Electronic & Dance Tape 521 Items

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2024 | EU | Original (Swims)

Robert Merlak

Potapanje Brodova

Tape | 2000 | UK | Reissue (Tru Thoughts)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Potapanje Brodova, Hrvatski for “sinking ships”, is a follow-up to Robert’s intricate 2020 album Finomehanika “wherein piano, field recordings and synths are made indistinguishable from one another”, as described by The Wire. The A-side on Potapanje Brodova is compiled and reworked from a soundtrack for an installation of the same name in Rijeka in 2005, about the Croatian port city’s post-war industrial collapse. The original hour-long soundtrack played on a loop during the month-long exhibition, and today resides on a USB stick housed in a rusty steel case with silver ship engraving—a limited edition of 1 copy that is now the property of Rijeka's Museum of Contemporary Arts. The B-side offers a monumental 25-minute prepared piano improv piece recorded in 2004, followed by Hodnik, a track from Finomehanika sessions.

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Bonobo

Animal Magic

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

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For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.

Dekalb Works

Tape | 2024 | UK | Original (29 Speedway)

18,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Their newest release “For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works (debut ‘Duologue’ on Where To Now? Records), the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D).

The release summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

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Alicia

Aird Tapes 1.1

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Alicia is a DJ, producer and musician making deeply rhythmic, off-kilter dance music inspired by a love of club culture and the avant-garde. This mixtape delves into deeper worlds of spaced out hazy trips through dubwise ambient & downtempo niceness.

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Marcy

Aird Tapes 1.2

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Marcy is a DJ who has blessed many music scenes from being a part of The Rye Wax family to regularly appearing on Kindred radio, her sets span intricate realms of focused left field landscapes.

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Mi-El

Aird Tapes 1.3

Release: 2024 / UK – Original

Genre: Electronic & Dance

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MI:EL’s energy is effortlessly impactful. This mix is emotionally heavy, blending bass interludes with spoken word snippets and ambiences.

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Nancy June

Aird Tapes 1.4

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Nancy June navigates through all things bass, touring across genres of Uk funky, breaks, garage and dubstep. Her mix intertwines sounds of the old and the new as she welcomes resonant rumbles of the underground.

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Paige

Aird Tapes 1.5

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Paige is a visual Artist, Dj and Co-Founder of London’s loved techno event - NightService. Her musical style involves combining tribal, UK funky infused tracks with heavier techno sounds.

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Pasta Kebab

Aird Tapes 1.6

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Pasta Kebab is a true genre-bender with eardrums that love all things dubbed-out with wonkykicks and eclectic melodies. Pasta Kebab spreads her ears across the world, although there is always hints of the distinct UK sounds.

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Scar

Aird Tapes 1.7

Tape | 2024 | EU | Original (Kashual Plastik)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Scar is an artist who also runs record shop, book shop and radio station Kindred. She brings us Aird tapes as an amalgamation of the art and sound world she exists in - this mixtape a journey of ambient terrain.

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Die Tödliche Doris

Im Bausatz

29,99 €*

Tape | 2024 | EU | Original (Stroom)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hand-numbered edition, 250 copies signed by Wolfgang Müller, with download code.

Die Tödliche Doris were always an outlier, a performance art / music project that originally surfaced in early 80s Berlin, on the outer reaches of the post punk / new wave scene that included acts like Einstuzende Neubauten (Collapsing New Buildings) and Deutsch Amerikanische Freundschaft.

Inspired by post-structuralism and modern / post-modern philosophers, they deconstructed the accepted popular format of both the mainstream and the underground with their second release, "Chöre & Soli". To confound the vinyl obsessives of the day, what appeared to be an LP box-set, in fact contained eight tiny plastic toy-records, with their own player. Each disc contained 20 seconds of low grade sound. "We want to become the most independent band of all independent bands–even independent from a usual record player." Wolfgang Müller stated "But also independent from music reviews and critics, which want to put you in her sound- and identity-system."

Kashual Plastik take up Müller's dogma and re-present it for our times, where these issues seem only more compounded. Once again to flummox their audience, old and new, the tape comes as a kit of separate parts with assembly tool - a mini screwdriver. You can listen with the download code as you work. Now that's what I call outsourcing.

The Kashual Plastik tape, digitally enhanced, features contemporary producers including, among others: Aaron Dilloway, Brandstifter, T.V.S.T., Hugo Capablanca, ML, Beau Wanzer, Nika Son, Laura Not, or Saskia Lavaux. They followed a call from the modern-day social network spheres, where Die Tödliche Doris asked the world to reshuffle some old original tape recordings. Out of the millions of submissions, Doris selected works that together shape the Doris of today for a brief moment of time.

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Temir Alcy

Tape | 2024 | US | Original (Important)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Temir Alcy (producer Enir Da - Dali Muru & The Polyphonic Swarm and multi-instrumentalist Charles Lmx) is at the junction of spherical textures of acoustic clouds and shapeshifting forms of immersive electronic percussive patterns. By intertwining etherionic atmospheres and organic moods to magnetic and hypnotic rhythms, Temir Alcy explores the mysteries of the future and the unknown through a journey of sensory trance, where whispers and melodies of voices strike a vivid contrast between emotions’ fragility and sound’s solidity enhanced by a downtempo, leftfield and erratic kraut’s feel.

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Alexandre Bazin

Therapy

17,99 €*

Tape | 2024 | UK | Original (Lo)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Therapy« is a new experimental electronic music album by Alexandre Bazin that explores musical reasearch on the edge of ambient music, with a reminder of classical music. His instrumental music revolves around sonic textures, saturations, feedback, allowing new fragments to emerge to create melodies, timbres and tone colors. The saturated sounds recall the presence of the electric guitar, encompassing orchestral materials and acoustic instruments which are the basis of this album, with the exception of the first two tracks, which are solo synthesizer pieces, the first one that opens the album is a solo by Synthi A, and the second by Buchla Music easel.

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Galecstasy

Stone Flute

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Om Unit)

Om Unit & Marta Pang

Acid Dub: Redux

Tape | 2024 | US | Original (Not Not Fun)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In Late 2023, Om Unit and Marta Pang were invited to perform a special performance at the Caixaforum in Barcelona. The invitees being ‘Lapsus’ who brought the pair together for a performance of 'Acid Dub : Redux’ as part of their Dnit series of events.

This cassette is a complete recording of the 45 minute session which consists largely of ‘ambient takes’ on some of tracks currently released from Om Units ‘Acid Dub Studies’ series, as well as some new material specially prepared for the show which featured live visuals by Marta Pang. Some clips of the visuals can be found in the 6-Panel full-colour J-Card booklet which accompanies the cassette.

‘Acid Dub : Redux’ is an unexpected tangent of Om Unit’s ongoing exploration of the 303-in-dub and features a more minimalist approach to the concept, using more of a sense of space to accompany the visual elements.

We hope you enjoy the recording as much we enjoyed performing it!

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Shakali

Rihmastossa

Tape | 2024 | UK | Original (A Flooded Need)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Based in the South Moravian city of Brno, Finnish multi-instrumentalist Simo Hakalisto aka Shakali crafts surreal terrariums of strings, synthetics, wood, and wind, teeming with bio-electronic synchronicities. Rihmastossa further finesses the project’s eclectic lexicon of electro-acoustic world-building, utilizing a gallery of instruments both ancient and advanced: solar-powered sine wave generators, singing bowls, metallophones, microtonal synths wired into tree slabs, lap harps, amplified found objects, percussion filters, flutes.

This is world music in the most naturalistic sense – subtle spatial ecosystems of climate, vibration, landscape, and species, as alluded to in the track titles about fungal colonies, extinct birds, rare worms, and pine forests. Hakalisto’s work in various exploratory duos (Gnäw, Lunar Horns, Thistle) has honed his instincts for atmospheric improvisation, but when alone he embeds even deeper into the terrain, acting as conduit as much as creator. Across seven free-flowing fugue states of texture and resonance, his touch simmers beneath the surface, guided by shifting light and hidden hands.

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German Army

An Era Of Absolutes

Asylum Promises & Somnia Vera

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A Flooded Need welcomes back the infamous and mimetic German Army project with 'An Era of Absolutes' - a delirious soundtrack that delves into the irrefutable principles governing our contemporary culture.

Crossing the lines between isolationism and meditative process, the album continues the conceptual line drawn through 'Then is Now' - the group's initial offering on the label - by extracting a desert-like essential sonic form, centering on haunting patterns, unbalanced industrial rhythms and cacophonous distorted dirges.

In a precarious balance between illusion and premonitory meaning, An Era of Absolutes represents a vital junction in the collective's research path, aimed at scrupulously recounting disappearing customs and sound environments.

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Aima

Tape | 2024 | EU | Original (Spomenik Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Runar Magnusson

Inside Out Of Chaos

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Runar Magnusson is an Icelandic/Danish sound artist and musician, currently based in Austria. With a masters degree in Electronic Music Composition from The Royal Academy of Music, Aarhus, Denmark, he is inspired by the sounds of nature, noise, and meditation. Magnusson specialises in atmospheric disturbances through minimalist compositions. A sly humour cuts through the dark hues of his works.

Magnusson writes: "The two works which make up "Inside Out of Chaos" are somewhat related. They were made at the same time and share the same source materials somewhat – a pool of sounds I had been experimenting with for a couple of years. Two separate projects created the opportunities for me to realise them in these finished forms.

At the beginning of 2020 I was invited to participate in an acousmatic concert series at the Traktorfabrikken in Vienna. Curated by Austrian composer Christian Tschinkel and performed on his Akusmonautikum sound system this particular event, titled Kill & Kaoss, was the last in the series. I named my piece after the event and dedicated it to Tschinkel´s Akusmonautikum system. Without my knowing, I had witnessed this system in action half a year earlier at a concert at the Hermann Nitsch Museum in Mistelbach, with Hermann Nitch playing the organ and Tschinkel operating the sound system – a profoundly enjoyable performance. I was very happy when I connected the dots soon after the invitation to participate. I intended my work for Kill & Kaoss to be a way to greet the new lunar year of the rat – a year which held many surprises… The event took place on 22nd of February 2020 at Traktorfabrikken, Vienna.

"Inside Out (for Trattner)" was composed for Austrian artist Josef Trattner. It was the soundtrack for a film that was a part of his exhibition "Inside Out" at the Kiesler Foundation in Vienna, 2020. I assisted with the installation of the exhibition, itself a filmed action that evolved into the movie of which this is the score. The installation was a very hard physical process that left me bloody and blistered. It was also a fascinating, trance-inducing experience. Mining with ones bare hands, digging out this huge structure and creating a womblike cave, a tunnel system, a playground, a hideaway while experiencing ever-increasing pain in the fingers and hands. The exhibition ran from 27 February 2020 until 23 December 2020.

I consider this release as the final part of a trilogy I refer to as "the three sisters of sorrow". These three releases are an insight into my state of mind at the time – a mental collapse, somewhat triggered by a move to a new country, the death of my friend Jóhann Jóhannsson and the loss of my father a year later. Between 2018 and 2021 I had the trilogy almost ready but had not been able to finish them. I sought professional help to lift me up from the deep and was diagnosed with Adhd, which explained many things in my life. Only after the darkness had lifted could I see that these three releases were connected. They depicted both the mental state I had been in – an incapacitating downward spiral, a crushing chaos – and also my search for the light, a way out of the maze and my path up to the surface."

Runar Magnusson, Vienna, 13 November 2023

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Microcorps

Macrocorpse - 2021-2024

Tape | 2024 | US | Original (Not Not Fun)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Microcorps, Alexander Tucker's mutant techno alter ego, presents "Macrocorpse – 2021-2024", an 8-track collection of tracks that stray into a mutated space where techno-based composition inhabits the same space as microsound time scales, drone and noise. Regular Tapeworm collaborator Savage Pencil lends his warped graphic visions to the cover artwork.

"I'd always admired The Tapeworm from afar and over the years The Tapeworm and I would often bump into one another at gigs and enthuse about Derek Jarman." explained Tucker, "I'd amassed all these tracks, some of which I'd forgotten even existed until they asked me to produce a tape. Each track is made with a specific system I had set up on the modular rig. I'd have all these processes feeding back into each other creating these dense fragmented bangers."

Across the album, machine technology sits next to Tucker's own voice, processed through electronics and granular sampling. Vocals are pitched beyond recognition and delivered in a wordless constructed language that attempts to create its own alien landscapes. Tucker's aim is for each track to set a balance between structure and disrupting processes that feed off one another, where core rhythmic elements rub up against fried textures that fold in and out of each track. Always keen to marry electronic systems and acoustic instruments Tucker also employs cello layers which are resampled into sonic drone debris.

He expands "I often want to have my cake and eat it with these tracks. My idea was is to place my love of experimental techno, drone, music concréte and composition into each piece, where all these elements can weave through each other and produce a hybrid area"
Tucker is joined on final track PYN by Luke J Murray (Nonexistent, Stonecirclesampler, Liquid DnB-like Ambient Grime 2) adding his gauzy drones and electronic drift.

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2muchachos

Natura: 2009-2012

The Archival Recordings Of Constantin Brãiloiu, 1913-1953

Release: 2024 / US – Original

Genre: Electronic & Dance

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When Russian musicians Vladimir Karpov (X.Y.R.) and Dmitriy Borodin began making hushed, liminal, ASMRbient dream pop together in the late 2000’s, the underground landscape was thick with artists using mystical monikers, so they chose to troll in the opposite direction: 2muchachos. Although the original intent was to filter out listeners “who judge by name or cover,” they were soon joined by Aleksandra Evseeva (aka Andra Ljos), rendering their banner even more incongruous and comical.

Titles aside, the collaboration was fruitful, spanning nearly half a decade of steadily refined activity. Natura 2009-2012 collects 76 minutes of the trio’s most cloaked and bewitched recordings, evolving from the “northern environmental folktronica” of their early years through to the whispered fairytale ambient voyaging of 2012’s haunted swansong, Forest Is Not What It Seems.

The tracks are sourced from an array of digital singles, compilations, and self-released CD-Rs, mapping a non-chronological odyssey of the group’s skeletal, subliminal songcraft. Karpov’s signature Soviet Formanta synth weaves within windswept guitar, fragile percussion, and field recordings of forest birds and endless steppes, occasionally accented with Andra’s glimmering, ghostly voice. It’s music of isolation and introspection, poetic and remote, murmuring through mists and long winters, flickering with the color of springs yet to bloom.

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Death Is Not The End

Tape | 2024 | UK | Original (Death Is Not The End)

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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An assorted mixtape-style collection of recordings from Constantin Brăiloiu's World Collection of Folk Music archive, originally broadcast on NTS Radio in July 2017, issued as part of DINTE's 10th anniversary series.

Comprising field recordings made by the pioneering Romanian ethnomusicologist of English, Irish, Gaelic, Norwegian, Breton, Japanese, Italian, Swiss, Basque, Fulah, Sardinian, Estonian, Georgian, Greek, Turkish, Judaeo-Spanish, Portuguese, French, Chinese, Russian, Hausa, Tuareg, Indian, Corsican, Ethiopian, Romanian, Walloon, Flemish, German, Kabyle, Bulgarian, Macedonian, Bosnian and Caribou Eskimo folk songs & dances.

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After Dark Tour

18,99 €*

Scenery From Double Glazing

Release: 2024 / JP – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The new release from Zouen Keikaku, an independent label that has released works by Ooyamada Daisanmyaku and Yaryu, among others, that made a splash at last year's RSD and Record Day Japan. This is the second collection by Tokyo electronic musician, Yo. The sharply polished post-industrial sound tangles the feet that line the dance floor and interrupts their dance steps. The dub-derived heavy bass swings aimlessly, crawling around like a snake with bizarre sound textures that cannot be enclosed in any musical genre. A DL code for "B," a special collection of remixed and unreleased sound sources, is included along with a mini booklet that resembles a sightseeing pamphlet.

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G Version III

Tape | 2024 | UK | Original (Digital Sting)

Tape | 2024 | US | Original (100% Electronica)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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G Version III from Kyoto Japan arrives on Digital Sting via a correspondence going back a few years that grew out of mutual musical connections and a deep appreciation for the Jamaican soundsystem diaspora. G Version grew up with a love of Hip Hop, R&B, and Reggae and had a musical revelation at a Lake Biwako sound clash event as a teenager that was formative in spurring a deeper dive into Dancehall and soundsystem culture. After some time spent studying in the UK and returning to Japan, working at Jet Set records along with meeting heavy weight producer Element the beginnings of her future musical output began to take shape. Downtime during the pandemic provided the time to concentrate on production. G Version's sound has a retro futuristic feel, equal parts Dancehall history and esoteric dub leanings, particularly in tune with the more experimental branches of 80's-90's UK Dub and Steppers. Influences being stated G Versions sound is thoroughly distinct and imaginative, not content to conform to any obvious genre tropes. Also included in this release are two dubs of G Version tracks by Digital Sting mainstays Feel Free Hi Fi.
G Version III- Scenery From Double Glazing DS008 Digital Sting Records

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FM Skyline

Images

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Punctum Tapes)

Kle-Kle

Xena

Tape | 2024 | US | Original (Newretrowave)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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This one's for the heads.

We are incredibly excited to release the debut EP by Kle-kle. Although this is the first release of a new project, GWD and Spoq are no newcomers to the electronic underground. Both have been active in production and both live and DJ performance for at least the past decade.

They come out guns blazing with a debut that is focused, mature and irresistible. Breakneck IDM beat textures never become send indulging and maintain heft and momentum inexplicably rooted in machinist dub/post-punk fusions with a knack for oddly pleasing dissonant washes and melodies that tickle the reptilian part of your brain. For the stellar remix-work, they enlisted scene veterans Dead Janitor and Trauma.

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Syst3m Glitch

The Brave Ones

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Never Sleep)

Joker

Live At Sonar 2009

19,99 €*

Cassette | 2024 | UK | Original (Scopeotaku)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Never Sleep charity tape series continues with a legendary recording from the world famous Mary Anne Hobbs stage at Sonar Festival. UK phenomenon Joker encapsulates the era perfectly with his signature "Purple" sound and Dubstep sonics. A rowdy late night work out of his own productions, a rare dub from Skream, Bristolian funk from Gemmy and classic Mala. Hosted by an enthralled Gaslamp Killer and beautifully captures the feeling of the infamous stage. Timeless, cutting edge and a slight hint of nostalgia for any Sonar Festival aficionados. All proceeds go to Bristol based charity “The Cause" who help young locals in the creative arts.

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Scopeotaku

They Came From The Sea

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cassette | 2024 | EU | Original (Muscut)

Nikolaienko

Meta

18,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (Not Not Fun)

Yayoba

A Maze Of Glass

Tape | 2024 | EU | Original (Wain)

Release: 2024 / US – Original

Genre: Electronic & Dance

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4th-world fusion trio Yayoba triangulate warped constellations of electronics, woodwinds, hand percussion, and field recordings via their respective bases in Brighton (uk), Turku (fin), and Wiesbaden (de), coaxing a sound they describe as “like a beam of light passing through translucent glass walls in a labyrinth.” Comprised of legacy experimentalists Paul Wilson (F. Ampism), Jani Hirvonen (Uton), and Johannes Schebler (Baldruin) – the latter two of whom also moonlight in “crypto-botanical” electro-acoustic unit Grykë Pyje – the group operate spontaneously and post-geographically, file-sharing sketches, textures, and FX until an alien synergy takes hold.

A Maze Of Glass collects 16 of the project’s headiest and most hyper-sensory improvisations into a 47-minute microcosmic odyssey of fractal, radiophonic exotica. Circuit-bent devotionals dovetail into pixelated mists; diaphanous lifeforms lurch through psychoactive caverns; cybernetic miasmas dance and dissipate. It’s music both placeless and perplexing, undulating and uncanny, hieroglyphic transmissions echoing from the depths.

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Midex

Unitled

21,99 €*

Tape | 2024 | UK | Original (Peak Oil)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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untitled mixtape recorded live in London February 2024) Run of 50 copies

A 37m30s B 34m59s

(c) Wain Records 2024 and D. Shan

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Low End Activist

Airdrop

24,99 €*

Tape | 2024 | US | Original (Hausu Mountain)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest by UK rave reanimator Low End Activist is a nine-track suite of skeletal hardcore, pointillist drum n bass, and deprivation chamber dub, chopped and brewed in homage to the countryside sites of golden age dance gatherings: Airdrop. From Waterstock to Yarnton Road to White Horse Hill, England’s early 90’s dance summits loomed large in LEA's familial and artistic landscape as a youth, trading tapes and pumping tunes across long weekend afternoons: “Fast music to soundtrack slow days.”

An atomized stew of stabby samples, bubbling bass, airhorns, echo, and blitzed BPMs, the cuts take cues from key heroes of the “where were you in ‘92” set – Tango & DJ Ratty, Top Buzz, DJ SS, DJ Seduction, Dr. S Gachet – then fling them to the four corners. Skittery, stripped, and elevated, this is mad scientist music of voltage, vision, and rewired brains, scraped to its raw genetic essence and deployed for peak kinetic liberation.

Collage by Clayton Burke. Mastered by Joshua Eustis.

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FIN

Cleats

17,99 €*

Tape | 2024 | UK | Original (Le Chatroom)

Release: 2024 / US – Original

Genre: Electronic & Dance

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FIN is the musical alias of Canadian-born, New York-based artist Fin Simonetti. Her multidisciplinary practice ropes in elements of future-facing pop music, experimental-electronic production, and visual art. For more than a decade, she has exhibited her ambitious sculpture and installation works — oriented around marble, metal, and stained glass — at galleries and museums worldwide. Cleats, her second album on Hausu Mountain, follows 2017’s Ice Pix. Building on Simonetti’s omnivorous production sensibilities while refining her presence as the idiosyncratic personality at the heart of her compositions, Cleats offers us a vision of contemporary gonzo pop shaped by her affecting vocal performances, her finely curated palette of juxtaposed electronic tones, and her deft integration of genres both inside and outside of the pop tradition.

FIN populates her self-produced music with layers of digital synth lines, bludgeoning percussion, and found sounds that cohere into a dense backdrop whose exact level of “fidelity” remains always in flux. Chiming bell tones float over synthetic orchestral strings and churning organ arpeggios, conjuring up mental images of sacred religious spaces splintered by the intrusion of digital technology. Simonetti hijacks signifiers from the art world that she occupies in one quadrant of her practice, captured in the baroque instrumentation she selects for her productions and her lyrical infusions of subject matter plucked from “Flemish Still Life” and “Pre-Raphaelite” art — mirroring her sculptural works that warp stained glass and its history as a trade practiced by Italian immigrants in Canada (including her own family) into uniquely modern forms. To put it simply, FIN sings what she knows, and builds her sonic palette around the life she has patiently sculpted for herself over years of back-breaking effort carving marble, cutting glass, and welding metal.

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Agostino

Zona Sisri

10,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2024 | UK | Original (Diskotopia)

Rush2theunknown

Ep1

Osculating Elements... / My God Is Every Bird

Release: 2024 / UK – Original

Genre: Electronic & Dance

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rush2theUnknown is a project born in pandemic-era provincial New Zealand, developed in the hills of Izu Peninsula, Japan, but forged in the fire of potent teenage memories — the flames of the future sounds of jungle and drum 'n' bass that exploded onto dance floors across the urban centres of New Zealand in the mid 90's. Two old friends, both who played pivotal roles in the development of New Zealand's own jungle and drum 'n' bass scenes in the 1990s, estranged for decades, reunited amidst the isolation and chaos of covid. They began an experiment, attempting to recapture the feeling of having their heads overwhelmed by sounds they couldn't quite comprehend as adolescents — in particular, channeling the energy, spirit, and vibe of 1995 to 1997, where the ever-mutating evolution of jungle intersected with the dawning of drum 'n' bass to create a utopian future vision, before the latter genre changed course and moved increasingly darker.

By weaving in the influences that these two long-lost friends had accumulated over the decades, most notably from ambient, kankyõ ongaku, new age, minimalism, and some of the deepest research into the history of Japanese video game music ever conducted, the pair attempt to discover new terrain from an specific era of dance music that was never fully explored.

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Wanda Group

Tape | 2024 | UK | Original (U G Organic Throat Blower)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Felt)

Mother

Live 23

Tape | 2024 | EU | Original (Beyond The Bridge)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Side A was recorded live at The Old Hairdressers in Glasgow on 22nd April 2023. Side B was recorded live by Murray Collier at La Chunky in Glasgow on 2nd June 2023. Mastered by MHM at RAD.

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Live At Worm Turns

Tape | 2023 | US | Original (New Retro Wave)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Beyond the Bridge is excited to welcome a novel sonic experience to the roster with the debut of Australian artist gi. Capturing the essence of live experimentation, this release was recorded at the Worm Turns festival in 2023. It charts an immersive course through the uncharted territories of drone, IDM, and techno. Each track is thoughtfully selected, guiding the listener on a profound journey marked by peaks of intense emotional release and valleys of serene recuperation. Dive into a meticulously crafted soundscape that promises to enrich and challenge the auditory senses.?

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Deadlife

Mortal Sojourn

Tape | 2024 | EU | Original (Newretrowave)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Pulled straight down, deep beneath the twisted megastructures of the Lost, in search of an unreachable answer. To turn his back on everything, and pay the ultimate price.

Disappearing into a dimension of unknowable size where time ceased to exist, his mind fractured into pieces.

Embraced by reflections, old voices, memories and nightmares disguised as dreams, he vanished.

The Void takes many forms.

Who knows what you’ll witness, where souls come to bear their all.

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Broken Videos

Memories Of Tomorrow

Tape | 2024 | UK | Original (Acroplane)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The start of something remarkable... Broken Videos is here to make his mark. A must listen to all classic synth lovers. :)

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Brain Rays

Slime

Tape | 2024 | UK | Original (Diskotopia)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Benjamin Hudson returns to Acroplane, following his last projects with us as Ebola (Wrong Music) and one half of Baconhead, with 'Slime'… and he's brought a load of his talented mates to collaborate with him.
Artwork by Everything Alllways
Mastering by James Forde Stewart @ Sorting Room Studios.
Brain Rays is part of queer collective, Doomscroll, and Devon art & party crew, Bizarre Rituals. He is also a co-founder of Wrong Music alongside DJ Scotch Egg and Matt Lambert (Roger Species).
Known for his hectic, high pressure output with Quiet, and film soundtrack work (as part of Unknown Horrors) collaborating with director Dean Puckett (The Severed Sun, The Sermon, Satan's Bite) and Rhys Chapman (Wonderkid). As a DJ he has performed all over the world, including Transmediale Festival (Berlin), Today's Art (Den Haag) and Boomtown Fair, as well as two live sessions at Radio 1's legendary Maida Vale Studios. As a producer he has garnered support from the likes of Mary Anne Hobbs, Etch, Huw Stephens, Drumskull, Annie Mac, and Nikki Nair.

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Fujimoto Tetsuro & Rgl

Bring Me / Destiny

Tape | 2024 | UK | Original (Bruk)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Fujimoto Tetsuro returns to Diskotopia eleven years after his popular Sketches of the Other Tokyo EP. This time he teams up with fellow Cosmopolyphonic-associated Tokyo-based producer RGL for an exciting split EP.

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Hoyah

Set + Setting

Tape | 2024 | UK | Original (First Light)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Utilising a mammoth bank of saxophone samples, Shmuel Hatchwellpresents his new alias hoyah with an engrossing album captured in tape and digital form on Bruk. The process leading to Set + Setting started out with a need for limitations to provide some focus for long-serving sound engineer and producer Hatchwell. He set out the following guidelines to accompany the overarching idea of 'set + setting': No 'beats' Saxophones are the voice Stay away from the computer for as long as possible Hatchwell took a deep dive in search of every saxophone sample he could find, threw them all into his MPC and then proceeded to weave together a variety of pieces. The focus on a particular instrument brings cohesion to the album, but equally the limited sound inspired freedom to experiment with other techniques and tools. At times one or two sax voices sound naked and undisturbed, while elsewhere you might only hear jagged shards or distant ghosts as they pass through aggravated processing. Beyond the sound itself, the name hoyah was born with the flippancy of the 21st Century and ratified by ancient tradition. After the music had been made, After the music had been made, Hatchwell plucked the name out of thin air as a play on the TikTok meme 'can I get a hoya,' and subsequently discovered on a dive into his Jewish heritage that in old Hebrew hoyah means, 'to be, become, come to pass, exist, happen, fall out.' This distinction between Jewish concepts and modern political conflations is important to Hatchwell, who finds himself consistently having to separate Judaism from the situation in the Middle East and its ongoing genocide. Subtly calling to mind the understated cosiness of real-life sax players like Sam Gendel as well as the fragmented sample manipulation of Matmos and Tim Hecker's approach to processed noise, hoyah's debut album absolutely manifests an idea and musical practice as something new and intentional

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J. Doursou

The Deafening Veil

CD | 2024 | UK | Original (Präsens Editionen)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Following on from his 2022 debut release on American Dreams Records, 'Choreographies of Decay', J. Doursou offers a critical reflection in 'The Deafening Veil' of the West's warped relationship with war in other regions.
The Deafening Veil has early support with reviews confirmed with Mojo Magazine, Headphone Commute (single premiere), A Closer Listen, and Noise Narrative. A writer from Quietus is also pitching to editorial with a review TBC. Doursou began the creative process of the album when Russia invaded Ukraine. The album's lead single, 'song for Elena', is a tribute to Doursou's close friend from Ukraine. The rest of the album critiques the silence that surrounds war in other regions.

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Anom Vitruv

64311.0

Tape | 2024 | UK | Original (Mais Um)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Hardly anything is known about the person behind the pseudonym Anom Vitruv. The artist who has previously released music on UK techno label Tabernacle Records and Los Angeles-based experimental powerhouse Total Stasis, among other outlets, chooses to remain anonymous and lets his music speak for itself. Over more than a decade, the Switzerland-based musician has carefully constructed a body of work that is closely interlinked with his public perception: Always vague, elusive, and thus open.

Anom Vitruv took his time with 6.4311—his first release in more than six years. The artist’s latest project is full of philosophical references around being, time, space, death, and the worthwhile life that not only are visible in the album title and through the artist’s use of samples but are directly manifested in the structure and atmosphere of the music itself. The album is deeply contemplative in its approach. The constant oscillation between the abstract and the concrete, the elaborate build-ups, the subtle emergence and disappearance of elements, and his careful take on layering sounds are all factors that make 6.4311 an engaging album from start to finish.

With his latest full length, the enigmatic artist sets an example on how to incorporate references and concepts into music—all without it being a shallow gesture.

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Sanam

Live At Cafe Oto

Domenico Lancellotti & Ricardo Dias Gomes

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Live recording of the final show of Sanam's debut European 2023 tour at London's home for experiemntal music, Cafe Oto.

Beirut's Sanam burst on the scene in 2023 with their debut album Aykathani Malakon, chosen by The Guardian as one of their 5-star albums from 2023: "Aykathani Malakon thoroughly embodies their originating influences, whipping up kosmische, post-punk, psych rock, free jazz and Levantine folklore into an alchemical tour de force delivered with a defiant, DIY disposition".

Under difficult conditions, the band took to the road for a European tour in November 2023 with the final show at Café Oto. From their incendiary European debut earlier that month at LeGuessWho then rapturous, sold out shows in Switzerland, Belgium, Germany and the UK, spirits for the Cafe Oto gig were high and it was destined to be a tour highlight. 'Live at Café Oto' captures the intensity of the shows, a ritual where improvised rock, free jazz and noise underscored an exorcism of traditional Egyptian song and Arabic poetry.

Drummer Pascal Semerdjian adds: "On this tour, I felt the album evolve from being a set of improvised tracks captured spontaneously, into ripe solid songs. Playing these shows back-to-back, our chemistry kept growing, we got closer, and our live sets, at least to me, were an embodiment of this evolution. In a way, this was the real birth of the band"

Vocalist Sandy Chamoun: "We started the tour with a great push at LeGuessWho, and we kept this energy throughout the whole tour. Every gig felt like I was playing the songs for the first time, providing a new and fresh experience for me. We finished the tour with an emotionally intense gig at Cafe Oto, a dream venue. The audience was incredible, as if we had known each other for a long time and the energy was intense and intimate at the same time; it felt like we were in a small circle of fire together, both us and the audience."

"There was definitely magic in the air for our show at cafe oto - an iconic, humble and warm venue and the last show of the tour – it felt like everything was in the right place. It was my favourite show by far, specially that we were also comfortably able to talk about Palestine, the atrocity we have to live with and can't ignore." Pascal Semerdjian

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Remixes

Tape | 2024 | UK | Original (Mais Um)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cassette of 6 remixes by Ricardo Dias Gomes and Domenico Lancellotti from their recent albums. Domenico Lancellotti remixes Ricardo Dias Gomes and vice versa.
Praise FOR Domenico's Album 'sramba'
"Another absolutely brilliant album from the drummer and singer" Gilles Peterson

"A synth-samba fusion you'll learn to love" ★★★★☆ The Times

"Very Tom Zé" ★★★★☆ Mojo

"Full of wonderful sonic surprises" ★★★★☆ Songlines
Praise FOR Ricardo Dias Gomes Album 'muito Sol'
"...beautiful experimental mûsica popular brasileira on a strikingly confident third album" Jon Dale, Uncut 9/10

"...This album is massively enchanting, and I'm pretty sure when it's all said and done, Muito Sol will be my favorite recording of 2023" Dave Sumner, Bandcamp

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DJ Salinger

Voyage Voyage Voyage

4CD | 2024 | EU | Original (541.0)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"L'idée nous est venu lors d'une conversation un peu arrosée dans un pub du sud de Londres avec Philippe du label Tapeworm" dixit François Kirmann Gamaury alias Franz Kirmann alias Dj Salinger – producteur français établi à Londres depuis plus d'une vingtaine d'années.

"Voyage voyage voyage" est une mixtape. Mais pas dans le sens traditionnelle du terme. Kirmann l'appelle une mixtape subjective, où les morceaux ne sont pas joués tels quels mais présentés tels qu'ils sont ressentis par l'artiste.

Un peu comme le DJ Vladimir Ivkovic qui ralentit certain morceaux sur ses platines pour en révéler un autre aspect, Kirmann zoom dans l'étoffe même des enregistrements, étire les notes et les sons à l'infini, pour en mettre à jour un sens caché, altérer notre perception de ces chansons qui peuvent parfois sembler un peu désuètes. Ici elles sont transformées en nappes fantomatiques et envoutantes qui évoquent un souvenir d'une période de sa vie, une trace sonore d'une époque un peu naive, qui revient aujourd'hui sous forme d'echo, une musique nostalgique trempée dans la reverb et la distortion.

Kirmann a grandit au Sénégal pendant les années 80 et il se souvient des étés de son enfance passé chez ses grand parents, les chansons à la radio, dans le bus du centre aéré, dans un Prisunic en Dordogne, où une fête de camping en Alsace: Catherine Lara, Elsa, Veronique Jeannot et bien sûr Desireless et son fameux tube "Voyage voyage".
Les chansons sélectionnées pour la cassette ont toutes en commun une incitation au départ, une recherche de l'ailleurs, un amour perdu, un souvenir, les thèmes de predilection d'une certaine pop française que l'on nommait variété.

Ces idées d'évasion sont accentuées ici par le traitement sonore qui leur est appliqué. Les chansons sont paralysés dans le temps, figées dans le son, comme si l'on avait souligné certain passages dans un roman pour les détacher du texte intégral.

Distortion, écho, réverbération et autres effets sont appliqués et donnent à la musique et au son une qualité rêveuse et distante. Certains passages reconnaissables se dévoilent et sortent de la brume sonore, ils se révèlent plus net, d'autres sont noyés dans un brouillard imprécis, une musique proche de l'ambient qui enveloppe l'auditeur.

Kirmann: "Chaque track est basé sur une chanson de variété française des années 80, je voulais re-créer une impression de distance, quelque chose de lointain. Les morceaux deviennent des sortes de tapisseries sonores mais dont l'essence de la chanson originelle est toujours présente. Il y'a un roman de Patrick Modiano où les personnages lancent des avis de recherche pour la France à partir d'une station de radio d'un pays lointain. Le son est brouillé, les voix étouffées. J'avais un peu cette idée en tête de faire quelque chose de similaire, comme si les chansons étaient entendus sur un vieux poste de radio mais émises d'une station lointaine et d'un autre temps."

Le résultat est un voyage nostalgique, une musique ambient et nébuleuse façonnée à partir de tubes synthétiques 80's. Imaginez Fennesz ou My Bloody Valentine jouant des reprises de Laurent Voulzy et vous y êtes presque…

Loveless non, Desireless oui!

DJ Salinger. Voyage Voyage Voyage – Disponible en cassette uniquement. 100 exemplaires sur le label Tapeworm.

—

Franz Kirmann is a French music producer living in London. He has made albums for various labels including Denovali, Bytes, Mercury KX. He also writes music for film and TV and is a lecturer in music production at Point Blank Music school.

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V.A.

La Bush 30 Years

Maxwell Sterling & Dali De Saint Paul

Release: 2024 / EU – Original

Genre: Electronic & Dance

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La Bush (Temple of House), the Mother of all Clubs, is celebrating its 30th anniversary (1994 - 2024). We are delighted and honored to announce the simultaneousrelease of a 4CD Digipack (36 Tracks) - compiled by Mr Sam.

All tracks on the album feature their original full-length versions, exclusively remastered for this release. This unique compilation is not only a selection of the best tracks that defined La Bush as a legendary club with a distinctive sound but also serves as an ode and tribute to the golden era of Trance and progressive music in the late '90s and early 2000s - the renowned Golden Age!

On this album, you'll find contributions from iconic artists who left an indelible mark on history, including Sasha, Laurent Garnier, Luke Slater, Yello, Nalin & Kane, Delerium, Solarstone, BT, Oliver Lieb, WestBam, Jens Lissat, and Mr Sam, among others. Listening to the CD album is like watching a film: CD 1 (after-hours Heaven) showcases the best vocal and melodic tracks that made La Bush's After Hours legendary. CD 2 (progressive Golden Age) focuses on the timeless gems of the golden age of progressive music. CD 3 (rhythm Climax) transports you into the heart of a typical night at La Bush, where intensity is at its peak. CD 4 (timeless Anthems) concludes the journey by bringing together the greatest anthems that originated at La Bush, defining its incomparable atmosphere.

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Penumba

Tape | 2024 | UK | Original (Accidental Meetings)

Tape | 2024 | UK | Original (Accidental Meetings)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cassete comes with 3 extra panels of artwork from Ciaran Birch Outerwordly collaboration between two great artists at the forefront of their scene, a release that was sparked by a commission from the BBC! Dali de Saint Paul is known for her vast amount of collaborations, most notably with Moor Mother & Valentina Magaletti. Maxwell Sterling's previous work includes sublime & diverse albums on The Death Of Rave & Ad93. When they met to create an improvised session for the famous experimental music radio show Late Junction on BBC Radio 3. Their encounter was so prolific that day that a lot of their music was not played on the show, so they have decided to give their audience the chance to listen to the fragile, brilliant and dark composition they have produced together.

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Saskia

Tape | 2023 | EU | Original (Caiola)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Japanese sound artist Saskia hits it out of the park with her debut LP, showcasing stunning textures & provoking moods. Saki Yamada aka Saskia hails from Tokyo but has resided in Bristol for the last two years, this is where she has been crafting her debut album, which is mixed & mastered by Miles Whittaker of Demdike Stare. It's a deep listen, an ever changing and challenging mood, with sub aquatic ambience and dub-techno textures glistening throughout. The combination of Saskia's sound palette and Whittaker's touch contrasts perfectly, finishing in a beautiful and sometimes haunting listen.

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Jungle

Volcano

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2023 | US | Original (New Retro Wave)

Kick Puncher

Beyond

10,99 €*

Tape | 2024 | EU | Original

Release: 2023 / US – Original

Genre: Electronic & Dance

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Unrelenting rugged synths with dark robust beats, deep within the core. Kick Puncher is back and with more RAW synths!! not for the faint-hearted. A must for all Cyberpunk and Darksynth audiophiles.

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Tot Onyx

T.O.1. Standard Editon

T.O.1. Limited Sleeve Editon

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Cassette Tape, laser printed J-card, transparent plastic case, DL code.

Tot Onyx is a solo project of Tommi Tokyo, who loves to work with sound and body. As the founder of the experimental live act group A, Tommi has explored her ideas of breaking the preconceptions of live performance by incorporating use of the body, live-painting, noise and poetry. Adept at bending expectations, the band’s formative early work echoes the experiential vocabulary in which Tommi continues to develop today. A practice in the rejection of tradition and cliché, which in Greil Marcus's words, "Share the principles of negation, rebellion, destruction and détournement”. Her rst self-released EP T.O.1 is a collection of fragments of Onyx's live performances from recent years, recorded in her studio as part of her creative process during the preparations. While her albums (1st album Senno I released in 2022 on iDEAL Recordings, and the forthcoming album in 2024, info tba) are highly conceptual and revolve around specic subjects, this EP serves more as her diary, in which she aims to share with the public how her thoughts are shaped by time through the practice of performing live.

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Tot Onyx

Tape | 2024 | EU | Original

Feeling Everything, All At Once

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Cassette Tape, handmade printed fabric case, riso printed paper cover, DL code. Limited to 40 copies.

Tot Onyx is a solo project of Tommi Tokyo, who loves to work with sound and body. As the founder of the experimental live act group A, Tommi has explored her ideas of breaking the preconceptions of live performance by incorporating use of the body, live-painting, noise and poetry. Adept at bending expectations, the band’s formative early work echoes the experiential vocabulary in which Tommi continues to develop today. A practice in the rejection of tradition and cliché, which in Greil Marcus's words, "Share the principles of negation, rebellion, destruction and détournement”. Her rst self-released EP T.O.1 is a collection of fragments of Onyx's live performances from recent years, recorded in her studio as part of her creative process during the preparations. While her albums (1st album Senno I released in 2022 on iDEAL Recordings, and the forthcoming album in 2024, info tba) are highly conceptual and revolve around specic subjects, this EP serves more as her diary, in which she aims to share with the public how her thoughts are shaped by time through the practice of performing live.

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V.A.

Tape | 2024 | UK | Original (Redstone Press)

Tape | 2024 | EU | Original (Perspektif)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Celebrating our tenth release, we proudly present "Feeling Everything, All At Once" - a compelling VA compilation featuring music from our current label family and introducing some talented debutants from Scotland.

Red010 marks a powerful statement of intent as we look to the next five years and beyond whilst reflecting on our achievements so far, what we aspire to accomplish and how we can continue to push the sounds that resonate with us. Although it has taken time to reach this milestone, our commitment to quality over quantity remains unwavering.

This compilation serves not only as a collection of club-ready tracks but also as a longform piece suitable to more passive listening. With a total of 14 tracks, it stands as our most extensive release yet, expanding our label family to well over 20 artists. The digital release will be complemented by a physical cassette, perfect for playing in the dusty tape deck of your mate's Vauxhall Corsa as you head to that mad rave in the countryside everyone is talking about.

We are thrilled to announce our collaboration with the Scottish Action for Mental Health (samh) on this project with all the profits being donated to this cause. Both Lewis & Ethan have their own personal experiences with mental health difficulties and strongly believe that Samh is absolutely vital in facilitating the provision and promotion of mental health care, support & information.

A massive thank you to all those involved in making this happen and their generosity in donating their time and talent to the project.

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Tibia

Dream Pulse

Tape | 2024 | Original (Other People)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Second release of Perspektif comes from Berlin based artist Tibia. Dream Pulse, his new album includes 8 tracks and will be released on 28th of February. Hailing from Berlin, Tibia is an electronic music producer and DJ known for blending melancholic moods with unconventional rhythms. His versatile sound spans from breakbeat techno to drowsy ambient all the way to 160 bpm footwork. Anchored in his roots as a drummer, he developed a rhythmic foundation that continues to permeate throughout his productions. As a producer, he explores new territories while maintaining a consistent commitment to his unique sound. Tibia's musical journey is a testament to the limitless possibilities in electronic music, contributing to its ever-evolving tapestry with innovative and emotive sonic landscapes.

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Valentina Villarroel

Vibrante

Tape | 2024 | EU | Original (Osàre! Editions)

Release: 2024 / Original

Genre: Electronic & Dance

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Valentina Villarroel is a sound artist and phonographer who explores the intricate dynamics within various Southern ecosystems. Her work revolves around the profound potential of acoustic ecology, particularly in the face of encroaching real estate development on natural spaces. She also delves into the consequences of sound pollution on numerous species, contributing to their decline or disappearance. In recent years, her focus has extended to urban soundscapes and significant sonic events, such as the October 18th protest in Chile. With a solid background in bioacoustics applied to both human and animal well-being, Valentina assumes the role of co-director at AOIR Sound Laboratory. There, she spearheads an interdisciplinary initiative that centers sound as its core element. This includes the creation of the sonic cartography portal aoir.cl, as well as the development of handmade electronic devices like the Bowerbankii and the creation of various experimental microphones.

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Hasan Poppu

17,09 €* 17,99 € -5%

2Tape | 2024 | UK | Original (Reel Torque)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The project by Jens-Uwe Beyer and Thomas Venker boasts a remarkable origin story. In 2017, Venker, co-founder and co-editor-in-chief of Cologne’s Kaput magazine, hosted a gathering at Beyer's house, bringing together journalists, creatives, and musicians. To mark the occasion, the pair decided to join forces for an impromptu ambient-electronic performance, presenting themselves as a two-man band. That evening, donned in special costumes designed by artist Sarah Szczesny and fuelled by a generous amount of Japanese whisky, Hasan Poppu was born. Over the course of the pandemic, the duo thought about creating a record based on the live recording of their premiere show. However, the synergy of their collaborative creative energies led them in entirely novel directions. Their self-titled, double-sided album traverses a wild and raucous terrain, moving swiftly from hybrid noise-techno to giddy party ecstasy, to strange and shadowy atmospheres.

Including remixes by YPY, Hibotep, Lena Willikens, Efdemin and Barnt, the 11 tracks span a dizzying array of experimental dance-facing styles. 'Die-Biden' kicks off as a high-vibrational vocal experiment seemingly voiced by a sentient German vocoder. 'Kodō' follows, featuring Venker's playful mantra set against a stomping beat. Willikens' reimagining of 'Teiko' transports the track to obscure realms inhabited by strange creatures emitting ungodly sounds. Meanwhile, Efdemin's take on 'Ekusutashī' pulsates with a kinetic buzz. Flipping over to the B-side, 'Sakura' is a euphoric wall of drone punctuated by eerie whispers and mystical singing. Then, the second installment of 'Kodō' takes a fresh trajectory with a touch of Barnt’s electronic groove stylings. Finally, Hibotep's 'Shojo no yo ni flp' serves as the finsher – an unrepentant trance belter that disintegrates into sampled fragments. Loosely translating to "broken pop music," Hasan Poppu is informed by Beyer and Venker's shared love for Japan. The band takes their cues from the country’s rich sonic cultures while also drawing on Venker's wordsmith background and Beyer's flair for melding melodic tech-house with song-based synth-pop. Originally out on Beachcoma Recordings, Hasan Poppu’s debut album gets a new lease of life on Osàre! Editions with a digital and limited edition cassette tape release. Sarah Szczesny reprises her role in shaping the visual identity of Hasan Poppu by creating beautiful, painterly artwork for the record. words by Hannah Pezzack

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Roc

Makina Trax 2013-2023

23,74 €* 24,99 € -5%

Live At Positive Education Festival 2023

Release: 2024 / UK – Original

Genre: Electronic & Dance

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On his crazy solo debut album, Evol’s Roc hails Eurodance x happy hardcore x acid trance as mutant folk music with a 2 hour collection of live recordings, oddities and installation works directly inspired by the contemporary Catalan dance sound of Mákina - a massive tip if yr into Pastis & Buenri, Nana Makina, The New Monkey, Acid in the Style of Peter Beardsley…

Marking 25 years since Evol’s first record, ‘Principio’ (1999) for Mego, the prolific project’s main man, Roc Jiménez de Cisneros, deploys a distinctly personalised conception of Mákina from his Barcelona IP. After 10 years of adding to its special folder, Roc yields 28 psychoactive cuts marinaded in synthetic bath salts and sweat to wickedly skew the sound’s conventions - virulent 303 arpeggios, see-sawing melodies, and in-your-face beats - with the sort of playfully singular bloody-mindedness that has come to define his Evol works with Stephen Sharp and others. However, the sound here is distinguished by Roc’s personalised inflections and warped nuance that locates unique vitality in the viscera of Europe’s most maligned, but equally beloved, hard dance style.

Although technically rooted in the ‘90s megaclubs of Valencia, Mákina (machine) music also became native to its Catalan neighbours, including Roc, based further up the Spanish coast. And with thanks to a bunch of entrepreneurial Mackems who were bitten by the Makina buzz in the late ‘90s, it more unusually sparked a phenomenon in North East England and Scotland, where it alloyed with happy hardcore and rhythmelodic auction-style MCs to form a whole new offshoot in its own right, heard everywhere from the estates to notorious/legendary clubs such as The Blue Monkey/The New Monkey by Charvers trotting their Rockports off in a sword-dance style hyperfolk step. Roc’s ‘Makina Trax 2013-2023’ follows with a celebration of the sound’s role as regional rave soundtrack and folk signifier, paying no concession to “taste” or normality as he isolates, gurns and exaggerates Mákina’s features to a ludicrous yet immediately functional effect as divisive and energetic as marmite-flavoured wizz.

Pinging from gibber-jawed 303 graffiti to durational 14’+ screwball pounders, and even a killer old skool 808 electro variant (‘Makina Trax 22’), Roc really gets under the hood of this sound with results unmistakably comparable to the style and pattern fascinations of his Evol gear, yet surely tweaked out with a notably more live-wire, hands-on, accentuation. We hear it in the 50 seconds of anthemic fanfare to ‘Makina Trax 16’, the pitching, throaty yowl of ‘Makina Trax 03’, and in the scuttling briskness of ‘Makina Trax 04’, with particular standouts in the screwed, almost bloozy Makina sleaze of ‘Makina Trax 06’, the extreme flange of ‘Makina Trax 19’, and a 180bpm goblin bop ‘Makina Trax 28’. Basically some of the most potent tackle by one of the leading rave experimenters of his generation, whose uncompromising, brilliant work links everyone from the dearly departed Peter Rehberg to Florian Hecker, Mark Fell, to Lorenzo Senni.

Aweee the radgies, pasty droppers and pooter hooligans; it’s your time.

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Iueke

Tape | 2024 | UK | Original (DDS)

20,99 €*

Tape | 2022 | EU | Original (Fixt)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Pioneering Parisian weirdo and member of acclaimed, enigmatic collective Ssabæ, Iueke throws down his first “album” for Demdike Stare’s DDS label, following a trio of mixtapes with an hour of warped goo that defies easy categorisation.

Photogenic dandy Gwen Jamois, aka Iueke, returns with his queasiest, most lysergic release yet, featuring close to an hour of rubbery, rippling electronics, laconic cinematics and free-falling rhythms frozen somewhere between Autechre, Cluster and Rashad Becker.

Gwen has been immersed in all sorts of fringe business for decades at this point, heading up the Antinote label, releasing on Ron Morelli's L.I.E.S, and contributing to those shadowy Ssabæ records we can't stop banging on about. His trio of mixtapes fully took us to the core of his psyche, all off-kilter blends that puzzled out the covalent bonds between tongue dissolving acid, folk music and discarded sonic debris. He follows that same frayed thread on this boundless, off-the-cuff performance, recorded last year at Saint-Étienne's Positive Education festival using a sparse setup of synths and drum machines, fine-tuned to gatecrash the pineal dimension. Plenty of pros have tried making this kind of trippy racket before, but trust that few have ever managed to get anywhere near the level of puckered lunacy you’ll find inside.

Brain-combing Asmr oscillations and anxious strings draw us in, clouded by hissing white noise that obscures an unnatural rhythm lurking somewhere down there in the grot. There are palpable links to Cluster's earliest experiments and the muckiest basement club workouts, but Iueke focuses on pure texture, using seesawing rhythms to scrape out new neural pathways rather than lock into the grid. It all feels a bit mechanical too, bolting together elements that are as corporeal as a lead pipe - thick, rusty-edged and aggy in a way that sounds a bit like Einsturzende Neubauten on mushies.

On the flip, unbalanced rhythms chase their own tail into a fizzing swamp of viscous bass and shepard tones like some imploding firework, eventually plonging off along impulse vectors only to collapse at half speed into the sort of acrid high-register business Whitehouse would be proud of.

Prize yr third eye open for this, it’s a real one.

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Freqgen

Future 1990s

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (Feeding Tube)

Tekla Peterson

Mine To Give

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (DFA)

Infinity Machine

Infinity Machine 003

Tape | 2024 | US | Original (DFA)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Infinity Machine is a duo comprised of JuanMacLean - as in the Juan MacLean, longtimeDFA traveler - and Gee Dee, also known as GregDroggitis, a producer and DJ based in Brooklynand 1/3 of the Earth Beat DJ troupe.The project name stems from a series ofgatherings the two began hosting in variousprivate spaces around New York City shortlyafter lockdown, though that description is abit innocuous for the journeys traveled by itsattendees.These events, billed as "psychedelic danceceremonies" lasting 8 or 9 hours, began witha sound meditation to vibrational and acousticinstruments before eventually segueing into a"dance" soundtracked by a DJ set from Juan andGreg.Something clicked - that ceremonial tea! - andso Juan and Greg began playing and recordingin their studio using the same approach:improvisation with equal attention placed ontraditional acoustic (flute, guitar, gong) and morecontemporary electronic (Yamaha DX-7) sounds.After awhile, there was literally three albumsworth of material, each of them a voyage into thewarm, liminal space between new age, ambient,drone and psychedelia. None of those genresquite fully describe what's across 001, 002, and003 - available from DFA digitally and on a verylimited run of cassettes (150 each!) - but if you'veread this far then you're either the right kind ofcurious or just forgot what you were doing.

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Infinity Machine

Infinity Machine 002

Tape | 2024 | US | Original (DFA)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Infinity Machine

Infinity Machine 001

Tape | 2023 | Original (Lex)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Eyedress

Full Time Lover

Release: 2023 / Original

Genre: Electronic & Dance

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Home Recordings, 1978-1980

The Fast Set

Tape | 2024 | EU | Original (Irrlicht)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"In 1978 I started making experimental home recordings with my old schoolfriend Alan Clark. We both had Akai 4000ds reel-to-reels, which made for easy swapping of locations and ideas. We would meet most evenings to record – for the best part of two years. Much of the music on this tape comes from those experiments.

Some of my solo pieces on this cassette were on a compilation cassette I made for my friend Brad Day, who in 1979 was working at Beggars Banquet record shop in Earl's Court. He happened to be playing it in the shop when co-manager Peter Kent walked in and asked who it was. From that I was offered a 7" release on the Axis label Peter was starting with his colleague Ivo Watts-Russell, and my first gig was organised at Mayhem Studio in Battersea, supporting Vice Versa. With another schoolfriend, Steve Player on guitar and Stylophone 350s, my 16-year-old brother Peter Knight on backing tapes and backing vocals, and me on Vcs3 and vocals, we put a set together within a week. The filmmaker John Maybury projected Super-8 films over us at the gig, and suggested we call ourselves The Fast Set – as all three of us were rooted static to the spot with nerves. The name stuck, and it now seems appropriate to retrospectively apply that name to our previous untitled endeavours.

This cassette release is a 'patchwork' I constructed back in 1980 of the late-70s home recordings – both solo or with Alan. There were two projects back then – the experimental pieces, and the electronic 'pop' songs. This release consists of the former, which I feel age has been kinder to. The tapes had remained untouched for over 40 years until I baked and transferred them recently, so please excuse the hiss, distortion, pops, crackles, and wobbles, as I wish to maintain the integrity and home-made feel of the original recordings." – David Knight, London, 10 January 2024.

London-based musician David Knight has been a member of/worked with: The Fast Set, Five Or Six, Shock Headed Peters, Left Hand Right Hand, Arkkon, The Amal Gamal Ensemble, The Stargazer's Assistant, and Lydia Lunch. He wrote and recorded with Danielle Dax throughout the 1980s, and currently works with Stephen Thrower (Coil, Cyclobe) in UnicaZürn.

Recorded between 1978 and 1980 in Battersea, London on an Akai 4000ds and later a Teac 3300sx. Instruments used: EMS Vcs3, Roland System 100, Hohner K4 String Machine, Dubreq 350s, Piano, Guitar, Percussion, Roland Re201 Space Echo, Colorsound Ring Modulator, EHX Small Stone Phaser, Ibanez Standard Fuzz. Written, recorded and performed by David Knight and Alan Clark. Compiled and mastered by David Knight.

Artwork by Danielle Dax.

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Mats Erlandsson

28/4/23 Cs

11,39 €* 11,99 € -5%

Tape | 2024 | US | Original (Sound Signature)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.

Cyanotype prints and woodcut by Håkan Jonson. Released in an edition of 90 copies.

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Specter

Brutus

Kasra - Critical Sound Live At Fabric With Mcs Gq And Mantmast

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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Kasra

Tape | 2023 | UK | Original (Never Sleep)

18,99 €* 19,99 € -5%

If You Want To Make A Lover: Palm Wine, Akan Blues & Early Guitar Highlife, Pt. II

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"Fabric played a huge role in shaping me as a music fan and years later became the London home for me and my label. This wouldn’t have happened without the help and support of Shaun Roberts, who left us far to soon in Dec of 2022 after an 18 month battle with colon cancer.

When the Never Sleep crew asked me to contribute to their mix series I knew id like to honour Shaun and help raise some money for Bowel Cancer UK.

Without Shaun and people like him taking chances on people like me the music landscape would look very different.

This is mix is taken from the Critical Sound 15th birthday event in 2017.

Shaun Roberts RIP x."

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V.A.

Tape | 2024 | UK | Original (Death Is Not The End)

Tape | 2024 | UK | Original (Hobbes Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second part in a collection encompassing Akan blues, palm wine and early guitar-based highlife music, with recordings dating from the late 1920s through to the end of the 1950s.

The music included here can probably all be said to have all stemmed from a style that initially took root in the Fanti region of coastal southern Ghana. Fusing local percussion instruments with the introduction of western (most notably Portuguese) guitars that had made their way to the Fanti region of southern Ghana via the Kru seamen of Liberia, who are said to have pioneered the distinctive two-fingered style of playing while sailing the high seas.

Mingling amongst the Kru as well as with other sailors and local working-class people during the 1920s & 30s, the guitars infused with the traditional Akan seprewa harp-playing technique, creating a style known as 'odonson' or 'Akan blues' - a rootsy highlife style also commonly referred to as palm wine music, so named after the palm wine bars where the music was commonly performed. Western record companies such as Zonophone, Columbia, Odeon, HMV, and later Decca/EMI's West Africa imprint, released much of the recordings included here - with the earliest inclusions appearing courtesy of George William Aingo, Nicholas De Heer, Edmund Tagoe & Frank Essien, and Jacob Sam's Kumasi Trio (all recorded in London during the late 1920s). The form would become a key element in the popular development of both Ghanaian & Nigerian highlife, as well as the maringa of Sierra Leone, the juju of western Nigeria, and the Congolese "dry" guitar music of central Africa.

With thanks to John Collins and the Bokoor African Popular Music Archives Foundation.

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George Demure

Ear Candy Dandy

Vakka-Suomen Rytmi-Kuninkaat

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Currently celebrating ten years of releasing music on vinyl & cassette and following hype for recent releases from Moscow (via Tallinn)’s Galun (glagol album) and Osaka's Kiji Suedo (Hosek EP & Riot album), Edinburgh's Hobbes Music label continues to mine a leftfield seam with this brand new album from singer/songwriter George Demure (Tirk, Output) aka DJ/producer George T (Greco Roman, Optimo), better known as George Thomson to his mum. And it’s another absolute peach if you have a taste for post-club sounds of a more leftfield persuasion.

This is the follow-up to his 'The Record Store' EP which came out via George's own All Noise imprint in 2021. He has also released the Roll On, King's Cross single via Hobbes Music under his George T moniker last November (plus various bits for the Paradise Palms and Ramrock labels in the interim).

“It all began with the Record Store EP in 2021,” explains George. “Limit my options. No samples, one drum machine, two analog synths (mono and poly), computer simply to record. I was so happy with the results I began with what you hear today. Same drums, same machines (or lack thereof) maybe some real percussion and melodica but hey, I only answer to me.”

Imagine, if you will, Scott Walker jamming with Kruder & Dorfmeister in a very small studio…

Bonus Album ‘Dandy In Dub’ features dubs, instrumentals and bonus tracks, with yet more regular flashes of pure brilliance. Be sure to check out opener 'After' and closer 'Blue Lou', which sound like George might well have sound-tracked some French 80s flick of the 'cinema du look' period (Betty Blue, Diva et al) in another life. Plus ‘Mr Minilogue’ with its clarinet-like synth.... Does it really get any better than this?!!

Sleeve art by the amazingly talented Bernie Reid, another local legend.

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Joko Joku On Kuullut

Tape | 2017 | EU | Original (Ikuisuus)

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Varropas

Rakuuna

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Tasos Stamou&Alan Wilkinson

Whenever

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Bardo Todol & Devid Ciampalini

El Origen Del Pensamiento Mágico

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Indalaska

Poésie Surnaturelle

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Black Trumpets

Natural Screenery

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Muuton Koto

Satumainen Avaruus

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Polonius

Gemini

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Polonius

Aries

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2Tape | 2020 | EU | Original (Ikuisuus)

Polonius

Pisces

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Tape | 2020 | EU | Original (Ikuisuus)

Tim Cornelius/Uton

Atlantean Fusebox

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Arttu Partinen / Amon Düde

Songs In The Attic / Live At Leeds

Tape | 2020 | EU | Original (Ikuisuus)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Ikuisuus)

Gas28a

Dao Hac

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Jukka Herva

Kultainen Nauha

Release: 2022 / EU – Original

Genre: Electronic & Dance

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F.Ampism

The Radical Stop

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Euphotic

Conjugate Regions

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Takehiro Mukai

Dogu

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2023 | EU | Original (Ikuisuus)

El Manantial

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2023 | EU | Original (Ikuisuus)

Core Of The Coalman

Klein Bottles

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2Tape | 2023 | EU | Original (Ikuisuus)

Uton

Uni-O-Mythica

14,24 €* 14,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Stefano Pilia / Alessandra Novaga / Adrien Utley

Spiralis Aurea Trio

Tape | 2023 | EU | Original (Maple Death)

21,99 €*