HHV Records 10449 Items

LP | 2020 | EU | Original (Radical Elite)

Release: 2020 / US – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 500 copies.

Hall of Famer Pete Krebs reunites his band The Gossamer Wings (feat. members of Decemberists & Richmond Fontaine) and records 10 new original songs. Much anticipated full length ''All My Friends Are Ghosts'' from the Pacific Northwest icon. Limited Edition 500 LP's. Cover art by Sean Croghan of Crackerbash. Full promotional campaign being run by Patrice Fehlen at September Gurl/NYC.

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Too Much

Club Emotion

2LP | 2020 | UK | Original (Fire)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Too Much, which features Rich Morel (of Morel, Blow Off w/ Bob Mould, collaborator w/ Pet Shop Boys, Yoko Ono, US Girls) and Ian Svenonius (The Make Up, Escape-ism) is a new kind of group; they aren’t your typical music industry malcontents.

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Giant Sand

Ramp 2020 Deluxe Edition

2LP | 2020 | EU | Original (Experiences Ltd.)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Black vinyl, gatefold sleeve, DL card.1000 copies only worldwide. Deluxe remastered edition of Giant Sand's 1991 album 'Ramp' with a second disc featuring the Mad Dog sessions from earlier that same year. "Convertino's brush-work and Burns' upright bass provide the perfect foundation for Gelb's parched voice and chaotic guitar, and guests include Rainer, Victoria Williams and country veteran Pappy Allen. Featuring piano lounge music for an off-world colony interrupted by an onslaught of guitar when needed, it's light and dark and the better for it, a musical journey on a road less travelled. With Gelb's lyrical invention to the fore: "His thoughts unfold in long, rolling sentences that don't always follow conventional rules of grammar or syntax." The Quietus // The Tucson sound at it very best.

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Ben Bondy

Sibling

LP | 2020 | EU | Original (Musica Per Immagini)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2022 repress

Ben Bondy blesses Special Guest DJ’s Experiences Ltd with a near-fathomless solo debut of sensual, low key electronics and intimate nocturnes following a pair of peaches from from Ulla and Folder. This one’s all fizzing warm and loved up, highly recommended listening if you’re into anything from Newworldaquarium/154 to Harold Budd. Like his split with Exael for Huerco S.’ West Mineral, ’Sibling’ sees Bondy return to a seductively gauzy mid-ground sound that over the course of 15 tracks lulls and lists with a minimalist patience, allowing forms to emerge and evaporate in constantly shifty transitions and weathered plays of light according to an immersive eco-logic. Those liminal traces of sound and influence are almost imperceptible, pulling you into a protective amniotic sound-world thats evocative and comforting. The album actually started out as a single LP but the mood spilled over into something twice as long and deep with it, creating what he describes as “kinda two parts to one being. kinda like the way the bonds of friendship/siblinghood work”. This fraternal pathos percolates throughout the album, knitting together gently windswept permutations of thizzing pads and frayed rhythms under a smudged and slowly turning kaleidoscopic lens. It’s pretty much the definition of hypnagogic, likely to draw your eyelids to half-mast and your mind to blissed-out dream states.

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Sandro Brugnolini

Abstract Forms

The Dancing Devils Of Djibouti

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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“Abstract Forms” is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late Eighties and early Nineties. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.

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Groupe RTD

LP | 2020 | US | Original (Ostinato)

Justo The MC & Maticulous

Release: 2020 / US – Original

Genre: Organic Grooves

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The first ever international album from Djibouti and Ostinato's first studio recorded album. This ain't a compilation or reissue!

A stunning collision of Indian Bollywood, Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk, and the haunting and joyous synthesizer melodies of the Red Sea by Groupe RTD, one of East Africa’s best kept secrets.

Recorded in three days -- as per the strict limit set by Djibouti's national radio authorities -- with a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

A portion of Bandcamp sales will be donated in equal parts to:

• The Djiboutian Embassy in Germany to purchase masks and other essential supplies for Djibouti.

• Amref Health Africa Covid-19 Fund (amref.org/donations/covid19/)

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More than one news report refers to Djibouti as “a place where nothing ever happened” that “would not register significantly in the global consciousness except for its strategic location in East Africa."

These deeply ill-informed observations could not be further from the truth.

While the music of Somalia is widely celebrated, its neighbor, the Republic of Djibouti, formerly known as French Somaliland, is home to an equally deep reservoir of its own unique Somali music.

The small but culturally grand country on the mouth of Red Sea remains one of the few places in the world where music is still entirely the domain of the state. Since independence in 1977, one-party rule brought most music under its wing, with almost every band a national enterprise.

No foreign entities have been permitted to work with Djibouti’s rich roster of music — until now.

In 2016, Ostinato Records met with senior officials of Radiodiffusion-Télévision Djibouti (rtd), a.k.a. the national radio, to discuss a vision for lifting the shroud on Djiboutian music as the young country of less than a million people increasingly opens up to the world. Three years later, in 2019, Ostinato became the first label granted full authorization to access the national radio’s archives, one of the largest and best preserved in Africa, home to thousands of reels of Somali and Afar music.

But just next door, in RTD’s recording studio, a world class band entirely unknown outside the country, whose songs are a living embodiment of the archives, lay in waiting. Composed of sensational new, young talent backed by old masters, the band — Groupe RTD — is the national ceremony outfit. By day, they perform for presidential and national events and welcome foreign dignitaries.

By night, when no longer on official duty, Groupe RTD is clearly one of East Africa’s best kept secrets.

Helmed by Mohamed Abdi Alto, possibly the most unheralded saxophone virtuoso in all of Africa, a Djiboutian national treasure, and the horn maestro on track 8 of our Grammy-nominated Sweet As Broken Dates compilation, and mentored by Abdirazak Hagi Sufi, originally from Mogadishu and composer of track 9 on the same compilation, Groupe RTD is the finest expression of Djibouti’s cosmopolitan music style.

Situated on the Bab El Mandeb (Gate of Tears) strait, a historic corridor of global trade connecting the Suez Canal and the Red Sea with the Indian Ocean, Djibouti is blessed with influences from East Asia, the Arabian peninsula, India, and even more distant sounds.

Djiboutian music, particularly the addictive brand wielded by Groupe RTD, is, by their own admission, the juncture where Indian Bollywood vocal styles, offbeat licks of Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk and the haunting and joyous synthesizer melodies of the Red Sea collide.

Sax player Mohamed Abdi Alto — so talented that they added “Alto” to his legal name — honed his trade from a steady diet of John Coltrane and Charlie Parker. Abdirazak’s guitar style draws heavily from his love affair with Jamaican music. Young singers Asma Omar, who won a youth talent contest to join the band, and Hassan Omar Houssein are fluent in the classic hits of Bollywood and Indian music. Synth player Moussa Aden Ainan brings a distinctly dexterous Somali touch, reminiscent of the exceptional keys work of Somalia’s Iftin and Waaberi Band. Their sound is kept afloat by measured Tadjouran rhythms, courtesy of drummer Omar Farah Houssein and dumbek player Salem Mohamed Ahmed’s perfect interplay.

But recording this album was Ostinato’s biggest challenge yet. A web of bureaucracy and strict rules had to be navigated. Djibouti’s authorities gave us only three days to record the entire set, with no extension. Up for the task and eager to deliver, the musicians promptly tore down the “no smoking or chewing khat” sign in RTD’s recording studio and began a heated, three-day, khat-fueled devilish feast of music amid a smokey haze, unleashing the very reason the band was founded: to strut Djibouti’s majestic music on the world stage when the opportunity arrived.

The recording equipment in the radio had not been upgraded in decades and technical neglect meant we had to devise a novel approach to ensure the highest quality recording possible. With the help of Djibouti’s head of customs, we flew in a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

This game-changing setup, a far cry from the old days of field recordings, is Ostinato’s vision for the future: to capture the contemporary sounds of Africa and the world flawlessly, in any environment or circumstance.

We proudly present Ostinato’s premier studio recorded album and the first ever international album to emerge from Djibouti — Groupe RTD: The Dancing Devils of Djibouti.

This album, if listened to at an inappropriate volume, should firmly register Djibouti in the global consciousness, shifting its image from a strategic outpost of geopolitical games to cultural powerhouse.

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County Of Kings

LP | 2020 | US | Original

OST Morte Sospetta Di Una Minoenne (Suspicious Death Of A Minor)

Release: 2020 / US – Original

Genre: Hip Hop

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Justo The MC & maticulous return with their second full length album since their first offering in early 2019, "Mind Of A Man." Their debut landed the duo on many year end lists, live performances, as well as earning appearances on notable radio shows, namely Live From Headquarterz w/ DJ Premier in addition to Rap Is Outta Control with DJ Eclipse & DJ Riz on Sirius XM.

"County of Kings" is the continuing evolution of an emcee and producer who abandon the flavor of the moment approach, but rather strive to make the listening experience timeless. Music created in the County Of Kings...Brooklyn, New York City.

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Luciano Michelimi

LP | 2020 | EU | Original (Four Flies)

Letter To My Younger Self

Release: 2020 / EU – Original

Genre: Soundtracks

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First time on vinyl for this utterly top level score composed by Luciano Michelini for the slasher/crime flick directed by Sergio Margino, "The Suspicious Death of a Minor" (Morte sospetta di una minorenne), and recorded in 1975 at Ortophonic Studio in Rome. The main theme echoes certain passages from Goblin’s “Deep Red” - recognizable by the use of the same church organ played a few months earlier by Claudio Simonetti’s hands for Dario Argento’s masterpiece, whilst the entire soundtrack sounds somehow “Goblinesque”, thanks to the prog-rock & funk action themes used for chases, murders, and suspense scenes. Remastered from the original reels preserved in the C.A.M. archives, this vinyl edition features new LP editing, and is housed in a hard tip-on sleeve with a stunning artwork designed by Luke Insect.

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Quinn Xcii

LP | 2020 | US | Original (Columbia)

Release: 2020 / US – Original

Genre: Pop

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LP | 2020 | CA | Original (Inner Ocean)

Es-K

Only So Much Time

Type II Grey / Cream Swirl Vinyl Edition

Release: 2020 / CA – Original

Genre: Hip Hop

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180g Black Vinyl. 250 copies worldwide.

Vermont based beat maker legend, Es-K (aka Essential Knowledge), shows up to elevate the game once again with his newest LP "Only So Much Time". An eclectic blend of instrumental hip hop beats with elements of jazz, ambient and psychedelic electronics, featuring a plethora of Es-K's friends and crew playing different instruments on nearly every track. "Only So Much Time" ebbs and flows through a myriad of little intricacies and motifs that requires repeat listens to really catch all of the wonderful details that Es-K has poured into this album. "Only So Much Time" is possibly some of Es-K's best work to date and will surely be one of the highlights of 2020 releases guaranteed!

In Order of Appearance: Produced, mixed, & mastered by Es-K Trumpet by John Culbreth on tracks 1 & 14 Additional keyboards by Danny Whitney on tracks 1 & 2 Bass by Dan Bishop on tracks 2 & 11 Additional production and composition by Dope Dee on track 2 Guitar by Max Bronstein-Paritz on tracks 5, 6, 7, 9, & 11 Guitar and bass by Metic on track 7 Bass by Gas Lab on track 8 Additional composition by The Brothers Nylon on track 10 Keyboard solo by Paulie Philippone on track 14

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Sex Swing

LP | 2020 | EU | Original (Rocket)

Content Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Since their foundation in 2014, this malevolent rogues gallery of luminaries of the UK underground have consistently proven to be capable of projecting vibrations that transcend and usurp any idea of the sum of their component parts. It is true that they've clocked up notable experience sparking tinnitus with everyone from Mugstar and Bonnacons Of Doom (bassist Jason Stoll) to Dethscalator (vocalist Dan Chandler and drummer Stuart Bell) and from Earth (guitarist Jodie Cox, who also introduced keyboard player Ollie Knowles to the melee) to a dizzying variety of endeavours from the paint-stripping skronk of Dead Neanderthals to the righteous ire of Idles (all via saxophonist Colin Webster). Yet Sex Swing represents less a group of disparate musicians pooling their resources, and more a peculiar spark of collective chemistry, with all forces gravitating towards the pursuit of the same dissolute and mysterious goal. 'Type II' is that goal reached in effortless style and amplified to intimidating aural vistas. This mighty monument of swagger and malice also sees fit to add a certain amount of glitter to the trademark gri t this time around. Just as the artwork from long-term collaborator Alex Bunn boasts a luminous sheen absent from the unsettling abjection of the sleeve of their 2016 debut, so the rolling grooves and mantric hypnosis here boast a new-found structure and a feline sleekness fresh and unusual for this pugilistic outfit. Nonetheless, this remains a band fundamentally obsessed with the expression of decadence and wrongdoing through the mediums of repetition and overloaded frequencies.' Type II ' is more than the mere machinations of a rock band - it's a howl of malfunction rendered terrifyingly visceral. It's the lightning flash and unearthly roar of the primeval battle between Godzilla and Mechagodzilla that provokes awe and disquiet in the realm of fantasy, It's the haunted clangour of the faullty air conditioning unit that lurks in the anonymous office building yet lends it eerie ambience....

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Ricardo Donoso

LP | 2020 | EU | Original (Pan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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180g vinyl. Terry Waite was taken hostage in Beirut in the late 1980s, before ISIS, before smartphones, before the Internet as we know it. He endured a mock execution during the first year of his five-year captivity, which was spent mostly in solitary confinement. Years later, during a Q&A session, he was asked to identify the main thing he had learned from his ordeal. The answer, came as a shock_it was not the excruciatingly hard-won appreciation for life and loved ones that one expects to hear. "Contemporary humanity," declared Waite, "has lost the ability to engage in productive solitude."""Content"" is the 9th album of the US based producer Ricardo Donoso.

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Amnesia Scanner

Tearless

(Wiretap) Clear Vinyl w/ Black Smoke Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Amnesia Scanner announces Tearless, the Berlin-based duo's second LP. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw, the staggering scale of political recalibration and the worldwide climate crisis to come blows open old norms. This album reflects what it feels to experience Earth at a time when collapse is emerging as the prevailing narrative.The musical scope of the record is expansive, with guest vocalists - the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA - descending into a vast uncanny valley of sound. Tearless follows the 2014 `AS Live [ ] [ ] [ ] [ ] [ ]' mixtape, 2015 audio play Angels Rig Hook, two EP's for Young Turks, and their 2018 debut album, Another Life (PAN)."There's a looming sense of radical change," they note, connecting the present to a fin de siecle horror and curiosity regarding what new world is being ushered in. Someone called Tearless a "breakup album with the planet." To which Amnesia Scanner responds, on the LP's closing track: "You will be fine, if we can help you lose your mind."With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Listening through: Opener "AS Enter" sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed "Tearless") make clear there's plenty of roaring to come. A feature from metalcore band Code Orange on "AS Flat" follows, along with "AS Trouble" (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as blackmetal-gaze dirges. At the album's midpoint, Lalita returns for the beautiful, operatic breakdown of "AS Ac" (released as a single in 2019), before "Center of the Labyrinth" guides listeners through three club ready tracks - the grain-processed dembow of "AS Too Late" and "AS Going" with LYZZA, and then the ambient headbanger "AS Labyrinth." Closing 'Tearless' is the sadboy grunge of "AS U Will Be Fine" with a clear statement o...

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Chinese Hackers

LP | 2020 | US | Original (Needlejuice)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Clear Vinyl with Black Smoke. Chinese Hackers’ (w i r e t a p) reinvent the vaporwave genre by creating a new style: vaporgoth. Before making vaporwave music, Chinese Hackers had recorded industrial music under several different aliases. Using those dark and noisy inspirations, the sounds of industrial grind and vaporwave birthed a new sound with a bleak spin.

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2LP | 2020 | EU | Original (Cracki)

Mémoires D'éléphant #3

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Walk This Way)

Tamas

Hysterie

Release: 2020 / EU – Original

Genre: Hip Hop

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War Is Hell Blue Vinyl Edition

Discharge

LP | 2020 | US | Original (Cleopatra)

Fan The Flame Part 1 White Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Reissue of the hard hitting 2008 compilation album from hardcore icons Discharge!
Features both studio recordings and vicious live cuts to satisfy the fans of this influential band!

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Dead Or Alive

LP | 2020 | UK | Original (Demon)

Release: 2020 / UK – Original

Genre: Pop

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LP | 2020 | EU | Original (Europa)

Die Drei ???

206 / Und Der Mottenmann

Release: 2020 / EU – Original

Genre: Soundtracks

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2LP | 2020 | UK | Original (ATO)

Nick Hakim

Will This Make Me Good

Release: 2020 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Morr Music)

Minna Miteru

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In collaboration with Markus Acher's Alien Transistor label, Morr Music presents a collection of hard-to-find Japanese independent music, compiled by Saya, who plays with Ueno Takashi in the iconic duo Tenniscoats. They are part of a current music scene, which is little known outside of Japan. "Minna Miteru" focuses on that very scene: the featured bands and musicians share a certain idea of DIY, and are also connected through frequent collaborations and mutual appreciation.

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V Don

Black Mass

LP | 2020 | EU | Original (541 Label)

Release: 2020 / EU – Original

Genre: Hip Hop

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V Don is back with a brand new full-length entitled "Black Mass”, a project showcasing his work behind the boards. The Harlembased producer has previously crafted beats for artists such as Westside Gunn, A$AP Rocky, Styles P and Trae Tha Truth. V Don’s new release is comprised of 12 tracks and features many of his frequent collaborators. Guests include Dave East, Willie The Kid, Elcamino, Smoke DZA, Eto and 38 Spesh, among others. Limited edition of 300 handnumbered copies, 100 on silver marbled viny, 200 on clear blue vinyl. Standard black vinyl version available for retailers.

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Compact Disk Dummies

Neon Fever Dream

Release: 2020 / EU – Original

Genre: Electronic & Dance

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OST Ritmo Dell'Industria N.2

Alessandro Alessandroni

LP | 2020 | EU | Original (BTF)

Release: 2020 / EU – Original

Genre: Soundtracks

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Of Anxiety X Discernment Black Vinyl Edition

Philipp Rumsch Ensemble

Release: 2020 / EU – Original

Genre: Organic Grooves

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Of Anxiety X Discernment Colored Vinyl Edition

Philipp Rumsch Ensemble

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | UK | Original (High Focus)

Ramson Badbonez

Death Mask

Klaus Doldinger's Passport / Udo Lindenberg / Max Mutzke / Moses

Release: 2020 / UK – Original

Genre: Hip Hop

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There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

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Motherhood

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Musique Tops)

Tops

I Feel Alive

Dream Hunting In The Valley Of The In-Between Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Last year, Montreal dream-pop four-piece Tops launched their very own Musique TOPS record label and christened it with two new singles, "Echo of Dawn" and "Seven Minutes." And now, they’re back in full force, with a new album all ready to go. I Feel Alive, the follow-up to 2017’s Sugar At The Gate, released through their own imprint.

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Man Man

2LP | 2020 | US | Original (Sub Pop)

Dream Hunting In The Valley Of The In-Between

Release: 2020 / US – Original

Genre: Rock & Indie

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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."

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Man Man

2LP | 2020 | US | Original (Sub Pop)

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / US – Original

Genre: Rock & Indie

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Ben L'Oncle Soul

Addicted To You

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Fat Wreck)

The Bombpops

Death In Venice Beach

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (BMG)

Robot Koch

The Next Billion Years

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Bird Cage: Birdfriend Archives

2LP | 2020 | US | Original (EM)

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / US – Original

Genre: Electronic & Dance

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* This compilation, available on CD and double vinyl, features 18 tracks by Japanese artists, from 2013-2017, previously available only on hard-to-find cassettes on the Birdfriend label

* Compiled by Hino, who also provides liner notes and cover art

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Lucci / Hube / Ford 78

Unabomber

Release: 2020 / EU – Original

Genre: Hip Hop

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205 / Das Rätselhafte Erbe

Die Drei ???

2LP | 2020 | EU | Original (Europa)

Release: 2020 / EU – Original

Genre: Soundtracks

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2LP | 2020 | EU | Original (Blue Note)

Kandace Springs

The Women Who Raised Me

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Universal)

Lil Wayne

Funeral

Release: 2020 / EU – Original

Genre: Hip Hop

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2LP | 2020 | EU | Original (Polydor)

The Who

OST The Kids Are Alright

Release: 2020 / EU – Original

Genre: Soundtracks

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The Prime Same Colored Vinyl Edition

Asfast

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Prime Same Black Vinyl Edition

Asfast

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Enter The Mirage Colored Vinyl Edition

Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

8: Kindred Spirits - Live From Lobero

Release: 2020 / EU – Original

Genre: Rock & Indie

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Enter the Mirage is arguably the most blazing and powerful album yet by The Sonic Dawn. It has an unusual live feel for a studio album, packing much of the raw energy and electricity that has made The Sonic Dawn’s psychedelic concerts famous in the rock underground. Enter the Mirage’s overall theme is freedom. It is about visions that may seem too distant to be real, but only those who take the trip will ever really find out. Frontman, Emil Bureau, explains about the album’s inception: “First I lost my father, then I lost my job and finally I lost my will to be a servant of anything that isn’t peace, love and freedom. It should be simple, but in this world it isn’t. Instead of getting back on the so-called career path, which is generally a dead end, I took a leap of faith, with the band’s support.” Bureau spent half a year in a songwriting frenzy, spawning not only Enter the Mirage by The Sonic Dawn, but also a solo album in the folk genre (available via Heavy Psych Sounds). To give form to these song ideas, the Danish trio rented a space in the gloomiest part of Copenhagen, set up a studio there and rocked out for two months. You hear that roughness, present as a determined attitude from a tightly knit band. With three past albums and some 200 shows under their belt, The Sonic Dawn is a psychedelic group to be reckoned with. However, at the end of their long and laborious creative process, the band was completely broke. Fortunately, friend and former producer, Thomas Vang, allowed them to mix the album in The Village Recording at night, after his own sessions. Thanks to this, and a skillful mastering by Hans Olsson Brookes (Graveyard et al.) Enter the Mirage puts the HIGH back in high fidelity. Turn up the volume and experience The Sonic Dawn.

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Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

LP | 2020 | UK | Original (Izipho Soul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Orpheus (Jarrod Lawson)

Visions

Release: 2020 / UK – Original

Genre: Organic Grooves

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IZIPHO SOUL RECORDS are truly blessed to represent the vinyl element of JARROD LAWSON'S pseudonym project, ORPHEUS -
A beautiful, bewitching, viby brew of acoustic & electronic elements, featuring lush, soulful vocal textures and elegant melodies.
The fine artwork of Jaquelyn Cruz has been recreated in all the glory of a 12 inch cover, with printed inner sleeve and ORANGE vinyl!
In Jarrod’s words – VISIONS, a non-lyrical album of all original music which has been carefully crafted and tailored to tease your senses and guide you thru a peaceful, spiritually enriching experience. I am truly honored and humbled to have been a creative conduit through which came this vivid tapestry of dreamy, visionary tales. The original concepts which gave birth to these compositions are, in my mind, not unlike “visions" which are imparted to shamans during traditional consciousness-altering ceremonies, and much like the healing that comes through the use of associated sacred plant medicines, my intention is for THIS MUSIC also to produce healing vibrations, to soothe, and be a sort of medicinal balm for your soul. I have chosen to release this under the pseudonym, Orpheus, whom was a legendary musician in Greek mythology known for his unique ability to charm the very animals and trees of the forest with the enchanting melodies he performed on his lyre. It was important to me that I create some division between Jarrod Lawson, the soul singer as I have come to be known, and Jarrod Lawson, the purveyor of alternative artistic pursuits, such as this. Essentially, an alias gives me artistic freedom to explore other creative territories and (hopefully) not alienate my fervent supporters, to whom I am most appreciative and grateful!

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LP | 2020 | EU | Original (En Avant La Zizique!)

Grotto Session

LP | 2020 | EU | Original (Orikami)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Music Maker Relief Foundation, is non-governmental organization. It was founded to preserve the musical traditions of the South by directly supporting the musicians who make it, ensuring their voices will not be silenced by poverty and time. Music Maker will give future generations access to their heritage through documentation and performance programs that build knowledge and appreciation of America’s musical traditions.
Original blues & gospel from Music Maker 's archives, Grotto Session illustrates the true sound of the deep south re-imaginated by three young musicians to celebrate the 25th birthday's foundation. Only released as digital files til now, EALZ! Records have been chosen by MMRF to produce an exclusive physical album.
An inspired, electric & groovy transgenerational project featuring: Captain 'Luke, Cora Fluker, John Dee Holman, Essie Mae Brooks, Rufus McKenzie and more...
Gatefold cover, 12inch vinyl, including a 16-pages booklet with complete liner notes, rare & exclusive Tim Duffy's photographs (Recorded in North Carolina, crafted in Paris, pressed in Normandy, limited edition)

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Stuckinwaveforms

Seeds

Release: 2020 / EU – Original

Genre: Hip Hop

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Le premier album d’un des producteurs Hip-Hop les plus en vue du moment est là, prêt à être savouré par votre audition ! 'Seeds' est un projet de 14 titres produit avec patience et élégance afin de vous faire voyager dans l'univers de StuckInWaveForms, un univers avec une musique souple et ondée, aux basses prononcées, le tout, dans des productions pointues et parfois insaisissables. Un véritable concentré de groove, où l’on navigue entre hip-hop, electronic, funk, jazz et sons à grosse basse sur 14 titres, tous plus chill-out les uns que les autres.

Under the StuckInWaveForms name Théodore has served up the impeccable ’seeds’, a sublime, sunshine-y hip-hop electronic and jazzy infused debut album, and one with some sweet artwork courtesy of French artist Lou.

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Tea & Symphony-English Baroque 1968-1974

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Pop

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2LP | 2020 | EU | Original (Europa)

Die Drei ???

204 / Der dunkle Wächter

Release: 2020 / EU – Original

Genre: Soundtracks

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LP | 2014 | US | Reissue (Light In The Attic)

The Brothers & Sisters

Dylan's Gospel

Release: 2014 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

King Of The Delta Blues Singers Vol. II

Robert Johnson

LP | 2014 | EU | Reissue (Music On Vinyl)

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2014 | US | Reissue (Blue Note)

Wayne Shorter

Speak No Evil

LP | 2014 | UK | Original (Vip Vop)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

US reissue from 2014 on 180gr vinyl. Still in shrink, but opened, with hype sticker

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Link Wray

Ace Of Spades

Release: 2014 / UK – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Temporary Residence)

Mono

Last Dawn

LP | 2014 | US | Original (Fat Wreck Chords)

Release: 2014 / US – Original

Genre: Rock & Indie

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The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the twin albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO's music than they are here. The Last Dawn is the first of these two companion albums, and is the "lighter" of the two, thematically and melodically. It contains undoubtedly some of MONO's strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog in recent years. The songs are also noticeably more efficient – there hasn't been a MONO full-length record that fit on a single slab of vinyl since 2003's One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they've proven they can do it without frills, too.

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Chris Cresswell

One Week Record

LP | 2014 | US | Original (God?)

Release: 2014 / US – Original

Genre: Rock & Indie

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The Flatliners' Chris Cresswell dials down his trademark screams to a simmering, melodic growl, and hands in his wailing electric guitar for a more soulful acoustic on the latest One Week Records release. Originally conceived by Lagwagon frontman, and now highly evolved solo-artist, Joey Cape, the idea behind One Week Records was to enlist his favorite musicians to come to his professional live-in studio where they'd collaborate to produce and record an entire album in, you guessed it, one week. The process begot some of Cresswell's most intimate and honest music to date. All 10 tracks encapsulate warm yet stirring melodies that create a feeling of proximity rarely displayed on a recorded album. Flatliners fans will be immediately charmed by this new incarnation of Chris' unique and gripping songwriting.

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Wand

Ganglion Reef

A Winged Victory For The Sullen

Release: 2014 / US – Original

Genre: Rock & Indie

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With the release of Wand's Ganglion Reef, GOD? continues to highlight the expansive sounds of new music currently altering minds from east of west to west of east. Recently, Jack Name, David Novick and White Fence were called upon for long players to travel into the heart of the flaming orb of un-/non/(ultimate)-realities (they're out there)...and now, from GOD?'s hand-lips to your head-hand, Wand! The fluctuating gravity of their sound achieves total Wand-hood by jamming senses, sounds and vibes through the circuits?-?and like magic: plays of light and dark (and heavy!) for today's (and tomorrow's) mind-ears. From beneath the glassine surface dost emerge: Ganglion Reef.

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Atomos

2LP | 2014 | US | Original (Kranky)

LP | 2014 | US | Original (Omnivore)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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Game Theory

Blaze Of Glory

Release: 2014 / US – Original

Genre: Rock & Indie

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Generation Next / Big Strick

Like Father Like Son (Album)

2LP | 2014 | US | Original (7 Days Entertainment)

LP | 2014 | US | Original (Bicycle Music Com.)

Release: 2014 / US – Original

Genre: Electronic & Dance

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After a successful year for both Big Strick and Generation Next, they come with the LP album titled "Like Father Like Son2. Four months after they collaborated on the "Like Father Like Son" EP , this 10-track masterpiece shows off skills from two eras of dance music on one platform with an array of styles and versatility.

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Seether

Isolate & Medicate

Release: 2014 / US – Original

Genre: Rock & Indie

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Chris Robinson Brotherhood

Phosphorescent Harvest

2LP+7" | 2014 | CZ | Original (Silver Arrow)

Release: 2014 / CZ – Original

Genre: Rock & Indie

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LP | 2014 | EU | Original (Denovali)

Origamibiro

Odham's Standard

Release: 2014 / EU – Original

Genre: Electronic & Dance

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LP | 2014 | US | Original (Drag City)

Michael Yonkers

Michael Lee Yonkers

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2014 | EU | Original (Opal Tapes)

Kaumwald

Hantasive

Outlaws Blue Vinyl Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Electric charges on Hantasive. Kaumwald lights up his dials and twists out five rolling generations to terrify and animate. Plying a line between glitch-like manifestation and cruder analogue sewage, these tracks are forged from degrees of digital and analogue that give a contemporary edge to the grotty greyscale industrial & proto-rhythm you might find whilst digging through the Vanity Records catalogue. Warm kicks and clipping digital synthesis is interlaced with acoustic sourcing and a curious, magnetic primacy - developing vital colour and tactility to these here wares. Think to those contemporary and necessary combinations of computer and combustion engine, but repurposed to a more Jean Tinguely-esque display of machinery for machineries-sake; built to chatter and clunk, to error, and essentially deteriorate. That quest for the perfect minimal weirdo beat re-cut for now.

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Rose Tattoo

2LP | 2020 | EU | Reissue (Cleopatra)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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12" | 2020 | IT | Original (Outban)

Bakked

Employee EP

12" | 2020 | FR | Original (Chat Noir Tools)

Release: 2020 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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Occibel

Generation EP

Our Love To Admire Blue Vinyl Ediiton

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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Interpol

2LP | 2020 | EU | Original (Matador)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2020 | DE | Original (Private)

Christian Bruhn

OST Alice Im Wunderland

Release: 2020 / DE – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Kanneh-Masons / Michael Morpurgo / Olivia Colman

Carnival

2LP | 2020 | EU | Original (Decca)

Release: 2020 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Decameron Clear Vinyl Edition

Techno Thriller

LP | 2020 | UK | Original (Teenage Menopause)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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The Take Off And Landing Of Everything

Elbow

2LP | 2014 | EU | Reissue (Polydor)

2LP | 2020 | US | Reissue (Dark Operative)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.

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Caspian

The Four Trees

2LP | 2020 | US | Original (Dark Operative)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Clear Rose Vinyl Edition.
Cover slightly dogeared with faint ring wear.

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Caspian

Tertia

12" | 2014 | UK | Original (Soulr)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Clear Rose Vinyl Edition.
Dogeared cover.
Includes original inner sleeves.

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Skeptical

Fourfit EP 1

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Darkness Remains - Deluxe & Expanded

Night Demon

LP | 2014 | EU | Reissue (Steamhammer)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Houndstooth)

Katie Gately

Loom

LP | 2020 | DE | Original (Tax Free)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Yellow vinyl. Limited edition, Still sealed with hype sticker. Shrink wrap is partially torn, but vinyl is still sealed. Tiny damage on back cover.

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Gerry Franke

Morphology

LP | 2020 | EU | Original (Erased Tapes)

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

White labels. Cover with light ring wear.

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Peter Broderick

Blackberry

LP+LP+All Media | 2020 | EU | Reissue (Ear Music)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple vinyl. Still in shrink, but opened, with hype sticker

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Yes

Magnification

LP | 2020 | EU | Original (Nuclear Blast)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover closer to NM

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Paradise Lost

Obsidian

2LP | 2020 | EU | Original (Peaceville)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Green/White vinyl. tiny wear. Limited edition.

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Autopsy

Live in Chicago

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | EU | Original (Tuff Kong)

Scott G X Iamt2

I Am Gesus

Release: 2020 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition. No. 160/250
Cover as new with slightly dented corners.
Record with just a few paper scuffs.

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LP+LP+All Media | 2020 | US | Original (Magnetic Eye)

Dirt (Redux)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Michel Berger / France Gall

Double Jeu

2LP | 2020 | FR | Reissue (C.M.B.M.)

Release: 2020 / FR – Reissue

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP+CD+All Media | 2020 | EU | Original (Inside Out Music)

Sons Of Apollo

MMXX

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP+CD+All Media | 2020 | EU | Original (Inside Out Music)

Sons Of Apollo

MMXX

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP+CD+All Media | 2020 | EU | Original (Inside Out Music)

Sons Of Apollo

MMXX

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD+All Media | 2020 | EU | Original (Century Media)

Lucifer

Lucifer III

LP | 2020 | Original (Magnetic Eye)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Dark green vinyl. Still in shrink, but opened, with hype sticker. With bonus CD

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Zakk Sabbath

Vertigo

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | EU | Original (Three One G (31G))

Swing Kids

Anthology

2LP | 2020 | Reissue (Construction)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl

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Pattern-Seeking Animals

Prehensile Tales

Release: 2020 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

Live 2011 (A Diamond In The Mind)

Duran Duran

2LP | 2020 | DE | Reissue (Ear Music Classics)

Release: 2020 / DE – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

3x12" | 2020 | NL | Original (Delsin)

Florence

Analogue Expressions

Release: 2020 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | EU | Reissue (Music On Vinyl)

Fanny

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Original (One Way Static)

Shooting Guns

OST Wolfcop

Release: 2014 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed