HHV Records 11563 Items

Release: 2020 / EU – Original

Genre: Soundtracks

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LP | 2020 | EU | Original (Grand Chess)

Sometimes With Others

Nous

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Discos Nada)

Cinema

LP | 2020 | US | Original (Cha-Ching)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Cinema Was An Experimental And Avant-Garde Piece Released In Early 1985. In Many Ways It's An Example Of The New Brazil That Was Reborning After 21 Years Of Darkness Under Military Dictatorship. Musically, It Was A Pioneer Album For Brazilian Music, Mixing Acoustic And Synthetic Sounds.The Track "Sem Teto" Was Included In Outro Tempo (Electronic And Contemporary Music From Brazil 1978-1992), Compilation By DJ John Gomez Released By The Dutch Label Music From Memory.This Rare Adventure In Brazilian Music Was Released Independently In 1985, Financed By The Artists Themselves. The Original Small Press Sold-Out, Belonging Now To Record Collectors Around The Planet. For The First Time Cinema Is Re-Released On Vinyl, With Two Extra And Unreleased Tracks Found After Decades.Remastered From The Original Tapes, This Reissue Includes Reproduction Of The Original Art, By Waltércio Caldas And Miguel Rio Branco, An Eight Pages Color Booklet Full Of Photos, Images And New Testimonials From The Four Members Of The Project And A Long Article Signed By Bento Araujo, Author Of The Book Series Lindo Sonho Delirante, Which Investigates Audacious And Fearless Music Created In The Brazilian Underground.Info:1985 Was One Of The Most Important Years In Brazil's Recent History, When The Country Was Freed From More Than 20 Years Of Military Dictatorship. The Youth Took The Lead And Finally Brazil Entered The World Show Business Circuit With Rock In Rio Festival. But The Real Revolution Was Happening In The Underground And This Record Is A Proof Of That.One Of The People In Charge Was The Musician, Composer, Poet, Writer, Scriptwriter And Speaker From Rio De Janeiro Ronaldo Tapajós, Who Was Always Involved With Experimental And Avant-Garde Music. His Trajectory Begins In The Mythical 1968, When, As Part Of The The Duo Rô And Carlinhos, He Released An Emblematic Single Containing The Song "O Gigante" - Perhaps The First Brazilian Bad Trip Recorded On Vinyl And A Shrewd Criticism Of The Society's "Square...

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Tony D

Da Goodfella

LP | 2020 | US | Original (Southpaw Chop)

Release: 2020 / US – Original

Genre: Hip Hop

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Tony D “Da Goodfella” was recorded in 1996. It features Tony’s Mafia laced braggadocio lyrics over his own self produced melodic hard edged tracks. This never heard before EP's artwork pays homage to one of Tony's favorite movies. “Da Goodfella” was part of Tony’s incomplete project list prior to his passing on April 4, 2009. It was important to Tony's daughters that their Father's project be completed and released. His extraordinary talent deserves to be heard as he has left an indelible mark on the music industry. Tony D was a legendary Italian American Hip Hop Producer & Emcee from New Jersey. He was well known for his production of the conscious groundbreaking Hip Hop group Poor Righteous Teachers along with YZ, Black Prince & Aziatic, Blvd. Mosse, Scott Lark and many others. He released his solo album: "Droppin' Funky Verses" (4th & B'Way, 1991), Crusaders for Real Hip Hop "Deja Vu - It's 82" (Profile Records, 1992), several instrumental projects on the UK based Grand Central Records and various releases on his independent Cha-Ching Records label. In addition to all of Tony's talent, he was also a dedicated husband and amazing Father to his family.

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Southpaw Chop

Far East Quality

2LP | 2020 | EU | Original (Sony)

Release: 2020 / US – Original

Genre: Hip Hop

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Based in Tokyo, Southpaw Chop has been active as a producer and DJ for years, independently releasing vinyl featuring MCs from Hip Hop’s golden era, such as Tragedy Khadafi, Kool G Rap, Craig G, Diamond D, AG, and Large Professor. This EP brings together five of these releases, previously available only in limited seven inch vinyl pressings, plus a bonus remix of “Laced With Tragedy feat. Tragedy Khadafi [Funky Soul Brother Remix]" by the unit Funky Soul Brother, comprised of Southpaw Chop and DJ Koco aka Shimokita. This Special Limited Edition Vinyl is exclusively Manufactured and Distributed by Red Line Music Distribution, Inc.

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Igor Levit

Encounter

Release: 2020 / EU – Original

Genre: Classical Music

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And The Bird Said: Cut Me Open And Sing Me Colored Vinyl Edition

Prairie

LP | 2020 | Original (Denovali)

LP | 2020 | US | Original (Geffen)

Release: 2020 / Original

Genre: Organic Grooves

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Vinyl: Heavy Sleeves + Black Polylined Inner Sleeves, 180g Vinyl, Free Download Code.Prairie Is The Project Of Multi-Instrumentalist And Producer Marc Jacobs, Hailing From Brussels With Roots In The Netherlands. On Stage, Prairie Plays With Two Or Three Musicians And Together They Re-Create A Free Association Of Musical Ideas And Atmospheres. Prairie Has Played In Selected Venues And Festivals Across Europe And For Instance Toured With Apparat."And The Bird Said: Cut Me Open And Sing Me" Is The Second Full Length Album On Denovali Records.This Album Was Inspired By The Silence Of The Birds, By The Tone Between A Mother And Her Daughter, By The Sandsnipe Twins, By Constant Wailing Sirens, By The Memory Of A Vangelis Track. Composed In The City, In His Studio Les Lacs And In The Mountains Of The French Cévennes, Jacobs Integrates His Various Recording Locations Into His Magnificent Sound Design. By Using Various Recording Techniques, Analog Gear, Guitar Pedals, Synths, Amps And Human Voices, "And The Bird Said: Cut Me Open And Sing Me" Creates A Fountain Of Sound Layers Which Coalesce To Synthetic And Noise Infused Manipulations, Dramatic Crescendos And Subtle Field Recordings.Jacobs Focuses On Melodies, Sometimes Hidden Melodies, Or Straight Out Melodies That Took Him Back To Various Musical Influences, Current Ones But Also From His Past, Lurking Into Pop And Loving Imperfection. The Lyrics Of ""Cut Me Open"" Are The Spine Of The Record, The Scenario Where Various Species Of Birds Lead The Way, And Where Each Track Is A Short Chapter Of The Flight.Jacobs Once Again Showcases A Deep Sensitivity To Narrative And Rich Cinematic Textures By Creating A Technicolor Soundtrack.Some Words About Prairie: ""... His Cosmos Is Located Somewhere Between Bohren & Der Club Of Gore And Sunn O))), Ambient Is As Familiar To Him As Brachial Sounds, And He Is As Much Acquainted With Guitars As With Synths And Modern Technology"" (Groove)""... Sounds Like A Requiem For This Broken World."" (Spex)""... Like Ben Frost, (P...

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Yungblud

Weird

Release: 2020 / US – Original

Genre: Rock & Indie

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Enrique Rodriguez And The Negra Chiway Band

Fase Liminal

LP | 2020 | UK | Original (Soul Jazz)

12" | 2020 | EU | Original (Orfeo)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Powerful new spiritual jazz from Chile on Soul Jazz Records! This album comes as a very limited one-off unique pressing of 1000-edition vinyl, limited edition CD and digital release. Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, that all combine to give a truly unique new sound. Enrique Rodríguez is a composer, percussionist, keyboardist, and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven. Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments, and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, eastern spirituality and cosmology, and Latin American rhythmical movement. Awesome!

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Jaime Roos

Siempre Son Las Cuatro

LP | 2020 | EU | Original (Orfeo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Candombe fusion, art rock and psychedelia with punk attitude. With a unique mix of music roots and cosmopolitan sounds Jaime Roos would become one of the most successful and significant artists of Uruguayan music. Siempre son las cuatro, his fourth album, recorded in 1982 in Montevideo after a long stay in Europe, was the work that started to build Roos’ artistic personality and the first step towards mass appeal in his country. A psychedelic album with dark and somber tones but also full of groove and punk defiance, that is quintessentially Uruguayan. 500 copies. 140 gramms vinyl, Poster included

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Jaime Roos

Mediocampo

2LP | 2020 | EU | Original (Oh Boy)

Release: 2020 / EU – Original

Genre: Organic Grooves

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New Wave and Afrofuturism With a unique mix of music roots and cosmopolitan sounds Jaime Roos would become one of the most successful and significant artists of Uruguayan music. Released in 1984, Mediocampo absorbs the new wave trend in a unique way, blending the sounds of synths and electric guitars with Afro drums and Latin rhythms. The songs jump from candombe to rock, from ballad to murga roots, from pop to experimental music. The album paved Roos’ path to stardom in Uruguay and is considered nowadays as one of his most substantial works. 500 copies. 140 gramms vinyl, 12 page booklet included!

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John Prine

John Prine (Live)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Flight Of The Knife Green/Yellow Vinyl Edition

Bryan Scary

LP | 2020 | US | Original (Needlejuice)

Flight Of The Knife Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The recorded debut of Scary's touring band, The Shredding Tears, crafted with producer Brian McTear in Philadelphia. Inspired by Pynchon's "Against the Day," the album tells tall tales of airships and innocence lost, bookended by the legend of Airship Valentine. 'Twas released on Black & Greene Records in 2008. "Find your own way to The Knife."

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Bryan Scary

LP | 2020 | US | Original (Needlejuice)

De-Formation: Piano Variations

Release: 2020 / US – Original

Genre: Rock & Indie

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Diamanda Galás

LP | 2020 | Original (Intravenal Sound Operatio)

Release: 2020 / Original

Genre: Classical Music

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LP | 2020 | EU | Original (Sony Legacy)

Toto

Toto IV

Release: 2020 / EU – Original

Genre: Rock & Indie

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Music Box Remastered Edition

Mariah Carey

LP | 2020 | US | Original (Sony Legacy)

Release: 2020 / US – Original

Genre: Pop

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Still Fucking Resident Advisor

Omar S

12" | 2020 | US | Original (FXHE)

OST My Hero Academia: Heroes Rising

Release: 2020 / US – Original

Genre: Electronic & Dance

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12" featuring the tracks that are only available on the CD.

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Yuki Hayashi

2LP | 2020 | EU | Original (Milan)

Groovez Magenta Vinyl Edition

Release: 2020 / EU – Original

Genre: Soundtracks

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As a shadowy villain plans to destroy all of hero society, Deku and the other students of U.A. Academy Class 1-A are told by the retired No. 1 Hero that they will be part of a project to raise the next generation of heroes on an isolated island. However, that calm is soon disturbed as villains, led by the mysterious figure “Nine”, suddenly appear on the remote sanctuary. One by one they, begin destroying the facilities around the island. Pushed into service, Deku and the best of the Class 1-A members will need to combine their strength to overcome Nine and his league of villains.

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Ducat

LP | 2020 | CA | Original (Tiger Blood Tapes)

Karma & Desire HHV Exclusive Clear Vinyl Art Print Edition

Release: 2020 / CA – Original

Genre: Electronic & Dance

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Tiger Blood Tapes proudly presents the 1st Hi-Res audio cassette release. Ducat’s debut album. Full of infectious grooves soaked in French House and Future Funk with a Vaporwave touch. Heavy features from Maitro, Lè Real, Wavelord & more! Includes 2 exclusive bonus tracks.

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

LP | 2017 | EU | Original (30th Century)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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This edition includes an art print only available at HHV. One copy per customer.

Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Grandaddy

Last Place

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | EU | Original (Capitol)

Chris Stapleton

Starting Over

Release: 2020 / EU – Original

Genre: Rock & Indie

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International Family Affair

IFA

2LP | 2020 | EU | Original (Nbn Archives)

Black Foxxes Neon Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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NBN Archives’ second reissue is the debut - and sole - LP of Bay Area group – i.f.A aka International Family Affair. A lethal fusion of G-Funk and R&B, this self-titled album was first released on Rollin Record Enterprises in 1997. After having dropped their first single on Capitol in 1996 and being shelved right after, band-leader Derrick Shaw had the plan to start over his i.f.A project independantly. With roots in and around Oakland, East Palo Alto and Stockton, it was only a matter of time before these musical minds would meet to form their own “Family Affair.” Derrick Shaw aka D-shoot was a vocalist and musician with a well-known band called Kashmir before he met the self-dubbed Godfather. After an introduction on the basket-ball court, the two became friends and immediately went to work flushing out many of D.’s musical concepts. In stepped Bias, a rapper born into the game. His versatile rap styles blended perfectly with i.f.A.’s old school Funk and R&B vibe. SOS, a rapper from the streets of Oakland with a unique cadence, added his “gangsta rap” and “rough edge” background which compliments the style of i.f.A. Produced by D-Shoot and Ivan Johnson this LP is loaded with rapping and singing backed with smoothed-out instrumentals that gives off that "laid-back/bumping" vibe with that "something for the ladies". “It’s so different you can’t help but like it. We will appeal to a wider fan base because we’re not trying to sound like every other act coming out.” - D-Shoot.

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Black Foxxes

LP | 2020 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (King Tone)

Budamunk & Tsuggs

Thank And Gro

LP | 2020 | UK | Original (Group Bracil)

Release: 2020 / US – Original

Genre: Hip Hop

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On the heels of his installment of the Baker's Dozen, Budamunk has combined his talents with Tony Suggs, provider of the keys to Roy Hargrove's 'RH Factor' as well as the Count Basie Orchestra. T. Suggs has also collaborated with the Manhattan Transfer, Patti Austin, and Marlena Shaw among others. 'Thank and Gro' realizes a robust yet soothing sonic environment distilling elements transcending time, location, and genre. Instrumental additions provided by Ameen Saleem, Satoshi Yoshida, Kenji 'Jino' Hino, and Patriq Moody. Phonetic accompaniments courtesy of Iman Omari and T.I.V.E. DJ Yuze on the cuts. A peace to surly peek interest of connoisseurs throughout the many audible hemispheres.

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Capriisun

A Fleeting Now

Exotic Percussion / Death TV - Recordings 79-81

Release: 2020 / UK – Original

Genre: Hip Hop

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Hailing from Eugene, Oregon, Capriisun has been carving his own pocket of rap for a while now. He may go under the radar of the average Griselda fan but C’s name is a familiar one in international rap circles.

Capriisun has a unique global audience that spans far beyond his Oregon hometown. Hard to pin down in terms of East Coast or West Coast, C’s inability to be boxed in has helped him become one of the most recognisable voices in the fanatical scene of underground hip-hop across Europe.

'A Fleeting Now' is the sound of an MC truly in their comfort zone. Capriisun owns every guitar lick and piano key, allowing mellow pastel backdrops from the likes of Omar Bmar and Nine Two to illuminate his dextrous and ruminative wordplay.

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Mein Glasfabrik

2LP | 2020 | EU | Original (Vinyl On Demand)

Amnesia Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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In the heart of Sheffield's electronic / industrial music scene of 1979, Peter Bargh and Mark Holmes created the experimental project Mein Glas Fabrik. This VOD release is a combination of their two cassette albums, recorded on simple equipment using tape loops, home made synths, samples, random radio frequencies and a legendary Shergold guitar. Death TV was favourably reviewed in local fanzine "Tigers on the Moor", Exotic Percussion followed soon after. While influenced by a wide spectrum of musical genres, Mein Glas Fabrik created a fusion of sounds, not adhering to any specific genre...expect the unexpected!

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Marmalade Knives

LP | 2020 | EU | Original (Electric Valley)

Crater Maker Pruple Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Marmalade Knives announce their debut LP Amnesia to be issued by Italian Stoner/Heavy Psych/Doom label Electric Valley Records. The group was formed in the mountains of Santa Cruz, CA, as a collaboration between guitarists Clinton Wilkins and Justin Spivey, exploring the depths of outer-limits psychedelia. Wilkins spent several years studying with David First (acclaimed minimalist/microtonal composer and member of cult 70s/80s NYC no-wave legends The Notekillers) and Spivey is a well-regarded collector/historian of originalperiod psychedelic/progressive music, writer at UK psych rag Moof Magazine, and recent songwriting contributor to the underground cult film The Yucca Sisters by Samuel Casebolt. The lineup of the band eventually grew to a full-on 5 member troupe of local freak–rock 'n' rollers, including bassist Mark Robinson, drummer Kyle Herrenkohl (of SF acid-folkers Tabernacle), and keyboardist Nathan Warrick (of Apache Dropout). In the summer of 2018 they tracked their debut album at Loud House Studio in Santa Cruz, CA, and over the following year+ the production and mixing of the album was helmed by Adam Kriney (of THE Golden Grass/la Otracina). Amnesia is a sprawling tapestry of classically inspired progressive psychedelia. A voyage through a mythical cosmic rock universe, layered with dense squalls of abstract sound collage and fields of freeform freakouts, all coloured with old-world folk melodies/modalities and pulsing with a funky rhythm section!

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Weed Demon

LP | 2020 | EU | Original (Electric Valley)

Half Drop Logo Pattern Neck Gaiter

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Don't Sleep Records

Idjah Hadidjah & Jugala Jaipongan

Available Sizes: One Size

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The Half Drop Logo Pattern Neck Gaiter by Don't Sleep Records can be used as a face covering, headband, bandana, wristband, balaclava, and neck warmer. It's made from four-way stretch fabric that stretches and recovers on the cross and lengthwise grains, plus one side features Don't Sleep Records logos printed all over. The Don't Sleep Records Half Drop Logo Pattern Neck Gaiter is washable and reusable, the breathable fabric is made from 95% polyester, 5% elastane (fabric composition may vary by 1%).

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Jaipongan Music Of West Java

2LP | 2020 | EU | Original (Hive Mind)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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OST Unbreakable Aqua Blue Vinyl Edition

James Newton Howard

2LP | 2020 | US | Original (Waxwork)

LP | 2020 | EU | Original (Jolly Roger)

Release: 2020 / US – Original

Genre: Soundtracks

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The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

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Grave Digger

Symphony Of Death

Release: 2020 / EU – Original

Genre: Rock & Indie

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The beginnings of Grave Digger date back to 1980. After various appearances at small festivals, the band recorded a song for the compilation album “Rock From Hell” in 1983. A year later, Grave Digger released their debut album “Heavy Metal Breakdown”, second album “Witch Hunter” in 1985. Then some changes happened in the line-up. Further festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween, followed before the release of the third album “War Games” in January 1986, still on Noise Records, as the previous ones. Then Uwe Lulis on guitar joined the band in 1987 and the band's name was changed to Digger, the name under which they released the album “Stronger Than Ever”. This album hardly had anything in common with the earlier music of Grave Digger. It was more an attempt to reach the masses with mainstream rock like that of Bon Jovi or Van Halen. The album flopped, as it was not readily accepted by fans nor the mainstream. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987. However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later in Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true roots of Grave Digger. “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. In the meantime, Grave Digger, now with new drummer, Frank Ullrich, toured Germany, playing as the supporting act for Manowar. In 1995, the album “Heart Of Darkness” was released, considered one of the best of the band. In 1996, Stefan Arnold became the new drummer. This year also marked the release of the concept album “Tunes Of War”, which dealt with the early history of Scotland. The second album, “Knights Of The Cross”, with Jens Becker (Running Wild) on bass, was completed in 1997 and was about the rise and fall of the Knights Templar. The third and final part of the middle-age trilogy, “Excalibur” (1999), explored the legend of King Arthur and the Knights of the Round Table. Shortly after the band embarked on a world tour and was joined by keyboardist Hans-Peter Katzenburg, who later became a permanent bandmember. In 2000, Grave Digger celebrated their 20th anniversary. To mark the occasion, they performed a sold-out concert at the Zeche in Bochum. This concert marked a defining chapter in the band's history, as Uwe Lulis left the band shortly before the show due to both personal and business-related differences. A replacement was found in ex-Rage guitarist Manni Schmidt, who first appears in “The Grave Digger” (2001) with lyrics of the album inspired by Edgar Allan Poe's books. Their first live album, “Tunes Of Wacken”, was released in 2002. About a year later new album followed, entitled “Rheingold” inspired on the opera “Der Ring Der Nibelungen” by Richard Wagner. After the successful Rheingold-Tour the band recorded a new album, “The Last Supper” (2005). All these last 4 albums were released under Nuclear Blast. 2007 saw the release of “Liberty Or Death” (on Locomotive Records) and later that year, Grave Digger performed at the legendary Wacken Open Air. In October, a new member joined the Grave Digger family, Thilo Hermann (Running Wild) became the second guitarist. Grave Digger split with Locomotive, dealing with Napalm Records. “Ballads Of A Hangman” was released in the summer of 2009 entering the charts in Austria and Switzerland, it reached number 31 in the German Media Control Charts. Fueled by the tremendous feedback, they embarked on an extensive tour, also playing selected shows at numerous European festivals. Due to personal and musical differences, both guitarists Thilo Hermann and Manni Schmidt left the band, prior to entering the studio. Axel Ritt took over all guitar duties on “The Clans Will Rise Again.” With lyrics returning to the Scottish Highlands. To mark their 30th anniversary, Grave Digger invited many guests on stage at the Wacken Open Air 2010 to join in the celebration. The amazing reaction of the fans and the outstanding chemistry of those involved led to the fantastic double package “Ballad Of Mary” and “The Clans Are Still Marching”. On their latest album “Clash of the Titans”, Grave Digger entered the legendary realm of Ancient Greek and its gods and creatures. After this release the band recorded, always for Napalm Records, 3 more albums "Return of the Reaper", "Healed by Metal", "The Living Dead" and "Exhumation, The Early Years" compilation.The new recording is planned for 2020. With this long discography in over 35 years of career, Grave Digger shows to be one of the most longeval and appreciated band devoted to classic and old school HM.

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Bob Stanley Presents 76 In The Shade

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Moveys Neon Green Vinyl Edition

Slow Pulp

LP | 2020 | EU | Original (Winspear)

LP | 2020 | EU | Original (ATO)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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My Morning Jacket

The Waterfall II

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Guruguru Brain)

Mong Tong

Mystery

LP | 2020 | EU | Original (Fat Wreck)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Recorded in their home studio in Taipei, this record is a psychedelic journey into Taiwanese folklore combined with the 80’s media obsession with the supernatural. It’s a record that manages to combine nostalgia and tradition with humor and an underlying intrinsic earthiness to create something unlike anything else out there. Brothers Hom Yu and Jiun Chi also play in Prairie Wwww and Dope Purple.

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Western Addiction

Frail Bray

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | US | Original (R2)

Alton Miller

Souls Like Mine

LP | 2020 | EU | Original (Warner)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Detroit's Alton Miller is an underrated master of deep & soulful music. He offers a double LP of authentically special compositions. "souls Like Mine" features 11 house cuts with broken beat influenced soul vocal tracks. For fans of 4hero & Kaidi Tatham. Full color poster included.

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Gabby Barrett

Goldmine

Release: 2020 / EU – Original

Genre: Rock & Indie

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Pete Krebs & The Gossamer Wings

All My Friends Are Ghosts Record Store Day 2020 Edition

LP | 2020 | US | Original (Cavity Search)

LP | 2020 | EU | Original (Radical Elite)

Release: 2020 / US – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 500 copies.

Hall of Famer Pete Krebs reunites his band The Gossamer Wings (feat. members of Decemberists & Richmond Fontaine) and records 10 new original songs. Much anticipated full length ''All My Friends Are Ghosts'' from the Pacific Northwest icon. Limited Edition 500 LP's. Cover art by Sean Croghan of Crackerbash. Full promotional campaign being run by Patrice Fehlen at September Gurl/NYC.

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Too Much

Club Emotion

2LP | 2020 | UK | Original (Fire)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Too Much, which features Rich Morel (of Morel, Blow Off w/ Bob Mould, collaborator w/ Pet Shop Boys, Yoko Ono, US Girls) and Ian Svenonius (The Make Up, Escape-ism) is a new kind of group; they aren’t your typical music industry malcontents.

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Giant Sand

Ramp 2020 Deluxe Edition

2LP | 2020 | EU | Original (Experiences Ltd.)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Black vinyl, gatefold sleeve, DL card.1000 copies only worldwide. Deluxe remastered edition of Giant Sand's 1991 album 'Ramp' with a second disc featuring the Mad Dog sessions from earlier that same year. "Convertino's brush-work and Burns' upright bass provide the perfect foundation for Gelb's parched voice and chaotic guitar, and guests include Rainer, Victoria Williams and country veteran Pappy Allen. Featuring piano lounge music for an off-world colony interrupted by an onslaught of guitar when needed, it's light and dark and the better for it, a musical journey on a road less travelled. With Gelb's lyrical invention to the fore: "His thoughts unfold in long, rolling sentences that don't always follow conventional rules of grammar or syntax." The Quietus // The Tucson sound at it very best.

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Ben Bondy

Sibling

LP | 2020 | EU | Original (Musica Per Immagini)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2022 repress

Ben Bondy blesses Special Guest DJ’s Experiences Ltd with a near-fathomless solo debut of sensual, low key electronics and intimate nocturnes following a pair of peaches from from Ulla and Folder. This one’s all fizzing warm and loved up, highly recommended listening if you’re into anything from Newworldaquarium/154 to Harold Budd. Like his split with Exael for Huerco S.’ West Mineral, ’Sibling’ sees Bondy return to a seductively gauzy mid-ground sound that over the course of 15 tracks lulls and lists with a minimalist patience, allowing forms to emerge and evaporate in constantly shifty transitions and weathered plays of light according to an immersive eco-logic. Those liminal traces of sound and influence are almost imperceptible, pulling you into a protective amniotic sound-world thats evocative and comforting. The album actually started out as a single LP but the mood spilled over into something twice as long and deep with it, creating what he describes as “kinda two parts to one being. kinda like the way the bonds of friendship/siblinghood work”. This fraternal pathos percolates throughout the album, knitting together gently windswept permutations of thizzing pads and frayed rhythms under a smudged and slowly turning kaleidoscopic lens. It’s pretty much the definition of hypnagogic, likely to draw your eyelids to half-mast and your mind to blissed-out dream states.

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Sandro Brugnolini

Abstract Forms

The Dancing Devils Of Djibouti

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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“Abstract Forms” is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late Eighties and early Nineties. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.

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Groupe RTD

LP | 2020 | US | Original (Ostinato)

Justo The MC & Maticulous

Release: 2020 / US – Original

Genre: Organic Grooves

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The first ever international album from Djibouti and Ostinato's first studio recorded album. This ain't a compilation or reissue!

A stunning collision of Indian Bollywood, Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk, and the haunting and joyous synthesizer melodies of the Red Sea by Groupe RTD, one of East Africa’s best kept secrets.

Recorded in three days -- as per the strict limit set by Djibouti's national radio authorities -- with a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

A portion of Bandcamp sales will be donated in equal parts to:

• The Djiboutian Embassy in Germany to purchase masks and other essential supplies for Djibouti.

• Amref Health Africa Covid-19 Fund (amref.org/donations/covid19/)

-------------

More than one news report refers to Djibouti as “a place where nothing ever happened” that “would not register significantly in the global consciousness except for its strategic location in East Africa."

These deeply ill-informed observations could not be further from the truth.

While the music of Somalia is widely celebrated, its neighbor, the Republic of Djibouti, formerly known as French Somaliland, is home to an equally deep reservoir of its own unique Somali music.

The small but culturally grand country on the mouth of Red Sea remains one of the few places in the world where music is still entirely the domain of the state. Since independence in 1977, one-party rule brought most music under its wing, with almost every band a national enterprise.

No foreign entities have been permitted to work with Djibouti’s rich roster of music — until now.

In 2016, Ostinato Records met with senior officials of Radiodiffusion-Télévision Djibouti (rtd), a.k.a. the national radio, to discuss a vision for lifting the shroud on Djiboutian music as the young country of less than a million people increasingly opens up to the world. Three years later, in 2019, Ostinato became the first label granted full authorization to access the national radio’s archives, one of the largest and best preserved in Africa, home to thousands of reels of Somali and Afar music.

But just next door, in RTD’s recording studio, a world class band entirely unknown outside the country, whose songs are a living embodiment of the archives, lay in waiting. Composed of sensational new, young talent backed by old masters, the band — Groupe RTD — is the national ceremony outfit. By day, they perform for presidential and national events and welcome foreign dignitaries.

By night, when no longer on official duty, Groupe RTD is clearly one of East Africa’s best kept secrets.

Helmed by Mohamed Abdi Alto, possibly the most unheralded saxophone virtuoso in all of Africa, a Djiboutian national treasure, and the horn maestro on track 8 of our Grammy-nominated Sweet As Broken Dates compilation, and mentored by Abdirazak Hagi Sufi, originally from Mogadishu and composer of track 9 on the same compilation, Groupe RTD is the finest expression of Djibouti’s cosmopolitan music style.

Situated on the Bab El Mandeb (Gate of Tears) strait, a historic corridor of global trade connecting the Suez Canal and the Red Sea with the Indian Ocean, Djibouti is blessed with influences from East Asia, the Arabian peninsula, India, and even more distant sounds.

Djiboutian music, particularly the addictive brand wielded by Groupe RTD, is, by their own admission, the juncture where Indian Bollywood vocal styles, offbeat licks of Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk and the haunting and joyous synthesizer melodies of the Red Sea collide.

Sax player Mohamed Abdi Alto — so talented that they added “Alto” to his legal name — honed his trade from a steady diet of John Coltrane and Charlie Parker. Abdirazak’s guitar style draws heavily from his love affair with Jamaican music. Young singers Asma Omar, who won a youth talent contest to join the band, and Hassan Omar Houssein are fluent in the classic hits of Bollywood and Indian music. Synth player Moussa Aden Ainan brings a distinctly dexterous Somali touch, reminiscent of the exceptional keys work of Somalia’s Iftin and Waaberi Band. Their sound is kept afloat by measured Tadjouran rhythms, courtesy of drummer Omar Farah Houssein and dumbek player Salem Mohamed Ahmed’s perfect interplay.

But recording this album was Ostinato’s biggest challenge yet. A web of bureaucracy and strict rules had to be navigated. Djibouti’s authorities gave us only three days to record the entire set, with no extension. Up for the task and eager to deliver, the musicians promptly tore down the “no smoking or chewing khat” sign in RTD’s recording studio and began a heated, three-day, khat-fueled devilish feast of music amid a smokey haze, unleashing the very reason the band was founded: to strut Djibouti’s majestic music on the world stage when the opportunity arrived.

The recording equipment in the radio had not been upgraded in decades and technical neglect meant we had to devise a novel approach to ensure the highest quality recording possible. With the help of Djibouti’s head of customs, we flew in a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

This game-changing setup, a far cry from the old days of field recordings, is Ostinato’s vision for the future: to capture the contemporary sounds of Africa and the world flawlessly, in any environment or circumstance.

We proudly present Ostinato’s premier studio recorded album and the first ever international album to emerge from Djibouti — Groupe RTD: The Dancing Devils of Djibouti.

This album, if listened to at an inappropriate volume, should firmly register Djibouti in the global consciousness, shifting its image from a strategic outpost of geopolitical games to cultural powerhouse.

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County Of Kings

LP | 2020 | US | Original

OST Morte Sospetta Di Una Minoenne (Suspicious Death Of A Minor)

Release: 2020 / US – Original

Genre: Hip Hop

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Justo The MC & maticulous return with their second full length album since their first offering in early 2019, "Mind Of A Man." Their debut landed the duo on many year end lists, live performances, as well as earning appearances on notable radio shows, namely Live From Headquarterz w/ DJ Premier in addition to Rap Is Outta Control with DJ Eclipse & DJ Riz on Sirius XM.

"County of Kings" is the continuing evolution of an emcee and producer who abandon the flavor of the moment approach, but rather strive to make the listening experience timeless. Music created in the County Of Kings...Brooklyn, New York City.

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Luciano Michelimi

LP | 2020 | EU | Original (Four Flies)

Letter To My Younger Self

Release: 2020 / EU – Original

Genre: Soundtracks

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First time on vinyl for this utterly top level score composed by Luciano Michelini for the slasher/crime flick directed by Sergio Margino, "The Suspicious Death of a Minor" (Morte sospetta di una minorenne), and recorded in 1975 at Ortophonic Studio in Rome. The main theme echoes certain passages from Goblin’s “Deep Red” - recognizable by the use of the same church organ played a few months earlier by Claudio Simonetti’s hands for Dario Argento’s masterpiece, whilst the entire soundtrack sounds somehow “Goblinesque”, thanks to the prog-rock & funk action themes used for chases, murders, and suspense scenes. Remastered from the original reels preserved in the C.A.M. archives, this vinyl edition features new LP editing, and is housed in a hard tip-on sleeve with a stunning artwork designed by Luke Insect.

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Quinn Xcii

LP | 2020 | US | Original (Columbia)

Release: 2020 / US – Original

Genre: Pop

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LP | 2020 | CA | Original (Inner Ocean)

Es-K

Only So Much Time

Type II Grey / Cream Swirl Vinyl Edition

Release: 2020 / CA – Original

Genre: Hip Hop

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180g Black Vinyl. 250 copies worldwide.

Vermont based beat maker legend, Es-K (aka Essential Knowledge), shows up to elevate the game once again with his newest LP "Only So Much Time". An eclectic blend of instrumental hip hop beats with elements of jazz, ambient and psychedelic electronics, featuring a plethora of Es-K's friends and crew playing different instruments on nearly every track. "Only So Much Time" ebbs and flows through a myriad of little intricacies and motifs that requires repeat listens to really catch all of the wonderful details that Es-K has poured into this album. "Only So Much Time" is possibly some of Es-K's best work to date and will surely be one of the highlights of 2020 releases guaranteed!

In Order of Appearance: Produced, mixed, & mastered by Es-K Trumpet by John Culbreth on tracks 1 & 14 Additional keyboards by Danny Whitney on tracks 1 & 2 Bass by Dan Bishop on tracks 2 & 11 Additional production and composition by Dope Dee on track 2 Guitar by Max Bronstein-Paritz on tracks 5, 6, 7, 9, & 11 Guitar and bass by Metic on track 7 Bass by Gas Lab on track 8 Additional composition by The Brothers Nylon on track 10 Keyboard solo by Paulie Philippone on track 14

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Sex Swing

LP | 2020 | EU | Original (Rocket)

Content Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Since their foundation in 2014, this malevolent rogues gallery of luminaries of the UK underground have consistently proven to be capable of projecting vibrations that transcend and usurp any idea of the sum of their component parts. It is true that they've clocked up notable experience sparking tinnitus with everyone from Mugstar and Bonnacons Of Doom (bassist Jason Stoll) to Dethscalator (vocalist Dan Chandler and drummer Stuart Bell) and from Earth (guitarist Jodie Cox, who also introduced keyboard player Ollie Knowles to the melee) to a dizzying variety of endeavours from the paint-stripping skronk of Dead Neanderthals to the righteous ire of Idles (all via saxophonist Colin Webster). Yet Sex Swing represents less a group of disparate musicians pooling their resources, and more a peculiar spark of collective chemistry, with all forces gravitating towards the pursuit of the same dissolute and mysterious goal. 'Type II' is that goal reached in effortless style and amplified to intimidating aural vistas. This mighty monument of swagger and malice also sees fit to add a certain amount of glitter to the trademark gri t this time around. Just as the artwork from long-term collaborator Alex Bunn boasts a luminous sheen absent from the unsettling abjection of the sleeve of their 2016 debut, so the rolling grooves and mantric hypnosis here boast a new-found structure and a feline sleekness fresh and unusual for this pugilistic outfit. Nonetheless, this remains a band fundamentally obsessed with the expression of decadence and wrongdoing through the mediums of repetition and overloaded frequencies.' Type II ' is more than the mere machinations of a rock band - it's a howl of malfunction rendered terrifyingly visceral. It's the lightning flash and unearthly roar of the primeval battle between Godzilla and Mechagodzilla that provokes awe and disquiet in the realm of fantasy, It's the haunted clangour of the faullty air conditioning unit that lurks in the anonymous office building yet lends it eerie ambience....

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Ricardo Donoso

LP | 2020 | EU | Original (Pan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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180g vinyl. Terry Waite was taken hostage in Beirut in the late 1980s, before ISIS, before smartphones, before the Internet as we know it. He endured a mock execution during the first year of his five-year captivity, which was spent mostly in solitary confinement. Years later, during a Q&A session, he was asked to identify the main thing he had learned from his ordeal. The answer, came as a shock_it was not the excruciatingly hard-won appreciation for life and loved ones that one expects to hear. "Contemporary humanity," declared Waite, "has lost the ability to engage in productive solitude."""Content"" is the 9th album of the US based producer Ricardo Donoso.

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Amnesia Scanner

Tearless

(Wiretap) Clear Vinyl w/ Black Smoke Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Amnesia Scanner announces Tearless, the Berlin-based duo's second LP. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw, the staggering scale of political recalibration and the worldwide climate crisis to come blows open old norms. This album reflects what it feels to experience Earth at a time when collapse is emerging as the prevailing narrative.The musical scope of the record is expansive, with guest vocalists - the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA - descending into a vast uncanny valley of sound. Tearless follows the 2014 `AS Live [ ] [ ] [ ] [ ] [ ]' mixtape, 2015 audio play Angels Rig Hook, two EP's for Young Turks, and their 2018 debut album, Another Life (PAN)."There's a looming sense of radical change," they note, connecting the present to a fin de siecle horror and curiosity regarding what new world is being ushered in. Someone called Tearless a "breakup album with the planet." To which Amnesia Scanner responds, on the LP's closing track: "You will be fine, if we can help you lose your mind."With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Listening through: Opener "AS Enter" sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed "Tearless") make clear there's plenty of roaring to come. A feature from metalcore band Code Orange on "AS Flat" follows, along with "AS Trouble" (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as blackmetal-gaze dirges. At the album's midpoint, Lalita returns for the beautiful, operatic breakdown of "AS Ac" (released as a single in 2019), before "Center of the Labyrinth" guides listeners through three club ready tracks - the grain-processed dembow of "AS Too Late" and "AS Going" with LYZZA, and then the ambient headbanger "AS Labyrinth." Closing 'Tearless' is the sadboy grunge of "AS U Will Be Fine" with a clear statement o...

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Chinese Hackers

LP | 2020 | US | Original (Needlejuice)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Clear Vinyl with Black Smoke. Chinese Hackers’ (w i r e t a p) reinvent the vaporwave genre by creating a new style: vaporgoth. Before making vaporwave music, Chinese Hackers had recorded industrial music under several different aliases. Using those dark and noisy inspirations, the sounds of industrial grind and vaporwave birthed a new sound with a bleak spin.

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2LP | 2020 | EU | Original (Cracki)

Mémoires D'éléphant #3

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Walk This Way)

Tamas

Hysterie

Release: 2020 / EU – Original

Genre: Hip Hop

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War Is Hell Blue Vinyl Edition

Discharge

LP | 2020 | US | Original (Cleopatra)

Fan The Flame Part 1 White Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Reissue of the hard hitting 2008 compilation album from hardcore icons Discharge!
Features both studio recordings and vicious live cuts to satisfy the fans of this influential band!

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Dead Or Alive

LP | 2020 | UK | Original (Demon)

Release: 2020 / UK – Original

Genre: Pop

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LP | 2020 | EU | Original (Europa)

Die Drei ???

206 / Und Der Mottenmann

Release: 2020 / EU – Original

Genre: Soundtracks

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2LP | 2020 | UK | Original (ATO)

Nick Hakim

Will This Make Me Good

Release: 2020 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Morr Music)

Minna Miteru

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In collaboration with Markus Acher's Alien Transistor label, Morr Music presents a collection of hard-to-find Japanese independent music, compiled by Saya, who plays with Ueno Takashi in the iconic duo Tenniscoats. They are part of a current music scene, which is little known outside of Japan. "Minna Miteru" focuses on that very scene: the featured bands and musicians share a certain idea of DIY, and are also connected through frequent collaborations and mutual appreciation.

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V Don

Black Mass

LP | 2017 | EU | Reissue (Columbia)

Release: 2020 / EU – Original

Genre: Hip Hop

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V Don is back with a brand new full-length entitled "Black Mass”, a project showcasing his work behind the boards. The Harlembased producer has previously crafted beats for artists such as Westside Gunn, A$AP Rocky, Styles P and Trae Tha Truth. V Don’s new release is comprised of 12 tracks and features many of his frequent collaborators. Guests include Dave East, Willie The Kid, Elcamino, Smoke DZA, Eto and 38 Spesh, among others. Limited edition of 300 handnumbered copies, 100 on silver marbled viny, 200 on clear blue vinyl. Standard black vinyl version available for retailers.

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Nas

Illmatic

Release: 2017 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves with small seam split.
Small light scuff on side 2, record is close to VG+

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All Watched Over By Machines Of Loving Grace

2x12" | 2017 | FR | Original (Public System)

29,99 €* 39,99 € -25%

Release: 2017 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | EU | Original (541 Label)

Compact Disk Dummies

Neon Fever Dream

Release: 2020 / EU – Original

Genre: Electronic & Dance

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OST Ritmo Dell'Industria N.2

Alessandro Alessandroni

LP | 2020 | EU | Original (BTF)

Release: 2020 / EU – Original

Genre: Soundtracks

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Of Anxiety X Discernment Black Vinyl Edition

Philipp Rumsch Ensemble

Release: 2020 / EU – Original

Genre: Organic Grooves

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Of Anxiety X Discernment Colored Vinyl Edition

Philipp Rumsch Ensemble

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | UK | Original (High Focus)

Ramson Badbonez

Death Mask

Klaus Doldinger's Passport / Udo Lindenberg / Max Mutzke / Moses

Release: 2020 / UK – Original

Genre: Hip Hop

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There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

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Motherhood

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Musique Tops)

Tops

I Feel Alive

Dream Hunting In The Valley Of The In-Between Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Last year, Montreal dream-pop four-piece Tops launched their very own Musique TOPS record label and christened it with two new singles, "Echo of Dawn" and "Seven Minutes." And now, they’re back in full force, with a new album all ready to go. I Feel Alive, the follow-up to 2017’s Sugar At The Gate, released through their own imprint.

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Man Man

2LP | 2020 | US | Original (Sub Pop)

Dream Hunting In The Valley Of The In-Between

Release: 2020 / US – Original

Genre: Rock & Indie

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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."

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Man Man

2LP | 2020 | US | Original (Sub Pop)

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / US – Original

Genre: Rock & Indie

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Ben L'Oncle Soul

Addicted To You

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Fat Wreck)

The Bombpops

Death In Venice Beach

Release: 2020 / US – Original

Genre: Rock & Indie

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Bird Cage: Birdfriend Archives

2LP | 2020 | US | Original (EM)

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / US – Original

Genre: Electronic & Dance

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* This compilation, available on CD and double vinyl, features 18 tracks by Japanese artists, from 2013-2017, previously available only on hard-to-find cassettes on the Birdfriend label

* Compiled by Hino, who also provides liner notes and cover art

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Lucci / Hube / Ford 78

Unabomber

Release: 2020 / EU – Original

Genre: Hip Hop

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205 / Das Rätselhafte Erbe

Die Drei ???

2LP | 2020 | EU | Original (Europa)

Release: 2020 / EU – Original

Genre: Soundtracks

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2LP | 2020 | EU | Original (Blue Note)

Kandace Springs

The Women Who Raised Me

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Universal)

Lil Wayne

Funeral

Release: 2020 / EU – Original

Genre: Hip Hop

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2LP | 2020 | EU | Original (Polydor)

The Who

OST The Kids Are Alright

Release: 2020 / EU – Original

Genre: Soundtracks

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The Prime Same Colored Vinyl Edition

Asfast

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Prime Same Black Vinyl Edition

Asfast

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Enter The Mirage Colored Vinyl Edition

Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

8: Kindred Spirits - Live From Lobero

Release: 2020 / EU – Original

Genre: Rock & Indie

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Enter the Mirage is arguably the most blazing and powerful album yet by The Sonic Dawn. It has an unusual live feel for a studio album, packing much of the raw energy and electricity that has made The Sonic Dawn’s psychedelic concerts famous in the rock underground. Enter the Mirage’s overall theme is freedom. It is about visions that may seem too distant to be real, but only those who take the trip will ever really find out. Frontman, Emil Bureau, explains about the album’s inception: “First I lost my father, then I lost my job and finally I lost my will to be a servant of anything that isn’t peace, love and freedom. It should be simple, but in this world it isn’t. Instead of getting back on the so-called career path, which is generally a dead end, I took a leap of faith, with the band’s support.” Bureau spent half a year in a songwriting frenzy, spawning not only Enter the Mirage by The Sonic Dawn, but also a solo album in the folk genre (available via Heavy Psych Sounds). To give form to these song ideas, the Danish trio rented a space in the gloomiest part of Copenhagen, set up a studio there and rocked out for two months. You hear that roughness, present as a determined attitude from a tightly knit band. With three past albums and some 200 shows under their belt, The Sonic Dawn is a psychedelic group to be reckoned with. However, at the end of their long and laborious creative process, the band was completely broke. Fortunately, friend and former producer, Thomas Vang, allowed them to mix the album in The Village Recording at night, after his own sessions. Thanks to this, and a skillful mastering by Hans Olsson Brookes (Graveyard et al.) Enter the Mirage puts the HIGH back in high fidelity. Turn up the volume and experience The Sonic Dawn.

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Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

LP | 2020 | UK | Original (Izipho Soul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Orpheus (Jarrod Lawson)

Visions

Release: 2020 / UK – Original

Genre: Organic Grooves

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IZIPHO SOUL RECORDS are truly blessed to represent the vinyl element of JARROD LAWSON'S pseudonym project, ORPHEUS -
A beautiful, bewitching, viby brew of acoustic & electronic elements, featuring lush, soulful vocal textures and elegant melodies.
The fine artwork of Jaquelyn Cruz has been recreated in all the glory of a 12 inch cover, with printed inner sleeve and ORANGE vinyl!
In Jarrod’s words – VISIONS, a non-lyrical album of all original music which has been carefully crafted and tailored to tease your senses and guide you thru a peaceful, spiritually enriching experience. I am truly honored and humbled to have been a creative conduit through which came this vivid tapestry of dreamy, visionary tales. The original concepts which gave birth to these compositions are, in my mind, not unlike “visions" which are imparted to shamans during traditional consciousness-altering ceremonies, and much like the healing that comes through the use of associated sacred plant medicines, my intention is for THIS MUSIC also to produce healing vibrations, to soothe, and be a sort of medicinal balm for your soul. I have chosen to release this under the pseudonym, Orpheus, whom was a legendary musician in Greek mythology known for his unique ability to charm the very animals and trees of the forest with the enchanting melodies he performed on his lyre. It was important to me that I create some division between Jarrod Lawson, the soul singer as I have come to be known, and Jarrod Lawson, the purveyor of alternative artistic pursuits, such as this. Essentially, an alias gives me artistic freedom to explore other creative territories and (hopefully) not alienate my fervent supporters, to whom I am most appreciative and grateful!

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LP | 2020 | EU | Original (En Avant La Zizique!)

Grotto Session

LP | 2020 | EU | Original (Orikami)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Music Maker Relief Foundation, is non-governmental organization. It was founded to preserve the musical traditions of the South by directly supporting the musicians who make it, ensuring their voices will not be silenced by poverty and time. Music Maker will give future generations access to their heritage through documentation and performance programs that build knowledge and appreciation of America’s musical traditions.
Original blues & gospel from Music Maker 's archives, Grotto Session illustrates the true sound of the deep south re-imaginated by three young musicians to celebrate the 25th birthday's foundation. Only released as digital files til now, EALZ! Records have been chosen by MMRF to produce an exclusive physical album.
An inspired, electric & groovy transgenerational project featuring: Captain 'Luke, Cora Fluker, John Dee Holman, Essie Mae Brooks, Rufus McKenzie and more...
Gatefold cover, 12inch vinyl, including a 16-pages booklet with complete liner notes, rare & exclusive Tim Duffy's photographs (Recorded in North Carolina, crafted in Paris, pressed in Normandy, limited edition)

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Stuckinwaveforms

Seeds

Release: 2020 / EU – Original

Genre: Hip Hop

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Le premier album d’un des producteurs Hip-Hop les plus en vue du moment est là, prêt à être savouré par votre audition ! 'Seeds' est un projet de 14 titres produit avec patience et élégance afin de vous faire voyager dans l'univers de StuckInWaveForms, un univers avec une musique souple et ondée, aux basses prononcées, le tout, dans des productions pointues et parfois insaisissables. Un véritable concentré de groove, où l’on navigue entre hip-hop, electronic, funk, jazz et sons à grosse basse sur 14 titres, tous plus chill-out les uns que les autres.

Under the StuckInWaveForms name Théodore has served up the impeccable ’seeds’, a sublime, sunshine-y hip-hop electronic and jazzy infused debut album, and one with some sweet artwork courtesy of French artist Lou.

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Tea & Symphony-English Baroque 1968-1974

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Pop

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2LP | 2020 | EU | Original (Europa)

Die Drei ???

204 / Der dunkle Wächter

Release: 2020 / EU – Original

Genre: Soundtracks

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2LP | 2017 | EU | Original (Rocket Entertainment)

Elton John

Diamonds

LP | 2017 | DE | Original (Dezi Belle)

Release: 2017 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves.
Small light scuff on side B.

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Ebbe Funk

Akkordarbeit

Super Seal Giant Robo V.2 (Right Arm)

Release: 2017 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
Record is close to VG+.
Small sticker on back cover, but close to NM.

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Skratchy Seal

10" | 2017 | US | Original (Thud Rumble)

12" | 2017 | DE | Original (GOSU)

Release: 2017 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Aqua blue marbled vinyl. Cover has tiny wear, a bent corner and a thin, long blade cut. Vinyl with scuffs and hairlines and DJ stickers on the runout.

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Thomas Rooge

EP 1

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Chris Robinson Brotherhood

Barefoot In The Head

2LP | 2017 | CZ | Original (Silver Arrow)