanying the sound with glassy penetrations and throbbing subs. Here, Lønning sounds as if he’s heralding the arrival of a celestial being, piercing the atmosphere with bright, sustained tones and muted, jazzy flourishes. O’Rourke hangs back, carefully spinning the notes into naturalistic fibres and orchestral drapery, before he allows the electronics to subside completely and Lønning’s trumpet cry into the imposing negative space. ‘Most, but Potentially All’ is a dumbfounding piece that shifts the dial on contemporary experimental music; dizzyingly complex but never showy, it’s the kind of record you can spin repeatedly and hear something different each time. As an exploration of the trumpet, it’s a unique expression, and as a progression of electro- acoustic compositional techniques, it draws a deep trench in the sand, setting a new standard

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Naemi

Dust Devil

38,99 €*

2LP | 2024 | EU | Original (Hypnotica Colectiva)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Formerly known as exael, naemi channels a broad spectrum of influences on ‘Dust Devil’. Billed as a “whirlwind road movie”, it sums up naemi’s last few years as a central node in Berlin’s amorphous network of fringe producers, poets and artists. While the city might still be best known for its litany of cavernous, greyscale tourist dungeons, in the back rooms and all-night cafes there’s been a perceptible counter; a loose faction of like-minded outsiders who have furrowed out a space where hypnagogic sounds, muzzy ‘90s pop, trip-hop, bass music and analgesic rap have slowly morphed into something new. Sounds that felt previously anathema to the Berlin experience have coalesced into a warm wave of psychedelic, healing romance, a phenomenon that anchors ‘Dust Devil’. The album opens with an untitled cut featuring none other than 4AD superstar Erika de Casier, who delivers a lovestruck vocal that smears into naemi’s humid ambience. The mood is distinctive, somewhere between Cocteau Twins and Harold Budd’s timeless ‘The Moon and the Melodies’ and the kind of vulnerable early ‘00s R&B that de Casier has made her own. naemi continues the thought on ‘CO (Sugar Hiccup)’, referencing the Cocteaus’ 1983 classic and granulating soft-hearted, shimmering guitars that rumble beneath a stark poem from artist, writer and DJ Yves B. Golden. The expansive vista fully manifests on ‘Day Drifter’, layering sparse guitar riffs below Perila’s mercurial vocals - the most direct and powerful thing we’ve heard from her yet - in a sort of classic DIY pop mode that appears like a mirage wrung with almost-familiar earworms and esoteric turns. Pontiac Streator joins hands with naemi on ‘Thinking of Incky’, a delirious shimmer of ‘Head Over Heels’ guitars and itchy, dissociated rhythmic flutters, while Huerco S. and Arad Acid help aerate ‘Couch Angel’ into effervescent shoegaze/trip-hop floss, curving MBV-strength judders and gravelly breaks around hallucinatory, choral vocals. naemi leans further into the jazzy, downtempo mood on ‘Ambrosia’, connecting with NAP (aka Daniel Rincon) who mouths gentle words over naemi’s slow-mo drums and foggy electric piano. Then, on the title track, 3XL boss Shy (aka Special Guest DJ) supports naemi with a précis of everything we’ve heard, mangling eerie atmospherics with glistening, crepuscular guitars. Yearning and painstakingly deliberate, ‘Dust Devil’ is a softly whispered rumination that freezes a moment in time and traps its knotted emotions in the aether. It’s an album that acknowledges its influences, but uses them to tarmac a fresh narrative, one that hasn’t been concluded quite yet, stretching endlessly into the open skyline.

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Somatic Responses

Unreal Memory

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ultimate DJ Tools Volume 1

2LP | 2024 | EU | Original (Phase Imprint)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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K. Leimer And Marc Barreca

Arrhythmian

2LP | 2024 | US | Original (Palace Of Lights)

43,99 €*

LP | 2024 | EU | Original (Soda Gong)

Release: 2024 / US – Original

Genre: Electronic & Dance

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For their fifth collaboration Marc Barreca and Kerry Leimer set aside their more abstract creative approaches to composition in favor of basing the music of Arrhythmian on beats. Using rhythm as texture, the tracks gravitate to concussive and bass voices, high bpm rates, and constantly evolving timbres shaped by granular synthesis, sampling, heavy processing, audio manipulation, rich distortion, with the maximum dynamic range vinyl can offer.

“We’re always thinking about sound quality, about what’s possible in a recording for vinyl demands a very specific approach. Pitch, dynamics, layering, density all play a more significant role in analog recording and reproduction,” says Leimer, as Barreca continues, “Let’s just say it’s not music you can dance to...”

Arrhythmian is released as a double disc vinyl set, produced to safely allow the grooves their maximum possible excursion while giving one’s stylus a rewarding and demanding workout.

Marc Barreca and Kerry Leimer have worked on a nearly parallel musical course for more than forty years. Nearly parallel because their musical paths do occasionally cross. First in 1980 with “Four Pages From An Unfinished Novel” on K. Leimer’s first solo album Closed System Potentials. Again during the live performance of Music For Land And Water and for the massive loop piece “Heart Of Stillness” from The Neo-Realist (At Risk) by the virtual group Savant.

K. Leimer founded Palace Of Lights in 1979 and has been actively producing music since the mid 1970s. Marc Barreca has created and performed electronic music since the mid-1970s. His 1980 vinyl album, Twilight, was among the first releases for Palace of Lights Records. Their work is part of the Collection of the British Library. With Steve Peters, Leimer and Barreca form the collaborative trio Three Point Circle.

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K. Freund

Trash Can Lamb

Christina Kubisch & Trondheim Voices

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Trash Can Lamb” is a new solo album from Akron, OH-based multi instrumentalist Keith Freund. For the better part of twenty years, Freund has been producing intimate, shape-shifting music on his own and as part of collaborative projects such as Trouble Books, Lemon Quartet, and Aqueduct Ensemble. Here, he concocts a heady, homespun broth of analog synthesis, bit-reduced sampling, piano, standup bass, saxophone, and location recordings, arriving at a loose and evocative set of songs. Throughout the album, we hear 8-bit experimental delays mangling airy acoustic materials, denaturalizing them into primitive loop structures while retaining their golden-hued, melodic cores. The sputters, hisses, and croaks of handmade electronics nuzzle up to wistful piano and saxophone ruminations; the pure pandemonium of chaotic triangle wave patching and filtered noise settles into the serenity of a backyard dusk full of spring peepers (or maybe they’re crickets…). It’s in the space between the ragtag and rough-hewn and the romantic and yearning that Freund situates these compositions; it’s a peek inside a workshop that sits atop the trees, branches scraping on the windows, bluejays who just won’t knock it off, a table fan spinning slower and slower, its cheap blades covered in dust.

All music by Keith Freund, with contributions by Linda Lejsovka, G.S. Schray, Steve Clements, and Corey Farrow. Mastered by Kassian Troyer at D&M. Art/design by Alex McCullough and Felix Luke.

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Stromsänger

LP | 2024 | US | Original (Important)

LP | 2024 | EU | Original (Temples Of Jura)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Christina Kubisch’s »Stromsänger« finds the sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. »Stromsänger« is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

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Ilija Rudman

The Great Beyond

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him Eric) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to Eric “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.”

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2x12" | 2023 | EU | Original (Molekül)

Stuck In The Loop

Rogue Clear W/ Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2024 repress -

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Wice

LP | 2024 | US | Original (New Retro Wave)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Wice is back with a powerhouse of an album. Expanding on his sound, Wice takes his sonics into new directions and adds new and exciting textures to his arsenal. A must for all Cyberpunk and Darksynth lovers

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John Gomez & Nick The Record Present Tangent Black Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

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John Gomez & Nick The Record Present Tangent Colored Vinyl Edition

2LP | 2024 | UK | Original (Mr Bongo)

LP | 2024 | UK | Original (SaS Recordings)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Becker & Mukai

Spirit Only

The Belonging Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The mighty Becker & Mukai return with a tidal wave of sonic highways with new album Spirit Only, this time travelling outside of their East London studio bunker to Japanese mountains, with pit stops in Mali and Trinidad & Tobago.

Experimenting between balearic, indie dance, psychedelic, folk and electronica, Spirit Only is a complete body of work, confident and unashamed.

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Innellea

2LP | 2024 | EU | Original (Innelea)

55,99 €*

2LP | 2024 | EU | Original (PRS)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Pop

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Live artist Innellea dropped his limited vinyl deluxe album. ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'.

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C.K

Power Infusion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Lo)

Ecovillage

Crescendo

2LP | 2024 | EU | Original (Naff)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Crescendo' is the captivating result of a collaboration between the Swedish producers Emil Holmström and Peter Wikström, who form the duo Ecovillage, and a multi-talented cast of musicians all of whom share a passion for improvisation and experimentation.

Recorded between 2019 and 2022 in Los Angeles and Umeå, Sweden, the sessions were designed to explore the possibilities of creating a sonic environment that blends jazz and ambient to create something altogether fresh, vibrant and immersive.

‘We always wanted to create something new and original, something that would challenge us during the recording and also evolve our listeners. We also tried to break away from the conventions and expectations of ambient music’.

The album consists of ten tracks, each with its own mood and style. Some songs are uplifting and energetic, while others are mellow and dreamy. The vocals range from soft whispers to powerful chants, adding texture and emotion to the music.

‘Crescendo is an album that invites the listener to immerse themselves in a rich and diverse musical landscape that reflects the vision and spirit that we had during the recording process’.

Composed, mixed and produced by Emil Holmström & Peter Wikström

Featuring Jonas Knutsson, Laraaji, Miguel Atwood-Ferguson, Green-House, Brothertiger, Kenji Kihara, Botany, Nightlands, nubo, Nat Birchall, Oceananda, Sharananda, Thore Pfeiffer, Annie Barker and Joseph Shabason

Recorded in Austin, Berlin, Los Angeles, Manchester, Mainz, New York, Philadelphia, Tokyo and Umeå

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Priori

This But More

Sound Mechanic: Music From A Documentary Film About Neil Feather

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Acclaimed Canadian electronic producer Francis Latreille, known as Priori, unveils his new singles "Learn To Fly" and “Segue” today, marking the first releases from his upcoming third album, This But More. "Learn To Fly" offers a taste of the album's lush, dubby techno soundscapes, while "Segue" showcases the album's ambient side. Arriving May 24th via Naff, This But More marks a sonic departure for the artist, exploring a richly textured landscape of electroacoustic compositions inspired by literature, cinema, and the transformative power of nature.

Priori delved into This But More from September 2023 to March 2024, drawing upon archival recordings and fresh ideas. "This album is about healing," Priori explains. "Not necessarily 'music that heals', but about the process in its ups and downs, its beauty and uncertainty." Themes of protection, healing, sleep, and decay naturally emerged during the creative journey.

To craft this immersive world, Priori collaborated extensively. Writer and musician Devon Hansen penned a series of "Suggested Stories" to accompany the album, adding depth to its lore. Musically, Priori teamed up with James K, Ben Bondy, Sabola, Adam Feingold, and Jesse Osborne-Lanthier, infusing the album with diverse instrumentation, including violin, guitar, software instruments, and field recordings.

This collaborative spirit extends to the album's striking visuals. Jesse Orsborne Lanthier designed the main and single artworks, while Ulysse De Lezenne crafted a unique jewel, both pieces seamlessly connected to the album's narrative.

The intricate world-building sets This But More apart. "It's the biggest collaborative project I have tackled so far," Priori notes. This spirit of exploration extends to the second single, “Wake”, featuring Priori's first vocal collaboration with close friend Jamie Krasner (James K).

Priori's artistic process is grounded in self-awareness and intuition, asking vital questions about how each element serves the greater purpose of the music. Swimming sessions between studio work provided clarity and focus throughout the album's creation. These meditative moments reflect in the music, inviting listeners into a contemplative, dreamlike state.

Beyond music, Priori draws inspiration from the literary worlds of Gene Wolfe, Ursula K LeGuin, China Mieville, Brian Caitlin, the evocative games of Hidetaka Miyazaki and Yoko Taro, as well as the ever-evolving beauty of myths and nature.

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Neil Feather

LP | 2024 | US | Original (Vg+)

LP | 2024 | UK | Original (Central Processing Unit)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Neil Feather has spent decades creating a musical world of his own through dozens of one-of-a-kind instruments he invented and built himself. His work as an instrument inventor, improviser, musical iconoclast, and stalwart of the idiosyncratic Baltimore experimental scene culminated in the late 2010s when filmmaker Skizz Cyzyk shot hours of footage of Feather taking stock of his workshop and his collaborations with musicians from Baltimore and beyond as he prepared to relocate permanently to New Zealand. That period produced Sound Mechanic, Skizz’s 2022 feature-length documentary about Feather’s work and music. It also produced an album-length collection of recordings of Feather’s music from the film that captures the spectrum of his unique sonic vision.

Uninterested in the traditional rules and roles of music from his early years, Feather began constructing noisemakers out of what was around him—pieces of metal, spare parts from bikes and other gadgets, discarded traditional instruments, various electronics, ball bearings, and so on. By the time he moved to Baltimore in 1985, his work had become more codified into a practice of instruments and families of instruments, such as the Nondo, the Vibrawheel, and the Former Guitars. At the same time, he became a mainstay of the burgeoning experimental / improvised music scene that erupted from the Red Room and the internationally renowned High Zero Festival.

Sound Mechanic the album serves as an ideal audio entry point into Neil’s music. Skizz, who recorded and co-produced, captured a variety of solo demonstrations and improvised performances with long-time collaborators including Kristin Toedtman, Rupert Wondolowski, and his now-spouse Rosie Langabeer. Tracks such as “Untitled 1” and “Untitled 3” find Neil performing solo on the Wiggler and the Vibrowheel, instruments whose agitated strings and spinning oscillators, respectively, mimic some of the timbres of more recognizable instruments but bend and distort them in alien ways. “Unititled 4,” one of two duo improvisations with Langabeer under the banner Popular Organ Fun Party, channels a Venusian jazz combo in its wild exclamations and percolating rhythms. “Personal Space,” from an impromptu trio with Zula Wildheart and Robert Beamer, puts Neil’s attack in the context of contemporary hardcore.

A special bundle offers a chance to capture both the music and the film in one package—as close as you’re going to get to the full Neil Feather experience outside of a live show.

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Falty DL

In The Wake Of Wolves

LP | 2024 | UK | Original (Weltschmerzen)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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If you can judge an artist's quality by the company they keep, then FaltyDL is up there with the best of them. The label history of the producer known to his friends as Drew Lustman reads like a "who's who" of 21st century electronic music imprints - Ninja Tune, Unknown to the Unknown, Planet Mu, Studio Barnhus, the list goes on.
WithIn the Wake of Wolves, we can now add Central Processing Unit to this illustrious roster. The Sheffield label joins the party at a notable juncture - while FaltyDL has kept up an impressive clip of releases throughout his career,In the Wake of Wolvesis both the NYC-based producer's first LP for two years and his first full-length release away from his own Blueberry Records for almost a decade.
In the Wake of Wolvesproves to be both a great match for CPU and also further evidence of the label's burgeoning sonic palette. While CPU has built its reputation on top quality electro joints, recent releases have delivered adventurous electronica experiments (Proswell'sPeople Are Giving And Receiving Thanks At Incredible Speeds), hard-wired breakbeat techno (Baby T'sI Against I) and golden-age synth explorations (twenty-fifth anniversary reissues of Bochum Welt'sDesktop RoboticsandFeelings on a Screen, both of which first emerged via the legendary Rephlex Records).In the Wake of Wolvestakes things further still - this is a brilliantly genre-voracious record, one which marries the rhythmic cut-and-thrust that we have long known FaltyDL for with all manner of adventurous stylistic choices.
Those familiar with the FaltyDL experience will recognise the trademark blend of synthetic grit and harmonious softness in album opener 'I Need You'. This could pass for Four Tet or even Hannah Diamond at points, the steady build of pulsing synths and looped vocals recalling a more mysterious version of the PC Music sound. 'I Need You' stands shoulder-to-shoulder with any of FaltyDL's other great atmospheric album openers - no small feat given the competition. 'Further', the following number, is yin to 'I Need You's yang. This is a pulsating track which gleefully skitters between machine-funk, tubing darkside bass and breakcore-adjacent drum programming, all of which is peppered with some genuinely beautiful work in the higher synths.
'Further' sets the scene for several of the more club-facing cuts here. 'Minds Protection' similarly features all manner of strange percussive sounds to surprise the ear, and it also boasts a thrilling mid-section in which the bottom falls out the track to incorporate a short snippet of blown-out junglism. With its tunnelling low-end and clattering drums, 'Full Spectrum' kicks off a delightful run of grime-influenced joints which take cues from Mr. Mitch, Logos and many of those other producers who took the Eski sound to exciting new places in the 2010s. 'Forget Me Not', the album's longest track which is placed three spots from the end, feels like the record's climactic point - a pitter-patter post-house joint that has a hint of Caribou in its DNA, it'll take the clubs by storm.
But as much as FaltyDL may consistently bring the heat in terms of the beat programming, the thing which has long marked Lustman out as a special talent is the musicality of his compositions. No matter how much drums clatter or bass bangs, FaltyDL always hooks the ear back in with a sonorous synth or pleasing nugget of melody. Nowhere is this more apparent than onIn the Wake of Wolves' more weightless numbers, each startling in their prettiness. 'Half Spectrum' is a new-era beat track packed full of ear candy; the keening keys of 'GasGas' are potent with feeling; and on the album's closer, the evocatively-titled 'Mila Stans In A Meadow For The First Time Eating Strawberries', we get a gorgeous synth vignette that joins the dots between the modern mastery of Yung Sherman and the most emotionally affecting moments of Aphex's Twin's catalogue.
At once wistful and hopeful, archival and futuristic, FaltyDL's brilliantly unpredictableIn the Wake of Wolvesis a feather in the cap for both this seasoned producer and the Central Processing Unit label.
Riyl: AFX, Bochum Welt, Mark Fell, Mrs Jynx, Boards of Canada

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Daniel Kordik

Satis

20,99 €*

LP | 2024 | UK | Original (Swims)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Satis was composed as a soundtrack to 2023 video documents of the Prize of the Slovak Chamber of Architects for Architecture CE ZA AR.

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Otto Taimela

Inner Beauty

19,99 €*

2LP | 2014 | WW | Reissue (Trad Vibe)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Finnish composer, producer, and pianist Otto Taimela is ticking at 6000+ monthly listeners on Spotify with streams in the 100s of thousands. His discography covers everything from avant-garde piano to breakbeat, ambient-dub techno back to cinematic contemporary classical music, with releases on labels such as Cold Blow, Ultraääni, Cudighi Records, Reflections by Anjunadeep and Finite Source. Otto has performed in festivals such as Ilmiö and Solstice. Kimmeltie LP, the 2020 predecessor to Inner Beauty has become a rare collector's item.
His rendition of Clouds together with Olli Aarni received praise from Gigi Masin himself, commenting "Maybe the Best cover ever".
On the 24th of May Otto was the "selector of the week" on the largest radio station in Finland, YleX, playing a track from Inner Beauty.

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Imhotep

Kheper Wax

39,99 €*

LP | 2024 | Original (OOH-sounds)

Release: 2014 / WW – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

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Jasmine Guffond

Alien Intelligence

Release: 2024 / Original

Genre: Electronic & Dance

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Forever Friends Black Vinyl

NTO & Sofiane Pamart

LP | 2024 | EU | Original (Believe Digital)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Feedback Waves)

Palomatic

Trill

LP | 2024 | EU | Original (Blanc Manioc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Feedback Waves - the new imprint from independent label Rings of Neptune - is proud to present Trill, the first and only album by Palomatic. Almost thirty years after its original release on CD in 1995, this beautiful nine-track work is now available on vinyl for the first time.

Palomatic is an alias of Koji Takahashi, an active member of the bubbling Japanese electronic music scene of the early-to-mid 90s. Besides his solo work, he was a core member of Takahashi Tektronix (with Nic Yoshizawa) and Mutron (with Kiyoshi Hazemoto, aka Interferon), as well as working as a synth programmer for supergroup Denki Groove.

Following the release of his debut track 'Halo' on Syzygy Records in 1993, Takahashi made a series of contributions to compilations on the scene-defining Transonic label. His first and only full-length album, Trill, combined these tracks with original material to form an absorbing and versatile standalone statement of the Palomatic sound.

From the oscillating lilt of 'Flutter', which opens proceedings at a measured 104bpm, through to the symphonic epilogue of 'Soar', Trill is rooted in the fertile territory between organic and synthetic sounds - ground that was nourishing the work of many likeminded producers worldwide at the time. West Coast psychedelia and East Coast funk, the moody bass weight of Bristol trip-hop and Sheffield bleep, and the chemical rush of German techno and Belgian trance: with a distinctly Japanese sensibility, Trill drew these strands together into an elegant musical tapestry. The result is timeless - indeed, album centrepiece 'Foaming Waves' would sound right at home on the faster-paced dancefloors of today.

This double LP features an alternative artwork by Feedback Waves co-founder Max Binski.

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Ibaaku

Joola Jazz