Vinyl 123684 Items

2LP | 2025 | EU | Original (90's Tapes)

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 3LP in gatefold sleeve incl. inlay card - one copy per customer maximum.

Southpaw's longtime friend and Apex Crew member Ase Man originally dropped his CD-only debut "Step Into The A.M." in 1997, the same year when Southpaw's sophomore album "Left Hook" had been released. Wil Champion handled the productions, Pro-K served the cuts and Ase Man delivered the rhymes with features by Paradox & Lynes. Next to the original 12 tracks, the full album includes all instrumental versions sourced from the original DAT's.

Available in a limited run on 3LP, 2CD in jewel case, 2MC and digitally on all major platforms.

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Southpaw

Left Hand Rule

3LP | 2025 | EU | Original (90's Tapes)

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 2LP - one copy per customer maximum.

Hailing from Cleveland, Ohio, Southpaw created a very unique sound between east and west. The duo comprised of Wil Champion & Pro-K delivered two certified classics in the mid 90's, handling both the production and rhyme part on their own. "Left Hand Rule" marked their debut in 1993, released in limited runs on vinyl, CD and cassette.

The artwork contains an alternate cover image from the original photo session.

Available in a limited run on 2LP, CD in jewel case, MC and digitally on all major platforms.

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Southpaw

Left Hook

Will Rap For Food Black Vinyl Edition

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 3LP in gatefold sleeve incl. inlay card - one copy per customer maximum.

Hailing from Cleveland, Ohio, Southpaw created a very unique sound between east and west. The duo comprised of Wil Champion & Pro-K delivered two certified classics in the mid 90's, handling both the production and rhyme part on their own. In 1997, the sophomore album "Left Hook" dropped in limited runs on CD and cassette. Next to the original 12 tracks, the full album includes all instrumental versions sourced from the original DAT's.

Available in a limited run on 3LP, 2CD in jewel case, MC and digitally on all major platforms.

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Cunninlynguists

2LP | 2002 | US | Reissue (Stunning English)

40,99 €*

3LP | 2024 | EU | Original (W.25th)

Release: 2002 / US – Reissue

Genre: Hip Hop

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Coalmine Reissues in partnership with Stunning English are pleased to announce this special edition vinyl reissue of CunninLynguists’ celebrated debut LP, Will Rap for Food, marking the first time the album will be available on wax since 2005. Consisting of founding members Deacon the Villain and Kno, the duo would make a name for themselves for their East Coast-influenced boom bap with a southern charm, abound with battleready braggadocio and side-splitting humor. Right from the intro, the pair get down to business, delivering a balanced combination of both lighthearted subjects and weighty material, produced largely by Kno, whose skillfully crafted soundscapes would catapult him into the upper echelon of beat makers with his style of ’90s New York loop-digging and chipmunk soul. On the lyrical tip, Deacon and Kno manage to incorporate punchline rhymes, introspective musings, and your more standard rap boasts without ever sounding forced. Deacon is especially adept at the wordplay, where heopens up the album with the line, “The music makes me high even though I stay away from cannabis like Wyclef.” In addition to their quick witted bars, the duo also chart out more emotional terrain, with Deacon’s confessional account of finding himself through hip-hop on “Mic Like A Memory” and Kno’s painful story of abandonment by his mother on “Family Ties.” With the album title and scattered skits of two panhandling emcees, the CunninLynguists playfully appeal to both the mainstream and underground dichotomy, without dwelling on the distinction.

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Cindy Lee

Diamond Jubilee

47,99 €*

Alligator Bites Never Heal HHV GSA Exclusive Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey.

Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realistik Studios. The album was mixed by Steven Lind, who also contributes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson. Triple LP on black vinyl comes with 24” x 36” poster.

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Doechii

LP | 2024 | WW | Original (Top Dawg Ent.)

LP | 2025 | EU | Original (Interscope)

Release: 2024 / WW – Original

Genre: Hip Hop

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We are happy to be able to offer this new gold colored pressing of the Grammy-certified "Best Rap Album" of 2024, "Alligator Bites Never Heal". For customers in Germany, Austria and Switzerland, this edition is exclusively available at HHV. Limited to 10.000 copies worldwide with 2000 available here. Pressed at Optimal, Germany.

The album showcases Doechiis versatility across genres such as alternative hip hop, alternative R&B, and trap. It features production from Camper, Childish Major, Kal Banx, Devin Malik, and Monte Booker, among others, with a guest appearance by rapper Kuntfetish.

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Kendrick Lamar

GNX Black Vinyl Edition

28,99 €*

Let's Get Free 25th Anniversary Edition

Release: 2025 / EU – Original

Genre: Hip Hop

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GNX is the sixth studio album by American rapper Kendrick Lamar, released unexpectedly digitally on November 22, 2024, through PGLang and Interscope Records. This album follows his 2022 release, "Mr. Morale & The Big Steppers," and marks his first project after departing from longtime labels Top Dawg Entertainment and Aftermath Entertainment.

The album's title, "GNX," references the Buick Grand National Experimental, a limited-production model of the Buick Regal from 1987, known for its all-black appearance and high performance.

"GNX" comprises 12 tracks, featuring collaborations with artists such as SZA on "Luther" and "Gloria." The production team includes notable figures like Jack Antonoff, Sounwave, and DJ Mustard. The album's opening track, "Wacced Out Murals," delves into Lamar's experiences and relationships within the music industry, mentioning artists like Snoop Dogg, Nas, and Lil Wayne. The song reflects on Lamar's journey and the dynamics of his interactions with these artists. "Squabble Up," another track from the album, showcases Lamar's integration of California rap styles, including G-funk and hyphy, mixed with vibrant influences such as mariachi. This track channels a carefree and rebellious spirit, even evoking 2Pac’s defiant attitude. "Heart Pt. 6" continues Lamar's long-running biographical series, detailing his split with Top Dawg Entertainment to form his own creative communications company, PGLang.

The surprise release of "GNX" has been met with significant attention and acclaim, further solidifying Kendrick Lamar's status as a leading figure in contemporary hip-hop.

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Dead Prez

2LP | 2000 | EU | Reissue (Sony Music Catalog)

MM..Food 20th Anniversary HHV EU Exclusive Purple Vinyl Edition

Release: 2000 / EU – Reissue

Genre: Hip Hop

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Double vinyl LP pressing. Let's Get Free was the debut studio album by hip-hop duo Dead Prez, originally released in 2000. Critically acclaimed upon it's release, Let's Get Free was called a "return to politically conscious rap" and, "the most politically conscious rap since Public Enemy"; the duo's messages also earned them favorable comparisons with Brand Nubian, The Coup, Def Jef and X-Clan. The album's lyrics, performed in front of sparse beats are startlingly direct, militant, and confrontational. M-1 and stic. Man excoriates the media, the music industry, politicians, and poverty, and urge their target audience to study socialism and ideas of black power. Rolling Stone gave the album four stars and lauded it's equation of "classrooms with jail cells, the projects with killing fields and everything from water to television with conduits for brainwashing by the system".

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MF DOOM

2LP | 2004 | US | Reissue (Rhymesayers)

35,99 €*

Release: 2004 / US – Reissue

Genre: Hip Hop

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Limited edition of 3000 copies.

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

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3 Feet High And Rising Yellow Vinyl Edition

2LP | 1989 | EU | Reissue (Chrysalis)

23,99 €* 36,99 € -35%

Godfather Don & Jazz Spastiks

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally, back on vinyl. Now as a double vinyl LP, officially reissued. This is the yellow indie exclusive vinyl edition. Must have!

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me, Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll in 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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Writer's Delight

2LP | 2025 | EU | Original (HHV Records)

Nocturnal Black Vinyl Edition

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on black vinyl.

Godfather Don and the Jazz Spastiks team up again for "Writer's Delight" including the yet released neckbreakers "Straight From The Gutter" and "Kick The Ballistics". Yet again Don delivers his undefeated rhyme skills and clever wordplay on dusty signature beats by the Spastiks, giving you the true Hip Hop feel from start to finish. 22 tracks in total including all instrumentals, available in a limited run on 2LP plus digitally on all major platforms.

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Heltah Skeltah

LP | 1996 | EU | Reissue (Music On Vinyl)

One For All 30th Anniversary Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Music on Vinyl releases the incredible classic "Nocturnal" as a 1LP pressing on black wax.

Released in 1996, Nocturnal was the debut studio album by hip hop duo Heltah Skeltah, comprising Rock (Jahmal Bush) and Ruck (Sean Price).The album featured production by Buckshot (of Black Moon), Lord Jamar, Da Beatminerz and others. It peaked at number 5 on the Top R&B/Hip Hop Albums and number 35 on the Billboard Top 200 that year. The 18 tracks skiflfully incorporated samples from artists such as Johnny Pate, Lalo Schfirin, and George Benson. Guest apperances from O.G.C, Reprensetativz, Vinia Mojica, Illa Noyz and notable singles "Leflaur Leflah Eshkoska", "Operation Lock Down" and "Therapy".

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Brand Nubian

2LP+7" | 2020 | US | Original (Tommy Boy)

22,74 €* 34,99 € -35%

Alligator Bites Never Heal Black Vinyl Edition

Release: 2020 / US – Original

Genre: Hip Hop

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30th anniversary of this highly acclaimed album best know for for it's politically charged and socially conscious content.

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Doechii

LP | 2024 | DE | Original (Top Dawg Ent.)

28,99 €*

MF DOOM X Tatsuro Yamashita

Release: 2024 / DE – Original

Genre: Hip Hop

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Alligator Bites Never Heal showcases Doechiis versatility across genres such as alternative hip hop, alternative R&B, and trap. It features production from Camper, Childish Major, Kal Banx, Devin Malik, and Monte Booker, among others, with a guest appearance by rapper Kuntfetish.

Pitchfork noted the project's blend of "playful and melodic sides without skimping on hard-hitting hip-hop."

"Alligator Bites Never Heal" received significant acclaim, earning nominations for Best Rap Album at the 67th Annual Grammy Awards, with "Nissan Altima" nominated for Best Rap Performance, and Doechii herself for Best New Artist.
The album also appeared on several year-end lists, ranking ninth on Rolling Stone's "The 100 Best Albums of 2024."

The title and cover art pay homage to Doechii's Florida roots, featuring her holding an albino alligator, symbolizing her nickname, the "Swamp Princess."

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Tanda

LP | 2024 | UK (Unknown)

LP | 2025 | EU | Original (Umse)

Release: 2024 / UK

Genre: Hip Hop, Pop

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Combining the unique flows of MF Doom with Japanese pop legend Tatsuro Yamashita, Tanda blends these two worlds into one with a LP full of heading-nodding feel-good funk.

BE Quick! Limited Pressing!!

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Umse

Immunsystem

20,99 €*

Release: 2025 / EU – Original

Genre: Hip Hop

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HHV Records Sticker Sheet

HHV

1 Piece | 2023 | Original (HHV Records)

80 Bonus Coins

Release: 2023 / Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance, Reggae & Dancehall, Pop, Soundtracks

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Bonus Coins

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

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Clear Lake Audiotorium Sea Green Vinyl Edition

12" | 1994 | WW | Reissue (Chrysalis)

23,99 €*

Mayhem Indie Exclusive Opaque Blue Jay Vinyl Edition

Release: 1994 / WW – Reissue

Genre: Hip Hop

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Sea Green vinyl in a clear sleeve w/ sea green gel & a printed insert. de la Soul's "Clear Lake Audiotorium" is one of their most sought-after releases by super fans. The holy grail of de la Soul albums, it was released in 1994 exclusively as a promotional item to A-list DJs. It features four tracks from the group's Buhloone Mindstate album and two new tracks - "sh. Fe. Mc's" featuring A Tribe Called Quest and "Stix & Stonz" featuring The Fearless Four, Grandmaster Caz, and Prince Whipper Whip). While only 500 copies were pressed of the original, this legendary collector's item is now available as a limited edition release.

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Lady Gaga

2LP | 2025 | EU | Original (Interscope)

Release: 2025 / EU – Original

Genre: Pop

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2LP | 1996 | EU | Reissue (Chrysalis)

Stakes Is High

23,24 €* 30,99 € -25%

People Watching Indie Exclusive Blue Yolk Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

Don't forget to grab your Stakes Is High poster from our Bonus Coin section.

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Sam Fender

LP | 2025 | EU | Original (Polydor)

28,99 €*

Release: 2025 / EU – Original

Genre: Pop

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SABLE, fABLE Black & Salmon Vinyl Editon

Bon Iver

2LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition

Karen Dalton

2LP+7" | 1972 | US | Reissue (Light In The Attic)

28,99 €* 57,99 € -50%

Music Can Hear Us Magenta Vinyl Deluxe Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions
Previously unreleased 7” single: Live at Beat Club, Germany (April 1971)
Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love
Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets
20-page booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart
Housed in a special, expanded trifold jacket

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” the album will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

This 50th Anniversary Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971

11–13: Alternate Takes from album sessions, 1970/71

14–15: Recorded live at Beat Club, Germany, April 21, 1971

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DJ Koze

2LP+7" | 2025 | EU | Original (Pampa)

40,99 €*

LP | 2025 | UK | Original (Forever Living Originals)

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Koze's new work with a lot of famous guests.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Sault

Acts Of Faith

LP | 1991 | US | Reissue (Dark Entries)

Release: 2025 / UK – Original

Genre: Organic Grooves

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Vinyl format only. Acts of Faith is the eleventh studio album from British R&B musical group Sault. Originally previewed in December 2023 at a one-night only concert in London, which was the group's first performance. Upon the album's release, Bill Pearis of Brooklyn Vegan called this "yet another stunner" from the group that is "a joyous rumination on faith". Writing for Radio New Zealand, Tony Stamp noted the religious themes and uplifting lyrics in the music and responded to the band's mystique by summing up, "everything on record is so substantive, and enriching, that the gimmicks feel justified"

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Q Lazzarus

Goodbye Horses

21,99 €*

Shades Of Blue 20th Anniversary HHV Retail Exclusive Blue Vinyl Edition

Release: 1991 / US – Reissue

Genre: Pop

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At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, "the song is about transcendence over those who see the world as only earthly and finite." Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York Bdsm nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.

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Madlib

2LP | 2003 | WW | Reissue (Blue Note)

The Celestial Suite Signed Transparent W/ Red Vinyl Edition

Release: 2003 / WW – Reissue

Genre: Hip Hop, Organic Grooves

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Blue vinyl, limited to 500 copies for the German market.

The sound of Blue Note has been embedded in hip-hop through sampling and remixes since its early days but Madlib raised the bar when the DJ, producer, rapper and multi-instrumentalist invaded the Blue Note vaults for his 2003 masterpiece Shades of Blue, a visionary album featuring remixes and reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more.

“Madlib’s amazing remixes and re-imaginings of classic Blue Note tunes is aural cinema, … and in common with so many remixers and hip-hop artists he clearly loves the catalogue. The inventiveness of this record aside it is also as groovy as heck.” — Uncompromising Expression, Richard Havers

This new edition of the album “Shades of Blue”, a Madlib homage to the Blue Note label, is being released to mark the 20th anniversary.

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Pale Jay

12" | 2023 | EU | Reissue (PLYGRND)

Flora HHV Exclusive Daisy Yellow Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Limited edition including hand signed inner sleeve of Pale Jay's debut EP 'The Celestial Suite' with a special transparent/red vinyl design. Features the track 'Donny In Valdez (PJ's Flip) featuring Erick The Architect including previously unreleased instrumental version of the song.

’The Celestial Suite’: a body of work rooted in the unconscious, displaying a deep connection between Pale Jay and his musical guides such as Donny Hathaway, J Dilla and Khruangbin. Pale Jay’s self-produced debut EP ‘The Celestial Suite’ showcases his fragile falsetto floating over dusty beats and serene strings glued together by ageless arrangements.

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Hiroshi Yoshimura

2LP | 2006 | WW | Reissue (Temporal Drift)

49,99 €*

Lotus Indie Exclusive Electric Pink Vinyl Edition

Release: 2006 / WW – Reissue

Genre: Electronic & Dance

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HHV Exclusive pressed on "Daisy" Transparent Yellow colored vinyl - limited to 300 copies! Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic. Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura’s other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show. "Flora is an album that is listened to perpetually, Passed on from one listener to another, And the charm of the sound- and music-loving figure known as Hiroshi Yoshimura, Just might come drifting through. Like the scent of a small flower." — Junichi Konuma *

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Little Simz

2LP | 2025 | WW | Original (Sony)

Release: 2025 / WW – Original

Genre: Hip Hop

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LP | 1996 | US | Reissue (Tommy Boy)

Grand Puba

2000

18,19 €* 25,99 € -30%

This Wasn't Meant For You Anyway Transparent Red Vinyl Edition

Release: 1996 / US – Reissue

Genre: Hip Hop

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Vinyl LP pressing. Grand Puba, rapper and emcee, is best known as one of the members of the group Brand Nubian. 2000 is his second solo studio album and was released in 1995 and hit number 5 on the Top R&B/Hip-Hop Albums in the US and got 4 mics from The Source. The album spawned two singles: "I Like It (I Wanna Be Where You Are)", which was featured in the soundtrack for the video game Tony Hawk's Underground 2 and "A Little of This" which has backing vocals from Kid (from Kid 'n Play). The album contains a good juxtaposition of tough drums and bass with smooth soul samples & interpolations (DeBarge, Barry White, The Delfonics, Rose Royce, The Stylistics).

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Lola Young

LP | 2024 | Reissue (Island)

25,99 €*

Release: 2024 / Reissue

Genre: Pop

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Tracy Chapman 35th Anniversary Opaque Oxblood Vinyl Edition

Tracy Chapman

LP | 1988 | EU | Reissue (Elektra / Rhino)

Release: 1988 / EU – Reissue

Genre: Pop

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Naughty By Nature Blue & Yellow Splatter Vinyl Edition

Naughty By Nature

2LP | 1991 | CZ | Reissue (Tommy Boy)

Release: 1991 / CZ – Reissue

Genre: Hip Hop

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LP | 2025 | EU | Original (Week-End)

Marshall Allen

New Dawn

2LP | 2020 | EU | Original (Blue Note)

Release: 2025 / EU – Original

Genre: Organic Grooves

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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean—freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.

One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings to be added in the coming weeks and months. The legendary Neneh Cherry will lend her unmistakable voice to the title track “New Dawn”.

Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings—traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.

“New Dawn is clearly an extension of Ra’s legacy and sound, but it’s also a masterful endeavour filtered through Allen’s tastes and approach”. – John Morrison, The Wire, November 2024 (cover story)

Musicians: Marshall Allen – Kora, EWI, Alto Sax Knoel Scott – Baritone Sax, Congas, Drums Cecil Brooks – Trumpet Bruce Edwards – Guitar Jamaaladeen Tacuma – Bass Richard Hill – Bass Timothy Ragsdale – Bass Owen Brown Jr – 1st Violin Akiko Arendt – 1st Violin Cristina Ardelean Montelongo – 1st Violin Derek Washington – 2nd Violin Elias Feldmann – 2nd Violin Dimitra Karageorgopoulou – 2nd Violin Michael Ireland – Viola Vasileios Vasileiadis – Viola Joseph Richard Carvell – Bass Ilektra-Despoina Stevi – Cello Jorik Bergman – Flute George Gray – Drums Jan Lankisch – Percussion

Special Guest: Neneh Cherry - Voice

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Tom Misch & Yussef Dayes

What Kinda Music

24,99 €*

Lan Juks Limited Doppel-Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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Kool Savas

2LP | 2025 | EU | Original (Essah Media Gmbh)

Release: 2025 / EU – Original

Genre: Hip Hop

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Touch Yello 15th Anniversary

Yello

2LP | 2009 | Reissue (Polydor)

45,99 €*

Release: 2009 / Reissue

Genre: Pop

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Lotus HHV GSA Exclusive Moonstone Vinyl Edition

Little Simz

2LP | 2025 | WW | Original (Sony)

Release: 2025 / WW – Original

Genre: Hip Hop

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In Germany, Switzerland and Austria, this edition is exclusive to HHV customers. 700 units.

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OST The Sims 25th Anniversary HHV Exclusive Mint Green Vinyl Edition

2LP | 2025 | US | Original (Enjoy The Ride)

46,99 €*

Liquid Swords Marvel Artwork Edition

Release: 2025 / US – Original

Genre: Soundtracks

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Limited to 300 copies.

Sul Sul! Enjoy The Ride Records, in partnership with Lakeshore Records & EA Music, proudly presents The Sims 25th Soundtrack!
For 25 years, the music of The Sims has been the soundscape of creativity and curiosity, from the first brick placed in Build Mode to the last outfit perfected in Create-a-Sim. Now, for the first time on vinyl, you can experience the iconic compositions that have shaped generations of Sims players.
Featuring unforgettable tracks by Jerry Martin, Mark Russo, Mark Mothersbaugh, Steve Jablonsky, and Ilan Eshkeri, this special collection spans The Sims, The Sims 2, The Sims 3, and The Sims 4 — including the legendary theme songs and beloved Build, Buy, and CAS melodies.
This limited-edition 2xLP vinyl is housed in a beautifully designed gatefold jacket, celebrating The Sims’ 25th birthday. With only 10,000 copies available across 10 colorful variants, this release is as unique as your Sim’s next big adventure. Don’t miss out on this collector’s dream!

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GZA

2LP | 1995 | US | Reissue (Def Jam)

42,99 €*

LP | 1996 | JP | Reissue (P-Vine)

Release: 1995 / US – Reissue

Genre: Hip Hop

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Featuring some of the most clever, smart, and recognizable bars ever recorded,GZA's Liquid Swords is a cold, cryptic masterclass in rhyming and atmosphere. It's so absurdly satisfying as a front-to-end listen, so naturally woven together and so visual that it feels cinematic. It’s generally regarded as a Hip-hop classic for good reason. The silky vocals of the GZA aka The Genius permeate through the great production who layers beats and sounds to perfection. As part of the legendary Wu-Tang Clan, their contract allowed to sign with a different label as an individual artist which allowed the GZA to make this record. There is an appearance by every member of the group on this album but the GZA rules the roost. Listening to this album you have to appreciate how talented GZA is with his rhyming, he tells a story like no other and has an incredible flow. The songs deal with life on the street, various other topics and even labels taking advantage of artists. None of the subjects he covers are ridiculous like many of todays artists talking about rims and grills

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Innersoul

The Theory

Masquerades & Silhouettes Black Vinyl Edition

Release: 1996 / JP – Reissue

Genre: Hip Hop

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Released in 1996, Innersoul's "The Theory" has become a legendary album in the underground hip-hop scene and is now being reissued on limited pressing LP with Japanese obi-strip! Leading the way is "It's The Right Time," which was also released as a 12-inch EP single, along with tracks that evoke the jazz and soul sampling of the East Coast underground vibe from the 1990s, featuring the lighthearted rap and exchanges typical of the era. Bonus tracks are also included.

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Lewis Parker

2LP | 1998 | EU | Reissue (Boombap Relickz)

LP | 2025 | EU | Original (Leiter)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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Boombap Relickz is thrilled to present the re-release of Lewis Parker's iconic 1998 Masquerades and Silhouettes.

Hailing from London, U.K., the legendary mr. Parker made waves with this timeless project, blending his unique storytelling with masterful production. This special reissue includes bonus tracks, instrumentals, an interview and a pull-out lyric sheet, making it a must-have for both longtime fans and new listeners.

Available on vinyl, CD and cassette.

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Moses Yoofee Trio

MYT

Release: 2025 / EU – Original

Genre: Organic Grooves

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Music Can Hear Us HHV Exclusive Transparent Curaçao Vinyl Edition

DJ Koze

2LP | 2025 | EU | Original (Pampa)

Southernunderground Record Store Day 2025 Vinyl Edition

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Limited to 500 copies in transparent curacao, only available at HHV.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Cunninlynguists

2LP | 2025 | WW | Reissue (Coalmine)

Release: 2025 / WW – Reissue

Genre: Hip Hop

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Coming Soon 2025-04-12, 10:00 CEST

"This RSD edition features the illustrated version of the album cover
(previously only paired w/ a CD reissue), printed on reverse board
jackets. Both discs are pressed in a three-color segment
configuration with emerald, cobalt and lemonade translucent vinyl.
Coalmine Reissues in partnership with Stunning
English are pleased to announce this special
Record Store Day vinyl reissue of
CunninLynguists’ acclaimed sophomore LP,
SouthernUnderground, marking the first time
that the album has ever been reissued on wax.
Originally released in April of 2003, the album is
a masterclass in Southern hip-hop that artfully
balances lyricism, storytelling, and soulful
production. The trio—consisting of Deacon the
Villain, Kno, and at the time Mr. SOS—carves a
niche in the Southern rap landscape with a
sound that's deeply rooted in the region's
musical traditions while pushing the boundaries
of the genre. From the outset, tracks like
""Southernunderground"" and ""Dying Nation""
showcase Kno’s eclectic production, blending
soulful samples, live instrumentation, and
organic boom-bap beats. The production style
complements Deacon and SOS’s sharp lyricism,
adding depth to the album's social commentary
on race, poverty, and politics.
One of the album’s standout features is its
impeccable balance between introspection and
wit. Songs like ""Love Ain’t"" offer a somber
reflection on love and heartbreak, while ""War"" presents a poignant
critique of the United States' foreign policy. However, the group
doesn’t shy away from playful and humorous lyricism either, seen in
tracks like the Masta Ace assisted ""Seasons,"" which cleverly uses the
metaphor of changing seasons to chart hip-hop’s evolution.
What makes SouthernUnderground particularly timeless is its unique
fusion of Southern roots with a boom-bap sensibility, allowing the
group to avoid the typical rap tropes often associated with Southern
rap. All things considered, SouthernUnderground cements the
CunninLynguists as underground rap titans capable of crafting
complex, thought-provoking music without sacrificing Southern
charm."

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OST Arcane Season 1 Official

LP | 2024 | EU | Original (Virgin Music Las)

35,99 €*

Shacke One & Morlockk Dilemma

Release: 2024 / EU – Original

Genre: Soundtracks

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Vinyl LP pressing.

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Die Legende vom Cafe Morena HHV Exclusive Red Vinyl Edition

LP | 2025 | DE | Original (Mofo Airlines)

Release: 2025 / DE – Original

Genre: Hip Hop

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Kollage HHV Exclusive Yellow Vinyl Edition

Bahamadia

2LP | 1996 | EU | Reissue (Be With)

Tales Of Mystery And Imagination Audiophile Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Limited edition of 500 copies, only available hat HHV!

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

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The Alan Parsons Project

2LP | 2025 | UK | Original (Cooking Vinyl)

32,99 €*

Release: 2025 / UK – Original

Genre: Rock & Indie

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A classic rock masterpiece in an audiophile 2LP edition.

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The Grind Date 20th Anniversary Splatter Vinyl Edition

LP | 2004 | EU | Reissue (BMG)

12" | 2025 | Original (Pampa)

Release: 2004 / EU – Reissue

Genre: Hip Hop

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This special release marks the 20th anniversary of The Grind Date. De La Soul’s seventh studio album features guest appearances by Ghostface, MF Doom, Carl Thomas and Common. This limited edition 2 LP set is pressed on splatter color vinyl and includes 4 bonus instrumental versions of the leading tracks, “The Grind Date,” “Verbal Clap,” “Shopping Bags,” and “Days of Our Loves.”

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DJ Koze

Buschtaxi EP

13,99 €*

Release: 2025 / Original

Genre: Electronic & Dance

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A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.

AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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2LP | 1991 | US | Reissue (Chrysalis)

De La Soul Is Dead

23,24 €* 30,99 € -25%

Apollo Brown & Crimeapple

Release: 1991 / US – Reissue

Genre: Hip Hop

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Indie Exclusive Black Vinyl Edition.

R.I.P. Trugoy the Dove

Bringing a sound and energy unlike any other, De La Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, following on May 14, 1991 with the release of their sophomore album, De La Soul is Dead. Featuring, once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world. “A Roller Skating Jam Named Saturdays,” “Ring, Ring, Ring (Ha Ha Hey)” and “Keepin’ the Faith” have become certified classics in the De La Soul catalog.

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This, Is Not That Gold Tar Swirl Vinyl Edition

LP | 2025 | US | Original (Mello Music Group)

35,99 €*

2LP+7" | 1992 | EU | Reissue (Tommy Boy)

Release: 2025 / US – Original

Genre: Hip Hop

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When Apollo Brown and Crimeapple connect, it’s like old film grain under a projector—gritty, timeless. This album isn’t just boom-bap nostalgia; it’s a rebirth of smoke-stained bars, where Crimeapple plays both poet and philosopher, flipping bilingual manteca rhymes with a chef’s precision, stirring up the street grime and serving it with a side of sharp wit. Apollo Brown, as always, builds his beats like ancient architecture—dusty, soulful, and heavy with forgotten stories. These tracks sound like the cracks in the sidewalk talking back, the perfect companion for long nights and even longer thoughts. It’s a sonic novel, a street sermon, and Crimeapple’s wordplay dances through it like grease sizzling in a pan, a reminder that even in decay, there’s beauty. This, Is Not That.

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Brand Nubian

In God We Trust

23,09 €* 32,99 € -30%

Release: 1992 / EU – Reissue

Genre: Hip Hop

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Darkside (Nicolas Jaar & Dave Harrington)

Nothing Red Vinyl Edition

LP | 2025 | EU | Original (Matador)

Release: 2025 / EU – Original

Genre: Organic Grooves

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Songs Of A Live World: Troxy London MMXXIV Black Bio Vinyl Edition

The Cure

LP | 2024 | EU | Original (Polydor)

Forever Howlong HHV Exclusive Blue Sparkle Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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1st November saw the release of THE CURE's critically acclaimed album, 'SONGS OF A LOST WORLD,' the band’s first new studio record in 16 years and their first #1 album in the UK since 1992.
The night of the album's unveiling, The Cure performed it in full to 3000 fans at Troxy London and to more than a million on a free global stream.

The stunning live performance entitled 'SONGS OF A LIVE WORLD : TROXY LONDON MMXXlV’ will be released on the 14th Feb on vinyl on Fiction/Polydor, with all The Cure's royalties benefitting War Child (https://www.warchild.org.uk) and this will be opened up to Indie stores.

Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK.

'SONGS OF A LOST WORLD' was written and arranged by Robert Smith, produced and mixed by Robert Smith & Paul Corkett and performed by The Cure - Robert Smith: Voice / guitar / 6string bass / keyboard, Simon Gallup: Bass, Jason Cooper: Drums / percussion, Roger O'Donnell: Keyboard, Reeves Gabrels: Guitar.
'SONGS OF A LIVE WORLD : TROXY LONDON MMXXlV’ includes Perry Bamonte: Guitar / 6string bass / keyboard.

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Black Country, New Road

2LP | 2025 | UK | Original (Ninja Tune)

Golden Years Indie Exclusive Clear Vinyl Edition

Release: 2025 / UK – Original

Genre: Rock & Indie

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300 copies of blue sparkling vinyl only availabe at HHV.

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Tocotronic

LP | 2025 | DE | Original (Epic)

Release: 2025 / DE – Original

Genre: Rock & Indie

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7" | 2024 | UK (Modern Classics)

K. L. / M. B.

Not Like Us / BBL Drizzy

17,99 €*

Milton Nascimento & Lo Borges

Release: 2024 / UK

Genre: Hip Hop

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Dissing Drake on both sides. Kendrick Lamar and Metro Boomin'.

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Clube Da Esquina

2LP | 1972 | EU (Endless Happiness)

The SP 1200 Project Sounds & Frequencies In Technicolor HHV Exclusive Aqua W/ Light Blue Color-In-Color Vinyl Edition

Release: 1972 / EU

Genre: Organic Grooves

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Side A 1 Tudo Que Você Podia Ser 02:52 2 Cais 02:42 3 O Trem Azul 04:02 4 Saídas E Bandeiras Nᵒ 1 00:43 5 Nuvem Cigana 05:56 6 Cravo E Canela 02:28

Side B 1 Dos Cruces 05:18 2 Um Girassol Da Cor De Seu Cabelo 04:09 3 San Vicente 02:43 4 Estrelas 00:28 5 Clube Da Esquina Nº 2 03:35

Side C 1 Paisagem Da Janela 02:55 2 Me Deixa Em Paz 03:02 3 Os Povos 04:28 4 Saídas E Bandeiras Nᵒ 2 01:26 5 Um Gosto De Sol 04:16

Side D 1 Pelo Amor De Deus 02:02 2 Lilia 02:30 3 Trem De Doido 03:56 4 Nada Será Como Antes 03:20 5 Ao Que Vai Nascer 03:20

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Lord Finesse

2LP | 2025 | US | Original (Underworld Label Group)

43,99 €*

The Future Is Now Neon Green Vinyl Edition

Release: 2025 / US – Original

Genre: Hip Hop

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Limited to 200 copies.
Lord Finesse brings back the rich, layered, and warm sounds of ‘90s hip-hop on his new instrumental album, The SP1200 Project: Sounds& Frequencies in Technicolor. Across the 17 tracks on here, the Bronx native delivers an undeniably potent dose of sample-flipping boom-bap that’s brimming with funk and soul. Lord Finesse was inspired to put this project together after hearing how modern music tends to be so heavily compressed. “Sonically, a good amount of today’s hip-hop music sounds like it’s being played under a heavy quilt, ”he explains.“ What that means is certain frequencies are buried, and they can’t be felt or heard, destroying the vibe and energy of the production—no matter how good it is. ”As a result, he began to dig into his own crates to uncover gems that he could share with the world. While some of the tracks were produced for his own albums or for other artists, Finesse also found some never-before-heard instros. Those previously unreleased beats were intended for the likes of Big L and Grand Puba, among others, but they instead found a home in his digital stash—until now. Sounds & Frequencies in Technicolor is truly a feast for hip-hop heads with its neck-snapping drums and chopped-up samples. From one track to the next, your ears are treated to nostalgia-tinged sounds from a variety of genres. “Symphonic Collective” could very well be a leftover from Marvin Gaye’s Trouble Man soundtrack, while “Electric Montage” covers Kool & The Gang’s funkiest synths and bass with layers of grime

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Non Phixion

2LP | 2002 | US | Reissue (Uncle Howie)

Multiple Jazz Dispensary Top Shelf Series

Release: 2002 / US – Reissue

Genre: Hip Hop

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Non Phixion drops a reissue version of the group’s classic debut “The Future Is Now.” “Utilizing beats that would do Dr. Octagon-era Dan “The Automator” proud and rhyming schemes that bring to mind early Wu-Tang Clan or mid-’90s Gang Starr, Non Phixion exposes the sound of true underground hip-hop. This is music that reflects the sound and attitude of countless rappers selling their albums out of the back of their cars or in booths on the street, cutting together dirty and disjointed sounds with a confidence and quality that is unique to this particular genre. This would all be for nothing if it wasn’t for the excellent raps from Ill Bill, Goretex, and Sabac Red, a trio of rappers who have a Tribe Called Quest-like chemistry. Their clever lyrics, respectable skills, and rough voices make this an intense and dark landmark in alternative rap.

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Joe Henderson

LP | 1973 | US | Reissue (Craft)

Nancy Sinatra & Lee Hazlewood

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Limited 180gm vinyl LP pressing. Multiple finds saxophone virtuoso Joe Henderson operating in the sonic space between fusion and free jazz, joined by a world-class ensemble featuring Dave Holland, Jack DeJohnette, Larry Willis, and James "Blood" Ulmer, who all heavily contribute to the momentum that makes the album a meeting of giants. This Jazz Dispensary Top Shelf reissue of Multiple was cut from the original analog tapes (AAA) by Kevin Gray, pressed on 180-gram vinyl at RTI, and comes packaged in a tip-on jacket.

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Nancy & Lee Sundown Metallic Gold & Clear Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Whatever 30th Anniversary Pink & Blue Splatter Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Oasis

7" | 2025 | EU | Original (Big Brother Ltd)

21,99 €*

6LP | 2025 | US | Original (300 Entertainment)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Oasis / WHATEVER / (IT'S GOOD) TO BE FREE (7-INCH SINGLE) Released to celebrate the 30th anniversary of seminal single Whatever - limited-edition, numbered, Pink and Blue splatter 7" featuring remastered audio and B-Side (It's Good) To Be Free.

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Young Thug

Slime Season Trilogy

162,99 €*

Madvillain (MF DOOM & Madlib)

Release: 2025 / US – Original

Genre: Hip Hop

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Limited six colored vinyl LP pressing. Young Thug's Slime Season 1-3 Mix Tapes have been reissued on colored vinyl each one comes with an album collector's trading card. All 3 albums are packaged in a custom Slime Season slipcase.

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Madvillainy Demos

LP | 2024 | US | Original (Stones Throw)

Release: 2024 / US – Original

Genre: Hip Hop

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In 2002, before Madlib and MF Doom finished Madvillainy, the first demo sequence of the album leaked online – early vocal cuts from Doom, recorded then quickly mixed in LA at Madlib’s Bomb Shelter studio. The leak spread around the world, and while the tracks may have been unfinished, it was clear that this was a hip-hop album unlike any other…

We’re celebrating the 20th anniversary of Madvillainy by releasing the Demos on vinyl for the first time, mastered by Dave Cooley, and with a new cover photo and insert of photographer Eric Coleman's contact sheets from the original album shoot. Vinyl mastering by Phil Rodriguez.

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LP | 1993 | EU | Reissue (Chrysalis)

Buhloone Mindstate

22,39 €* 27,99 € -20%

36 Seasons 10th Anniversary Turquoise Marble Deluxe Vinyl Edition

Release: 1993 / EU – Reissue

Genre: Hip Hop

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De La Soul’s third studio release, Buhloone Mindstate, released on September 21, 1993, saw the group evolve into a new sound as they continued to grow stylistically and musically. There were several moments on the album which proved the band had matured. "I Be Blowin'" was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. The introspective "I Am I Be" showed De La Soul at their most self-referential to date. "Long Island Wildin'" was a collaboration with Japanese hip hop artists Kan Takagi (Major Force) and trio Scha Dara Parr (sdp). The album's first single, "Breakadawn", used a sample of Michael Jackson's "I Can't Help It" and Smokey Robinson's "Quiet Storm". De La Soul collaborated for the first time with Gang Starr's Guru on "Patti Dooke", and female MC Shortie No Mas who was prominent on many tracks on the album and showcased particularly on "In The Woods". The album ended with an old school Biz Markie collaboration called "Stone Age".

Attention: Intro, Skits and Interludes are not part of this reissue, unfortunately.

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Ghostface Killah

2LP | 2014 | EU | Reissue (Salvation)

42,99 €*

Release: 2014 / EU – Reissue

Genre: Hip Hop

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The Way Out Of Easy Black Vinyl Edition

Jeff Parker / Eta Ivtet

2LP | 2024 | US | Original (International Anthem)

37,99 €*

The Low End Theory Record Store Day 2025 Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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In their first bout of new music since 2022"s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.Featuring long time members Anna Butterss (Jason Isbell, SML) on upright bass, Josh Johnson (Meshell Ndegeocello, SML) on saxophone, and Jay Bellerose (Elton John, Punch Brothers), the selections are honed and focused to bring the atmosphere of one specific night"s setlist.The delight of the space (now sadly defunct) helped Parker build a beautifully multi-textured, gently-shifting four-dimensional construction out of simple ideas.

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A Tribe Called Quest

2LP | 2025 | WW | Reissue (Jive / Sony Music Catalog)

41,99 €*

The SP 1200 Project Sounds & Frequencies In Technicolor Black Vinyl Edition

Release: 2025 / WW – Reissue

Genre: Hip Hop

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Coming Soon 2025-04-12, 10:00 CEST

The Low End Theory, featuring Check The Rhime, Jazz (We Got) and Scenario, is widely considered to be A Tribe Called Quest’s masterpiece album. Presented as a special green andred splatter RSD exclusive vinyl, it is the first time this influential album has been available on Color Vinyl outside the US.

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Lord Finesse

2LP | 2025 | US | Original (Underworld Label Group)

Silent Weapons For Quiet Wars Black Vinyl Edition

Release: 2025 / US – Original

Genre: Hip Hop

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Lord Finesse brings back the rich, layered, and warm sounds of ‘90s hip-hop on his new instrumental album, The SP1200 Project: Sounds& Frequencies in Technicolor. Across the 17 tracks on here, the Bronx native delivers an undeniably potent dose of sample-flipping boom-bap that’s brimming with funk and soul. Lord Finesse was inspired to put this project together after hearing how modern music tends to be so heavily compressed. “Sonically, a good amount of today’s hip-hop music sounds like it’s being played under a heavy quilt, ”he explains.“ What that means is certain frequencies are buried, and they can’t be felt or heard, destroying the vibe and energy of the production—no matter how good it is. ”As a result, he began to dig into his own crates to uncover gems that he could share with the world. While some of the tracks were produced for his own albums or for other artists, Finesse also found some never-before-heard instros. Those previously unreleased beats were intended for the likes of Big L and Grand Puba, among others, but they instead found a home in his digital stash—until now. Sounds & Frequencies in Technicolor is truly a feast for hip-hop heads with its neck-snapping drums and chopped-up samples. From one track to the next, your ears are treated to nostalgia-tinged sounds from a variety of genres. “Symphonic Collective” could very well be a leftover from Marvin Gaye’s Trouble Man soundtrack, while “Electric Montage” covers Kool & The Gang’s funkiest synths and bass with layers of grime

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Killarmy

2LP | 1997 | US | Reissue (Coalmine)

40,99 €*

LP | 2025 | DE | Original (SoulForce)

Release: 1997 / US – Reissue

Genre: Hip Hop

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For the first time ever, Silent Weapons for Quiet Wars, the seminal debut from Killarmy, has been reissued on vinyl through a collaborative release between Granddaddy Flow Entertainment and Coalmine Reissues. This groundbreaking album from the Wu-Tang Clan's extended family captures the spirit of a post-Desert Storm, pre-millennium era, channeling pro-black ideologies and war metaphors into a raw, cinematic listening experience. Comprising 9th Prince, Killa Sin, Beretta 9, Islord, P.R. Terrorist, and ShoGun Assasson, Killarmy delivers a militant, unapologetically gritty aesthetic that redefined underground hip-hop. The album’s standout singles include the powerful “Camouflage Ninjas”, an anthem of guerrilla survival; “Wake Up”, a call-to-arms urging societal and personal revolution; and the incendiary “Wu-Renegades,” a battle cry for lyrical supremacy. Guest contributions from Hell Razah, Masta Killa, Prodigal Sunn, and Streetlife enrich the project, while the production—helmed primarily by the iconic 4th Disciple—provides a hauntingly cinematic backdrop. With somber, ominous instrumentals and razor-sharp beats, 4th Disciple’s work embodies the raw and uncompromising tone of the album. Originally released in 1997, Silent Weapons for Quiet Wars remains an incredible piece of art that helped cement the legacy of the Clan as the most far-reaching and fabled crew in hip-hop history. Its themes of survival, rebellion, and black empowerment resonate today, making this vinyl reissue a musthave for collectors and fans alike. Experience the militant poetry and dark sonic landscapes of Killarmy like never before.

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Team Scheisse

20 Jahre Drehorgel

Release: 2025 / DE – Original

Genre: Rock & Indie

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Madvillain (MF DOOM & Madlib)

Madvillainy 20th Anniversary Audiophile Pressing

2LP | 2004 | US | Reissue (Stones Throw)

LP | 1966 | US | Reissue (Light In The Attic)

Release: 2004 / US – Reissue

Genre: Hip Hop

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Stones Throw is celebrating the 20th anniversary of Madvillainy with a new Audiophile Edition: re-cut at 45rpm and pressed on 180g vinyl. Housed in a gatefold jacket with full album lyrics. Lacquer cut at Bernie Grundman. Manufactured at Optimal Media. Premium quality rice paper inner sleeves.

The album is celebrated for its dense, abstract lyrics, unconventional production, and minimalist approach, solidifying its status as one of the greatest hip-hop records of all time.

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Nancy Sinatra

Boots Blue Vinyl Edition

24,49 €* 48,99 € -50%

True Electric Limited Numbered Edition w Poster

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Röyksopp

3LP | 2025 | EU | Original (Embassy Of Music)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Criminal (30th Anniversary)

Scientifik

LP | 1994 | US | Reissue (De Rap Winkel)

White Gloves / Mr White Dub Mix 20 Years HHV White Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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Only 1 per customer!

Debut album from Scientifik originally released in 1994 on the Definite label. The label went under shortly after releasing this album which is hailed by many as a classic. Around the time of release, Scientifik was working with Joe Mansfield and Edo. G and made connections with some of NY's bigger names such as RZA, Diamond D and Buckwild who he enlisted on his debut album. Unfortunately, in 1998 Scientifik and his girlfriend died in a car accident. Aside from his debut album, only one other album made up of a collection of demos was later released.

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Khruangbin

7" | 2015 | UK | Original (Night Time Stories)

9,99 €* 24,99 € -60%

2LP | 1996 | EU | Reissue (Universal)

Release: 2015 / UK – Original

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Limited to 3000 numbered copies worldwide, this white 45 is only available at HHV. It features "White Gloves" on the a-side and a previously unreleased Dub Mix of "Mr White" on the flipside.

Only 1 per customer!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels. For the year 2015 we opted for something very special as we just had to add a lovely 45 to the mix!

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The Roots

Illadelph Halflife

20,99 €*

12" | 2024 | UK | Original (Scruniversal)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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2024 pressing of this classic 90s Roots gem!

Illadelph Halflife is the third studio album by the legendary hip-hop group The Roots, released on September 24, 1996. This album solidified The Roots' reputation as innovative musicians who blend live instrumentation with traditional hip-hop elements, standing out in an era where most rap groups used sample-based production.

The album features The Roots' signature blend of live instrumentation, jazz-infused beats, and socially conscious lyrics, along with skilled wordplay. The band’s drummer, Questlove, and rapper/lyricist Black Thought (Tariq Trotter) take the lead in crafting a sound that moves between laid-back grooves and more intense, intricate musical arrangements. Live instrumentation is a core element, with a focus on creating complex rhythms and organic soundscapes.

Illadelph Halflife addresses various topics, including social issues, racial identity, urban life, and the challenges of fame.
The lyrics are often introspective, with Black Thought offering sharp commentary on the struggles of African Americans, the complexities of relationships, and the pressures of navigating the music industry.
The album also explores the concept of self-doubt and searching for authenticity in both personal and societal contexts.

While not a massive commercial hit upon its release, the album was critically acclaimed for its innovative production, complex lyricism, and the tight cohesion of The Roots as a band. It has since become regarded as one of the most important hip-hop albums of the 1990s. It is celebrated for balancing underground aesthetics with more accessible sounds, paving the way for alternative hip-hop to gain a broader audience.
Some tracks that stand out:
"What They Do" – A critique of materialism and superficiality in the music industry, accompanied by a memorable video that parodied flashy rap videos.
"Concerto of the Desperado" – A harder, more aggressive track, showcasing Black Thought’s lyrical prowess and The Roots' dynamic, live sound.
"Clones" – One of the more aggressive tracks, addressing the concept of originality versus imitation in hip-hop.
"Episodes" – A dark and introspective track that delves into street life and violence.

Illadelph Halflife helped The Roots gain a devoted fan base and led to further critical recognition. It is often cited as one of the most influential hip-hop albums of the era, known for its jazz influence, conscious lyricism, and its rejection of the dominant sound in mid-90s hip-hop.
This album marked a turning point for The Roots as they began to shift towards even more experimental and politically engaged projects, which would later culminate in their landmark album Things Fall Apart in 1999.
Illadelph Halflife represents The Roots at a critical stage in their evolution, showcasing their ability to blend musicianship and message, setting them apart as one of the most innovative groups in hip-hop history.

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Scruscru

Japanese Edits

15,99 €*

Life After Death HHV Exclusive Silver Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Edit master Scruscru rarely misses no matter what sounds he decides to put under his scalpel. For this one on his own superb Scruniversal label he turns his attention to the lush sound world of City Pop over in Japan. On one vital 12" the maestro cooks up six varied but equally vital sizzlers starting with the funky sounds and big brass of 'One For Xsuxsu' then taking in the blissed out disco and house beats of 'Kyoto Sunshine', jazzy keys of 'Horomi & Rikishi', funky bass twangs of 'Secret Dream' and jazz lunge excellence of 'Nippon Bossa' before 'Scrutinised Tune' closes out with brown beats and sunny chords. Scruperb stuff.

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The Notorious B.I.G.

3LP | 1997 | EU | Reissue (Warner)

47,99 €*

Butterfly (Vincent Gallo & Harper Simon)

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Limited to 3000 silver colored copies for Germany, Switzerland and Austria. In this region only available at HHV.

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The Music Of Butterfly

LP | 2025 | US | Original (Family Friend)

49,99 €*

Messy Red Transparent Vinyl Edition

Release: 2025 / US – Original

Genre: Electronic & Dance

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More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly captivating piece of work that’s hard to get off the turntable after the first needle drop. *180g vinyl in Deluxe textured heavy gatefold cover, with paste-on artwork and special anti-static innersleeve.* In the arts, the lines between genius and madness, as well as fact and fiction, often blur. Such, it seems, has always been the life of the artist, filmmaker, actor, musician, and composer Vincent Gallo. A cult figure and a member of various creative undergrounds for the better part of half a century, Gallo has courted controversy, ruffled feathers, and made some of the most singular statements to flirt at the outer edges of popular culture that can be called to mind. Arguably most well known for his work in film, during the late '90s and early 2000s - notably with his soundtrack for “Buffalo 66” and a suite of releases on Warp - Gallo became something of a sensation in the world of independent music for a visionary, incredibly unique and sensitive approach to sonority. For a time, the world was abuzz, waiting on bated breath for more, and yet time passed. Bar a few fragments, appearing here and there, almost nothing has been heard from Gallo, within the world of music, for more than 20 years. That is, until now, with the release of “The Music of Butterfly”, the debut full-length of Butterfly, his duo with Harper Simon: beautifully produced and issued by Family Friend Records - Gallo’s own label, founded in 1981 - in a deluxe edition that simply left us speechless: 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve. More or less picking up from where we last encountered him, spinning captivating melodies and gentle song-craft within the quieter temperaments of DIY, left-field pop, once again, and at long last, Vincent Gallo, encountered in an incredibly successful collaboration with Harper Simon as Butterfly, reminds us that he’s as much a force within the realm of music as he is within film. Not to be missed. This one isn’t going to sit around for long.

Vincent Gallo’s biography reads like the stuff of blaring beauty: a figure of moderate fame in his own right, who has remained at the centre of cultural ferment as the decades have rolled by. Born in 1961, in Buffalo, New York, as the story goes he ran away to New York City at the age of 16 and fell into the brewing counterculture of the Downtown scene, William Burroughs and John Giorno, in addition to the cream of his own peers, and began making paintings, music, and experimenting with film. In addition to being a member of the now legendary band Gray, with the artist, Jean-Michel Basquiat, and the filmmaker, Michael Holman, Gallo appeared in the cult 1981 film “Downtown 81”, before slowly beginning a career as an actor and catching the eye of Claire Denis, who brought his talents into the broader cultural gaze. Catapulted into the public by his own subsequent career as a filmmaker with “Buffalo '66” (1998) and “The Brown Bunny” (2003), both of which were marked by controversy and praise, Gallo further captivated the public with a partially brilliant, if not relatively brief, flurry of activity in the realms of music.

While Gallo had already been making music for roughly two decades at the time of his release of the “Brown Bunny” soundtrack, and the four release issued by Warp in rapid succession between 2001 and 2002 - “When”, “Honey Bunny”, “So Sad”, and “Recordings of Music for Film” - the almost fanatical fandom reached a fever pitch at the moment, allowing him, for some, to be regarded as much, if not more, as a musical artist than an actor and filmmaker. Anyway you cut it, in a few short years, he proved himself to be a polymath of rare talent. Somewhere along the way, while both were working as members of Yoko Ono's Plastic One Band, Gallo met the New York based, highly regarded singer-songwriter, guitarist, and producer, Harper Simon, who also happens to be the son of Paul Simon. The pair fell into an incredibly fruitful duo collaboration, which came to be called Butterfly, and “The Music of Butterfly” being their debut full-length release.

Written, performed, and recorded by Vincent Gallo and Harper Simon in New York City between the winter of 2018 and the spring of 2019, the ten tracks comprising “The Music of Butterfly” are cumulatively a gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, making one feel like barely a moment had passed since we’d encountered his graceful hand at song-craft. Stripped back and raw, while retaining a sense of warmth and intimacy, across the length of “The Music of Butterfly” the duo of Gallo and Simon weave something completely captivating at the juncture of minimalism, experimentalism, and pop: meandering moments of texture and tone, slowly forming toward flirtations of melody that flower into song and back again. Somehow playful and light, while also remarkably emotive and personal, it’s almost as though each of these tracks crystallised out the air, unlabored and exactly as they should be without a note or beat more.

An engrossing immersion into both Gallo and Simon’s remarkably accomplished minds, having followed the path toward one another after radically different experiences and careers, “The Music of Butterfly” is one of those records that’ll be hard to get off the turntable after that first needle drop, and rarely leave the listening pile for some time to come. Issued by Family Friend Records in a beautiful deluxe edition that is unmatched even among the most stunning recent productions we can call to mind - 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve - it’s lovely to have Gallo back in the musical mix after so many years.

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Lola Young

7" | 2025 | Original (Island)

15,99 €*

2LP | 1996 | EU | Reissue (Sony)

Release: 2025 / Original

Genre: Pop

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Pressed on striking transparent red vinyl and shrink-wrapped for preservation

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A Tribe Called Quest

Beats, Rhymes & Life

Small Changes Black Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Originally released in 1996, 'Beats, Rhymes and Life' marked a bold new chapter in A Tribe Called Quest's legendary career. With production by Q-Tip and J Dilla, the album blends jazzy, soulful beats with introspective lyrics and sharp social commentary. Showcasing the group's evolving sound, while staying true to their roots in conscious hip-hop, it features key tracks '1nce Again' (25m+ streams), 'Stressed Out' featuring Faith Evans (17m+ streams), and 'The Hop' (60m+ streams). This Grammy nominated album was their biggest commercial success to that point, and was critically acclaimed, with Rolling Stone calling it 'near flawless'.

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Michael Kiwanuka

LP | 2024 | DE | Original (Polydor)

Release: 2024 / DE – Original

Genre: Pop

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Released on 15th November via Polydor Records, “Small Changes” is the eagerly anticipated follow-up to Michael’s eponymous third LP, the Mercury Prize winning, and Grammy Award nominated “KIWANUKA”.
“Small Changes” was produced alongside Danger Mouse and Inflo, the team behind the globally acclaimed “KIWANUKA” and its equally acclaimed predecessor, “Love & Hate”. The new record was recorded between London and Los Angeles. The core trio made up of Kiwanuka and his trusty co-producers expanded into a wish-list ensemble that featured legendary bassist Pino Palladino (D’Angelo, John Mayer, Beyoncé) and Jimmy Jam of the iconic Jam and Lewis songwriting and production duo (Janet Jackson, Prince, SOS Band).
A welcome return for one of Britain’s most talented of songwriters, most recognisable of vocalists, and most virtuosic of guitarists.
Art by YOUT and photography by Marco Grey.

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Ayo Ke Disco:Boogie, Pop & Funk From The South China Sea

LP | 2024 | Original (Soundway)

23,99 €*

LP | 2024 | EU | Original (AD93)

Release: 2024 / Original

Genre: Organic Grooves

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"Ayo Ke Disco" (meaning "Let"s go to the disco" in Malay and Indonesian) celebrates the musical identities emerging from the newly independent countries in South-East Asia during the 1970s and 80s.Soundway general manager Alice Whittington, aka Norsicaa (DJ), selects 10 deep cuts from local labels, officially reissued on vinyl for the first time - forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.The artists featured here were known for exploring traditional sounds alongside funk, disco, city-pop and even political psych-rock, genres that were indicative of the exciting but often turbulent period. But despite the post-war backdrop of instability there came unprecedented levels of economic prosperity. With a hopeful buzz filling the air, the music scene was helping lead the way in reshaping the new identities of the region.

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Moin

You Never End

Enter The Wu-Tang (36 Chambers): 30th Anniversary Limited Box Set

Release: 2024 / EU – Original

Genre: Rock & Indie

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You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin"s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.

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Wu-Tang Clan

Box | 1993 | US | Reissue (Get On Down)

119,99 €*

2LP | 2025 | US | Original (Sony)

Release: 1993 / US – Reissue

Genre: Hip Hop

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LIMITED EDITION COLORED 7" BOX SET WITH 60 PAGE BOOK AND 30TH ANNIVERSARY TRADING CARDS PACK

Thirty years ago on November 9, 1993, The RZA, The GZA, Raekwon The Chef, Ol' Dirty Bastard, Inspectah Deck, U-God, Masta Killa, Method Man and Ghostface Killah formed like Voltron and set off the worldwide movement of the Wu-Tang Clan.

To commemorate the 30th Anniversary of the release of Wu-Tang Clan's classic 1993 debut album Enter The Wu-Tang (36 Chambers), Get On Down, in partnership with Sony's CERTIFIED and the RZA, is issuing a new limited edition box set of the album pressed on six split black and yellow 7-inches housed in a custom canvas wrapped Wu-Tang album art box with a printed outer slip case.

Box Set contains:

-The full album on six split black and yellow colored big hole 7-inch records in printed full color inner sleeves.

-A 60 page liner notes book titled The Shaolinothology featuring RZA input / interviews, extensive research by journalist Chris Faraone, album lyrics, rarely-seen photos and other rare images from the Enter The Wu-Tang era, plus new additional photos by Wu-Tang album cover photographer Danny Hastings.

-A pack of 30th Anniversary 36 Chambers Trading Cards featuring never-before-seen photos by photographer Danny Hastings. The trading cards are only available in this box set.

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Natalia Lafourcade

De Todas Las Flores

Dead Channel Sky HHV Exclusive Green Fade Vinyl Edition

Release: 2025 / US – Original

Genre: Pop

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"De Todas Las Flores" is Natalia's first release of all new original material since her breakthrough 2015 album 'Hasta La Raiz. The result of this search is 'De Todas Las Flores,' a dazzling and deeply sophisticated collection of original songs that feature Natalia's trademark compositional virtues - the unusual melodic turns, the affecting poetry, her lightness of touch - while also revealing a musical maturity that hints at a new step in her career. 'De Todas Las Flores' was inspired by themes of vulnerability, life and death, the feminine, nature, the mystical, love and heartbreak.

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Clipping.

2LP | 2025 | US | Original (Sub Pop)

Release: 2025 / US – Original

Genre: Hip Hop

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Green fade vinyl double album in Gatefold jacket with custom dust sleeves. US version, only available in the EU at HHV! Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through its Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better. What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on. On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture. Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Black Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

22,99 €* 45,99 € -50%

Love (The) Ominous World HHV Exclusive Blue & Black Vinyl Edition

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors * Available in two vinyl variants: Pink or Black Vinyl

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Blu & Exile

LP | 2025 | US | Original (Dirty Science)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2025 / US – Original

Genre: Hip Hop

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HHV exclusive vinyl edition on blue and black vinyl, limited to 300 copies.

With the release of Love (the) Ominous World, Blu & Exile have returned with an album that brilliantly builds on their soulful, reflective foundation with stunning musicality and sharp songwriting. Their shared history as one of hip-hop’s best duos continues to grow, especially as they venture into new territory while embracing and refining what made them special.

“This album is our most unique work to date,” Blu says. “We took a different approach with the direction, while still staying true to the culture our music has built with our fan base.” That direction is one that finds the two California natives crafting records that would sound right at home on the radio and hip-hop charts. Like “Suga & Butta,” for example, which features recent Def Jam signee Rae Khalil, and rising start Ahmad Anwar. Every element of the track is as sweet and smooth as its namesake, from the lyrics to the production. There’s also the raw G-funk banger “Chucks,” a snarling collaboration with West Coast stalwarts Kxng Crooked and Kurupt.

Love (the) Ominous World is equally as potent when Blu & Exile find their groove venturing into other territory as well. “Suge Knight,” which Ex talked his collaborator into recording, is a thrilling retelling of Blu’s meeting with the infamous co-founder of Death Row Records. On “Undisputed,” the duo showcases their respective talents as Blu blacks out over Ex’s scratches and beat-switching production. And of course, there’s the album’s lead single, the jaw-dropping “Love Is Blu” with longtime collaborator Aloe Blacc. For Blu & Ex, hearing the final version of this was a moment.

“It was the feeling you imagine you'd want to feel after working so hard on something, to make it all worth it, at least for just that moment,” Exile says. “But that’s all we needed to feel, to know we were done.”

Love (the) Ominous World is a defining moment for Blu & Exile, who are eager to share it with both their longtime fanbase, as well as those just catching onto their celebrated discography.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

24,49 €* 48,99 € -50%

Crest White Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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LP | 2022 | Reissue (Year0001)

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Pinata 10 Year Anniversary Edition

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Pinata - 10 Year Anniversary Edition Is Presented In A Green In Clear with Black & White Splatter Pressing Housed In An Variant Cover With A Collectable 24” x 24” Poster Pinata, the collaborative effort of famed producer Madlib and rapper Freddie Gibbs, changed the course for these two musical mavericks. For its 10 year anniversary the project was issued with a fresh variant cover with the pressing being a half speed lacquered version of this hip hop classic.

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Preorder shipping from 2025-03-14

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