HHV Records 166381 Items

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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When I Said I Wanted To Be Your Dog Green Vinyl Edition

Jens Lekman

LP | 2004 | US | Reissue (Secretly Canadian)

Capitol Cuts - Live From Studio A Limited Red Vinyl Edition

Release: 2004 / US – Reissue

Genre: Rock & Indie

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*Secretly Canadian’s 25th Anniversary limited edition color vinyl with exclusive anniversary cover art + obi*

*Includes a 12×12 print and essay celebrating the artist and album, exclusively for direct orders*

Jens Lekman’s songs are each so different stylistically, each a classic in its own way. He employs each of the following as central features in his songs: horn sections, string sections, a capella singing, steel drums, piano balladry, and mandolin. Lekman is a young pop crooner from Sweden. Eyes bright, heart wide open, he’s become an overnight sensation with his home recorded magic and fantastic lyrics. It’s hard to believe that he is only 23 here. He could as well be playing Las Vegas. His timeless elegance makes the big, beautiful suburban pop songs sound like they’re already classics. With an angelic voice and golden ears he seems to be drinking from the same hard waters as the Carpenters, Harry Nilsson, the Magnetic Fields, Smog, the Modern Lovers and Belle & Sebastian.

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Black Pumas

LP | 2021 | UK | Original (ATO)

12" | 2021 | US | Original (Glydezone)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Black Pumas announced Capitol Cuts - Live From Studio A, a vinyl recording of a dynamic session the band recorded at Los Angeles’ famed Capitol Studio A. The record features eight tracks - all live, no overdubs - including a mind-blowing seven-minute rendition of “Colors.” Capitol Cuts - Live From Studio A is due out June 4 and pre-orders are available now in red vinyl

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Dam-Funk

STFU

Destination Known / Paradise

Release: 2021 / US – Original

Genre: Organic Grooves

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Limited to 500 copies. For the first time ever on vinyl Four new instrumental tracks, produced, recorded, composed & played by Dam-Funk. . Originally released on June 2nd 2015 as a free streaming promotional EP before the release of Dam-Funk’s sophomore album Invite The Light. Pitchfork described “Free” the EP closer “… distills his daily inspirational thoughts into a breezy, sun-kissed glow, delivered with his usual cool sincerity. Of course, the style is purely West Coast, but the message is universal: funk is freedom. And in Dâm's world, funk is the future.

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Dam-Funk

12" | 2021 | US | Original (Glydezone)

Nat Birchall meets Al Breadwinner

Release: 2021 / US – Original

Genre: Organic Grooves

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Limited to 500 copies. 2015 EP for the first time on vinyl for the collectors.

Longform Modern-Funk at it’s boldest - these two epic songs - diehard fan favorites officially mixed, mastered and commercially available for the first time only on DamFunk’s Glydezone Recordings. In just two tracks D-F creates over 30 minutes of his signature, sprawling, elegant Modern-Funk instrumental narratives. Mastered by the talented Matthewdavid (Leaving Records), this is the definition of ‘extended play’.

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Upright Living

LP | 2020 | UK | Original (Tradition Disc)

2LP | 2021 | EU | Original (Unique Leader)

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.

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To The Grave

Epilogue

Release: 2021 / EU – Original

Genre: Rock & Indie

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Live In The Mojave Desert Volume 2 Orange Vinyl Edition

Nebula

LP | 2021 | EU | Original (Heavy Psych Sounds)

2LP | 2021 | US | Original (Coughee Brothaz Enterprise / Empire)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Inspired by Pink Floyd’s ‘Live At Pompeii’ the live in the Mojave desert series will showcase some of desert rock’s best in the middle of the California wilderness. Live IN THE Mojave Desert is a livestream concert film series created deep in the deep sand and huge boulders of some insanely beautiful California wilderness, with performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and Stoner (a new band by Brant Bjork and Nick Oliveri). Each concert film is presented in a world-premiere, 1080p HD livestream event and will become a Live Album. Rad music, good times, psychedelic positive vibez in the desert. Live in the Mojave Desert was inspired by Pink Floyd’s Live at Pompeii. A few of our favorite bands - new and legendary artists – with the Mad Alchemy Liquid Light Show to light up a huge double pyramid of boulders. Recorded in 24 track ProTools.

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Devin The Dude

Soulful Distance

Zerwee, Pt. 2 Tri Color Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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Devin The Dude is back with another classic. At 14 tracks, Soulful Distance plays on the current global scenario and oozes the familiar smooth sounds and cruising music that Devin is best known for. Keeping things local, the album features several notable Houston natives, including Scarface, Slim Thug, Big Pokey, & Lil Keke.

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Billy Cobb

LP | 2020 | US | Original (Needlejuice)

LP | 2021 | US | Original (Innovative Leisure)

Release: 2020 / US – Original

Genre: Rock & Indie

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180 gram vinyl Blue, red and white tri-color vinyl Download card Obi-strip Lyric insert

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Nick Waterhouse

Promenade Blue

Send Me Your Money T-Shirt

Release: 2021 / US – Original

Genre: Pop

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F. Scott Fitzgerald’s The Great Gatsby was a work so filled with ambition, yearning, and inner contradictions that it came to represent the condition of a nation itself. Yet, at its core, the slim novel tells a story about people and, more often than not, their inability to communicate and connect with one another — forever running on parallel tracks until tragedy finally twines them together. The color green (often in the form of the faded sodium lit dock of Daisy Buchanan) comes to represent longing and unrequited love in an era (the Roaring Twenties) of decadence and spiritual vacuousness. Green is Gatsby’s North Star, simultaneously pointing backward and forward through time toward some unattainable, impossibly balanced version of his own life.

Nick Waterhouse, a century later but once again in the ’20s, takes the color blue as his hue of choice on Promenade Blue. In Nick’s musical and lyrical world, blue is a refraction of his life and memories — shadowing a deep, spiritual San Francisco that fostered his musical vocabulary but has now been stamped out irrevocably; evoking the endless tours, marathon recording sessions, and highs and lows of success he’s experienced in his decade-long career; conjuring romances that were doomed, loves that lingered, and hope for future days of parity and partnership; summoning spirits of people who have gone but permeate his mind forever. That’s the world of Promenade Blue — one that is vivid and magnetic, buoyed by both light and density due to Nick’s newfound collaboration with producer Paul Butler (Michael Kiwanuka, Devendra Banhart). It’s not Gatsby’s New York in the 1920s, it’s Waterhouse’s California in the 2020s. Nick makes that crystal clear throughout the record but particularly on “Santa Ana (1986),” where he wryly sings, “Not from New York / And I never was / I’m from California.” With that, he answers all questions about place and setting…but as anyone who’s ever listened to a Waterhouse record knows: time, though clearly pegged to the dawn of this new decade, is a more malleable concept. Where he is is clear. When he is varies.

We can try as hard as we can to make sense of Promenade Blue, but in reality, context isn’t really needed because the music on the album is so damn magnificent. In no uncertain terms, it represents Waterhouse’s finest hour as a writer and bandleader — leveraging the musical partnerships he has built over many years to put something forth that is so fully realized and felt that it sparkles beatifically, reverberating with energy, heart, creativity, and vibe from start to finish. Nowhere is this more evident than on the album’s opening track, “Place Names,” perhaps the most remarkable song in the Waterhouse catalogue.

The tune is a pocket symphony, à la Spector and Wilson, with winding piano lines locking puzzle-like into a whining, weeping string arrangement courtesy of musical blood brother J.B. Flatt. A small cadre of women backing vocalists shout “Never!” and Nick replies “I never cry on cold days / I never mind a trip on the freeway / Because it’s what I know / Never really set for the big change / Learn to let things go / And say blow wind, blow.” The freeways between LA and San Francisco; the memory of spending a teenaged evening in the Vesuvio Café, which looms over the entrance of City Lights Books; the wind ripping through you on a foggy Bay Area morning, cutting into your bones; the pride one takes in his hometown; the distinct life that he has made (or that has made him) — it’s all here in “Place Names” and, honestly, if the album were to end with this one song, Waterhouse would’ve done his service to the 2020s in terms of musical creativity and vitality. Thankfully for listeners, it’s just the beginning.

The album twists and turns from the opening to the close — from swinging, sashaying jazz and blues (“Spanish Look”) to jittering, crystalline doo wop (“Very Blue”) and pure, loose, languid mood music with just a hint of Mulatu Astatke’s Ethiopian modal magic (“Promène Blue”). Most striking, perhaps, is the use of men’s voices as a backing texture, bringing an unexpected thematic unity to many of the songs. Lower-than-low gospel chants and refrains lend both energy and emotional weight to these pieces, conjuring a whole new mythic world for Nick’s compositions. This is a statement album, one to get lost in and rediscover over and over again.

In the Waterhouse catalogue, “Promenade Blue” represents rebirth and reinvigoration as well as a clarity of purpose that elevates it and may one day set it apart as something resembling a magnum opus. It’s his ‘Gatsby’ and it’s also his way of reintroducing himself to a fanbase that has grown by leaps and bounds over the last couple of years. On this record, he paints a mythic picture of his own life — lost in confusion, grating against time, overheated by false memories, being baptized by nostalgia and a vision of the future that is paradoxically both dark and apocalyptic and sparkling with promise. Sounds a lot like America in the 20s to me. Which 20s though? Which color — green or blue? Which author? Try to figure it out for yourself:

“You were smiling at me / Hanging languidly / On your car door window / Very blue / Very green / The ocean breeze / And shuffling trees / Pacific seas.”

“And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter — tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So, we beat on, boats against the current, borne back ceaselessly into the past.”

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Suicidal Tendencies

Liquid Tension Experiment

Available Sizes: S, M, L

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The Suicidal Tendencies Send Me Your Money Tee is equipped with the following features:
• rib crew neck with interior tape
• Send Me Your Money artwork printed on front and rear
• regular fit
• 100% cotton single jersey (heavyweight Hanes tee)

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Lte3

2LP+CD | 2021 | EU | Original (Inside Outmusic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | UK | Original (Gondwana)

Matthew Halsall

Salute To The Sun

LP | 1976 | JP | Original (Epic)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Matthew Halsall unveils new band and announces 'Salute to the Sun' his new album on Gondwana Records.

Composer, trumpeter, producer, DJ and founder of Gondwana Records, Matthew Halsall has always worn many hats. But at the heart of everything that he does Halsall is first and foremost an artist and a musician. A trumpeter whose unflashy, soulful playing radiates a thoughtful beauty and a composer and band-leader who has created his own rich sound world. A sound that draws on the heritage of British jazz, the spiritual jazz of Alice Coltrane and Pharoah Sanders, as well as world music and electronica influences, and even modern art and architecture, to create something uniquely his own. A music that is rooted in Northern England but draws on global inspirations.

Salute to the Sun is his first album as a leader since Into Forever (2015) and marks the debut of his new band. A hand-picked ensemble featuring some of Manchester's finest young musicians: Matt Cliffe flute & saxophone, Maddie Herbert harp, Liviu Gheorghe piano, Alan Taylor drums and Jack McCarthy percussion as well as long-time Halsall collaborator, bassist, Gavin Barras who has been at the heart of Halsall's bands for over a decade. For Matthew it was important to have a band based locally and able, pre-Covid, to meet and play each week, and who also performed a sold-out monthly basement session at Yes in Manchester. The album draws energy from these sessions and inspiration from themes and ideas that have inspired Halsall through the years (on albums such as Oneness, Fletcher Moss Park and When the World Was One) ideas of ecology, the environment and harmony with nature.

"I feel Salute to the Sun is a positive earthy album. I wanted to create something playful but also quite primitive, earthy and organic that connected to the sounds in nature. I was listening to lush ambient field recordings of tropical environments such as jungles and rainforests and found myself drawn to percussive atmospheric sounds which replicated what I was hearing (bells / shakers / chimes / rain sticks) and I started to experiment with more wooden percussive instruments such as kalimba and marimba".

Salute to the Sun features lush wholly improvised tunes inspired by ambient rainforest and jungle field recordings, deeply soulful tunes built around hypnotic harp and kalimba patterns, deep Strata-East inspired spiritual jazz grooves and some of Halsall's most beautiful playing and inspiring healing melodies yet recorded.

The album was recorded at the band's weekly sessions, using Halsall's own recording set-up, giving the recordings a relaxed vibe and unforced energy that really lets the music breath. The album is also very much a family affair as Halsall's brother Daniel Halsall, artistic director of Gondwana Records, was an important presence at the sessions and co-produced the album. It is also his memorable artwork that adorns the cover of Salute to the Sun, an album beautifully designed by legendary designer Ian Anderson of The Designers Republic, who also created the covers for the recent archival releases Oneness, Sending My Love and Colour Yes and is one of Halsall's favourite designers. Together Daniel Halsall and Ian Anderson have designed all of Matthew's seven albums to date, so it felt extra-special to bring them together for, Salute to the Sun, an album that Halsall was determined to present in the very best way possible. The album was mixed with another long-time collaborator, George Atkins at 80 Hertz in Manchester, who works tirelessly with Halsall to perfect the sound and was mastered by noted engineer Peter Beckmann who brings an added depth to the sound specially around the bass notes as well as Halsall's trumpet. The magnificent double vinyl was cut as a Half Speed master by Barry Grint at Alchemy Mastering for the best possible analogue experience.

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Boston

2LP | 2021 | UK | Original (Partisan)

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Femi Kuti / Made Kuti

Legacy +

Release: 2021 / UK – Original

Genre: Organic Grooves

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Beyond Colossal Green Vinyl Edition

Dozer

LP | 2008 | EU | Reissue (Heavy Psych Sounds)

Emma Donovan & The PutBacks

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

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Crossover

LP | 2020 | US | Original (Hope Street)

Karma Black Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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Iconic Indigenous Australian soul singer Emma Donovan and powerhouse rhythm combo The Putbacks present their much-anticipated sophomore album Crossover. Personal, powerful lyrics and masterful musicianship combine to deliver a uniquely soulful LP, reflective of Emma's unique experience and the deep, dark, sophisticated funk that only The Putbacks can provide.

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Mansur

LP | 2020 | EU | Original (Denovali)

The True Story Of Bananagun Limited Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Mansur Is The Newly Initiated Project By Jason Kohnen (Ex-The Kilimanjaro Darkjazz Ensemble) Joined By Dimitry El-Demerdashi (Ex-Phurpa) And Introducing Martina Hórvath On Vocals. The Sound Of Mansur Navigates Between The Waters Of Musical Fantasy And Reality - It Morphs And Blends Traditional Instrumentation With Modern Day Electronica.Horváth, El-Demerdashi And Köhnen Return To Their Otherworldly Worldbuilding With Their Debut Album `Karma' On Denovali. Mansur Leads The Listener Into Mystical And Magical Unknowns, That Lie Far Past The Realms Of Material Perception.As Astronomer Carl Saga Once Wrote "Somewhere, Something Incredible Is Waiting To Be Known". Universal Lessons Of Life, Brought By Teachings And Teachers Of Ages. Unimaginary Worlds In All Our Capacities Of Being Created. Mansur Is The Transformational Vessel Guiding You To These Non-Physical Realms. The Realms You Seek Are Already There, Its Up To You To Find Them.Vinyl: Heavy Sleeves + Black Polylined Inner Sleeves, 180g Vinyl, Free Download Code

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Bananagun

LP+7" | 2021 | UK | Original (Full Time Hobby)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Stones Throw

Outline Logo T-Shirt

King Gizzard & The Lizard Wizard

Available Sizes: L

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The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

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Live In San Francisco '16 Deluxe Edition

2LP | 2020 | UK | Original (ATO)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Royal Headache Yellow Bear Colored Vinyl Edition

Royal Headache

LP | 2020 | EU | Original (What's Your Rupture)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ardour 10th Anniversary Red Vinyl Edition

Teebs

2LP | 2010 | US | Reissue (Brainfeeder)

LP | 1992 | EU | Reissue (Jolly Roger)

Release: 2010 / US – Reissue

Genre: Hip Hop, Electronic & Dance

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On 11 October 2010, Brainfeeder released the debut album by a 23 year old ex-skater, painter and music producer from Chino Hills called Teebs (real name Mtendere Mandowa). The title 'Ardour' means great enthusiasm, love or passion and was a fitting descriptor for his inherently warm, lushly textured beats. It’s an undisputed classic in the Brainfeeder canon and more widely considered an essential chapter in the ever-evolving puzzle of the global “beat scene”.

Brainfeeder and Teebs are celebrating the 10th anniversary with a limited special edition reissue of this landmark record. Pressed on deep pink 2LP and housed in a beautiful gatefold sleeve with artwork by Teebs himself, the new edition features six previously unreleased bonus tracks.

With roots at the ‘My Hollow Drum’ collective, Dublab and Low End Theory, Teebs has been a staple in Los Angeles music. “My creative family in LA is so important,” he explains. “It’s a part of who I am when I step outside and how others in LA view me. I love the feeling of community and trying to understand how I can be useful in it.”

Following 'Ardour' (2010), Teebs released 'Collections' (2011), 'Estara' (2014) and, after a 5 year hiatus, his most recent album 'Anicca' in 2019, with the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson and Anna Wise. Universally acclaimed, Pitchfork gave 'Anicca' a glowing 7.8 review hailing Mandowa’s “effortless, shape-shifting tracks that make time stand still.” Meanwhile, FADER described the record as “deeply atmospheric... cool-headed and uncanny.”

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Depressive Age

First Depression

Declaration Of War Revisited

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Depressive Age's early years in the late '80s (known as Blackout) were quite hard, even for rock & roll's toughest standards. The East German group made a daring escape across the border in 1987, but lead singer Jan Lubitzki was caught and went in jail for a year, before joining his bandmates, guitarists Jochen Klemp and Jingo Grigoleit, bassist Tim Schallenberg, and drummer Norbert Drescher, in the West. In 1992, the progressive metal ensemble released their debut, amazing album, "First Depression", followed in 1993 by "Lying in Wait" and in 1994 by "Symbols for the Blue Times", all on G.U.N. label. Especially last album moved more into original and audacious sound. Before their las recording "Electric Scum" (1996 – G.U.N.) guitarist Grigoleit left the band. Then, sadly, they shortenend their name to D-Age and slowly disappeared. Available again on vinyl and on Cd formats, previous prints sold out since years and hard to find nowadays.

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Da Great Deity Dah

2CD | 1998 | US | Reissue (Royal Alchemist)

Nick Cave & The Bad Seeds

Release: 1998 / US – Reissue

Genre: Hip Hop

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This is a repress from the original master from 1998. This is one of the best albums made in 1998 and features a collection of artist from DC and NYC performing with Da Great Deity Dah. It is a classic that has fetched high prices from collectors. It is a hip-hop must have

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Idiot Prayer: Nick Cave Alone At Alexandra Palace

2LP | 2020 | EU | Original (Bad Seeds Ltd.)

LP | 2020 | US | Original (Loma Vista)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Idiot Prayer: Nick Cave Alone at Alexandra Palace was recorded in June 2020, as the UK was just emerging from lockdown and months of isolation. Initially imagined as an online event only, fans will now be able to relive the concert at the cinema (the film benefiting from a theatrical release) but also at home on vinyl and CD. During this performance, Nick Cave plays his songs, alone, just accompanied by his piano. He covers his entire repertoire, from the beginning of bad Seeds and Grinderman, to his last sublime album, Ghosteen.

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Action Bronson

Only For Dolphins

Release: 2020 / US – Original

Genre: Hip Hop

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Autobahn Translucent Blue Vinyl Edition

Kraftwerk

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1976 | EU | Reissue (Epic D)

Jeff Beck

Wired

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Epic)

Jeff Beck

Blow By Blow

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Captured Spirits Black Vinyl Edition

Mammal Hands

2LP | 2020 | UK | Original (Gondwana)

LP | 2020 | US | Original (YLYLCYN)

Release: 2020 / UK – Original

Genre: Organic Grooves

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"The semi-classical drums/sax/piano trio Mammal Hands mutate into a high-volume rave act" The Guardian

Mammal Hands are pleased to announce the release of their highly anticipated fourth album 'Captured Spirits', released 11thSeptember via Manchester tastemaker record label, Gondwana Records.

Consisting of saxophonist Jordan Smart, pianist Nick Smart and drummer and tabla player Jesse Barrett, the trio have forged a growing reputation for their hypnotic fusion of jazz and electronica and have recieved glowing recommendations from the likes of The Guardian and Gilles Peterson. Drawing on their love of electronic, contemporary classical, world, folk and jazz music, Mammal Hands take in influences including Pharoah Sanders,Gétachèw Mekurya, Terry Riley, Steve Reich and Sirishkumar Manji.

Forming in Norwich in 2012, brothers Nick and Jordan along with Jesse, developed their distinctive and polished sound with their meteoric live shows and release of three critically acclaimed albums: 'Animalia' (2014), 'Floa' (2016) and 'Shadow Work (2017). Landmark live performances have included shows at The Roundhouse London, the main stage at Field Day Festival, La Cigale Paris, Montreal Jazz Festival, Hamburg Elb Jazz, Athens Technopolis and Unit Tokyo.

Teaming up once again with trusted producer George Atkins (Wiley, The Courteeners) at 80 Hertz Studios in Manchester, 'Captured Spirits' explores themes including existence and displacement. "The name has multiple readings but was first inspired by something Jordan was reading about past experiences of ancestors being caught and coded into our DNA and having an effect on who you are today. This ties in with themes that we have touched on before relative to identity and the collective unconscious ('Shadow Work'). It also toys with the idea of feeling contained/trapped and the need to break out of something and also the idea of people being spirits that are "captured" in a body",says Nick.

Opening with the melodic rhythmic patterns of 'Ithaca', the tempo picks up with the mesmerising 'Chaser', as heavy percussion and Nick's frenetic keys draw the listener deep into Mammal Hand's distinctive soundsphere. North Indian influences dictate the meditative 'Versus Shapes' with Jesse's transcendental tabla playing taking centre stage while the dark and moody 'Spiral Stair' relies on a multitude of colliding and intersecting shapes and sounds.

All three members of the band contribute equally to the writing process: one that favours the creation of a powerful group dynamic over individual solos. "I think with this record, there was a strong and renewed sense of collective enjoyment and appreciation for the process and each other's contributions. After a long period of touring and a slow build up to the actual recording sessions we were able to mull over ideas for long periods, build on lessons from the past and pull our playing connection to an even deeper place. Realising each other's visions for the whole and clearly understanding how they intersect", says Jesse.

That vision is also realised by longtime collaborator and artist Daniel Halsall who designed the artwork for 'Captured Spirits'. His strong instinctive feel for the band's visual world is a key component to understanding the music. "Our work with Dan over such a long period of time now has become integral to the bands aesthetic and he always seems to grasp the themes and ideas that we send for each album and distills them into something striking and engaging that really complements the music. This is really important with instrumental music, as we need to be able to convey our ideas without being too literal or definitive and give the listeners space for imagination and to take their own journey when they listen to the music and look at the artwork", says Jordan.

Elsewhere across 'Captured Spirits', 'Riddle' and 'Rhizome' are rich in texture and heavy on groove and both compositions showcase a complex, emotional range and demonstrate three like-minded musicians with a dazzling understanding of jazz, electronica and cinematic rhythms. "Music has the capacity to fill so many spaces in our lives, as I think fundamentally it is a more direct form of communication than even language. In this way it can be refuge, it can be social, it can be revelatory, it can be memory, it can be what we need at a given point in time", says Jordan.

The high intensity of the trio's live shows is recreated with the spiritual jazz-influenced 'Into Sparks' as Jordan's sax exhibits an unrestrained energy and freedom but it's left to 'Little One' to bring down the curtain on arguably their most accomplished album to date, a soothing, breezy gift to Jesse's new daughter.

Gondwana Records is an independent record label founded by Matthew Halsall in 2008. The label has gone on to release music by, Allysha Joy, GoGo Penguin, Hania Rani, Matthew Halsall, Phil France, Portico Quartet and Sunda Arc.

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Liturgy

H.A.Q.Q.

Black Merda Clear Beer Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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H.A.Q.Q. is the fourth studio album by transcendental black metal band Liturgy. Featuring their characteristic yearning guitar harmonies, epic song structures, and intense drumming, H.A.Q.Q. boils over with harp, piano, gagaku ensemble, pitched percussion, strings, and digital manipulation. It represents a consolidation of the band's sound to date, a combination of the mathematical complexity of 2011's Aesthethica and the glitchy experimental fervor of 2015's The Ark Work. While ecstatically invoking heaven, H.A.Q.Q. is also Liturgy's most vulnerable record for Hunter Hunt-Hendrix, addressing anger and struggles around mental health, sexuality, and religion. In part a reflection on Liturgy's uniquely controversial career, it attempts to render the spirit of a cultural era whose basic fabric is unravelling, and to generate an energy of prophecy and love in the name of what is to come.

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Black Merda

LP | 1970 | EU | Reissue (Lilith)

LP | 1980 | EU | Reissue (Vinyl Lovers)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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The Cure

Seventeen Seconds

Swirling Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Seventeen Seconds was the second album by the Cure originally released in 1980. It was too bleak for bassist Michael Dempsey who left after hearing Robert Smith's demos. Smith went his own merry/miserable way in the end and the album is a fine example of their spindly proto-goth. It contains one of their finest moments in menacing single A Forest which exemplifies the dark nature of the material on the album.

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Sun Ra Arkestra

2LP | 2020 | EU | Original (Strut)

Stuart Moxham & Louis Philippe

Release: 2020 / EU – Original

Genre: Organic Grooves

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The planets align this October as the mighty Sun Ra Arkestra, under the direction of the maestro Marshall Allen, release their first studio album in over twenty years, ‘Swirling’. Recorded at Rittenhouse Soundworks in Philadelphia, the new recording represents the continuation of a heartfelt rebirth of the Arkestra under Allen’s guidance since Sun Ra left the planet in 1993, gaining new generations of followers from their regular touring across the globe. With a big band line-up featuring long-standing Arkestra members including Danny Ray Thompson (rip), Michael Ray, Vincent Chancey, Knoel Scott, Cecil Brooks, Atakatune (rip), Elson Nascimento and Tyler Mitchell, the album is a full-blooded celebration of Sun Ra’s legacy. Tracks include brand new arrangements of Arkestra staples ‘Angels And Demons At Play’, ‘Satellites Are Spinning’, ‘Door Of The Cosmos’ and ‘Rocket No. 9’ alongside lesser known gems; the rousing blues ‘Darkness’ is recorded here for the first time, resurrected from the Ra archives by Marshall Allen. Other highlights include an epic version of ‘Seductive Fantasy’ (first recorded on Ra’s ‘On Jupiter’ LP in 1979), the freeform sonic blast of ‘Infinity / I’ll Wait For You’ and a first ever recording of the Marshall Allen swing composition, ‘Swirling’. “We truly hope that this recording brings much joy to a planet which is so deeply in need of a spirit sound and vibration,” states saxophonist Knoel Scott. “We hope it contributes to a change in the ominous direction of man’s journey through the cosmos.” “This new release is the Arkestra’s love offering to the world,” concludes Marshall Allen. “Beta music for a better world.”

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The Devil Laughs

LP | 2020 | EU | Original (Tiny Global Productions)

LP | 2020 | EU | Original (Türküola)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Much has been written about Young Marble Giants' small, perfect catalogue, which contained roughly two-dozen songs, nearly each one a perfect gem. Less is known about his long wilderness years after the break-up of his first professional band. His next project, The Gist, chopped YMG's minimalism into a new sound. This Is Love, Public Girls and Fool For A Valentine showed his songs to be razor-sharp, but the album's fragmented pieces were a step too far for some, though even the strangest, Carnival Headache, when cast in sunlight by Alison Statton's combo Weekend, was as fine a song as any he'd written - and Love At First Sight became a million-seller when covered by Etienne Daho. Then Stuart disappeared. A rmid-90s resurgence led to fine albums done on low budgets, before more silence followed. The Gist's 2018's release Holding Pattern - unexpected and then quickly followed by YMG singer Alison Statton's first new album with her accompanist Spike in two decades, adding fuel to public interest. The Devil Laughs, recorded a few years back, is a compelling addition to the canon of the 21st century songwriting. Stuart's generally unadorned musical presentation does not hinder his appreciation for the skills of Louis Philippe, whose iconic arrangements across an array of Él label albums inspire the fierce devotion of aficionados around the world. Nor does the unvarnished solidity of Stuart's arrangements deter Louis from hearing possibilities for their presentation in styles which take inspiration from the perfection of 1960's studio technology that led to the rise of Brian Wilson, Burt Bacharach, along with less-recognised names such as Bones Howe and Roy Halee. Tidy Away is Young Marble Giants redux, though the backing vocals hint at maturity which band didn't live to see. Fighting To Lose, written with producer Ken Brake, would pass as a worthy b-side to Bridge Over Troubled Water, and although the songs are otherwise Stuart's, Louis fans will delight at several, like Love Hangover and Sky Over Water, which disp...

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Cem Karaca

Laila´s Dream

2LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Türküola proudly presents a brand new Cem Karaca album where most of the songs made their premieres inside this release. From the original masters of Türküola, we will be hearing Apaşlar, Ferdy Klein and even Dervişan era of Cem Karaca with English lyrics. As the opening track, we hear “Mutlaka Yavrum” which he recorded with Dervişan in 1975 which is really a political piece also with English lyrics. Karaca tells the stories of the children in refugee camps because of the Palestine and Israel conflict. The English versions of “Kendim Ettim Kendim Buldum”, “Emmioğlu”, “Muhtar” and “Baba” have the same playback with their Turkish versions but this time directly and faithfully transferred from their original masters. These tracks were recorded with Ferdy Klein Orchestra in 1970. The Turkish versions of these songs were previously released but the English ones were in the treasure box till now. “Tears”(Resimdeki Gözyaşları), “No No No” (Emrah 1970), “Why” (Oy Babo) and “Istanbul” (Istanbul’u Dinliyorum) are the recordings of Apaşlar with the support of Ferdy Klein Orchestra dated 1968 and the English versions were also released in the same era as two separate singles. In this album, we also hear instrumental tracks played by Apaşlar with the support of Ferdy Klein Orchestra namely “Memories of Marmara” (Emrah 1970) where vocal parts are replaced with strings, “Laila’s Dream” (Resimdeki Gözyaşalrı-Tears) where vocal parts are given with brass and solo sax, “Oy Bana Bana” where vocal parts are replaced with electric guitar and sax. These three songs were previously released in the LP of The Bosporus Sound Orchestra named “Laila’s Dream” which had been released by United Artists, Liberty, and Türkofon before. The Bosporus Sound Orchestra was, of course, Ferdy Klein’s pseudonym for his orchestra. Thanks to Türküola for making these legendary recordings meet its collectors and Anatolian Pop fans via faithfully transferred master recordings.

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Bob Dylan

Rough & Rowdy Ways

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Epic)

Fiona Apple

Fetch The Bolt Cutters

A Closed Mouth Doesn't Get Fed

Release: 2020 / EU – Original

Genre: Pop

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Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple and her first release since The Idler Wheel... in 2012. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds.

Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musicial found objects as percussion. Apple described the result as "percussion orchestras". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures.

The album explores freedom from oppression; Apple identified its core message as: "Fetch the fucking bolt cutters and get yourself out of the situation you’re in". The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple's complex relationships with other women and other personal experiences, including bullying and sexual assault.

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Smoke DZA

LP | 2020 | US | Original (Rfc Music Group)

Martin Freeman & Eddie Piller

Release: 2020 / US – Original

Genre: Hip Hop

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Dza pulls together a star studded group of hip-hops best mcs for a true underground classic album.

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Pres. Jazz On The Corner Two

2LP | 2020 | UK | Original (Acid Jazz)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Kuttin' Donuts 7" Slipmat

Dr. Suzuki

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Banned Black & Blue Edition

U.G.K Underground Kingz

LP | 1992 | EU | Reissue (Smoke On)

CycoVision "The Artist Series" T-Shirt

Release: 1992 / EU – Reissue

Genre: Hip Hop

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Smoke On Records & Bigtyme Recordz come together to "Banned" by the legendary Group U.G.K. The Underground Kingz of the South.

Rest in Peace Pimp C.

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Suicidal Tendencies

LP | 2020 | EU | Original (Light Sounds Dark)

Available Sizes: S, M, 2XL

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The Suicidal Tendencies"Artist Series" starts with this amazing Cyco Vision interpretation from artist Johnny Crap.

The Suicidal Tendencies Cyco Vision "The Artist Series" Tee is equipped with the following features:

• rib crew neck with interior tape
• Suicidal Tendencies ST logo printed at left chest
• Cyco Vision "The Artist Series" artwork printed on the rear
• relaxed fit
• 100% cotton single jersey

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V.A.

Lsd029

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | UK | Original (Chopped Herring)

Bomb Shelta Association

Rebirth Volume 2

Release: 2020 / UK – Original

Genre: Hip Hop

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2LP | 2020 | UK | Original (Gondwana)

Hania Rani

Home Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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A Nod Is As Good As A Wink...To A Blind Horse

Faces

LP | 2018 | EU | Original (Music On Vinyl)

LP | 1959 | EU | Reissue (Fat Cat)

Release: 2018 / EU – Original

Genre: Rock & Indie

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'A Nod's As Good As A Wink... To A Blind Horse' is the third album by the English rock band Faces. The album became their most successful album, partly because of the solo success of lead singer Rod Stewart. It features their single hit 'Stay with Me' and it is a consistent and creative album. The Rod Stewart/Ron Wood compositions are strong and their finest hour is definitely one of a name. The blues-tinged rock music with some honky tonk piano tunes and fine psychedelic edges. They were one of the best party bands of their time, with raucous and sloppy live shows. They are showing this in the energy of the songs. The 'A Nod's As Good As A Wink... To A Blind Horse' package contains a giant original poster.

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Charles Mingus

Ah Um

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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2LP | 2020 | EU | Original (BMG)

Rufus Wainwright

Unfollow The Rules

Release: 2020 / EU – Original

Genre: Rock & Indie

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Color Theory Black Vinyl Edition

Soccer Mommy

LP | 2020 | US | Original (Loma Vista)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Dope Folks)

Darc Mind

What Happened To The Art

Release: 2019 / US – Original

Genre: Hip Hop

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We are excited to announce our PRE-ORDER for our 98th release, DARC MIND'S "WHAT HAPPENED TO THE ART" LP!!!! Queens, New York's Darc Mind consists of MC KEVROC, and producer X-RAY. Originally signed to LOUD records in 1995, DARC MIND released the "Visions of Blur" track for the "Soul in the Hole" Soundtrack, and a promo only 12" for "Outside Looking In." They were set to release their debut LP in 1997 when the entire project was shelved. Dope Folks has released several tracks from the Darc Mind/X-Ray vaults including 2011's Legion of D.U.M.E. EP, and the two Darc Mind "Antediluvian" EPs (There are less than 50 copies of ANTEDILUVIAN vol.2 in stock), and now in 2019 we are proud to release their brand new full length LP "WHAT EVER HAPPENED TO THE ART?"
Limited to 350 vinyl copies (50 Colored, 300 standard black). 18 tracks in all!!

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MWM

Phase Case

2LP | 2019 | EU | Original (Blue Note)

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Reinforced case to store and protect Phase and its accessories.

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Lonnie Smith

Live At Club Mozambique

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | UK | Original (Gondwana)

Matthew Halsall

Colour Yes

2LP | 2019 | UK | Original (Gondwana)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Remixed and remastered with bonus material and released on vinyl for the first time.

Deluxe 2LP editions with artwork re-imagined by Ian Anderson of The Designers Republic.

"If I could watch any jazz band in the UK, any, I would choose Matthew Halsall's band, just love what he's been doing over the last few years... It's always high level, spiritual jazz music" Gilles Peterson BBC Radio 1

Matthew Halsall (born September 11, 1983, in Manchester, England) is a Worldwide Award winning and MOBO nominated trumpeter, composer, producer and DJ. Since 2008, Matthew has released seven critically acclaimed studio recordings and has been a key figure in the rise of a new jazz sound in the UK. In addition to his own releases Halsall has collaborated with many DJs and producers, most notably DJ Shadow and Mr. Scruff, and in 2013 Matthew's music was selected by Bonobo for his Late Night Tales compilation. Halsall is also the founder of Gondwana Records, a genre bending independent record label featuring a wealth defining albums by the likes of Portico Quartet, GoGo Penguin, Hania Rani and Mammal Hands. His own rich music draws on the spiritual-jazz of Alice Coltrane and Phaorah Sanders, contemporary electronica and dance music alongside his travels in Japan, the traditional art and music of which, has left a lasting impression on his compositions.

Sending My Love (2008) and Colour Yes (2009) were his first releases and document Halsall's first great bands featuring the likes of flautist Chip Wickham, saxophonist Nat Birchall, harpist Rachael Gladwin, bassist Gavin Barras and drummer Gaz Hughes. Joyful, life-enhancing albums, drawing on UK jazz and spiritual jazz influences but with a decidedly modern bounce, they introduced Halsall's music to the world gathering support from the likes of Gilles Peterson and Jamie Cullum, Mojo, Straight No Chaser and beyond. But Halsall was never completely happy with how the records were presented and as part of Gondwana Records 10th anniversary decided to revisit the recordings, meticulously remixing and remastering them for vinyl and commissioning new artwork from Ian Anderson, one of his favourite designers. These then are the definitive editions of the records. Sending My Love comes complete with the beautiful bonus track This Time, while Colour Yes features the equally striking It's What We Do and Ai.

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Matthew Halsall

Sending My Love

2LP | 1991 | EU | Reissue (Parlophone)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Tina Turner

Simply The Best

Release: 1991 / EU – Reissue

Genre: Pop

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LP | 2019 | EU | Original (Audioglobe)

Frozen Crown

Crowned In Frost

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | UK | Original (Claremont 56)

Ferdi

All One

2LP+7" | 2019 | EU | Original (Pampa)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Two years ago, Ferdi Schuster was a young multi-instrumentalist and producer
daydreaming of releasing his music on Claremont 56, one of his favourite labels.
Now he’s set to release his stunning debut album, “All One”, on Paul Murphy’s
long-running imprint.
It’s been a long time between drinks for the German producer, who last graced
C56 with his superb double A-side single, “Little River/Befreit”, in the autumn of
2017. Fittingly, it’s “Little River” – a babbling brook of audio bliss rich in sambainfluenced
drums, soothing acoustic guitars and spacey synthesizer licks – that
kicks off “All One”, a seductive set in which every drumbeat, piano note, guitar
riff, synthesizer flourish and fireside-warm bassline was played by the man
himself.
Throughout, it’s easy to see why Murphy decided to snap up Schuster and
push the producer to record a debut album. Check, for example, the dubbedout
shuffle of “Thinking of You”, where ghostly chords, soft-focus guitar solos
and ethereal vocals drift across the soundscape, and the slowly unfurling bliss
of “The Good Fight”, an effortlessly Balearic workout rich in sun-kissed guitars,
bubbly synth lines and chords so snugly they could probably be used as a
comfort blanket.
Schuster’s greatest strength is undoubtedly the evocative and enveloping nature
of his instrumental music, which draws on a variety of complimentary influences
but never sounds anything less than original and fresh. Some listeners may be
enchanted by the loose and languid pulse of “Fading Away” or the lo-fi reggaejazz
of dusty closing cut “Night Talk”, though others may prefer the stoned funk
shuffle of “Interaction” or the spacey vibrations of “Pulsa”, where intergalactic
synthesizer lines wind their way around heady bass guitar and sparse, off-kilter
deep electro drums.
“All One” is that kind of set; an atmospheric and musically accomplished
collection of cuts capable of muting the mundane and distracting from the stress
of 21st century life. As debut albums go, it’s something of a stunner.

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Robag Wruhme

Venq Tolep

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 1972 | EU | Reissue (Right Track)

Fairuz

La Gardienne Des Cles

LP | 1979 | EU | Reissue (Right Track)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Elias & Ziad Rahbani

Belly Dance Forever

LP | 1964 | EU | Reissue (Right Track)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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This reissue comes on 180g. Arabian proto-disco album by Fairuz’s son and his uncle. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Fairuz

Bayaa El Khawatem

LP | 2019 | PL | Original (Republic)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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Ariana Grande

Thank U, Next

Release: 2019 / PL – Original

Genre: Pop

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Stones Throw

Outline Logo T-Shirt

2LP | 2019 | UK | Original (High Focus)

Available Sizes: S, M, L, 2XL

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The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

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Onoe Caponoe

Surf Or Die

2LP | 2019 | EU | Original (Enter The Jungle)

Release: 2019 / UK – Original

Genre: Hip Hop

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Onoe Caponoe is a true individual in a sea full of clones. A truly unique voice, hailing from an unknown
area of London, that rises above the endless conveyor belt cacophony of ‘Road Rap’, ‘Drill’, ‘Trap’,
‘Grime’, ‘Mumble Rappers’, ‘Cloud Rap’, ‘Undrergoround Rappers’ etc… Onoe carves out his own
corner of the galaxy that is truly his own amidst a sea of noise that sadly, all sound the same… Having
refined his vision through years of painstaking experimentation, Onoe has travelled to realms most
rappers would never dream of going.

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Ezra Collective

You Can't Steal My Joy

Kind Of Blue Limited Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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London five-piece Ezra Collective are announcing their debut album. Can't Steal My Joy is
due April 26th, and marks the ensemble's return following the success of their genrebending
2017 EP Juan Pablo: The Philosopher.
Ezra Collective’s incredible musicianship and spirited, inclusive approach to music - which
draws on afrobeat, hip-hop, grime and more - has seen them break out beyond the
burgeoning UK jazz scene. Their 2017 EP, Juan Pablo: The Philosopher, won ‘Best Jazz
Album’ at Gilles Peterson’s Worldwide Awards and the band picked up ‘Best UK Jazz Act’
and ‘Live Experience Of The Year’ at the 2018 Jazz FM Awards. The five young Londoners
played Quincey Jones’ birthday party and recently completed a mosh-pit-filled, sold out UK
tour (culminating in a packed out 2,400 capacity hometown show), before headlining Winter
JazzFest in New York. Ezra Collective’s forthcoming gigs include more US dates, SXSW,
plus All Point East festival.

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Miles Davis

LP | 2019 | EU | Reissue (Sony)

2LP | 2019 | US | Original (Hw&W Recordings)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Limited Edition.

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Tek.Lun

Allow It!

Life Or Death 20th Anniversary Colored Vinyl Edition

Release: 2019 / US – Original

Genre: Electronic & Dance

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Born and raised in Baltimore, 24 year old beat-maker TEK.LUN is a silent killer. Considered by many to be HW&W's most prolific producer, his early beat tapes and extensive instrumental catalogue helped build a cult following worldwide. In addition to touring internationally as a DJ and headlining festivals in Europe and Asia, his production credits include names like Lupe Fiasco, GoldLink and Aminé

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Da Great Deity Dah

LP | 2019 | US | Original (Royal Alchemist)

Stay Positive Deluxe Edition

Release: 2019 / US – Original

Genre: Hip Hop

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To commemorate the 23rd anniversary of the classic release of the Life or Death Vinyl in 1996 a very limited run of only 300 colored copies will be pressed and include the original release plus bonus remixes, and unreleased songs for a full LP release. The 12 song release is remixed and remastered and features production from; Decomposed, Moods and Vibrations from the 5 Bros MC’s, DJ Eskimo who produced on the original release and also Bogota Colombia producer, Mad Candela who produces the new track MC I’m I. Sons of Light Member Ibn Nur Quiet Storm 720 is also featured on new track Celestial Missionaries.

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The Hold Steady

3LP | 2019 | EU | Original (BMG)

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 1982 | US | Reissue (Smiling C)

Kumasi

I Know You Feel It

In Rock (2018 Remastered Version)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Much anticipated re-release of South African disco funk outfit Kumasi's catalogue! Incl the known tunes Picnic (Moger) & Anomakoliwa. Strong from start to finish! TIP!
Kumasi was a group comprised of Ray Phiri, Jabu Sibumbe, Isaac Mtshali and Lloyd Lelosa. Sometime between their formation as The Cannibals (*needing reissues*) and the almighty group Stimela, Kumasi released one album and a couple of singles. The artists had contracts under Gallo and couldn't reveal that they were linked to the music in any way, leading Kumasi to have only a brief mysterious run in the early 80s.
But the secrets out! This release presents a collection of five songs from their incredibly rare full length LP, and adds to that their version of the South African classic, ‘Picnic’. Pressed as a 2x12” compilation, sounding incredible! Kumasi brings a unique blend of disco funk with that special South African tinge.
Ray Phiri died in 2017 - this album goes out in dedication.

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Deep Purple

LP | 1970 | EU | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Hot Casa)

Vaudou Game

Otodi

Popeye: Music From The Motion Picture + Harry Nilsson Demos

Release: 2018 / EU – Original

Genre: Organic Grooves

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No one had been through those doors in years. Unchanged, seemingly untouched, just a Guard watching over it, one wondered whether the place would ever see the light of day again. Built in the 70s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 80s, but not this one; situated in Lomé, this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. That of the Togolese Recording Office, is studio OTODI for those in the know. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out.
The original vibrations of Lomé’s sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, and the entire atmosphere. A presence at once electrical and mystical sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio’s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day.
For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can’t learn in any school. This was also a way to put OTODI on the path of a more heavily hued funk sound, the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan’s James Brown type screams, and softens when making the way for strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lomé at OTODI with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities…

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Harry Nilsson

LP | 2018 | US | Original (Varese Sarabande)

LP | 1994 | EU | Reissue (Music On Vinyl)

Release: 2018 / US – Original

Genre: Soundtracks

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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Melvins

Stoner Witch

Irene Colored Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The true gods of the stoner underground music, The Melvins, released their album Stoner Witch in 1994. The album is one of their most successful efforts and an album where their musical capacities can be heard in the depth, powerful and experimental sound.

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Caetano Veloso

LP | 1969 | EU | Reissue (Lilith)

Araca Azul Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Although Veloso had already been thrown in jail once for his criticism of Brazil’s military regime, he continued to speak out against it on his second album (1969), with tracks like “Irene”, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message and actually, Veloso felt it was important for his voice of protest to be heard around the world. If he was a high profile public figure, he felt that he would be safer. All this (or perhaps because of all this) and the man still managed to make excellent records! Color vinyl version.

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Caetano Veloso

LP | 1972 | EU | Reissue (Lilith)

A Little More Blue Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Apparently when this album was originally released in 1972, confused and bewildered fans, expecting more of the same found on Transa, released earlier that year, returned the album to the shop, demanding a refund. Meanwhile, critics raved, and many now consider Araçá Azul known as CAETANO VELOSO’s “experimental album” to be one of his great creative moments. To be fair to his many fans, it was a stark departure from his previous releases, which were decidedly more pop, but Veloso had been through a lot recently, having just returned from political exile in the UK, so it is no wonder that the artist was feeling a bit like he needed to fly in the face of conformity. In Veloso‚s own words, “I made this album without thinking, without taking the time to stop to think.” He refers to the album’s “insolent experimentalism” and calls it a kind of “last stand.” Color vinyl version.

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Caetano Veloso

LP | 1971 | EU | Reissue (Lilith)

John Mayall With Eric Clapton

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Often referred to as “Brazil s unofficial poet laureate” and the “Bob Dylan of Brazil”, this heavy-weight of Brazilian music was also a young revolutionary who used his music to protest against Brazil’s oppressive military regime. This protest music, which became known as Tropicalia, first earned Veloso a stint in jail, but by the time this dour album was released in 1971, it had placed him in exile in the UK. Veloso’s extreme bitterness and melancholy can be heard on every groove of this album, but don’t let the album s gloomy atmosphere stop you from buying it; it is dripping with some of the best moments of saudade in the history of Brazilian music. Color vinyl version.

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Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

The Tenth Sub Level Of Suicide

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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Leviathan

2LP | 2018 | UK | Original (Moribund)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Thriller Picture Disc Edition

Michael Jackson

LP | 1982 | DE | Reissue (Sony)

Six Evolutions - Bach: Cello Suites

Release: 1982 / DE – Reissue

Genre: Pop

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Picturedisc!

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Yo-Yo Ma

3LP | 2018 | DE | Original (Sony Classic)

Release: 2018 / DE – Original

Genre: Classical Music

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Oh, Good Grief! - 50th Anniversary Vinyl Edition

Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Sketches For My Sweetheart The Drunk

Jeff Buckley

3LP | 2000 | US | Reissue (Sony Legacy)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Suicidal Tendencies

STill Cyco Punk T-Shirt

Gold: The Best Of Spandau Ballet

Available Sizes: S, M, L, XL

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The Suicidal Tendencies STill Cyco Punk Tee is equipped with the following features:
• rib crew neck with interior tape
• STill Cyco Punk artwork printed on front
• Suicidal Tendencies logo printed on the rear
• relaxed fit
• 100% cotton single jersey

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Spandau Ballet

2LP | 2018 | EU | Original (Chrysalis)

Release: 2018 / EU – Original

Genre: Pop

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Lloyd Miller & The Heliocentrics

OST

2LP | 2010 | EU | Reissue (Strut)

And The Chambers Brothers

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Strut repress a classic from 2010, The Heliocentrics’ groundbreaking studio collaboration with Lloyd Miller, ‘(OST)’.
Recorded following their award-winning collaboration with Ethio jazz pioneer, Mulatu Astatke (Mojo magazine Top 50 of the year 2009, Sunday Times World Music Album of the year), pioneering UK collective The Heliocentrics resurfaced with another fascinating jazz enigma, ethno-musicologist, jazz maestro and multi-instrumentalist, Lloyd Miller.
Learning various instruments and immersing himself in New Orleans jazz through his father, a professional clarinet player, Lloyd Miller first trained himself in the styles of George Lewis and Jimmy Giuffre and cut his first Dixieland jazz 78 rpm record in 1950. During the late ‘50s, his father landed a job in Iran and Miller began to develop a lifelong interest in Persian and Eastern music forms, learning to play a vast array of traditional ethnic instruments from across Asia and the Middle East.
He toured Europe heavily, basing himself in Switzerland, Belgium, Sweden, Germany (where he played with Eddie Harris and Don Ellis) and, most famously, in Paris where he worked with leftfield bandleader Jef Gilson, a phenomenon in French jazz during the early ‘60s. Miller returned to the Middle East during the ‘70s, landing his own TV show on NIRTV in Tehran under the name Kurosh Ali Khan. His show became a national fixture and ran for seven years. More recently, his mid-‘60s album ‘Oriental Jazz’ has become a collector’s favourite.
Emerging from an acoustic jazz session in 2007 set up by Jazzman, the Heliocentrics collaboration was recorded at the band’s Quatermass Studios in East London during January and February 2010, a fresh, freeform mix of Eastern arrangements, jazz and angular psychedelics. The recordings involved a number of ethnic instruments that Miller played and studied throughout his career including the oud, Phonofiddle, Indian santur, Chinese shawm and wooden flute.
Lloyd Miller & The Heliocentrics’ ‘(OST)’ will be repressed on its original 2LP format, 1000 copies only.
LLOYD MILLER & THE HELIOCENTRICS – (OST)
Tracklisting

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Barbara Dane

LP | 2018 | EU | Original (Smithsonian Folkways)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Record Revirginizer (500ml)

Record Revirginizer

2LP+7" | 2018 | DE | Original (Pampa)

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At last, a way to clean and restore your precious vinyl records without the use of expensive mechanical record cleaners, three step washing processes or dangerous petrochemicals. The university Award Winning RECORD REViRGiNiZER is the only product that can clean your vinyl records thoroughly and remove the pops and crackles from your valuable record collection.

"I am now sampling with the cleanest sound possible. Nothing fixes your records like Record Revirginizer!" - RZA, Grammy Award Winning Musician, Producer and Film Director.

Contains 500ml.

RECORD REViRGiNiZER isn't just a record cleaner, it actually restores your vinyl records close to their original condition by using a revolutionary anti-static polymer that works like a facemask on the grooves of your record. It's the closest thing to a miracle for vinyl record cleaning and restoration ever invented!

How it Works and More!

RECORD REViRGiNiZER is a viscous, non-toxic liquid that is poured onto a vinyl record. It is then massaged into the records surface and left to set. After setting it is easily peeled from the records surface, at the same time taking all the microscopic contaminants with it; it's a bit like a facemask...but for vinyl records!

REViRGiNiZER is formulated with just the right elasticity to remove all the embedded material, but at the same time it does not leave any residue, nor does it damage your vinyl in any way. The anti-static properties of the formula ensure that once the film is pealed off your vinyl will be static free. You can clean and restore your records close to their original condition and in some cases (due to residue left behind from the manufacturing mould release compounds) it can actually improve the sound of a brand new record as well.

With a REViRGiNiZER treatment your music will have a superior depth and clarity; this is another reason vinyl is enjoyed by audiophiles worldwide.

With a REViRGiNiZER treatment you can now sit back and enjoy your precious vinyl recordings just like they were new. We guarantee REViRGiNiZER is the best vinyl record treatment you can buy, or your money back!

We promise you that you will be amazed by the results. (Too bad we didn't think of it before the advent of CD's!)

How To Use:

1. Gently shake the bottle of REViRGiNiZER for 30 seconds before use.
2. Lay your vinyl record on a flat even surface, preferably on a clean record sleeve, and then wash hands.
3. Measure 20 ml / 0.65 fl.oz of REViRGiNiZER for a 30cm /12 inch record and pour evenly over one side of the record, avoiding the label. After you have used REViRGiNiZER a few times try reducing the amount to 15ml/ 0.5 fl.oz for a 30cm/12 inch record. Use 10ml / 0.3 fl.oz. for a 7 inch record.
4. Massage the REViRGiNiZER solution into the record’s grooves in a circular motion using one or two clean fingers.
5. Place a paper tab 5mm / 1/4 inch in from the outside edge of the record and over an area where the solution has already been applied. See illustration on bottle for approximate tab size.
6. Leave the REViRGiNiZER solution to dry completely. Drying time will normally take between 4 and 12 hours*. Drying time varies depending on humidity, evaporation and ambient temperature.
*Drying time can be significantly reduced by drying the record under a fan or in an air-conditioned room.
7. AVOID USING REViRGiNiZER ON RAINY OR HUMID DAYS unless records can be dried in an air-conditioned or dehumidified room or under a fan.
8. Once dry, use the paper tab to carefully peel the film from the record. DO NOT leave the film on the record longer than 3 hours hours after it has dried.
9. Remove any film that may still remain on the record by gently rubbing the remaining film with the dried film that has already been peeled off.
10. Repeat steps 1 to 9 on the other side of the record
11. Your record has now been restored with RECORD REViRGiNiZER.
12. If possible replace the old record sleeve with a new sleeve to avoid

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DJ Koze

Knock Knock

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Uncle Acid & The Deadbeats

Volume 1 Green Vinyl Edition

LP | 2017 | EU | Original (Rise Above)

2LP | 2017 | UK | Original (Gondwana)

Release: 2017 / EU – Original

Genre: Rock & Indie

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2022 repress on swamp green vinyl

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Mammal Hands

Shadow Work

LP | 1991 | UK | Reissue (Earache)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Captivating, ethereal and majestic, Mammal Hands unleash their third album, Shadow Work: drawing on spiritual jazz, north Indian, folk and classical music to create something inimitably their own. Recorded at 80 Hertz Studios in Manchester, it is the result of 18 months of intensive touring and mammoth writing sessions. The energy from their exhilarating live performances has fed into the writing process and yet there is a quiet reflective side to this album, giving it an expanded emotional range that draws the listener deep into Mammal Hand’s sound world.

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Entombed

Clandestine

Release: 1991 / UK – Reissue

Genre: Rock & Indie

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Memory Of A Cut Off Head Black Vinyl Edition

OCS (Thee Oh Sees)

2LP | 2017 | US | Original (Castle Face)